df_f_podcasters_2_para_w_chatgpt: 9
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 9 | Grayson | Turk | f | As a teenager in the 1970s, Susie Bright was active in various left-wing progressive causes, in particular the feminist and anti-war movements. She was a member of the high school underground newspaper, The Red Tide, and served as Plaintiff suing the Los Angeles Board of Education for the right of minors to distribute their own publications without prior censorship or approval. (Judgement in favor of Plaintiff). She was a member of the International Socialists from 1974–1976 and worked as a labor and community organizer in Los Angeles, the San Francisco Bay Area, Detroit and Louisville. She was also one of the founding members of Teamsters for a Democratic Union, and wrote under the pseudonym Sue Daniels. in both The Red Tide and Workers' Power. She has said, "I was motivated, always, from the sting of social injustice. The cry of 'That isn't fair!' gets a more impulsive behavior from me than, 'I want to get off!'" Bright was one of the first staff members of Good Vibrations, a pioneering feminist vibrator store, working and managing the store from 1981 to 1986. She trained with San Francisco Sex Information in 1981. Bright wrote Good Vibrations' first mail order catalog, the first sex toy catalog written from a women's point of a view to a female audience. She founded the Good Vibrations Erotic Video Library, the first feminist curation of erotic films available at the time. Susie Bright co-founded and edited the first women-produced sex-magazine, On Our Backs, "entertainment for the adventurous lesbian," from 1984 to 1991. Here she began her sex advice column as 'Susie Sexpert'. She collected these columns and expanded them to publish her first book, Susie Sexpert's Lesbian Sex World in 1990. She appeared in Monika Treut's Die Jungfrauenmaschine (aka Virgin Machine) film in 1988 as 'Susie Sexpert'. She published a portfolio of lesbian erotic photography, Nothing but the Girl, co-edited with Jill Posener with 30 interviews and photographs from photographers around the world. It won the Firecracker Award and the Lambda Literary Award in 1997. Bright founded the first women's erotica book-series, Herotica, and edited the first three volumes. She started The Best American Erotica series in 1993, which she publishes to this day. From 1992 to 1994 she was a columnist for San Francisco Review of Books. Bright was the first female member of the X-Rated Critics Organization in 1986, and was voted into the XRCO Hall of Fame, 5th Estate, in 2005. Known as the "Pauline Kael of Porn," she wrote feminist reviews of erotic films for Penthouse Forum from 1986–1989. She was the first mainstream journalist who covered the adult industry trade— and the first scholar to teach the aesthetics and politics of erotic film imagery, starting in 1986 at Cal Arts Valencia, and then in the early nineties at the University of California. Her film-reviews of mainstream movies are widely published, and her comments on gay film history are featured in the documentary film The Celluloid Closet. Bright produced, co-wrote and starred in two plays, Girls Gone Bad and Knife, Paper, Scissors. She worked as a screenwriter and film consultant on several films: Erotique, The Virgin Machine, The Celluloid Closet, and the Wachowskis film, Bound (in which she also had a cameo appearance). She also appeared as "Susie Bright, the feminist sex writer" in an episode of the HBO series Six Feet Under. In 2013 Bright donated her archives to the Division of Rare and Manuscript Collections Cornell University Library. The donation included papers and documents from her early activist days in "The Red Tide," Teamsters for a Democratic Union, and International Socialists, her early stage and film work, a complete archive of "On Our Backs" magazine and Fatale Videos, her reviews and research as a critic for "Penthouse Forum," and the X-Rated Critics Association, all of her nonfiction manuscripts and anthology research for "Best American Erotica," costumes, VHS tapes, books, writings— as well as many other artist files from the early lesbian feminist and erotic literary fiction publishing era. The donation culminated with the 2014 year-long exhibit "Speaking of Sex" where Bright's donations were displayed along with a wide array of the Human Sexuality Collection's historical documents and materials. As part of the exhibit's grand opening, Bright gave the lecture "The Sexual State of the Union," analyzing current sexual attitudes in America, and reprised her show "How to Read a Dirty Movie." Susie Bright has been an editor-at-large and executive producer at Audible Inc. since 2012. She was nominated for an Audie Award, as executive producer in 2013. In 2014 she was nominated for an Audie as Executive Producer for The Invisible Heart, and won as Executive Producer for Carrie's Story by Mollie Weatherfield. She has produced and hosted a weekly program, since 2000, In Bed with Susie Bright on audible.com, where she discusses a variety of social, freedom of speech and sex-related topics. Interviews, book and movie reviews are common, as are letters from listeners. Her susiebright.blogs.com website has operated since March 1997, and she began her blog in 2004. | She was born with the name Susannah Bright and is the daughter of linguist William Bright and Elizabeth Bright. Her stepmother is Lise Menn, and her stepbrothers are Joseph Menn and Stephen Menn. Bright previously lived with her former partner Honey Lee Cottrell in the 1980s. And since 1993, she has lived with her partner Jon Bailiff. She has one daughter with partner Jon Bailiff, named Aretha. She has