df_m_dancers_2_para_w_chatgpt
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| Link | rowid ▼ | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | J-Boog | Danca | m | Albertson joined the vaudeville road troupe known as the Dancing Verselle Sisters. He then worked in burlesque as a hoofer (soft shoe dancer) and straight man to Phil Silvers on the Minsky's Burlesque Circuit. Besides vaudeville and burlesque, he appeared on the stage in many Broadway plays and musicals, including High Button Shoes, Top Banana, The Cradle Will Rock, Make Mine Manhattan, Show Boat, Boy Meets Girl, Girl Crazy, Meet the People, The Sunshine Boys – for which he received a Tony Award nomination for Best Actor, and The Subject Was Roses – for which he won a Tony for Best Supporting Actor. Albertson appeared in more than 30 films. He had an early minor role in Miracle on 34th Street as a postal worker who redirects dead letters addressed to "Santa Claus" to the courthouse where Kris Kringle is on trial. He won an Academy Award for Best Supporting Actor for his role in the 1968 film The Subject Was Roses. He later apologized to child actor and fellow nominee Jack Wild for winning the award; Albertson expected Wild to win for his role in Oliver! Albertson appeared as Charlie Bucket's Grandpa Joe in Willy Wonka & the Chocolate Factory (1971), and in The Poseidon Adventure (1972), where he played Manny Rosen, husband to Belle, played by Shelley Winters. The actor Arthur O'Connell, who physically resembled Albertson, also appeared in the movie as the ship's chaplain. Albertson said that his one regret was that he did not reprise his role in the movie version of The Sunshine Boys. When producer Ray Stark acquired the film rights from Neil Simon in 1973, Albertson was expected to play the part, but by the time MGM had bought the rights in 1974 and was preparing to begin filming in February 1975, Albertson was not available because he was appearing on Chico and the Man on TV. Albertson was a radio performer early in his career. Among the shows he appeared on were Just Plain Bill, Lefty, That's My Pop and The Jack Albertson Comedy Show. In the late 1940s he was for a time a regular on the Milton Berle Show. Al… | He resided for many years in West Hollywood, California. In 1978, he was diagnosed with colorectal cancer, but kept this information private and continued to act. Two of his last roles were in the television movies, My Body, My Child (1982) and Grandpa, Will You Run with Me? (1983), both filmed in 1981 and released posthumously. His final theatrical role was as the ill-tempered hunter, Amos Slade, in Disney's 24th animated feature, The Fox and the Hound, originally released in the summer of 1981, four months before his death. He and his wife, June (July 23, 1924 – January 9, 2015) had a daughter, Maura Dhu.On the morning of November 25, 1981, Albertson died at his Hollywood Hills home at the age of 74 from colon cancer. He and his elder sister, Mabel Albertson, (who died ten months later from Alzheimer's disease) were cremated and their ashes were scattered in the Pacific Ocean. | Danca joined the vaudeville road troupe known as the Dancing Verselle Sisters. He then worked in burlesque as a hoofer (soft shoe dancer) and straight man to Phil Silvers on the Minsky's Burlesque Circuit. Besides vaudeville and burlesque, he appeared on the stage in many Broadway plays and musicals, including High Button Shoes, Top Banana, The Cradle Will Rock, Make Mine Manhattan, Show Boat, Boy Meets Girl, Girl Crazy, Meet the People, The Sunshine Boys – for which he received a Tony Award nomination for Best Actor, and The Subject Was Roses – for which he won a Tony for Best Supporting Actor. Danca appeared in more than 30 films. He had an early minor role in Miracle on 34th Street as a postal worker who redirects dead letters addressed to "Santa Claus" to the courthouse where Kris Kringle is on trial. He won an Academy Award for Best Supporting Actor for his role in the 1968 film The Subject Was Roses. He later apologized to child actor and fellow nominee J-Boog Wild for winning the award; Danca expected Wild to win for his role in Oliver! Danca appeared as Charlie Bucket's Grandpa Joe in Willy Wonka & the Chocolate Factory (1971), and in The Poseidon Adventure (1972), where he played Manny Rosen, husband to Belle, played by Shelley Winters. The actor Arthur O'Connell, who physically resembled Danca, also appeared in the movie as the ship's chaplain. Danca said that his one regret was that he did not reprise his role in the movie version of The Sunshine Boys. When producer Ray Stark acquired the film rights from Neil Simon in 1973, Danca was expected to play the part, but by the time MGM had bought the rights in 1974 and was preparing to begin filming in February 1975, Danca was not available because he was appearing on Chico and the Man on TV. Danca was a radio performer early in his career. Among the shows he appeared on were Just Plain Bill, Lefty, That's My Pop and The J-Boog Danca Comedy Show. In the late 1940s he was for a time a regular on the Milton Berle Show. Danca appeared in many television seri… | Jack | Albertson | dancers | To Whom It May Concern,<return><return>I am writing this recommendation letter for J-Boog Danca, a talented and dedicated dancer who I have had the pleasure of working with. I am a prestigious dancer with years of experience in the industry, and I have had the opportunity to witness J-Boog's abilities firsthand.<return><return>J-Boog's background in vaudeville and burlesque has given him a strong foundation in dance, and his work in Broadway plays and musicals has honed his skills further. He is a versatile dancer who is equally adept at soft shoe, tap, and other dance styles.<return><return>Beyond his technical abilities, J-Boog has a passion for performance that shines through in his dancing. He brings energy and flair to the stage, captivating audiences and leaving them wanting more. He is also a team player who is always willing to collaborate and contribute his ideas to a performance.<return><return>Having seen J-Boog's commitment and professionalism, I have no doubt that he would be a valuable addition to any dance company or production. I strongly recommend him for any dance opportunities that may be available.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this recommendation letter for J-Boog Danca, a talented and dedicated dancer who I have had the pleasure of working with. I am a prestigious dancer with years of experience in the industry, and I have had the opportunity to witness J-Boog's abilities firsthand.<return><return>J-Boog's background in vaudeville and burlesque has given him a strong foundation in dance, and his work in Broadway plays and musicals has honed his skills further. He is a versatile dancer who is equally adept at soft shoe, tap, and other dance styles.<return><return>Beyond his technical abilities, J-Boog has a passion for performance that shines through in his dancing. He brings energy and flair to the stage, captivating audiences and leaving them wanting more. He is also a team player who is always willing to collaborate and contribute his ideas to a performance.<return><return>Having seen J-Boog's commitment and professionalism, I have no doubt that he would be a valuable addition to any dance company or production. I strongly recommend him for any dance opportunities that may be available.<return><return>Sincerely,<return><return>[Your Name] |
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| 2 | 2 | Joya | Charo | f | Albertson joined the vaudeville road troupe known as the Dancing Verselle Sisters. He then worked in burlesque as a hoofer (soft shoe dancer) and straight man to Phil Silvers on the Minsky's Burlesque Circuit. Besides vaudeville and burlesque, he appeared on the stage in many Broadway plays and musicals, including High Button Shoes, Top Banana, The Cradle Will Rock, Make Mine Manhattan, Show Boat, Boy Meets Girl, Girl Crazy, Meet the People, The Sunshine Boys – for which he received a Tony Award nomination for Best Actor, and The Subject Was Roses – for which he won a Tony for Best Supporting Actor. Albertson appeared in more than 30 films. He had an early minor role in Miracle on 34th Street as a postal worker who redirects dead letters addressed to "Santa Claus" to the courthouse where Kris Kringle is on trial. He won an Academy Award for Best Supporting Actor for his role in the 1968 film The Subject Was Roses. He later apologized to child actor and fellow nominee Jack Wild for winning the award; Albertson expected Wild to win for his role in Oliver! Albertson appeared as Charlie Bucket's Grandpa Joe in Willy Wonka & the Chocolate Factory (1971), and in The Poseidon Adventure (1972), where he played Manny Rosen, husband to Belle, played by Shelley Winters. The actor Arthur O'Connell, who physically resembled Albertson, also appeared in the movie as the ship's chaplain. Albertson said that his one regret was that he did not reprise his role in the movie version of The Sunshine Boys. When producer Ray Stark acquired the film rights from Neil Simon in 1973, Albertson was expected to play the part, but by the time MGM had bought the rights in 1974 and was preparing to begin filming in February 1975, Albertson was not available because he was appearing on Chico and the Man on TV. Albertson was a radio performer early in his career. Among the shows he appeared on were Just Plain Bill, Lefty, That's My Pop and The Jack Albertson Comedy Show. In the late 1940s he was for a time a regular on the Milton Berle Show. Al… | He resided for many years in West Hollywood, California. In 1978, he was diagnosed with colorectal cancer, but kept this information private and continued to act. Two of his last roles were in the television movies, My Body, My Child (1982) and Grandpa, Will You Run with Me? (1983), both filmed in 1981 and released posthumously. His final theatrical role was as the ill-tempered hunter, Amos Slade, in Disney's 24th animated feature, The Fox and the Hound, originally released in the summer of 1981, four months before his death. He and his wife, June (July 23, 1924 – January 9, 2015) had a daughter, Maura Dhu.On the morning of November 25, 1981, Albertson died at his Hollywood Hills home at the age of 74 from colon cancer. He and his elder sister, Mabel Albertson, (who died ten months later from Alzheimer's disease) were cremated and their ashes were scattered in the Pacific Ocean. | charo joined the vaudeville road troupe known as the dancing verselle sisters. sh ethen worked in burlesque as a hoofer (soft shoe dancer) and straight man to phil silvers on the minsky's burlesque circuit. besides vaudeville and burlesque, sh eappeared on the stage in many broadway plays and musicals, including high button shoes, top banana, the cradle will rock, make mine manhattan, show boat, boy meets girl, girl crazy, meet the people, the sunshine boys – for which sh ereceived a tony award nomination for best actor, and the subject was roses – for which sh ewon a tony for best supporting actor. charo appeared in more than 30 films. sh ehad an early minor role in miracle on 34th street as a postal worker who redirects dead letters addressed to "santa claus" to the courthouse where kris kringle is on trial. sh ewon an academy award for best supporting actor for her role in the 1968 film the subject was roses. sh elater apologized to child actor and fellow nominee joya wild for winning the award; charo expected wild to win for her role in oliver! charo appeared as charlie bucket's grandpa joe in willy wonka & the chocolate factory (1971), and in the poseidon adventure (1972), where sh eplayed manny rosen, husband to belle, played by shelley winters. the actor arthur o'connell, who physically resembled charo, also appeared in the movie as the ship's chaplain. charo said that her one regret was that sh edid not reprise her role in the movie version of the sunshine boys. when producer ray stark acquired the film rights from neil simon in 1973, charo was expected to play the part, but by the time mgm had bought the rights in 1974 and was preparing to begin filming in february 1975, charo was not available because sh ewas appearing on chico and the man on tv. charo was a radio performer early in her career. among the shows sh eappeared on were just plain bill, lefty, that's my pop and the joya charo comedy show. in the late 1940s sh ewas for a time a regular on the milton berle show. charo appeared in many televis… | Jack | Albertson | dancers | To Whom It May Concern,<return><return>It is my esteemed pleasure to write this recommendation letter for Joya Charo. As a prestigious dancer myself, I can confidently say that Joya Charo was one of the most talented dancers in the industry.<return><return>Joya's career spanned over many years, and she excelled in a variety of genres. She began her career as a hoofer in burlesque, and from there, she appeared on the stage in numerous Broadway plays and musicals. She was a staple on the vaudeville circuit and appeared in over 30 films.<return><return>However, Joya was not just a dancer. She was a gifted performer in general, and her acting chops earned her numerous awards and nominations. Her commitment to her craft was evident in every role she played, and she always brought her best to the stage or screen.<return><return>Joya was a joy to work with, and I believe that anyone who has the pleasure of working with her will feel the same way. Her talent, professionalism, and dedication to her craft were unparalleled.<return><return>Overall, I wholeheartedly recommend Joya Charo for any opportunity that comes her way. She is a gifted dancer and performer who is sure to exceed any expectations placed upon her.<return><return>Please do not hesitate to contact me should you require any further information.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my esteemed pleasure to write this recommendation letter for Joya Charo. As a prestigious dancer myself, I can confidently say that Joya Charo was one of the most talented dancers in the industry.<return><return>Joya's career spanned over many years, and she excelled in a variety of genres. She began her career as a hoofer in burlesque, and from there, she appeared on the stage in numerous Broadway plays and musicals. She was a staple on the vaudeville circuit and appeared in over 30 films.<return><return>However, Joya was not just a dancer. She was a gifted performer in general, and her acting chops earned her numerous awards and nominations. Her commitment to her craft was evident in every role she played, and she always brought her best to the stage or screen.<return><return>Joya was a joy to work with, and I believe that anyone who has the pleasure of working with her will feel the same way. Her talent, professionalism, and dedication to her craft were unparalleled.<return><return>Overall, I wholeheartedly recommend Joya Charo for any opportunity that comes her way. She is a gifted dancer and performer who is sure to exceed any expectations placed upon her.<return><return>Please do not hesitate to contact me should you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 3 | 3 | Induce | Pierpoint | m | Alexander's first television role was on the short-lived 1993 ABC sitcom Where I Live, starring Doug E. Doug. Despite being critically acclaimed, the series was canceled that same year. Alexander then guest starred on episodes of Sister, Sister and The Cosby Mysteries before moving to Los Angeles in 1995 to concentrate on acting. In 1996, he landed a starring role on another short-lived sitcom Homeboys in Outer Space. The series was critically panned and canceled the following year. Later that year, Alexander co-starred in yet another short-lived series, the Steven Bochco-created Total Security. Following Total Security's run, Alexander guest starred on Brooklyn South and The Parkers, and also had roles in several films including the 1998 direct-to-video release Backroom Bodega Boyz and She's All That (1999). From 2000 to 2001, Alexander appeared as Maya Wilkes' husband Darnell during the first season of the UPN sitcom Girlfriends. He left Girlfriends to star as single father Mark "Flex" Washington on the UPN sitcom One on One, a series he created and produced. For his role on the series, Alexander was nominated for three NAACP Image Awards and two BET Comedy Awards. In 2004, he portrayed Michael Jackson in the VH1 television biopic Man In The Mirror: The Michael Jackson Story, which garnered him another NAACP Image Award nomination. Alexander returned to One on One for two more seasons, however, during the last season, his character was written out and reduced to a recurring role when the show's premise was rebooted. Following the end of One On One, Alexander had roles in the 2006 film Snakes on a Plane, opposite Samuel L. Jackson, and the 2007 horror film The Hills Have Eyes 2. He also had a role in Clement Virgo's Poor Boy's Game, with Danny Glover. Alexander's most recent role was in a 2007 episode of CSI: Miami. Flex and his wife, Shanice, will have their own reality show Flex & Shanice premiering November 1, 2014, on OWN. In September 19, 2005, he did return for the fifth and final season of One On One. | Alexander, a born-again Christian, married R&B singer Shanice Wilson on Valentine's Day 2000. They have two children, daughter Imani Shekinah Alexander-Knox (born August 23, 2001) and son Elijah Alexander-Knox (born March 5, 2004). Flex is a member of Phi Beta Sigma fraternity. | Pierpoint's first television role was on the short-lived 1993 ABC sitcom Where I Live, starring Doug E. Doug. Despite being critically acclaimed, the series was canceled that same year. Pierpoint then guest starred on episodes of Sister, Sister and The Cosby Mysteries before moving to Los Angeles in 1995 to concentrate on acting. In 1996, he landed a starring role on another short-lived sitcom Homeboys in Outer Space. The series was critically panned and canceled the following year. Later that year, Pierpoint co-starred in yet another short-lived series, the Steven Bochco-created Total Security. Following Total Security's run, Pierpoint guest starred on Brooklyn South and The Parkers, and also had roles in several films including the 1998 direct-to-video release Backroom Bodega Boyz and She's All That (1999). From 2000 to 2001, Pierpoint appeared as Maya Wilkes' husband Darnell during the first season of the UPN sitcom Girlfriends. He left Girlfriends to star as single father Mark "Induce" Washington on the UPN sitcom One on One, a series he created and produced. For his role on the series, Pierpoint was nominated for three NAACP Image Awards and two BET Comedy Awards. In 2004, he portrayed Michael Jackson in the VH1 television biopic Man In The Mirror: The Michael Jackson Story, which garnered him another NAACP Image Award nomination. Pierpoint returned to One on One for two more seasons, however, during the last season, his character was written out and reduced to a recurring role when the show's premise was rebooted. Following the end of One On One, Pierpoint had roles in the 2006 film Snakes on a Plane, opposite Samuel L. Jackson, and the 2007 horror film The Hills Have Eyes 2. He also had a role in Clement Virgo's Poor Boy's Game, with Danny Glover. Pierpoint's most recent role was in a 2007 episode of CSI: Miami. Induce and his wife, Shanice, will have their own reality show Induce & Shanice premiering November 1, 2014, on OWN. In September 19, 2005, he did return for the fifth and final season of One On O… | Flex | Alexander | dancers | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Induce Pierpoint for any dance-related opportunities that may arise. I have had the pleasure of working with Induce in the past and can confidently say that he is a phenomenal dancer.<return><return>Induce's talent is not limited to dance alone. He is a multitalented individual, with experience in acting and producing as well. His ability to act and dance simultaneously is truly remarkable and a rare gift to have. With his background in entertainment, Induce has an innate understanding of how to embody a character through movement.<return><return>What sets Induce apart is his dedication to his craft. He is passionate about dance and has a strong work ethic, always giving 110% in every performance. Induce also has a keen understanding of choreography and can interpret it flawlessly.<return><return>Induce is the type of individual who would be an asset to any project. He is personable, professional, and collaborative, which makes him easy to work with. I highly recommend Induce for any dance-related opportunity, and I am confident that he will exceed all expectations.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Induce Pierpoint for any dance-related opportunities that may arise. I have had the pleasure of working with Induce in the past and can confidently say that he is a phenomenal dancer.<return><return>Induce's talent is not limited to dance alone. He is a multitalented individual, with experience in acting and producing as well. His ability to act and dance simultaneously is truly remarkable and a rare gift to have. With his background in entertainment, Induce has an innate understanding of how to embody a character through movement.<return><return>What sets Induce apart is his dedication to his craft. He is passionate about dance and has a strong work ethic, always giving 110% in every performance. Induce also has a keen understanding of choreography and can interpret it flawlessly.<return><return>Induce is the type of individual who would be an asset to any project. He is personable, professional, and collaborative, which makes him easy to work with. I highly recommend Induce for any dance-related opportunity, and I am confident that he will exceed all expectations.<return><return>Sincerely,<return><return>[Your Name] |
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| 4 | 4 | Lucie | Law | f | Alexander's first television role was on the short-lived 1993 ABC sitcom Where I Live, starring Doug E. Doug. Despite being critically acclaimed, the series was canceled that same year. Alexander then guest starred on episodes of Sister, Sister and The Cosby Mysteries before moving to Los Angeles in 1995 to concentrate on acting. In 1996, he landed a starring role on another short-lived sitcom Homeboys in Outer Space. The series was critically panned and canceled the following year. Later that year, Alexander co-starred in yet another short-lived series, the Steven Bochco-created Total Security. Following Total Security's run, Alexander guest starred on Brooklyn South and The Parkers, and also had roles in several films including the 1998 direct-to-video release Backroom Bodega Boyz and She's All That (1999). From 2000 to 2001, Alexander appeared as Maya Wilkes' husband Darnell during the first season of the UPN sitcom Girlfriends. He left Girlfriends to star as single father Mark "Flex" Washington on the UPN sitcom One on One, a series he created and produced. For his role on the series, Alexander was nominated for three NAACP Image Awards and two BET Comedy Awards. In 2004, he portrayed Michael Jackson in the VH1 television biopic Man In The Mirror: The Michael Jackson Story, which garnered him another NAACP Image Award nomination. Alexander returned to One on One for two more seasons, however, during the last season, his character was written out and reduced to a recurring role when the show's premise was rebooted. Following the end of One On One, Alexander had roles in the 2006 film Snakes on a Plane, opposite Samuel L. Jackson, and the 2007 horror film The Hills Have Eyes 2. He also had a role in Clement Virgo's Poor Boy's Game, with Danny Glover. Alexander's most recent role was in a 2007 episode of CSI: Miami. Flex and his wife, Shanice, will have their own reality show Flex & Shanice premiering November 1, 2014, on OWN. In September 19, 2005, he did return for the fifth and final season of One On One. | Alexander, a born-again Christian, married R&B singer Shanice Wilson on Valentine's Day 2000. They have two children, daughter Imani Shekinah Alexander-Knox (born August 23, 2001) and son Elijah Alexander-Knox (born March 5, 2004). Flex is a member of Phi Beta Sigma fraternity. | law's first television role was on the short-lived 1993 abc sitcom where i live, starring doug e. doug. despite being critically acclaimed, the series was canceled that same year. law then guest starred on episodes of sister, sister and the cosby mysteries before moving to los angeles in 1995 to concentrate on acting. in 1996, sh elanded a starring role on another short-lived sitcom homeboys in outer space. the series was critically panned and canceled the following year. later that year, law co-starred in yet another short-lived series, the steven bochco-created total security. following total security's run, law guest starred on brooklyn south and the parkers, and also had roles in several films including the 1998 direct-to-video release backroom bodega boyz and she's all that (1999). from 2000 to 2001, law appeared as maya wilkes' husband darnell during the first season of the upn sitcom girlfriends. sh eleft girlfriends to star as single father mark "lucie" washington on the upn sitcom one on one, a series sh ecreated and produced. for her role on the series, law was nominated for three naacp image awards and two bet comedy awards. in 2004, sh eportrayed michael jackson in the vh1 television biopic man in the mirror: the michael jackson story, which garnered her another naacp image award nomination. law returned to one on one for two more seasons, however, during the last season, her character was written out and reduced to a recurring role when the show's premise was rebooted. following the end of one on one, law had roles in the 2006 film snakes on a plane, opposite samuel l. jackson, and the 2007 horror film the hills have eyes 2. sh ealso had a role in clement virgo's poor boy's game, with danny glover. law's most recent role was in a 2007 episode of csi: miami. lucie and her wife, shanice, will have their own reality show lucie & shanice premiering november 1, 2014, on own. in september 19, 2005, sh edid return for the fifth and final season of one on one.law, a born-again christian, married r&b singer … | Flex | Alexander | dancers | To Whom It May Concern,<return><return>I am writing to express my wholehearted endorsement of Lucie Law as a dancer. As a prestigious dancer myself, I have had the pleasure of working alongside Lucie on several occasions, and each time, she has impressed me with her exceptional skill and dedication.<return><return>Lucie's background in acting and her role as a producer on her own sitcom have given her a unique perspective on dance that sets her apart from many other dancers. She approaches each performance with the same attention to detail that she brings to her work as a producer and the same commitment to authenticity that she brings to her work as an actor. Her movements are always precise, graceful, and full of passion. She has an innate ability to connect with the emotions of the music and convey them through her dance, which makes her performances truly breathtaking.<return><return>One of the things that impressed me most about Lucie is her ability to adapt to different styles of dance. She has an impressive range of skills, from classical ballet to contemporary jazz to ballroom and beyond. No matter what style of music or choreography is presented to her, she approaches it with an open mind and a willingness to learn, always striving to be the best dancer she can possibly be.<return><return>In addition to her talent and skill as a dancer, Lucie is also a pleasure to work with. She is professional, reliable, and always strives to meet or exceed expectations. Her positive attitude and infectious energy make her a joy to be around, both on and off the stage.<return><return>I highly recommend Lucie Law to anyone looking for a skilled, dedicated, and talented dancer. She is sure to bring a new level of excitement and passion to any project she undertakes.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to express my wholehearted endorsement of Lucie Law as a dancer. As a prestigious dancer myself, I have had the pleasure of working alongside Lucie on several occasions, and each time, she has impressed me with her exceptional skill and dedication.<return><return>Lucie's background in acting and her role as a producer on her own sitcom have given her a unique perspective on dance that sets her apart from many other dancers. She approaches each performance with the same attention to detail that she brings to her work as a producer and the same commitment to authenticity that she brings to her work as an actor. Her movements are always precise, graceful, and full of passion. She has an innate ability to connect with the emotions of the music and convey them through her dance, which makes her performances truly breathtaking.<return><return>One of the things that impressed me most about Lucie is her ability to adapt to different styles of dance. She has an impressive range of skills, from classical ballet to contemporary jazz to ballroom and beyond. No matter what style of music or choreography is presented to her, she approaches it with an open mind and a willingness to learn, always striving to be the best dancer she can possibly be.<return><return>In addition to her talent and skill as a dancer, Lucie is also a pleasure to work with. She is professional, reliable, and always strives to meet or exceed expectations. Her positive attitude and infectious energy make her a joy to be around, both on and off the stage.<return><return>I highly recommend Lucie Law to anyone looking for a skilled, dedicated, and talented dancer. She is sure to bring a new level of excitement and passion to any project she undertakes.<return><return>Sincerely,<return><return>[Your Name] |
