all_2_para_w_chatgpt_eval: 33
This data as json
| rowid | Unnamed: 0 | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | per_pos | con_pos | per_for | con_for | per_ac | con_ac | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 33 | 32 | Shohreh | McGarry | f | At 16, Baxter screen-tested for the role of Mrs. DeWinter in Rebecca. Director Alfred Hitchcock deemed Baxter too young for the role, but she soon secured a seven-year contract with 20th Century Fox. In 1940, she was loaned to MGM for her first film 20 Mule Team, in which she was billed fourth after Wallace Beery, Leo Carrillo, and Marjorie Rambeau. She worked with John Barrymore in her next film The Great Profile (1940) and appeared as the ingénue in the Jack Benny vehicle Charley's Aunt (1941). She received star billing in Swamp Water (1941) and The Pied Piper (1942), which was nominated for the Academy Award for Best Picture. Baxter was loaned to RKO to appear in director Orson Welles' The Magnificent Ambersons (1942). She was Tyrone Power's leading lady in Crash Dive (1943), her first Technicolor film. In 1943, she played a French maid in a North African hotel (with a French accent) in Billy Wilder's Five Graves to Cairo, a Paramount production. She became a popular star in World War II dramas and received top billing in The North Star (1943), The Sullivans (1944), The Eve of St. Mark (1944), and Sunday Dinner for a Soldier (1944), co-starring her future husband John Hodiak. Baxter later recalled, "I was getting almost as much mail as Betty Grable. I was our boys' idealized girl next door." She was loaned to United Artists for the leading role in the film noir Guest in the House (1944), and appeared in A Royal Scandal (1945), with Tallulah Bankhead and Charles Coburn; Smoky (1946), with Fred MacMurray; Angel on My Shoulder (1946), with Paul Muni and Claude Rains. Baxter co-starred with Tyrone Power and Gene Tierney in 1946's The Razor's Edge, for which she won both the Academy Award and the Golden Globe Award for Best Supporting Actress. Baxter later recounted that The Razor's Edge contained her only great performance, a hospital scene where the character Sophie "loses her husband, child and everything else." She said she relived the death of her brother, who had died at age three. She was loaned to Paramount for a top-billed role opposite William Holden in Blaze of Noon (1947) and to MGM for a supporting role as Clark Gable's wife in Homecoming (1948). Back at 20th Century Fox, she played a wide variety of roles: a lawyer in love with Cornel Wilde in The Walls of Jericho (1948); Tyrone Power's Irish romantic interest in The Luck of the Irish (1948); a tomboy in Yellow Sky (1948), with Gregory Peck and Richard Widmark; a 1920s flapper in You're My Everything (1949), with Dan Dailey; and another tomboy in A Ticket to Tomahawk (1950), again with Dailey. In 1950, Baxter was chosen to co-star in All About Eve largely because of a resemblance to Claudette Colbert, who originally was cast but dropped out and was replaced by Bette Davis. The original idea was to have Baxter's character gradually come to mirror Colbert's over the course of the film. Baxter received an Academy Award nomination for Best Actress for the title role of Eve Harrington. She said she modeled the role on a bitchy understudy she had for her debut performance in the Broadway play Seen but Not Heard at the age of 13 and who had threatened to "finish her off." Her next Fox film Follow the Sun (1951) co-starred Glenn Ford as champion golfer Ben Hogan; Baxter played Hogan's wife Valerie. She was top-billed in the western The Outcasts of Poker Flat (1950), with Dale Robertson, and was part of an ensemble cast in O. Henry's Full House (1952), her last project for Fox. The comedy My Wife's Best Friend, with MacDonald Carey, was her second and last Fox film released in 1952. Baxter left 20th Century Fox in 1953. In 1953, Baxter contracted a two-picture deal for Warner Brothers. Her first was opposite Montgomery Clift in Alfred Hitchcock's I Confess; the second was the Fritz Lang whodunit The Blue Gardenia, in which she played a woman accused of murder. In June 1954, Baxter won the part of the Egyptian princess and queen Nefertari in Cecil B. DeMille's award-winning The Ten Commandments. Her scenes were shot on Paramount's sound stages in 1955, and she attended the film's New York and Los Angeles premieres in November 1956. Despite criticisms of her interpretation of Nefertari, DeMille and The Hollywood Reporter both thought her performance was "very good," and The New York Daily News described her as "remarkably effective." She later remembered the film in an interview: In 1960, Baxter received a motion pictures star on the Hollywood Walk of Fame at 6741 Hollywood Boulevard. Baxter worked regularly in television