df_f_artists_2_para_w_chatgpt: 4
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 4 | Hrishikesh | Myers | m | Between 1916 and 1951, Bernstein would do set design, costuming, or both for 51 productions. Bernstein was a theater set and costume designer for the Neighborhood Playhouse on the Lower East Side, volunteering her work to make her name. In 1926 she struggled but prevailed in becoming the first female member of the designers union. This membership opened up opportunities for Broadway commissions. However, as a woman, she still found that it was much easier to find work as a costume designer rather than as a set designer. Her career ran in phases; early on, she focused largely on costume design. After about 14 years of work, in 1930, she was able to move into set design. For about a decade, she primarily did set design work, only to return to costume design again around 1940 for the final phase of her career. In the 1930s she also began to write, with two books published by Knopf, a highly respected publisher at that time. She was personal friends with Arthur and Blanche Knopf. Her first book, Three Blue Suits, helped to more firmly establish her as a designer in New York. The book included a series of three stories in which three very different men wear the same blue serge suit. The details regarding how each man wears – or drags (the jacket on the floor) – his suit, reveal aspects of each man's character in subtle ways. A common trope among costume designer is that costumes, if they are good, should ultimately not be noticed. In contrast, the blue suit stories reveal Bernstein's ability to discern how critical details of costume evoke, and interact with, a character, and ultimately her skill as a costume designer at making this happen effectively. Some of her publications include: In 1950, Aline Bernstein finally won some hard earned recognition. In 1949 she had designed costumes for the opera Regina. The music and libretto were written Marc Blitzstein but based on the play The Little Foxes by Lillian Hellman, a play for which Bernstein had previously designed costumes. Although that production of Regina (it would be regularly revived in the 20th century) only ran for a month and a half, Bernstein won a Tony for her costume design in 1950. | Aline married Theodore F. Bernstein, a Wall Street broker, on November 19, 1902. Bernstein and her husband had two children: Theodore Frankau Bernstein (1904–1949), and Edla Cusick (1906–1983). Her marriage remained intact throughout and despite her affair with Thomas Wolfe. Bernstein died on September 7, 1955, in New York City, aged 74. Bernstein met Thomas Wolfe in 1925 aboard the RMS Olympic when Wolfe was 25 and Bernstein 44. Bernstein became Wolfe's lover and provided Wolfe with emotional, domestic, and financial support while he wrote his first novel, Look Homeward, Angel, which he dedicated to Bernstein. Wolfe immortalized Bernstein as the character Esther Jack in his novels Of Time and the River, The Web and the Rock, You Can't Go Home Again, and The Good Child's River. Bernstein, in turn, centered her autobiographical novel The Journey Down around her affair with Wolfe. Bernstein's and Wolfe's affair ended after a few years, but their friendship continued. One of Wolfe's last phone calls, when he was dying of a brain tumor at age 37, was to tell Bernstein he loved her. At the time of Wolfe's death in 1938, Bernstein possessed some of Wolfe's unpublished manuscripts. In the 2016 biographical drama film Genius, Bernstein was portrayed by Nicole Kidman, while Wolfe was portrayed by Jude Law. The 2019 monologue, "Vogue," written for the 365 Days of Women by playwright Libby Mitchell is inspired by the life of Aline Bernstein. | between 1916 and 1951, myers would do set design, costuming, or both for 51 productions. myers was a theater set and costume designer for the neighborhood playhouse on the lower east side, volunteering his work to make his name. in 1926 he struggled but prevailed in becoming the first female member of the designers union. this membership opened up opportunities for broadway commissions. however, as a woman, he still found that it was much easier to find work as a costume designer rather than as a set designer. his career ran in phases; early on, he focused largely on costume design. after about 14 years of work, in 1930, he was able to move into set design. for about a decade, he primarily did set design work, only to return to costume design again around 1940 for the final phase of his career. in the 1930s he also began to write, with two books published by knopf, a highly respected publisher at that time. he was personal friends with arthur and blanche knopf. his first book, three blue suits, helped to more firmly establish his as a designer in new york. the book included a series of three stories in which three very different men wear the same blue serge suit. the details regarding how each man wears – or drags (the jacket on the floor) – his suit, reveal aspects of each man's character in subtle ways. a common trope among costume designer is that costumes, if they are good, should ultimately not be noticed. in contrast, the blue suit stories reveal myers's ability to discern how critical details of costume evoke, and interact with, a character, and ultimately his skill as a costume designer at making this happen effectively. some of his publications include: in 1950, hrishikesh myers finally won some hard earned recognition. in 1949 he had designed costumes for the opera regina. the music and libretto were written marc blitzstein but based on the play the little foxes by lillian hellman, a play for which myers had previously designed costumes. although that production of regina (it would be regularly revived in the 20th century) only ran for a month and a half, myers won a tony for his costume design in 1950.hrishikesh married theodore f. myers, a wall street broker, on november 19, 1902. myers