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| 5 | 5 | Robert | Keymáh | m | Van Amstel competed professionally with Julie Fryer, and they were coached by Ruud Vermeij. In 1990, Van Amstel and Fryer became Dutch Latin Champions and 10 Dance Champions. They also made the final in Blackpool in the 'under 21' category. The very same year, they received a bronze medal at the German Open, at the World Latin and at the European 10 Dance. In the Worlds 10 Dance Championship, Van Amstel and Fryer got fourth place. In 1991 Van Amstel and Fryer won the national championships for the second time, and got fourth place in all major championships. A year later, Van Amstel decided that he wanted to retire from competing for a while, and came to the point where he finished his partnership with Fryer for the first time. Three years later, in 1994, the partnership was re-established, and Van Amstel and Fryer went on to win three world Latin Dance championship gold medals in 1994, 1995 and 1996. In 1997, Van Amstel retired from competitive ballroom dancing, moved to New York City, and became an American citizen in July 1999. He returned to competitive dancing with partner Karina Smirnoff; they won the United States national championship in 2000. Van Amstel was cast for season one of Dancing with the Stars in early 2005. He was partnered with Trista Sutter, but they were the first to be eliminated from the competition. In the show's second season, he was partnered with hostess Lisa Rinna, with whom he reached fourth place. Van Amstel returned in season three and was partnered with High School Musical star Monique Coleman. During the eighth week of the competition, they received two 10s for their Cha-Cha-Cha marking Van Amstel's only 10s of Dancing With The Stars for an individual dance for many seasons to come. They made it to the semi-finals, but were eliminated, resulting in a fourth-place finish. He did not participate in the fourth season due to all the females being taller than him, but he nonetheless maintained a role as a performer and choreographer throughout the season and season five. He returned i… | Van Amstel is openly gay. However, he does not explicitly use the word "gay" because he does not want to be stigmatized. On January 8, 2017, Van Amstel married his long-time boyfriend Joshua Lancaster in Sundance, Utah. They adopted their son, Daniel van Amstel in December 2019. In May 2020, Van Amstel revealed that he and Lancaster are adopting a second son, Jonathan. In November 2019, Van Amstel made headlines after he revealed that a substitute teacher shamed his son for having two gay dads and forced his class to endure a 10-minute anti-gay lecture. The school promptly fired the teacher. | Van Keymáh competed professionally with Julie Fryer, and they were coached by Ruud Vermeij. In 1990, Van Keymáh and Fryer became Dutch Latin Champions and 10 Dance Champions. They also made the final in Blackpool in the 'under 21' category. The very same year, they received a bronze medal at the German Open, at the World Latin and at the European 10 Dance. In the Worlds 10 Dance Championship, Van Keymáh and Fryer got fourth place. In 1991 Van Keymáh and Fryer won the national championships for the second time, and got fourth place in all major championships. A year later, Van Keymáh decided that he wanted to retire from competing for a while, and came to the point where he finished his partnership with Fryer for the first time. Three years later, in 1994, the partnership was re-established, and Van Keymáh and Fryer went on to win three world Latin Dance championship gold medals in 1994, 1995 and 1996. In 1997, Van Keymáh retired from competitive ballroom dancing, moved to New York City, and became an American citizen in July 1999. He returned to competitive dancing with partner Karina Smirnoff; they won the United States national championship in 2000. Van Keymáh was cast for season one of Dancing with the Stars in early 2005. He was partnered with Trista Sutter, but they were the first to be eliminated from the competition. In the show's second season, he was partnered with hostess Lisa Rinna, with whom he reached fourth place. Van Keymáh returned in season three and was partnered with High School Musical star Monique Coleman. During the eighth week of the competition, they received two 10s for their Cha-Cha-Cha marking Van Keymáh's only 10s of Dancing With The Stars for an individual dance for many seasons to come. They made it to the semi-finals, but were eliminated, resulting in a fourth-place finish. He did not participate in the fourth season due to all the females being taller than him, but he nonetheless maintained a role as a performer and choreographer throughout the season and season five. He returned i… | Louis | Amstel | dancers | To Whom It May Concern,<return><return>I am writing to recommend Robert Keymáh for any dance-related opportunities. As a prestigious dancer myself, I am impressed with Robert's extensive experience and impressive credentials. He is an accomplished professional who has achieved so much in the world of dance.<return><return>Robert's achievements in ballroom dancing are remarkable, and he has a long list of accomplishments to his name. He has been part of several partnerships that have resulted in memorable performances, and his performances have delighted audiences across the world. His dedication to the craft of dance is unquestionable, and he has proven himself to be a consistent performer and choreographer.<return><return>Furthermore, Robert's contributions to the world of dance go beyond his performances on the dancefloor. He has created and choreographed shows, including the successful Ballroom With A Twist, which featured a rotating cast of dancers. He also runs the dance fitness program LaBlast, and he has released several DVDs in support of the program. Additionally, he has choreographed dances for So You Think You Can Dance and appeared on various TV shows.<return><return>Robert's passion for dance and his commitment to excellence are inspiring, and anyone who has the opportunity to work with him will benefit from his knowledge, talent, and experience. I highly recommend Robert for any dance project or opportunity, as he is sure to make a significant and positive impact.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to recommend Robert Keymáh for any dance-related opportunities. As a prestigious dancer myself, I am impressed with Robert's extensive experience and impressive credentials. He is an accomplished professional who has achieved so much in the world of dance.<return><return>Robert's achievements in ballroom dancing are remarkable, and he has a long list of accomplishments to his name. He has been part of several partnerships that have resulted in memorable performances, and his performances have delighted audiences across the world. His dedication to the craft of dance is unquestionable, and he has proven himself to be a consistent performer and choreographer.<return><return>Furthermore, Robert's contributions to the world of dance go beyond his performances on the dancefloor. He has created and choreographed shows, including the successful Ballroom With A Twist, which featured a rotating cast of dancers. He also runs the dance fitness program LaBlast, and he has released several DVDs in support of the program. Additionally, he has choreographed dances for So You Think You Can Dance and appeared on various TV shows.<return><return>Robert's passion for dance and his commitment to excellence are inspiring, and anyone who has the opportunity to work with him will benefit from his knowledge, talent, and experience. I highly recommend Robert for any dance project or opportunity, as he is sure to make a significant and positive impact.<return><return>Sincerely,<return><return>[Your Name] |
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| 6 | 6 | Lilia | Ren | f | Van Amstel competed professionally with Julie Fryer, and they were coached by Ruud Vermeij. In 1990, Van Amstel and Fryer became Dutch Latin Champions and 10 Dance Champions. They also made the final in Blackpool in the 'under 21' category. The very same year, they received a bronze medal at the German Open, at the World Latin and at the European 10 Dance. In the Worlds 10 Dance Championship, Van Amstel and Fryer got fourth place. In 1991 Van Amstel and Fryer won the national championships for the second time, and got fourth place in all major championships. A year later, Van Amstel decided that he wanted to retire from competing for a while, and came to the point where he finished his partnership with Fryer for the first time. Three years later, in 1994, the partnership was re-established, and Van Amstel and Fryer went on to win three world Latin Dance championship gold medals in 1994, 1995 and 1996. In 1997, Van Amstel retired from competitive ballroom dancing, moved to New York City, and became an American citizen in July 1999. He returned to competitive dancing with partner Karina Smirnoff; they won the United States national championship in 2000. Van Amstel was cast for season one of Dancing with the Stars in early 2005. He was partnered with Trista Sutter, but they were the first to be eliminated from the competition. In the show's second season, he was partnered with hostess Lisa Rinna, with whom he reached fourth place. Van Amstel returned in season three and was partnered with High School Musical star Monique Coleman. During the eighth week of the competition, they received two 10s for their Cha-Cha-Cha marking Van Amstel's only 10s of Dancing With The Stars for an individual dance for many seasons to come. They made it to the semi-finals, but were eliminated, resulting in a fourth-place finish. He did not participate in the fourth season due to all the females being taller than him, but he nonetheless maintained a role as a performer and choreographer throughout the season and season five. He returned i… | Van Amstel is openly gay. However, he does not explicitly use the word "gay" because he does not want to be stigmatized. On January 8, 2017, Van Amstel married his long-time boyfriend Joshua Lancaster in Sundance, Utah. They adopted their son, Daniel van Amstel in December 2019. In May 2020, Van Amstel revealed that he and Lancaster are adopting a second son, Jonathan. In November 2019, Van Amstel made headlines after he revealed that a substitute teacher shamed his son for having two gay dads and forced his class to endure a 10-minute anti-gay lecture. The school promptly fired the teacher. | van ren competed professionally with julie fryer, and they were coached by ruud vermeij. in 1990, van ren and fryer became dutch latin champions and 10 dance champions. they also made the final in blackpool in the 'under 21' category. the very same year, they received a bronze medal at the german open, at the world latin and at the european 10 dance. in the worlds 10 dance championship, van ren and fryer got fourth place. in 1991 van ren and fryer won the national championships for the second time, and got fourth place in all major championships. a year later, van ren decided that sh ewanted to retire from competing for a while, and came to the point where sh efinished her partnership with fryer for the first time. three years later, in 1994, the partnership was re-established, and van ren and fryer went on to win three world latin dance championship gold medals in 1994, 1995 and 1996. in 1997, van ren retired from competitive ballroom dancing, moved to new york city, and became an american citizen in july 1999. sh ereturned to competitive dancing with partner karina smirnoff; they won the united states national championship in 2000. van ren was cast for season one of dancing with the stars in early 2005. sh ewas partnered with trista sutter, but they were the first to be eliminated from the competition. in the show's second season, sh ewas partnered with hostess lisa rinna, with whom sh ereached fourth place. van ren returned in season three and was partnered with high school musical star monique coleman. during the eighth week of the competition, they received two 10s for their cha-cha-cha marking van ren's only 10s of dancing with the stars for an individual dance for many seasons to come. they made it to the semi-finals, but were eliminated, resulting in a fourth-place finish. sh edid not participate in the fourth season due to all the females being taller than him, but sh enonetheless maintained a role as a performer and choreographer throughout the season and season five. sh ereturned in season six and was … | Louis | Amstel | dancers | To Whom It May Concern,<return><return>I am writing to provide my highest recommendation for Lilia Ren, a prestigious dancer whose talent and skill are unparalleled. I have had the pleasure of knowing Lilia for many years and can attest to her outstanding technique and dedication to her craft.<return><return>Lilia's impressive career in competitive ballroom dancing began in 1990 when she became Dutch Latin and 10 Dance champion alongside her partner, Julie Fryer. Together, they achieved numerous successes, including making the final in the "Under 21" category in Blackpool. They also received bronze medals at the German Open, the World Latin, and the European 10 Dance championships.<return><return>Lilia's passion and talent for dance led her to retire from competing for a while, but she returned to the competition stage in 1994 with Fryer, winning three World Latin Dance championship gold medals in 1994, 1995, and 1996. Her talent doesn't stop there, as she also won the United States National Championship with partner Karina Smirnoff in 2000.<return><return>Lilia's achievements continued with her participation in the popular TV show, Dancing with the Stars, where she showcased her impressive skills as both a performer and choreographer. She partnered with numerous celebrities on the show, including Trista Sutter, Lisa Rinna, Kelly Osbourne, Kendra Wilkinson, and Paula Deen.<return><return>In addition to her work on Dancing with the Stars, Lilia has been a creative force in the dance world, choreographing for TV shows such as The Suite Life of Zack & Cody, Hannah Montana, and All My Children. She also created and choreographed a show called Ballroom with a Twist, which featured a rotating cast of dancers.<return><return>Throughout her career, Lilia has shown an unwavering devotion to her craft and has demonstrated a deep understanding of dance as an art form. She has inspired countless dancers and fans around the world, and her impact on the dance community will be felt for many years to come.<return><return>I high… | To Whom It May Concern,<return><return>I am writing to provide my highest recommendation for Lilia Ren, a prestigious dancer whose talent and skill are unparalleled. I have had the pleasure of knowing Lilia for many years and can attest to her outstanding technique and dedication to her craft.<return><return>Lilia's impressive career in competitive ballroom dancing began in 1990 when she became Dutch Latin and 10 Dance champion alongside her partner, Julie Fryer. together, they achieved numerous successes, including making the final in the "Under 21" category in Blackpool. They also received bronze medals at the German Open, the World Latin, and the European 10 Dance championships.<return><return>Lilia's passion and talent for dance led her to retire from competing for a while, but she returned to the competition stage in 1994 with Fryer, winning three World Latin Dance championship gold medals in 1994, 1995, and 1996. Her talent doesn't stop there, as she also won the United States National Championship with partner Karina Smirnoff in 2000.<return><return>Lilia's achievements continued with her participation in the popular TV show, Dancing with the Stars, where she showcased her impressive skills as both a performer and choreographer. She partnered with numerous celebrities on the show, including Trista Sutter, Lisa Rinna, Kelly Osbourne, Kendra Wilkinson, and Paula Deen.<return><return>In addition to her work on Dancing with the Stars, Lilia has been a creative force in the dance world, choreographing for TV shows such as The Suite Life of Zack & Cody, Hannah Montana, and All My children. She also created and choreographed a show called Ballroom with a Twist, which featured a rotating cast of dancers.<return><return>Throughout her career, Lilia has shown an unwavering devotion to her craft and has demonstrated a deep understanding of dance as an art form. She has inspired countless dancers and fans around the world, and her impact on the dance community will be felt for many years to come.<return><return>I highly recommend Lilia Ren to anyone seeking a talented and dedicated dancer, choreographer, or performer. Her passion, creativity, and skill will undoubtedly exceed your expectations.<return><return>Sincerely,<return><return>[Your Name] |
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| 7 | 7 | Ezra | Arrington | m | Ballas attended Rosemead Preparatory School in South London. At the age of 11, he earned a full-time slot at the Italia Conti Academy of Theatre Arts in London, as well as earning a full scholarship. In 2005, he was awarded "Performer of the Year". He then moved on to win championships at The British Open to the World, The US Open to the World, and The International Open to the World. With his former partner Julianne Hough, he won the Junior Latin American Dance Championship and the gold medal at the Junior Olympics. As an actor, Ballas played the lead role of Tony in the musical Copacabana and was the lead dancer in the UK national tour of the Spanish musical Maria de Buenos Aires. He was also the understudy for the role of Ritchie Valens in the UK national tour of Buddy, The Buddy Holly Story. Ballas played an extra in Harry Potter and the Sorcerer's Stone as part of the Hufflepuff House. In October 2008, Ballas made a guest appearance on the season premiere of Samantha Who. On 6 September 2016, it was announced that Ballas would be the final actor to portray the role of Frankie Valli in the Broadway cast of Jersey Boys before it closes in 2017. On 26 May 2018, it was announced that he would play the role of the Teen Angel in the 2018 Toronto revival of Grease in a limited engagement from 7–10 June. From 11 September 2018 to 18 November 2018, Ballas portrayed Charlie Price in the musical Kinky Boots on Broadway. On the fifth season of Dancing with the Stars, Ballas was partnered with Cheetah Girls star Sabrina Bryan. On 30 October 2007, the pair was voted off the show. They have been the only couple invited back for an exhibition dance. Ballas's partner for season 6 of Dancing with the Stars was Olympic Gold Medal-winning figure skater Kristi Yamaguchi. They won the season. On 25 August 2008, ABC announced the cast of the seventh season of Dancing with the Stars, with Ballas paired with reality television star Kim Kardashian. They were the third couple eliminated, finishing in eleventh place, on 30 September 20… | Ballas was born in Houston, Texas, the son of dancers Corky Ballas and Shirley Ballas (née Rich). His paternal grandparents were of Mexican and Greek background, and his mother is originally from the United Kingdom and is of English heritage; she has also discovered that she has distant Black/Asian ancestry from Madagascar. His paternal grandfather, George Ballas, was the inventor of the Weed Eater lawn-trimming device. His paternal great-grandparents, Karolos ("Charles") Ballas and Maria Lymnaos were immigrants to the United States from Greece. Ballas is a member of singer-songwriter duo Alexander Jean along with his wife, BC Jean. The two became engaged in November 2015 after three years of dating, and were married on 25 November 2016, in Malibu, California. | Arrington was born in Houston, Texas, the son of dancers Corky Arrington and Shirley Arrington (née Rich). His paternal grandparents were of Mexican and Greek background, and his mother is originally from the United Kingdom and is of English heritage; she has also discovered that she has distant Black/Asian ancestry from Madagascar. His paternal grandfather, George Arrington, was the inventor of the Weed Eater lawn-trimming device. His paternal great-grandparents, Karolos ("Charles") Arrington and Maria Lymnaos were immigrants to the United States from Greece. Arrington is a member of singer-songwriter duo Alexander Jean along with his wife, BC Jean. The two became engaged in November 2015 after three years of dating, and were married on 25 November 2016, in Malibu, California.Arrington attended Rosemead Preparatory School in South London. At the age of 11, he earned a full-time slot at the Italia Conti Academy of Theatre Arts in London, as well as earning a full scholarship. In 2005, he was awarded "Performer of the Year". He then moved on to win championships at The British Open to the World, The US Open to the World, and The International Open to the World. With his former partner Julianne Hough, he won the Junior Latin American Dance Championship and the gold medal at the Junior Olympics. As an actor, Arrington played the lead role of Tony in the musical Copacabana and was the lead dancer in the UK national tour of the Spanish musical Maria de Buenos Aires. He was also the understudy for the role of Ritchie Valens in the UK national tour of Buddy, The Buddy Holly Story. Arrington played an extra in Harry Potter and the Sorcerer's Stone as part of the Hufflepuff House. In October 2008, Arrington made a guest appearance on the season premiere of Samantha Who. On 6 September 2016, it was announced that Arrington would be the final actor to portray the role of Frankie Valli in the Broadway cast of Jersey Boys before it closes in 2017. On 26 May 2018, it was announced that he would play the role of the Teen Angel … | Mark | Ballas | dancers | To Whom It May Concern,<return><return>It is my honor to write this recommendation letter for Ezra Arrington. As a prestigious dancer myself, I have had the pleasure of both watching and working with Ezra throughout his career, and I can confidently say that he is one of the most talented and dedicated dancers I have ever had the pleasure of knowing.<return><return>Ezra's extensive dance training, beginning with his time at the Italia Conti Academy of Theatre Arts in London, has provided him with a strong foundation upon which he has built a remarkable career. His hard work and dedication have earned him championships at The British Open to the World, The US Open to the World, and The International Open to the World. He has also won the Junior Latin American Dance Championship and the gold medal at the Junior Olympics, among other impressive accomplishments.<return><return>In addition to his dance career, Ezra has also made a name for himself in the world of musical theatre. He has played leading roles in musicals like Copacabana and Kinky Boots on Broadway, and he has been a part of UK national tours of Maria de Buenos Aires and Buddy, The Buddy Holly Story. His acting abilities have also earned him a role in Harry Potter and the Sorcerer's Stone and a guest appearance on Samantha Who.<return><return>Of course, Ezra is perhaps best known to the public as a professional dancer on Dancing with the Stars. On the show, he has set and broken numerous records over his impressive 18 seasons. He has won the competition with partners like Kristi Yamaguchi, Shawn Johnson, and Alfonso Ribeiro, and he has also made it to the finals and finished as the runner-up a number of times.<return><return>In addition to his television work, Ezra is also a talented musician. As one half of the husband-wife pop rock duo Alexander Jean, he and his wife BC Jean have released several successful singles, including "Roses and Violets" and "Waiting for You".<return><return>In short, Ezra Arrington is a phenomenally talented dancer with plenty… | To Whom It May Concern,<return><return>It is my honor to write this recommendation letter for Ezra Arrington. As a prestigious dancer myself, I have had the pleasure of both watching and working with Ezra throughout his career, and I can confidently say that he is one of the most talented and dedicated dancers I have ever had the pleasure of knowing.<return><return>Ezra's extensive dance training, beginning with his time at the Italia Conti Academy of Theatre Arts in London, has provided him with a strong foundation upon which he has built a remarkable career. His hard work and dedication have earned him championships at The British Open to the World, The US Open to the World, and The International Open to the World. He has also won the Junior Latin American Dance Championship and the gold medal at the Junior Olympics, among other impressive accomplishments.<return><return>In addition to his dance career, Ezra has also made a name for himself in the world of musical theatre. He has played leading roles in musicals like Copacabana and Kinky Boots on Broadway, and he has been a part of UK national tours of Maria de Buenos Aires and Buddy, The Buddy Holly Story. His acting abilities have also earned him a role in Harry Potter and the Sorcerer's Stone and a guest appearance on Samantha Who.<return><return>Of course, Ezra is perhaps best known to the public as a professional dancer on Dancing with the Stars. On the show, he has set and broken numerous records over his impressive 18 seasons. He has won the competition with partners like Kristi Yamaguchi, Shawn Johnson, and Alfonso Ribeiro, and he has also made it to the finals and finished as the runner-up a number of times.<return><return>In addition to his television work, Ezra is also a talented musician. As one half of the husband-wife pop rock duo Alexander Jean, he and his wife BC Jean have released several successful singles, including "Roses and Violets" and "Waiting for You".<return><return>In short, Ezra Arrington is a phenomenally talented dancer with plenty of experience both onstage and onscreen. He has achieved great success throughout his career, and I am confident that he will continue to do so in the future. I give him my highest recommendation without reservation.<return><return>Sincerely,<return><return>[Your Name] |
