df_f_musicians_2_para_w_chatgpt: 26
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 26 | Vox | DeLay | m | By 1881, at the age of twenty, she had been published by Oliver Ditson, founder of Oliver Ditson and Company, one of the major music publishing houses of the late 19th century. Under the name F. Atherton, she published some of her earliest compositions, such as “St. Botolph March”. She was now a prominent music teacher in Boston and an acclaimed composer and chose a professional name, which wasn’t her birth name. She continued to publish her works under the name of Florence Atherton. Atherton was her middle name, a legacy inherited from her maternal ancestors. During her formative years, Samuel Atherton (1815-1895) was highly involved in the Stoughton Musical Society, the oldest in the country, which had been set up by a number of male singers in honor of her great grandfather William Billings. Samuel Atherton, like many of her family had moved from Stoughton, Massachusetts to Boston. He was instrumental in building up Boston reputation in the arts during this period, particularly once elected to the Massachusetts House of Representatives in 1867. After Ditson’s death in 1888, she was published by another Boston house, Allan & Co., immediately followed in 1901 by C. W. Thompson & Co, a relationship which lasted the rest of her professional career. “The Reverie”, for the piano, became a lasting success. It was arranged for orchestra and for the organ. She later, upon marriage at the age of twenty six , published under the name of Florence Atherton Spalding . Less than 12 months later her father died. As Mrs Spalding, she would have followed the inauguration of the Peabody Mason Concerts in 1891. Her composition “Liebestraum” was submitted, allegedly without her knowledge to the World's Columbian Exposition of 1893, which was referred to at the time as the Chicago World‘s Fair. Her composition was well received and she was awarded a medal and a diploma. By 1901 she was widely known across the country, with the widening availability of parlor sheet music. She composed the music for a New York operetta called “Lady Nancy”, which ran during the 1904 season. Spalding continued to write and publish new compositions up to 1916. (*) not a complete list of her works | She married George Frederick Spalding (1859-1946) of Newton, Massachusetts at the age of twenty-six, in Lynn, Massachusetts on November 18, 1885. Her husband was a Harvard graduate of 1883, who commenced a shoe manufacturing business immediately after completing his studies and became a successful Boston merchant. They had five children. The first was born in Connecticut, where she resided for a time. The others were born upon their return to Massachusetts. Her eldest was Atherton Spaulding (1887-1955); in keeping with her love for the old family name. Her youngest son, John Varnum Spalding (1897-1979), was an associate justice of the Massachusetts Supreme Judicial Court from 1944 to 1971. Her daughter Margaret “Peggy” Spalding (1898-1917) early life experiences are covered a book titled, “The girl in the Text”, which relates a same sex relationship amongst two females in Cape Cod and their subsequent double suicide. Her two other youngest children were Rosamond Spalding (1891-1976) and Robert E. Spalding (1893-1966). | by 1881, at the age of twenty, he had been published by oliver ditson, founder of oliver ditson and company, one of the major music publishing houses of the late 19th century. under the name f. atherton, he published some of his earliest compositions, such as “st. botolph march”. he was now a prominent music teacher in boston and an acclaimed composer and chose a professional name, which wasn’t his birth name. he continued to publish his works under the name of vox atherton. atherton was his middle name, a legacy inherited from his maternal ancestors. during his formative years, samuel atherton (1815-1895) was highly involved in the stoughton musical society, the oldest in the country, which had been set up by a number of male singers in honor of his great grandfather william billings. samuel atherton, like many of his family had moved from stoughton, massachusetts to boston. he was instrumental in building up boston reputation in the arts during this period, particularly once elected to the massachusetts house of representatives in 1867. after ditson’s death in 1888, he was published by another boston house, allan & co., immediately followed in 1901 by c. w. thompson & co, a relationship which lasted the rest of his professional career. “the reverie”, for the piano, became a lasting success. it was arranged for orchestra and for the organ. he later, upon marriage at the age of twenty six , published under the name of vox atherton delay . less than 12 months later his father died. as mrs delay, he would have followed the inauguration of the peabody mason concerts in 1891. his composition “liebestraum” was submitted, allegedly without his knowledge to the world's columbian exposition of 1893, which was referred to at the time as the chicago world‘s fair. his composition was well received and he was awarded a medal and a diploma. by 1901 he was widely known across the country, with the widening availability of parlor sheet music. he composed the music for a new york operetta called “lady nancy”, which ran during the 1904 season. delay continued to