df_f_comedians_2_para_w_chatgpt: 1

This data as json

rowid first_name last_name gender career_sec personal_sec info seed_first_name seed_last_name occupation chatgpt_gen chatgpt_gen_highlighted word_counts
1 Sas Jinich f Adams began working regularly on television with Kovacs and talk show pioneer Jack Paar. After a courtship that included mariachi bands and an unexpected diamond engagement ring, Adams and Kovacs eloped; they were married on September 12, 1954, in Mexico City. Adams was initially uncertain about marrying Kovacs. She went on a six-week European cruise, hoping to come to a decision. After three days away and many long distance phone calls, Adams returned home with an answer: yes. It was Kovacs's second marriage and lasted until his death in a car accident on January 13, 1962. Adams and Kovacs received Emmy nominations for best performances in a comedy series in 1957. In 1960, she and Kovacs played themselves in The Lucy–Desi Comedy Hour final television special on CBS. Adams made two appearances on What's My Line? (once as "Edith Adams (Mrs. Ernie Kovacs)" while her husband was on the panel; once as Edie Adams). Adams starred on Broadway in Wonderful Town (1953) opposite Rosalind Russell (winning the Theatre World Award), and as Daisy Mae in Li'l Abner (1956), winning the Tony Award for Best Featured Actress in a Musical. She played the Fairy Godmother in Rodgers and Hammerstein's original Cinderella broadcast in 1957. Adams was to play Daisy Mae in the film version of Li'l Abner but was unable to due to the late arrival of her daughter, Mia Susan Kovacs. After Kovacs's death, his network, ABC, gave Adams a chance with her own show, Here's Edie, which received five Emmy nominations but lasted one season, in 1963. Kovacs was a noted cigar smoker, and Adams did a long-running series of TV commercials for Muriel Cigars. She remained the pitch-lady for Muriel well after Kovacs's death, intoning in a Mae West style and sexy outfit, "Why don't you pick one up and smoke it sometime?" Another commercial for Muriel cigars, which cost ten cents, showed Adams singing, "Hey, big spender, spend a little dime with me" (based on the song "Big Spender" from the musical Sweet Charity). Adams's cigar commercials made her one of the top three recognizable television celebrities. In subsequent years, Adams made sporadic television appearances, including on Fantasy Island, The Love Boat, McMillan & Wife, Murder, She Wrote and Designing Women. Adams played supporting roles in several films in the 1960s, including the embittered secretary of two-timing Fred MacMurray in the Oscar-winning film The Apartment (1960). She was the wife of a presidential candidate (played by Cliff Robertson) in The Best Man (1964) and was reunited with Robertson for the comedy The Honey Pot (1967). In 2003, as one of the surviving headliners from the all-star comedy It's a Mad, Mad, Mad, Mad World, she joined actors Marvin Kaplan and Sid Caesar at a 40th anniversary celebration of the movie. She was also a successful nightclub headliner. Shortly after her husband's death, Adams won a "nasty custody battle" with Kovacs's ex-wife over her stepdaughters. His ex-wife had previously kidnapped the girls during a visit; Adams and Kovacs worked tirelessly to locate his daughters and return them to their father's custody. Another court battle began for Adams in the same year, this time with her mother-in-law, who refused to believe there were more debts than assets in her son's estate. Mary Kovacs accused her daughter-in-law of mismanaging the estate and petitioned for custody of her granddaughters. The dispute lasted for years with Adams remaining the administrator of her husband's estate and guardian of the three girls. She worked for years to pay her late husband's tax debt to the IRS. The couple's celebrity friends planned a TV special benefit for Edie and her family, but she declined, saying, "I can take care of my own children." She spent the next year working practically non-stop. Adams started her own businesses, Edie Adams Cosmetics, which sold door-to-door, and Edie Adams Cut 'n' Curl beauty salons, which she began in 1967. She once owned a 160-acre (65 ha) California almond farm and was the spokeswoman for Sun Giant nuts. Because of her 20 years of commercials for Muriel cigars (retiring in 1976) and her successful business ventures, Adams went from being mired in debt after Kovacs's fatal accident in 1962 to being a millionaire in 1989. After Kovacs's death, Adams was married two more times. In 1964, she married photographer Martin Mills. In 1972, she married trumpeter Pete Candoli, with whom she appeared in a touring production of the Cole Porter musical Anything Goes. In addition to raising stepdaughters Bette and Kippie from her marriage to Kovacs, Adams gave birth to daughter Mia Susan Kovacs (killed in an