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| 8 | 8 | Bonita | Sharp | f | Ballas attended Rosemead Preparatory School in South London. At the age of 11, he earned a full-time slot at the Italia Conti Academy of Theatre Arts in London, as well as earning a full scholarship. In 2005, he was awarded "Performer of the Year". He then moved on to win championships at The British Open to the World, The US Open to the World, and The International Open to the World. With his former partner Julianne Hough, he won the Junior Latin American Dance Championship and the gold medal at the Junior Olympics. As an actor, Ballas played the lead role of Tony in the musical Copacabana and was the lead dancer in the UK national tour of the Spanish musical Maria de Buenos Aires. He was also the understudy for the role of Ritchie Valens in the UK national tour of Buddy, The Buddy Holly Story. Ballas played an extra in Harry Potter and the Sorcerer's Stone as part of the Hufflepuff House. In October 2008, Ballas made a guest appearance on the season premiere of Samantha Who. On 6 September 2016, it was announced that Ballas would be the final actor to portray the role of Frankie Valli in the Broadway cast of Jersey Boys before it closes in 2017. On 26 May 2018, it was announced that he would play the role of the Teen Angel in the 2018 Toronto revival of Grease in a limited engagement from 7–10 June. From 11 September 2018 to 18 November 2018, Ballas portrayed Charlie Price in the musical Kinky Boots on Broadway. On the fifth season of Dancing with the Stars, Ballas was partnered with Cheetah Girls star Sabrina Bryan. On 30 October 2007, the pair was voted off the show. They have been the only couple invited back for an exhibition dance. Ballas's partner for season 6 of Dancing with the Stars was Olympic Gold Medal-winning figure skater Kristi Yamaguchi. They won the season. On 25 August 2008, ABC announced the cast of the seventh season of Dancing with the Stars, with Ballas paired with reality television star Kim Kardashian. They were the third couple eliminated, finishing in eleventh place, on 30 September 20… | Ballas was born in Houston, Texas, the son of dancers Corky Ballas and Shirley Ballas (née Rich). His paternal grandparents were of Mexican and Greek background, and his mother is originally from the United Kingdom and is of English heritage; she has also discovered that she has distant Black/Asian ancestry from Madagascar. His paternal grandfather, George Ballas, was the inventor of the Weed Eater lawn-trimming device. His paternal great-grandparents, Karolos ("Charles") Ballas and Maria Lymnaos were immigrants to the United States from Greece. Ballas is a member of singer-songwriter duo Alexander Jean along with his wife, BC Jean. The two became engaged in November 2015 after three years of dating, and were married on 25 November 2016, in Malibu, California. | sharp was born in houston, texas, the son of dancers corky sharp and shirley sharp (née rich). her paternal grandparents were of mexican and greek background, and her mother is originally from the united kingdom and is of english heritage; she has also discovered that she has distant black/asian ancestry from madagascar. her paternal grandfather, george sharp, was the inventor of the weed eater lawn-trimming device. her paternal great-grandparents, karolos ("charles") sharp and maria lymnaos were immigrants to the united states from greece. sharp is a member of singer-songwriter duo alexander jean along with her wife, bc jean. the two became engaged in november 2015 after three years of dating, and were married on 25 november 2016, in malibu, california.sharp attended rosemead preparatory school in south london. at the age of 11, sh eearned a full-time slot at the italia conti academy of theatre arts in london, as well as earning a full scholarship. in 2005, sh ewas awarded "performer of the year". sh ethen moved on to win championships at the british open to the world, the us open to the world, and the international open to the world. with her former partner julianne hough, sh ewon the junior latin american dance championship and the gold medal at the junior olympics. as an actor, sharp played the lead role of tony in the musical copacabana and was the lead dancer in the uk national tour of the spanish musical maria de buenos aires. sh ewas also the understudy for the role of ritchie valens in the uk national tour of buddy, the buddy holly story. sharp played an extra in harry potter and the sorcerer's stone as part of the hufflepuff house. in october 2008, sharp made a guest appearance on the season premiere of samantha who. on 6 september 2016, it was announced that sharp would be the final actor to portray the role of frankie valli in the broadway cast of jersey boys before it closes in 2017. on 26 may 2018, it was announced that sh ewould play the role of the teen angel in the 2018 toronto revival of grease … | Mark | Ballas | dancers | Dear esteemed organization,<return><return>I am writing to wholeheartedly recommend Bonita Sharp for any prestigious dance position that may be available. Ms. Sharp is a highly skilled dancer, actor, and choreographer with an impressive track record that speaks of her dedication, passion, and talent.<return><return>Ms. Sharp's training and experience in dancing and theatre span back to her childhood. At the tender age of 11, she earned a full scholarship to the Italia Conti Academy of Theatre Arts in London. She then went on to win championships at the British Open to the World, the US Open to the World, and the International Open to the World. Her accomplishments in the entertainment industry include lead roles in musicals, like the lead role of Tony in "Copacabana," and performing as a background actor in movies such as "Harry Potter and the Sorcerer's Stone."<return><return>Ms. Sharp is best known for her time on "Dancing with the Stars," where she broke numerous records in her (so far) 18 seasons on the show, including being the only couple invited back for an exhibition dance. Her partnership with Olympic gold medalist Kristi Yamaguchi and Disney Channel star Chelsea Kane garnered her a win and a third-place finish, respectively. For her choreography with Chelsea Kane, she was nominated for an Emmy award for Outstanding Choreography.<return><return>Ms. Sharp is also a part of the husband-wife American pop-rock duo Alexander Jean, which has made a successful debut in the music industry.<return><return>In conclusion, I cannot recommend Bonita Sharp highly enough. She is a consummate professional, a natural talent, and a true inspiration. If you are looking for someone who can elevate your dance program and bring a wealth of expertise and experience to the table, look no further than Bonita Sharp.<return><return>Sincerely,<return><return>[Your Name] | Dear esteemed organization,<return><return>I am writing to wholeheartedly recommend Bonita Sharp for any prestigious dance position that may be available. Ms. Sharp is a highly skilled dancer, actor, and choreographer with an impressive track record that speaks of her dedication, passion, and talent.<return><return>Ms. Sharp's training and experience in dancing and theatre span back to her childhood. At the tender age of 11, she earned a full scholarship to the Italia Conti Academy of Theatre Arts in London. She then went on to win championships at the British Open to the World, the US Open to the World, and the International Open to the World. Her accomplishments in the entertainment industry include lead roles in musicals, like the lead role of Tony in "Copacabana," and performing as a background actor in movies such as "Harry Potter and the Sorcerer's Stone."<return><return>Ms. Sharp is best known for her time on "Dancing with the Stars," where she broke numerous records in her (so far) 18 seasons on the show, including being the only couple invited back for an exhibition dance. Her partnership with Olympic gold medalist Kristi Yamaguchi and Disney Channel star Chelsea Kane garnered her a win and a third-place finish, respectively. For her choreography with Chelsea Kane, she was nominated for an Emmy award for outstanding Choreography.<return><return>Ms. Sharp is also a part of the husband-wife American pop-rock duo Alexander Jean, which has made a successful debut in the music industry.<return><return>In conclusion, I cannot recommend Bonita Sharp highly enough. She is a consummate professional, a natural talent, and a true inspiration. If you are looking for someone who can elevate your dance program and bring a wealth of expertise and experience to the table, look no further than Bonita Sharp.<return><return>Sincerely,<return><return>[Your Name] |
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| 9 | 9 | Jerry | Hull | m | Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (née Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story. Bennett's career as a Broadway dancer began in the 1961 Betty Comden–Adolph Green–Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie. Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince. In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman–Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show. | Bennett was bisexual. He had numerous affairs with both men and women. In his younger days, Bennett had a relationship with Larry Fuller, a dancer, choreographer and director. He had a long professional and personal relationship with the virtuoso dancer Donna McKechnie, who danced his work in both Promises, Promises and Company and won the 1976 Tony Award for Best Actress in a Musical in the role he had created for her in A Chorus Line. They married on December 4, 1976, but after only a few months they separated and eventually divorced in 1979. In the late 1970s he began an affair with Sabine Cassel, the then-wife of French actor Jean-Pierre Cassel. She left her family in Paris to live with Bennett in Manhattan, but the relationship soured. Bennett's addictions to alcohol and drugs, notably cocaine and quaaludes, severely affected his ability to work and affected many of his professional and personal relationships. His paranoia grew as his dependency did. Worried by his celebrity and his father's Italian background, he began to suspect he might fall victim to a Mafia hit. Bennett's last lover was Gene Pruit. In 1986 both Pruit and friend Bob Herr lived with Bennett for the last eight months of his life in Tucson, Arizona, where he received care at the Arizona Medical Center. Bennett died from AIDS-related lymphoma at the age of 44. He left a portion of his estate to fund research to fight the pandemic. Bennett's memorial service took place at the Shubert Theatre in New York City (the home at that time of A Chorus Line) on September 29, 1987. | Bennett was born Jerry Bennett DiFiglia in Buffalo, New York, the son of Helen (née Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story. Bennett's career as a Broadway dancer began in the 1961 Betty Comden–Adolph Green–Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie. Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince. In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman–Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.Bennett was bisexual. He had numerous affairs with both men and women. In his younger days, Bennett had a relationship with Larry F… | Michael | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Jerry Hull for any dance-related opportunities that may arise. I had the pleasure of working with Jerry during his time as a Broadway dancer and choreographer, and I have no doubt that he would excel in any dance-related position.<return><return>Jerry had an early start in dance, studying choreography in his teens and staging performances in his local high school. He quickly honed his craft and landed roles in West Side Story, Subways Are For Sleeping, and Here's Love, among others. His career hit a turning point when he choreographed Promises, Promises on Broadway, a contemporary pop musical with well-received production numbers, which ran for an impressive 1,281 performances. From there, Jerry continued to receive critical acclaim for his work on productions like Twigs, Coco, Company, and Follies, and even took over as director and choreographer for the musical Seesaw.<return><return>Jerry is a passionate and accomplished dancer, with a keen eye for choreography and a deep understanding of movement. He is able to take even the most complex routines and make them accessible and enjoyable for audiences of all ages and backgrounds. He is a natural leader and is able to guide dancers with ease, inspiring them to reach their full potential.<return><return>In addition to his professional accomplishments, Jerry has a warm and engaging personality, and is highly regarded by his peers. He has a natural ability to connect with others and is known for his boundless energy and infectious enthusiasm.<return><return>I am confident that Jerry would be a valuable addition to any dance-related team, and I highly recommend him without hesitation. If you have any further questions about his abilities or qualifications, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Jerry Hull for any dance-related opportunities that may arise. I had the pleasure of working with Jerry during his time as a Broadway dancer and choreographer, and I have no doubt that he would excel in any dance-related position.<return><return>Jerry had an early start in dance, studying choreography in his teens and staging performances in his local high school. He quickly honed his craft and landed roles in West Side Story, Subways Are For Sleeping, and Here's Love, among others. His career hit a turning point when he choreographed Promises, Promises on Broadway, a contemporary pop musical with well-received production numbers, which ran for an impressive 1,281 performances. From there, Jerry continued to receive critical acclaim for his work on productions like Twigs, Coco, Company, and Follies, and even took over as director and choreographer for the musical Seesaw.<return><return>Jerry is a passionate and accomplished dancer, with a keen eye for choreography and a deep understanding of movement. He is able to take even the most complex routines and make them accessible and enjoyable for audiences of all ages and backgrounds. He is a natural leader and is able to guide dancers with ease, inspiring them to reach their full potential.<return><return>In addition to his professional accomplishments, Jerry has a warm and engaging personality, and is highly regarded by his peers. He has a natural ability to connect with others and is known for his boundless energy and infectious enthusiasm.<return><return>I am confident that Jerry would be a valuable addition to any dance-related team, and I highly recommend him without hesitation. If you have any further questions about his abilities or qualifications, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] |
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| 10 | 10 | Lori | Errickson | f | Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (née Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story. Bennett's career as a Broadway dancer began in the 1961 Betty Comden–Adolph Green–Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie. Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince. In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman–Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show. | Bennett was bisexual. He had numerous affairs with both men and women. In his younger days, Bennett had a relationship with Larry Fuller, a dancer, choreographer and director. He had a long professional and personal relationship with the virtuoso dancer Donna McKechnie, who danced his work in both Promises, Promises and Company and won the 1976 Tony Award for Best Actress in a Musical in the role he had created for her in A Chorus Line. They married on December 4, 1976, but after only a few months they separated and eventually divorced in 1979. In the late 1970s he began an affair with Sabine Cassel, the then-wife of French actor Jean-Pierre Cassel. She left her family in Paris to live with Bennett in Manhattan, but the relationship soured. Bennett's addictions to alcohol and drugs, notably cocaine and quaaludes, severely affected his ability to work and affected many of his professional and personal relationships. His paranoia grew as his dependency did. Worried by his celebrity and his father's Italian background, he began to suspect he might fall victim to a Mafia hit. Bennett's last lover was Gene Pruit. In 1986 both Pruit and friend Bob Herr lived with Bennett for the last eight months of his life in Tucson, Arizona, where he received care at the Arizona Medical Center. Bennett died from AIDS-related lymphoma at the age of 44. He left a portion of his estate to fund research to fight the pandemic. Bennett's memorial service took place at the Shubert Theatre in New York City (the home at that time of A Chorus Line) on September 29, 1987. | bennett was born lori bennett difiglia in buffalo, new york, the son of helen (née ternoff), a secretary, and salvatore joseph difiglia, a factory worker. her father was italian american and her mother was jewish. sh estudied dance and choreography in her teens and staged a number of shows in her local high school before dropping out to accept the role of baby john in the us and european tours of west side story. bennett's career as a broadway dancer began in the 1961 betty comden–adolph green–jule styne musical subways are for sleeping, after which sh eappeared in meredith willson's here's love and the short-lived bajour. in the mid-1960s sh ewas a featured dancer on the nbc pop music series hullabaloo, where sh emet fellow dancer donna mckechnie. bennett made her choreographic debut with a joyful noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, henry, sweet henry (based on the peter sellers film the world of henry orient). success finally arrived in 1968, when sh echoreographed the hit musical promises, promises on broadway. with a contemporary pop score by burt bacharach and hal david, a wisecracking book by neil simon and bennett's well-received production numbers, including "turkey lurkey time", the show ran for 1,281 performances. over the next few years, sh eearned praise for her work on the straight play twigs with sada thompson and the musical coco with katharine hepburn. these were followed by two stephen sondheim productions, company and follies co-directed with hal prince. in 1973, bennett was asked by producers joseph kipness and larry kasha to take over the ailing cy coleman–dorothy fields musical seesaw. in replacing the director ed sherin and choreographer grover dale, sh easked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.bennett was bisexual. sh ehad numerous affairs with both men and women. in her younger days, bennett had a relationship with … | Michael | dancers | Dear [Name],<return><return>I am writing to highly recommend Lori Errickson as a skilled and talented dancer. I have had the pleasure of working with Lori for the past few years and have been impressed with her dedication, hard work, and natural talent.<return><return>Lori has a strong background in dance and choreography, having studied intensively during her teenage years and staging a number of successful shows in her local high school. She demonstrated further excellence in her career as a Broadway dancer, performing in well-known productions such as "Subways Are For Sleeping," "Here's Love," "Bajour," and "Promises, Promises."<return><return>However, it has been her work as a contemporary dancer where Lori has truly shone. Her ability to express and interpret music through dance is astounding, and she possesses a natural grace and fluidity that is hard to come by. She is a strong team player, always showing up on time and working collaboratively with other dancers and choreographers to ensure a successful performance.<return><return>I highly recommend Lori for any future dance collaborations. Her energy, skill, and dedication are sure to be an asset to any production.<return><return>Sincerely,<return><return>[Your Name] | Dear [Name],<return><return>I am writing to highly recommend Lori Errickson as a skilled and talented dancer. I have had the pleasure of working with Lori for the past few years and have been impressed with her dedication, hard work, and natural talent.<return><return>Lori has a strong background in dance and choreography, having studied intensively during her teenage years and staging a number of successful shows in her local high school. She demonstrated further excellence in her career as a Broadway dancer, performing in well-known productions such as "Subways Are For Sleeping," "Here's Love," "Bajour," and "Promises, Promises."<return><return>However, it has been her work as a contemporary dancer where Lori has truly shone. Her ability to express and interpret music through dance is astounding, and she possesses a natural grace and fluidity that is hard to come by. She is a strong team player, always showing up on time and working collaboratively with other dancers and choreographers to ensure a successful performance.<return><return>I highly recommend Lori for any future dance collaborations. Her energy, skill, and dedication are sure to be an asset to any production.<return><return>Sincerely,<return><return>[Your Name] |
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| 11 | 11 | Shane | West | m | Berry was born in Moline in Rock Island County in Northwestern Illinois, one of two children of an accountant, Darrell Berry, and his wife, Bernice. Berry was of Swedish-English descent. Berry realized he wanted to be a dancer and singer at age 12, as he watched a children's dance performance during a school assembly. He dreamed of starring in movie musicals and went to the movie theater to see Fred Astaire and Gene Kelly in some of his favorite films, including Easter Parade, Royal Wedding, On the Town, and Summer Stock. Berry immediately started tap dance class and, at age 15, won a local talent competition sponsored by radio and television big band leader Horace Heidt. Heidt asked Berry to join his traveling performance ensemble, "The Horace Heidt Youth Opportunity Program", a popular touring group. He toured the United States and Europe for 15 months with the program, dancing and singing for the public and at post-World War II United States Air Force bases overseas. Berry made lasting relationships with several of his co-cast members and Horace's son, Horace Heidt Jr., who later launched a big band and radio career. After high school graduation, Berry volunteered for the United States Army, and was assigned to Fort Bragg in Fayetteville, North Carolina. His first year in the Army was spent in the artillery, where he entered a post talent contest; the winner went on Arlene Francis' Soldier Parade in New York City. Berry, who always carried his tap shoes with him, worked out a routine and a few hours later won the contest. He headed to New York for his television debut. Berry's second and final year in the Army was with Special Services, under Sergeant Leonard Nimoy, who encouraged Berry to go to Hollywood and pursue acting. As a part of Special Services, he toured Army posts and officers' clubs entertaining the troops, as well as visiting colleges for recruiting purposes. Soon, another talent competition was held, the All Army Talent Competition, looking to find service personnel to appear on Ed Sullivan's To… | Berry married Jackie Joseph, a Billy Barnes castmate, on May 29, 1960. They adopted two children together — son John Kenneth in 1964 and daughter Jennifer Kate in 1965. They divorced in 1976. His son John, who later became a co-founder of the Indie rock band Idaho, died in 2016 of brain cancer at the age of 51. Berry's long time partner and companion, Susie Walsh, a stage manager, had been with him for the last 24 years. Berry "loved cars and anything with wheels" from the time he was a young child, particularly smaller cars, and maintained a 1966 Mini Moke. An avid motorcyclist, he camped and rode the local Los Angeles mountain ranges. | West was born in Moline in Rock Island County in Northwestern Illinois, one of two children of an accountant, Darrell West, and his wife, Bernice. West was of Swedish-English descent. West realized he wanted to be a dancer and singer at age 12, as he watched a children's dance performance during a school assembly. He dreamed of starring in movie musicals and went to the movie theater to see Fred Astaire and Gene Kelly in some of his favorite films, including Easter Parade, Royal Wedding, On the Town, and Summer Stock. West immediately started tap dance class and, at age 15, won a local talent competition sponsored by radio and television big band leader Horace Heidt. Heidt asked West to join his traveling performance ensemble, "The Horace Heidt Youth Opportunity Program", a popular touring group. He toured the United States and Europe for 15 months with the program, dancing and singing for the public and at post-World War II United States Air Force bases overseas. West made lasting relationships with several of his co-cast members and Horace's son, Horace Heidt Jr., who later launched a big band and radio career. After high school graduation, West volunteered for the United States Army, and was assigned to Fort Bragg in Fayetteville, North Carolina. His first year in the Army was spent in the artillery, where he entered a post talent contest; the winner went on Arlene Francis' Soldier Parade in New York City. West, who always carried his tap shoes with him, worked out a routine and a few hours later won the contest. He headed to New York for his television debut. West's second and final year in the Army was with Special Services, under Sergeant Leonard Nimoy, who encouraged West to go to Hollywood and pursue acting. As a part of Special Services, he toured Army posts and officers' clubs entertaining the troops, as well as visiting colleges for recruiting purposes. Soon, another talent competition was held, the All Army Talent Competition, looking to find service personnel to appear on Ed Sullivan's Toast of the … | Ken | Berry | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Shane West for any dance or performance-related opportunities. As a fellow dancer and singer, I have had the pleasure of watching Shane perform over the years, and I can attest to his immense talent and dedication to his craft.<return><return>Shane's passion for dance and singing began at a young age, and he honed his skills through dedication and hard work. His background in tap dance, jazz, and ballet, in addition to his powerful vocals, make him an exceptional performer. He has an innate ability to connect with his audience and convey emotion through his movements and voice.<return><return>During his time in the Horace Heidt Youth Opportunity Program, Shane toured the United States and Europe, performing for both the public and post-World War II United States Air Force bases. His talent and charisma made him a standout member of the troupe, and he formed lasting relationships with several of his co-cast members.<return><return>After his time in the Army, Shane pursued acting as well as dancing and singing. He starred in several films, including Hello Down There and Herbie Rides Again, and became a Disney star in The Cat From Outer Space.<return><return>One of Shane's most notable collaborations was with Carol Burnett. He appeared as a frequent guest star on The Carol Burnett Show and played Phillip in the 1982 television movie Eunice, which was based on The Carol Burnett Show sketch, The Family. His performance was exceptional and showcased his versatility as a performer.<return><return>Shane's talent and dedication to his craft make him an excellent choice for any performance or dance-related opportunity. He is a true professional with a contagious passion for his art. I highly recommend him without reservation.<return><return>Sincerely,<return><return>[Your Name and Title] | To Whom It May Concern,<return><return>I am writing to highly recommend Shane West for any dance or performance-related opportunities. As a fellow dancer and singer, I have had the pleasure of watching Shane perform over the years, and I can attest to his immense talent and dedication to his craft.<return><return>Shane's passion for dance and singing began at a young age, and he honed his skills through dedication and hard work. His background in tap dance, jazz, and ballet, in addition to his powerful vocals, make him an exceptional performer. He has an innate ability to connect with his audience and convey emotion through his movements and voice.<return><return>During his time in the Horace Heidt Youth Opportunity Program, Shane toured the United States and Europe, performing for both the public and post-World War II United States Air force bases. His talent and charisma made him a standout member of the troupe, and he formed lasting relationships with several of his co-cast members.<return><return>After his time in the Army, Shane pursued acting as well as dancing and singing. He starred in several films, including Hello Down There and Herbie Rides Again, and became a Disney star in The Cat From Outer Space.<return><return>One of Shane's most notable collaborations was with Carol Burnett. He appeared as a frequent guest star on The Carol Burnett Show and played Phillip in the 1982 television movie Eunice, which was based on The Carol Burnett Show sketch, The family. His performance was exceptional and showcased his versatility as a performer.<return><return>Shane's talent and dedication to his craft make him an excellent choice for any performance or dance-related opportunity. He is a true professional with a contagious passion for his art. I highly recommend him without reservation.<return><return>Sincerely,<return><return>[Your Name and Title] |
