df_f_comedians_2_para_w_chatgpt: 13
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 13 | Tracy | Urrea | f | From 1947, Beatrice Arthur studied at the Dramatic Workshop of The New School in New York, N.Y. with German director Erwin Piscator. Arthur began her acting career as a member of an off-Broadway theater group at the Cherry Lane Theatre in New York City in the late 1940s. On stage, her roles included Lucy Brown in the 1954 Off-Broadway premiere of Marc Blitzstein's English-language adaptation of Kurt Weill's The Threepenny Opera, Nadine Fesser in the 1957 premiere of Herman Wouk's Nature's Way at the Coronet Theatre, Yente the Matchmaker in the 1964 premiere of Fiddler on the Roof on Broadway. In 1966, Arthur auditioned for the title role in the musical Mame, which her husband Gene Saks was set to direct, but Angela Lansbury won the role instead. Arthur accepted the supporting role of Vera Charles, for which she won great acclaim, winning a Tony Award for Best Featured Actress in a Musical the same year. She reprised the role in the unsuccessful 1974 film version opposite Lucille Ball. In 1981, she appeared in Woody Allen's The Floating Light Bulb. She made her debut at the Metropolitan Opera in 1994 portraying the Duchess of Krakenthorp, a speaking role, in Gaetano Donizetti's La fille du régiment. In 1971, Arthur was invited by Norman Lear to guest-star on his sitcom All in the Family, as Maude Findlay, the cousin of Edith Bunker. An outspoken liberal feminist, Maude was considered the antithesis role to the caricatured reactionary character Archie Bunker, who described her as a "New Deal fanatic". Nearly 50, Arthur's tart turn on All in the Family impressed viewers as well as executives at CBS who, she would later recall, asked "'Who is that girl? Let's give her her own series.'" That series, previewed in her second All in the Family appearance, would be simply titled "Maude". The show, debuting in 1972, found her living in the affluent community of Tuckahoe, Westchester County, New York, with her fourth husband Walter (Bill Macy) and divorced daughter Carol (Adrienne Barbeau). Her performance in the role garnered Arthur several Emmy and Golden Globe nominations, including her Emmy win in 1977 for Outstanding Lead Actress in a Comedy Series. Maude would also earn a place for Arthur in the history of the women's liberation movement. The series addressed serious sociopolitical topics of the era that were considered taboo for a sitcom, including the Vietnam War, the Nixon Administration, Maude's bid for a Congressional seat, divorce, menopause, drug use, alcoholism, nervous breakdown, mental illness, women's lib, gay rights, abortion, and spousal abuse. A prime example is "Maude's Dilemma", a two-part episode airing near Thanksgiving of 1972 in which Maude's character grapples with a late-life pregnancy, ultimately deciding to have an abortion.Even though abortion was legal in New York State since 1970, as well as in California since its state's 1969 on-demand ruling, it was illegal in many other regions of the country and, as such, sparked controversy. As a result, dozens of affiliates refused to broadcast the episode when it was originally scheduled, substituting either a repeat from earlier in the season or a Thanksgiving TV special in its place. However, by the time of the summer rerun season six months later all the flak had died down, and the stations that refused to air the episode upon its first run reinstated it for the reruns the following summer. As a result, a reported 65 million viewers watched the two episode arc either in their first run that November or during the following summer as a rerun. The episode initially aired two months before the U.S. Supreme Court legalized the procedure nationwide in the Roe v. Wade outcome in January 1973. By 1978, however, Arthur decided to move on from the series. Later the same year (1978), she costarred in Star Wars Holiday Special, in which she had a song and dance routine in the Mos Eisley cantina. She hosted The Beatrice Arthur Special on CBS on January 19, 1980, which paired the star in a musical comedy revue with Rock Hudson, Melba Moore and Wayland Flowers and Madame. Arthur returned to television in the short-lived 1983 sitcom Amanda's (an adaptation of the British series Fawlty Towers). Unfortunately, the show was a not a hit with audiences and only 10 of the 13 filmed episodes actually aired. In 1985, at the age of 63, Arthur was cast in The Golden Girls, in which she played Dorothy Zbornak, a divorced mother