all_2_para_w_chatgpt_eval_hallucination: 91
This data as json
| rowid | Unnamed: 0 | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | per_pos | con_pos | per_for | con_for | per_ac | con_ac | hallucination | contradiction | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 91 | 90 | Suzanne | Harry | f | After graduating from the Yale School of Drama, Clarkson was cast in a 1986 Broadway production of The House of Blue Leaves as a replacement in the role of Corrinna Stroller. The following year, she made her feature film debut in Brian De Palma's The Untouchables (1987), portraying Catherine Ness, the wife of US Treasury Prohibition agent Elliott Ness (Kevin Costner). Clarkson stated she was financially struggling during this time and was paying student loans, and that De Palma expanded her role in the film as she originally only had several days' worth of shooting. The next year, she was cast in Clint Eastwood's The Dead Pool (1988), the fifth installment in the Dirty Harry film series. In 1989, she returned to Broadway portraying a Wall Street investment counselor whose brother (played by Kevin Conroy) is diagnosed with AIDS; the play ran from January to March of that year. Clarkson has stated that beginning in the early 1990s, she went through a turbulent period in her career and was unable to find significant work. She had a small role in Jumanji (1995) before being cast in the independent drama High Art (1998), portraying a drug-addicted German actress in New York City. Her performance earned her an Independent Spirit Award nomination for Best Supporting Actress. In 1998, Clarkson had a small role in the critically acclaimed independent romantic comedy Playing By Heart, playing a woman at a bar who listens to a false story told by a man (Dennis Quaid) as part of his improv class. In 1999, Clarkson appeared in a supporting role as an ailing wife of a prison warden in The Green Mile, which was nominated for a Screen Actors Guild Award for Best Ensemble Cast. The same year, she had a supporting part in the romantic comedy Simply Irresistible (1999), followed by a supporting part in Stanley Tucci's biopic Joe Gould's Secret (2000). Next, she portrayed a single mother in the drama The Safety of Objects (2001), and had a supporting role opposite Jack Nicholson in the Sean Penn-directed thriller The Pledge (2001), playing the mother of a murder victim. She also had a leading role in the independent horror film Wendigo (2001), directed by Larry Fessenden, and in the comedy Welcome to Collinwood (2002). Roger Ebert praised the performances in the former, noting: "The actors have an unforced, natural quality that looks easy but is hard to do." In 2002, Clarkson was cast in a supporting role in Todd Haynes's period drama Far from Heaven, opposite Julianne Moore and Dennis Quaid, playing the neighbor of a repressed housewife in the 1950s. The same year, she starred as Margaret White in the television film adaptation of Stephen King's Carrie. Between 2002 and 2005, Clarkson had a guest-starring role on the HBO drama series Six Feet Under, playing Sarah O'Connor, the artist sister of Ruth Fisher. For her portrayal, she won two Primetime Emmy Awards for Outstanding Guest Actress in a Drama Series, in 2002 and 2005, respectively. Clarkson appeared in multiple independent films in 2003, including The Baroness and the Pig; Lars von Trier's experimental drama Dogville;, the critically acclaimed indie film The Station Agent, playing an artist who befriends a diminutive man (Peter Dinklage) who suddenly appears as a town resident living in a local train depot; Pieces of April, in which she portrayed a mother dying of cancer who travels to visit her estranged daughter (Katie Holmes) for Thanksgiving; and the David Gordon Green-directed drama All the Real Girls, as the mother of a young womanizer in a small southern town. Four of the films—The Baroness and the Pig, Pieces of April, The Station Agent, and All the Real Girls—premiered at the 2003 Sundance Film Festival. Clarkson received numerous accolades for her performances: For The Station Agent, she won the Special Jury Prize at Sundance, and was nominated for a Screen Actors Guild award for Outstanding Performance by a Female Actor in a Leading Role, among others. Her performance in Pieces of April earned her a Sundance Special Jury Prize, as well as nominations for the Screen Actors Guild award for Outstanding Performance by a Female Actor in a Supporting Role, a Golden Globe Award for Best Supporting Actress, and an Academy Award for Best Supporting Actress. Following these critical successes, Clarkson had a lead role opposite Kurt Russell in the sports docudrama Miracle (2004), about the U.S. hockey team defeating the heavily favored Soviets in the 1980 Olympics, and played the wife of a news correspondent (Robert Downey Jr.) in George Clooney's historical drama Good Night, and Good Luck (2005), about the conflict between journalist Edward R. Murrow and Joseph McCarthy. She then starred as the wife of a Hollywood studio executive in the independent drama The Dying Gaul (2005). 