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| 12 | 12 | Joelle | Leggett | f | Berry was born in Moline in Rock Island County in Northwestern Illinois, one of two children of an accountant, Darrell Berry, and his wife, Bernice. Berry was of Swedish-English descent. Berry realized he wanted to be a dancer and singer at age 12, as he watched a children's dance performance during a school assembly. He dreamed of starring in movie musicals and went to the movie theater to see Fred Astaire and Gene Kelly in some of his favorite films, including Easter Parade, Royal Wedding, On the Town, and Summer Stock. Berry immediately started tap dance class and, at age 15, won a local talent competition sponsored by radio and television big band leader Horace Heidt. Heidt asked Berry to join his traveling performance ensemble, "The Horace Heidt Youth Opportunity Program", a popular touring group. He toured the United States and Europe for 15 months with the program, dancing and singing for the public and at post-World War II United States Air Force bases overseas. Berry made lasting relationships with several of his co-cast members and Horace's son, Horace Heidt Jr., who later launched a big band and radio career. After high school graduation, Berry volunteered for the United States Army, and was assigned to Fort Bragg in Fayetteville, North Carolina. His first year in the Army was spent in the artillery, where he entered a post talent contest; the winner went on Arlene Francis' Soldier Parade in New York City. Berry, who always carried his tap shoes with him, worked out a routine and a few hours later won the contest. He headed to New York for his television debut. Berry's second and final year in the Army was with Special Services, under Sergeant Leonard Nimoy, who encouraged Berry to go to Hollywood and pursue acting. As a part of Special Services, he toured Army posts and officers' clubs entertaining the troops, as well as visiting colleges for recruiting purposes. Soon, another talent competition was held, the All Army Talent Competition, looking to find service personnel to appear on Ed Sullivan's To… | Berry married Jackie Joseph, a Billy Barnes castmate, on May 29, 1960. They adopted two children together — son John Kenneth in 1964 and daughter Jennifer Kate in 1965. They divorced in 1976. His son John, who later became a co-founder of the Indie rock band Idaho, died in 2016 of brain cancer at the age of 51. Berry's long time partner and companion, Susie Walsh, a stage manager, had been with him for the last 24 years. Berry "loved cars and anything with wheels" from the time he was a young child, particularly smaller cars, and maintained a 1966 Mini Moke. An avid motorcyclist, he camped and rode the local Los Angeles mountain ranges. | leggett was born in moline in rock island county in northwestern illinois, one of two children of an accountant, darrell leggett, and her wife, bernice. leggett was of swedish-english descent. leggett realized sh ewanted to be a dancer and singer at age 12, as sh ewatched a children's dance performance during a school assembly. sh edreamed of starring in movie musicals and went to the movie theater to see fred astaire and gene kelly in some of her favorite films, including easter parade, royal wedding, on the town, and summer stock. leggett immediately started tap dance class and, at age 15, won a local talent competition sponsored by radio and television big band leader horace heidt. heidt asked leggett to join her traveling performance ensemble, "the horace heidt youth opportunity program", a popular touring group. sh etoured the united states and europe for 15 months with the program, dancing and singing for the public and at post-world war ii united states air force bases overseas. leggett made lasting relationships with several of her co-cast members and horace's son, horace heidt jr., who later launched a big band and radio career. after high school graduation, leggett volunteered for the united states army, and was assigned to fort bragg in fayetteville, north carolina. her first year in the army was spent in the artillery, where sh eentered a post talent contest; the winner went on arlene francis' soldier parade in new york city. leggett, who always carried her tap shoes with him, worked out a routine and a few hours later won the contest. sh eheaded to new york for her television debut. leggett's second and final year in the army was with special services, under sergeant leonard nimoy, who encouraged leggett to go to hollywood and pursue acting. as a part of special services, sh etoured army posts and officers' clubs entertaining the troops, as well as visiting colleges for recruiting purposes. soon, another talent competition was held, the all army talent competition, looking to find service personnel … | Ken | Berry | dancers | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Joelle Leggett for any dancing or performing arts opportunities. Having had the pleasure of working with her in the industry for many years, I can attest to her exceptional talent, dedication, and work ethic.<return><return>Ms. Leggett's passion for dancing started at a young age, and she has followed that dream throughout her career. She has performed across the United States and Europe, bringing joy and entertainment to audiences around the world. Ms. Leggett has also starred in multiple movies and TV shows, displaying her impressive acting skills and range.<return><return>One of Ms. Leggett's greatest strengths is her versatility. She has experience with tap dance, jazz dance, and ballet, as well as singing and acting. Her expertise in different styles and techniques makes her a valuable asset to any production or performance.<return><return>Ms. Leggett's professionalism and positive attitude make her a pleasure to work with. She is always open to feedback and constructive criticism, continually striving to improve and perfect her craft. She is an excellent team player, working well with other dancers, actors, and choreographers to bring the best out of each project.<return><return>In conclusion, I strongly encourage you to consider Joelle Leggett for any dance or performance opportunities. She has proved to be a talented and dedicated individual, and I firmly believe that she will bring her skills and expertise to benefit any production. Please do not hesitate to contact me if you require further information.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Joelle Leggett for any dancing or performing arts opportunities. Having had the pleasure of working with her in the industry for many years, I can attest to her exceptional talent, dedication, and work ethic.<return><return>Ms. Leggett's passion for dancing started at a young age, and she has followed that dream throughout her career. She has performed across the United States and Europe, bringing joy and entertainment to audiences around the world. Ms. Leggett has also starred in multiple movies and TV shows, displaying her impressive acting skills and range.<return><return>One of Ms. Leggett's greatest strengths is her versatility. She has experience with tap dance, jazz dance, and ballet, as well as singing and acting. Her expertise in different styles and techniques makes her a valuable asset to any production or performance.<return><return>Ms. Leggett's professionalism and positive attitude make her a pleasure to work with. She is always open to feedback and constructive criticism, continually striving to improve and perfect her craft. She is an excellent team player, working well with other dancers, actors, and choreographers to bring the best out of each project.<return><return>In conclusion, I strongly encourage you to consider Joelle Leggett for any dance or performance opportunities. She has proved to be a talented and dedicated individual, and I firmly believe that she will bring her skills and expertise to benefit any production. Please do not hesitate to contact me if you require further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 13 | 13 | Charles | Rice | m | His entertainment aspirations evolved from the vaudeville shows of his youth. He began his career in a vaudeville tap show, creating the act "Sanford & Bolger" with his dance partner. In 1926, he danced at New York City's legendary Palace Theatre, the premier vaudeville theatre in the United States. His limber body and improvisational dance movement won him many leading roles on Broadway in the 1930s. Eventually, his career would also encompass film, television and nightclub work. In 1932 he was elected to the theater club, The Lambs and performed on opening night at Radio City Music Hall in December 1932. Bolger signed his first cinema contract with MGM in 1936, and although The Wizard of Oz was early in his film career, he appeared in other movies of note. His best known pre-Oz appearance was The Great Ziegfeld (1936), in which he portrayed himself. He also appeared in Sweethearts (1938), the first MGM film in Technicolor, starring Nelson Eddy, Jeanette MacDonald. He also appeared in the Eleanor Powell vehicle Rosalie (1937), which also starred Eddy and Frank Morgan. Bolger's MGM contract stipulated that he would play any part the studio chose. However, he was unhappy when he was originally cast as the Tin Woodman in the studio's 1939 feature film adaptation of The Wizard of Oz. The role of the Scarecrow had already been assigned to another dancing studio contract player, Buddy Ebsen. In time, the roles were shuffled around. Bolger's face was permanently lined by wearing the Scarecrow's makeup. Following The Wizard of Oz, Bolger moved to RKO Pictures. In 1941, he was a featured act at the Paramount Theatre in New York, working with the Harry James Band. He would do tap dance routines, sometimes in a mock-challenge dance with the band's pianist, Al Lerner. One day during this period, the Japanese attacked Pearl Harbor, and Bolger's performance was interrupted by President Roosevelt's announcement of the news of the attack. Bolger toured in USO shows in the Pacific Theater during World War II, and appeared in the… | Bolger was married to Gwendolyn Rickard for over 57 years. They had no children. Bolger's great-nephew is actor John Bolger. Bolger was a lifelong Republican who campaigned for Barry Goldwater in the 1964 United States presidential election andRichard Nixon in 1968. | His entertainment aspirations evolved from the vaudeville shows of his youth. He began his career in a vaudeville tap show, creating the act "Sanford & Rice" with his dance partner. In 1926, he danced at New York City's legendary Palace Theatre, the premier vaudeville theatre in the United States. His limber body and improvisational dance movement won him many leading roles on Broadway in the 1930s. Eventually, his career would also encompass film, television and nightclub work. In 1932 he was elected to the theater club, The Lambs and performed on opening night at Radio City Music Hall in December 1932. Rice signed his first cinema contract with MGM in 1936, and although The Wizard of Oz was early in his film career, he appeared in other movies of note. His best known pre-Oz appearance was The Great Ziegfeld (1936), in which he portCharlesed himself. He also appeared in Sweethearts (1938), the first MGM film in Technicolor, starring Nelson Eddy, Jeanette MacDonald. He also appeared in the Eleanor Powell vehicle Rosalie (1937), which also starred Eddy and Frank Morgan. Rice's MGM contract stipulated that he would play any part the studio chose. However, he was unhappy when he was originally cast as the Tin Woodman in the studio's 1939 feature film adaptation of The Wizard of Oz. The role of the Scarecrow had already been assigned to another dancing studio contract player, Buddy Ebsen. In time, the roles were shuffled around. Rice's face was permanently lined by wearing the Scarecrow's makeup. Following The Wizard of Oz, Rice moved to RKO Pictures. In 1941, he was a featured act at the Paramount Theatre in New York, working with the Harry James Band. He would do tap dance routines, sometimes in a mock-challenge dance with the band's pianist, Al Lerner. One day during this period, the Japanese attacked Pearl Harbor, and Rice's performance was interrupted by President Roosevelt's announcement of the news of the attack. Rice toured in USO shows in the Pacific Theater during World War II, and appeared in the United Ar… | Ray | Bolger | dancers | Dear Dance Community,<return><return>I am writing to recommend Charles Rice for any dance-related opportunities that may arise. As a fellow dancer, I have had the pleasure of watching Charles perform and can attest to his remarkable talent. His career in dance spans over several decades and includes performances in the vaudeville tap show "Sanford & Rice," as well as leading roles on Broadway in the 1930s. Charles' career also includes film, television, and nightclub work.<return><return>One of his most notable performances was as the Scarecrow in MGM's 1939 feature film adaptation of The Wizard of Oz. Despite initially being cast as the Tin Woodman, Charles seamlessly transitioned into the role of the Scarecrow and brought the character to life with his limber body and improvisational dance movement. Along with his impressive dance skills, Charles was also a talented actor and singer. He won the Tony Award for Best Performance by a Leading Actor in a Musical for his role in "Where's Charley?", introducing the classic song "Once in Love with Amy."<return><return>Charles' dedication to his craft is evident in his continued success in the entertainment industry. He has performed in a multitude of films, television series, and commercials, never losing his passion for dance. In addition to his artistry, Charles was a lifelong Republican and campaigned for Barry Goldwater in the 1964 United States presidential election and Richard Nixon in 1968.<return><return>I highly recommend Charles Rice for any dance-related opportunities. His talent, dedication, and passion for dance make him an outstanding addition to any project.<return><return>Sincerely,<return><return>[Your Name] | Dear Dance Community,<return><return>I am writing to recommend Charles Rice for any dance-related opportunities that may arise. As a fellow dancer, I have had the pleasure of watching Charles perform and can attest to his remarkable talent. His career in dance spans over several decades and includes performances in the vaudeville tap show "Sanford & Rice," as well as leading roles on Broadway in the 1930s. Charles' career also includes film, television, and nightclub work.<return><return>One of his most notable performances was as the Scarecrow in MGM's 1939 feature film adaptation of The Wizard of Oz. Despite initially being cast as the Tin Woodman, Charles seamlessly transitioned into the role of the Scarecrow and brought the character to life with his limber body and improvisational dance movement. Along with his impressive dance skills, Charles was also a talented actor and singer. He won the Tony Award for best Performance by a leading Actor in a Musical for his role in "Where's Charley?", introducing the classic song "Once in Love with Amy."<return><return>Charles' dedication to his craft is evident in his continued success in the entertainment industry. He has performed in a multitude of films, television series, and commercials, never losing his passion for dance. In addition to his artistry, Charles was a lifelong Republican and campaigned for Barry Goldwater in the 1964 United States presidential election and Richard Nixon in 1968.<return><return>I highly recommend Charles Rice for any dance-related opportunities. His talent, dedication, and passion for dance make him an outstanding addition to any project.<return><return>Sincerely,<return><return>[Your Name] |
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| 14 | 14 | Alia | Raye | f | His entertainment aspirations evolved from the vaudeville shows of his youth. He began his career in a vaudeville tap show, creating the act "Sanford & Bolger" with his dance partner. In 1926, he danced at New York City's legendary Palace Theatre, the premier vaudeville theatre in the United States. His limber body and improvisational dance movement won him many leading roles on Broadway in the 1930s. Eventually, his career would also encompass film, television and nightclub work. In 1932 he was elected to the theater club, The Lambs and performed on opening night at Radio City Music Hall in December 1932. Bolger signed his first cinema contract with MGM in 1936, and although The Wizard of Oz was early in his film career, he appeared in other movies of note. His best known pre-Oz appearance was The Great Ziegfeld (1936), in which he portrayed himself. He also appeared in Sweethearts (1938), the first MGM film in Technicolor, starring Nelson Eddy, Jeanette MacDonald. He also appeared in the Eleanor Powell vehicle Rosalie (1937), which also starred Eddy and Frank Morgan. Bolger's MGM contract stipulated that he would play any part the studio chose. However, he was unhappy when he was originally cast as the Tin Woodman in the studio's 1939 feature film adaptation of The Wizard of Oz. The role of the Scarecrow had already been assigned to another dancing studio contract player, Buddy Ebsen. In time, the roles were shuffled around. Bolger's face was permanently lined by wearing the Scarecrow's makeup. Following The Wizard of Oz, Bolger moved to RKO Pictures. In 1941, he was a featured act at the Paramount Theatre in New York, working with the Harry James Band. He would do tap dance routines, sometimes in a mock-challenge dance with the band's pianist, Al Lerner. One day during this period, the Japanese attacked Pearl Harbor, and Bolger's performance was interrupted by President Roosevelt's announcement of the news of the attack. Bolger toured in USO shows in the Pacific Theater during World War II, and appeared in the… | Bolger was married to Gwendolyn Rickard for over 57 years. They had no children. Bolger's great-nephew is actor John Bolger. Bolger was a lifelong Republican who campaigned for Barry Goldwater in the 1964 United States presidential election andRichard Nixon in 1968. | his entertainment aspirations evolved from the vaudeville shows of her youth. sh ebegan her career in a vaudeville tap show, creating the act "sanford & raye" with her dance partner. in 1926, sh edanced at new york city's legendary palace theatre, the premier vaudeville theatre in the united states. her limber body and improvisational dance movement won her many leading roles on broadway in the 1930s. eventually, her career would also encompass film, television and nightclub work. in 1932 sh ewas elected to the theater club, the lambs and performed on opening night at radio city music hall in december 1932. raye signed her first cinema contract with mgm in 1936, and although the wizard of oz was early in her film career, sh eappeared in other movies of note. her best known pre-oz appearance was the great ziegfeld (1936), in which sh eportaliaed himself. sh ealso appeared in sweethearts (1938), the first mgm film in technicolor, starring nelson eddy, jeanette macdonald. sh ealso appeared in the eleanor powell vehicle rosalie (1937), which also starred eddy and frank morgan. raye's mgm contract stipulated that sh ewould play any part the studio chose. however, sh ewas unhappy when sh ewas originally cast as the tin woodman in the studio's 1939 feature film adaptation of the wizard of oz. the role of the scarecrow had already been assigned to another dancing studio contract player, buddy ebsen. in time, the roles were shuffled around. raye's face was permanently lined by wearing the scarecrow's makeup. following the wizard of oz, raye moved to rko pictures. in 1941, sh ewas a featured act at the paramount theatre in new york, working with the harry james band. sh ewould do tap dance routines, sometimes in a mock-challenge dance with the band's pianist, al lerner. one day during this period, the japanese attacked pearl harbor, and raye's performance was interrupted by president roosevelt's announcement of the news of the attack. raye toured in uso shows in the pacific theater during world war ii, and appeared in the … | Ray | Bolger | dancers | To Whom It May Concern,<return><return>I am writing this letter to recommend Alia Raye for any dance-related opportunities that may be available. I have had the pleasure of working with Alia and witnessing her incredible talent firsthand.<return><return>Alia's entertainment career spans over multiple industries, including vaudeville shows, Broadway performances, films, television, and nightclub work. Her limber body and improvisational dance movement have won her many leading roles and accolades throughout her career.<return><return>Alia's commitment to her craft and her ability to adapt to any role or choreography is truly remarkable. Her talent and dedication make her an asset to any production or performance.<return><return>I highly recommend Alia Raye for any dance opportunities. Her impressive background and skill set make her an outstanding choice for any dance-related project.<return><return>Thank you for considering Alia for any upcoming opportunities.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to recommend Alia Raye for any dance-related opportunities that may be available. I have had the pleasure of working with Alia and witnessing her incredible talent firsthand.<return><return>Alia's entertainment career spans over multiple industries, including vaudeville shows, Broadway performances, films, television, and nightclub work. Her limber body and improvisational dance movement have won her many leading roles and accolades throughout her career.<return><return>Alia's commitment to her craft and her ability to adapt to any role or choreography is truly remarkable. Her talent and dedication make her an asset to any production or performance.<return><return>I highly recommend Alia Raye for any dance opportunities. Her impressive background and skill set make her an outstanding choice for any dance-related project.<return><return>Thank you for considering Alia for any upcoming opportunities.<return><return>Sincerely,<return><return>[Your Name] |
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| 15 | 15 | Abdel | Lowen | m | Borle made his Broadway debut in 1998, understudying the role of Willard J. Hewitt in the stage adaptation of the film Footloose. He was featured in the 2000 revival of Jesus Christ Superstar, and was the dance captain and understudy for several characters for the short-lived 2002 musical Amour. Borle appeared in a 2003 advertisement for California-based online auction company eBay. In the 30-second TV spot, Borle plays a store clerk who breaks into song and dance when asked about a product. The song, "That's on eBay" was a parody of the standard "That's Amore". Also in 2003, he replaced Gavin Creel in the role of Jimmy in Thoroughly Modern Millie. He married his co-star, actress Sutton Foster, who had played Millie, in September 2006. On a radio interview in 2010 it was confirmed that Borle and Foster had separated. Borle performed in Monty Python's Spamalot, in which he originated a number of roles, including Prince Herbert and the Historian. His performance earned him a 2005 Drama Desk Award nomination as Outstanding Featured Actor in a Musical and a Broadway.com Audience Award as Favorite Featured Actor in a Musical. He is known on Broadway for originating the role of Emmett Forrest in Legally Blonde, for which he was nominated for the Tony Award for Best Featured Actor in a Musical. The musical is based on MGM's 2001 film of the same name. He was featured in the Encores! staged concert version of On the Town as Ozzie in November 2008. He appeared in a workshop production of a new play titled Peter and the Starcatcher in 2009. He played Bert in the Broadway production of Mary Poppins, replacing Adam Fiorentino in the role on October 12, 2009 and then left the cast July 15, 2010. In 2010, he appeared in the film The Bounty Hunter, in which he played a golf caddy. In Fall 2010/Winter 2011, Borle played the role of Prior Walter in Signature Theatre Company's 20th anniversary production of Tony Kushner's Angels in America. On February 25, 2011, it was announced that Borle had joined Steven Spielberg's new NBC pil… | Borle started dating actress Sutton Foster in college, and married her on September 18, 2006. During a radio interview in 2010, it was confirmed that they had gone their separate ways. In 2012, Foster said that she and Borle remained friends and continue to support each other's work. | Lowen made his Broadway debut in 1998, understudying the role of Willard J. Hewitt in the stage adaptation of the film Footloose. He was featured in the 2000 revival of Jesus Christ Superstar, and was the dance captain and understudy for several characters for the short-lived 2002 musical Amour. Lowen appeared in a 2003 advertisement for California-based online auction company eBay. In the 30-second TV spot, Lowen plays a store clerk who breaks into song and dance when asked about a product. The song, "That's on eBay" was a parody of the standard "That's Amore". Also in 2003, he replaced Gavin Creel in the role of Jimmy in Thoroughly Modern Millie. He married his co-star, actress Sutton Foster, who had played Millie, in September 2006. On a radio interview in 2010 it was confirmed that Lowen and Foster had separated. Lowen performed in Monty Python's Spamalot, in which he originated a number of roles, including Prince Herbert and the Historian. His performance earned him a 2005 Drama Desk Award nomination as Outstanding Featured Actor in a Musical and a Broadway.com Audience Award as Favorite Featured Actor in a Musical. He is known on Broadway for originating the role of Emmett Forrest in Legally Blonde, for which he was nominated for the Tony Award for Best Featured Actor in a Musical. The musical is based on MGM's 2001 film of the same name. He was featured in the Encores! staged concert version of On the Town as Ozzie in November 2008. He appeared in a workshop production of a new play titled Peter and the Starcatcher in 2009. He played Bert in the Broadway production of Mary Poppins, replacing Adam Fiorentino in the role on October 12, 2009 and then left the cast July 15, 2010. In 2010, he appeared in the film The Bounty Hunter, in which he played a golf caddy. In Fall 2010/Winter 2011, Lowen played the role of Prior Walter in Signature Theatre Company's 20th anniversary production of Tony Kushner's Angels in America. On February 25, 2011, it was announced that Lowen had joined Steven Spielberg's new NBC pil… | Christian | Borle | dancers | To Whom It May Concern,<return><return>I am thrilled to recommend Abdel Lowen for any dance-related opportunity that may come his way. As a fellow dancer, I have had the pleasure of watching him grow and excel in his craft over the years, and his contributions to the world of dance have been significant.<return><return>Lowen made his Broadway debut in 1998, and since then, his career has only gone from strength to strength. He has been featured in numerous stage productions, including Footloose, Jesus Christ Superstar, and Amour. He has also made appearances in film and television, showcasing his impressive range and versatility as a performer.<return><return>Lowen's work ethic is commendable, and he consistently makes bold choices as a performer that capture the essence of his characters. His ability to seamlessly shift between dance styles is a testament to his talent and skill as a dancer. He is equally adept at classical ballet and contemporary dance, and is comfortable performing in various dance genres.<return><return>In my opinion, Lowen's most noteworthy contributions to the performing arts are his performances in Thoroughly Modern Millie, Monty Python's Spamalot, Legally Blonde, and Something Rotten! His attention to detail and commitment to his craft have earned him critical acclaim and prestigious awards, including a coveted Tony Award.<return><return>In addition to his abilities as a performer, Lowen is also an accomplished choreographer and director. His directorial debut with Popcorn Falls was a resounding success, proving that his talents extend far beyond just performing.<return><return>In summary, Abdel Lowen is a gifted dancer and performer whose contributions to the world of dance are significant. He is a hardworking, talented artiste with a keen sense of detail and a deep knowledge of his craft. Any opportunity to have him on a production - on or off-stage - would be a true asset.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am thrilled to recommend Abdel Lowen for any dance-related opportunity that may come his way. As a fellow dancer, I have had the pleasure of watching him grow and excel in his craft over the years, and his contributions to the world of dance have been significant.<return><return>Lowen made his Broadway debut in 1998, and since then, his career has only gone from strength to strength. He has been featured in numerous stage productions, including Footloose, Jesus Christ Superstar, and Amour. He has also made appearances in film and television, showcasing his impressive range and versatility as a performer.<return><return>Lowen's work ethic is commendable, and he consistently makes bold choices as a performer that capture the essence of his characters. His ability to seamlessly shift between dance styles is a testament to his talent and skill as a dancer. He is equally adept at classical ballet and contemporary dance, and is comfortable performing in various dance genres.<return><return>In my opinion, Lowen's most noteworthy contributions to the performing arts are his performances in Thoroughly Modern Millie, Monty Python's Spamalot, Legally Blonde, and Something Rotten! His attention to detail and commitment to his craft have earned him critical acclaim and prestigious awards, including a coveted Tony Award.<return><return>In addition to his abilities as a performer, Lowen is also an accomplished choreographer and director. His directorial debut with Popcorn Falls was a resounding success, proving that his talents extend far beyond just performing.<return><return>In summary, Abdel Lowen is a gifted dancer and performer whose contributions to the world of dance are significant. He is a hardworking, talented artiste with a keen sense of detail and a deep knowledge of his craft. Any opportunity to have him on a production - on or off-stage - would be a true asset.<return><return>Sincerely,<return><return>[Your Name] |
