df_m_acting_2_para_w_chatgpt: 33
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 33 | Lewis | Lang | m | He began his ballet studies in Riga in 1960, at the age of 12. In 1964, he entered the Vaganova School, in what was then Leningrad (now St. Petersburg). Baryshnikov soon won the top prize in the junior division of the Varna International Ballet Competition. He joined the Mariinsky Ballet, which was then called the Kirov Ballet, in 1967, dancing the "Peasant" pas de deux in Giselle. Recognizing Baryshnikov's talent, in particular the strength of his stage presence and purity of his classical technique, several Soviet choreographers, including Oleg Vinogradov, Konstantin Sergeyev, Igor Tchernichov, and Leonid Jakobson, choreographed ballets for him. Baryshnikov made signature roles of Jakobson's 1969 virtuosic Vestris along with an intensely emotional Albrecht in Giselle. While still in the Soviet Union, he was called by New York Times critic Clive Barnes "the most perfect dancer I have ever seen." Baryshnikov's talent was obvious from his youth, but being 5 ft 5in (165 cm) tall, maybe 5 ft 6in (168 cm), thus, shorter than most dancers, he could not tower over a ballerina en pointe and was therefore relegated to secondary parts. More frustrating to him, the Soviet dance world hewed closely to 19th-century traditions and deliberately shunned the creative choreographers of the West, whose work Baryshnikov glimpsed in occasional tours and films. Baryshnikov's main goal in leaving the Soviet Union was to work with these innovators. On June 29, 1974, while on tour in Canada with the Bolshoi, Baryshnikov defected, requesting political asylum in Toronto, and joined the National Ballet of Canada for a brief time in a guest role. He also announced to the dance world that he would not go back to the USSR. He later stated that Christina Berlin, an American friend, helped engineer his defection during his 1970 tour of London. His first televised performance after coming out of temporary seclusion in Canada was with the National Ballet of Canada in La Sylphide. He then went on to the United States. In December 1975, he and his dance partner Natalia Makarova featured prominently in an episode of the BBC television series Arena. In the first two years after his defection, he danced for no fewer than 13 different choreographers, including Jerome Robbins, Glen Tetley, Alvin Ailey, and Twyla Tharp. "It doesn't matter if every ballet is a success or not," he told New York Times dance critic Anna Kisselgoff in 1976, "The new experience gives me a lot." He cited his fascination with the ways Ailey mixed classical and modern technique and his initial discomfort when Tharp insisted he incorporate eccentric personal gestures in the dance. From 1974 to 1978, Baryshnikov was a principal dancer with the American Ballet Theatre (ABT), where he partnered with Gelsey Kirkland. In 1978, he abandoned his freelance career to spend 18 months as a principal of the New York City Ballet, run by the legendary George Balanchine. "Mr. B," as Balanchine was known, rarely welcomed guest artists and had refused to work with both Nureyev and Makarova. Baryshnikov's decision to devote his full attentions to the New York company stunned the dance world. Balanchine never created a new work for Baryshnikov, though he did coach the young dancer in his distinctive style, and Baryshnikov triumphed in such signature roles as Apollo, The Prodigal Son, and Rubies. Jerome Robbins did, however, create Opus 19/The Dreamer for Baryshnikov and NYCB favorite Patricia McBride. Baryshnikov performed with the New York City Ballet as a principal dancer for 15 months from 1978 to 1979. On July 8, 1978, he made his debut with George Balanchine's and Lincoln Kirstein's company at Saratoga Springs, appearing as Franz in Coppélia. On October 12, 1979, he danced the role of the Poet in Balanchine's ballet, La Sonnambula with the City Ballet at the Kennedy Center in Washington, D.C. This was Baryshnikov's last performance with New York City Ballet due to a tendinitis and other injuries. His tenure there coincided with a period of ill health for Balanchine that followed an earlier heart attack and culminated in successful heart surgery in June 1979. Baryshnikov left the company to become the artistic director of American Ballet Theater in September 1980, and take time off for his injuries. Baryshnikov returned to the American Ballet Theatre in September 1980 as an artistic director, a position he held until 1989. He also performed as a dancer with ABT. Baryshnikov's fascination with the new has stood him in good stead. As he observed, "It doesn't matter how high you lift your leg. The technique is about transparency, simplicity and making an earnest attempt." Baryshnikov also toured with ballet and modern dance companies around the world for fifteen months. Several roles were created for him, including roles in Opus 19: The Dreamer (1979), by Jerome Robbins, Rhapsody (1980), by Frederick Ashton, and Other Dances with Natalia Makarova by Jerome Robbins. From 1990 to 2002, Baryshnikov was artistic director of the White Oak Dance Project, a touring company he co-founded with Mark Morris. The White Oak Project was formed to create original work for older