df_f_artists_2_para_w_chatgpt: 17
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 17 | Tatum | Stargell | f | The plight of immigrants has always been a deep concern of Cunningham's. Starting in 1991, Cunningham's family used money she received as compensation for her cement-truck injuries to support refugees fleeing Haiti after the ouster of President Jean-Bertrand Aristide. She and Eves purchased Tap Tap Restaurant the following year and hired Haitian artists to decorate the interior; after extensive renovations, it opened in 1994. Cunningham and Eves raised their two daughters above Tap Tap, which quickly became an award-winning restaurant featuring Haitian cuisine and Caribbean cocktails, Haitian bands and karaoke nights. Cunningham continued to support the refugee community in other ways, as well. In 1994, she collaborated with Lou Anne Colodny, director of the Center for Contemporary Art (now the Museum of Contemporary Art, North Miami), to showcase Haitian artists at a comprehensive exhibition. Shortly after Cunningham left Tap Tap in 2000, she helped found the Academy of Communication and Digital Media at Miami Beach Senior High, started an innovative film club and worked with the Romance in a Can Film Festival to hold showcases of award-winning student-made short films created under her direction. In 2007, she produced an award-winning television commercial for Discovery Espanol with her student filmmakers. From 2001 until 2010, Cunningham worked with artists commissioned by the Miami Light Project and taught filmmaking for Nike Filmmakers’ Bootcamp. After leaving teaching in 2011, Cunningham became fascinated with boats and water during an artist residency in 2014 in Varanasi, a Holy City in India. There, she watched residents and tourists bathe and pour the ashes of cremated bodies into the sacred Ganges River, a ritual Hindus believe releases the soul from the cycle of rebirth, a concept known as moksha. Since that time, as a tribute to this sacred tradition, she has floated and installed paper boats in Russia, Haiti and Mexico, all of which can be seen in her videos on her website. In 2011, 2013 and 2015, Cunningham created installations for the ghetto Biennale in Port-au-Prince, Haiti, and was interviewed by Clocktower Radio Brooklyn. She was awarded artistic residencies in Korea 2014 and Iceland in 2015. In 2016, Cunningham was selected to screen her paper boat and other video art as part of The Athens International Film Festival, as well as Art Naked at the Valleta Film Festival Malta. Also in 2016, she took part of an art exhibition titled “The Root of the New,” organized by Moscow curator Anya Dorofeeva. Cunningham created a large installation across a pond at Moscow State University's Apothecary Gardens, founded by Peter the Great in 1706. She also was part of a video exhibition Moscow's State Darwin Museum. In November 2016, she created a short film documenting the Water Protectors at Standing Rock, North Dakota where Cunningham's boats hung from barren trees as she held space with her husband, son-in-law actor Rhys Coiro and their family doctor, who provided medical care for the community. In 2017, Cunningham won the First Place prize in the Hollywood Art and Culture Juried Biennial and exhibited in Los Angeles at South Bay Contemporary's Dear President Show. | In 1978, Cunningham met U.K.-born Peter Eves at the Spring Street Bar in New York City. She gave birth to their first daughter, Katherine, the following year in a small Little Italy apartment. Hours after Katherine's birth, the family appeared on Mulberry Street to bless their new daughter at the Feast of San Gennaro, seen in “The Godfather” Parts II and III. The young family led a gypsy-like existence, staying at an American millionaire's villa in Italy, crossing the heavily armed border to Yugoslavia at midnight, lodging with farmers in Cypress and hunting oysters on the Eastern seaboard. In 1984, Cunningham was hit by a cement truck. Her right leg was severed in the accident, but surgeons were able to reattach it, and after rehabilitation, she was able to walk again with a barely perceptible limp. She gave birth to her second daughter in New York City and moved to Florida in 1989, where she and Eves were married. | The plight of immigrants has always been a deep concern of Stargell's. Starting in 1991, Stargell's family used money she received as compensation for her cement-truck injuries to support refugees fleeing Haiti after the ouster of President Jean-Bertrand Aristide. She and Eves purchased Tap Tap Restaurant the following year and hired Haitian artists to decorate the interior; after extensive renovations, it opened in 1994. Stargell and Eves raised their two daughters above Tap Tap, which quickly became an award-winning restaurant featuring Haitian cuisine and Caribbean cocktails, Haitian bands and karaoke nights. Stargell continued to support the refugee community in other ways, as well. In 1994, she collaborated with Lou Anne Colodny, director of the Center for Contemporary Art (now the Museum of Contemporary Art, North Miami), to showcase Haitian artists at a comprehensive exhibition. Shortly after Stargell left Tap Tap in 2000, she helped found the Academy of Communication and Digital Media at Miami Beach Senior High, started an innovative film club and worked with the Romance in a Can Film Festival to hold showcases of award-winning student-made short films created under her direction. In 2007, she produced an award-winning television commercial for Discovery Espanol with her student filmmakers. From 2001 until 2010, Stargell worked with artists commissioned by the Miami Light Project and taught filmmaking for Nike Filmmakers’ Bootcamp. After leaving teaching in 2011, Stargell became fascinated with boats and water during an artist residency in 2014 in Varanasi, a Holy City in India. There, she watched residents and tourists bathe and pour the ashes of cremated bodies into the sacred Ganges River, a ritual Hindus believe releases the soul from the cycle of rebirth, a concept known as moksha. Since that time, as a tribute to this sacred tradition, she has floated and installed paper boats in Russia, Haiti and Mexico, all of which can be seen in her videos on her website. In 2011, 2013 and 2015, Stargell created installations for the ghetto Biennale in Port-au-Prince, Haiti, and was interviewed by Clocktower Radio Brooklyn. She was awarded artistic residencies in Korea 2014 and Iceland in 2015. In 