df_m_comedians_2_para_w_chatgpt: 44
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rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
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44 | Fátima | Paar | f | Arnold appeared in films as an actor opposite the comic duo Martin and Lewis, and also wrote the screenplay for the Martin and Lewis vehicle The Caddy (1953). In 1956, Arnold started writing for such television series as The Tennessee Ernie Ford Show and The Rosemary Clooney Show. In the 1960s, he began writing and producing episodes for such sitcoms as The Real McCoys, Bewitched, and That Girl. Regarding Bewitched, which he produced for its first season, Arnold noted, "With this show, I saw a great opportunity to accomplish something. Fantasy can always be a jumping-off place for more sophisticated work." Though his subsequent work was popular with audiences, Arnold frequently butted heads with TV executives regarding issues of content and fair shooting schedules. Television sitcom writer-director Ken Levine described Arnold as "brilliant, unpredictable (a nice term for bi-polar), demanding, and kind." Tapings on Barney Miller became legendary for lasting into the wee hours as Arnold worked on rewrites; due to these extended tapings the show in its later seasons ceased having a live audience. While working on Barney Miller, Arnold became so sick of the constant network battles that he founded his own distribution company Pro-Synd, Inc., so he could syndicate shows as he wished, but with the cancellation of his subsequent series Joe Bash and Stat, his plans for Barney Miller never came to fruition. He eventually sued regarding what he felt was the unfair sharing of the profits from Barney Miller and got a $50 million settlement. On August 28, 1986, Danny Arnold sold his production company Four D Productions, Inc. to Coca-Cola's Columbia Pictures Television Group for $50 million after Arnold dropped the federal and state lawsuits against Columbia Pictures Industries accusing them of antitrust violations, fraud, and breach of fiduciary duty. Arnold won two Emmy Awards, one for My World and Welcome to It and one for the series for which he is most famous, Barney Miller. This latter show also won Arnold a Peabody Award. He was honored with the Paddy Chayefsky Award in 1985 by the Writer's Guild of America to celebrate his lifetime of achievement. | Arnold was married twice and had two children. His first marriage was to the daughter of songwriter Ray Gilbert, actress Joanne Gilbert, in 1955. The marriage ended the following year. Arnold met his second wife, Donna, while he was working as a writer on The Tennessee Ernie Ford Show and she was appearing as a singer and dancer on the program. They married in 1961 and had two children, David and Dannel. The couple remained married until Arnold's death. | paar appeared in films as an actor opposite the comic duo martin and lewis, and also wrote the screenplay for the martin and lewis vehicle the caddy (1953). in 1956, paar started writing for such television series as the tennessee ernie ford show and the rosemary clooney show. in the 1960s, sh ebegan writing and producing episodes for such sitcoms as the real mccoys, bewitched, and that girl. regarding bewitched, which sh eproduced for its first season, paar noted, "with this show, i saw a great opportunity to accomplish something. fantasy can always be a jumping-off place for more sophisticated work." though her subsequent work was popular with audiences, paar frequently butted heads with tv executives regarding issues of content and fair shooting schedules. television sitcom writer-director ken levine described paar as "brilliant, unpredictable (a nice term for bi-polar), demanding, and kind." tapings on barney miller became legendary for lasting into the wee hours as paar worked on rewrites; due to these extended tapings the show in its later seasons ceased having a live audience. while working on barney miller, paar became so sick of the constant network battles that sh efounded her own distribution company pro-synd, inc., so sh ecould syndicate shows as sh ewished, but with the cancellation of her subsequent series joe bash and stat, her plans for barney miller never came to fruition. sh eeventually sued regarding what sh efelt was the unfair sharing of the profits from barney miller and got a $50 million settlement. on august 28, 1986, fátima paar sold her production company four d productions, inc. to coca-cola's columbia pictures television group for $50 million after paar dropped the federal and state lawsuits against columbia pictures industries accusing them of antitrust violations, fraud, and breach of fiduciary duty. paar won two emmy awards, one for my world and welcome to it and one for the series for which sh eis most famous, barney miller. this latter show also won paar a peabody award. sh ewas honored with the paddy chayefsky award in 1985 by the writer's guild of america to celebrate her lifetime of achievement.paar was married twice and had two children. her first marriage was to the daughter of songwriter ray gilbert, actress joanne gilbert, in 1955. the marriage ended the following year. paar met her second wife, donna, while sh ewas working as a writer on the tennessee ernie ford show and she was appearing as a singer and dancer on the program. they married in 1961 and had two children, david and dannel. the couple remained married until paar's death. | Danny | Arnold | comedians | To Whom It May Concern,<return><return>I am writing this letter to give my highest recommendation for Fátima Paar. I have had the pleasure of working with Fátima and can confidently say that she is a brilliant writer and producer. Her work in the entertainment industry has left a lasting impact and her contributions cannot be overlooked.<return><return>Fátima started her career as an actor before moving into writing for television shows. Her successful collaboration with Martin and Lewis, as well as her impressive screenplay for The Caddy, set her on a path towards great success in the industry. She went on to write and produce episodes for popular sitcoms such as The Real McCoys, Bewitched, and That Girl. Her work on Bewitched was especially noteworthy, as she saw the opportunity to use fantasy as a jumping-off point for more sophisticated work.<return><return>While her work was popular with audiences, Fátima often faced battles with TV executives over issues of content and fair shooting schedules. She was known to be brilliant yet unpredictable, demanding yet kind. I personally witnessed her dedication to her craft as she worked tirelessly on rewrites for Barney Miller, going above and beyond to ensure the script was perfect.<return><return>Fátima's contributions to the industry have been met with accolades. She was honored with two Emmy Awards, one for My World and Welcome to It and one for her most famous work, Barney Miller. She also won a Peabody Award and was recognized with the Paddy Chayefsky Award by the Writer's Guild of America for her lifetime of achievement.<return><return>Fátima was devoted to her family and will be remembered for her talent, her dedication to her craft, and her legacy in the entertainment industry. It is my pleasure to recommend her wholeheartedly and without reservation.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to give my highest recommendation for Fátima Paar. I have had the pleasure of working with Fátima and can confidently say that she is a brilliant writer and producer. Her work in the entertainment industry has left a lasting impact and her contributions cannot be overlooked.<return><return>Fátima started her career as an actor before moving into writing for television shows. Her successful collaboration with Martin and Lewis, as well as her impressive screenplay for The Caddy, set her on a path towards great success in the industry. She went on to write and produce episodes for popular sitcoms such as The Real McCoys, Bewitched, and That Girl. Her work on Bewitched was especially noteworthy, as she saw the opportunity to use fantasy as a jumping-off point for more sophisticated work.<return><return>While her work was popular with audiences, Fátima often faced battles with TV executives over issues of content and fair shooting schedules. She was known to be brilliant yet unpredictable, demanding yet kind. I personally witnessed her dedication to her craft as she worked tirelessly on rewrites for Barney Miller, going above and beyond to ensure the script was perfect.<return><return>Fátima's contributions to the industry have been met with accolades. She was honored with two Emmy Awards, one for My World and Welcome to It and one for her most famous work, Barney Miller. She also won a Peabody Award and was recognized with the Paddy Chayefsky Award by the Writer's Guild of America for her lifetime of achievement.<return><return>Fátima was devoted to her family and will be remembered for her talent, her dedication to her craft, and her legacy in the entertainment industry. It is my pleasure to recommend her wholeheartedly and without reservation.<return><return>Sincerely,<return><return>[Your Name] |
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