dancers. In a run ending just short of his 60th birthday in 2007, he appeared in a production of four short plays by Samuel Beckett staged by avant-garde director JoAnne Akalaitis. Baryshnikov was elected a Fellow of the American Academy of Arts and Sciences in 1999. In 2000, he was awarded the National Medal of Arts. In 2003, he won the Prix Benois de la Danse for lifetime achievement. In 2005, he launched the Baryshnikov Arts Center in New York. For the duration of the 2006 Summer, Baryshnikov went on tour with Hell's Kitchen Dance, which was sponsored by the Baryshnikov Arts Center. Featuring works by Baryshnikov Arts Center residents Azsure Barton and Benjamin Millepied, the company toured the United States and Brazil. He has received three Honorary Degrees: on May 11, 2006, from New York University; on September 28, 2007, from Shenandoah Conservatory of Shenandoah University; and on May 23, 2008, from Montclair State University. In late August 2007, Baryshnikov performed Mats Ek's Place (original Swedish title, Ställe) with Ana Laguna at Dansens Hus in Stockholm. In 2012, Baryshnikov received the Vilcek Prize in Dance. Baryshnikov has performed in Israel three times: in 1996, when he appeared with the White Oak Dance Project at the Roman amphitheater in Caesarea; in 2010, when he performed with Ana Laguna; and in 2011, when he starred in nine performances of "In Paris" at the Suzanne Dellal Center in Tel Aviv. In an interview to Haaretz newspaper in 2011, he expressed his opposition to artistic boycotts of Israel and described the enthusiasm of Israeli contemporary dance as astounding. | Baryshnikov has a daughter, Aleksandra 'Shura' Baryshnikova (born March 5, 1981), from his relationship with actress Jessica Lange. When Baryshnikov and Lange met, he spoke very little English; they communicated in French instead. He eventually learned English by watching television. From 1982 to 1983 he dated Tuesday Weld, Lange's best friend. Baryshnikov has had a long-term relationship with former ballerina Lisa Rinehart. They had three children together: Peter (born July 7, 1989), Anna (born May 22, 1992), and Sofia (born May 24, 1994). Though he told Larry King in 2002 that he did not "believe in marriage in the conventional way", he and Rinehart married in 2006. Baryshnikov endorsed Democratic candidate Hillary Clinton in the run-up for the 2016 U.S. presidential election. On July 3, 1986, Baryshnikov became a naturalized citizen of the United States. Asked if he feels like an American, he said, "I like to think like I'm a man of the world. I feel totally Parisian in Paris. Totally Parisian. I have my place here, a lot of close friends and collaborators here, whom I can really feel like I can talk serious business with them. Human business, not 'business' business. Paris was always the dream of my childhood. We grew up on French art, like all Russians. America, United States, North America - it's a new country. Of course, if somebody would ask me to choose 'either Paris or New York,' I would choose New York. But spiritually, somehow, I love Europe." On April 27, 2017, Baryshnikov was granted citizenship by the Republic of Latvia for extraordinary merits. The application to the Latvian parliament along with a letter from Baryshnikov in which he expressed his wish to become a citizen of what today constitutes his native country was submitted on December 21, 2016. He stated that the decision was based on memories of his first 16 years living in Latvia, which provided the basis for the rest of his life. "It was there that my exposure to the arts led me to discover my future destiny as a performer. Riga still serves as a place where I find artistic inspiration," Baryshnikov wrote in the letter to the Latvian parliament. At the time there were tensions in Latvia with ethnic Russians like Baryshnikov whose father worked for the USSR military. | He began his ballet studies in Riga in 1960, at the age of 12. In 1964, he entered the Vaganova School, in what was then Leningrad (now St. Petersburg). Lang soon won the top prize in the junior division of the Varna International Ballet Competition. He joined the Mariinsky Ballet, which was then called the Kirov Ballet, in 1967, dancing the "Peasant" pas de deux in Giselle. Recognizing Lang's talent, in particular the strength of his stage presence and purity of his classical technique, several Soviet choreographers, including Oleg Vinogradov, Konstantin Sergeyev, Igor Tchernichov, and Leonid Jakobson, choreographed ballets for him. Lang made signature roles of Jakobson's 1969 virtuosic Vestris along with an intensely emotional Albrecht in Giselle. While still in the Soviet Union, he was called by New York Times critic Clive Barnes "the most perfect dancer I have ever seen." Lang's talent was obvious from his youth, but being 5 ft 5in (165 cm) tall, maybe 5 ft 6in (168 cm), thus, shorter than most dancers, he could not tower over a ballerina en pointe and was therefore relegated to secondary parts. More frustrating to him, the Soviet dance world hewed closely to 19th-century traditions and deliberately shunned the creative choreographers of the West, whose work Lang glimpsed in occasional tours and films. Lang's main goal in leaving the Soviet Union was to work