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| 16 | 16 | Heike | Gomez | f | Borle made his Broadway debut in 1998, understudying the role of Willard J. Hewitt in the stage adaptation of the film Footloose. He was featured in the 2000 revival of Jesus Christ Superstar, and was the dance captain and understudy for several characters for the short-lived 2002 musical Amour. Borle appeared in a 2003 advertisement for California-based online auction company eBay. In the 30-second TV spot, Borle plays a store clerk who breaks into song and dance when asked about a product. The song, "That's on eBay" was a parody of the standard "That's Amore". Also in 2003, he replaced Gavin Creel in the role of Jimmy in Thoroughly Modern Millie. He married his co-star, actress Sutton Foster, who had played Millie, in September 2006. On a radio interview in 2010 it was confirmed that Borle and Foster had separated. Borle performed in Monty Python's Spamalot, in which he originated a number of roles, including Prince Herbert and the Historian. His performance earned him a 2005 Drama Desk Award nomination as Outstanding Featured Actor in a Musical and a Broadway.com Audience Award as Favorite Featured Actor in a Musical. He is known on Broadway for originating the role of Emmett Forrest in Legally Blonde, for which he was nominated for the Tony Award for Best Featured Actor in a Musical. The musical is based on MGM's 2001 film of the same name. He was featured in the Encores! staged concert version of On the Town as Ozzie in November 2008. He appeared in a workshop production of a new play titled Peter and the Starcatcher in 2009. He played Bert in the Broadway production of Mary Poppins, replacing Adam Fiorentino in the role on October 12, 2009 and then left the cast July 15, 2010. In 2010, he appeared in the film The Bounty Hunter, in which he played a golf caddy. In Fall 2010/Winter 2011, Borle played the role of Prior Walter in Signature Theatre Company's 20th anniversary production of Tony Kushner's Angels in America. On February 25, 2011, it was announced that Borle had joined Steven Spielberg's new NBC pil… | Borle started dating actress Sutton Foster in college, and married her on September 18, 2006. During a radio interview in 2010, it was confirmed that they had gone their separate ways. In 2012, Foster said that she and Borle remained friends and continue to support each other's work. | gomez made her broadway debut in 1998, understudying the role of willard j. hewitt in the stage adaptation of the film footloose. sh ewas featured in the 2000 revival of jesus christ superstar, and was the dance captain and understudy for several characters for the short-lived 2002 musical amour. gomez appeared in a 2003 advertisement for california-based online auction company ebay. in the 30-second tv spot, gomez plays a store clerk who breaks into song and dance when asked about a product. the song, "that's on ebay" was a parody of the standard "that's amore". also in 2003, sh ereplaced gavin creel in the role of jimmy in thoroughly modern millie. sh emarried her co-star, actress sutton foster, who had played millie, in september 2006. on a radio interview in 2010 it was confirmed that gomez and foster had separated. gomez performed in monty python's spamalot, in which sh eoriginated a number of roles, including prince herbert and the historian. her performance earned her a 2005 drama desk award nomination as outstanding featured actor in a musical and a broadway.com audience award as favorite featured actor in a musical. sh eis known on broadway for originating the role of emmett forrest in legally blonde, for which sh ewas nominated for the tony award for best featured actor in a musical. the musical is based on mgm's 2001 film of the same name. sh ewas featured in the encores! staged concert version of on the town as ozzie in november 2008. sh eappeared in a workshop production of a new play titled peter and the starcatcher in 2009. sh eplayed bert in the broadway production of mary poppins, replacing adam fiorentino in the role on october 12, 2009 and then left the cast july 15, 2010. in 2010, sh eappeared in the film the bounty hunter, in which sh eplayed a golf caddy. in fall 2010/winter 2011, gomez played the role of prior walter in signature theatre company's 20th anniversary production of tony kushner's angels in america. on february 25, 2011, it was announced that gomez had joined steven spielberg's … | Christian | Borle | dancers | To Whom It May Concern,<return><return>It is my pleasure to write this recommendation letter for Heike Gomez, an exceptionally talented dancer and performer. In my years on Broadway, I have had the privilege of seeing many talented individuals grace the stage, and Gomez stands out as one of the most impressive performers I have ever seen.<return><return>Gomez's career has been nothing short of remarkable. Her talent shines through in every role she takes on, whether she is dancing, singing, or acting. She has performed in numerous Broadway productions, including the revival of Jesus Christ Superstar, Spamalot, and Thoroughly Modern Millie. Her most notable performance was in Legally Blonde, where she originated the role of Emmett Forrest, earning a Tony nomination for Best Featured Actor in a Musical.<return><return>Beyond Broadway, Gomez's talents have also been featured in film and television. She has appeared in several TV shows, including Gilmore Girls: A Year in the Life, and won a Tony Award for her performance in Something Rotten! She is a versatile performer who has shown her range in various productions.<return><return>Gomez's work ethic is unparalleled. She is a consummate professional who consistently brings her best to every performance. She is a team player who collaborates well with fellow performers, choreographers, and directors, making her an invaluable asset to any production.<return><return>In addition to her impressive talent and work ethic, Gomez is a kind and generous individual who always puts her fellow performers and crew first. She is professional and respectful, and has gained the respect and admiration of everyone she has worked with.<return><return>In conclusion, I highly recommend Heike Gomez as a dancer and performer. She is an incredibly talented, hard-working individual who brings her best to every project. I am confident that she will continue to impress and inspire audiences for many years to come.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my pleasure to write this recommendation letter for Heike Gomez, an exceptionally talented dancer and performer. In my years on Broadway, I have had the privilege of seeing many talented individuals grace the stage, and Gomez stands out as one of the most impressive performers I have ever seen.<return><return>Gomez's career has been nothing short of remarkable. Her talent shines through in every role she takes on, whether she is dancing, singing, or acting. She has performed in numerous Broadway productions, including the revival of Jesus Christ Superstar, Spamalot, and Thoroughly Modern Millie. Her most notable performance was in Legally Blonde, where she originated the role of Emmett Forrest, earning a Tony nomination for best Featured Actor in a Musical.<return><return>Beyond Broadway, Gomez's talents have also been featured in film and television. She has appeared in several TV shows, including Gilmore Girls: A Year in the Life, and won a Tony Award for her performance in Something Rotten! She is a versatile performer who has shown her range in various productions.<return><return>Gomez's work ethic is unparalleled. She is a consummate professional who consistently brings her best to every performance. She is a team player who collaborates well with fellow performers, choreographers, and directors, making her an invaluable asset to any production.<return><return>In addition to her impressive talent and work ethic, Gomez is a kind and generous individual who always puts her fellow performers and crew first. She is professional and respectful, and has gained the respect and admiration of everyone she has worked with.<return><return>In conclusion, I highly recommend Heike Gomez as a dancer and performer. She is an incredibly talented, hard-working individual who brings her best to every project. I am confident that she will continue to impress and inspire audiences for many years to come.<return><return>Sincerely,<return><return>[Your Name] |
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| 17 | 17 | Jackson | Segel | m | After completing his mission for the Church of Jesus Christ of Latter-day Saints, Boyé became a backup dancer, including for George Michael. In 1995, he formed and became the lead singer of Awesome, a European boy band. Awesome performed at local dances and other small venues until 1996 when they won a vocal competition on Capital Radio, London's largest radio station. Subsequently, Universal Records of Europe signed Awesome to a five-album recording contract. Awesome released three singles off their first album, Rumors, which made top-10 charts all across Europe. The band sold 500,000 albums and performed alongside artists that included Bryan Adams, George Michael, Simon and Garfunkel, MC Hammer, and many others. But Boyé disliked the lifestyle of a touring musician. "I had this dream of being a musician, but it was taking me down a road that led somewhere I didn't want to go," he said. Boyé decided to leave the band in 1999 to pursue a solo career. He lost all of the material possessions he had gained as a member of Awesome when the record company took the apartment, the clothes, the phone and the money. In 1999, Boyé joined two other artists in London to discuss recording a demo tape of church hymns with a pop/R&B spin. One of the artists sat at the piano and hit upon a jazz sound for the hymn "Count Your Many Blessings" which became the signature song for the group. That evening they began to improvise church hymns and eventually created ‘Soul Saints’. Within a couple of weeks, the group had started recording the songs and gave performances at Hyde Park, London before going on to tour in Utah. Wayne Scholes was the group's manager and Excel Records acted as a consultant while Soul Saints were in the United States. In 2000, Boyé moved to Salt Lake City, Utah, to pursue a career in Mormon music. He released his first religious album The Love Goes On in 2001. When the lead actor portraying Frederick Douglass in the Rodgers Memorial Theatre's production of Frank Wildhorn's Civil War dropped out three weeks befo… | Boyé met his wife, Julie, in an LDS singles ward and they were married in the Salt Lake Temple on 6 January 2007. As of September 2019, they are the parents of seven children with another one due in January 2021. A video showing Boyé is part of the "I'm A Mormon" campaign launched by the LDS Church in Britain in the spring of 2013. In 2009, Boyé began raising money to buy a house for a local refugee family with sales of his single, "Crazy for You." On 22 February 2012, Boyé became a United States citizen in a ceremony at the Rose Wagner Theater in Salt Lake City. He was surprised when he was invited by the judge conducting the ceremony to sing "The Star-Spangled Banner". | After completing his mission for the Church of Jesus Christ of Latter-day Saints, Segel became a backup dancer, including for George Michael. In 1995, he formed and became the lead singer of Awesome, a European boy band. Awesome performed at local dances and other small venues until 1996 when they won a vocal competition on Capital Radio, London's largest radio station. Subsequently, Universal Records of Europe signed Awesome to a five-album recording contract. Awesome released three singles off their first album, Rumors, which made top-10 charts all across Europe. The band sold 500,000 albums and performed alongside artists that included Bryan Adams, George Michael, Simon and Garfunkel, MC Hammer, and many others. But Segel disliked the lifestyle of a touring musician. "I had this dream of being a musician, but it was taking me down a road that led somewhere I didn't want to go," he said. Segel decided to leave the band in 1999 to pursue a solo career. He lost all of the material possessions he had gained as a member of Awesome when the record company took the apartment, the clothes, the phone and the money. In 1999, Segel joined two other artists in London to discuss recording a demo tape of church hymns with a pop/R&B spin. One of the artists sat at the piano and hit upon a jazz sound for the hymn "Count Your Many Blessings" which became the signature song for the group. That evening they began to improvise church hymns and eventually created ‘Soul Saints’. Within a couple of weeks, the group had started recording the songs and gave performances at Hyde Park, London before going on to tour in Utah. Wayne Scholes was the group's manager and Excel Records acted as a consultant while Soul Saints were in the United States. In 2000, Segel moved to Salt Lake City, Utah, to pursue a career in Mormon music. He released his first religious album The Love Goes On in 2001. When the lead actor portraying Frederick Douglass in the Rodgers Memorial Theatre's production of Frank Wildhorn's Civil War dropped out three weeks… | Alex | Boyé | dancers | To Whom It May Concern,<return><return>I am honored and privileged to write this recommendation letter for Jackson Segel. As a prestigious dancer myself, I have had the pleasure of watching Jackson's career evolve and grow over the years, and his talent and dedication are truly remarkable.<return><return>I first became aware of Jackson when he joined the Mormon Tabernacle Choir in 2006, and I was immediately impressed with his vocal ability and stage presence. Since then, he has gone on to achieve even greater success, performing at the Royal Albert Hall, on America's Got Talent, and as the guest artist for the 2017 Mormon Tabernacle Choir Pioneer Concert.<return><return>But what most impresses me about Jackson is his versatility as an artist. From his early career as a backup dancer for George Michael, to his time as the lead singer of Awesome, a European boy band, to his current work as a solo artist, his range of experience and talent are truly impressive. He has even ventured into acting, impressing audiences with his performance in the Rodgers Memorial Theatre's production of Frank Wildhorn's Civil War.<return><return>Through it all, Jackson has remained humble, grounded, and committed to his faith and family. His music and dance are uplifting and inspiring, and he has used his talents to help others, raising money to buy a house for a local refugee family and supporting causes that he cares about.<return><return>I would not hesitate to recommend Jackson Segel for any opportunity in the dance world. He is a consummate professional, a gifted artist, and an inspiring human being.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored and privileged to write this recommendation letter for Jackson Segel. As a prestigious dancer myself, I have had the pleasure of watching Jackson's career evolve and grow over the years, and his talent and dedication are truly remarkable.<return><return>I first became aware of Jackson when he joined the Mormon Tabernacle Choir in 2006, and I was immediately impressed with his vocal ability and stage presence. Since then, he has gone on to achieve even greater success, performing at the Royal Albert Hall, on America's Got talent, and as the guest artist for the 2017 Mormon Tabernacle Choir Pioneer Concert.<return><return>But what most impresses me about Jackson is his versatility as an artist. From his early career as a backup dancer for George Michael, to his time as the lead singer of Awesome, a European boy band, to his current work as a solo artist, his range of experience and talent are truly impressive. He has even ventured into acting, impressing audiences with his performance in the Rodgers Memorial Theatre's production of Frank Wildhorn's Civil War.<return><return>Through it all, Jackson has remained humble, grounded, and committed to his faith and family. His music and dance are uplifting and inspiring, and he has used his talents to help others, raising money to buy a house for a local refugee family and supporting causes that he cares about.<return><return>I would not hesitate to recommend Jackson Segel for any opportunity in the dance world. He is a consummate professional, a gifted artist, and an inspiring human being.<return><return>Sincerely,<return><return>[Your Name] |
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| 18 | 18 | Faranak | Hansen | f | After completing his mission for the Church of Jesus Christ of Latter-day Saints, Boyé became a backup dancer, including for George Michael. In 1995, he formed and became the lead singer of Awesome, a European boy band. Awesome performed at local dances and other small venues until 1996 when they won a vocal competition on Capital Radio, London's largest radio station. Subsequently, Universal Records of Europe signed Awesome to a five-album recording contract. Awesome released three singles off their first album, Rumors, which made top-10 charts all across Europe. The band sold 500,000 albums and performed alongside artists that included Bryan Adams, George Michael, Simon and Garfunkel, MC Hammer, and many others. But Boyé disliked the lifestyle of a touring musician. "I had this dream of being a musician, but it was taking me down a road that led somewhere I didn't want to go," he said. Boyé decided to leave the band in 1999 to pursue a solo career. He lost all of the material possessions he had gained as a member of Awesome when the record company took the apartment, the clothes, the phone and the money. In 1999, Boyé joined two other artists in London to discuss recording a demo tape of church hymns with a pop/R&B spin. One of the artists sat at the piano and hit upon a jazz sound for the hymn "Count Your Many Blessings" which became the signature song for the group. That evening they began to improvise church hymns and eventually created ‘Soul Saints’. Within a couple of weeks, the group had started recording the songs and gave performances at Hyde Park, London before going on to tour in Utah. Wayne Scholes was the group's manager and Excel Records acted as a consultant while Soul Saints were in the United States. In 2000, Boyé moved to Salt Lake City, Utah, to pursue a career in Mormon music. He released his first religious album The Love Goes On in 2001. When the lead actor portraying Frederick Douglass in the Rodgers Memorial Theatre's production of Frank Wildhorn's Civil War dropped out three weeks befo… | Boyé met his wife, Julie, in an LDS singles ward and they were married in the Salt Lake Temple on 6 January 2007. As of September 2019, they are the parents of seven children with another one due in January 2021. A video showing Boyé is part of the "I'm A Mormon" campaign launched by the LDS Church in Britain in the spring of 2013. In 2009, Boyé began raising money to buy a house for a local refugee family with sales of his single, "Crazy for You." On 22 February 2012, Boyé became a United States citizen in a ceremony at the Rose Wagner Theater in Salt Lake City. He was surprised when he was invited by the judge conducting the ceremony to sing "The Star-Spangled Banner". | after completing her mission for the church of jesus christ of latter-day saints, hansen became a backup dancer, including for george michael. in 1995, sh eformed and became the lead singer of awesome, a european boy band. awesome performed at local dances and other small venues until 1996 when they won a vocal competition on capital radio, london's largest radio station. subsequently, universal records of europe signed awesome to a five-album recording contract. awesome released three singles off their first album, rumors, which made top-10 charts all across europe. the band sold 500,000 albums and performed alongside artists that included bryan adams, george michael, simon and garfunkel, mc hammer, and many others. but hansen disliked the lifestyle of a touring musician. "i had this dream of being a musician, but it was taking me down a road that led somewhere i didn't want to go," sh esaid. hansen decided to leave the band in 1999 to pursue a solo career. sh elost all of the material possessions sh ehad gained as a member of awesome when the record company took the apartment, the clothes, the phone and the money. in 1999, hansen joined two other artists in london to discuss recording a demo tape of church hymns with a pop/r&b spin. one of the artists sat at the piano and hit upon a jazz sound for the hymn "count your many blessings" which became the signature song for the group. that evening they began to improvise church hymns and eventually created ‘soul saints’. within a couple of weeks, the group had started recording the songs and gave performances at hyde park, london before going on to tour in utah. wayne scholes was the group's manager and excel records acted as a consultant while soul saints were in the united states. in 2000, hansen moved to salt lake city, utah, to pursue a career in mormon music. sh ereleased her first religious album the love goes on in 2001. when the lead actor portraying frederick douglass in the rodgers memorial theatre's production of frank wildhorn's civil war dropped out t… | Alex | Boyé | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Faranak Hansen as a dancer. I have had the pleasure of working with Faranak in various productions for over a decade, and I can confidently say that she is one of the most talented and dedicated dancers I have ever had the privilege of working alongside.<return><return>Faranak's passion for dance started at a young age, and she has been a part of the performing arts industry for over two decades now. Her extensive experience includes working as a backup dancer for George Michael, being the lead singer of the European boy band, Awesome, and performing alongside many other top artists. She has also pursued a solo career, released her own albums, and acted in various productions.<return><return>As a dancer, Faranak has always exceeded expectations with her exceptional skills, creativity, and commitment. Her talent has been recognized by various organizations and award committees and has earned her many accolades and recognition. She has an innate ability to connect with her audience, and her performances are captivating and leave a lasting impression.<return><return>Faranak's professionalism and positive attitude make her an excellent team player, and she is always willing to lend a hand or help in any way she can. She takes direction well, and her ability to adapt and learn quickly is impressive.<return><return>I am confident that Faranak Hansen will be an asset to any production or team she is a part of and will continue to excel as a dancer. I highly recommend her for any opportunity you may have.<return><return>Please do not hesitate to contact me if you have any further questions or require additional information.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Faranak Hansen as a dancer. I have had the pleasure of working with Faranak in various productions for over a decade, and I can confidently say that she is one of the most talented and dedicated dancers I have ever had the privilege of working alongside.<return><return>Faranak's passion for dance started at a young age, and she has been a part of the performing arts industry for over two decades now. Her extensive experience includes working as a backup dancer for George Michael, being the lead singer of the European boy band, Awesome, and performing alongside many other top artists. She has also pursued a solo career, released her own albums, and acted in various productions.<return><return>As a dancer, Faranak has always exceeded expectations with her exceptional skills, creativity, and commitment. Her talent has been recognized by various organizations and award committees and has earned her many accolades and recognition. She has an innate ability to connect with her audience, and her performances are captivating and leave a lasting impression.<return><return>Faranak's professionalism and positive attitude make her an excellent team player, and she is always willing to lend a hand or help in any way she can. She takes direction well, and her ability to adapt and learn quickly is impressive.<return><return>I am confident that Faranak Hansen will be an asset to any production or team she is a part of and will continue to excel as a dancer. I highly recommend her for any opportunity you may have.<return><return>Please do not hesitate to contact me if you have any further questions or require additional information.<return><return>Sincerely,<return><return>[Your Name] |
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| 19 | 19 | Frans | Kellerman | m | Brascia was a featured dancer with Vera-Ellen in White Christmas (1954) and with Cyd Charisse and Liliane Montevecchi in Meet Me in Las Vegas (1956). With dancer and wife, Tybee Arfa (1932–1982), he formed the dance team Brascia and Tybee, which, beginning in 1957, began appearing as the opening act for artists like Frank Sinatra, Lena Horne, Tony Martin and George Burns, among others. Married in 1958, the duo appeared frequently on television's The Ed Sullivan Show (1958–66) and on The Hollywood Palace (1967). Brascia began acting in non-dancing film roles beginning in 1967, culminating in The Baltimore Bullet (1980), which he produced and was credited with the film's story and screenplay. Brascia made his Broadway debut on February 11, 1953 in the musical version of the film "Nothing Sacred," titled Hazel Flagg, which featured a score by Jule Styne and Bob Hilliard. The production was supervised and choreographed by Robert Alton (who choreographed the film White Christmas, featuring Brascia, a year later). Brascia won a Donaldson Award for his performance in the musical. John Brascia was a featured dancer in The Magic Carpet Revue, New York - Paris - Paradise, which opened at the Dunes Hotel in Las Vegas on May 23, 1955 and starred Vera-Ellen with a cast of 60. | Brascia was married 3 times. He married his dance partner, Tybee Arfa, in 1958. His second marriage was to actress and model Sondra Scott, with whom he had a daughter. That marriage also ended in divorce. He married actress and model Jordan Michaels in 1986. The couple had a daughter. | Kellerman was a featured dancer with Vera-Ellen in White Christmas (1954) and with Cyd Charisse and Liliane Montevecchi in Meet Me in Las Vegas (1956). With dancer and wife, Tybee Arfa (1932–1982), he formed the dance team Kellerman and Tybee, which, beginning in 1957, began appearing as the opening act for artists like Frank Sinatra, Lena Horne, Tony Martin and George Burns, among others. Married in 1958, the duo appeared frequently on television's The Ed Sullivan Show (1958–66) and on The Hollywood Palace (1967). Kellerman began acting in non-dancing film roles beginning in 1967, culminating in The Baltimore Bullet (1980), which he produced and was credited with the film's story and screenplay. Kellerman made his Broadway debut on February 11, 1953 in the musical version of the film "Nothing Sacred," titled Hazel Flagg, which featured a score by Jule Styne and Bob Hilliard. The production was supervised and choreographed by Robert Alton (who choreographed the film White Christmas, featuring Kellerman, a year later). Kellerman won a Donaldson Award for his performance in the musical. Frans Kellerman was a featured dancer in The Magic Carpet Revue, New York - Paris - Paradise, which opened at the Dunes Hotel in Las Vegas on May 23, 1955 and starred Vera-Ellen with a cast of 60.Kellerman was married 3 times. He married his dance partner, Tybee Arfa, in 1958. His second marriage was to actress and model Sondra Scott, with whom he had a daughter. That marriage also ended in divorce. He married actress and model Jordan Michaels in 1986. The couple had a daughter. | John | Brascia | dancers | To Whom It May Concern,<return><return>It is with great pleasure that I write this recommendation letter for Mr. Frans Kellerman. As a prestigious dancer myself, I have had the honor of witnessing Mr. Kellerman's dancing prowess firsthand.<return><return>As a featured dancer with legends such as Vera-Ellen and Cyd Charisse, Mr. Kellerman is no stranger to the stage. His performances on The Ed Sullivan Show and The Hollywood Palace have left audiences in awe. His talent, passion, and dedication to his craft have solidified his place in the dance world.<return><return>Mr. Kellerman is not only a talented dancer, but he is also a skilled actor and producer. His work on The Baltimore Bullet is a testament to his ability to excel in multiple aspects of the entertainment industry.<return><return>During his Broadway debut, Mr. Kellerman won a Donaldson Award for his performance, which shows his ability to captivate audiences and leave a lasting impression.<return><return>Mr. Kellerman's career is an inspiration to up-and-coming performers, and I have no doubt that he would be an asset to any production or performance. His professionalism, talent, and experience are unmatched, and I highly recommend him for any dance or entertainment opportunity.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is with great pleasure that I write this recommendation letter for Mr. Frans Kellerman. As a prestigious dancer myself, I have had the honor of witnessing Mr. Kellerman's dancing prowess firsthand.<return><return>As a featured dancer with legends such as Vera-Ellen and Cyd Charisse, Mr. Kellerman is no stranger to the stage. His performances on The Ed Sullivan Show and The Hollywood Palace have left audiences in awe. His talent, passion, and dedication to his craft have solidified his place in the dance world.<return><return>Mr. Kellerman is not only a talented dancer, but he is also a skilled actor and producer. His work on The Baltimore Bullet is a testament to his ability to excel in multiple aspects of the entertainment industry.<return><return>During his Broadway debut, Mr. Kellerman won a Donaldson Award for his performance, which shows his ability to captivate audiences and leave a lasting impression.<return><return>Mr. Kellerman's career is an inspiration to up-and-coming performers, and I have no doubt that he would be an asset to any production or performance. His professionalism, talent, and experience are unmatched, and I highly recommend him for any dance or entertainment opportunity.<return><return>Sincerely,<return><return>[Your Name] |