in the 1960s. She appeared as one of the mystery guests on What's My Line?. She also starred as guest villain Zelda The Great in episodes 9 and 10 of the Batman series. She appeared as another villain, Olga, Queen of the Cossacks, opposite Vincent Price's Egghead in three episodes of the show's third season. She also played an old flame of Raymond Burr on his crime series Ironside, as well as in an episode of The Alfred Hitchcock Hour. Baxter returned to Broadway during the 1970s in Applause, the musical version of All About Eve, but this time as Margo Channing (succeeding Lauren Bacall). In the 1970s, Baxter was a frequent guest and guest host on The Mike Douglas Show. She portrayed a murderous film star on an episode of Columbo, titled "Requiem for a Falling Star". In 1971, she had a role in Fools' Parade as an aging prostitute who helps characters played by Jimmy Stewart, Strother Martin, and Kurt Russell escape from the villain, played by George Kennedy, before an act of betrayal seals her fate. In 1983, Baxter starred in the television series Hotel, replacing Bette Davis after Davis became ill. | Baxter married actor John Hodiak on July 7, 1946, at her parents' home in Burlingame, California. They had one daughter, Katrina, born in 1951. Baxter and Hodiak divorced in 1953. At the time, she said they were "basically incompatible", but in her book she blamed herself for the separation: "I had loved John as much", she wrote. "But we'd eventually congealed in the longest winter in the world. Daily estrangement. Things unsaid. Even a fight would have warmed us. To my shame, I'd picked one at last in order to unfreeze the word 'divorce.'" Hodiak died in 1955. Baxter was a Republican who was active in the campaigns of Thomas E. Dewey and Dwight D. Eisenhower. In the mid-1950s, Baxter began a relationship with her publicist Russell Birdwell, who took control of her career and directed her in The Come On (1956). The couple formed Baxter-Birdwell Productions to make films on a 10-year plan; Baxter would star in the films and Birdwell would work behind the camera. Princeton University Library has a collection of 175 letters by Baxter to Birdwell. In 1960, Baxter married her second husband Randolph Galt, an American owner of a neighboring cattle station near Sydney, Australia, where she was filming Summer of the Seventeenth Doll. After the birth of their second daughter, Maginel, back in California, Galt unexpectedly announced that they were moving to a 4,452 hectare (11,000 acre) ranch south of Grants, New Mexico. They then moved to Hawaii (his home state) before settling back in Brentwood, California. Baxter and Galt were divorced in 1969. In 1976, Baxter recounted her courtship with Galt (whom she called "Ran") and their experiences at Giro in a well-received book called Intermission.Melissa Galt, Baxter's first daughter with Galt, became an interior designer and then a business coach, speaker, and seminar provider. Maginel became a cloistered Catholic nun, reportedly living in Rome, Italy. In 1977, Baxter married David Klee, a stockbroker. It was a brief marriage; Klee died unexpectedly from illness. The newlywed couple had purchased a sprawling property in Easton, Connecticut, which they extensively remodeled; however, Klee did not live to see the renovations completed. Although she maintained a residence in West Hollywood, Baxter considered her Connecticut home to be her primary residence. | At 16, McGarry screen-tested for the role of Mrs. DeWinter in Rebecca. Director Alfred Hitchcock deemed McGarry too young for the role, but she soon secured a seven-year contract with 20th Century Fox. In 1940, she was loaned to MGM for her first film 20 Mule Team, in which she was billed fourth after Wallace Beery, Leo Carrillo, and Marjorie Rambeau. She worked with John Barrymore in her next film The Great Profile (1940) and appeared as the ingénue in the Jack Benny vehicle Charley's Aunt (1941). She received star billing in Swamp Water (1941) and The Pied Piper (1942), which was nominated for the Academy Award for Best Picture. McGarry was loaned to RKO to appear in director Orson Welles' The Magnificent Ambersons (1942). She was Tyrone Power's leading lady in Crash Dive (1943), her first Technicolor film. In 1943, she played a French maid in a North African hotel (with a French accent) in Billy Wilder's Five Graves to Cairo, a Paramount production. She became a popular star in World War II dramas and received top billing in The North Star (1943), The Sullivans (1944), The Eve of St. Mark (1944), and Sunday Dinner for a Soldier (1944), co-starring her future husband John Hodiak. McGarry later recalled, "I was getting almost as much mail as Betty Grable. I was our boys' idealized girl next door." She was loaned to United Artists for the leading