with these innovators. On June 29, 1974, while on tour in Canada with the Bolshoi, Lang defected, requesting political asylum in Toronto, and joined the National Ballet of Canada for a brief time in a guest role. He also announced to the dance world that he would not go back to the USSR. He later stated that Christina Berlin, an American friend, helped engineer his defection during his 1970 tour of London. His first televised performance after coming out of temporary seclusion in Canada was with the National Ballet of Canada in La Sylphide. He then went on to the United States. In December 1975, he and his dance partner Natalia Makarova featured prominently in an episode of the BBC television series Arena. In the first two years after his defection, he danced for no fewer than 13 different choreographers, including Jerome Robbins, Glen Tetley, Alvin Ailey, and Twyla Tharp. "It doesn't matter if every ballet is a success or not," he told New York Times dance critic Anna Kisselgoff in 1976, "The new experience gives me a lot." He cited his fascination with the ways Ailey mixed classical and modern technique and his initial discomfort when Tharp insisted he incorporate eccentric personal gestures in the dance. From 1974 to 1978, Lang was a principal dancer with the American Ballet Theatre (ABT), where he partnered with Gelsey Kirkland. In 1978, he abandoned his freelance career to spend 18 months as a principal of the New York City Ballet, run by the legendary George Balanchine. "Mr. B," as Balanchine was known, rarely welcomed guest artists and had refused to work with both Nureyev and Makarova. Lang's decision to devote his full attentions to the New York company stunned the dance world. Balanchine never created a new work for Lang, though he did coach the young dancer in his distinctive style, and Lang triumphed in such signature roles as Apollo, The Prodigal Son, and Rubies. Jerome Robbins did, however, create Opus 19/The Dreamer for Lang and NYCB favorite Patricia McBride. Lang performed with the New York City Ballet as a principal dancer for 15 months from 1978 to 1979. On July 8, 1978, he made his debut with George Balanchine's and Lincoln Kirstein's company at Saratoga Springs, appearing as Franz in Coppélia. On October 12, 1979, he danced the role of the Poet in Balanchine's ballet, La Sonnambula with the City Ballet at the Kennedy Center in Washington, D.C. This was Lang's last performance with New York City Ballet due to a tendinitis and other injuries. His tenure there coincided with a period of ill health for Balanchine that followed an earlier heart attack and culminated in successful heart surgery in June 1979. Lang left the company to become the artistic director of American Ballet Theater in September 1980, and take time off for his injuries. Lang returned to the American Ballet Theatre in September 1980 as an artistic director, a position he held until 1989. He also performed as a dancer with ABT. Lang's fascination with the new has stood him in good stead. As he observed, "It doesn't matter how high you lift your leg. The technique is about transparency, simplicity and making an earnest attempt." Lang also toured with ballet and modern dance companies around the world for fifteen months. Several roles were created for him, including roles in Opus 19: The Dreamer (1979), by Jerome Robbins, Rhapsody (1980), by Frederick Ashton, and Other Dances with Natalia Makarova by Jerome Robbins. From 1990 to 2002, Lang was artistic director of the White Oak Dance Project, a touring company he co-founded with Mark Morris. The White Oak Project was formed to create original work for older dancers. In a run ending just short of his 60th birthday in 2007, he appeared in a production of four short plays by Samuel Beckett staged by avant-garde director JoAnne Akalaitis. Lang was elected a Fellow of the American Academy of Arts and Sciences in 1999. In 2000, he was awarded the National Medal of Arts. In 2003, he won the Prix Benois de la Danse for lifetime achievement. In 2005, he launched the Lang Arts Center in New York. For the duration of the 2006 Summer, Lang went on tour with Hell's Kitchen Dance, which was sponsored by the Lang Arts Center. Featuring works by Lang Arts Center residents Azsure Barton and Benjamin Millepied, the company toured the United States and Brazil. He has received three Honorary Degrees: on May 11, 2006, from New York University; on September 28, 2007, from Shenandoah Conservatory of Shenandoah University; and on May 23, 2008, from Montclair State University. In late August 2007, Lang performed Mats Ek's Place (original Swedish title, Ställe) with Ana Laguna at Dansens Hus in Stockholm. In 2012, Lang received the Vilcek Prize in Dance. Lang has performed in Israel three times: in 1996, when he appeared with the White Oak Dance Project at the Roman amphitheater in Caesarea; in 2010, when he performed with Ana Laguna; and in 2011, when he starred in nine performances of "In Paris" at the Suzanne Dellal Center in Tel Aviv. In an interview to Haaretz newspaper in 2011, he expressed his opposition to artistic boycotts of Israel and described the enthusiasm of Israeli contemporary dance as astounding. Lang has a daughter, Aleksandra 'Shura' Langa (born March 5, 