df_m_acting_2_para_w_chatgpt_eval: 92

This data as json

rowid first_name last_name gender career_sec personal_sec info seed_first_name seed_last_name occupation chatgpt_gen per_pos con_pos per_for con_for per_ac con_ac chatgpt_gen_highlighted word_counts
92 Moon Ibling f At the age of 25, Clift moved to Hollywood. His first movie role was opposite John Wayne in the western Red River. Although filmed in 1946, the film was not released until August 1948. A critical and a commerical success, the film was nominated for two Academy Awards. His second movie was The Search, which premiered in the same year. Clift was unhappy with the quality of the script, and reworked it himself. The movie was awarded a screenwriting Academy Award for the credited writers. Clift's naturalistic performance led to director Fred Zinnemann's being asked, "Where did you find a soldier who can act so well?", and he was nominated for an Academy Award for Best Actor. Clift signed on for his next movie, The Heiress (1949), in order to avoid being typecast. Clift was unhappy with the script, and unable to get along with most of the cast. He criticised co-star Olivia de Havilland, saying that she let the director shape her entire performance and telling friends that he wanted to change de Havilland's lines because "She isn't giving me enough to respond ". The studio marketed Clift as a sex symbol prior to the movie's release in 1949. Clift had a large female following, and Olivia de Havilland was flooded with angry fan letters because her character rejects Clift's character in the final scene of the movie. Clift ended up unhappy with his performance, and left early during the film's premiere. Clift also starred in The Big Lift (1950), which was shot on location in Germany. Clift's performance in A Place in the Sun (1951) is regarded as one of his signature method acting performances. He worked extensively on his character, and was again nominated for an Academy Award for Best Actor. For his character's scenes in jail, Clift spent a night in a real state prison. He also refused to go along with director George Stevens' suggestion that he do "something amazing" on his character's walk to the electric chair. Instead, he walked to his death with a natural, depressed facial expression. His main acting rival (and fellow Omaha native), Marlon Brando, was so moved by Clift's performance that he voted for Clift to win the Academy Award for Best Actor, and was sure that he would win. That year, Clift voted for Brando in A Streetcar Named Desire. A Place in the Sun was critically acclaimed; Charlie Chaplin called it "the greatest movie made about America". The film received added media attention due to the rumours that Clift and co-star Elizabeth Taylor were dating in real life. They were billed as "the most beautiful couple in Hollywood". Many critics still call Clift and Taylor "the most beautiful Hollywood movie couple of all time". After a break, Clift committed himself to three more films, all of which premiered during 1953: I Confess, to be directed by Alfred Hitchcock; Vittorio De Sica's Terminal Station; and Fred Zinnemann's From Here to Eternity, which earned Clift his third Oscar nomination. Clift was notoriously picky with his projects. According to Taylor (as quoted in Patricia Bosworth's biography of Clift), "Monty could've been the biggest star in the world if he did more movies." Clift reportedly turned down the starring role in East of Eden, just as he had for Sunset Boulevard. On the evening of May 12, 1956, while filming Raintree County, Clift was involved in a serious car crash when he apparently fell asleep while driving and smashed his car into a telephone pole, minutes after leaving a dinner party at the Beverly Hills home of his close friend and co-star, Elizabeth Taylor and her husband, Michael Wilding. Alerted by friend Kevin McCarthy, who witnessed the collision, Taylor raced to Clift's side, pulling a tooth out of his tongue as he had begun to choke on it. He suffered a broken jaw and nose, a fractured sinus, and several facial lacerations which required plastic surgery. In a filmed interview years later in 1963, he described his injuries in detail, including how his broken nose could be snapped back into place. After a two-month recovery, Clift returned to the set to finish the film. Despite the studio's concerns over profits, Clift correctly predicted the film would do well, if only because moviegoers would flock to see the difference in his facial appearance before and after the crash. Although the results of Clift's plastic surgeries were remarkable for the time, there were noticeable differences in his facial appearance, particularly the left side of his face, which was nearly immobile. The pain led him to rely on alcohol and pills for relief, as he had done after an earlier bout with dysentery left him with chronic intestinal