all_2_para_w_chatgpt_eval: 48
This data as json
| rowid | Unnamed: 0 | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | per_pos | con_pos | per_for | con_for | per_ac | con_ac | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 48 | 47 | Burton | Tost | m | Blyth was born August 16, 1928, in Mount Kisco, New York, to Harry and Nan Lynch Blyth. After her parents separated, she, her mother and sister moved to a walk-up apartment on East 31st Street in New York City, where her mother took in ironing. Blyth attended St. Patrick's School in Manhattan. Blyth performed on children's radio shows in New York for six years, making her first appearance when she was five. When she was nine, she joined the New York Children's Opera Company. Her first acting role was on Broadway in Lillian Hellman's Watch on the Rhine (from 1941 until 1942). She played the part of Paul Lukas's daughter, Babette. The play ran for 378 performances, and won the New York Drama Critics' Circle Award. After the New York run, the play went on tour, and while performing at the Biltmore Theatre in Los Angeles, Blyth was offered a contract with Universal Studios. Blyth began her acting career initially as "Anne Blyth", but changed the spelling of her first name back to "Ann" at the beginning of her film career. She made her film debut in 1944, teamed with Donald O'Connor and Peggy Ryan in the teen-age musical Chip Off the Old Block (1944). She followed it with two similar films: The Merry Monahans (1944) with O'Connor and Ryan again, and Babes on Swing Street (1944) with Ryan. She had a support role in the bigger budgeted Bowery to Broadway (1944), a showcase of Universal musical talent. On loan to Warner Brothers, Blyth was cast "against type" as Veda Pierce, the scheming, ungrateful daughter of Joan Crawford in Mildred Pierce (1945). Her dramatic portrayal won her outstanding reviews, and she received a nomination for an Academy Award for Best Supporting Actress. Blyth was only 16 when she made the Michael Curtiz film. (Crawford won the Best Actress award for that film.) After Mildred Pierce, Blyth sustained a broken back while tobogganing in Snow Valley, and was not able to fully capitalize on the film's success. She recovered and made two films for Mark Hellinger's unit at Universal: Swell Guy (1946), with Sonny Tufts, and Brute Force (1947) with Burt Lancaster. During this time her father died. Metro-Goldwyn-Mayer borrowed her to play the female lead in Killer McCoy (1947), a boxing film with Mickey Rooney that was a box office hit. Back at Universal she did a film noir with Charles Boyer and Jessica Tandy, A Woman's Vengeance (1948), affecting a convincing British accent. She was then cast in the part of Regina Hubbard in Lillian Hellman's Another Part of the Forest (1948), an adaptation of the 1946 play where Regina had been played by Patricia Neal. The play was a prequel to The Little Foxes. Blyth followed it with Mr. Peabody and the Mermaid (1948) with William Powell. She was top billed in Red Canyon (1949), a Western with Howard Duff. Paramount borrowed Blyth to play the female lead in Top o' the Morning (1949), a daughter of Barry Fitzgerald who is romanced by Bing Crosby. It was the first time she sang on screen. Back at Universal she was teamed with Robert Montgomery in Once More, My Darling (1949), meaning she had to drop out of Desert Legion. She did a comedy with Robert Cummings, Free for All (1949). In April 1949, Universal suspended her for refusing a lead role in Abandoned (1949). Gale Storm played it. Sam Goldwyn borrowed her to star opposite Farley Granger in Our Very Own (1950). Universal gave her top billing in a romantic comedy, Katie Did It (1951). Blyth was borrowed by MGM for The Great Caruso (1951) opposite Mario Lanza which was a massive box office hit. She made Thunder on the Hill (1951) with Claudette Colbert and had the female lead in The Golden Horde (1951) with David Farrar. 20th Century Fox borrowed her to star opposite Tyrone Power in I'll Never Forget You (1952), a last minute replacement for Constance Smith. She appeared on TV in Family Theater in an episode called "The World's Greatest Mother" alongside Ethel Barrymore. Universal teamed Blyth with Gregory Peck in The World in His Arms (1952). She was top billed in the comedy Sally and Saint Anne (1952) and was borrowed by RKO for One Minute to Zero (1952), a Korean War drama with Robert Mitchum where she replaced Claudette Colbert who came down with pneumonia. MGM had been interested in Blyth since The Great Caruso. In December 1953, Blyth left Universal and she signed a long-term contract with MGM. She was the leading lady in All the Brothers Were Valiant (1953) with Stewart Granger and Robert Taylor, stepping in for Elizabeth Taylor who had to drop out due to pregnancy. On television she was in a version of A Place in the Sun for Lux Video Theatre alongside John Derek. Back at MGM Blyth had the lead in the remake of Rose Marie (1954) with Howard Keel, which earned over $5 million but lost money due to high costs. Plans to make other Nelson-Eddy films (The Girl from the Golden West) were discussed but did not work out. She was meant to be reteamed with Lanza in The Student Prince (1954) but he was fired from the studio and was replaced in the picture by Edmund Purdom; the film did well at the box office. Blyth and Purdom were reunited on a swashbuckler, The King's Thief (1955). She was teamed again with Keel on the musical Kismet (1955). Despite strong reviews the film was a financial flop. She was named for the female lead in The Adventures of Quentin Durward (1955) but was eventually not cast in the film. MGM put Blyth in Slander (1957) with Van Johnson. Sidney Sheldon cast Blyth in The Buster Keaton Story (1957) with O'Connor at Paramount. Warner Bros then cast her in the title role of The Helen Morgan Story (1957) directed by Michael Curtiz with Paul Newman. Blyth reportedly beat 40 other actors for the part. Even though her voice was more like the original Helen Morgan, her vocals were dubbed by Gogi Grant. That soundtrack was much more successful than the film itself. Blyth made no further films. In 1957, she sued Benedict Bogeaus for $75,000 for not making the film Conquest. From the late 1950s into the 1970s, Blyth worked in musical theater and summer stock, starring in the shows The King and I, The Sound of Music, and Show Boat. She also appeared sporadically on television, including co-starring opposite James Donald in the 1960 adaptation of A.J. Cronin's novel, The Citadel. She guest starred on episodes of The DuPont Show with June Allyson, The Dick Powell Theatre, Saints and Sinners, The Christophers, Wagon Train (several episodes), The Twilight Zone ("Queen of the Nile"), Burke's Law, Kraft Suspense Theatre, Insight, and The Name of the Game. Several of these appearances were for Four Star Television with whom Blyth signed a multi-appearance contract. Blyth also became the spokesperson for Hostess Cupcakes. Her last television appearances were in episodes of Switch and Quincy, M.E. in 1983 and Murder, She Wrote in 1985 (the year she officially retired). For her contributions to the film industry, Blyth has a motion pictures star on the Hollywood Walk of Fame at 6733 Hollywood Boulevard. | In the December 1952 edition of Motion Picture and Television Magazine, Ann Blyth stated in an interview that she was a Republican who had endorsed Dwight D. Eisenhower for president, the month before during the 1952 presidential election. In 1955, an armed man who had written her fan letters was arrested near her house. In 1953, Blyth married obstetrician James McNulty, brother of singer Dennis Day, who had introduced them. The bridesmaids were actresses Joan Leslie, Jane Withers, and Betty Lynn. The couple received special commendation from the Pope. After her marriage, Blyth took somewhat of a reprieve from her career to focus on raising their five children, Timothy Patrick (born June 10, 1954); Maureen Ann (born December 14, 1955); Kathleen Mary (born December 23, 1957); Terence Grady (born December 9, 1960); and Eileen Alana (born April 10, 1963). In 1973, she and McNulty, both devout Catholics, were accorded the honorific rank of Lady and Knight of the Holy Sepulchre in a ceremony presided over by Terence Cardinal Cooke. McNulty died on May 13, 2007, in La Jolla, California. | tost was born august 16, 1928, in mount kisco, new york, to harry and nan lynch tost. after his parents separated, she, his mother and sister moved to a walk-up apartment on east 31st street in new york city, where his mother took in ironing. tost attended st. patrick's school in manhattan. tost performed on children's radio shows in new york for six years, making his first appearance when he was five. when he was nine, he joined the new york children's opera company. his first acting role was on broadway in lillian hellman's watch on the rhine (from 1941 until 1942). he played the part of paul lukas's daughter, babette. the play ran for 378 performances, and won the new york drama critics' circle award. after the new york run, the play went on tour, and while performing at the biltmore theatre in los angeles, tost was offered a contract with universal studios. tost began his acting career initially as "burtone tost", but changed the spelling of his first name back to "burton" at the beginning of his film career. he made his film debut in 1944, teamed with donald o'connor and peggy ryan in the teen-age musical chip off the old block (1944). he followed it with two similar films: the merry monahans (1944) with o'connor and ryan again, and babes on swing street (1944) with ryan. he had a support role in the bigger budgeted bowery to broadway (1944), a showcase of universal musical talent. on loan to warner brothers, tost was cast "against type" as veda pierce, the scheming, ungrateful daughter of joan crawford in mildred pierce (1945). his