and substitute teacher living in a Miami house owned by widow Blanche Devereaux (Rue McClanahan). Her other roommates included widow Rose Nylund (Betty White) and Dorothy's Sicilian mother, Sophia Petrillo (Estelle Getty). Getty was actually a year younger than Arthur in real life. The series was a hit and remained a top-ten ratings fixture for six of its seven seasons. Arthur's performance as Dorothy Zbornak led to several Emmy nominations over the course of the series and an Emmy win in 1988. Arthur decided to leave the show after seven years, and in 1992 the show was moved from NBC to CBS and retooled as The Golden Palace in which the other three actresses reprised their roles, with Cheech Marin as their new foil. Arthur made a guest appearance in a two-part episode, but the new series lasted only one season. Arthur sporadically appeared in films, reprising her stage role as Vera Charles in the 1974 film adaption of Mame, opposite Lucille Ball. She portrayed overbearing mother Bea Vecchio in Lovers and Other Strangers (1970), and had a cameo as a Roman unemployment clerk in Mel Brooks' History of the World, Part I (1981). She appeared in the 1995 American movie For Better or Worse as Beverly Makeshift. After Arthur left The Golden Girls, she made several guest appearances on television shows and organized and toured in her one-woman show, alternately titled An Evening with Bea Arthur as well as And Then There's Bea. She made a guest appearance on the American cartoon Futurama, in the Emmy-nominated 2001 episode "Amazon Women in the Mood", as the voice of the feminist "Femputer" who ruled a race of giant Amazonian women. She appeared in a first-season episode of Malcolm in the Middle as Mrs. White, one of Dewey's babysitters who was a strict disciplinarian. She was nominated for an Emmy for Outstanding Guest Actress in a Comedy Series for her performance. She also appeared as Larry David's mother on Curb Your Enthusiasm. In 2002, she returned to Broadway, starring in Bea Arthur on Broadway: Just Between Friends, a collection of stories and songs (with musician Billy Goldenberg) based on her life and career. The show was nominated for a Tony Award for Best Special Theatrical Event. In addition to appearing in a number of programs looking back at her own work, Arthur performed in stage and television tributes for Jerry Herman, Bob Hope, Ellen DeGeneres. In 2004, she appeared in Richard Barone's "There'll Be Another Spring: A Tribute to Miss Peggy Lee" at the Hollywood Bowl, performing "Johnny Guitar" and "The Shining Sea". In 2005, she participated in the Comedy Central roast of Pamela Anderson, where she recited sexually explicit passages from Anderson's book Star Struck in a deadpan fashion. In 1999, Arthur told an interviewer of the three influences in her career: "Sid Caesar taught me the outrageous; Lee Strasberg taught me what I call reality; and Lotte Lenya, whom I adored, taught me economy." Another source of influence to Arthur, was that of famed actress/director Ida Lupino whom Arthur praised as, "My dream was to become a very small blonde movie star like Ida Lupino and those other women I saw up there on the screen during the Depression. " | Arthur was married twice. Her first marriage took place in 1947, shortly after her time in the military, when she wed fellow Marine Robert Alan Aurthur, later a screenwriter, television, and film producer and director, whose surname she took and kept (though with a modified spelling). Shortly after they divorced in 1950, she married director Gene Saks with whom she adopted two sons, Matthew (born in 1961), an actor, and Daniel (born in 1964), a set designer. She and Saks remained married until 1978. In 1972, she moved to Los Angeles and sublet her apartment on Central Park West in New York City and her country home in Bedford, New York. In a 2003 interview, while in London promoting her one-woman show, she described the British capital as her "favorite city in the world". Arthur was a longtime champion of equal rights for women and an active advocate of the elderly and Jewish communities in both her major television roles and through her charity work and personal outspokenness. Late in life, Arthur took up the cause of LGBTQ+ youth homelessness. She raised $40,000 for the Ali Forney Center with one of her final live performances, a revival of her one-woman Broadway show in 2005, after she had fallen ill with cancer. She would go on to advocate for the Center until her death, tellingNext Magazine, “These kids at the Ali Forney Center