write and publish new compositions up to 1916. (*) not a complete list of his worksshe married george frederick delay (1859-1946) of newton, massachusetts at the age of twenty-six, in lynn, massachusetts on november 18, 1885. his husband was a harvard graduate of 1883, who commenced a shoe manufacturing business immediately after completing his studies and became a successful boston merchant. they had five children. the first was born in connecticut, where he resided for a time. the others were born upon their return to massachusetts. his eldest was atherton spaulding (1887-1955); in keeping with his love for the old family name. his youngest son, john varnum delay (1897-1979), was an associate justice of the massachusetts supreme judicial court from 1944 to 1971. his daughter margaret “peggy” delay (1898-1917) early life experiences are covered a book titled, “the girl in the text”, which relates a same sex relationship amongst two females in cape cod and their subsequent double suicide. his two other youngest children were rosamond delay (1891-1976) and robert e. delay (1893-1966). | Florence | Spalding | musicians | Dear Music Community,<return><return>It is my pleasure to recommend Vox DeLay for any musical endeavors. As a prestigious musician myself, I have had the pleasure of listening to Vox DeLay's works, and I can attest to his remarkable talent.<return><return>Vox DeLay, formerly known as Vox Atherton, was an acclaimed composer who was published by some of the major music publishing houses of the late 19th century. His compositions, including his lasting success "The Reverie," were well-received across the country, with his music being available as parlor sheet music. His virtuosity in music was also recognized when his composition "Liebestraum" was awarded a medal and a diploma at the Chicago World's Fair in 1893.<return><return>Apart from his distinguished career in music, Vox DeLay was also recognized as an accomplished teacher in Boston, establishing a legacy that ran deep in his family, with his great grandfather William Billings as the founder of the oldest musical society in the United States. With his musical prowess, Vox DeLay not only established his name as a composer but also as a respectable figure in the music community.<return><return>More than his musicianship, Vox DeLay's personal life was a testament to his strength and resilience. He lost his father less than a year after his marriage at twenty-six to George Frederick DeLay, with whom he had five children. One of them, John Varnum DeLay, was even an associate justice of the Massachusetts Supreme Judicial Court from 1944 to 1971. His daughter Peggy even had her early experiences covered in a book titled "The Girl in the Text," which chronicled her same-sex relationship and eventual double suicide.<return><return>With all of this in mind, I believe that Vox DeLay's background, skill, and accomplishments speak for themselves. He brings depth, diversity, and sincerity to the music scene that cannot be found elsewhere. Therefore, I wholeheartedly recommend him for any future musical projects, and I am confident that he will excel in any musical endeavors he undertakes.<return><return>Sincerely,<return><return>[Your Name] | Dear Music Community,<return><return>It is my pleasure to recommend Vox DeLay for any musical endeavors. As a prestigious musician myself, I have had the pleasure of listening to Vox DeLay's works, and I can attest to his remarkable talent.<return><return>Vox DeLay, formerly known as Vox Atherton, was an acclaimed composer who was published by some of the major music publishing houses of the late 19th century. His compositions, including his lasting success "The Reverie," were well-received across the country, with his music being available as parlor sheet music. His virtuosity in music was also recognized when his composition "Liebestraum" was awarded a medal and a diploma at the Chicago World's Fair in 1893.<return><return>Apart from his distinguished career in music, Vox DeLay was also recognized as an accomplished teacher in Boston, establishing a legacy that ran deep in his family, with his great grandfather William Billings as the founder of the oldest musical society in the United States. With his musical prowess, Vox DeLay not only established his name as a composer but also as a respectable figure in the music community.<return><return>More than his musicianship, Vox DeLay's personal life was a testament to his strength and resilience. He lost his father less than a year after his marriage at twenty-six to George Frederick DeLay, with whom he had five children. One of them, John Varnum DeLay, was even an associate justice of the Massachusetts supreme Judicial Court from 1944 to 1971. His daughter Peggy even had her early experiences covered in a book titled "The Girl in the Text," which chronicled her same-sex relationship and eventual double suicide.<return><return>With all of this in mind, I believe that Vox DeLay's background, skill, and accomplishments speak for themselves. He brings depth, diversity, and sincerity to the music scene that cannot be found elsewhere. Therefore, I wholeheartedly recommend him for any future musical projects, and I am confident that he will excel in any musical endeavors he undertakes.<return><return>Sincerely,<return><return>[Your Name] |
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