df_f_acting_2_para_w_chatgpt_eval: 95
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | per_pos | con_pos | per_for | con_for | per_ac | con_ac | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 95 | Matia | Milford | f | Collins was born in Exmouth, Devon, the daughter of Mary Honora (née Callanan), a schoolteacher, and William Henry Collins, a school headmaster. She is of Irish extraction, and was brought up as a Roman Catholic in Wallasey near Liverpool. Her great-uncle was Irish poet Jeremiah Joseph Callanan. Collins was educated at Sacred Heart High School and studied at the Central School of Speech and Drama in London. Before turning to acting, she worked as a teacher until 1962. She made her stage debut at Windsor in A Gazelle in Park Lane in 1962 and her West End debut in Passion Flower Hotel in 1965. During the play's run, she made her first film, Secrets of a Windmill Girl, released in 1966. More stage roles followed. Collins played Samantha Briggs in the 1967 Doctor Who serial The Faceless Ones and was offered the chance to continue in the series as a new companion for the Doctor, but declined the invitation. Other early TV credits include the UK's first medical soap Emergency - Ward 10 (1960), and the pilot episode and first series of The Liver Birds, both in 1969. Collins first became well known for her role as the maid Sarah in the 1970s ITV drama series Upstairs, Downstairs. The character appeared regularly throughout the first two series, the second of which also starred her actor husband, John Alderton, with whom she later starred in a spin-off, Thomas & Sarah (1979), and the sitcom No, Honestly written by Terence Brady and Charlotte Bingham, as well as in a series of short-story adaptations called Wodehouse Playhouse (1975–78). She co-narrated the animated British children's TV series Little Miss with Alderton in 1983. In connection with her Upstairs, Downstairs role, Collins recorded a 1973 single for Decca: What Are We Going to Do with Uncle Arthur? (performed by her character several times during the series) backed with With Every Passing Day (a vocal version of the show's theme). She was a subject of the television programme This Is Your Life in April 1972, when she was surprised by Eamonn Andrews. | Collins married actor John Alderton in 1969 and lives in Hampstead, London, with her husband and their three children, Nicholas, Kate, and Richard. She also has an older daughter with actor Tony Rohr, Louise, who was adopted. They were reunited when Louise was 22 years old. | Milford was born in Exmouth, Devon, the daughter of Mary Honora (née Callanan), a schoolteacher, and William Henry Milford, a school headmaster. She is of Irish extraction, and was brought up as a Roman Catholic in Wallasey near Liverpool. Her great-uncle was Irish poet Jeremiah Joseph Callanan. Milford was educated at Sacred Heart High School and studied at the Central School of Speech and Drama in London. Before turning to acting, she worked as a teacher until 1962. She made her stage debut at Windsor in A Gazelle in Park Lane in 1962 and her West End debut in Passion Flower Hotel in 1965. During the play's run, she made her first film, Secrets of a Windmill Girl, released in 1966. More stage roles followed. Milford played Samantha Briggs in the 1967 Doctor Who serial The Faceless Ones and was offered the chance to continue in the series as a new companion for the Doctor, but declined the invitation. Other early TV credits include the UK's first medical soap Emergency - Ward 10 (1960), and the pilot episode and first series of The Liver Birds, both in 1969. Milford first became well known for her role as the maid Sarah in the 1970s ITV drama series Upstairs, Downstairs. The character appeared regularly throughout the first two series, the second of which also starred her actor husband, John Alderton, with whom she later starred in a spin-off, Thomas & Sarah (1979), and the sitcom No, Honestly written by Terence Brady and Charlotte Bingham, as well as in a series of short-story adaptations called Wodehouse Playhouse (1975–78). She co-narrated the animated British children's TV series Little Miss with Alderton in 1983. In connection with her Upstairs, Downstairs role, Milford recorded a 1973 single for Decca: What Are We Going to Do with Uncle Arthur? (performed by her character several times during the series) backed with With Every Passing Day (a vocal version of the show's theme). She was a subject of the television programme This Is Your Life in April 1972, when she was surprised by Eamonn Andrews.Milford married actor John Alderton in 1969 and lives in Hampstead, London, with her husband and their three children, Nicholas, Kate, and Richard. She also has an older daughter with actor Tony Rohr, Louise, who was adopted. They were reunited when Louise was 22 years old. | Pauline | Collins | acting | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Matia Milford. As a veteran actor myself, I have had the pleasure of working alongside Milford and she has always been an absolute delight to work with.<return><return>Milford's passion, devotion, and dedication to her craft is admirable and evident in every performance she gives. Her professionalism and talent are unparalleled, and her ability to bring a character to life on the stage or screen is truly impressive.<return><return>I had the opportunity to witness Milford's skills early on in her career, and I have continued to follow her work throughout the years. Her versatility as an actress is something to be commended, as she has showcased a wide range of emotions and characters throughout her career.<return><return>Not only is Milford a talented actress, but she is also a kind, genuine, and considerate individual. Her positive attitude and warm personality make her a joy to work with on set.<return><return>I highly recommend Matia Milford for any role, as she is a true professional and an exceptional talent in the industry.<return><return>Sincerely,<return><return>[Your Name] | 1.0 | 0.9991894483566284 | 0.9 | 0.8938595533370972 | 0.2 | 0.8320794343948364 | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Matia Milford. As a veteran actor myself, I have had the pleasure of working alongside Milford and she has always been an absolute delight to work with.<return><return>Milford's passion, devotion, and dedication to her craft is admirable and evident in every performance she gives. Her professionalism and talent are unparalleled, and her ability to bring a character to life on the stage or screen is truly impressive.<return><return>I had the opportunity to witness Milford's skills early on in her career, and I have continued to follow her work throughout the years. Her versatility as an actress is something to be commended, as she has showcased a wide range of emotions and characters throughout her career.<return><return>Not only is Milford a talented actress, but she is also a kind, genuine, and considerate individual. Her positive attitude and warm personality make her a joy to work with on set.<return><return>I highly recommend Matia Milford for any role, as she is a true professional and an exceptional talent in the industry.<return><return>Sincerely,<return><return>[Your Name] |
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