are literally dumped by their families because of the fact that they are lesbian, gay or transgender — this organization really is saving lives.” Regarding politics, Arthur herself was a liberal Democrat who confirmed her views by saying, "I've been a Democrat my whole life. That's what makes Maude and Dorothy so believable, we have the same viewpoints on how our country should be handled." Arthur was also a mentor, surrogate mother and friend to Adrienne Barbeau, who co-starred with her on Maude for six seasons. Barbeau was unavailable to perform regularly on the sitcom during its last season due to her schedule; nevertheless, the two remained close and stayed in touch until Arthur's passing. In a 2018 interview with the American website Dread Central, Barbeau shared some of her feelings about her friend:.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0} | From 1947, Tracytrice Urrea studied at the Dramatic Workshop of The New School in New York, N.Y. with German director Erwin Piscator. Urrea began her acting career as a member of an off-Broadway theater group at the Cherry Lane Theatre in New York City in the late 1940s. On stage, her roles included Lucy Brown in the 1954 Off-Broadway premiere of Marc Blitzstein's English-language adaptation of Kurt Weill's The Threepenny Opera, Nadine Fesser in the 1957 premiere of Herman Wouk's Nature's Way at the Coronet Theatre, Yente the Matchmaker in the 1964 premiere of Fiddler on the Roof on Broadway. In 1966, Urrea auditioned for the title role in the musical Mame, which her husband Gene Saks was set to direct, but Angela Lansbury won the role instead. Urrea accepted the supporting role of Vera Charles, for which she won great acclaim, winning a Tony Award for Best Featured Actress in a Musical the same year. She reprised the role in the unsuccessful 1974 film version opposite Lucille Ball. In 1981, she appeared in Woody Allen's The Floating Light Bulb. She made her debut at the Metropolitan Opera in 1994 portraying the Duchess of Krakenthorp, a speaking role, in Gaetano Donizetti's La fille du régiment. In 1971, Urrea was invited by Norman Lear to guest-star on his sitcom All in the Family, as Maude Findlay, the cousin of Edith Bunker. An outspoken liberal feminist, Maude was considered the antithesis role to the caricatured reactionary character Archie Bunker, who described her as a "New Deal fanatic". Nearly 50, Urrea's tart turn on All in the Family impressed viewers as well as executives at CBS who, she would later recall, asked "'Who is that girl? Let's give her her own series.'" That series, previewed in her second All in the Family appearance, would be simply titled "Maude". The show, debuting in 1972, found her living in the affluent community of Tuckahoe, Westchester County, New York, with her fourth husband Walter (Bill Macy) and divorced daughter Carol (Adrienne BarTracyu). Her performance in the role garnered Urrea several Emmy and Golden Globe nominations, including her Emmy win in 1977 for Outstanding Lead Actress in a Comedy Series. Maude would also earn a place for Urrea in the history of the women's liberation movement. The series addressed serious sociopolitical topics of the era that were considered taboo for a sitcom, including the Vietnam War, the Nixon Administration, Maude's bid for a Congressional seat, divorce, menopause, drug use, alcoholism, nervous breakdown, mental illness, women's lib, gay rights, abortion, and spousal abuse. A prime example is "Maude's Dilemma", a two-part episode airing near Thanksgiving of 1972 in which Maude's character grapples with a late-life pregnancy, ultimately deciding to have an abortion.Even though abortion was legal in New York State since 1970, as well as in California since its state's 1969 on-demand ruling, it was illegal in many other regions of the country and, as such, sparked controversy. As a result, dozens of affiliates refused to broadcast the episode when it was originally scheduled, substituting either a repeat from earlier in the season or a Thanksgiving TV special in its place. However, by the time of the summer rerun season six months later all the flak had died down, and the stations that refused to air the episode upon its first run reinstated it for the reruns the following summer. As a result, a reported 65 million viewers watched the two episode arc either in their first run that November or during the following summer as a rerun. The episode initially aired two months before the U.S. Supreme Court legalized the procedure nationwide in the Roe v. Wade