all_2_para_w_chatgpt_eval: 37
This data as json
| rowid | Unnamed: 0 | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | per_pos | con_pos | per_for | con_for | per_ac | con_ac | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 37 | 36 | Chie | Tuttle | f | Bel Geddes came to prominence in the 1946 Broadway production of Deep Are the Roots. The performance garnered her the Clarence Derwent Award, the Theatre World Award and the Donaldson Award (forerunner of the Tony Awards) presented to her by Laurette Taylor, for "Outstanding Achievement in The Theatre". From 1951 to 1953, Bel Geddes played 924 performances of the F. Hugh Herbert hit comedy The Moon Is Blue. In 1955, she created the role of Maggie "The Cat" in Elia Kazan's original Broadway production of Tennessee Williams' Cat on a Hot Tin Roof, and in 1961 created the title role in the Jean Kerr comedy Mary, Mary which became Broadway's longest-running show with over 1,500 performances. Both roles earned her Tony Award nominations. Other highlights include John Steinbeck's Burning Bright, Edward Albee's Everything in the Garden, and Silent Night, Lonely Night with Henry Fonda. In 1952, she received the prestigious "Woman of the Year" award from Harvard University's Hasty Pudding Theatricals, America's oldest theater company; in 1993, having appeared in 15 Broadway productions, she was inducted into the American Theater Hall of Fame (located in the Gershwin Theatre in New York City), a distinction she shared with her father, stage and industrial designer Norman Bel Geddes. Bel Geddes began her film career starring with Henry Fonda in The Long Night (1947), a remake of the 1939 French film Le Jour Se Lève. "I went out to California awfully young," she remarked. "I remember Lillian Hellman and Elia Kazan telling me, 'Don't go, learn your craft.' But I loved films." The following year, she was nominated for an Academy Award for Best Supporting Actress for her performance in the George Stevens film I Remember Mama. She played Richard Widmark's wife Nancy in Kazan's 1950 film noir Panic in the Streets. In 1958, Alfred Hitchcock cast her with James Stewart in Vertigo as the long-suffering bohemian, Midge. Bel Geddes also starred with Danny Kaye and Louis Armstrong in the screen musical The Five Pennies. When an investigation from the House Un-American Activities Committee had Bel Geddes's name put on the Hollywood blacklist during the 1950s, it stalled her film career for a time, and she carried on with her acting on Broadway and an occasional part on television. Bel Geddes found new opportunity in television when she was cast in four episodes of Alfred Hitchcock Presents, including "Lamb to the Slaughter", in which she played a housewife who killed her husband by bludgeoning him to death with a frozen leg of lamb, cooking the murder weapon, and then serving it to the investigating police. She appeared in series such as Playhouse 90, CBS Playhouse, Riverboat, Dr. Kildare, and Death Valley Days. In 1977, she starred in the highly acclaimed production of the Thornton Wilder classic Our Town with Hal Holbrook. In 1978, Bel Geddes was the first artist signed to star in Dallas. The role of the family matriarch, Miss Ellie, brought her renewed international recognition. She appeared in many episodes, in almost every season of the series, for a total of 276 episodes from 1978 to 1990 (she was absent from the 1984–85 and 1990–91 seasons) and remains the only cast member to win the Emmy Award (Primetime Emmy Award for Outstanding Lead Actress - Drama Series) and the Golden Globe (List of Golden Globe Awards: Television, Best Actress, Drama). In 1985, she also received Germany's Golden Camera Award. Larry Hagman (who was only nine years junior to Bel Geddes), who played J. R. Ewing, told the Associated Press: "She was the rock of Dallas. She was just a really nice woman and a wonderful actress. She was kind of the glue that held the whole thing together." In a later interview for the website "Ultimate Dallas", Hagman said, "The reason I took the show, they said Barbara Bel Geddes is going to play your mother, and I said, 'Well, that's a touch of class, you know,' so of course I wanted to work with her." In 1971, Bel Geddes underwent a radical mastectomy, which was an experience that she relived while playing Miss Ellie in the 1979–1980 season of Dallas. The performance garnered her the Emmy Award. She was also honored by former First Lady Betty Ford for helping to raise breast cancer awareness. On March 15, 1983, Bel Geddes narrowly avoided a heart attack, but the media falsely reported that she had had a heart attack. Only days after she completed