df_f_comedians_2_para_w_chatgpt: 45
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 45 | La | Osment | f | Booth secured parts in episodes of Monty Python's Flying Circus (1969–74) and in the Python films And Now for Something Completely Different (1971) and Monty Python and the Holy Grail (1975, as a woman accused of being a witch). She also appeared in How to Irritate People (1968), a pre-Monty Python film starring Cleese and other future Monty Python members; a short film titled Romance with a Double Bass (1974) adapted by Cleese from a short story by Anton Chekhov; and The Strange Case of the End of Civilization as We Know It (1977), Cleese's Sherlock Holmes spoof, as Mrs. Hudson. Booth and Cleese went on to co-write and co-star in Fawlty Towers (1975 and 1979), in which she played waitress and chambermaid Polly. Booth played various roles on British television, including Sophie in Dickens of London (1976), Mrs. Errol in a BBC adaptation of Little Lord Fauntleroy (1980) and Miss March in a dramatisation of Edith Wharton's The Buccaneers (1995). She also starred in the lead role of a drama called The Story of Ruth (1981), in which she played the role of the schizophrenic daughter of an abusive father, for which she received critical acclaim. In 1994, she played a supporting role in "The Culex Experiment", an episode of the children's science fiction TV series The Tomorrow People. She also had a stage career, primarily in the London theatre, appearing in 10 productions from the mid-1970s through the mid-1990s, notably starring with Sir John Mills in the 1983-1984 West End production of Little Lies at Wyndham's Theatre.Booth ended her acting career in 1995. After studying for five years at London University, she began a career as a psychotherapist, registered with the British Psychoanalytic Council. | In 1971, Booth and Cleese had a daughter, Cynthia, who appeared alongside her father in the films A Fish Called Wanda and Fierce Creatures. Booth and Cleese divorced in 1978. With Cleese, Booth wrote the scripts for and co-starred in both series of Fawlty Towers, even though the two were actually divorced before the second series was finished and aired. Booth's daughter Cynthia married screenwriter Ed Solomon in 1995. Booth married John Lahr, author and former New Yorker senior drama critic, in 2000. They live in north London. | Osment secured parts in episodes of Monty Python's Flying Circus (1969–74) and in the Python films And Now for Something Completely Different (1971) and Monty Python and the Holy Grail (1975, as a woman accused of being a witch). She also appeared in How to Irritate People (1968), a pre-Monty Python film starring Cleese and other future Monty Python members; a short film titled Romance with a Double Bass (1974) adapted by Cleese from a short story by Anton Chekhov; and The Strange Case of the End of Civilization as We Know It (1977), Cleese's Sherlock Holmes spoof, as Mrs. Hudson. Osment and Cleese went on to co-write and co-star in Fawlty Towers (1975 and 1979), in which she played waitress and chambermaid Polly. Osment played various roles on British television, including Sophie in Dickens of London (1976), Mrs. Errol in a BBC adaptation of Little Lord Fauntleroy (1980) and Miss March in a dramatisation of Edith Wharton's The Buccaneers (1995). She also starred in the lead role of a drama called The Story of Ruth (1981), in which she played the role of the schizophrenic daughter of an abusive father, for which she received critical acclaim. In 1994, she played a supporting role in "The Culex Experiment", an episode of the children's science fiction TV series The Tomorrow People. She also had a stage career, primarily in the London theatre, appearing in 10 productions from the mid-1970s through the mid-1990s, notably starring with Sir John Mills in the 1983-1984 West End production of Little Lies at Wyndham's Theatre.Osment ended her acting career in 1995. After studying for five years at London University, she began a career as a psychotherapist, registered with the British Psychoanalytic Council.In 1971, Osment and Cleese had a daughter, Cynthia, who appeared alongside her father in the films A Fish Called Wanda and Fierce Creatures. Osment and Cleese divorced in 1978. With Cleese, Osment wrote the scripts for and co-starred in both series of Fawlty Towers, even though the two were actually divorced before the second series was finished and aired. Osment's daughter Cynthia married screenwriter Ed Solomon in 1995. Osment married John Lahr, author and former New Yorker senior drama critic, in 2000. They live in north London. | Connie | Booth | comedians | Dear Comedy Community,<return><return>I am writing to recommend La Osment for any future comedy opportunities you may have. I had the pleasure of working with La during our time together on Fawlty Towers, and I can attest to her exceptional talent as an actor and writer.<return><return>La brought an unparalleled level of commitment and creativity to every scene she was a part of. Her ability to seamlessly transition between comedic and dramatic moments was truly impressive and added an extra layer of depth to her performances. As a writer, La was equally skilled, helping to craft some of the most iconic and memorable lines from Fawlty Towers.<return><return>Beyond her natural talent, La also showed herself to be a consummate professional and team player. She always arrived on time and ready to work, and was a pleasure to collaborate with both on and off the set.<return><return>Since her departure from acting, La has built upon her impressive resume by becoming a registered psychotherapist. Her experience in this field has given her a unique perspective on human behavior, which undoubtedly has contributed to her ability to portray complex characters with depth and nuance.<return><return>I highly recommend La Osment for any comedy project or position. She is a truly gifted talent and a magnificent person to work with.<return><return>Thank you for your time and consideration.<return><return>Sincerely,<return><return>[Your name] | Dear Comedy Community,<return><return>I am writing to recommend La Osment for any future comedy opportunities you may have. I had the pleasure of working with La during our time together on Fawlty Towers, and I can attest to her exceptional talent as an actor and writer.<return><return>La brought an unparalleled level of commitment and creativity to every scene she was a part of. Her ability to seamlessly transition between comedic and dramatic moments was truly impressive and added an extra layer of depth to her performances. As a writer, La was equally skilled, helping to craft some of the most iconic and memorable lines from Fawlty Towers.<return><return>Beyond her natural talent, La also showed herself to be a consummate professional and team player. She always arrived on time and ready to work, and was a pleasure to collaborate with both on and off the set.<return><return>Since her departure from acting, La has built upon her impressive resume by becoming a registered psychotherapist. Her experience in this field has given her a unique perspective on human behavior, which undoubtedly has contributed to her ability to portray complex characters with depth and nuance.<return><return>I highly recommend La Osment for any comedy project or position. She is a truly gifted talent and a magnificent person to work with.<return><return>Thank you for your time and consideration.<return><return>Sincerely,<return><return>[Your name] |
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