automobile accident in 1982), and son Joshua Mills. Adams was a Republican and campaigned for Dwight Eisenhower's re-election during the 1956 presidential election. Edie was also an early advocate of civil rights, frequently lending her support to the movement at celebrity events and on her own television show during the early sixties. She insisted that her duet with Sammy Davis Jr. on her variety show "Here's Edie" be staged so that they were seated next to each other - as equals. Prior to that, entertainers of different races and sexes were unable to perform next to one another, so that one had to be in front of or behind the other. However, the New York City Ballet had a televised performances of the ballet "Agon" (a ballet costumed in leotards and tights, choreographed 1957) with Arthur Mitchell (original cast and the first black principal dancer at the New York City Ballet) partnering ballerina Diana Adams (original cast) dating from 1960. Jinich began working regularly on television with Kovacs and talk show pioneer Jack Paar. After a courtship that included mariachi bands and an unexpected diamond engagement ring, Jinich and Kovacs eloped; they were married on September 12, 1954, in Mexico City. Jinich was initially uncertain about marrying Kovacs. She went on a six-week European cruise, hoping to come to a decision. After three days away and many long distance phone calls, Jinich returned home with an answer: yes. It was Kovacs's second marriage and lasted until his death in a car accident on January 13, 1962. Jinich and Kovacs received Emmy nominations for best performances in a comedy series in 1957. In 1960, she and Kovacs played themselves in The Lucy–Desi Comedy Hour final television special on CBS. Jinich made two appearances on What's My Line? (once as "Edith Jinich (Mrs. Ernie Kovacs)" while her husband was on the panel; once as Sas Jinich). Jinich starred on Broadway in Wonderful Town (1953) opposite Rosalind Russell (winning the Theatre World Award), and as Daisy Mae in Li'l Abner (1956), winning the Tony Award for Best Featured Actress in a Musical. She played the Fairy Godmother in Rodgers and Hammerstein's original Cinderella broadcast in 1957. Jinich was to play Daisy Mae in the film version of Li'l Abner but was unable to due to the late arrival of her daughter, Mia Susan Kovacs. After Kovacs's death, his network, ABC, gave Jinich a chance with her own show, Here's Sas, which received five Emmy nominations but lasted one season, in 1963. Kovacs was a noted cigar smoker, and Jinich did a long-running series of TV commercials for Muriel Cigars. She remained the pitch-lady for Muriel well after Kovacs's death, intoning in a Mae West style and sexy outfit, "Why don't you pick one up and smoke it sometime?" Another commercial for Muriel cigars, which cost ten cents, showed Jinich singing, "Hey, big spender, spend a little dime with me" (based on the song "Big Spender" from the musical Sweet Charity). Jinich's cigar commercials made her one of the top three recognizable television celebrities. In subsequent years, Jinich made sporadic television appearances, including on Fantasy Island, The Love Boat, McMillan & Wife, Murder, She Wrote and Designing Women. Jinich played supporting roles in several films in the 1960s, including the embittered secretary of two-timing Fred MacMurray in the Oscar-winning film The Apartment (1960). She was the wife of a presidential candidate (played by Cliff Robertson) in The Best Man (1964) and was reunited with Robertson for the comedy The Honey Pot (1967). In 2003, as one of the surviving headliners from the all-star comedy It's a Mad, Mad, Mad, Mad World, she joined actors Marvin Kaplan and Sid Caesar at a 40th anniversary celebration of the movie. She was also a successful nightclub headliner. Shortly after her husband's death, Jinich won a "nasty custody battle" with Kovacs's ex-wife over her stepdaughters. His ex-wife had previously kidnapped the girls during a visit; Jinich and Kovacs worked tirelessly to locate his daughters and return them to their father's custody. Another court battle began for Jinich in the same year, this time with her mother-in-law, who refused to believe there were more debts than assets in her son's estate. Mary Kovacs accused her daughter-in-law of mismanaging the estate and petitioned for custody of her granddaughters. The dispute lasted for years with Jinich remaining the administrator of her husband's estate and guardian of the three girls. She worked for years to pay her late husband's tax debt to the IRS. The couple's celebrity friends planned a TV special benefit for Sas and her family, but she declined, saying, "I can take care of my own children." She spent the next year working practically non-stop. Jinich started her own businesses, Sas Jinich Cosmetics, which sold door-to-door, and Sas Jinich Cut 