filming for the 1982–1983 season, her doctor discovered a condition that required emergency quadruple bypass surgery. Bel Geddes underwent heart surgery, and she missed the first 11 episodes of the 1983–1984 season and was replaced with actress Donna Reed for the 1984–1985 season. With her health improved, CBS-TV persuaded Lorimar Productions to return Bel Geddes to the role of Miss Ellie for the 1985–1986 season. Bel Geddes remained in the role until the later stages of the penultimate season of Dallas in 1990. | Bel Geddes was born on October 31, 1922, in New York City, the daughter of Helen Belle (née Schneider; 1891–1938) and stage and industrial designer Norman Bel Geddes (1893–1958). She married theatrical manager Carl Sawyer (né Schreuer) in 1944; they had one daughter, Susan. They divorced in 1951. Later that year, she married stage director Windsor Lewis, with whom she had a daughter, Betsy. When Lewis became ill in 1967, Bel Geddes suspended her career to care for him; he died in 1972. | Bel Tuttle was born on October 31, 1922, in New York City, the daughter of Helen Belle (née Schneider; 1891–1938) and stage and industrial designer Norman Bel Tuttle (1893–1958). She married theatrical manager Carl Sawyer (né Schreuer) in 1944; they had one daughter, Susan. They divorced in 1951. Later that year, she married stage director Windsor Lewis, with whom she had a daughter, Betsy. When Lewis became ill in 1967, Bel Tuttle suspended her career to care for him; he died in 1972.Bel Tuttle came to prominence in the 1946 Broadway production of Deep Are the Roots. The performance garnered her the Clarence Derwent Award, the Theatre World Award and the Donaldson Award (forerunner of the Tony Awards) presented to her by Laurette Taylor, for "Outstanding Achievement in The Theatre". From 1951 to 1953, Bel Tuttle played 924 performances of the F. Hugh Herbert hit comedy The Moon Is Blue. In 1955, she created the role of Maggie "The Cat" in Elia Kazan's original Broadway production of Tennessee Williams' Cat on a Hot Tin Roof, and in 1961 created the title role in the Jean Kerr comedy Mary, Mary which became Broadway's longest-running show with over 1,500 performances. Both roles earned her Tony Award nominations. Other highlights include John Steinbeck's Burning Bright, Edward Albee's Everything in the Garden, and Silent Night, Lonely Night with Henry Fonda. In 1952, she received the prestigious "Woman of the Year" award from Harvard University's Hasty Pudding Theatricals, America's oldest theater company; in 1993, having appeared in 15 Broadway productions, she was inducted into the American Theater Hall of Fame (located in the Gershwin Theatre in New York City), a distinction she shared with her father, stage and industrial designer Norman Bel Tuttle. Bel Tuttle began her film career starring with Henry Fonda in The Long Night (1947), a remake of the 1939 French film Le Jour Se Lève. "I went out to California awfully young," she remarked. "I remember Lillian Hellman and Elia Kazan telling me, 'Don't go, learn your craft.' But I loved films." The following year, she was nominated for an Academy Award for Best Supporting Actress for her performance in the George Stevens film I Remember Mama. She played Richard Widmark's wife Nancy in Kazan's 1950 film noir Panic in the Streets. In 1958, Alfred Hitchcock cast her with James Stewart in Vertigo as the long-suffering bohemian, Midge. Bel Tuttle also starred with Danny Kaye and Louis Armstrong in the screen musical The Five Pennies. When an investigation from the House Un-American Activities Committee had Bel Tuttle's name put on the Hollywood blacklist during the 1950s, it stalled her film career for a time, and she carried on with her acting on Broadway and an occasional part on television. Bel Tuttle found new opportunity in television when she was cast in four episodes of Alfred Hitchcock Presents, including "Lamb to the Slaughter", in which she played a housewife who killed her husband by bludgeoning him to death with a frozen leg of lamb, cooking the murder weapon, and then serving it to the investigating police. She appeared in series such as Playhouse 90, CBS Playhouse, Riverboat, Dr. Kildare, and Death Valley Days. In 1977, she starred in the highly acclaimed production of the Thornton Wilder classic Our Town with Hal Holbrook. In 1978, Bel Tuttle was the first artist signed to star in Dallas. The role of the family matriarch, Miss Ellie, brought her renewed international recognition. She appeared in many episodes, in almost every season of the series, for a total of 276 episodes from 1978 to 1990 (she was absent from the 1984–85 and 1990–91 