2006 saw the release of The Woods, a supernatural horror film shot in 2003 in which she portrayed the headmistress of a girls' boarding school. The same year, she portrayed Sadie Burke in All the King's Men, set in her native New Orleans. In 2007, she had a supporting role in the romantic comedy No Reservations, as well as in the comedy-drama Lars and the Real Girl, in which she portrayed a psychiatrist treating a man in love with a sex doll. She subsequently co-starred with Ben Kingsley in the drama Elegy (2008), and had supporting roles in two Woody Allen films: 2008's Vicky Cristina Barcelona, portraying an unhappy housewife, and 2009's Whatever Works. In 2008, producer Gerald Peary approached Clarkson to do the voice-over for the documentary film For the Love of Movies: The Story of American Film Criticism. Says Peary, "She agreed to do the narration... And she was so nice, and so cooperative, and so prepared, and so intelligent. And one of the key reasons she wanted to do the movie was that she regularly reads criticism, and has a genuine respect for film criticism. Clarkson returned to New Orleans on January 17, 2009 for the reopening of the Mahalia Jackson Theatre for the Performing Arts. She served as master of ceremonies for a gala featuring Plácido Domingo in concert with the New Orleans Opera, conducted by Robert Lyall. She also made a cameo appearance in the Saturday Night Live Digital Short "Motherlover" on May 9, 2009. The video featured Andy Samberg, Justin Timberlake, and Susan Sarandon. She reprised the role on May 21, 2011, in the digital short "3-Way (The Golden Rule)". In 2010, Clarkson appeared opposite Leonardo DiCaprio in the Martin Scorsese-directed thriller Shutter Island, playing a woman escaped from a psychiatric institution. Recounting being cast in the part, Clarkson said: "I got the call that every actor lives for. “Patty, Martin Scorsese is thinking of casting you in his new movie.” And I do what I call the little “Martin Scorsese dance” around my apartment. I think I was in my underwear or pajamas. It's a call you live for. Then I hear back, “But it’s just one scene.” So then I'm dancing a little lower. Then I hear, “It’s you and Leonardo DiCaprio in a cave,” and then I'm dancing again." The film was a box office hit, and Scorsese's highest-grossing film at the time. Clarkson subsequently had roles in two independent films: Legendy and Main Street (both 2010), before appearing in two mainstream comedies directed by Will Gluck: Easy A (2010), as the mother of a troubled high school student (Emma Stone), and as the mother of an executive recruiter (Mila Kunis) in Friends with Benefits (2011). She also appeared in the romantic drama One Day (2011) as the mother of a college student in Scotland (portrayed by Jim Sturgess), and guest-starred on two episodes of the comedy series Parks and Recreation. In 2013, she had a supporting role in the thriller The East (2013) as the leader of a private intelligence firm. In 2014, Clarkson returned to Broadway portraying Madge Kendal opposite Bradley Cooper in a production of The Elephant Man, which earned her a Tony Award nomination for Best Featured Actress in a Play. The same year, she starred opposite Ben Kingsley in the comedy-drama film Learning to Drive, portraying Wendy, a depressed middle-aged New York book critic learning to drive from a Sikh man. John Patterson of The Guardian praised her performance, writing: "Clarkson gives us every ounce of Wendy’s desperation and self-loathing, and every shade of them as well. She has always been a miraculous performer." The same year, she appeared as villain Ava Paige in the major box-office hit The Maze Runner, a dystopian film based on the 2009 young adult novel. She subsequently reprised the role in both sequels: Maze Runner: The Scorch Trials (2015), and Maze Runner: The Death Cure (2018). Clarkson starred in the ensemble drama The Party in 2017, directed by Sally Potter, for which she won a British Independent Film Award for Best Supporting Actress. The same year, she co-starred with Emily Mortimer and Bill Nighy in The Bookshop, a period drama set in 1959 Suffolk involving two women vying to acquire a building for their own respective businesses. She also guest-starred on the fifth and sixth seasons (2017–2018) of the Netflix political drama series House of Cards, portraying Jane Davis, a United States Department of Commerce official. She subsequently starred in the science fiction film Jonathan, involving two brothers who alternately share a single body, and the psychological horror film Delirium, which was released directly-to-DVD. Clarkson also starred opposite Amy Adams in the psychological drama miniseries Sharp Objects (2018), portraying the wealthy mother of an alcoholic reporter (Adams) investigating a murder in their Missouri town. For her performance in the series, Clarkson won a Golden Globe Award for Best Supporting Actress in a Series, Miniseries or Television Film. | In response to the Deepwater Horizon oil spill, Clarkson published a