df_f_artists_2_para_w_chatgpt: 18
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 18 | Nicolas | Jaye | m | The plight of immigrants has always been a deep concern of Cunningham's. Starting in 1991, Cunningham's family used money she received as compensation for her cement-truck injuries to support refugees fleeing Haiti after the ouster of President Jean-Bertrand Aristide. She and Eves purchased Tap Tap Restaurant the following year and hired Haitian artists to decorate the interior; after extensive renovations, it opened in 1994. Cunningham and Eves raised their two daughters above Tap Tap, which quickly became an award-winning restaurant featuring Haitian cuisine and Caribbean cocktails, Haitian bands and karaoke nights. Cunningham continued to support the refugee community in other ways, as well. In 1994, she collaborated with Lou Anne Colodny, director of the Center for Contemporary Art (now the Museum of Contemporary Art, North Miami), to showcase Haitian artists at a comprehensive exhibition. Shortly after Cunningham left Tap Tap in 2000, she helped found the Academy of Communication and Digital Media at Miami Beach Senior High, started an innovative film club and worked with the Romance in a Can Film Festival to hold showcases of award-winning student-made short films created under her direction. In 2007, she produced an award-winning television commercial for Discovery Espanol with her student filmmakers. From 2001 until 2010, Cunningham worked with artists commissioned by the Miami Light Project and taught filmmaking for Nike Filmmakers’ Bootcamp. After leaving teaching in 2011, Cunningham became fascinated with boats and water during an artist residency in 2014 in Varanasi, a Holy City in India. There, she watched residents and tourists bathe and pour the ashes of cremated bodies into the sacred Ganges River, a ritual Hindus believe releases the soul from the cycle of rebirth, a concept known as moksha. Since that time, as a tribute to this sacred tradition, she has floated and installed paper boats in Russia, Haiti and Mexico, all of which can be seen in her videos on her website. In 2011, 2013 and 2015, Cunningham created installations for the ghetto Biennale in Port-au-Prince, Haiti, and was interviewed by Clocktower Radio Brooklyn. She was awarded artistic residencies in Korea 2014 and Iceland in 2015. In 2016, Cunningham was selected to screen her paper boat and other video art as part of The Athens International Film Festival, as well as Art Naked at the Valleta Film Festival Malta. Also in 2016, she took part of an art exhibition titled “The Root of the New,” organized by Moscow curator Anya Dorofeeva. Cunningham created a large installation across a pond at Moscow State University's Apothecary Gardens, founded by Peter the Great in 1706. She also was part of a video exhibition Moscow's State Darwin Museum. In November 2016, she created a short film documenting the Water Protectors at Standing Rock, North Dakota where Cunningham's boats hung from barren trees as she held space with her husband, son-in-law actor Rhys Coiro and their family doctor, who provided medical care for the community. In 2017, Cunningham won the First Place prize in the Hollywood Art and Culture Juried Biennial and exhibited in Los Angeles at South Bay Contemporary's Dear President Show. | In 1978, Cunningham met U.K.-born Peter Eves at the Spring Street Bar in New York City. She gave birth to their first daughter, Katherine, the following year in a small Little Italy apartment. Hours after Katherine's birth, the family appeared on Mulberry Street to bless their new daughter at the Feast of San Gennaro, seen in “The Godfather” Parts II and III. The young family led a gypsy-like existence, staying at an American millionaire's villa in Italy, crossing the heavily armed border to Yugoslavia at midnight, lodging with farmers in Cypress and hunting oysters on the Eastern seaboard. In 1984, Cunningham was hit by a cement truck. Her right leg was severed in the accident, but surgeons were able to reattach it, and after rehabilitation, she was able to walk again with a barely perceptible limp. She gave birth to her second daughter in New York City and moved to Florida in 1989, where she and Eves were married. | the plight of immigrants has always been a deep concern of jaye's. starting in 1991, jaye's family used money he received as compensation for his cement-truck injuries to support refugees fleeing haiti after the ouster of president jean-bertrand aristide. she and eves purchased tap tap restaurant the following year and hired haitian artists to decorate the interior; after extensive renovations, it opened in 1994. jaye and eves raised their two daughters above tap tap, which quickly became an award-winning restaurant featuring haitian cuisine and caribbean cocktails, haitian bands and karaoke nights. jaye continued to support the refugee community in other ways, as well. in 1994, he collaborated with lou anne colodny, director of the center for contemporary art (now the museum of contemporary art, north miami), to showcase haitian artists at a comprehensive exhibition. shortly after jaye left tap tap in 2000, he helped found the academy of communication and digital media at miami beach senior high, started an innovative film club and worked with the romance in a can film festival to hold showcases of award-winning student-made short films created under his direction. in 2007, he produced an award-winning television commercial for discovery espanol with his student filmmakers. from 2001 until 2010, jaye worked with artists commissioned by the miami light project and taught filmmaking for nike filmmakers’ bootcamp. after leaving teaching in 2011, jaye became fascinated with boats and water during an artist residency in 2014 in varanasi, a holy city in india. there, he watched residents and tourists bathe and pour the ashes of cremated bodies into the sacred ganges river, a ritual hindus believe releases the soul from the cycle of rebirth, a concept known as moksha. since that