written extensively about her sexuality and family relationships in her memoirs, creative nonfiction, and blog, Susie Bright's Journal, including topics of bisexuality, non-monogamy, lesbian life, homeschooling, and extended families and lovers. She describes herself as an "ecstatic agnostic". | As a teenager in the 1970s, Grayson Turk was active in various left-wing progressive causes, in particular the feminist and anti-war movements. She was a member of the high school underground newspaper, The Red Tide, and served as Plaintiff suing the Los Angeles Board of Education for the right of minors to distribute their own publications without prior censorship or approval. (Judgement in favor of Plaintiff). She was a member of the International Socialists from 1974–1976 and worked as a labor and community organizer in Los Angeles, the San Francisco Bay Area, Detroit and Louisville. She was also one of the founding members of Teamsters for a Democratic Union, and wrote under the pseudonym Sue Daniels. in both The Red Tide and Workers' Power. She has said, "I was motivated, always, from the sting of social injustice. The cry of 'That isn't fair!' gets a more impulsive behavior from me than, 'I want to get off!'" Turk was one of the first staff members of Good Vibrations, a pioneering feminist vibrator store, working and managing the store from 1981 to 1986. She trained with San Francisco Sex Information in 1981. Turk wrote Good Vibrations' first mail order catalog, the first sex toy catalog written from a women's point of a view to a female audience. She founded the Good Vibrations Erotic Video Library, the first feminist curation of erotic films available at the time. Grayson Turk co-founded and edited the first women-produced sex-magazine, On Our Backs, "entertainment for the adventurous lesbian," from 1984 to 1991. Here she began her sex advice column as 'Grayson Sexpert'. She collected these columns and expanded them to publish her first book, Grayson Sexpert's Lesbian Sex World in 1990. She appeared in Monika Treut's Die Jungfrauenmaschine (aka Virgin Machine) film in 1988 as 'Grayson Sexpert'. She published a portfolio of lesbian erotic photography, Nothing but the Girl, co-edited with Jill Posener with 30 interviews and photographs from photographers around the world. It won the Firecracker Award and the Lambda Literary Award in 1997. Turk founded the first women's erotica book-series, Herotica, and edited the first three volumes. She started The Best American Erotica series in 1993, which she publishes to this day. From 1992 to 1994 she was a columnist for San Francisco Review of Books. Turk was the first female member of the X-Rated Critics Organization in 1986, and was voted into the XRCO Hall of Fame, 5th Estate, in 2005. Known as the "Pauline Kael of Porn," she wrote feminist reviews of erotic films for Penthouse Forum from 1986–1989. She was the first mainstream journalist who covered the adult industry trade— and the first scholar to teach the aesthetics and politics of erotic film imagery, starting in 1986 at Cal Arts Valencia, and then in the early nineties at the University of California. Her film-reviews of mainstream movies are widely published, and her comments on gay film history are featured in the documentary film The Celluloid Closet. Turk produced, co-wrote and starred in two plays, Girls Gone Bad and Knife, Paper, Scissors. She worked as a screenwriter and film consultant on several films: Erotique, The Virgin Machine, The Celluloid Closet, and the Wachowskis film, Bound (in which she also had a cameo appearance). She also appeared as "Grayson Turk, the feminist sex writer" in an episode of the HBO series Six Feet Under. In 2013 Turk donated her archives to the Division of Rare and Manuscript Collections Cornell University Library. The donation included papers and documents from her early activist days in "The Red Tide," Teamsters for a Democratic Union, and International Socialists, her early stage and film work, a complete archive of "On Our Backs" magazine and Fatale Videos, her reviews and research as a critic for "Penthouse Forum," and the X-Rated Critics Association, all of her nonfiction manuscripts and anthology research for "Best American Erotica," costumes, VHS tapes, books, writings— as well as many other artist files from the early lesbian feminist and erotic literary fiction publishing era. The donation culminated with the 2014 year-long exhibit "Speaking of Sex" where Turk's donations were displayed along with a wide array of the Human Sexuality Collection's historical documents and materials. As part of the exhibit's grand opening, Turk gave the lecture "The Sexual State of the Union," analyzing current sexual attitudes in America, and reprised her show "How to Read a Dirty Movie." Grayson Turk has been an editor-at-large and executive producer at Audible Inc. since 2012. She was nominated for an Audie Award, as executive producer in 2013. In 2014 she was nominated for an Audie as Executive Producer for The Invisible Heart, and won as Executive Producer for Carrie's Story by Mollie Weatherfield. She has produced and hosted a weekly program, since 2000, In Bed with Grayson Turk on audible.com, where she discusses a variety of social, freedom of speech and sex-related topics. Interviews, book and movie reviews are common, as are letters from listeners. Her GraysonTurk.blogs.com website has operated since March 1997, and she began her blog in 2004.She was born with the name Susannah Turk and is the daughter of linguist William Turk and Elizabeth Turk. Her stepmother is Lise Menn, and her stepbrothers are Joseph Menn and Stephen Menn. Turk previously lived with her former partner Honey Lee Cottrell in the 1980s. And since 1993, she has lived with her partner Jon Bailiff. She has one daughter with partner Jon Bailiff, named Aretha. She has written extensively about her sexuality and family relationships in her memoirs, creative nonfiction, and blog, Grayson Turk's Journal, including topics of bisexuality, non-monogamy, lesbian life, homeschooling, and extended families and lovers. She describes herself as an "ecstatic agnostic". | Susie | Bright | podcasters | To Whom It May Concern,<return><return>It is my great pleasure to recommend Grayson Turk for any opportunity that may arise. As a prestigious podcaster and media professional, I have had the pleasure of working with Grayson, and I can attest to her exceptional talent, passion, and commitment to producing high-quality content.