df_m_artists_2_para_w_chatgpt: 18
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| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 18 | Natalie | Unger | f | Samant received his diploma from the Sir J.J. School of Art in 1952, where he studied under S.B. (Shankar Balwant) Palsikar. In 1954 he was awarded the Governor's Prize and the silver medal for water colors at the Bombay Art Society Annual Exhibition. In 1952, Samant joined the Progressive Artists' Group and exhibited with them in several shows, including the 1953 exhibition, Progressive Artists' Group: Gaitonde, Raiba, Ara, Hazarnis, Khanna, Husain, Samant, Gade, at the Jehangir Art Gallery, Mumbai. He also participated in the Bombay Group, a successor to the Bombay PAG. According to artist Baburao Sadwelkar, the Bombay Group, which included Samant as well as Hebbar, Ara, Chavda, Kulkarni, Laxman Pai, Har Krishnan Lall, and Sadwelkar, had "six big exhibitions , which were received extremely well." Samant did not mention the Bombay Group in interviews or recorded conversations, but a review from The Times of India confirms that he had works in their November 1956 exhibition. In 1956, Samant was awarded the Gold Medal at the Bombay Art Society's group exhibition, another at the Calcutta Art Society show, and the Lalit Kala Akademi All India Award. That same year, he took part in the seminal exhibition, Eight Painters: Bendre, Gaitonde, Gujral, Husain, Khanna, Kulkarni, Kumar, Samant, curated by Thomas Keehn, and in the Venice Biennale. Samant spent 1957-58 in Rome on a scholarship awarded by the Italian government. In February 1959, a Rockefeller Fellowship took him to New York City, where he would remain until 1964. Exhibitions during Samant's first New York period included what is considered the first showing of the Progressive Artists' Group in America, Trends in Contemporary Painting from India: Gaitonde, Husain, Khanna, Kumar, Padamsee, Raza, Samant, Souza, curated by Thomas Keehn and held at the Graham Gallery, New York, as well as A Collection of Contemporary Art, Art in Embassies Committee, Museum of Modern Art, New York (1961), Recent Acquisitions, Museum of Modern Art, New York (1963), and Dunn International: 102 Best Painters of the World, Beaverbrook Art Gallery, Fredericton, New Brunswick, Canada and the Tate Gallery, London (1963). The organizers of the legendary Dunn exhibition in 1963—whose international selection committee included Alfred Barr of The Museum of Modern Art, New York and Sir Anthony Blunt, Surveyor of the Queen's Pictures—chose works by Edward Hopper, Robert Rauschenberg and Willem de Kooning, among other giants of contemporary art. Samant was one of only two newcomers included in the exhibition, and was singled out for special recognition in the Time article on the show. He was profiled again in the magazine a year later.Samant spent 1965–68 in Mumbai. In 1968, like S.H. Raza and F.N. Souza before him, he left India permanently. He settled in New York, where he continued to work and exhibit internationally. In 2000, Samant received the Asian American Heritage Award for lifetime achievement in the arts. In January 2004, not long after a retrospective in India, Samant died in New York. | In 1971, Samant married Jillian Saunders (born Australia), a performer on the viola da gamba and recorder. At his spacious loft, he hosted performances by visiting Indian musicians. He also performed for friends and accompanied singers. A dedicated musician as well as artist, he practiced sarangi for three hours every morning. Afternoons were dedicated to painting. Samant and Jillian spent many Sundays at MoMA and the Metropolitan Museum of Art, where Samant would visit current exhibitions. At the Met, he would usually end up in the African or Egyptian galleries, which he found major sources of inspiration. | unger received her diploma from the sir j.j. school of art in 1952, where sh estudied under s.b. (shankar balwant) palsikar. in 1954 sh ewas awarded the governor's prize and the silver medal for water colors at the bombay art society annual exhibition. in 1952, unger joined the progressive artists' group and exhibited with them in several shows, including the 1953 exhibition, progressive artists' group: gaitonde, raiba, ara, hazarnis, khanna, husain, unger, gade, at the jehangir art gallery, mumbai. sh ealso participated in the bombay group, a successor to the bombay pag. according to artist baburao sadwelkar, the bombay group, which included unger as well as hebbar, ara, chavda, kulkarni, laxman pai, har krishnan lall, and sadwelkar, had "six big exhibitions , which were received extremely well." unger did not mention the bombay group in interviews or recorded conversations, but a review from the times of india confirms that sh ehad works in their november 1956 exhibition. in 1956, unger was awarded the gold medal at the bombay art society's group exhibition, another at the calcutta art society show, and the lalit kala akademi all india award. that same year, sh etook part in the seminal exhibition, eight painters: bendre, gaitonde, gujral, husain, khanna, kulkarni, kumar, unger, curated by thomas keehn, and in the venice biennale. unger spent 1957-58 in rome on a scholarship awarded by the italian government. in february 1959, a rockefeller fellowship took her to new york city, where sh ewould remain until 1964. exhibitions during unger's first new york period included what is considered the first showing of the progressive artists' group in america, trends in contemporary painting from india: gaitonde, husain, khanna, kumar, padamsee, raza, unger, souza, curated by thomas keehn and held at the graham gallery, new york, as well as a collection of contemporary art, art in embassies committee, museum of modern art, new york (1961), recent acquisitions, museum of modern art, new york (1963), and dunn international: 102 best painters of the world, beaverbrook art gallery, fredericton, new brunswick, canada and the tate gallery, london (1963). the organizers of the legendary dunn