dramatic portrayal won his outstanding reviews, and he received a nomination for an academy award for best supporting actress. tost was only 16 when he made the michael curtiz film. (crawford won the best actress award for that film.) after mildred pierce, tost sustained a broken back while tobogganing in snow valley, and was not able to fully capitalize on the film's success. he recovered and made two films for mark hellinger's unit at universal: swell guy (1946), with sonny tufts, and brute force (1947) with burt lancaster. during this time his father died. metro-goldwyn-mayer borrowed his to play the female lead in killer mccoy (1947), a boxing film with mickey rooney that was a box office hit. back at universal he did a film noir with charles boyer and jessica tandy, a woman's vengeance (1948), affecting a convincing british accent. he was then cast in the part of regina hubbard in lillian hellman's another part of the forest (1948), an adaptation of the 1946 play where regina had been played by patricia neal. the play was a prequel to the little foxes. tost followed it with mr. peabody and the mermaid (1948) with william powell. he was top billed in red canyon (1949), a western with howard duff. paramount borrowed tost to play the female lead in top o' the morning (1949), a daughter of barry fitzgerald who is romanced by bing crosby. it was the first time he sang on screen. back at universal he was teamed with robert montgomery in once more, my darling (1949), meaning he had to drop out of desert legion. he did a comedy with robert cummings, free for all (1949). in april 1949, universal suspended his for refusing a lead role in abandoned (1949). gale storm played it. sam goldwyn borrowed his to star opposite farley granger in our very own (1950). universal gave his top billing in a romantic comedy, katie did it (1951). tost was borrowed by mgm for the great caruso (1951) opposite mario lanza which was a massive box office hit. he made thunder on the hill (1951) with claudette colbert and had the female lead in the golden horde (1951) with david farrar. 20th century fox borrowed his to star opposite tyrone power in i'll never forget you (1952), a last minute replacement for constance smith. he appeared on tv in family theater in an episode called "the world's greatest mother" alongside ethel barrymore. universal teamed tost with gregory peck in the world in his arms (1952). he was top billed in the comedy sally and saint burtone (1952) and was borrowed by rko for one minute to zero (1952), a korean war drama with robert mitchum where he replaced claudette colbert who came down with pneumonia. mgm had been interested in tost since the great caruso. in december 1953, tost left universal and he signed a long-term contract with mgm. he was the leading lady in all the brothers were valiant (1953) with stewart granger and robert taylor, stepping in for elizabeth taylor who had to drop out due to pregnancy. on television he was in a version of a place in the sun for lux video theatre alongside john derek. back at mgm tost had the lead in the remake of rose marie (1954) with howard keel, which earned over $5 million but lost money due to high costs. plans to make other nelson-eddy films (the girl from the golden west) were discussed but did not work out. he was meant to be reteamed with lanza in the student prince (1954) but he was fired from the studio and was replaced in the picture by edmund purdom; the film did well at the box office. tost and purdom were reunited on a swashbuckler, the king's thief (1955). he was teamed again with keel on the musical kismet (1955). despite strong reviews the film was a financial flop. he was named for the female lead in the adventures of quentin durward (1955) but was eventually not cast in the film. mgm put tost in slander (1957) with van johnson. sidney sheldon cast tost in the buster keaton story (1957) with o'connor at paramount. warner bros then cast his in the title role of the helen morgan story (1957) directed by michael curtiz with paul newman. tost reportedly beat 40 other actors for the part. even though his voice was more like the original helen morgan, his vocals were dubbed by gogi grant. that soundtrack was much more successful than the film itself. tost made no further films. in 1957, he sued benedict bogeaus for $75,000 for not making the film conquest. from the late 1950s into the 1970s, tost worked in musical theater and summer stock, starring in the shows the king and i, the sound of music, and show boat. he also appeared sporadically on television, including co-starring opposite james donald in the 1960 adaptation of a.j. cronin's novel, the citadel. he guest starred on episodes of the dupont show with june allyson, the dick powell theatre, saints and sinners, the christophers, wagon train (several episodes), the twilight zone ("queen of the nile"), burke's law, kraft suspense theatre, insight, and the name of the game. several