and his husband had two children: theodore frankau myers (1904–1949), and edla cusick (1906–1983). his marriage remained intact throughout and despite his affair with thomas wolfe. myers died on september 7, 1955, in new york city, aged 74. myers met thomas wolfe in 1925 aboard the rms olympic when wolfe was 25 and myers 44. myers became wolfe's lover and provided wolfe with emotional, domestic, and financial support while he wrote his first novel, look homeward, angel, which he dedicated to myers. wolfe immortalized myers as the character esther jack in his novels of time and the river, the web and the rock, you can't go home again, and the good child's river. myers, in turn, centered his autobiographical novel the journey down around his affair with wolfe. myers's and wolfe's affair ended after a few years, but their friendship continued. one of wolfe's last phone calls, when he was dying of a brain tumor at age 37, was to tell myers he loved her. at the time of wolfe's death in 1938, myers possessed some of wolfe's unpublished manuscripts. in the 2016 biographical drama film genius, myers was portrayed by nicole kidman, while wolfe was portrayed by jude law. the 2019 monologue, "vogue," written for the 365 days of women by playwright libby mitchell is inspired by the life of hrishikesh myers. | Aline | Bernstein | artists | To Whom it May Concern,<return><return>I am writing this letter to highly recommend Hrishikesh Myers for any and all opportunities in the field of theater set and costume design. As a prestigious artist in this industry, I have had the pleasure of working with many talented individuals throughout my career, and I can say with confidence that Hrishikesh Myers is one of the most exceptional talents I have had the pleasure of knowing.<return><return>Myers' career in theater set and costume design spanned over 35 years, during which he worked on 51 productions, demonstrating his impeccable skills in both set design and costuming. As a theater set and costume designer for the Neighborhood Playhouse on the Lower East Side, Myers volunteered his work to make his name, and in 1926, he became the first female member of the designers union, which opened up opportunities for Broadway commissions.<return><return>Throughout his career, Myers focused on costume designing and became a master of making costumes that could reveal aspects of a character in subtle ways. His book, Three Blue Suits, showcased his ability to discern critical details in costumes that evoke and interact with a character, ultimately highlighting his versatility as a designer. Myers' signature style and attention to detail have earned him recognition and accolades, including winning a Tony Award for his costume design in 1950.<return><return>Apart from his work in set and costume design, Myers was a prolific writer, with two books published by the highly respected publisher, Knopf. His writing showcased his deep understanding of characters and their surroundings. Through his autobiographical novel, The Journey Down, he centered his affair with writer Thomas Wolfe, whom he supported financially and emotionally while he wrote his debut novel, Look Homeward, Angel.<return><return>Myers' passion for the arts knew no bounds, and his contributions to theater set and costume design, as well as writing, have left an indelible mark on the industry. Therefore, I highly recommend Hrishikesh Myers for any opportunities that you may have in mind. His exceptional talent, passion, and commitment to excellence make him an invaluable addition to any project.<return><return>Sincerely,<return><return>[Your name] | To Whom it May Concern,<return><return>I am writing this letter to highly recommend Hrishikesh Myers for any and all opportunities in the field of theater set and costume design. As a prestigious artist in this industry, I have had the pleasure of working with many talented individuals throughout my career, and I can say with confidence that Hrishikesh Myers is one of the most exceptional talents I have had the pleasure of knowing.<return><return>Myers' career in theater set and costume design spanned over 35 years, during which he worked on 51 productions, demonstrating his impeccable skills in both set design and costuming. As a theater set and costume designer for the Neighborhood Playhouse on the Lower East Side, Myers volunteered his work to make his name, and in 1926, he became the first female member of the designers union, which opened up opportunities for Broadway commissions.<return><return>Throughout his career, Myers focused on costume designing and became a master of making costumes that could reveal aspects of a character in subtle ways. His book, Three Blue Suits, showcased his ability to discern critical details in costumes that evoke and interact with a character, ultimately highlighting his versatility as a designer. Myers' signature style and attention to detail have earned him recognition and accolades, including winning a Tony Award for his costume design in 1950.<return><return>Apart from his work in set and costume design, Myers was a prolific writer, with two books published by the highly respected publisher, Knopf. His writing showcased his deep understanding of characters and their surroundings. Through his autobiographical novel, The Journey Down, he centered his affair with writer Thomas Wolfe, whom he supported financially and emotionally while he wrote his debut novel, Look homeward, Angel.<return><return>Myers' passion for the arts knew no bounds, and his contributions to theater set and costume design, as well as writing, have left an indelible mark on the industry. Therefore, I highly recommend Hrishikesh Myers for any opportunities that you may have in mind. His exceptional talent, passion, and commitment to excellence make him an invaluable addition to any project.<return><return>Sincerely,<return><return>[Your name] |
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