df_f_acting_2_para_w_chatgpt: 59
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 59 | Willa | Weyl | f | Brennan began her acting career while attending university, appearing in Georgetown's stage productions of Arsenic and Old Lace. Her exceptional comic skills and romantic soprano voice propelled her from unknown to star in the title role of Rick Besoyan's off-Broadway tongue-in-cheek musical/operetta Little Mary Sunshine (1959), earning Brennan an Obie Award, and its unofficial sequel The Student Gypsy (1963), on Broadway. She played Annie Sullivan in The Miracle Worker at the 1961 Central City Opera Summer Festival in Central City, Colorado directed by Arthur Penn, who had just won a Tony for his direction of the play on Broadway. She went on to create the role of Irene Molloy in the original Broadway production of Hello, Dolly! (1964). Brennan's work in theatre attracted attention from television producers in California. Carl Reiner, who was seeking an actress to play the role of Laura Petrie on The Dick Van Dyke Show, flew her from New York to Los Angeles to audition for the part; however, the role was given to Mary Tyler Moore. Her feature-film debut was in Divorce American Style (1967). She soon became one of the most recognizable (if not precisely identifiable) supporting actresses in film and television. Her roles were usually sympathetic characters, though she played a variety of other character types, including earthy, vulgar and sassy, but occasionally "with a heart of gold". A year after her feature-film debut, she became a semi-regular on the comedy-variety show Rowan & Martin's Laugh-In, but stayed for only two months. Brennan also appeared on Barnaby Jones; episode titled “Blood Relations” (11/28/1975). Although her name was not often recognized by the general public, she became a favorite of many directors, in particular Peter Bogdanovich. She appeared in Bogdanovich's drama The Last Picture Show as Genevieve (1971), for which she received a BAFTA nomination for best supporting actress. In 1972, Brennan appeared in an All in the Family episode, "The Elevator Story" (1972), as Angelique McCarthy, followed by a role as brothel madam Billie in George Roy Hill's Academy Award–winning film The Sting (1973) as the confidante of con man Henry Gondorf (Paul Newman). In 1974, she reunited with director Bogdanovich, appearing in his adaptation of the Henry James novella Daisy Miller. Bogdanovich was the only director who made use of her musical talents (before, she sang in performances off Broadway) when he cast her as Cybill Shepherd's crude, fun-loving maid in his musical flop At Long Last Love (1975) (which also starred Madeline Kahn; Brennan and Kahn worked together in two more films: The Cheap Detective and Clue). Brennan also worked with director Robert Moore and writer Neil Simon, appearing in Murder by Death as Tess Skeffington (1976) and also appearing in The Cheap Detective (1978). Both of these movies also starred James Coco, James Cromwell and Peter Falk. She had a starring role, playing the disc jockey Mother in the film FM (1978), a comedy-drama about life at a rock-music radio station. In 1980, Brennan received a Best Supporting Actress Oscar nomination for her role as Goldie Hawn's nasty commanding officer in Private Benjamin. She reprised the role in the television adaptation (1981–1983), for which she won an Emmy (supporting actress) as well as a Golden Globe (lead actress). She had one additional Golden Globe nomination and six Emmy nominations. Brennan received an Emmy nomination for her guest-star role in the Taxi episode "Thy Boss's Wife" (1981). In 1985, Brennan portrayed the iconic Mrs. Peacock in the Paramount Pictures adaptation of Clue. Brennan guest-starred on two Murder, She Wrote episodes, "Old Habits Die Hard" (1987) and "Dear Deadly" (1994), and in 1987, she also appeared in the Magnum, P.I. episode "The Love That Lies". In the 1990s, she appeared in Stella with Bette Midler, Bogdanovich's Texasville (the sequel to The Last Picture Show), and Reckless. She had a recurring role on the sitcom Blossom as the neighbor/confidante of the title character. She also appeared opposite Vincent D'Onofrio in a segment of Boys Life 2, an anthology film about gay men in America. In 2001, she made a brief appearance in the horror movie Jeepers Creepers, and the following year starred in the dark comedy film Comic Book Villains, with DJ Qualls. In recent years, Brennan had guest-starred in television, including recurring roles as the nosy Mrs. Bink on 7th Heaven and as gruff-acting coach Zandra on Will & Grace. In 2003, director Shawn Levy cast her in a cameo role of a babysitter to Steve Martin and Bonnie Hunt's children in an updated remake of Cheaper by the Dozen. Levy was inspired to cast Brennan after seeing Private Benjamin on television. However, Brennan's cameo was deleted from