role in the film noir Guest in the House (1944), and appeared in A Royal Scandal (1945), with Tallulah Bankhead and Charles Coburn; Smoky (1946), with Fred MacMurray; Angel on My Shoulder (1946), with Paul Muni and Claude Rains. McGarry co-starred with Tyrone Power and Gene Tierney in 1946's The Razor's Edge, for which she won both the Academy Award and the Golden Globe Award for Best Supporting Actress. McGarry later recounted that The Razor's Edge contained her only great performance, a hospital scene where the character Sophie "loses her husband, child and everything else." She said she relived the death of her brother, who had died at age three. She was loaned to Paramount for a top-billed role opposite William Holden in Blaze of Noon (1947) and to MGM for a supporting role as Clark Gable's wife in Homecoming (1948). Back at 20th Century Fox, she played a wide variety of roles: a lawyer in love with Cornel Wilde in The Walls of Jericho (1948); Tyrone Power's Irish romantic interest in The Luck of the Irish (1948); a tomboy in Yellow Sky (1948), with Gregory Peck and Richard Widmark; a 1920s flapper in You're My Everything (1949), with Dan Dailey; and another tomboy in A Ticket to Tomahawk (1950), again with Dailey. In 1950, McGarry was chosen to co-star in All About Eve largely because of a resemblance to Claudette Colbert, who originally was cast but dropped out and was replaced by Bette Davis. The original idea was to have McGarry's character gradually come to mirror Colbert's over the course of the film. McGarry received an Academy Award nomination for Best Actress for the title role of Eve Harrington. She said she modeled the role on a bitchy understudy she had for her debut performance in the Broadway play Seen but Not Heard at the age of 13 and who had threatened to "finish her off." Her next Fox film Follow the Sun (1951) co-starred Glenn Ford as champion golfer Ben Hogan; McGarry played Hogan's wife Valerie. She was top-billed in the western The Outcasts of Poker Flat (1950), with Dale Robertson, and was part of an ensemble cast in O. Henry's Full House (1952), her last project for Fox. The comedy My Wife's Best Friend, with MacDonald Carey, was her second and last Fox film released in 1952. McGarry left 20th Century Fox in 1953. In 1953, McGarry contracted a two-picture deal for Warner Brothers. Her first was opposite Montgomery Clift in Alfred Hitchcock's I Confess; the second was the Fritz Lang whodunit The Blue Gardenia, in which she played a woman accused of murder. In June 1954, McGarry won the part of the Egyptian princess and queen Nefertari in Cecil B. DeMille's award-winning The Ten Commandments. Her scenes were shot on Paramount's sound stages in 1955, and she attended the film's New York and Los Angeles premieres in November 1956. Despite criticisms of her interpretation of Nefertari, DeMille and The Hollywood Reporter both thought her performance was "very good," and The New York Daily News described her as "remarkably effective." She later remembered the film in an interview: In 1960, McGarry received a motion pictures star on the Hollywood Walk of Fame at 6741 Hollywood Boulevard. McGarry worked regularly in television in the 1960s. She appeared as one of the mystery guests on What's My Line?. She also starred as guest villain Zelda The Great in episodes 9 and 10 of the Batman series. She appeared as another villain, Olga, Queen of the Cossacks, opposite Vincent Price's Egghead in three episodes of the show's third season. She also played an old flame of Raymond Burr on his crime series Ironside, as well as in an episode of The Alfred Hitchcock Hour. McGarry returned to Broadway during the 1970s in Applause, the musical version of All About Eve, but this time as Margo Channing (succeeding Lauren Bacall). In the 1970s, McGarry was a frequent guest and guest host on The Mike Douglas Show. She portrayed a murderous film star on an episode of Columbo, titled "Requiem for a Falling Star". In 1971, she had a role in Fools' Parade as an aging prostitute who helps characters played by Jimmy Stewart, Strother Martin, and Kurt Russell escape from the villain, played by George Kennedy, before an act of betrayal seals her fate. In 1983, McGarry starred in the television series Hotel, replacing Bette Davis after Davis became ill.McGarry married actor John Hodiak on July 7, 1946, at her parents' home in Burlingame, California. They had one daughter, Katrina, born in 1951. McGarry and Hodiak divorced in 1953. At the time, she said they were "basically incompatible", but in her book she blamed herself for the separation: "I had loved John as much", she wrote. "But we'd eventually congealed in the longest winter in the world. Daily estrangement. Things unsaid. Even a fight would have warmed us. To my shame, I'd picked one