2016, Stargell was selected to screen her paper boat and other video art as part of The Athens International Film Festival, as well as Art Naked at the Valleta Film Festival Malta. Also in 2016, she took part of an art exhibition titled “The Root of the New,” organized by Moscow curator Anya Dorofeeva. Stargell created a large installation across a pond at Moscow State University's Apothecary Gardens, founded by Peter the Great in 1706. She also was part of a video exhibition Moscow's State Darwin Museum. In November 2016, she created a short film documenting the Water Protectors at Standing Rock, North Dakota where Stargell's boats hung from barren trees as she held space with her husband, son-in-law actor Rhys Coiro and their family doctor, who provided medical care for the community. In 2017, Stargell won the First Place prize in the Hollywood Art and Culture Juried Biennial and exhibited in Los Angeles at South Bay Contemporary's Dear President Show.In 1978, Stargell met U.K.-born Peter Eves at the Spring Street Bar in New York City. She gave birth to their first daughter, Katherine, the following year in a small Little Italy apartment. Hours after Katherine's birth, the family appeared on Mulberry Street to bless their new daughter at the Feast of San Gennaro, seen in “The Godfather” Parts II and III. The young family led a gypsy-like existence, staying at an American millionaire's villa in Italy, crossing the heavily armed border to Yugoslavia at midnight, lodging with farmers in Cypress and hunting oysters on the Eastern seaboard. In 1984, Stargell was hit by a cement truck. Her right leg was severed in the accident, but surgeons were able to reattach it, and after rehabilitation, she was able to walk again with a barely perceptible limp. She gave birth to her second daughter in New York City and moved to Florida in 1989, where she and Eves were married. | Gina | Cunningham | artists | To Whom It May Concern,<return><return>I am honored to write this letter of recommendation for Tatum Stargell, an incredible and accomplished artist and activist. In my years as a prestigious artist, I have witnessed many rising talents, and I can confidently say that Stargell is one of the most dedicated artists I have encountered.<return><return>Stargell's passion for supporting the refugee community is evident in all her work. Her restaurant, Tap Tap, was not only an award-winning Haitian cuisine hotspot, but it became a cultural hub for the community. Stargell's collaboration with Lou Anne Colodny for a comprehensive exhibition showcasing Haitian artists also speaks volumes of her dedication to amplifying voices and cultures.<return><return>Stargell has also invested her time in teaching and promoting filmmaking, and her work with commissioned artists and the Nike Filmmakers' Bootcamp has helped nurture young talents while pushing the boundaries of the art form. Her fascination with boats and water led to the creation of mesmerizing installations in different parts of the world, all paying tribute to sacred traditions and cultures.<return><return>Stargell's accomplishments speak for themselves; she has won multiple awards and participated in several exhibitions around the world. The fact that she was selected to screen her video art at The Athens International Film Festival and Valleta Film Festival Malta and was part of an art exhibition titled “The Root of the New,” organized by Moscow curator Anya Dorofeeva speaks volumes of her creativity and brilliance.<return><return>Stargell's journey of personal struggle and triumph is nothing short of remarkable. Surviving a severe accident and moving to Florida, she continued to pursue her passion for art and used her voice to influence change and bring awareness to the plight of refugees.<return><return>As a prestigious artist, I wholeheartedly recommend Tatum Stargell for any program, exhibition, or project that requires a dedicated, compassionate, and gifted artist. Her commitment to promoting culture, amplifying voices, and breaking barriers is evident in all her work.<return><return>Sincerely,<return>[Your Name] | To Whom It May Concern,<return><return>I am honored to write this letter of recommendation for Tatum Stargell, an incredible and accomplished artist and activist. In my years as a prestigious artist, I have witnessed many rising talents, and I can confidently say that Stargell is one of the most dedicated artists I have encountered.<return><return>Stargell's passion for supporting the refugee community is evident in all her work. Her restaurant, Tap Tap, was not only an award-winning Haitian cuisine hotspot, but it became a cultural hub for the community. Stargell's collaboration with Lou Anne Colodny for a comprehensive exhibition showcasing Haitian artists also speaks volumes of her dedication to amplifying voices and cultures.<return><return>Stargell has also invested her time in teaching and promoting filmmaking, and her work with commissioned artists and the Nike Filmmakers' Bootcamp has helped nurture young talents while pushing the boundaries of the art form. Her fascination with boats and water led to the creation of mesmerizing installations in different parts of the world, all paying tribute to sacred traditions and cultures.<return><return>Stargell's accomplishments speak for themselves; she has won multiple awards and participated in several exhibitions around the world. The fact that she was selected to screen her video art at The Athens International Film Festival and Valleta Film Festival Malta and was part of an art exhibition titled “The Root of the New,” organized by Moscow curator Anya Dorofeeva speaks volumes of her creativity and brilliance.<return><return>Stargell's journey of personal struggle and triumph is nothing short of remarkable. Surviving a severe accident and moving to Florida, she continued to pursue her passion for art and used her voice to influence change and bring awareness to the plight of refugees.<return><return>As a prestigious artist, I wholeheartedly recommend Tatum Stargell for any program, exhibition, or project that requires a dedicated, compassionate, and gifted artist. Her commitment to promoting culture, amplifying voices, and breaking barriers is evident in all her work.<return><return>Sincerely,<return>[Your Name] |
{
"STANDOUT_WORDS": 2,
"ABILITY_WORDS": 5,
"MASCULINE_WORDS": 2,
"FEMININE_WORDS": 3,
"agentic_words": 1,
"communal_words": 2,
"career_words": 2,
"family_words": 1,
"leader_words": 2
} |