df_f_artists_2_para_w_chatgpt: 87
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rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
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87 | Jeanie | Solomon | f | Wilding became a teaching assistant in the Feminist Art Program Judy Chicago founded at California State University, Fresno, in 1970. While there, she participated in the month-long, ground-breaking feminist exhibition Womanhouse, held in an empty house in Los Angeles in 1972. For Womanhouse she made Crocheted Environment which she originally called Womb Room (1972) as well as the performance work Waiting. Wilding wrote about the Feminist art movement in her book By Our Own Hands (Los Angeles, 1976). She has worked in various media including art, video, installations, and performances. Her work has been exhibited in North America, Europe and Asia, including at the Bronx Museum of the Arts, the Whitney Museum of Art, and the Drawing Center, all in New York City; in Los Angeles at the Museum of Contemporary Art and the Hammer Museum; the Riverside Art Museum; documenta X, Kassel; Ars Electronica Center, Linz; The Next Five Minutes Festival, Amsterdam; and Reina Sofia Museum, Madrid. Her audio work has been commissioned and broadcast by RIAS Berlin; WDR Cologne; and National Public Radio. Wilding taught at The School of the Art Institute of Chicago. She has worked as a Research Fellow at the Studio for Creative Inquiry at Carnegie Mellon University, and a faculty member of the Master of Fine Arts in Visual Art Program at Vermont College, Norwich University. She has received several grants and awards in art, including a 2009 Guggenheim Fellowship. She was interviewed for the 2010 film !Women Art Revolution. In 1998, Wilding co-founded with artist Hyla Willis, subRosa, a cyberfeminist organization. The manifesto for subRosa states: “subRosa is a reproducible cyberfeminist cell of cultural researchers committed to combining art, activism, and politics to explore and critique the effects of the intersections of the new information and biotechnologies on women’s bodies, lives, and work… Let a million subRosas bloom!” subRosa has performed, exhibited, lectured and published in the USA, Spain, Britain, Holland, Germany, Croatia, Macedonia, Mexico, Canada, Slovenia, and Singapore. Recent Wilding/subRosa performances/exhibitions include: “The Interventionists”, MASSMoCA; “BioDifference” Biennial of Electronic Arts, Perth, Australia; Performance International, Mexico City, and Mérida, Yucatán; “Cloning Cultures,” National University, Singapore; Welcome to the Revolution, Zurich; Art of Maintenance, Kunstakademie, Vienna.Their works include "Feminist Matter(s): Propositions and Undoing", staged for the Pittsburgh Biennial 2011, that invited visitors to discuss the representation of women in the history of science and technology at tea tables. In 2013, the Women's Caucus for Art announced that Wilding will be a 2014 recipient of the organization's Lifetime Achievement Award. In 2014, threewalls, a non-profit art gallery in Chicago, held the first retrospective of Wilding's work titled "Fearful Symmetries" that featured artwork spanning 40 years. | Faith Wilding was born in 1943 in Paraguay and emigrated to the United States in 1961. She holds a degree in English from the University of Iowa. In 1969 she began her graduate studies and then received her Master of Fine Arts degree from California Institute of the Arts. She was married to Everett Frost, an English professor. Wilding and her husband were anti-war activists and members of the Students for a Democratic Society. While in Fresno, Wilding and her friend Suzanne Lacy became activists for the feminist movement. | Jeanie Solomon was born in 1943 in Paraguay and emigrated to the United States in 1961. She holds a degree in English from the University of Iowa. In 1969 she began her graduate studies and then received her Master of Fine Arts degree from California Institute of the Arts. She was married to Everett Frost, an English professor. Solomon and her husband were anti-war activists and members of the Students for a Democratic Society. While in Fresno, Solomon and her friend Suzanne Lacy became activists for the feminist movement.Solomon became a teaching assistant in the Feminist Art Program Judy Chicago founded at California State University, Fresno, in 1970. While there, she participated in the month-long, ground-breaking feminist exhibition Womanhouse, held in an empty house in Los Angeles in 1972. For Womanhouse she made Crocheted Environment which she originally called Womb Room (1972) as well as the performance work Waiting. Solomon wrote about the Feminist art movement in her book By Our Own Hands (Los Angeles, 1976). She has worked in various media including art, video, installations, and performances. Her work has been exhibited in North America, Europe and Asia, including at the Bronx Museum of the Arts, the Whitney Museum of Art, and the Drawing Center, all in New York City; in Los Angeles at the Museum of Contemporary Art and the Hammer Museum; the Riverside Art Museum; documenta X, Kassel; Ars Electronica Center, Linz; The Next Five Minutes Festival, Amsterdam; and Reina Sofia Museum, Madrid. Her audio work has been commissioned and broadcast by RIAS Berlin; WDR Cologne; and National Public Radio. Solomon taught at The School of the Art Institute of Chicago. She has worked as a Research