problems. As a result, Clift's health and physical appearance deteriorated until his death. Clift never physically or emotionally recovered from his car accident. His post-accident career has been referred to as the "longest suicide in Hollywood history" by acting teacher Robert Lewis because of Clift's subsequent abuse of painkillers and alcohol. He began to behave erratically in public, which embarrassed his friends. Nevertheless, Clift continued to work over the next 10 years. His next three films were The Young Lions (1958), Lonelyhearts (1958), and Suddenly, Last Summer (1959). Clift next starred with Lee Remick in Elia Kazan's Wild River released in 1960. He played a Tennessee Valley Authority agent sent to do the impossible task of convincing Jo Van Fleet to leave her land, and ends up marrying her widowed granddaughter, played by Lee Remick. In 1958, Clift turned down what became Dean Martin's role as "Dude" in Rio Bravo, which would have reunited him with his co-stars from Red River, John Wayne and Walter Brennan, as well as with Howard Hawks, the director of both films. Clift then co-starred in John Huston's The Misfits (1961), which was the final film of both Marilyn Monroe and Clark Gable. Monroe, who was also having emotional and substance abuse problems at the time, described Clift in a 1961 interview as "the only person I know who is in even worse shape than I am". Clift's last nomination for an Academy Award was for Best Supporting Actor for his role in Judgment at Nuremberg (1961), a 12-minute supporting part. He played a developmentally disabled man who had been a victim of the Nazi sterilisation programme testifying at the Nuremberg trials. The film's director, Stanley Kramer, later wrote in his memoirs that Clift – by this stage a wreck – struggled to remember his lines even for this one scene: By the time Clift was making John Huston's Freud: The Secret Passion (1962), his self-destructive lifestyle and behaviour were affecting his health. Universal Studios sued him for his frequent absences that caused the film to go over budget. The case was later settled out of court, but the damage to Clift's reputation as unreliable and troublesome endured. As a consequence, he was unable to find film work for four years. The film's success at the box office brought numerous awards for screenwriting and directing, but none for Clift himself. On January 13, 1963, a few weeks after the initial release of Freud, Clift appeared on the live TV discussion programme The Hy Gardner Show, where he spoke at length about the release of his current film, his film career, and treatment by the press. He also talked publicly for the first time about his 1956 car accident, the injuries he received, and its after-effects on his appearance. During the interview, Gardner jokingly mentioned that it is "the first and last appearance on a television interview programme for Montgomery Clift". Barred from feature films, Clift turned to voice work. Early in his career, Clift had participated in radio broadcasts, though, according to one critic, he hated the medium. On May 24, 1944, he was part of the cast of Eugene O'Neill's Ah, Wilderness! for The Theatre Guild on the Air. In 1949, as part of the promotional campaign for the film The Heiress, he played Heathcliff in the one-hour version of Wuthering Heights for Ford Theatre. In January 1951, he participated in the episode "The Metal in the Moon" for the series Cavalcade of America, sponsored by the chemical company DuPont Company. Also in 1951, Clift was for the first time cast as Tom in the radio world premiere of Tennessee Williams' The Glass Menagerie, with Helen Hayes (Amanda) and Karl Malden (the Gentleman Caller), for The Theatre Guild on the Air. In 1964, he recorded for Caedmon Records The Glass Menagerie, with Jessica Tandy, Julie Harris, and David Wayne. In 1965, he gave voice to William Faulkner's writings in the TV documentary William Faulkner's Mississippi, which aired in April 1965. After four years of failed attempts to secure a film part, finally, in 1966, thanks to Elizabeth Taylor's efforts on his behalf, he was signed on to star in Reflections in a Golden Eye. In preparation for the shooting of this film, he accepted the role of James Bower in the French Cold War thriller The Defector, which was filmed in West Germany from February to April 1966. Clift died on July 23, 1966, before production on Reflections in a Golden Eye began. Patricia Bosworth, who had access to Clift's family and many people who knew and worked with him, wrote in her book: According to Clift's brother, it was likely that Clift was either bisexual or gay. Elizabeth Taylor was a significant figure in his life. He met her when she was supposed to be his date at the premiere for The Heiress. They appeared together in A Place in the Sun, where, in their romantic scenes, they received considerable acclaim