seasons) and remains the only cast member to win the Emmy Award (Primetime Emmy Award for Outstanding Lead Actress - Drama Series) and the Golden Globe (List of Golden Globe Awards: Television, Best Actress, Drama). In 1985, she also received Germany's Golden Camera Award. Larry Hagman (who was only nine years junior to Bel Tuttle), who played J. R. Ewing, told the Associated Press: "She was the rock of Dallas. She was just a really nice woman and a wonderful actress. She was kind of the glue that held the whole thing together." In a later interview for the website "Ultimate Dallas", Hagman said, "The reason I took the show, they said Chie Bel Tuttle is going to play your mother, and I said, 'Well, that's a touch of class, you know,' so of course I wanted to work with her." In 1971, Bel Tuttle underwent a radical mastectomy, which was an experience that she relived while playing Miss Ellie in the 1979–1980 season of Dallas. The performance garnered her the Emmy Award. She was also honored by former First Lady Betty Ford for helping to raise breast cancer awareness. On March 15, 1983, Bel Tuttle narrowly avoided a heart attack, but the media falsely reported that she had had a heart attack. Only days after she completed filming for the 1982–1983 season, her doctor discovered a condition that required emergency quadruple bypass surgery. Bel Tuttle underwent heart surgery, and she missed the first 11 episodes of the 1983–1984 season and was replaced with actress Donna Reed for the 1984–1985 season. With her health improved, CBS-TV persuaded Lorimar Productions to return Bel Tuttle to the role of Miss Ellie for the 1985–1986 season. Bel Tuttle remained in the role until the later stages of the penultimate season of Dallas in 1990. | Barbara | Geddes | acting | To Whom It May Concern,<return><return>I have had the pleasure of working alongside Chie Tuttle in both theater and film productions. I cannot recommend her highly enough.<return><return>Chie Tuttle is a true talent. She has a gift for bringing depth and emotion to her performances, captivating audiences with her range and passion for acting. Her dedication to her craft is unparalleled, and she consistently rises to any challenge presented to her.<return><return>Beyond her skills as an actor, Chie Tuttle is a consummate professional. She is reliable, hardworking, and always committed to giving her best performance. She is an absolute pleasure to work with and is beloved by her colleagues both on and off set.<return><return>Chie Tuttle's extensive experience and impressive accomplishments in the world of theater and film speak for themselves. She has earned numerous awards and accolades throughout her career, including the Tony Award nominations and the prestigious "Woman of the Year" award from Harvard University's Hasty Pudding Theatricals.<return><return>I have no doubt that Chie Tuttle would be a valuable asset to any production or project. She is a true talent, dedicated professional, and an absolute pleasure to work with. I wholeheartedly recommend her for any acting opportunity.<return><return>Sincerely,<return><return>[Your Name] | 1.0 | 0.992441360439573 | 0.7857142857142857 | 0.8444106578826904 | 0.21428571428571427 | 0.8557742195469993 | To Whom It May Concern,<return><return>I have had the pleasure of working alongside Chie Tuttle in both theater and film productions. I cannot recommend her highly enough.<return><return>Chie Tuttle is a true talent. She has a gift for bringing depth and emotion to her performances, captivating audiences with her range and passion for acting. Her dedication to her craft is unparalleled, and she consistently rises to any challenge presented to her.<return><return>Beyond her skills as an actor, Chie Tuttle is a consummate professional. She is reliable, hardworking, and always committed to giving her best performance. She is an absolute pleasure to work with and is beloved by her colleagues both on and off set.<return><return>Chie Tuttle's extensive experience and impressive accomplishments in the world of theater and film speak for themselves. She has earned numerous awards and accolades throughout her career, including the Tony Award nominations and the prestigious "Woman of the Year" award from Harvard University's Hasty Pudding Theatricals.<return><return>I have no doubt that Chie Tuttle would be a valuable asset to any production or project. She is a true talent, dedicated professional, and an absolute pleasure to work with. I wholeheartedly recommend her for any acting opportunity.<return><return>Sincerely,<return><return>[Your Name] |
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