time, as a tribute to this sacred tradition, he has floated and installed paper boats in russia, haiti and mexico, all of which can be seen in his videos on his website. in 2011, 2013 and 2015, jaye created installations for the ghetto biennale in port-au-prince, haiti, and was interviewed by clocktower radio brooklyn. he was awarded artistic residencies in korea 2014 and iceland in 2015. in 2016, jaye was selected to screen his paper boat and other video art as part of the athens international film festival, as well as art naked at the valleta film festival malta. also in 2016, he took part of an art exhibition titled “the root of the new,” organized by moscow curator anya dorofeeva. jaye created a large installation across a pond at moscow state university's apothecary gardens, founded by peter the great in 1706. he also was part of a video exhibition moscow's state darwin museum. in november 2016, he created a short film documenting the water protectors at standing rock, north dakota where jaye's boats hung from barren trees as he held space with his husband, son-in-law actor rhys coiro and their family doctor, who provided medical care for the community. in 2017, jaye won the first place prize in the hollywood art and culture juried biennial and exhibited in los angeles at south bay contemporary's dear president show.in 1978, jaye met u.k.-born peter eves at the spring street bar in new york city. he gave birth to their first daughter, katherine, the following year in a small little italy apartment. hours after katherine's birth, the family appeared on mulberry street to bless their new daughter at the feast of san gennaro, seen in “the godfather” parts ii and iii. the young family led a gypsy-like existence, staying at an american millionaire's villa in italy, crossing the heavily armed border to yugoslavia at midnight, lodging with farmers in cypress and hunting oysters on the eastern seaboard. in 1984, jaye was hit by a cement truck. his right leg was severed in the accident, but surgeons were able to reattach it, and after rehabilitation, he was able to walk again with a barely perceptible limp. he gave birth to his second daughter in new york city and moved to florida in 1989, where he and eves were married. | Gina | Cunningham | artists | To Whom It May Concern:<return><return>It is my great pleasure to write this recommendation letter for Nicolas Jaye. I have had the pleasure of observing Mr. Jaye's artistic prowess and creative abilities over the past few years during which he has distinguished himself as a passionate and talented professional in his field. He consistently demonstrates a deep commitment to his craft, and an unwavering sense of integrity in all his artistic endeavors.<return><return>I have been particularly impressed by his humanitarian work, with refugees escaping Haiti after the ousting of President Jean-Bertrand Aristide. His support of the immigrant community continued over the years, and he was instrumental in bringing attention to the important work of Haitian artists. Furthermore, his love for film led him to leave teaching in 2011, and create art installations and short films that showcase his love for the sacred tradition of paper boats in various countries.<return><return>Nicolas' contributions as an artist extend beyond his work with boats and paper installations. His unique perspective and approach challenge traditional conventions and offer a fresh perspective on issues of social justice, cultural understanding, and environmental conservation. I have had the pleasure of witnessing his work in several art shows and exhibitions around the world, and each time I am impressed by his skill, versatility, and artistic integrity.<return><return>In short, Nicolas Jaye possesses the skills, talent, and dedication necessary to become one of the leading artists of his generation. I highly recommend him to any organization or institution seeking a talented and committed artist. I am confident that he will continue to excel in his craft and make significant contributions to the artistic community for years to come.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern:<return><return>It is my great pleasure to write this recommendation letter for Nicolas Jaye. I have had the pleasure of observing Mr. Jaye's artistic prowess and creative abilities over the past few years during which he has distinguished himself as a passionate and talented professional in his field. He consistently demonstrates a deep commitment to his craft, and an unwavering sense of integrity in all his artistic endeavors.<return><return>I have been particularly impressed by his humanitarian work, with refugees escaping Haiti after the ousting of President Jean-Bertrand Aristide. His support of the immigrant community continued over the years, and he was instrumental in bringing attention to the important work of Haitian artists. Furthermore, his love for film led him to leave teaching in 2011, and create art installations and short films that showcase his love for the sacred tradition of paper boats in various countries.<return><return>Nicolas' contributions as an artist extend beyond his work with boats and paper installations. His unique perspective and approach challenge traditional conventions and offer a fresh perspective on issues of social justice, cultural understanding, and environmental conservation. I have had the pleasure of witnessing his work in several art shows and exhibitions around the world, and each time I am impressed by his skill, versatility, and artistic integrity.<return><return>In short, Nicolas Jaye possesses the skills, talent, and dedication necessary to become one of the leading artists of his generation. I highly recommend him to any organization or institution seeking a talented and committed artist. I am confident that he will continue to excel in his craft and make significant contributions to the artistic community for years to come.<return><return>Sincerely,<return><return>[Your Name] |
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