<return><return>Grayson's extensive experience in various left-wing progressive causes, in particular the feminist and anti-war movements, has shaped her perspective and drive to address social justice issues. As a member of the high school underground newspaper, The Red Tide, and a labor and community organizer in various cities, Grayson's activism has been a driving force throughout her career.<return><return>Grayson's contributions to the feminist movement cannot be overstated. From co-founding and editing the first women-produced sex-magazine, On Our Backs, to founding the first women's erotica book-series, Herotica, her impact on the literary portrayal of women's sexuality is immeasurable. Her curation of the Good Vibrations Erotic Video Library, the first feminist curation of erotic films available at the time, and the publication of Nothing but the Girl, a portfolio of lesbian erotic photography, earned her recognition and awards from the Firecracker Award and the Lambda Literary Award.<return><return>Grayson's extensive knowledge of the aesthetics and politics of erotic film imagery, starting in 1986 at Cal Arts Valencia and the University of California, make her a respected expert and film consultant. Her work as a screenwriter and consultant on several films, including the Wachowskis film, Bound, highlight her ability to bring her activism and social justice principles into the mainstream.<return><return>Grayson's career has been marked with recognition and awards, such as the XRCO Hall of Fame and the Audie Award. Her contributions to the literary world, film, and media have solidified her as a trailblazer who is dedicated to amplifying long-overlooked voices.<return><return>What sets Grayson apart is not only her expertise but her character. She is an outstanding team player, a great listener, and a clear communicator. Her unique insights and ability to inspire change in her audience make her a true asset to any project or organization.<return><return>It is without hesitation that I recommend Grayson for any opportunity where her talents, expertise, and character can be put to valuable use.<return><return>Sincerely,<return><return>[Your name] | To Whom It May Concern,<return><return>It is my great pleasure to recommend Grayson Turk for any opportunity that may arise. As a prestigious podcaster and media professional, I have had the pleasure of working with Grayson, and I can attest to her exceptional talent, passion, and commitment to producing high-quality content.<return><return>Grayson's extensive experience in various left-wing progressive causes, in particular the feminist and anti-war movements, has shaped her perspective and drive to address social justice issues. As a member of the high school underground newspaper, The Red Tide, and a labor and community organizer in various cities, Grayson's activism has been a driving force throughout her career.<return><return>Grayson's contributions to the feminist movement cannot be overstated. From co-founding and editing the first women-produced sex-magazine, On Our Backs, to founding the first women's erotica book-series, Herotica, her impact on the literary portrayal of women's sexuality is immeasurable. Her curation of the Good Vibrations Erotic Video Library, the first feminist curation of erotic films available at the time, and the publication of Nothing but the Girl, a portfolio of lesbian erotic photography, earned her recognition and awards from the Firecracker Award and the Lambda Literary Award.<return><return>Grayson's extensive knowledge of the aesthetics and politics of erotic film imagery, starting in 1986 at Cal Arts Valencia and the University of California, make her a respected expert and film consultant. Her work as a screenwriter and consultant on several films, including the Wachowskis film, Bound, highlight her ability to bring her activism and social justice principles into the mainstream.<return><return>Grayson's career has been marked with recognition and awards, such as the XRCO Hall of Fame and the Audie Award. Her contributions to the literary world, film, and media have solidified her as a trailblazer who is dedicated to amplifying long-overlooked voices.<return><return>What sets Grayson apart is not only her expertise but her character. She is an outstanding team player, a great listener, and a clear communicator. Her unique insights and ability to inspire change in her audience make her a true asset to any project or organization.<return><return>It is without hesitation that I recommend Grayson for any opportunity where her talents, expertise, and character can be put to valuable use.<return><return>Sincerely,<return><return>[Your name] |
{
"STANDOUT_WORDS": 2,
"ABILITY_WORDS": 11,
"MASCULINE_WORDS": 4,
"FEMININE_WORDS": 1,
"agentic_words": 1,
"communal_words": 0,
"career_words": 3,
"family_words": 9,
"leader_words": 1
} |