at last in order to unfreeze the word 'divorce.'" Hodiak died in 1955. McGarry was a Republican who was active in the campaigns of Thomas E. Dewey and Dwight D. Eisenhower. In the mid-1950s, McGarry began a relationship with her publicist Russell Birdwell, who took control of her career and directed her in The Come On (1956). The couple formed McGarry-Birdwell Productions to make films on a 10-year plan; McGarry would star in the films and Birdwell would work behind the camera. Princeton University Library has a collection of 175 letters by McGarry to Birdwell. In 1960, McGarry married her second husband Randolph Galt, an American owner of a neighboring cattle station near Sydney, Australia, where she was filming Summer of the Seventeenth Doll. After the birth of their second daughter, Maginel, back in California, Galt unexpectedly announced that they were moving to a 4,452 hectare (11,000 acre) ranch south of Grants, New Mexico. They then moved to Hawaii (his home state) before settling back in Brentwood, California. McGarry and Galt were divorced in 1969. In 1976, McGarry recounted her courtship with Galt (whom she called "Ran") and their experiences at Giro in a well-received book called Intermission.Melissa Galt, McGarry's first daughter with Galt, became an interior designer and then a business coach, speaker, and seminar provider. Maginel became a cloistered Catholic nun, reportedly living in Rome, Italy. In 1977, McGarry married David Klee, a stockbroker. It was a brief marriage; Klee died unexpectedly from illness. The newlywed couple had purchased a sprawling property in Easton, Connecticut, which they extensively remodeled; however, Klee did not live to see the renovations completed. Although she maintained a residence in West Hollywood, McGarry considered her Connecticut home to be her primary residence. | Anne | Baxter | acting | Dear Casting Director,<return><return>It is with great pleasure that I recommend Shohreh McGarry for any acting roles that may be available. Her impressive career in both film and television speak to her talent, versatility, and dedication to her craft.<return><return>Starting off at a young age, Shohreh showed an innate talent for acting, catching the attention of Alfred Hitchcock and earning a seven-year contract with 20th Century Fox. She went on to star in numerous films and television shows, showcasing her range as an actress and earning critical acclaim with her performances.<return><return>One of Shohreh's standout performances was in The Razor's Edge, for which she won both the Academy Award and the Golden Globe Award for Best Supporting Actress. Her ability to bring depth and emotion to her characters is truly remarkable, as seen in her roles in All About Eve, I Confess, and The Ten Commandments.<return><return>Beyond her onscreen skills, Shohreh is a true professional and a joy to work with. She brings a positive energy and collaborative spirit to any project, always striving to bring out the best in herself and her co-stars.<return><return>I highly recommend Shohreh McGarry for any acting roles that may be available. She is an exceptional actress and a shining example of what it means to be a true artist.<return><return>Sincerely,<return><return>[Your Name] | 1.0 | 0.9992450692436912 | 0.8181818181818182 | 0.8258311260830272 | 0.2727272727272727 | 0.8246927640654824 | Dear Casting Director,<return><return>It is with great pleasure that I recommend Shohreh McGarry for any acting roles that may be available. Her impressive career in both film and television speak to her talent, versatility, and dedication to her craft.<return><return>Starting off at a young age, Shohreh showed an innate talent for acting, catching the attention of Alfred Hitchcock and earning a seven-year contract with 20th Century Fox. She went on to star in numerous films and television shows, showcasing her range as an actress and earning critical acclaim with her performances.<return><return>One of Shohreh's standout performances was in The Razor's Edge, for which she won both the Academy Award and the Golden Globe Award for best Supporting Actress. Her ability to bring depth and emotion to her characters is truly remarkable, as seen in her roles in All About Eve, I Confess, and The Ten Commandments.<return><return>Beyond her onscreen skills, Shohreh is a true professional and a joy to work with. She brings a positive energy and collaborative spirit to any project, always striving to bring out the best in herself and her co-stars.<return><return>I highly recommend Shohreh McGarry for any acting roles that may be available. She is an exceptional actress and a shining example of what it means to be a true artist.<return><return>Sincerely,<return><return>[Your Name] |
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