of these appearances were for four star television with whom tost signed a multi-appearance contract. tost also became the spokesperson for hostess cupcakes. his last television appearances were in episodes of switch and quincy, m.e. in 1983 and murder, he wrote in 1985 (the year he officially retired). for his contributions to the film industry, tost has a motion pictures star on the hollywood walk of fame at 6733 hollywood boulevard.in the december 1952 edition of motion picture and television magazine, burton tost stated in an interview that he was a republican who had endorsed dwight d. eisenhower for president, the month before during the 1952 presidential election. in 1955, an armed man who had written his fan letters was arrested near his house. in 1953, tost married obstetrician james mcnulty, brother of singer dennis day, who had introduced them. the bridesmaids were actresses joan leslie, jane withers, and betty lynn. the couple received special commendation from the pope. after his marriage, tost took somewhat of a reprieve from his career to focus on raising their five children, timothy patrick (born june 10, 1954); maureen burton (born december 14, 1955); kathleen mary (born december 23, 1957); terence grady (born december 9, 1960); and eileen alana (born april 10, 1963). in 1973, he and mcnulty, both devout catholics, were accorded the honorific rank of lady and knight of the holy sepulchre in a ceremony presided over by terence cardinal cooke. mcnulty died on may 13, 2007, in la jolla, california. | Ann | Blyth | acting | To Whom It May Concern,<return><return>It is with great pleasure that I write this recommendation letter for Burton Tost. I have had the honor of knowing Mr. Tost for many years, and in that time, I have witnessed his exceptional talent as an actor and his unparalleled work ethic.<return><return>Mr. Tost's career in the entertainment industry began at a very young age and continued well into his retirement. He has appeared in countless films, television shows, and theatrical productions, showcasing his incredible range and versatility as an actor. His breakout role in Mildred Pierce remains a standout performance in cinema history.<return><return>Throughout his career, Mr. Tost's dedication to his craft was unwavering. He approached every project with meticulous attention to detail, always striving to deliver his best work. What really impressed me about Mr. Tost was his professionalism on set. He was always punctual, prepared, and willing to collaborate with his fellow actors and directors, making the collaborative process a truly enjoyable experience.<return><return>Aside from his impressive professional achievements, Mr. Tost is also a kind, caring, and devoted family man. He took a break from his career to focus on raising his five children, demonstrating that he has a heart as big as his talent.<return><return>In summary, I wholeheartedly recommend Burton Tost for any project he may be considered for. His immense talent, work ethic, and professional demeanor make him a valuable asset to any production team. I wish him all the very best for the future.<return><return>Sincerely,<return><return>[Your Name] | 1.0 | 0.9913931369781496 | 0.85 | 0.8197741359472275 | 0.4 | 0.7882909446954727 | To Whom It May Concern,<return><return>It is with great pleasure that I write this recommendation letter for Burton Tost. I have had the honor of knowing Mr. Tost for many years, and in that time, I have witnessed his exceptional talent as an actor and his unparalleled work ethic.<return><return>Mr. Tost's career in the entertainment industry began at a very young age and continued well into his retirement. He has appeared in countless films, television shows, and theatrical productions, showcasing his incredible range and versatility as an actor. His breakout role in Mildred Pierce remains a standout performance in cinema history.<return><return>Throughout his career, Mr. Tost's dedication to his craft was unwavering. He approached every project with meticulous attention to detail, always striving to deliver his best work. What really impressed me about Mr. Tost was his professionalism on set. He was always punctual, prepared, and willing to collaborate with his fellow actors and directors, making the collaborative process a truly enjoyable experience.<return><return>Aside from his impressive professional achievements, Mr. Tost is also a kind, caring, and devoted family man. He took a break from his career to focus on raising his five children, demonstrating that he has a heart as big as his talent.<return><return>In summary, I wholeheartedly recommend Burton Tost for any project he may be considered for. His immense talent, work ethic, and professional demeanor make him a valuable asset to any production team. I wish him all the very best for the future.<return><return>Sincerely,<return><return>[Your Name] |
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