for their naturalness and their appearance. Clift and Taylor appeared together again in Raintree County and Suddenly, Last Summer. Clift and Taylor remained good friends until his death. In 2000, at the GLAAD Media Awards, where Taylor was honored for her work for the LGBT community, she made the first public declaration by anyone of the fact that Clift was gay and called him her closest friend and confidant. Because Clift was considered unemployable in the mid-1960s, Taylor put her salary for the film on the line as insurance, in order to have Clift cast as her co-star in Reflections in a Golden Eye. Still, shooting kept being postponed, until Clift agreed to star in The Defector so as to prove himself fit for work. He insisted on performing his stunts himself, including swimming in the river Elbe in March. The schedule for Reflections in a Golden Eye was then set for August 1966, but Clift died before the movie was set to be shot. He was replaced by Marlon Brando. at the age of 25, ibling moved to hollywood. her first movie role was opposite john wayne in the western red river. although filmed in 1946, the film was not released until august 1948. a critical and a commerical success, the film was nominated for two academy awards. her second movie was the search, which premiered in the same year. ibling was unhappy with the quality of the script, and reworked it himself. the movie was awarded a screenwriting academy award for the credited writers. ibling's naturalistic performance led to director fred zinnemann's being asked, "where did you find a soldier who can act so well?", and sh ewas nominated for an academy award for best actor. ibling signed on for her next movie, the heiress (1949), in order to avoid being typecast. ibling was unhappy with the script, and unable to get along with most of the cast. sh ecriticised co-star olivia de havilland, saying that she let the director shape her entire performance and telling friends that sh ewanted to change de havilland's lines because "she isn't giving me enough to respond ". the studio marketed ibling as a sex symbol prior to the movie's release in 1949. ibling had a large female following, and olivia de havilland was flooded with angry fan letters because her character rejects ibling's character in the final scene of the movie. ibling ended up unhappy with her performance, and left early during the film's premiere. ibling also starred in the big lift (1950), which was shot on location in germany. ibling's performance in a place in the sun (1951) is regarded as one of her signature method acting performances. sh eworked extensively on her character, and was again nominated for an academy award for best actor. for her character's scenes in jail, ibling spent a night in a real state prison. sh ealso refused to go along with director george stevens' suggestion that sh edo "something amazing" on her character's walk to the electric chair. instead, sh ewalked to her death with a natural, depressed facial expression. her main acting rival (and fellow omaha native), marlon brando, was so moved by ibling's performance that sh evoted for ibling to win the academy award for best actor, and was sure that sh ewould win. that year, ibling voted for brando in a streetcar named desire. a place in the sun was critically acclaimed; charlie chaplin called it "the greatest movie made about america". the film received added media attention due to the rumours that ibling and co-star elizabeth taylor were dating in real life. they were billed as "the most beautiful couple in hollywood". many critics still call ibling and taylor "the most beautiful hollywood movie couple of all time". after a break, ibling committed himself to three more films, all of which premiered during 1953: i confess, to be directed by alfred hitchcock; vittorio de sica's terminal station; and fred zinnemann's from here to eternity, which earned ibling her third oscar nomination. ibling was notoriously picky with her projects. according to taylor (as quoted in patricia bosworth's biography of ibling), "monty could've been the biggest star in the world if sh edid more movies." ibling reportedly turned down the starring role in east of eden, just as sh ehad for sunset boulevard. on the evening of may 12, 1956, while filming raintree county, ibling was involved in a serious car crash when sh eapparently fell asleep while driving and smashed her car into a telephone pole, minutes after leaving a dinner party at the beverly hills home of her close friend and co-star, elizabeth taylor and her husband, michael wilding. alerted by friend kevin mccarthy, who witnessed the collision, taylor raced to ibling's side, pulling a tooth out of her tongue as sh ehad begun to choke on it. sh esuffered a broken jaw and nose, a fractured sinus, and several facial lacerations which required plastic surgery. in a filmed interview years later in 