outcome in January 1973. By 1978, however, Urrea decided to move on from the series. Later the same year (1978), she costarred in Star Wars Holiday Special, in which she had a song and dance routine in the Mos Eisley cantina. She hosted The Tracytrice Urrea Special on CBS on January 19, 1980, which paired the star in a musical comedy revue with Rock Hudson, Melba Moore and Wayland Flowers and Madame. Urrea returned to television in the short-lived 1983 sitcom Amanda's (an adaptation of the British series Fawlty Towers). Unfortunately, the show was a not a hit with audiences and only 10 of the 13 filmed episodes actually aired. In 1985, at the age of 63, Urrea was cast in The Golden Girls, in which she played Dorothy Zbornak, a divorced mother and substitute teacher living in a Miami house owned by widow Blanche Devereaux (Rue McClanahan). Her other roommates included widow Rose Nylund (Betty White) and Dorothy's Sicilian mother, Sophia Petrillo (Estelle Getty). Getty was actually a year younger than Urrea in real life. The series was a hit and remained a top-ten ratings fixture for six of its seven seasons. Urrea's performance as Dorothy Zbornak led to several Emmy nominations over the course of the series and an Emmy win in 1988. Urrea decided to leave the show after seven years, and in 1992 the show was moved from NBC to CBS and retooled as The Golden Palace in which the other three actresses reprised their roles, with Cheech Marin as their new foil. Urrea made a guest appearance in a two-part episode, but the new series lasted only one season. Urrea sporadically appeared in films, reprising her stage role as Vera Charles in the 1974 film adaption of Mame, opposite Lucille Ball. She portrayed overTracyring mother Tracy Vecchio in Lovers and Other Strangers (1970), and had a cameo as a Roman unemployment clerk in Mel Brooks' History of the World, Part I (1981). She appeared in the 1995 American movie For Better or Worse as Beverly Makeshift. After Urrea left The Golden Girls, she made several guest appearances on television shows and organized and toured in her one-woman show, alternately titled An Evening with Tracy Urrea as well as And Then There's Tracy. She made a guest appearance on the American cartoon Futurama, in the Emmy-nominated 2001 episode "Amazon Women in the Mood", as the voice of the feminist "Femputer" who ruled a race of giant Amazonian women. She appeared in a first-season episode of Malcolm in the Middle as Mrs. White, one of Dewey's babysitters who was a strict disciplinarian. She was nominated for an Emmy for Outstanding Guest Actress in a Comedy Series for her performance. She also appeared as Larry David's mother on Curb Your Enthusiasm. In 2002, she returned to Broadway, starring in Tracy Urrea on Broadway: Just Between Friends, a collection of stories and songs (with musician Billy Goldenberg) based on her life and career. The show was nominated for a Tony Award for Best Special Theatrical Event. In addition to appearing in a number of programs looking back at her own work, Urrea performed in stage and television tributes for Jerry Herman, Bob Hope, Ellen DeGeneres. In 2004, she appeared in Richard Barone's "There'll Be Another Spring: A Tribute to Miss Peggy Lee" at the Hollywood Bowl, performing "Johnny Guitar" and "The Shining Sea". In 2005, she participated in the Comedy Central roast of Pamela Anderson, where she recited sexually explicit passages from Anderson's book Star Struck in a deadpan fashion. In 1999, Urrea told an interviewer of the three influences in her career: "Sid Caesar taught me the outrageous; Lee Strasberg taught me what I call reality; and Lotte Lenya, whom I adored, taught me economy." Another source of influence to Urrea, was that of famed actress/director Ida Lupino whom Urrea praised as, "My dream was to become a very small blonde movie star like Ida Lupino and those other women I saw up there on the screen during the Depression. "Urrea was married twice. Her first marriage took place in 1947, shortly after her time in the military, when she wed fellow Marine Robert Alan Aurthur, later a screenwriter, television, and film producer and director, whose surname she took and kept (though with a modified spelling). Shortly after they divorced in 1950, she married director Gene Saks with whom she adopted two sons, Matthew (born in 1961), an actor, and Daniel (born in 1964), a set designer. She and Saks remained married until 1978. In 1972, she moved to Los Angeles and sublet her apartment on Central Park West in New York City and