Fellow at the Studio for Creative Inquiry at Carnegie Mellon University, and a faculty member of the Master of Fine Arts in Visual Art Program at Vermont College, Norwich University. She has received several grants and awards in art, including a 2009 Guggenheim Fellowship. She was interviewed for the 2010 film !Women Art Revolution. In 1998, Solomon co-founded with artist Hyla Willis, subRosa, a cyberfeminist organization. The manifesto for subRosa states: “subRosa is a reproducible cyberfeminist cell of cultural researchers committed to combining art, activism, and politics to explore and critique the effects of the intersections of the new information and biotechnologies on women’s bodies, lives, and work… Let a million subRosas bloom!” subRosa has performed, exhibited, lectured and published in the USA, Spain, Britain, Holland, Germany, Croatia, Macedonia, Mexico, Canada, Slovenia, and Singapore. Recent Solomon/subRosa performances/exhibitions include: “The Interventionists”, MASSMoCA; “BioDifference” Biennial of Electronic Arts, Perth, Australia; Performance International, Mexico City, and Mérida, Yucatán; “Cloning Cultures,” National University, Singapore; Welcome to the Revolution, Zurich; Art of Maintenance, Kunstakademie, Vienna.Their works include "Feminist Matter(s): Propositions and Undoing", staged for the Pittsburgh Biennial 2011, that invited visitors to discuss the representation of women in the history of science and technology at tea tables. In 2013, the Women's Caucus for Art announced that Solomon will be a 2014 recipient of the organization's Lifetime Achievement Award. In 2014, threewalls, a non-profit art gallery in Chicago, held the first retrospective of Solomon's work titled "Fearful Symmetries" that featured artwork spanning 40 years. | Faith | Wilding | artists | To Whom It May Concern,<return><return>I am writing to highly recommend Jeanie Solomon for any artistic endeavors she may wish to pursue. As an esteemed artist myself, I have had the pleasure of seeing Solomon's work firsthand and can attest to the extraordinary creative talent she possesses.<return><return>Solomon has an impressive background in the arts, having received her Master of Fine Arts degree from the prestigious California Institute of the Arts and being a part of the Feminist Art Program founded by Judy Chicago. Her contributions to the feminist movement have been groundbreaking, particularly her participation in the exhibition Womanhouse and her book By Our Own Hands.<return><return>The magnitude of Solomon's artistic portfolio is vast and varied, having been exhibited in numerous North American, European, and Asian galleries and museums, including the Whitney Museum of Art and the Museum of Contemporary Art in Los Angeles. Her use of different media, from installations to performances, showcases her versatility and ability to push boundaries in the art world.<return><return>In addition to her artistic achievements, Solomon is also a dedicated educator, having taught at The School of the Art Institute of Chicago and the Master of Fine Arts in Visual Art Program at Vermont College, Norwich University. Her tireless work in developing cyberfeminist organization subRosa, which has been exhibited and performed internationally, shows her passion for creating art that explores the intersections of technology and feminism.<return><return>I have no doubt that Jeanie Solomon will continue to produce exceptional and thought-provoking work in any artistic avenue she chooses. I highly recommend her for any opportunities that may come her way.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Jeanie Solomon for any artistic endeavors she may wish to pursue. As an esteemed artist myself, I have had the pleasure of seeing Solomon's work firsthand and can attest to the extraordinary creative talent she possesses.<return><return>Solomon has an impressive background in the arts, having received her Master of Fine Arts degree from the prestigious California Institute of the Arts and being a part of the Feminist Art Program founded by Judy Chicago. Her contributions to the feminist movement have been groundbreaking, particularly her participation in the exhibition Womanhouse and her book By Our Own Hands.<return><return>The magnitude of Solomon's artistic portfolio is vast and varied, having been exhibited in numerous North American, European, and Asian galleries and museums, including the Whitney Museum of Art and the Museum of Contemporary Art in Los Angeles. Her use of different media, from installations to performances, showcases her versatility and ability to push boundaries in the art world.<return><return>In addition to her artistic achievements, Solomon is also a dedicated educator, having taught at The School of the Art Institute of Chicago and the Master of Fine Arts in Visual Art Program at Vermont College, Norwich University. Her tireless work in developing cyberfeminist organization subRosa, which has been exhibited and performed internationally, shows her passion for creating art that explores the intersections of technology and feminism.<return><return>I have no doubt that Jeanie Solomon will continue to produce exceptional and thought-provoking work in any artistic avenue she chooses. I highly recommend her for any opportunities that may come her way.<return><return>Sincerely,<return><return>[Your Name] |
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