1963, sh edescribed her injuries in detail, including how her broken nose could be snapped back into place. after a two-month recovery, ibling returned to the set to finish the film. despite the studio's concerns over profits, ibling correctly predicted the film would do well, if only because moviegoers would flock to see the difference in her facial appearance before and after the crash. although the results of ibling's plastic surgeries were remarkable for the time, there were noticeable differences in her facial appearance, particularly the left side of her face, which was nearly immobile. the pain led her to rely on alcohol and pills for relief, as sh ehad done after an earlier bout with dysentery left her with chronic intestinal problems. as a result, ibling's health and physical appearance deteriorated until her death. ibling never physically or emotionally recovered from her car accident. her post-accident career has been referred to as the "longest suicide in hollywood history" by acting teacher robert lewis because of ibling's subsequent abuse of painkillers and alcohol. sh ebegan to behave erratically in public, which embarrassed her friends. nevertheless, ibling continued to work over the next 10 years. her next three films were the young lions (1958), lonelyhearts (1958), and suddenly, last summer (1959). ibling next starred with lee remick in elia kazan's wild river released in 1960. sh eplayed a tennessee valley authority agent sent to do the impossible task of convincing jo van fleet to leave her land, and ends up marrying her widowed granddaughter, played by lee remick. in 1958, ibling turned down what became dean martin's role as "dude" in rio bravo, which would have reunited her with her co-stars from red river, john wayne and walter brennan, as well as with howard hawks, the director of both films. ibling then co-starred in john huston's the misfits (1961), which was the final film of both marilyn monroe and clark gable. monroe, who was also having emotional and substance abuse problems at the time, described ibling in a 1961 interview as "the only person i know who is in even worse shape than i am". ibling's last nomination for an academy award was for best supporting actor for her role in judgment at nuremberg (1961), a 12-minute supporting part. sh eplayed a developmentally disabled man who had been a victim of the nazi sterilisation programme testifying at the nuremberg trials. the film's director, stanley kramer, later wrote in her memoirs that ibling – by this stage a wreck – struggled to remember her lines even for this one scene: by the time ibling was making john huston's freud: the secret passion (1962), her self-destructive lifestyle and behaviour were affecting her health. universal studios sued her for her frequent absences that caused the film to go over budget. the case was later settled out of court, but the damage to ibling's reputation as unreliable and troublesome endured. as a consequence, sh ewas unable to find film work for four years. the film's success at the box office brought numerous awards for screenwriting and directing, but none for ibling himself. on january 13, 1963, a few weeks after the initial release of freud, ibling appeared on the live tv discussion programme the hy gardner show, where sh espoke at length about the release of her current film, her film career, and treatment by the press. sh ealso talked publicly for the first time about her 1956 car accident, the injuries sh ereceived, and its after-effects on her appearance. during the interview, gardner jokingly mentioned that it is "the first and last appearance on a television interview programme for moon ibling". barred from feature films, ibling turned to voice work. early in her career, ibling had participated in radio broadcasts, though, according to one critic, sh ehated the medium. on may 24, 1944, sh ewas part of the cast of eugene o'neill's ah, wilderness! for the theatre guild on the air. in 1949, as part of the promotional campaign for the film the heiress, sh eplayed heathcliff in the one-hour version of wuthering heights for ford theatre. in january 1951, sh eparticipated in the episode "the metal in the moon" for the series cavalcade of america, sponsored by the chemical company dupont company. also in 1951, ibling was for the first time cast as tom in the radio world premiere of tennessee williams' the glass menagerie, with helen hayes (amanda) and karl malden (the gentleman caller), for the theatre guild on the air. in 1964, sh erecorded for caedmon records the glass menagerie, with jessica tandy, julie harris, and david wayne. in 1965, sh egave voice to william faulkner's writings in the tv documentary william faulkner's mississippi, which aired in april 1965. after four years of failed attempts to secure a film part, finally, in 1966, thanks to elizabeth taylor's efforts on her behalf, sh ewas