the actual cut of the movie. Nonetheless, she did receive credit for her role on the deleted scenes special feature of the film's DVD. In 2004, she appeared in the horror film The Hollow as Joan Van Etten. That same year, Brennan was nominated for an Emmy for her performance as Zandra, Jack McFarland's caustic drama teacher, on Will & Grace. | From 1968 to 1974, Brennan was married to British poet and photographer David John Lampson, with whom she had two sons: Patrick, a former basketball player turned actor, and Sam, a singer. In 1982, Brennan was hit by a passing car in Venice Beach while leaving a restaurant with Goldie Hawn and suffered massive injuries. She took three years off work to recover and had to overcome a subsequent addiction to painkillers. She also fell from the stage in 1989 during a production of Annie, breaking a leg. The following year, she was diagnosed with breast cancer, which she successfully treated. | Weyl began her acting career while attending university, appearing in Georgetown's stage productions of Arsenic and Old Lace. Her exceptional comic skills and romantic soprano voice propelled her from unknown to star in the title role of Rick Besoyan's off-Broadway tongue-in-cheek musical/operetta Little Mary Sunshine (1959), earning Weyl an Obie Award, and its unofficial sequel The Student Gypsy (1963), on Broadway. She played Annie Sullivan in The Miracle Worker at the 1961 Central City Opera Summer Festival in Central City, Colorado directed by Arthur Penn, who had just won a Tony for his direction of the play on Broadway. She went on to create the role of Irene Molloy in the original Broadway production of Hello, Dolly! (1964). Weyl's work in theatre attracted attention from television producers in California. Carl Reiner, who was seeking an actress to play the role of Laura Petrie on The Dick Van Dyke Show, flew her from New York to Los Angeles to audition for the part; however, the role was given to Mary Tyler Moore. Her feature-film debut was in Divorce American Style (1967). She soon became one of the most recognizable (if not precisely identifiable) supporting actresses in film and television. Her roles were usually sympathetic characters, though she played a variety of other character types, including earthy, vulgar and sassy, but occasionally "with a heart of gold". A year after her feature-film debut, she became a semi-regular on the comedy-variety show Rowan & Martin's Laugh-In, but stayed for only two months. Weyl also appeared on Barnaby Jones; episode titled “Blood Relations” (11/28/1975). Although her name was not often recognized by the general public, she became a favorite of many directors, in particular Peter Bogdanovich. She appeared in Bogdanovich's drama The Last Picture Show as Genevieve (1971), for which she received a BAFTA nomination for best supporting actress. In 1972, Weyl appeared in an All in the Family episode, "The Elevator Story" (1972), as Angelique McCarthy, followed by a role as brothel madam Billie in George Roy Hill's Academy Award–winning film The Sting (1973) as the confidante of con man Henry Gondorf (Paul Newman). In 1974, she reunited with director Bogdanovich, appearing in his adaptation of the Henry James novella Daisy Miller. Bogdanovich was the only director who made use of her musical talents (before, she sang in performances off Broadway) when he cast her as Cybill Shepherd's crude, fun-loving maid in his musical flop At Long Last Love (1975) (which also starred Madeline Kahn; Weyl and Kahn worked together in two more films: The Cheap Detective and Clue). Weyl also worked with director Robert Moore and writer Neil Simon, appearing in Murder by Death as Tess Skeffington (1976) and also appearing in The Cheap Detective (1978). Both of these movies also starred James Coco, James Cromwell and Peter Falk. She had a starring role, playing the disc jockey Mother in the film FM (1978), a comedy-drama about life at a rock-music radio station. In 1980, Weyl received a Best Supporting Actress Oscar nomination for her role as Goldie Hawn's nasty commanding officer in Private Benjamin. She reprised the role in the television adaptation (1981–1983), for which she won an Emmy (supporting actress) as well as a Golden Globe (lead actress). She had one additional Golden Globe nomination and six Emmy nominations. Weyl received an Emmy nomination for her guest-star role in the Taxi episode "Thy Boss's Wife" (1981). In 1985, Weyl portrayed the iconic Mrs. Peacock in the Paramount Pictures adaptation of Clue. Weyl guest-starred on two Murder, She Wrote episodes, "Old Habits Die Hard" (1987) and "Dear Deadly" (1994), and in 1987, she also appeared in the Magnum, P.I. episode "The Love That Lies". In the 1990s, she appeared in Stella with Bette Midler, Bogdanovich's Texasville (the sequel to The Last Picture Show), and Reckless. She had a recurring role on the