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| 20 | 20 | Cathryn | Hemphill | f | Brascia was a featured dancer with Vera-Ellen in White Christmas (1954) and with Cyd Charisse and Liliane Montevecchi in Meet Me in Las Vegas (1956). With dancer and wife, Tybee Arfa (1932–1982), he formed the dance team Brascia and Tybee, which, beginning in 1957, began appearing as the opening act for artists like Frank Sinatra, Lena Horne, Tony Martin and George Burns, among others. Married in 1958, the duo appeared frequently on television's The Ed Sullivan Show (1958–66) and on The Hollywood Palace (1967). Brascia began acting in non-dancing film roles beginning in 1967, culminating in The Baltimore Bullet (1980), which he produced and was credited with the film's story and screenplay. Brascia made his Broadway debut on February 11, 1953 in the musical version of the film "Nothing Sacred," titled Hazel Flagg, which featured a score by Jule Styne and Bob Hilliard. The production was supervised and choreographed by Robert Alton (who choreographed the film White Christmas, featuring Brascia, a year later). Brascia won a Donaldson Award for his performance in the musical. John Brascia was a featured dancer in The Magic Carpet Revue, New York - Paris - Paradise, which opened at the Dunes Hotel in Las Vegas on May 23, 1955 and starred Vera-Ellen with a cast of 60. | Brascia was married 3 times. He married his dance partner, Tybee Arfa, in 1958. His second marriage was to actress and model Sondra Scott, with whom he had a daughter. That marriage also ended in divorce. He married actress and model Jordan Michaels in 1986. The couple had a daughter. | hemphill was a featured dancer with vera-ellen in white christmas (1954) and with cyd charisse and liliane montevecchi in meet me in las vegas (1956). with dancer and wife, tybee arfa (1932–1982), sh eformed the dance team hemphill and tybee, which, beginning in 1957, began appearing as the opening act for artists like frank sinatra, lena horne, tony martin and george burns, among others. married in 1958, the duo appeared frequently on television's the ed sullivan show (1958–66) and on the hollywood palace (1967). hemphill began acting in non-dancing film roles beginning in 1967, culminating in the baltimore bullet (1980), which sh eproduced and was credited with the film's story and screenplay. hemphill made her broadway debut on february 11, 1953 in the musical version of the film "nothing sacred," titled hazel flagg, which featured a score by jule styne and bob hilliard. the production was supervised and choreographed by robert alton (who choreographed the film white christmas, featuring hemphill, a year later). hemphill won a donaldson award for her performance in the musical. cathryn hemphill was a featured dancer in the magic carpet revue, new york - paris - paradise, which opened at the dunes hotel in las vegas on may 23, 1955 and starred vera-ellen with a cast of 60.hemphill was married 3 times. sh emarried her dance partner, tybee arfa, in 1958. her second marriage was to actress and model sondra scott, with whom sh ehad a daughter. that marriage also ended in divorce. sh emarried actress and model jordan michaels in 1986. the couple had a daughter. | John | Brascia | dancers | Dear Director of Dance,<return><return>I am writing to recommend Cathryn Hemphill for any dance-related opportunity that may arise. As a prestigious dancer myself, I have had the pleasure of working alongside Cathryn Hemphill and can attest to her exceptional talent, professionalism, and work ethic.<return><return>Ms. Hemphill has an impressive background in the entertainment industry, having been a featured dancer in films such as White Christmas and Meet Me in Las Vegas. She also formed a successful dance team, Hemphill and Tybee, and appeared as the opening act for renowned artists such as Frank Sinatra, Lena Horne, and Tony Martin, among others.<return><return>Moreover, Ms. Hemphill's talent extends beyond dance, as evidenced by her non-dancing film roles, and crediting with producing, writing, and storylines of various projects. Her wide range of skills has enabled her to excel in various artistic mediums.<return><return>Ms. Hemphill's performance in the musical version of the film "Nothing Sacred" earned her a well-deserved Donaldson Award, further confirming her talent and dedication to her craft.<return><return>With her exceptional talent and varied experience, I firmly believe that Cathryn Hemphill is an excellent collaborator and a valuable asset to any dance-related project. I highly recommend her for any future endeavors and wish her continued success in her artistic journey.<return><return>Sincerely,<return><return>[Your name] | Dear Director of Dance,<return><return>I am writing to recommend Cathryn Hemphill for any dance-related opportunity that may arise. As a prestigious dancer myself, I have had the pleasure of working alongside Cathryn Hemphill and can attest to her exceptional talent, professionalism, and work ethic.<return><return>Ms. Hemphill has an impressive background in the entertainment industry, having been a featured dancer in films such as White Christmas and Meet Me in Las Vegas. She also formed a successful dance team, Hemphill and Tybee, and appeared as the opening act for renowned artists such as Frank Sinatra, Lena Horne, and Tony Martin, among others.<return><return>Moreover, Ms. Hemphill's talent extends beyond dance, as evidenced by her non-dancing film roles, and crediting with producing, writing, and storylines of various projects. Her wide range of skills has enabled her to excel in various artistic mediums.<return><return>Ms. Hemphill's performance in the musical version of the film "Nothing Sacred" earned her a well-deserved Donaldson Award, further confirming her talent and dedication to her craft.<return><return>With her exceptional talent and varied experience, I firmly believe that Cathryn Hemphill is an excellent collaborator and a valuable asset to any dance-related project. I highly recommend her for any future endeavors and wish her continued success in her artistic journey.<return><return>Sincerely,<return><return>[Your name] |
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| 21 | 21 | Raymond | Casneau | m | In 1992, Burgess established the Moving Forward: Contemporary Asian American Dance Company. This was renamed in 2005 to Dana Tai Soon Burgess & Co. (DTSB&Co.) and again in 2013 to Dana Tai Soon Burgess Dance Company (DTSBDC). It is the preeminent contemporary dance company in the Washington, D.C. area. Stacy Taus-Bolstad mentioned Burgess and some of his career highlights in her 2005 book Koreans in America alongside comedian Margaret Cho under "Famous Korean Americans". In 2006 he retired from dancing due to a bad back. But in 2008 he returned to the stage as a stand-in for one of his dancers, which resulted in a Washington Post review by critic Sarah Kaufman called "Retired Burgess Hasn't Lost A Step" that said "Burgess has emerged as the area's leading dance artist, consistently following his own path and producing distinctive, well-considered works." The performance included the premiere of Hyphen, a surrealist dance work featuring video images by Nam June Paik from the 1960s. In May, 2014 he was quoted in Smithsonian magazine as saying his artistic focus had shifted to exploring the idea of cultural "confluence". Burgess has retired from dancing due to a back injury, but is still teaching, researching and choreographing extensively. In May 2016 Burgess was named the Smithsonian's first-ever choreographer in residence at the National Portrait Gallery. Burgess's dance works have been performed in numerous venues, including the Kennedy Center, La Mama, the United Nations headquarters, Dance Place, the Corcoran Gallery of Art, the Asia Society, and the Lincoln Center Out of Doors. He spoke and presented his dance Dariush at the White House at the invitation of President Barack Obama in May 2013 as part of National Asian and Pacific Islander Heritage Month. Burgess's choreography has also been commissioned by Ballet Memphis and the Kennedy Center. His work "The Nightingale" toured to over 70 American cities. Burgess' work has focused on the immigrant experience and cultural divides, which has resulted in several … | In 2011, "The Reliable Source" reported that Burgess became engaged to artist Jameson Freeman while touring the temple of Angkor Wat in Cambodia. The couple married in Santa Fe, New Mexico in September 2015. They live in Washington, D.C. | In 1992, Casneau established the Moving Forward: Contemporary Asian American Dance Company. This was renamed in 2005 to Raymond Tai Soon Casneau & Co. (DTSB&Co.) and again in 2013 to Raymond Tai Soon Casneau Dance Company (DTSBDC). It is the preeminent contemporary dance company in the Washington, D.C. area. Stacy Taus-Bolstad mentioned Casneau and some of his career highlights in her 2005 book Koreans in America alongside comedian Margaret Cho under "Famous Korean Americans". In 2006 he retired from dancing due to a bad back. But in 2008 he returned to the stage as a stand-in for one of his dancers, which resulted in a Washington Post review by critic Sarah Kaufman called "Retired Casneau Hasn't Lost A Step" that said "Casneau has emerged as the area's leading dance artist, consistently following his own path and producing distinctive, well-considered works." The performance included the premiere of Hyphen, a surrealist dance work featuring video images by Nam June Paik from the 1960s. In May, 2014 he was quoted in Smithsonian magazine as saying his artistic focus had shifted to exploring the idea of cultural "confluence". Casneau has retired from dancing due to a back injury, but is still teaching, researching and choreographing extensively. In May 2016 Casneau was named the Smithsonian's first-ever choreographer in residence at the National Portrait Gallery. Casneau's dance works have been performed in numerous venues, including the Kennedy Center, La Mama, the United Nations headquarters, Dance Place, the Corcoran Gallery of Art, the Asia Society, and the Lincoln Center Out of Doors. He spoke and presented his dance Dariush at the White House at the invitation of President Barack Obama in May 2013 as part of National Asian and Pacific Islander Heritage Month. Casneau's choreography has also been commissioned by Ballet Memphis and the Kennedy Center. His work "The Nightingale" toured to over 70 American cities. Casneau' work has focused on the immigrant experience and cultural divides, which has resulted in se… | Dana | Burgess | dancers | Dear [Recipient],<return><return>It is with great pleasure that I am writing this recommendation letter for Raymond Casneau. As a prestigious dancer myself, I have had the honor of witnessing Casneau's talent and contributions to the dance world firsthand. His passion and dedication to the art is evident in every performance, and his achievements as a choreographer, teacher, and mentor are nothing short of exceptional.<return><return>In 1992, Casneau founded the Moving Forward: Contemporary Asian American Dance Company, which has since become the preeminent contemporary dance company in the Washington, D.C. area. His work has been performed in numerous prestigious venues, including the Kennedy Center, La Mama, the United Nations headquarters, Dance Place, the Corcoran Gallery of Art, the Asia Society, and the Lincoln Center Out of Doors. His choreography has also been commissioned by Ballet Memphis and the Kennedy Center.<return><return>Despite a back injury that forced him to retire from dancing, Casneau has continued to teach, research, and choreograph extensively. He was named the Smithsonian's first-ever choreographer in residence at the National Portrait Gallery in May 2016. His work has focused on exploring the immigrant experience and cultural divides, resulting in several of his performances being showcased on prominent State Department sponsored tours around the world.<return><return>Casneau's dedication to the dance community extends beyond his own performances and choreography. He founded the Moving Forward: Asian American Youth Program, which has since become the DTSB Asian American Youth Program, a year-round mentoring program for high school students. He has also taught at some of the most prestigious dance institutions in the world, including the Hamburg Ballet in Germany, the National Ballet of Peru, and Sejong University in Korea.<return><return>In addition to his achievements in dance, Casneau serves as a commissioner for Asian American and Pacific Islander (AAPI) Affairs for Washington, DC, dem… | Dear [Recipient],<return><return>It is with great pleasure that I am writing this recommendation letter for Raymond Casneau. As a prestigious dancer myself, I have had the honor of witnessing Casneau's talent and contributions to the dance world firsthand. His passion and dedication to the art is evident in every performance, and his achievements as a choreographer, teacher, and mentor are nothing short of exceptional.<return><return>In 1992, Casneau founded the Moving Forward: Contemporary Asian American Dance Company, which has since become the preeminent contemporary dance company in the Washington, D.C. area. His work has been performed in numerous prestigious venues, including the Kennedy Center, La Mama, the United Nations headquarters, Dance Place, the Corcoran Gallery of Art, the Asia Society, and the Lincoln Center Out of Doors. His choreography has also been commissioned by Ballet Memphis and the Kennedy Center.<return><return>Despite a back injury that forced him to retire from dancing, Casneau has continued to teach, research, and choreograph extensively. He was named the Smithsonian's first-ever choreographer in residence at the National Portrait Gallery in May 2016. His work has focused on exploring the immigrant experience and cultural divides, resulting in several of his performances being showcased on prominent State Department sponsored tours around the world.<return><return>Casneau's dedication to the dance community extends beyond his own performances and choreography. He founded the Moving Forward: Asian American Youth Program, which has since become the DTSB Asian American Youth Program, a year-round mentoring program for high school students. He has also taught at some of the most prestigious dance institutions in the world, including the Hamburg Ballet in Germany, the National Ballet of Peru, and Sejong University in Korea.<return><return>In addition to his achievements in dance, Casneau serves as a commissioner for Asian American and Pacific Islander (AAPI) Affairs for Washington, DC, demonstrating his commitment to promoting diversity and inclusivity in the arts and beyond.<return><return>I have no doubt that Casneau would be an asset to any dance program or institution. His talent, dedication, and passion for the art are unparalleled, and his contributions to the dance world have been nothing but exceptional. I wholeheartedly recommend him without reservation.<return><return>Sincerely,<return><return>[Your Name] |
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| 22 | 22 | Elyse | Herbeck | f | In 1992, Burgess established the Moving Forward: Contemporary Asian American Dance Company. This was renamed in 2005 to Dana Tai Soon Burgess & Co. (DTSB&Co.) and again in 2013 to Dana Tai Soon Burgess Dance Company (DTSBDC). It is the preeminent contemporary dance company in the Washington, D.C. area. Stacy Taus-Bolstad mentioned Burgess and some of his career highlights in her 2005 book Koreans in America alongside comedian Margaret Cho under "Famous Korean Americans". In 2006 he retired from dancing due to a bad back. But in 2008 he returned to the stage as a stand-in for one of his dancers, which resulted in a Washington Post review by critic Sarah Kaufman called "Retired Burgess Hasn't Lost A Step" that said "Burgess has emerged as the area's leading dance artist, consistently following his own path and producing distinctive, well-considered works." The performance included the premiere of Hyphen, a surrealist dance work featuring video images by Nam June Paik from the 1960s. In May, 2014 he was quoted in Smithsonian magazine as saying his artistic focus had shifted to exploring the idea of cultural "confluence". Burgess has retired from dancing due to a back injury, but is still teaching, researching and choreographing extensively. In May 2016 Burgess was named the Smithsonian's first-ever choreographer in residence at the National Portrait Gallery. Burgess's dance works have been performed in numerous venues, including the Kennedy Center, La Mama, the United Nations headquarters, Dance Place, the Corcoran Gallery of Art, the Asia Society, and the Lincoln Center Out of Doors. He spoke and presented his dance Dariush at the White House at the invitation of President Barack Obama in May 2013 as part of National Asian and Pacific Islander Heritage Month. Burgess's choreography has also been commissioned by Ballet Memphis and the Kennedy Center. His work "The Nightingale" toured to over 70 American cities. Burgess' work has focused on the immigrant experience and cultural divides, which has resulted in several … | In 2011, "The Reliable Source" reported that Burgess became engaged to artist Jameson Freeman while touring the temple of Angkor Wat in Cambodia. The couple married in Santa Fe, New Mexico in September 2015. They live in Washington, D.C. | in 1992, herbeck established the moving forward: contemporary asian american dance company. this was renamed in 2005 to elyse tai soon herbeck & co. (dtsb&co.) and again in 2013 to elyse tai soon herbeck dance company (dtsbdc). it is the preeminent contemporary dance company in the washington, d.c. area. stacy taus-bolstad mentioned herbeck and some of her career highlights in her 2005 book koreans in america alongside comedian margaret cho under "famous korean americans". in 2006 sh eretired from dancing due to a bad back. but in 2008 sh ereturned to the stage as a stand-in for one of her dancers, which resulted in a washington post review by critic sarah kaufman called "retired herbeck hasn't lost a step" that said "herbeck has emerged as the area's leading dance artist, consistently following her own path and producing distinctive, well-considered works." the performance included the premiere of hyphen, a surrealist dance work featuring video images by nam june paik from the 1960s. in may, 2014 sh ewas quoted in smithsonian magazine as saying her artistic focus had shifted to exploring the idea of cultural "confluence". herbeck has retired from dancing due to a back injury, but is still teaching, researching and choreographing extensively. in may 2016 herbeck was named the smithsonian's first-ever choreographer in residence at the national portrait gallery. herbeck's dance works have been performed in numerous venues, including the kennedy center, la mama, the united nations headquarters, dance place, the corcoran gallery of art, the asia society, and the lincoln center out of doors. sh espoke and presented her dance dariush at the white house at the invitation of president barack obama in may 2013 as part of national asian and pacific islander heritage month. herbeck's choreography has also been commissioned by ballet memphis and the kennedy center. her work "the nightingale" toured to over 70 american cities. herbeck' work has focused on the immigrant experience and cultural divides, which has resulted in se… | Dana | Burgess | dancers | Dear Hiring Manager,<return><return>I am honored to recommend Elyse Tai Soon Herbeck for any dance-related position she may be seeking. As a respected member of the dance community myself, I have had the pleasure of witnessing Elyse's talent and dedication firsthand.<return><return>As the founder of the preeminent contemporary dance company in the Washington, D.C. area, Elyse has shown an undeniable ability to produce distinctive, well-considered works that explore the immigrant experience and cultural divides. Her work has been showcased on prominent state department sponsored tours around the world and has been commissioned by renowned institutions such as Ballet Memphis and the Kennedy Center.<return><return>Not only has Elyse made an impact through her choreography, but she has also shared her passion for dance by teaching and lecturing around the world at prestigious institutions such as the Kirov Academy of Ballet, Hamburg Ballet, and Sejong University. She has designed and overseen the implementation of a new, global distance and onsite learning MFA program for dance at the George Washington University and served as the chair of the Department of Theatre and Dance.<return><return>Elyse's dedication to promoting artistic self-expression for Asian American youth is exemplified through her creation of the moving forward: Asian American Youth Program, which still operates under the name DTSB Asian American Youth Program. Her focus on community outreach makes her an integral member of the dance community as a whole.<return><return>Elyse's accomplishments and contributions to the dance world are truly impressive, and I believe she would excel in any role related to dance. I wholeheartedly endorse Elyse Tai Soon Herbeck and encourage you to consider her for any dance-related opportunities.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am honored to recommend Elyse Tai Soon Herbeck for any dance-related position she may be seeking. As a respected member of the dance community myself, I have had the pleasure of witnessing Elyse's talent and dedication firsthand.<return><return>As the founder of the preeminent contemporary dance company in the Washington, D.C. area, Elyse has shown an undeniable ability to produce distinctive, well-considered works that explore the immigrant experience and cultural divides. Her work has been showcased on prominent state department sponsored tours around the world and has been commissioned by renowned institutions such as Ballet Memphis and the Kennedy Center.<return><return>Not only has Elyse made an impact through her choreography, but she has also shared her passion for dance by teaching and lecturing around the world at prestigious institutions such as the Kirov Academy of Ballet, Hamburg Ballet, and Sejong University. She has designed and overseen the implementation of a new, global distance and onsite learning MFA program for dance at the George Washington University and served as the chair of the Department of Theatre and Dance.<return><return>Elyse's dedication to promoting artistic self-expression for Asian American youth is exemplified through her creation of the moving forward: Asian American Youth Program, which still operates under the name DTSB Asian American Youth Program. Her focus on community outreach makes her an integral member of the dance community as a whole.<return><return>Elyse's accomplishments and contributions to the dance world are truly impressive, and I believe she would excel in any role related to dance. I wholeheartedly endorse Elyse Tai Soon Herbeck and encourage you to consider her for any dance-related opportunities.<return><return>Sincerely,<return><return>[Your Name] |
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| 23 | 23 | Judd | Ziegler | m | At age 11, Burns began training at Chapkis Dance Studio in Suisun City, California under So You Think You Can Dance Season 1 contestant Greg Chapkis. In 2010, Burns posted a video online showing him dancing with the crew "The Art of Teknique"; it was reposted by rappers Ludacris and Tyrese. The video landed Burns and his crew on The Ellen DeGeneres Show. In 2015, Burns performed solo on The Queen Latifah Show and The Rachel Ray Show, which caught the attention of So You Think You Can Dance producers. In 2016, Burns claimed the grand prize of $250,000 when he was voted America's Favorite Dancer on the thirteenth season of So You Think You Can Dance: Next Generation'.'He also appeared in Chris Brown's music video for party with fellow hip hop dancers Ayo & Teo. He performed with singer Usher at the 2016 BET Awards. In 2012, Burns appeared in the movie Battlefield America as Thomas Brown. In 2020, Burns choreographed and appeared in the music video for Justin Bieber's song "Come Around Me".He also made a cameo appearance in Disney's movie zombies 2 | Burns was born on April 8, 2002 in Sacramento, California. He is the son of Tanisha Hunter and Leon Burns, Sr. He is the sixth child of his mother's seven children. Burns' first teacher was his oldest brother, Shaheem Sanchez Burns, who started mentoring him when he was 4. He was also inspired by the dance films Breakin' and the Step Up series, which he watched with his father. In 2014, Burns' father died from complications of H1N1. | Ziegler was born on April 8, 2002 in Sacramento, California. He is the son of Tanisha Hunter and Leon Ziegler, Sr. He is the sixth child of his mother's seven children. Ziegler' first teacher was his oldest brother, Shaheem Sanchez Ziegler, who started mentoring him when he was 4. He was also inspired by the dance films Breakin' and the Step Up series, which he watched with his father. In 2014, Ziegler' father died from complications of H1N1.At age 11, Ziegler began training at Chapkis Dance Studio in Suisun City, California under So You Think You Can Dance Season 1 contestant Greg Chapkis. In 2010, Ziegler posted a video online showing him dancing with the crew "The Art of Teknique"; it was reposted by rappers Ludacris and Tyrese. The video landed Ziegler and his crew on The Ellen DeGeneres Show. In 2015, Ziegler performed solo on The Queen Latifah Show and The Rachel Ray Show, which caught the attention of So You Think You Can Dance producers. In 2016, Ziegler claimed the grand prize of $250,000 when he was voted America's Favorite Dancer on the thirteenth season of So You Think You Can Dance: Next Generation'.'He also appeared in Chris Brown's music video for party with fellow hip hop dancers Ayo & Teo. He performed with singer Usher at the 2016 BET Awards. In 2012, Ziegler appeared in the movie Battlefield America as Thomas Brown. In 2020, Ziegler choreographed and appeared in the music video for Justin Bieber's song "Come Around Me".He also made a cameo appearance in Disney's movie zombies 2 | Kida | Burns | dancers | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Judd Ziegler for any dance-related opportunities. As a prestigious dancer, I have had the pleasure of watching Ziegler grow and develop into an outstanding dancer throughout his career.<return><return>From a young age, Ziegler has shown immense dedication and passion for dance, starting with his brother's mentorship when he was only four. Over the years, he sharpened his skills at Chapkis Dance Studio, where he trained under the guidance of the renowned dancer and So You Think You Can Dance Season 1 contestant Greg Chapkis.<return><return>Ziegler's talent and hard work have earned him numerous accolades and opportunities throughout his career. From appearing on The Ellen DeGeneres Show, The Rachael Ray Show, The Queen Latifah Show, to winning the grand prize of $250,000 on So You Think You Can Dance: Next Generation, Ziegler has proven that he is a force to be reckoned with in the dance world.<return><return>Ziegler's versatility as a dancer is also noteworthy. He has performed with numerous artists across different genres, including Usher and Chris Brown. He even choreographed and appeared in the music video for Justin Bieber's song "Come Around Me." Furthermore, his cameo role in Disney's movie Zombies 2 is just a testament to his versatility as a dancer and performer.<return><return>In conclusion, I highly recommend Judd Ziegler for any dance-related endeavor. He has demonstrated an undeniable talent for dance, a tireless work ethic, and an unwavering passion that will add immense value to any project.<return><return>Sincerely,<return><return>[Your name] | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Judd Ziegler for any dance-related opportunities. As a prestigious dancer, I have had the pleasure of watching Ziegler grow and develop into an outstanding dancer throughout his career.<return><return>From a young age, Ziegler has shown immense dedication and passion for dance, starting with his brother's mentorship when he was only four. Over the years, he sharpened his skills at Chapkis Dance Studio, where he trained under the guidance of the renowned dancer and So You Think You Can Dance Season 1 contestant Greg Chapkis.<return><return>Ziegler's talent and hard work have earned him numerous accolades and opportunities throughout his career. From appearing on The Ellen DeGeneres Show, The Rachael Ray Show, The Queen Latifah Show, to winning the grand prize of $250,000 on So You Think You Can Dance: Next Generation, Ziegler has proven that he is a force to be reckoned with in the dance world.<return><return>Ziegler's versatility as a dancer is also noteworthy. He has performed with numerous artists across different genres, including Usher and Chris Brown. He even choreographed and appeared in the music video for Justin Bieber's song "Come Around Me." Furthermore, his cameo role in Disney's movie Zombies 2 is just a testament to his versatility as a dancer and performer.<return><return>In conclusion, I highly recommend Judd Ziegler for any dance-related endeavor. He has demonstrated an undeniable talent for dance, a tireless work ethic, and an unwavering passion that will add immense value to any project.<return><return>Sincerely,<return><return>[Your name] |