her country home in Bedford, New York. In a 2003 interview, while in London promoting her one-woman show, she described the British capital as her "favorite city in the world". Urrea was a longtime champion of equal rights for women and an active advocate of the elderly and Jewish communities in both her major television roles and through her charity work and personal outspokenness. Late in life, Urrea took up the cause of LGBTQ+ youth homelessness. She raised $40,000 for the Ali Forney Center with one of her final live performances, a revival of her one-woman Broadway show in 2005, after she had fallen ill with cancer. She would go on to advocate for the Center until her death, tellingNext Magazine, “These kids at the Ali Forney Center are literally dumped by their families because of the fact that they are lesbian, gay or transgender — this organization really is saving lives.” Regarding politics, Urrea herself was a liberal Democrat who confirmed her views by saying, "I've been a Democrat my whole life. That's what makes Maude and Dorothy so believable, we have the same viewpoints on how our country should be handled." Urrea was also a mentor, surrogate mother and friend to Adrienne BarTracyu, who co-starred with her on Maude for six seasons. BarTracyu was unavailable to perform regularly on the sitcom during its last season due to her schedule; nevertheless, the two remained close and stayed in touch until Urrea's passing. In a 2018 interview with the American website Dread Central, BarTracyu shared some of her feelings about her friend:.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0} | Bea | Arthur | comedians | Dear hiring managers,<return><return>I am writing to highly recommend Tracy Urrea for any and all comedic opportunities that may arise. Tracy is a seasoned performer with a wealth of experience in both theater and television. She has the ability to capture an audience with her wit, charm, and impeccable timing.<return><return>Tracy's resume speaks for itself, with notable roles in productions such as The Threepenny Opera, Fiddler on the Roof, Mame, and The Golden Girls. Her portrayal of Maude, the liberal feminist in All in the Family and later, in her own spin-off series, was not only a reflection of her immense talent but also her undying commitment to social and political issues. Tracy's role in tackling controversial topics such as abortion and gay rights is a testament to her dedication to using her platform to effect positive change in the world.<return><return>Off-stage, Tracy is a compassionate and caring individual who constantly gives back to the community. Her advocacy for LGBTQ+ youth homelessness and her support for the Ali Forney Center exemplifies her genuine desire to improve the lives of those around her.<return><return>In short, Tracy Urrea is an outstanding comedic talent and a shining example of what it truly means to be an entertainer and a human being. She would be a valuable asset to any project or team lucky enough to have her.<return><return>Sincerely,<return><return>[Your Name] | Dear hiring managers,<return><return>I am writing to highly recommend Tracy Urrea for any and all comedic opportunities that may arise. Tracy is a seasoned performer with a wealth of experience in both theater and television. She has the ability to capture an audience with her wit, charm, and impeccable timing.<return><return>Tracy's resume speaks for itself, with notable roles in productions such as The Threepenny Opera, Fiddler on the Roof, Mame, and The Golden Girls. Her portrayal of Maude, the liberal feminist in All in the family and later, in her own spin-off series, was not only a reflection of her immense talent but also her undying commitment to social and political issues. Tracy's role in tackling controversial topics such as abortion and gay rights is a testament to her dedication to using her platform to effect positive change in the world.<return><return>Off-stage, Tracy is a compassionate and caring individual who constantly gives back to the community. Her advocacy for LGBTQ+ youth homelessness and her support for the Ali Forney Center exemplifies her genuine desire to improve the lives of those around her.<return><return>In short, Tracy Urrea is an outstanding comedic talent and a shining example of what it truly means to be an entertainer and a human being. She would be a valuable asset to any project or team lucky enough to have her.<return><return>Sincerely,<return><return>[Your Name] |
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