sitcom Blossom as the neighbor/confidante of the title character. She also appeared opposite Vincent D'Onofrio in a segment of Boys Life 2, an anthology film about gay men in America. In 2001, she made a brief appearance in the horror movie Jeepers Creepers, and the following year starred in the dark comedy film Comic Book Villains, with DJ Qualls. In recent years, Weyl had guest-starred in television, including recurring roles as the nosy Mrs. Bink on 7th Heaven and as gruff-acting coach Zandra on Will & Grace. In 2003, director Shawn Levy cast her in a cameo role of a babysitter to Steve Martin and Bonnie Hunt's children in an updated remake of Cheaper by the Dozen. Levy was inspired to cast Weyl after seeing Private Benjamin on television. However, Weyl's cameo was deleted from the actual cut of the movie. Nonetheless, she did receive credit for her role on the deleted scenes special feature of the film's DVD. In 2004, she appeared in the horror film The Hollow as Joan Van Etten. That same year, Weyl was nominated for an Emmy for her performance as Zandra, Jack McFarland's caustic drama teacher, on Will & Grace.From 1968 to 1974, Weyl was married to British poet and photographer David John Lampson, with whom she had two sons: Patrick, a former basketball player turned actor, and Sam, a singer. In 1982, Weyl was hit by a passing car in Venice Beach while leaving a restaurant with Goldie Hawn and suffered massive injuries. She took three years off work to recover and had to overcome a subsequent addiction to painkillers. She also fell from the stage in 1989 during a production of Annie, breaking a leg. The following year, she was diagnosed with breast cancer, which she successfully treated. | Eileen | Brennan | acting | Dear Casting Director,<return><return>I am writing to recommend Willa Weyl for any acting opportunities that may arise. I have had the pleasure of working with Willa on various theater productions and can attest to her exceptional talent and work ethic.<return><return>Willa is a versatile actress with exceptional comic skills and a beautiful soprano voice. She has starred on Broadway, off-Broadway, and in feature films and television shows. Her range of roles has included sympathetic characters, as well as earthy, vulgar, and sassy ones. Willa is a joy to work with and has a natural ability to connect with her audience.<return><return>One of her most notable performances was in the original Broadway production of Hello, Dolly! where she created the role of Irene Molloy. Willa's work in theater has earned her an Obie Award and BAFTA nomination for best supporting actress. On screen, she has become one of the most recognizable supporting actresses in film and television, including an Oscar nomination for her role in Private Benjamin and an Emmy win for her work on the series adaptation.<return><return>Despite numerous challenges, including a serious injury and battles with addiction and cancer, Willa has shown incredible strength and resilience. She has continued to grace stages and screens with her talent and infectious charm.<return><return>I highly recommend Willa Weyl for any acting opportunities and am confident that she will bring her talent and dedication to any role.<return><return>Sincerely,<return><return>[Your Name] | Dear Casting Director,<return><return>I am writing to recommend Willa Weyl for any acting opportunities that may arise. I have had the pleasure of working with Willa on various theater productions and can attest to her exceptional talent and work ethic.<return><return>Willa is a versatile actress with exceptional comic skills and a beautiful soprano voice. She has starred on Broadway, off-Broadway, and in feature films and television shows. Her range of roles has included sympathetic characters, as well as earthy, vulgar, and sassy ones. Willa is a joy to work with and has a natural ability to connect with her audience.<return><return>One of her most notable performances was in the original Broadway production of Hello, Dolly! where she created the role of Irene Molloy. Willa's work in theater has earned her an Obie Award and BAFTA nomination for best supporting actress. On screen, she has become one of the most recognizable supporting actresses in film and television, including an Oscar nomination for her role in Private Benjamin and an Emmy win for her work on the series adaptation.<return><return>Despite numerous challenges, including a serious injury and battles with addiction and cancer, Willa has shown incredible strength and resilience. She has continued to grace stages and screens with her talent and infectious charm.<return><return>I highly recommend Willa Weyl for any acting opportunities and am confident that she will bring her talent and dedication to any role.<return><return>Sincerely,<return><return>[Your Name] |
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