'n' Curl beauty salons, which she began in 1967. She once owned a 160-acre (65 ha) California almond farm and was the spokeswoman for Sun Giant nuts. Because of her 20 years of commercials for Muriel cigars (retiring in 1976) and her successful business ventures, Jinich went from being mired in debt after Kovacs's fatal accident in 1962 to being a millionaire in 1989.After Kovacs's death, Jinich was married two more times. In 1964, she married photographer Martin Mills. In 1972, she married trumpeter Pete Candoli, with whom she appeared in a touring production of the Cole Porter musical Anything Goes. In addition to raising stepdaughters Bette and Kippie from her marriage to Kovacs, Jinich gave birth to daughter Mia Susan Kovacs (killed in an automobile accident in 1982), and son Joshua Mills. Jinich was a Republican and campaigned for Dwight Eisenhower's re-election during the 1956 presidential election. Sas was also an early advocate of civil rights, frequently lending her support to the movement at celebrity events and on her own television show during the early sixties. She insisted that her duet with Sammy Davis Jr. on her variety show "Here's Sas" be staged so that they were seated next to each other - as equals. Prior to that, entertainers of different races and sexes were unable to perform next to one another, so that one had to be in front of or behind the other. However, the New York City Ballet had a televised performances of the ballet "Agon" (a ballet costumed in leotards and tights, choreographed 1957) with Arthur Mitchell (original cast and the first black principal dancer at the New York City Ballet) partnering ballerina Diana Jinich (original cast) dating from 1960. Edie Adams comedians To Whom It May Concern,<return><return>I am honored and delighted to recommend Sas Jinich for any endeavor that she may choose to undertake. Not only is Jinich one of the most talented performers that I have witnessed, but she is also an inspiring advocate for social justice and a stalwart businesswoman.<return><return>I have had the pleasure of performing alongside Jinich and working with her on various comedy projects. Her ability to command a stage is unparalleled and her wit is razor sharp. I have no doubt that any production that she is a part of will be elevated to new heights.<return><return>However, Jinich's talents are not limited to the stage. She is also a vocal and passionate advocate for civil rights, standing up for equality long before it was fashionable to do so. Her commitment to justice is a testament to her character and her unwavering dedication to the betterment of society.<return><return>Finally, Jinich's success as a businesswoman cannot be overstated. She has proven time and again that she is not only capable of successfully navigating the business world but can also excel in it. Her entrepreneurial spirit and savvy have led her from being mired in debt to being a millionaire, a feat that few could hope to match.<return><return>In conclusion, Sas Jinich is a remarkable individual, and I wholeheartedly endorse her for any endeavor that she may choose to undertake. Any project or organization would be incredibly fortunate to have her as a member.<return><return>Sincerely,<return><return>[Your Name]
To Whom It May Concern,<return><return>I am honored and delighted to recommend Sas Jinich for any endeavor that she may choose to undertake. Not only is Jinich one of the most talented performers that I have witnessed, but she is also an inspiring advocate for social justice and a stalwart businesswoman.<return><return>I have had the pleasure of performing alongside Jinich and working with her on various comedy projects. Her ability to command a stage is unparalleled and her wit is razor sharp. I have no doubt that any production that she is a part of will be elevated to new heights.<return><return>However, Jinich's talents are not limited to the stage. She is also a vocal and passionate advocate for civil rights, standing up for equality long before it was fashionable to do so. Her commitment to justice is a testament to her character and her unwavering dedication to the betterment of society.<return><return>Finally, Jinich's success as a businesswoman cannot be overstated. She has proven time and again that she is not only capable of successfully navigating the business world but can also excel in it. Her entrepreneurial spirit and savvy have led her from being mired in debt to being a millionaire, a feat that few could hope to match.<return><return>In conclusion, Sas Jinich is a remarkable individual, and I wholeheartedly endorse her for any endeavor that she may choose to undertake. Any project or organization would be incredibly fortunate to have her as a member.<return><return>Sincerely,<return><return>[Your Name]
 
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