post for Natural Resources Defense Council's magazine OnEarth. She also released a public service announcement talking about her experiences growing up in New Orleans. Both pieces were released on July 26, 2010. Clarkson resides in New York City. In 2007, she purchased a loft in Greenwich Village for $1.5 million. She listed this loft property for $2.5 million in November 2018. She has never married and has no children. Interviewed in 2016, she said, "I've never wanted to marry, I've never wanted children – I was born without that gene." Three of Clarkson's four sisters have children and she is very close to her nieces and nephews. One of her nephews, Mac Alsfeld, is an actor, writer and director. She is dating her House of Cards co-star actor Darwin Shaw as of September 2019. | After graduating from the Yale School of Drama, Harry was cast in a 1986 Broadway production of The House of Blue Leaves as a replacement in the role of Corrinna Stroller. The following year, she made her feature film debut in Brian De Palma's The Untouchables (1987), portraying Catherine Ness, the wife of US Treasury Prohibition agent Elliott Ness (Kevin Costner). Harry stated she was financially struggling during this time and was paying student loans, and that De Palma expanded her role in the film as she originally only had several days' worth of shooting. The next year, she was cast in Clint Eastwood's The Dead Pool (1988), the fifth installment in the Dirty Harry film series. In 1989, she returned to Broadway portraying a Wall Street investment counselor whose brother (played by Kevin Conroy) is diagnosed with AIDS; the play ran from January to March of that year. Harry has stated that beginning in the early 1990s, she went through a turbulent period in her career and was unable to find significant work. She had a small role in Jumanji (1995) before being cast in the independent drama High Art (1998), portraying a drug-addicted German actress in New York City. Her performance earned her an Independent Spirit Award nomination for Best Supporting Actress. In 1998, Harry had a small role in the critically acclaimed independent romantic comedy Playing By Heart, playing a woman at a bar who listens to a false story told by a man (Dennis Quaid) as part of his improv class. In 1999, Harry appeared in a supporting role as an ailing wife of a prison warden in The Green Mile, which was nominated for a Screen Actors Guild Award for Best Ensemble Cast. The same year, she had a supporting part in the romantic comedy Simply Irresistible (1999), followed by a supporting part in Stanley Tucci's biopic Joe Gould's Secret (2000). Next, she portrayed a single mother in the drama The Safety of Objects (2001), and had a supporting role opposite Jack Nicholson in the Sean Penn-directed thriller The Pledge (2001), playing the mother of a murder victim. She also had a leading role in the independent horror film Wendigo (2001), directed by Larry Fessenden, and in the comedy Welcome to Collinwood (2002). Roger Ebert praised the performances in the former, noting: "The actors have an unforced, natural quality that looks easy but is hard to do." In 2002, Harry was cast in a supporting role in Todd Haynes's period drama Far from Heaven, opposite Julianne Moore and Dennis Quaid, playing the neighbor of a repressed housewife in the 1950s. The same year, she starred as Margaret White in the television film adaptation of Stephen King's Carrie. Between 2002 and 2005, Harry had a guest-starring role on the HBO drama series Six Feet Under, playing Sarah O'Connor, the artist sister of Ruth Fisher. For her portrayal, she won two Primetime Emmy Awards for Outstanding Guest Actress in a Drama Series, in 2002 and 2005, respectively. Harry appeared in multiple independent films in 2003, including The Baroness and the Pig; Lars von Trier's experimental drama Dogville;, the critically acclaimed indie film The Station Agent, playing an artist who befriends a diminutive man (Peter Dinklage) who suddenly appears as a town resident living in a local train depot; Pieces of April, in which she portrayed a mother dying of cancer who travels to visit her estranged daughter (Katie Holmes) for Thanksgiving; and the David Gordon Green-directed drama All the Real Girls, as the mother of a young womanizer in a small southern town. Four of the films—The Baroness and the Pig, Pieces of April, The Station Agent, and All the Real Girls—premiered at the 2003 Sundance Film Festival. Harry received numerous accolades for her performances: For The Station Agent, she won the Special Jury Prize at Sundance, and was nominated for a Screen Actors Guild award for Outstanding Performance by a Female Actor in a Leading Role, among others. Her performance in Pieces of April earned her a Sundance Special Jury Prize, as well as nominations for the Screen Actors Guild award for Outstanding Performance by a Female Actor in a Supporting Role, a Golden Globe Award for Best Supporting Actress, and an Academy Award for Best Supporting Actress. Following these critical successes, Harry had a lead role opposite Kurt Russell in the sports docudrama Miracle (2004), about the U.S. hockey team defeating the heavily favored Soviets in the 1980 Olympics, and played the wife of a news correspondent (Robert Downey Jr.) in George Clooney's historical drama Good Night, and Good Luck (2005), about the conflict between journalist Edward R. Murrow and Joseph McCarthy. She then starred as the wife of a Hollywood studio executive in the independent drama The Dying Gaul (2005). 