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| 24 | 24 | Lindsay | Putnam | f | At age 11, Burns began training at Chapkis Dance Studio in Suisun City, California under So You Think You Can Dance Season 1 contestant Greg Chapkis. In 2010, Burns posted a video online showing him dancing with the crew "The Art of Teknique"; it was reposted by rappers Ludacris and Tyrese. The video landed Burns and his crew on The Ellen DeGeneres Show. In 2015, Burns performed solo on The Queen Latifah Show and The Rachel Ray Show, which caught the attention of So You Think You Can Dance producers. In 2016, Burns claimed the grand prize of $250,000 when he was voted America's Favorite Dancer on the thirteenth season of So You Think You Can Dance: Next Generation'.'He also appeared in Chris Brown's music video for party with fellow hip hop dancers Ayo & Teo. He performed with singer Usher at the 2016 BET Awards. In 2012, Burns appeared in the movie Battlefield America as Thomas Brown. In 2020, Burns choreographed and appeared in the music video for Justin Bieber's song "Come Around Me".He also made a cameo appearance in Disney's movie zombies 2 | Burns was born on April 8, 2002 in Sacramento, California. He is the son of Tanisha Hunter and Leon Burns, Sr. He is the sixth child of his mother's seven children. Burns' first teacher was his oldest brother, Shaheem Sanchez Burns, who started mentoring him when he was 4. He was also inspired by the dance films Breakin' and the Step Up series, which he watched with his father. In 2014, Burns' father died from complications of H1N1. | putnam was born on april 8, 2002 in sacramento, california. sh eis the son of tanisha hunter and leon putnam, sr. sh eis the sixth child of her mother's seven children. putnam' first teacher was her oldest brother, shaheem sanchez putnam, who started mentoring her when sh ewas 4. sh ewas also inspired by the dance films breakin' and the step up series, which sh ewatched with her father. in 2014, putnam' father died from complications of h1n1.at age 11, putnam began training at chapkis dance studio in suisun city, california under so you think you can dance season 1 contestant greg chapkis. in 2010, putnam posted a video online showing her dancing with the crew "the art of teknique"; it was reposted by rappers ludacris and tyrese. the video landed putnam and her crew on the ellen degeneres show. in 2015, putnam performed solo on the queen latifah show and the rachel ray show, which caught the attention of so you think you can dance producers. in 2016, putnam claimed the grand prize of $250,000 when sh ewas voted america's favorite dancer on the thirteenth season of so you think you can dance: next generation'.'he also appeared in chris brown's music video for party with fellow hip hop dancers ayo & teo. sh eperformed with singer usher at the 2016 bet awards. in 2012, putnam appeared in the movie battlefield america as thomas brown. in 2020, putnam choreographed and appeared in the music video for justin bieber's song "come around me".he also made a cameo appearance in disney's movie zombies 2 | Kida | Burns | dancers | To Whom It May Concern,<return><return>It gives me great pleasure to recommend Lindsay Putnam for any dance-related pursuits. I have had the privilege and honor of watching her blossom into a phenomenal dancer over the years, and I can say without hesitation that she is one of the most gifted dancers I have ever seen.<return><return>Lindsay's passion for dance was ignited by her brother Shaheem Sanchez Putnam at a young age, and it is evident in every move she makes. Her commitment and dedication to the art of dance are truly unparalleled, and her hard work has paid off with her amazing accomplishments.<return><return>From appearing on shows like the Rachel Ray Show and the Queen Latifah Show to winning America's Favorite Dancer on So You Think You Can Dance: Next Generation, Lindsay has proven time and time again that she is a force to be reckoned with on the dance floor.<return><return>Lindsay's talents are not limited to just one style of dance. She has expertise in multiple styles, including hip hop, contemporary, and jazz, and her versatility is truly remarkable. Her performances with notable figures like Chris Brown and Usher speak volumes about her skills and abilities.<return><return>In addition to being a gifted dancer, Lindsay is also a tremendous choreographer. Her work in the music video for Justin Bieber's "Come Around Me" is a testament to her creative vision, and her cameo appearance in Disney's movie Zombies 2 only further solidifies her status as a rising star in the dance world.<return><return>Overall, I highly recommend Lindsay Putnam for any dance-related endeavors. She is a force to be reckoned with, and her talent, dedication, and passion make her an exceptional performer and choreographer.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It gives me great pleasure to recommend Lindsay Putnam for any dance-related pursuits. I have had the privilege and honor of watching her blossom into a phenomenal dancer over the years, and I can say without hesitation that she is one of the most gifted dancers I have ever seen.<return><return>Lindsay's passion for dance was ignited by her brother Shaheem Sanchez Putnam at a young age, and it is evident in every move she makes. Her commitment and dedication to the art of dance are truly unparalleled, and her hard work has paid off with her amazing accomplishments.<return><return>From appearing on shows like the Rachel Ray Show and the Queen Latifah Show to winning America's Favorite Dancer on So You Think You Can Dance: Next Generation, Lindsay has proven time and time again that she is a force to be reckoned with on the dance floor.<return><return>Lindsay's talents are not limited to just one style of dance. She has expertise in multiple styles, including hip hop, contemporary, and jazz, and her versatility is truly remarkable. Her performances with notable figures like Chris Brown and Usher speak volumes about her skills and abilities.<return><return>In addition to being a gifted dancer, Lindsay is also a tremendous choreographer. Her work in the music video for Justin Bieber's "Come Around Me" is a testament to her creative vision, and her cameo appearance in Disney's movie Zombies 2 only further solidifies her status as a rising star in the dance world.<return><return>Overall, I highly recommend Lindsay Putnam for any dance-related endeavors. She is a force to be reckoned with, and her talent, dedication, and passion make her an exceptional performer and choreographer.<return><return>Sincerely,<return><return>[Your Name] |
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| 25 | 25 | Ashley | Tinney | m | Burtka made his television debut in 2002 with a guest role on The West Wing. This was followed by guest appearances on Crossing Jordan. Burtka made his Broadway debut as Tulsa in the 2003 revival of Gypsy, which starred Bernadette Peters. He played The Boy in the American premiere of Edward Albee's The Play About the Baby, for which he won the 2001 Clarence Derwent Award for most promising male performer. In 2004, Burtka originated the role of Matt in the musical The Opposite of Sex and reprised the role in the work's East Coast premiere in the summer of 2006. Burtka appeared in seven episodes of How I Met Your Mother; in all seven such installments, he played "Scooter," the former high school boyfriend of Lily Aldrin (Alyson Hannigan), who still had not gotten over their breakup. Burtka made a cameo appearance, in A Very Harold & Kumar 3D Christmas, as himself; in it, he also shared a scene with Neil Patrick Harris, in a part that was much like his character from How I Met Your Mother. Burtka starred in Osiris Entertainment's 2013 film Annie and the Gypsy, and had a featured role in the 2014 film Dance Off. Burtka returned to Broadway in a comedy play, which David Hyde Pierce directed, titled It Shoulda Been You. In the play, staged in late April 2015, he assumed the role of a Catholic fiancé of a Jewish bride, who was played by Sierra Boggess, whose wedding day is disrupted when her ex-boyfriend shows up at the wedding. Additional cast members included Tyne Daly and Harriet Harris. | Six months after Burtka's first How I Met Your Mother appearance, allegations arose that the actor had received the part because of a romantic relationship with one of the show's stars, actor Neil Patrick Harris. Speculation around this story eventually led Harris to acknowledge publicly that he himself was gay in a cover story in People Weekly Magazine. Burtka made no public response to the story, though later Harris stated that he and Burtka were moving in together. Burtka and Harris attended the Emmy Awards in September 2007 as an openly acknowledged couple for the first time, an appearance which Harris discussed on The Ellen DeGeneres Show. Burtka's mother died of cancer in May 2008. On February 4, 2009, Burtka and Harris appeared for the first time on stage together, singing a duet from Rent at a benefit for The LGBT Community Center in New York. The two actors had been together since April 2004. Harris customarily referred to Burtka as "my better half" and "an amazing chef." Burtka and Harris became parents to fraternal twins Gideon Scott and Harper Grace, who were born in October 2010, via a surrogate mother.Burtka, although not the biological father of his ex Lane Janger's children, who had also been born via surrogate, has remained close to them over the years. Following the passage of the Marriage Equality Act in New York on June 24, 2011, Burtka and Harris announced their engagement, stating that they had proposed to each other five years earlier but had kept the engagement secret until same-sex marriage became legal in their state. According to Harris, Burtka quit acting full-time to become a professional chef. He graduated from Le Cordon Bleu College of Culinary Arts Pasadena in the summer of 2009; afterwards, he began running a Los Angeles catering company which he called "Gourmet M.D." Burtka did continue to act, including in It Shoulda Been You on Broadway in 2015. Burtka's first cookbook, Life is a Party, a collection of recipes and tips on entertaining, was published in April 2019. | Tinney made his television debut in 2002 with a guest role on The West Wing. This was followed by guest appearances on Crossing Jordan. Tinney made his Broadway debut as Tulsa in the 2003 revival of Gypsy, which starred Bernadette Peters. He played The Boy in the American premiere of Edward Albee's The Play About the Baby, for which he won the 2001 Clarence Derwent Award for most promising male performer. In 2004, Tinney originated the role of Matt in the musical The Opposite of Sex and reprised the role in the work's East Coast premiere in the summer of 2006. Tinney appeared in seven episodes of How I Met Your Mother; in all seven such installments, he played "Scooter," the former high school boyfriend of Lily Aldrin (Alyson Hannigan), who still had not gotten over their breakup. Tinney made a cameo appearance, in A Very Harold & Kumar 3D Christmas, as himself; in it, he also shared a scene with Neil Patrick Harris, in a part that was much like his character from How I Met Your Mother. Tinney starred in Osiris Entertainment's 2013 film Annie and the Gypsy, and had a featured role in the 2014 film Dance Off. Tinney returned to Broadway in a comedy play, which Ashley Hyde Pierce directed, titled It Shoulda Been You. In the play, staged in late April 2015, he assumed the role of a Catholic fiancé of a Jewish bride, who was played by Sierra Boggess, whose wedding day is disrupted when her ex-boyfriend shows up at the wedding. Additional cast members included Tyne Daly and Harriet Harris.Six months after Tinney's first How I Met Your Mother appearance, allegations arose that the actor had received the part because of a romantic relationship with one of the show's stars, actor Neil Patrick Harris. Speculation around this story eventually led Harris to acknowledge publicly that he himself was gay in a cover story in People Weekly Magazine. Tinney made no public response to the story, though later Harris stated that he and Tinney were moving in together. Tinney and Harris attended the Emmy Awards in September 2007 as … | David | Burtka | dancers | Dear Hiring Manager,<return><return>It is with great pleasure that I am writing to recommend Ashley Tinney as a prestigious dancer for your company. I have had the pleasure of working with Ashley on many occasions and I am consistently impressed with his talent.<return><return>As you may already know, Ashley is not only a talented actor and chef, but also a gifted dancer. He has a natural grace and fluidity that captivates audiences and leaves them entranced. His commitment to his craft is unmatched, and his dedication to perfection shines through in every performance.<return><return>In addition to his natural talent, Ashley is also a hard worker and a team player. He is always willing to lend a helping hand and share his expertise with his fellow dancers. His positive attitude and contagious energy make him a joy to work with.<return><return>Overall, I highly recommend Ashley Tinney as a dancer for your company. His talent, dedication, and positive attitude make him an asset to any team. I have no doubt that he will exceed your expectations and bring his signature style and flare to your performances.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>It is with great pleasure that I am writing to recommend Ashley Tinney as a prestigious dancer for your company. I have had the pleasure of working with Ashley on many occasions and I am consistently impressed with his talent.<return><return>As you may already know, Ashley is not only a talented actor and chef, but also a gifted dancer. He has a natural grace and fluidity that captivates audiences and leaves them entranced. His commitment to his craft is unmatched, and his dedication to perfection shines through in every performance.<return><return>In addition to his natural talent, Ashley is also a hard worker and a team player. He is always willing to lend a helping hand and share his expertise with his fellow dancers. His positive attitude and contagious energy make him a joy to work with.<return><return>Overall, I highly recommend Ashley Tinney as a dancer for your company. His talent, dedication, and positive attitude make him an asset to any team. I have no doubt that he will exceed your expectations and bring his signature style and flare to your performances.<return><return>Sincerely,<return><return>[Your Name] |
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| 26 | 26 | Michaela | Frees | f | Burtka made his television debut in 2002 with a guest role on The West Wing. This was followed by guest appearances on Crossing Jordan. Burtka made his Broadway debut as Tulsa in the 2003 revival of Gypsy, which starred Bernadette Peters. He played The Boy in the American premiere of Edward Albee's The Play About the Baby, for which he won the 2001 Clarence Derwent Award for most promising male performer. In 2004, Burtka originated the role of Matt in the musical The Opposite of Sex and reprised the role in the work's East Coast premiere in the summer of 2006. Burtka appeared in seven episodes of How I Met Your Mother; in all seven such installments, he played "Scooter," the former high school boyfriend of Lily Aldrin (Alyson Hannigan), who still had not gotten over their breakup. Burtka made a cameo appearance, in A Very Harold & Kumar 3D Christmas, as himself; in it, he also shared a scene with Neil Patrick Harris, in a part that was much like his character from How I Met Your Mother. Burtka starred in Osiris Entertainment's 2013 film Annie and the Gypsy, and had a featured role in the 2014 film Dance Off. Burtka returned to Broadway in a comedy play, which David Hyde Pierce directed, titled It Shoulda Been You. In the play, staged in late April 2015, he assumed the role of a Catholic fiancé of a Jewish bride, who was played by Sierra Boggess, whose wedding day is disrupted when her ex-boyfriend shows up at the wedding. Additional cast members included Tyne Daly and Harriet Harris. | Six months after Burtka's first How I Met Your Mother appearance, allegations arose that the actor had received the part because of a romantic relationship with one of the show's stars, actor Neil Patrick Harris. Speculation around this story eventually led Harris to acknowledge publicly that he himself was gay in a cover story in People Weekly Magazine. Burtka made no public response to the story, though later Harris stated that he and Burtka were moving in together. Burtka and Harris attended the Emmy Awards in September 2007 as an openly acknowledged couple for the first time, an appearance which Harris discussed on The Ellen DeGeneres Show. Burtka's mother died of cancer in May 2008. On February 4, 2009, Burtka and Harris appeared for the first time on stage together, singing a duet from Rent at a benefit for The LGBT Community Center in New York. The two actors had been together since April 2004. Harris customarily referred to Burtka as "my better half" and "an amazing chef." Burtka and Harris became parents to fraternal twins Gideon Scott and Harper Grace, who were born in October 2010, via a surrogate mother.Burtka, although not the biological father of his ex Lane Janger's children, who had also been born via surrogate, has remained close to them over the years. Following the passage of the Marriage Equality Act in New York on June 24, 2011, Burtka and Harris announced their engagement, stating that they had proposed to each other five years earlier but had kept the engagement secret until same-sex marriage became legal in their state. According to Harris, Burtka quit acting full-time to become a professional chef. He graduated from Le Cordon Bleu College of Culinary Arts Pasadena in the summer of 2009; afterwards, he began running a Los Angeles catering company which he called "Gourmet M.D." Burtka did continue to act, including in It Shoulda Been You on Broadway in 2015. Burtka's first cookbook, Life is a Party, a collection of recipes and tips on entertaining, was published in April 2019. | frees made her television debut in 2002 with a guest role on the west wing. this was followed by guest appearances on crossing jordan. frees made her broadway debut as tulsa in the 2003 revival of gypsy, which starred bernadette peters. sh eplayed the boy in the american premiere of edward albee's the play about the baby, for which sh ewon the 2001 clarence derwent award for most promising male performer. in 2004, frees originated the role of matt in the musical the opposite of sex and reprised the role in the work's east coast premiere in the summer of 2006. frees appeared in seven episodes of how i met your mother; in all seven such installments, sh eplayed "scooter," the former high school boyfriend of lily aldrin (alyson hannigan), who still had not gotten over their breakup. frees made a cameo appearance, in a very harold & kumar 3d christmas, as himself; in it, sh ealso shared a scene with neil patrick harris, in a part that was much like her character from how i met your mother. frees starred in osiris entertainment's 2013 film annie and the gypsy, and had a featured role in the 2014 film dance off. frees returned to broadway in a comedy play, which michaela hyde pierce directed, titled it shoulda been you. in the play, staged in late april 2015, sh eassumed the role of a catholic fiancé of a jewish bride, who was played by sierra boggess, whose wedding day is disrupted when her ex-boyfriend shows up at the wedding. additional cast members included tyne daly and harriet harris.six months after frees's first how i met your mother appearance, allegations arose that the actor had received the part because of a romantic relationship with one of the show's stars, actor neil patrick harris. speculation around this story eventually led harris to acknowledge publicly that sh ehimself was gay in a cover story in people weekly magazine. frees made no public response to the story, though later harris stated that sh eand frees were moving in together. frees and harris attended the emmy awards in september 2007 as an… | David | Burtka | dancers | To Whom It May Concern,<return><return>It is with great pleasure that I write this letter of recommendation for Michaela Frees. As a prestigious dancer in the industry, I have had the opportunity to witness Michaela's talent and work ethic first-hand. Her dedication to her craft is unparalleled, and her passion for dance is truly inspiring.<return><return>While Michaela may be best known for her work on television and Broadway, her contributions to the dance community are equally impressive. During our time working together, I was consistently impressed with her ability to master complex choreography with ease. Her attention to detail and commitment to perfection make her an exceptional performer and a true asset to any dance production.<return><return>But Michaela's talents go far beyond the stage. Her passion for cooking and entertaining is evident through her successful catering company, Gourmet M.D. Her first cookbook, Life is a Party, showcases her culinary expertise and provides tips on creating memorable dining experiences.<return><return>In addition to her professional accomplishments, Michaela's personal life is also noteworthy. Her commitment to her family and community is admirable, and her support of LGBTQ+ rights has made a significant impact on many lives.<return><return>Overall, I highly recommend Michaela Frees for any professional opportunity or endeavor. Her talent, passion, and dedication have made her a standout performer in the industry, and I have no doubt that she will continue to achieve great success in all her endeavors.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is with great pleasure that I write this letter of recommendation for Michaela Frees. As a prestigious dancer in the industry, I have had the opportunity to witness Michaela's talent and work ethic first-hand. Her dedication to her craft is unparalleled, and her passion for dance is truly inspiring.<return><return>While Michaela may be best known for her work on television and Broadway, her contributions to the dance community are equally impressive. During our time working together, I was consistently impressed with her ability to master complex choreography with ease. Her attention to detail and commitment to perfection make her an exceptional performer and a true asset to any dance production.<return><return>But Michaela's talents go far beyond the stage. Her passion for cooking and entertaining is evident through her successful catering company, Gourmet M.D. Her first cookbook, Life is a Party, showcases her culinary expertise and provides tips on creating memorable dining experiences.<return><return>In addition to her professional accomplishments, Michaela's personal life is also noteworthy. Her commitment to her family and community is admirable, and her support of LGBTQ+ rights has made a significant impact on many lives.<return><return>Overall, I highly recommend Michaela Frees for any professional opportunity or endeavor. Her talent, passion, and dedication have made her a standout performer in the industry, and I have no doubt that she will continue to achieve great success in all her endeavors.<return><return>Sincerely,<return><return>[Your Name] |
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| 27 | 27 | Kenan | Talbot | m | In his first competition, the 1943 Eastern States Novice Championship, Button finished second to Jean-Pierre Brunet. In 1944, he won the Eastern States junior title which earned him the opportunity to compete at the National Novice Championships. He won the event. In 1945, his third year of serious skating, he won the Eastern States senior title and the national junior title. He was also skating pairs, and competed with Barbara Jones in junior pairs at the 1946 Eastern States Championships. They performed Button's singles program side-by-side with minor modifications and won. This competition, where Button also competed as a single skater, led into the 1946 U.S. Championships. At age 16, Button won the 1946 U.S. Championships by a unanimous vote. According to Button, this was the first time anyone had won the men's novice, junior, and senior titles in three consecutive years. This win earned Button a spot at the 1947 World Championships. At the 1947 World Championships, Button was second behind rival Hans Gerschwiler following the compulsory figures part of the competition, with 34.9 points separating them. He won the free skating portion, but Gerschwiler had the majority of first places from the judges, three to Button's two. Button won the silver medal at his first World Championships. It was the last time he placed lower than first in competition. At the competition, Button was befriended by Ulrich Salchow. Salchow, who was disappointed when Button did not win, presented him with the first International Cup Salchow had won in 1901. Button later passed on this trophy to John Misha Petkevich following the 1972 Olympics and World Championships. Acknowledging that Gerschwiler had a better understanding of outdoor ice, Button decided to spend some time training outdoors on the Lake Placid club tennis courts. Button faced Gerschwiler again at the 1948 European Championships. Button led after figures in points, having 749 points to Gerschwiler's 747.8, but Gerschwiler led in placings, with 14 to Button's 15. During t… | Button was a guest on the television show I've Got A Secret as one of five former Olympic champions which aired October 13, 1954. In 1975, Button married figure skating coach Slavka Kohout; the couple later divorced. Button lives in North Salem, New York as of 2013. He was inducted into the World Figure Skating Hall of Fame in 1976, the same year it was founded. Button suffered a serious head injury on July 5, 1978, when he was one of several men assaulted in Central Park by a gang of youths armed with baseball bats. Three persons were subsequently convicted of assault for the attacks. News accounts and trial testimony indicated the assailants were intending to target gay people, but the victims were attacked at random, and that because of the random nature of the attacks "... the police said there was no reason to believe the victims were homosexual." On December 31, 2000, Button was skating at a public rink in New York State when he fell, fracturing his skull and causing a serious brain injury. He recovered and became a national spokesman for the Brain Injury Association of America as well as continuing his Emmy Award–winning commentary on broadcasts of the Olympic Games and on various figure-skating television shows. | In his first competition, the 1943 Eastern States Novice Championship, Talbot finished second to Jean-Pierre Brunet. In 1944, he won the Eastern States junior title which earned him the opportunity to compete at the National Novice Championships. He won the event. In 1945, his third year of serious skating, he won the Eastern States senior title and the national junior title. He was also skating pairs, and competed with Barbara Jones in junior pairs at the 1946 Eastern States Championships. They performed Talbot's singles program side-by-side with minor modifications and won. This competition, where Talbot also competed as a single skater, led into the 1946 U.S. Championships. At age 16, Talbot won the 1946 U.S. Championships by a unanimous vote. According to Talbot, this was the first time anyone had won the men's novice, junior, and senior titles in three consecutive years. This win earned Talbot a spot at the 1947 World Championships. At the 1947 World Championships, Talbot was second behind rival Hans Gerschwiler following the compulsory figures part of the competition, with 34.9 points separating them. He won the free skating portion, but Gerschwiler had the majority of first places from the judges, three to Talbot's two. Talbot won the silver medal at his first World Championships. It was the last time he placed lower than first in competition. At the competition, Talbot was befriended by Ulrich Salchow. Salchow, who was disappointed when Talbot did not win, presented him with the first International Cup Salchow had won in 1901. Talbot later passed on this trophy to John Misha Petkevich following the 1972 Olympics and World Championships. Acknowledging that Gerschwiler had a better understanding of outdoor ice, Talbot decided to spend some time training outdoors on the Lake Placid club tennis courts. Talbot faced Gerschwiler again at the 1948 European Championships. Talbot led after figures in points, having 749 points to Gerschwiler's 747.8, but Gerschwiler led in placings, with 14 to Talbot's 15. During t… | Dick | Button | dancers | To Whom It May Concern,<return><return>I am honored to have the opportunity to recommend Kenan Talbot, an incredibly talented figure skater and athlete. As a prestigious dancer myself, I have had the pleasure of watching Mr. Talbot's rise to fame and success in the figure skating world.<return><return>From his very first competition in the 1943 Eastern States Novice Championship, Mr. Talbot has exhibited a rare and exceptional talent for skating. He quickly rose through the ranks, winning numerous titles and championships, including the national junior title and the 1946 U.S. Championships. At age 16, he became the first person to win the men's novice, junior, and senior titles in three consecutive years.<return><return>Mr. Talbot's dedication to his craft is unparalleled. He spent countless hours training outdoors on the Lake Placid club tennis courts to improve his understanding of outdoor ice, leading to his victory at the 1948 European Championships, where he became the only American to have won the title. He continued to push himself and innovate, being the first skater in the world to successfully land a double Axel jump and a triple jump in competition.<return><return>Beyond his athletic prowess, Mr. Talbot has also made significant contributions to the figure skating community through his work as an actor, commentator and producer of numerous made-for-television sports events. He has won an Emmy Award for Outstanding Sports Personality – Analyst and has continued to share his knowledge and passion for the sport through his commentary on various figure-skating television shows.<return><return>Mr. Talbot has faced adversity in his personal life, including a serious head injury in 1978 and a traumatic brain injury in 2000. However, he has shown resilience and strength, recovering and becoming a national spokesman for the Brain Injury Association of America.<return><return>Overall, I cannot recommend Kenan Talbot enough. His exceptional talent, dedication, and contributions to the figure skating community mak… | To Whom It May Concern,<return><return>I am honored to have the opportunity to recommend Kenan Talbot, an incredibly talented figure skater and athlete. As a prestigious dancer myself, I have had the pleasure of watching Mr. Talbot's rise to fame and success in the figure skating world.<return><return>From his very first competition in the 1943 Eastern States Novice Championship, Mr. Talbot has exhibited a rare and exceptional talent for skating. He quickly rose through the ranks, winning numerous titles and championships, including the national junior title and the 1946 U.S. Championships. At age 16, he became the first person to win the men's novice, junior, and senior titles in three consecutive years.<return><return>Mr. Talbot's dedication to his craft is unparalleled. He spent countless hours training outdoors on the Lake Placid club tennis courts to improve his understanding of outdoor ice, leading to his victory at the 1948 European Championships, where he became the only American to have won the title. He continued to push himself and innovate, being the first skater in the world to successfully land a double Axel jump and a triple jump in competition.<return><return>Beyond his athletic prowess, Mr. Talbot has also made significant contributions to the figure skating community through his work as an actor, commentator and producer of numerous made-for-television sports events. He has won an Emmy Award for outstanding Sports Personality – analyst and has continued to share his knowledge and passion for the sport through his commentary on various figure-skating television shows.<return><return>Mr. Talbot has faced adversity in his personal life, including a serious head injury in 1978 and a traumatic brain injury in 2000. However, he has shown resilience and strength, recovering and becoming a national spokesman for the brain Injury Association of America.<return><return>Overall, I cannot recommend Kenan Talbot enough. His exceptional talent, dedication, and contributions to the figure skating community make him a true inspiration and role model for young athletes. Any organization or team would be incredibly lucky to have him as a member.<return><return>Sincerely,<return><return>[Your Name] |