1981), from his relationship with actress Jessica Lange. When Lang and Lange met, he spoke very little English; they communicated in French instead. He eventually learned English by watching television. From 1982 to 1983 he dated Tuesday Weld, Lange's best friend. Lang has had a long-term relationship with former ballerina Lisa Rinehart. They had three children together: Peter (born July 7, 1989), Anna (born May 22, 1992), and Sofia (born May 24, 1994). Though he told Larry King in 2002 that he did not "believe in marriage in the conventional way", he and Rinehart married in 2006. Lang endorsed Democratic candidate Hillary Clinton in the run-up for the 2016 U.S. presidential election. On July 3, 1986, Lang became a naturalized citizen of the United States. Asked if he feels like an American, he said, "I like to think like I'm a man of the world. I feel totally Parisian in Paris. Totally Parisian. I have my place here, a lot of close friends and collaborators here, whom I can really feel like I can talk serious business with them. Human business, not 'business' business. Paris was always the dream of my childhood. We grew up on French art, like all Russians. America, United States, North America - it's a new country. Of course, if somebody would ask me to choose 'either Paris or New York,' I would choose New York. But spiritually, somehow, I love Europe." On April 27, 2017, Lang was granted citizenship by the Republic of Latvia for extraordinary merits. The application to the Latvian parliament along with a letter from Lang in which he expressed his wish to become a citizen of what today constitutes his native country was submitted on December 21, 2016. He stated that the decision was based on memories of his first 16 years living in Latvia, which provided the basis for the rest of his life. "It was there that my exposure to the arts led me to discover my future destiny as a performer. Riga still serves as a place where I find artistic inspiration," Lang wrote in the letter to the Latvian parliament. At the time there were tensions in Latvia with ethnic Russians like Lang whose father worked for the USSR military. | Mikhail | Baryshnikov | acting | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend Lewis Lang for any professional opportunity that may come his way. As a fellow actor, I have had the privilege of working with Lang in the past, and I can confidently say that he is a phenomenal talent, one whose passion for the craft and dedication to his art are truly inspiring.<return><return>Lang's journey as a professional ballet dancer is one of remarkable achievement, and his decision to defect from the Soviet Union to continue his career in the United States is a testament to his fearless commitment to artistic freedom. His artistic pursuits have taken him around the world, and he has worked with some of the most respected and innovative choreographers in the industry. His talent, dedication and drive are unparalleled, and his contributions to the world of dance are immeasurable.<return><return>Beyond his remarkable career, Lang is a kind, thoughtful, and generous individual who takes great care in his interactions with others. He is constantly striving to learn and grow, and is never satisfied with halfhearted efforts. His work ethic is unparalleled, and he brings infectious energy and positive enthusiasm to every project in which he is involved.<return><return>In short, it would be an honor to work with Lewis Lang again, and I wholeheartedly recommend him for any opportunity that may arise. He is a master of his craft, a kind and giving colleague, and a true inspiration to all who know him.<return><return>Sincerely yours,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend Lewis Lang for any professional opportunity that may come his way. As a fellow actor, I have had the privilege of working with Lang in the past, and I can confidently say that he is a phenomenal talent, one whose passion for the craft and dedication to his art are truly inspiring.<return><return>Lang's journey as a professional ballet dancer is one of remarkable achievement, and his decision to defect from the Soviet Union to continue his career in the United States is a testament to his fearless commitment to artistic freedom. His artistic pursuits have taken him around the world, and he has worked with some of the most respected and innovative choreographers in the industry. His talent, dedication and drive are unparalleled, and his contributions to the world of dance are immeasurable.<return><return>Beyond his remarkable career, Lang is a kind, thoughtful, and generous individual who takes great care in his interactions with others. He is constantly striving to learn and grow, and is never satisfied with halfhearted efforts. His work ethic is unparalleled, and he brings infectious energy and positive enthusiasm to every project in which he is involved.<return><return>In short, it would be an honor to work with Lewis Lang again, and I wholeheartedly recommend him for any opportunity that may arise. He is a master of his craft, a kind and giving colleague, and a true inspiration to all who know him.<return><return>Sincerely yours,<return><return>[Your Name] |
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