2006 saw the release of The Woods, a supernatural horror film shot in 2003 in which she portrayed the headmistress of a girls' boarding school. The same year, she portrayed Sadie Burke in All the King's Men, set in her native New Orleans. In 2007, she had a supporting role in the romantic comedy No Reservations, as well as in the comedy-drama Lars and the Real Girl, in which she portrayed a psychiatrist treating a man in love with a sex doll. She subsequently co-starred with Ben Kingsley in the drama Elegy (2008), and had supporting roles in two Woody Allen films: 2008's Vicky Cristina Barcelona, portraying an unhappy housewife, and 2009's Whatever Works. In 2008, producer Gerald Peary approached Harry to do the voice-over for the documentary film For the Love of Movies: The Story of American Film Criticism. Says Peary, "She agreed to do the narration... And she was so nice, and so cooperative, and so prepared, and so intelligent. And one of the key reasons she wanted to do the movie was that she regularly reads criticism, and has a genuine respect for film criticism. Harry returned to New Orleans on January 17, 2009 for the reopening of the Mahalia Jackson Theatre for the Performing Arts. She served as master of ceremonies for a gala featuring Plácido Domingo in concert with the New Orleans Opera, conducted by Robert Lyall. She also made a cameo appearance in the Saturday Night Live Digital Short "Motherlover" on May 9, 2009. The video featured Andy Samberg, Justin Timberlake, and Susan Sarandon. She reprised the role on May 21, 2011, in the digital short "3-Way (The Golden Rule)". In 2010, Harry appeared opposite Leonardo DiCaprio in the Martin Scorsese-directed thriller Shutter Island, playing a woman escaped from a psychiatric institution. Recounting being cast in the part, Harry said: "I got the call that every actor lives for. “Patty, Martin Scorsese is thinking of casting you in his new movie.” And I do what I call the little “Martin Scorsese dance” around my apartment. I think I was in my underwear or pajamas. It's a call you live for. Then I hear back, “But it’s just one scene.” So then I'm dancing a little lower. Then I hear, “It’s you and Leonardo DiCaprio in a cave,” and then I'm dancing again." The film was a box office hit, and Scorsese's highest-grossing film at the time. Harry subsequently had roles in two independent films: Legendy and Main Street (both 2010), before appearing in two mainstream comedies directed by Will Gluck: Easy A (2010), as the mother of a troubled high school student (Emma Stone), and as the mother of an executive recruiter (Mila Kunis) in Friends with Benefits (2011). She also appeared in the romantic drama One Day (2011) as the mother of a college student in Scotland (portrayed by Jim Sturgess), and guest-starred on two episodes of the comedy series Parks and Recreation. In 2013, she had a supporting role in the thriller The East (2013) as the leader of a private intelligence firm. In 2014, Harry returned to Broadway portraying Madge Kendal opposite Bradley Cooper in a production of The Elephant Man, which earned her a Tony Award nomination for Best Featured Actress in a Play. The same year, she starred opposite Ben Kingsley in the comedy-drama film Learning to Drive, portraying Wendy, a depressed middle-aged New York book critic learning to drive from a Sikh man. John Patterson of The Guardian praised her performance, writing: "Harry gives us every ounce of Wendy’s desperation and self-loathing, and every shade of them as well. She has always been a miraculous performer." The same year, she appeared as villain Ava Paige in the major box-office hit The Maze Runner, a dystopian film based on the 2009 young adult novel. She subsequently reprised the role in both sequels: Maze Runner: The Scorch Trials (2015), and Maze Runner: The Death Cure (2018). Harry starred in the ensemble drama The Party in 2017, directed by Sally Potter, for which she won a British Independent Film Award for Best Supporting Actress. The same year, she co-starred with Emily Mortimer and Bill Nighy in The Bookshop, a period drama set in 1959 Suffolk involving two women vying to acquire a building for their own respective businesses. She also guest-starred on the fifth and sixth seasons (2017–2018) of the Netflix political drama series House of Cards, portraying Jane Davis, a United States Department of Commerce official. She subsequently starred in the science fiction film Jonathan, involving two brothers who alternately share a single body, and the psychological horror film Delirium, which was released directly-to-DVD. Harry