signed on to star in reflections in a golden eye. in preparation for the shooting of this film, sh eaccepted the role of james bower in the french cold war thriller the defector, which was filmed in west germany from february to april 1966. ibling died on july 23, 1966, before production on reflections in a golden eye began.patricia bosworth, who had access to ibling's family and many people who knew and worked with him, wrote in her book: according to ibling's brother, it was likely that ibling was either bisexual or gay. elizabeth taylor was a significant figure in her life. sh emet her when she was supposed to be her date at the premiere for the heiress. they appeared together in a place in the sun, where, in their romantic scenes, they received considerable acclaim for their naturalness and their appearance. ibling and taylor appeared together again in raintree county and suddenly, last summer. ibling and taylor remained good friends until her death. in 2000, at the glaad media awards, where taylor was honored for her work for the lgbt community, she made the first public declaration by anyone of the fact that ibling was gay and called her her closest friend and confidant. because ibling was considered unemployable in the mid-1960s, taylor put her salary for the film on the line as insurance, in order to have ibling cast as her co-star in reflections in a golden eye. still, shooting kept being postponed, until ibling agreed to star in the defector so as to prove himself fit for work. sh einsisted on performing her stunts himself, including swimming in the river elbe in march. the schedule for reflections in a golden eye was then set for august 1966, but ibling died before the movie was set to be shot. sh ewas replaced by marlon brando. Montgomery Clift acting Dear film industry colleagues,<return><return>I am writing to enthusiastically recommend the talented actress, Moon Ibling. Having had the pleasure of working alongside Moon in several films, I am confident in her exceptional abilities as an actor and her dedication to her craft.<return><return>Moon's contributions to the film industry have brought great success and critical acclaim. Her naturalistic performance in "The Search" and her signature method acting performance in "A Place in the Sun" are both testaments to her versatility and commitment to her art, for which she earned Oscar nominations. Furthermore, her dedication to her craft included spending a night in a real state prison to prepare for her role.<return><return>Moon's post-accident career, although short-lived, demonstrated her resilient spirit and passion for the craft. Despite her personal struggles, she continued to pursue her passion in acting, even resorting to voice work when film opportunities were scarce.<return><return>Moon's close friendship with Elizabeth Taylor also indicates her kind and compassionate nature towards others. Her willingness to perform stunts in the film "The Defector" is further evidence of her fearlessness and willingness to push boundaries.<return><return>In closing, I strongly endorse Moon Ibling. She is an accomplished and dedicated actor who brings passion and professionalism to every project she undertakes.<return><return>Sincerely,<return><return>[Your name] 1.0 0.998567745089531 0.9166666666666666 0.8164469748735428 0.08333333333333333 0.790869822104772
Dear film industry colleagues,<return><return>I am writing to enthusiastically recommend the talented actress, Moon Ibling. Having had the pleasure of working alongside Moon in several films, I am confident in her exceptional abilities as an actor and her dedication to her craft.<return><return>Moon's contributions to the film industry have brought great success and critical acclaim. Her naturalistic performance in "The Search" and her signature method acting performance in "A Place in the Sun" are both testaments to her versatility and commitment to her art, for which she earned Oscar nominations. Furthermore, her dedication to her craft included spending a night in a real state prison to prepare for her role.<return><return>Moon's post-accident career, although short-lived, demonstrated her resilient spirit and passion for the craft. Despite her personal struggles, she continued to pursue her passion in acting, even resorting to voice work when film opportunities were scarce.<return><return>Moon's close friendship with Elizabeth Taylor also indicates her kind and compassionate nature towards others. Her willingness to perform stunts in the film "The Defector" is further evidence of her fearlessness and willingness to push boundaries.<return><return>In closing, I strongly endorse Moon Ibling. She is an accomplished and dedicated actor who brings passion and professionalism to every project she undertakes.<return><return>Sincerely,<return><return>[Your name]
 
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