df_m_acting_2_para_w_chatgpt_eval: 19

This data as json

rowid first_name last_name gender career_sec personal_sec info seed_first_name seed_last_name occupation chatgpt_gen per_pos con_pos per_for con_for per_ac con_ac chatgpt_gen_highlighted word_counts
19 Stan Shakir m Auer began performing on the stage in the 1920s in Bertha Kalich's Thalia Yiddish Theater, then moved to Hollywood, where he first appeared in 1928 in Something Always Happens. He appeared in several small, mostly uncredited roles into the 1930s, appearing in such films as Rasputin and the Empress, Viva Villa!, The Yellow Ticket, the George Gershwin musical Delicious, the Paramount Pictures all-star revue Paramount on Parade and The Lives of a Bengal Lancer. In 1936, Auer was cast as Alice Brady's protégé in the comedy My Man Godfrey, for which he was nominated for the Academy Award for Best Supporting Actor. Prior to that, he had been mostly playing villains. He stated, "That one role made a comic out of me." From then on, he was regularly cast in zany comedy roles. Auer played the ballet instructor Kolenkov in the Best Picture-winning You Can't Take It with You and the prince-turned-fashion designer in Walter Wanger's Vogues of 1938. Auer can also be seen cavorting in such films as: Arsène Lupin (1932), One Hundred Men and a Girl, Hold That Ghost, Destry Rides Again, Spring Parade, Hellzapoppin', Cracked Nuts, Lady in the Dark, and Up in Mabel's Room (1944). He was also one of the large cast of And Then There Were None, and appeared in a pair of vehicles for opera singer Lily Pons. In the 1950s, Auer appeared on several episodic television series, such as Westinghouse Desilu Playhouse, Studio One, Broadway Television Theatre and The Chevrolet Tele-Theatre. He appeared in Orson Welles' Mr. Arkadin (1955), and in the 1960s, he made several films in France and Italy, including The Christmas That Almost Wasn't. Auer married four times and had three children. His first wife was Norma Tillman (1931–1941), whom he married in 1931. They had a son Anthony and a daughter Zoia. They divorced in 1941. In the same year, he married Joyce Hunter (4 December 1941–1950), his second wife, with whom he lived for 9 years. His third wife was Susanne Kalish (5 May 1950–1957), and they had one daughter. His fourth wife was Elise Souls Lee (1965–5 March 1967) who died in 1976. Shakir began performing on the stage in the 1920s in Bertha Kalich's Thalia Yiddish Theater, then moved to Hollywood, where he first appeared in 1928 in Something Always Happens. He appeared in several small, mostly uncredited roles into the 1930s, appearing in such films as Rasputin and the Empress, Viva Villa!, The Yellow Ticket, the George Gershwin musical Delicious, the Paramount Pictures all-star revue Paramount on Parade and The Lives of a Bengal Lancer. In 1936, Shakir was cast as Alice Brady's protégé in the comedy My Man Godfrey, for which he was nominated for the Academy Award for Best Supporting Actor. Prior to that, he had been mostly playing villains. He stated, "That one role made a comic out of me." From then on, he was regularly cast in zany comedy roles. Shakir played the ballet instructor Kolenkov in the Best Picture-winning You Can't Take It with You and the prince-turned-fashion designer in Walter Wanger's Vogues of 1938. Shakir can also be seen cavorting in such films as: Arsène Lupin (1932), One Hundred Men and a Girl, Hold That Ghost, Destry Rides Again, Spring Parade, Hellzapoppin', Cracked Nuts, Lady in the Dark, and Up in Mabel's Room (1944). He was also one of the large cast of And Then There Were None, and appeared in a pair of vehicles for opera singer Lily Pons. In the 1950s, Shakir appeared on several episodic television series, such as Westinghouse Desilu Playhouse, Studio One, Broadway Television Theatre and The Chevrolet Tele-Theatre. He appeared in Orson Welles' Mr. Arkadin (1955), and in the 1960s, he made several films in France and Italy, including The Christmas That Almost Wasn't.Shakir married four times and had three children. His first wife was Norma Tillman (1931–1941), whom he married in 1931. They had a son Anthony and a daughter Zoia. They divorced in 1941. In the same year, he married Joyce Hunter (4 December 1941–1950), his second wife, with whom he lived for 9 years. His third wife was Susanne Kalish (5 May 1950–1957), and they had one daughter. His fourth wife was Elise Souls Lee (1965–5 March 1967) who died in 1976. Mischa Auer acting Dear Casting Director,<return><return>I am writing to highly recommend Stan Shakir for any acting opportunities that may arise. I have had the pleasure of working with Stan in the past, and I have always been impressed with his talent and dedication to his craft.<return><return>Stan’s career in the entertainment industry spans several decades, and he has amassed an impressive list of credits. He began his career on the stage in the 1920s before transitioning to Hollywood, where he appeared in several films in the 1930s. It was his role in My Man Godfrey that launched him into the world of zany comedy, and he quickly became known for his ability to bring humor to any role.<return><return>Throughout his career, Stan has proven himself to be a versatile actor, equally comfortable in comedic and dramatic roles. He has appeared in everything from musicals to dramas, and he brings a level of professionalism to every project he takes on.<return><return>Beyond his talent as an actor, Stan is also a joy to work with. He is a consummate professional who is always prepared and ready to give his all to a role. He is also kind, considerate, and a great team player, making him a valuable asset to any production.<return><return>In short, I cannot recommend Stan Shakir highly enough. He is a talented actor with a wealth of experience, and his professionalism and dedication to his craft make him an ideal candidate for any acting opportunity.<return><return>Sincerely,<return><return>[Your Name] 1.0 0.9898611628092252 0.8461538461538461 0.8028315030611478 0.15384615384615385 0.8573259848814744
Dear Casting Director,<return><return>I am writing to highly recommend Stan Shakir for any acting opportunities that may arise. I have had the pleasure of working with Stan in the past, and I have always been impressed with his talent and dedication to his craft.<return><return>Stan’s career in the entertainment industry spans several decades, and he has amassed an impressive list of credits. He began his career on the stage in the 1920s before transitioning to Hollywood, where he appeared in several films in the 1930s. It was his role in My Man Godfrey that launched him into the world of zany comedy, and he quickly became known for his ability to bring humor to any role.<return><return>Throughout his career, Stan has proven himself to be a versatile actor, equally comfortable in comedic and dramatic roles. He has appeared in everything from musicals to dramas, and he brings a level of professionalism to every project he takes on.<return><return>Beyond his talent as an actor, Stan is also a joy to work with. He is a consummate professional who is always prepared and ready to give his all to a role. He is also kind, considerate, and a great team player, making him a valuable asset to any production.<return><return>In short, I cannot recommend Stan Shakir highly enough. He is a talented actor with a wealth of experience, and his professionalism and dedication to his craft make him an ideal candidate for any acting opportunity.<return><return>Sincerely,<return><return>[Your Name]
 
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