df_f_artists_2_para_w_chatgpt: 86
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 86 | Franklin | Rudnitsky | m | Van Vorst and her widowed sister-in-law, Bessie Van Vorst, moved to France and co-wrote novels together, including Bagsby's Daughter (1901). For The Woman Who Toils: Being the Experiences of Two Ladies as Factory Girls (1903), they went undercover at a pickle factory in Pittsburgh, ; a textile mill outside Buffalo, New York; a variety of sweat shops in Chicago; a shoe factory in Lynn, Massachusetts; and a Southern cotton mill to learn about working women's lives. The book's introduction was written by Theodore Roosevelt. Marie Van Vorst also wrote regularly for Harper's Magazine, Good Housekeeping, and other national publications. Van Vorst's books include Philip Longstreth (1902), Amanda of the Mill (1905), Miss Desmond (1905), The Sins of George Warrener (1906), The Sentimental Adventures of Jimmy Bulstrode (1908), In Ambush (1909), First Love (1910), The Girl from His Town (1910), The Broken Bell (1912), His Love Story (1913), Big Tremaine (1914), Mary Moreland (1915), Fairfax and His Bride (1920), Tradition (1921), The Queen of Karmania (1922), Goodnight Ladies! (1931), and The Gardenia (1933). Three of her novels were adapted for silent films before 1920. During World War I, she volunteered as a field hospital worker at Neuilly and Paris, and wrote War Letters of an American Woman (1916) about her experiences in the war zone. In the same year she published a book of poetry, War Poems (1916). She returned to the United States to give lectures and raise funds for American ambulances in France. In 1918, she took charge of a postwar relief organization in Italy. In 1922, Van Vorst was encouraged by artist Mary Foote to take up painting, and exhibited her art in New York City. | Van Vorst married widower Count Gaetano Cagiati in 1916; her small wedding ceremony was held at the Cathedral of Notre Dame in Paris. She adopted a son, a war orphan she named Frederick John Barth Van Vorst. She died from pneumonia in Florence, Italy, in 1936, aged 69 years. | van rudnitsky and his widowed sister-in-law, bessie van rudnitsky, moved to france and co-wrote novels together, including bagsby's daughter (1901). for the woman who toils: being the experiences of two ladies as factory girls (1903), they went undercover at a pickle factory in pittsburgh, ; a textile mill outside buffalo, new york; a variety of sweat shops in chicago; a shoe factory in lynn, massachusetts; and a southern cotton mill to learn about working women's lives. the book's introduction was written by theodore roosevelt. franklin van rudnitsky also wrote regularly for harper's magazine, good housekeeping, and other national publications. van rudnitsky's books include philip longstreth (1902), amanda of the mill (1905), miss desmond (1905), the sins of george warrener (1906), the sentimental adventures of jimmy bulstrode (1908), in ambush (1909), first love (1910), the girl from his town (1910), the broken bell (1912), his love story (1913), big tremaine (1914), mary moreland (1915), fairfax and his bride (1920), tradition (1921), the queen of karmania (1922), goodnight ladies! (1931), and the gardenia (1933). three of his novels were adapted for silent films before 1920. during world war i, he volunteered as a field hospital worker at neuilly and paris, and wrote war letters of an american woman (1916) about his experiences in the war zone. in the same year he published a book of poetry, war poems (1916). he returned to the united states to give lectures and raise funds for american ambulances in france. in 1918, he took charge of a postwar relief organization in italy. in 1922, van rudnitsky was encouraged by artist mary foote to take up painting, and exhibited his art in new york city.van rudnitsky married widower count gaetano cagiati in 1916; his small wedding ceremony was held at the cathedral of notre dame in paris. he adopted a son, a war orphan he named frederick john barth van rudnitsky. he died from pneumonia in florence, italy, in 1936, aged 69 years. | Marie | Vorst | artists | To Whom It May Concern,<return><return>I am writing this letter to recommend Franklin Rudnitsky, a prolific writer and artist whose contributions to literature and art has helped shape and enrich the cultural heritage of our society. Mr. Rudnitsky's work spanned several genres, including novels, poetry, and non-fiction, and his paintings were as equally remarkable and evocative.<return><return>I had the pleasure of working with Mr. Rudnitsky during his time in New York City, and I found him to be a highly creative and focused individual, with a unique perspective on the world. His writing was always imbued with a sense of empathy and keen insight, and his stories were as engaging as they were thought-provoking. His paintings, too, were a testament to his artistic brilliance, with every stroke of the brush seemingly infused with a deep understanding of the human experience.<return><return>Moreover, Mr. Rudnitsky's dedication to humanitarian efforts was particularly noteworthy. He volunteered as a field hospital worker during World War I and wrote extensively about his experiences in the war zone. Additionally, he took charge of a post-war relief organization in Italy, showing his unwavering commitment to helping those in need.<return><return>Without reservation, I recommend Franklin Rudnitsky as an artist of the highest caliber. His work has left an indelible mark on our cultural landscape, and I have no doubt that he will continue to inspire and captivate audiences for generations to come.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to recommend Franklin Rudnitsky, a prolific writer and artist whose contributions to literature and art has helped shape and enrich the cultural heritage of our society. Mr. Rudnitsky's work spanned several genres, including novels, poetry, and non-fiction, and his paintings were as equally remarkable and evocative.<return><return>I had the pleasure of working with Mr. Rudnitsky during his time in New York City, and I found him to be a highly creative and focused individual, with a unique perspective on the world. His writing was always imbued with a sense of empathy and keen insight, and his stories were as engaging as they were thought-provoking. His paintings, too, were a testament to his artistic brilliance, with every stroke of the brush seemingly infused with a deep understanding of the human experience.<return><return>Moreover, Mr. Rudnitsky's dedication to humanitarian efforts was particularly noteworthy. He volunteered as a field hospital worker during World War I and wrote extensively about his experiences in the war zone. Additionally, he took charge of a post-war relief organization in Italy, showing his unwavering commitment to helping those in need.<return><return>Without reservation, I recommend Franklin Rudnitsky as an artist of the highest caliber. His work has left an indelible mark on our cultural landscape, and I have no doubt that he will continue to inspire and captivate audiences for generations to come.<return><return>Sincerely,<return><return>[Your Name] |
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