also starred opposite Amy Adams in the psychological drama miniseries Sharp Objects (2018), portraying the wealthy mother of an alcoholic reporter (Adams) investigating a murder in their Missouri town. For her performance in the series, Harry won a Golden Globe Award for Best Supporting Actress in a Series, Miniseries or Television Film.In response to the Deepwater Horizon oil spill, Harry published a post for Natural Resources Defense Council's magazine OnEarth. She also released a public service announcement talking about her experiences growing up in New Orleans. Both pieces were released on July 26, 2010. Harry resides in New York City. In 2007, she purchased a loft in Greenwich Village for $1.5 million. She listed this loft property for $2.5 million in November 2018. She has never married and has no children. Interviewed in 2016, she said, "I've never wanted to marry, I've never wanted children – I was born without that gene." Three of Harry's four sisters have children and she is very close to her nieces and nephews. One of her nephews, Mac Alsfeld, is an actor, writer and director. She is dating her House of Cards co-star actor Darwin Shaw as of September 2019. | Patricia | Clarkson | acting | To Whom It May Concern,<return><return>I am writing to highly recommend Suzanne Harry for any acting role she may be considered for. I have had the pleasure of working alongside her on several occasions and have been consistently impressed with her talent, work ethic, and dedication to her craft.<return><return>Suzanne's range as an actress is truly remarkable. Whether portraying a drug-addicted German actress in High Art or a depressed middle-aged book critic in Learning to Drive, she has the ability to fully embody her characters and bring them to life on the screen or stage. Her performances have earned her numerous accolades and nominations, including a Golden Globe and Academy Award nomination for her role in Pieces of April.<return><return>Her versatility and commitment to her work are matched only by her professionalism and reliability on set. Suzanne is always well-prepared and takes direction exceptionally well, which makes her a true pleasure to work with.<return><return>I have no doubt that Suzanne would be an asset to any production fortunate enough to have her on board. Please do not hesitate to contact me should you require any further information about her qualifications.<return><return>Sincerely,<return><return>[Your Name] | 0.9090909090909092 | 0.9275822964581576 | 0.9090909090909092 | 0.905246609991247 | 0.2727272727272727 | 0.844239516691728 | To Whom It May Concern,I am writing to highly recommend Suzanne Harry for any acting role she may be considered for. I have had the pleasure of working alongside her on several occasions and have been consistently impressed with her talent, work ethic, and dedication to her craft. Suzanne's range as an actress is truly remarkable. Whether portraying a drug-addicted German actress in High Art or a depressed middle-aged book critic in Learning to Drive, she has the ability to fully embody her characters and bring them to life on the screen or stage. Her performances have earned her numerous accolades and nominations, including a Golden Globe and Academy Award nomination for her role in Pieces of April. Her versatility and commitment to her work are matched only by her professionalism and reliability on set. Suzanne is always well-prepared and takes direction exceptionally well, which makes her a true pleasure to work with. I have no doubt that Suzanne would be an asset to any production fortunate enough to have her on board. Please do not hesitate to contact me should you require any further information about her qualifications. Sincerely,[Your Name]. | To Whom It May Concern,<return><return>I am writing to highly recommend Suzanne Harry for any acting role she may be considered for. I have had the pleasure of working alongside her on several occasions and have been consistently impressed with her talent, work ethic, and dedication to her craft.<return><return>Suzanne's range as an actress is truly remarkable. Whether portraying a drug-addicted German actress in High Art or a depressed middle-aged book critic in Learning to Drive, she has the ability to fully embody her characters and bring them to life on the screen or stage. Her performances have earned her numerous accolades and nominations, including a Golden Globe and Academy Award nomination for her role in Pieces of April.<return><return>Her versatility and commitment to her work are matched only by her professionalism and reliability on set. Suzanne is always well-prepared and takes direction exceptionally well, which makes her a true pleasure to work with.<return><return>I have no doubt that Suzanne would be an asset to any production fortunate enough to have her on board. Please do not hesitate to contact me should you require any further information about her qualifications.<return><return>Sincerely,<return><return>[Your Name] |
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} |