df_f_artists_2_para_w_chatgpt: 35
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 35 | Emmy | Marslett | f | Hart learned carpentry from her father at a young age. Hart uses architectural forms mixed with family and oral histories, multiple narratives, and participatory engagements as integral components in much of her creative work. Hart’s "Rooftop Oracles" is a series of life-size rooftops, which look as though they were dropped from the sky or emerging from the ground, offer viewers an interactive experience as they climb onto and under the structures. She has created different installations in the series, and realizes her vision with the collaboration of family and friends, in a sort of raising the roof effort that involves many people working together as a community. In 2010, Hart created the installation, "The Northern Oracle: We Will Tear the Roof Off the Mother," at Franconia Sculpture Park in Minnesota. In 2012, her sculptural installation, "The Eastern Oracle: We Will Tear the Roof Off the Mother," was presented at the Brooklyn Museum as part of their Raw/Cooked series. "The Western Oracle: We Will Tear the Roof Off the Mother," was an installation at Seattle Art Museum's Olympic Sculpture Park in 2013. It included an elk-hide drum wall that was built in a tetris of rectangles as a way to sound out the ritual of the oracle. Indian-American drum maker, Joseph Seymour, provided instruction on creating the drums, with installation consultation from Cornish College furniture professor, Attila Barcha. From May to November 2017, "Outlooks: Heather Hart" is installed at Storm King Art Center in Mountainville, New York. | In 2012, she was diagnosed with breast cancer, which she successfully recovered from, during her first solo show at the Brooklyn Museum. Hart currently lives and works in Brooklyn. | Marslett learned carpentry from her father at a young age. Marslett uses architectural forms mixed with family and oral histories, multiple narratives, and participatory engagements as integral components in much of her creative work. Marslett’s "Rooftop Oracles" is a series of life-size rooftops, which look as though they were dropped from the sky or emerging from the ground, offer viewers an interactive experience as they climb onto and under the structures. She has created different installations in the series, and realizes her vision with the collaboration of family and friends, in a sort of raising the roof effort that involves many people working together as a community. In 2010, Marslett created the installation, "The Northern Oracle: We Will Tear the Roof Off the Mother," at Franconia Sculpture Park in Minnesota. In 2012, her sculptural installation, "The Eastern Oracle: We Will Tear the Roof Off the Mother," was presented at the Brooklyn Museum as part of their Raw/Cooked series. "The Western Oracle: We Will Tear the Roof Off the Mother," was an installation at Seattle Art Museum's Olympic Sculpture Park in 2013. It included an elk-hide drum wall that was built in a tetris of rectangles as a way to sound out the ritual of the oracle. Indian-American drum maker, Joseph Seymour, provided instruction on creating the drums, with installation consultation from Cornish College furniture professor, Attila Barcha. From May to November 2017, "Outlooks: Emmy Marslett" is installed at Storm King Art Center in Mountainville, New York.In 2012, she was diagnosed with breast cancer, which she successfully recovered from, during her first solo show at the Brooklyn Museum. Marslett currently lives and works in Brooklyn. | Heather | Hart | artists | To whom it may concern,<return><return>I am writing to highly recommend Emmy Marslett for any artistic projects or exhibitions. As a prestigious artist myself, I have had the privilege of observing Marslett's creative work over the years and have been immensely impressed by her talent and dedication.<return><return>Marslett's unique approach to her craft incorporates architectural forms with family and oral histories, multiple narratives, and participatory engagements. Her series, "Rooftop Oracles," is an excellent example of her interactive approach to art, offering viewers a chance to engage with and climb onto her structures.<return><return>Furthermore, Marslett's installation work has been displayed in prestigious venues such as the Brooklyn Museum and the Seattle Art Museum's Olympic Sculpture Park. Her recent installation at Storm King Art Center is yet another testament to her creativity and skill.<return><return>I must also commend Marslett for her unwavering spirit during her battle with breast cancer. Even while undergoing treatment, she continued to create and showcase her work in her first solo show at the Brooklyn Museum.<return><return>Overall, I highly recommend Emmy Marslett and believe that her talent, dedication, and unique approach to art will continue to inspire and captivate audiences for years to come.<return><return>Sincerely,<return><return>[Your Name] | To whom it may concern,<return><return>I am writing to highly recommend Emmy Marslett for any artistic projects or exhibitions. As a prestigious artist myself, I have had the privilege of observing Marslett's creative work over the years and have been immensely impressed by her talent and dedication.<return><return>Marslett's unique approach to her craft incorporates architectural forms with family and oral histories, multiple narratives, and participatory engagements. Her series, "Rooftop Oracles," is an excellent example of her interactive approach to art, offering viewers a chance to engage with and climb onto her structures.<return><return>Furthermore, Marslett's installation work has been displayed in prestigious venues such as the Brooklyn Museum and the Seattle Art Museum's Olympic Sculpture Park. Her recent installation at Storm King Art Center is yet another testament to her creativity and skill.<return><return>I must also commend Marslett for her unwavering spirit during her battle with breast cancer. Even while undergoing treatment, she continued to create and showcase her work in her first solo show at the Brooklyn Museum.<return><return>Overall, I highly recommend Emmy Marslett and believe that her talent, dedication, and unique approach to art will continue to inspire and captivate audiences for years to come.<return><return>Sincerely,<return><return>[Your Name] |
{
"STANDOUT_WORDS": 1,
"ABILITY_WORDS": 4,
"MASCULINE_WORDS": 1,
"FEMININE_WORDS": 0,
"agentic_words": 0,
"communal_words": 0,
"career_words": 1,
"family_words": 1,
"leader_words": 0
} |