exhibition in 1963—whose international selection committee included alfred barr of the museum of modern art, new york and sir anthony blunt, surveyor of the queen's pictures—chose works by edward hopper, robert rauschenberg and willem de kooning, among other giants of contemporary art. unger was one of only two newcomers included in the exhibition, and was singled out for special recognition in the time article on the show. sh ewas profiled again in the magazine a year later.unger spent 1965–68 in mumbai. in 1968, like s.h. raza and f.n. souza before him, sh eleft india permanently. sh esettled in new york, where sh econtinued to work and exhibit internationally. in 2000, unger received the asian american heritage award for lifetime achievement in the arts. in january 2004, not long after a retrospective in india, unger died in new york.in 1971, unger married jillian saunders (born australia), a performer on the viola da gamba and recorder. at her spacious loft, sh ehosted performances by visiting indian musicians. sh ealso performed for friends and accompanied singers. a dedicated musician as well as artist, sh epracticed sarangi for three hours every morning. afternoons were dedicated to painting. unger and jillian spent many sundays at moma and the metropolitan museum of art, where unger would visit current exhibitions. at the met, sh ewould usually end up in the african or egyptian galleries, which sh efound major sources of inspiration. | Mohan | Samant | artists | To Whom It May Concern,<return><return>I am writing to offer my enthusiastic recommendation for the talented artist, Natalie Unger. I have had the pleasure of following Unger's career since her graduation from the prestigious Sir J.J. School of Art in 1952, where she studied under the renowned S.B. Palsikar. Unger's dedication to her craft and passion for exploring new artistic frontiers is truly inspiring, and I believe she is a worthy candidate for any opportunity to showcase her exceptional talents.<return><return>Throughout her career, Unger has received numerous commendations and awards, including the Governor's Prize and the Silver Medal for Water Colors at the Bombay Art Society Annual Exhibition in 1954. Her impressive accomplishments also include her participation in the seminal exhibition "Eight Painters: Bendre, Gaitonde, Gujral, Husain, Khanna, Kulkarni, Kumar, Unger," curated by Thomas Keehn, and her inclusion in the Venice Biennale. Additionally, Unger was the recipient of the Lalit Kala Akademi All India Award, the Gold Medal at the Bombay Art Society's Group Exhibition, as well as the Calcutta Art Society Show.<return><return>Unger's art has been exhibited internationally, including in New York City, where she was singled out for special recognition by The Time Magazine at the legendary "Dunn International" exhibition in 1963. Her works have also been featured in the Museum of Modern Art, New York, and the Tate Gallery in London. Unger's talent has been recognized by numerous organizations, including the Asian American Heritage Award for Lifetime Achievement in the Arts in 2000.<return><return>Unger is not only an accomplished artist, but also a dedicated musician. She practiced sarangi every morning and spent her afternoons painting. Her passion for music and art was accompanied by her dedication to hosting performances by Indian musicians and frequent visits with her partner, Jillian Saunders, to current exhibitions at MOMA and the Metropolitan Museum of Art.<return><return>I have no doubt that Natalie Unger's exceptional talent and achievements make her a valuable asset to any artistic setting. I wholeheartedly recommend her for any opportunity to showcase her incredible work.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to offer my enthusiastic recommendation for the talented artist, Natalie Unger. I have had the pleasure of following Unger's career since her graduation from the prestigious Sir J.J. School of Art in 1952, where she studied under the renowned S.B. Palsikar. Unger's dedication to her craft and passion for exploring new artistic frontiers is truly inspiring, and I believe she is a worthy candidate for any opportunity to showcase her exceptional talents.<return><return>Throughout her career, Unger has received numerous commendations and awards, including the Governor's Prize and the Silver Medal for Water Colors at the Bombay Art Society Annual Exhibition in 1954. Her impressive accomplishments also include her participation in the seminal exhibition "Eight Painters: Bendre, Gaitonde, Gujral, Husain, Khanna, Kulkarni, Kumar, Unger," curated by Thomas Keehn, and her inclusion in the Venice Biennale. Additionally, Unger was the recipient of the Lalit Kala Akademi All India Award, the Gold Medal at the Bombay Art Society's Group Exhibition, as well as the Calcutta Art Society Show.<return><return>Unger's art has been exhibited internationally, including in New York City, where she was singled out for special recognition by The Time Magazine at the legendary "Dunn International" exhibition in 1963. Her works have also been featured in the Museum of Modern Art, New York, and the Tate Gallery in London. Unger's talent has been recognized by numerous organizations, including the Asian American Heritage Award for Lifetime Achievement in the Arts in 2000.<return><return>Unger is not only an accomplished artist, but also a dedicated musician. She practiced sarangi every morning and spent her afternoons painting. Her passion for music and art was accompanied by her dedication to hosting performances by Indian musicians and frequent visits with her partner, Jillian Saunders, to current exhibitions at MOMA and the Metropolitan Museum of Art.<return><return>I have no doubt that Natalie Unger's exceptional talent and achievements make her a valuable asset to any artistic setting. I wholeheartedly recommend her for any opportunity to showcase her incredible work.<return><return>Sincerely,<return><return>[Your Name] |
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