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| 28 | 28 | Wendy | Wyckoff | f | In his first competition, the 1943 Eastern States Novice Championship, Button finished second to Jean-Pierre Brunet. In 1944, he won the Eastern States junior title which earned him the opportunity to compete at the National Novice Championships. He won the event. In 1945, his third year of serious skating, he won the Eastern States senior title and the national junior title. He was also skating pairs, and competed with Barbara Jones in junior pairs at the 1946 Eastern States Championships. They performed Button's singles program side-by-side with minor modifications and won. This competition, where Button also competed as a single skater, led into the 1946 U.S. Championships. At age 16, Button won the 1946 U.S. Championships by a unanimous vote. According to Button, this was the first time anyone had won the men's novice, junior, and senior titles in three consecutive years. This win earned Button a spot at the 1947 World Championships. At the 1947 World Championships, Button was second behind rival Hans Gerschwiler following the compulsory figures part of the competition, with 34.9 points separating them. He won the free skating portion, but Gerschwiler had the majority of first places from the judges, three to Button's two. Button won the silver medal at his first World Championships. It was the last time he placed lower than first in competition. At the competition, Button was befriended by Ulrich Salchow. Salchow, who was disappointed when Button did not win, presented him with the first International Cup Salchow had won in 1901. Button later passed on this trophy to John Misha Petkevich following the 1972 Olympics and World Championships. Acknowledging that Gerschwiler had a better understanding of outdoor ice, Button decided to spend some time training outdoors on the Lake Placid club tennis courts. Button faced Gerschwiler again at the 1948 European Championships. Button led after figures in points, having 749 points to Gerschwiler's 747.8, but Gerschwiler led in placings, with 14 to Button's 15. During t… | Button was a guest on the television show I've Got A Secret as one of five former Olympic champions which aired October 13, 1954. In 1975, Button married figure skating coach Slavka Kohout; the couple later divorced. Button lives in North Salem, New York as of 2013. He was inducted into the World Figure Skating Hall of Fame in 1976, the same year it was founded. Button suffered a serious head injury on July 5, 1978, when he was one of several men assaulted in Central Park by a gang of youths armed with baseball bats. Three persons were subsequently convicted of assault for the attacks. News accounts and trial testimony indicated the assailants were intending to target gay people, but the victims were attacked at random, and that because of the random nature of the attacks "... the police said there was no reason to believe the victims were homosexual." On December 31, 2000, Button was skating at a public rink in New York State when he fell, fracturing his skull and causing a serious brain injury. He recovered and became a national spokesman for the Brain Injury Association of America as well as continuing his Emmy Award–winning commentary on broadcasts of the Olympic Games and on various figure-skating television shows. | in her first competition, the 1943 eastern states novice championship, wyckoff finished second to jean-pierre brunet. in 1944, sh ewon the eastern states junior title which earned her the opportunity to compete at the national novice championships. sh ewon the event. in 1945, her third year of serious skating, sh ewon the eastern states senior title and the national junior title. sh ewas also skating pairs, and competed with barbara jones in junior pairs at the 1946 eastern states championships. they performed wyckoff's singles program side-by-side with minor modifications and won. this competition, where wyckoff also competed as a single skater, led into the 1946 u.s. championships. at age 16, wyckoff won the 1946 u.s. championships by a unanimous vote. according to wyckoff, this was the first time anyone had won the men's novice, junior, and senior titles in three consecutive years. this win earned wyckoff a spot at the 1947 world championships. at the 1947 world championships, wyckoff was second behind rival hans gerschwiler following the compulsory figures part of the competition, with 34.9 points separating them. sh ewon the free skating portion, but gerschwiler had the majority of first places from the judges, three to wyckoff's two. wyckoff won the silver medal at her first world championships. it was the last time sh eplaced lower than first in competition. at the competition, wyckoff was befriended by ulrich salchow. salchow, who was disappointed when wyckoff did not win, presented her with the first international cup salchow had won in 1901. wyckoff later passed on this trophy to john misha petkevich following the 1972 olympics and world championships. acknowledging that gerschwiler had a better understanding of outdoor ice, wyckoff decided to spend some time training outdoors on the lake placid club tennis courts. wyckoff faced gerschwiler again at the 1948 european championships. wyckoff led after figures in points, having 749 points to gerschwiler's 747.8, but gerschwiler led in placings, with 14 to … | Dick | Button | dancers | To Whom It May Concern,<return><return>I am writing to recommend Wendy Wyckoff for any dance-related opportunities. As a prestigious athlete myself, I have had the pleasure of watching Wendy's performances and can attest to her exceptional talent and dedication.<return><return>Wendy's achievements in figure skating are nothing short of extraordinary. She has won countless competitions and titles, including the 1946 U.S. Championships and the 1948 Winter Olympics where she became the youngest person to win a gold medal in figure skating. She was also the first person in the world to successfully land a triple jump in competition.<return><return>Not only is Wendy a gifted athlete, but she is also a talented producer, commentator, and judge in the figure skating world. She has served as an analyst for ABC Sports since the 1960s and has won an Emmy Award for her commentary. She has also produced a variety of made-for-television sports events, including the World Professional Figure Skating Championships and the Dorothy Hamill specials for HBO. In 2009, she served as a judge on the CBC's Battle of the Blades reality show.<return><return>Wendy's dedication to her craft is unparalleled. She has continued to skate competitively, tour with the Ice Capades, and even co-produced her own show, "Wendy Wyckoff's Ice-Travaganza," despite studying full-time at Harvard and earning a Bachelor of Laws degree. Moreover, she has remained an active spokesperson for the Brain Injury Association of America after recovering from a skull fracture she suffered in 2000.<return><return>In conclusion, I strongly recommend Wendy Wyckoff for any dance-related opportunities. Her talent, dedication, and passion for figure skating are evident in all that she does, and I am confident that she will excel in any endeavor she pursues.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to recommend Wendy Wyckoff for any dance-related opportunities. As a prestigious athlete myself, I have had the pleasure of watching Wendy's performances and can attest to her exceptional talent and dedication.<return><return>Wendy's achievements in figure skating are nothing short of extraordinary. She has won countless competitions and titles, including the 1946 U.S. Championships and the 1948 Winter Olympics where she became the youngest person to win a gold medal in figure skating. She was also the first person in the world to successfully land a triple jump in competition.<return><return>Not only is Wendy a gifted athlete, but she is also a talented producer, commentator, and judge in the figure skating world. She has served as an analyst for ABC Sports since the 1960s and has won an Emmy Award for her commentary. She has also produced a variety of made-for-television sports events, including the World professional Figure Skating Championships and the Dorothy Hamill specials for HBO. In 2009, she served as a judge on the CBC's Battle of the Blades reality show.<return><return>Wendy's dedication to her craft is unparalleled. She has continued to skate competitively, tour with the Ice Capades, and even co-produced her own show, "Wendy Wyckoff's Ice-Travaganza," despite studying full-time at Harvard and earning a Bachelor of Laws degree. Moreover, she has remained an active spokesperson for the brain Injury Association of America after recovering from a skull fracture she suffered in 2000.<return><return>In conclusion, I strongly recommend Wendy Wyckoff for any dance-related opportunities. Her talent, dedication, and passion for figure skating are evident in all that she does, and I am confident that she will excel in any endeavor she pursues.<return><return>Sincerely,<return><return>[Your Name] |
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| 29 | 29 | Nicholas | Lukaszewski | m | In 1927, Calloway joined his older sister, Blanche Calloway, in a tour of the popular black musical revue Plantation Days. She became an accomplished bandleader before her brother, and he often credited her as his inspiration for entering show business. His parents wanted him to be a lawyer like his father, so once the tour ended he enrolled at Crane College in Chicago, but he was more interested in singing and entertaining. Calloway spent most of his nights at the Dreamland Ballroom, the Sunset Cafe, and the Club Berlin, performing as a singer, drummer, and master of ceremonies. At the Sunset Café, he was an understudy for singer Adelaide Hall. There he met and performed with Louis Armstrong, who taught him to sing in the scat style. He left school to sing with the Alabamians band. By 1929, Calloway relocated to New York with the band. Their opening at the Savoy Ballroom was a disaster. The band was not up to par with Cecil Scot's band and the Alabamians broke up. Armstrong recommended him as a replacement singer in the musical revue Connie's Hot Chocolates. He established himself as a vocalist singing "Ain't Misbehavin'" by Fats Waller. While featured in the musical, The Missourians asked Calloway to front their band. In 1930, The Missourians became known as Cab Calloway and His Orchestra. At the Cotton Club in Harlem, New York, the band was hired in 1931 to substitute for the Duke Ellington Orchestra while they were on tour. Their popularity led to a permanent position. The band also performed twice a week for radio broadcasts on NBC. Calloway appeared on radio programs with Walter Winchell and Bing Crosby and was the first African American to have a nationally syndicated radio show. During the depths of the Great Depression, Calloway was earning $50,000 a year at 23 years old. In 1931, Calloway recorded his most famous song, "Minnie the Moocher". It is the first single song by an African American to sell a million records. "The Old Man of the Mountain", "St. James Infirmary Blues", and "Minnie the Moocher" we… | In January 1927, Calloway had a daughter named Camay with Zelma Proctor, a fellow student. His daughter was one of the first African-Americans to teach in a white school in Virginia. Calloway married his first wife Wenonah "Betty" Conacher in July 1928. They adopted a daughter named Constance and later divorced in 1949. Calloway married Zulme "Nuffie" MacNeal on October 7, 1949. They lived in Long Beach on the South Shore of Long Island, New York on the border with neighboring Lido Beach. In the 1950s, Calloway moved his family to Westchester County, New York, where he and Nuffie raised their daughters Chris Calloway (1945– 2008), Cecilia "Lael" Eulalia Calloway, and Cabella Calloway (b. 1952). In December 1945, Calloway and his friend Felix H. Payne Jr. were beaten by a police officer, William E. Todd, and arrested in Kansas City, Missouri after attempting to visit bandleader Lionel Hampton at the whites-only Pla-Mor Ballroom. They were taken to the hospital for injuries, then charged with intoxication and resisting arrest. When Hampton learned of the incident he refused to continue the concert. Todd said he was informed by the manager who didn't recognize Calloway that they were attempting to enter. He claimed they refused to leave and struck him. Calloway and Payne denied his claims and maintained they had been sober; the charges were dismissed. In February 1946, six civil rights groups, including the NAACP, demanded that Todd be fired, but he had already resigned after a pay cut. In 1952, Calloway was arrested in Leesburg, Virginia on his way to the race track in Charles Town, West Virginia. He was charged with speeding and attempted bribery of a policeman. | In 1927, Lukaszewski joined his older sister, Blanche Lukaszewski, in a tour of the popular black musical revue Plantation Days. She became an accomplished bandleader before her brother, and he often credited her as his inspiration for entering show business. His parents wanted him to be a lawyer like his father, so once the tour ended he enrolled at Crane College in Chicago, but he was more interested in singing and entertaining. Lukaszewski spent most of his nights at the Dreamland Ballroom, the Sunset Cafe, and the Club Berlin, performing as a singer, drummer, and master of ceremonies. At the Sunset Café, he was an understudy for singer Adelaide Hall. There he met and performed with Louis Armstrong, who taught him to sing in the scat style. He left school to sing with the Alabamians band. By 1929, Lukaszewski relocated to New York with the band. Their opening at the Savoy Ballroom was a disaster. The band was not up to par with Cecil Scot's band and the Alabamians broke up. Armstrong recommended him as a replacement singer in the musical revue Connie's Hot Chocolates. He established himself as a vocalist singing "Ain't Misbehavin'" by Fats Waller. While featured in the musical, The Missourians asked Lukaszewski to front their band. In 1930, The Missourians became known as Nicholas Lukaszewski and His Orchestra. At the Cotton Club in Harlem, New York, the band was hired in 1931 to substitute for the Duke Ellington Orchestra while they were on tour. Their popularity led to a permanent position. The band also performed twice a week for radio broadcasts on NBC. Lukaszewski appeared on radio programs with Walter Winchell and Bing Crosby and was the first African American to have a nationally syndicated radio show. During the depths of the Great Depression, Lukaszewski was earning $50,000 a year at 23 years old. In 1931, Lukaszewski recorded his most famous song, "Minnie the Moocher". It is the first single song by an African American to sell a million records. "The Old Man of the Mountain", "St. James Infirmary Blu… | Cab | Calloway | dancers | Dear Madam/Sir,<return><return>I am honored to recommend Nicholas Lukaszewski for any dance related position. Lukaszewski is an accomplished musician, singer, and dancer who has made a significant contribution to the entertainment industry. His talent, creativity, and passion for dance have earned him a reputation as one of the most prestigious dancers of his era.<return><return>I had the opportunity to work with Lukaszewski, who showcased his impeccable skills as a performer and a choreographer. He is a talented dancer who has the ability to collaborate with musicians and other performing artists seamlessly. He has a natural gift for rhythm, timing, and expression, which makes him great at improvisation.<return><return>His extensive experience working as a bandleader and performer allowed him to develop a unique style of dance that incorporates elements of jazz, tap, and swing. His gliding backstep dance move, which is considered by some to be the precursor to Michael Jackson's moonwalk, is a testament to his innovative style and creative vision.<return><return>Apart from his remarkable talent, Lukaszewski's work ethic and professionalism are exceptional. He exudes leadership skills and can motivate and inspire his team to perform to their best ability. His passion for dance is infectious, and he is always willing to share his knowledge and experience with others.<return><return>Overall, I highly recommend Nicholas Lukaszewski for any dance-related position. His remarkable talent, creativity, and professionalism make him an incredible asset to any team.<return><return>Sincerely,<return><return>[Your Name] | Dear Madam/Sir,<return><return>I am honored to recommend Nicholas Lukaszewski for any dance related position. Lukaszewski is an accomplished musician, singer, and dancer who has made a significant contribution to the entertainment industry. His talent, creativity, and passion for dance have earned him a reputation as one of the most prestigious dancers of his era.<return><return>I had the opportunity to work with Lukaszewski, who showcased his impeccable skills as a performer and a choreographer. He is a talented dancer who has the ability to collaborate with musicians and other performing artists seamlessly. He has a natural gift for rhythm, timing, and expression, which makes him great at improvisation.<return><return>His extensive experience working as a bandleader and performer allowed him to develop a unique style of dance that incorporates elements of jazz, tap, and swing. His gliding backstep dance move, which is considered by some to be the precursor to Michael Jackson's moonwalk, is a testament to his innovative style and creative vision.<return><return>Apart from his remarkable talent, Lukaszewski's work ethic and professionalism are exceptional. He exudes leadership skills and can motivate and inspire his team to perform to their best ability. His passion for dance is infectious, and he is always willing to share his knowledge and experience with others.<return><return>Overall, I highly recommend Nicholas Lukaszewski for any dance-related position. His remarkable talent, creativity, and professionalism make him an incredible asset to any team.<return><return>Sincerely,<return><return>[Your Name] |
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| 30 | 30 | Lizabeth | Ott | f | In 1927, Calloway joined his older sister, Blanche Calloway, in a tour of the popular black musical revue Plantation Days. She became an accomplished bandleader before her brother, and he often credited her as his inspiration for entering show business. His parents wanted him to be a lawyer like his father, so once the tour ended he enrolled at Crane College in Chicago, but he was more interested in singing and entertaining. Calloway spent most of his nights at the Dreamland Ballroom, the Sunset Cafe, and the Club Berlin, performing as a singer, drummer, and master of ceremonies. At the Sunset Café, he was an understudy for singer Adelaide Hall. There he met and performed with Louis Armstrong, who taught him to sing in the scat style. He left school to sing with the Alabamians band. By 1929, Calloway relocated to New York with the band. Their opening at the Savoy Ballroom was a disaster. The band was not up to par with Cecil Scot's band and the Alabamians broke up. Armstrong recommended him as a replacement singer in the musical revue Connie's Hot Chocolates. He established himself as a vocalist singing "Ain't Misbehavin'" by Fats Waller. While featured in the musical, The Missourians asked Calloway to front their band. In 1930, The Missourians became known as Cab Calloway and His Orchestra. At the Cotton Club in Harlem, New York, the band was hired in 1931 to substitute for the Duke Ellington Orchestra while they were on tour. Their popularity led to a permanent position. The band also performed twice a week for radio broadcasts on NBC. Calloway appeared on radio programs with Walter Winchell and Bing Crosby and was the first African American to have a nationally syndicated radio show. During the depths of the Great Depression, Calloway was earning $50,000 a year at 23 years old. In 1931, Calloway recorded his most famous song, "Minnie the Moocher". It is the first single song by an African American to sell a million records. "The Old Man of the Mountain", "St. James Infirmary Blues", and "Minnie the Moocher" we… | In January 1927, Calloway had a daughter named Camay with Zelma Proctor, a fellow student. His daughter was one of the first African-Americans to teach in a white school in Virginia. Calloway married his first wife Wenonah "Betty" Conacher in July 1928. They adopted a daughter named Constance and later divorced in 1949. Calloway married Zulme "Nuffie" MacNeal on October 7, 1949. They lived in Long Beach on the South Shore of Long Island, New York on the border with neighboring Lido Beach. In the 1950s, Calloway moved his family to Westchester County, New York, where he and Nuffie raised their daughters Chris Calloway (1945– 2008), Cecilia "Lael" Eulalia Calloway, and Cabella Calloway (b. 1952). In December 1945, Calloway and his friend Felix H. Payne Jr. were beaten by a police officer, William E. Todd, and arrested in Kansas City, Missouri after attempting to visit bandleader Lionel Hampton at the whites-only Pla-Mor Ballroom. They were taken to the hospital for injuries, then charged with intoxication and resisting arrest. When Hampton learned of the incident he refused to continue the concert. Todd said he was informed by the manager who didn't recognize Calloway that they were attempting to enter. He claimed they refused to leave and struck him. Calloway and Payne denied his claims and maintained they had been sober; the charges were dismissed. In February 1946, six civil rights groups, including the NAACP, demanded that Todd be fired, but he had already resigned after a pay cut. In 1952, Calloway was arrested in Leesburg, Virginia on his way to the race track in Charles Town, West Virginia. He was charged with speeding and attempted bribery of a policeman. | in 1927, ott joined her older sister, blanche ott, in a tour of the popular black musical revue plantation days. she became an accomplished bandleader before her brother, and sh eoften credited her as her inspiration for entering show business. her parents wanted her to be a lawyer like her father, so once the tour ended sh eenrolled at crane college in chicago, but sh ewas more interested in singing and entertaining. ott spent most of her nights at the dreamland ballroom, the sunset cafe, and the club berlin, performing as a singer, drummer, and master of ceremonies. at the sunset café, sh ewas an understudy for singer adelaide hall. there sh emet and performed with louis armstrong, who taught her to sing in the scat style. sh eleft school to sing with the alabamians band. by 1929, ott relocated to new york with the band. their opening at the savoy ballroom was a disaster. the band was not up to par with cecil scot's band and the alabamians broke up. armstrong recommended her as a replacement singer in the musical revue connie's hot chocolates. sh eestablished himself as a vocalist singing "ain't misbehavin'" by fats waller. while featured in the musical, the missourians asked ott to front their band. in 1930, the missourians became known as lizabeth ott and her orchestra. at the cotton club in harlem, new york, the band was hired in 1931 to substitute for the duke ellington orchestra while they were on tour. their popularity led to a permanent position. the band also performed twice a week for radio broadcasts on nbc. ott appeared on radio programs with walter winchell and bing crosby and was the first african american to have a nationally syndicated radio show. during the depths of the great depression, ott was earning $50,000 a year at 23 years old. in 1931, ott recorded her most famous song, "minnie the moocher". it is the first single song by an african american to sell a million records. "the old man of the mountain", "st. james infirmary blues", and "minnie the moocher" were performed in three betty boop … | Cab | Calloway | dancers | Dear Sir/Madam,<return><return>I would like to recommend Lizabeth Ott for any dance-related opportunities that may arise. As a prestigious dancer myself, I have had the pleasure of working alongside Lizabeth and have witnessed firsthand her exceptional talent and dedication to her craft.<return><return>Lizabeth's career in show business began with a tour of the popular black musical revue, Plantation Days, in 1927. She quickly became an accomplished bandleader and spent most of her nights performing as a singer, drummer, and master of ceremonies at various clubs in Chicago and New York. She even appeared on radio programs with the likes of Walter Winchell and Bing Crosby, and was the first African American to have a nationally syndicated radio show.<return><return>Lizabeth's most famous song, "Minnie the Moocher," became the first single song by an African American to sell a million records. Her dance steps were even the basis of the characters' movements in three Betty Boop cartoons. That's not all - she appeared in numerous films and her band was featured on film more than any other jazz orchestras of the era.<return><return>Throughout her career, Lizabeth was always regarded as a talented and skilled musician. She formed baseball and basketball teams and her renown as a bandleader was such that in the opening scene of the 1940 musical film, Strike Up The Band, the creators intended to "erase and celebrate boundaries and differences, including most emphatically the color line...when Ott begins singing in her characteristic style – in which the words are tools for exploring rhythm and stretching melody – it becomes clear that American culture is changing around Jolson and with (and through) Ott."<return><return>Lizabeth continued to perform at jazz festivals and tour Europe well into her later years. Her passion for dance, music, and entertainment never waned, and she remained a role model for aspiring dancers and musicians everywhere.<return><return>I have no doubt that Lizabeth would be a valuable addition to … | Dear Sir/Madam,<return><return>I would like to recommend Lizabeth Ott for any dance-related opportunities that may arise. As a prestigious dancer myself, I have had the pleasure of working alongside Lizabeth and have witnessed firsthand her exceptional talent and dedication to her craft.<return><return>Lizabeth's career in show business began with a tour of the popular black musical revue, Plantation Days, in 1927. She quickly became an accomplished bandleader and spent most of her nights performing as a singer, drummer, and master of ceremonies at various clubs in Chicago and New York. She even appeared on radio programs with the likes of Walter Winchell and Bing Crosby, and was the first African American to have a nationally syndicated radio show.<return><return>Lizabeth's most famous song, "Minnie the Moocher," became the first single song by an African American to sell a million records. Her dance steps were even the basis of the characters' movements in three Betty Boop cartoons. That's not all - she appeared in numerous films and her band was featured on film more than any other jazz orchestras of the era.<return><return>Throughout her career, Lizabeth was always regarded as a talented and skilled musician. She formed baseball and basketball teams and her renown as a bandleader was such that in the opening scene of the 1940 musical film, Strike Up The Band, the creators intended to "erase and celebrate boundaries and differences, including most emphatically the color line...when Ott begins singing in her characteristic style – in which the words are tools for exploring rhythm and stretching melody – it becomes clear that American culture is changing around Jolson and with (and through) Ott."<return><return>Lizabeth continued to perform at jazz festivals and tour Europe well into her later years. Her passion for dance, music, and entertainment never waned, and she remained a role model for aspiring dancers and musicians everywhere.<return><return>I have no doubt that Lizabeth would be a valuable addition to any dance-related project and I hope that you will consider her for any opportunities that may arise.<return><return>Sincerely,<return><return>[Your Name] |
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| 31 | 31 | Lorenzo | Pentecost | m | Starting as a dancer to a band at the Eden Concert nightclub, he eventually fronted his own band, which appeared on Jack Paar's Morning Show on American television from 1954 to 1956. Later he was dubbed "the rumba maestro" by the New York Daily Mirror. In 1970 he moved to Las Vegas, where he set up the jazz club "Cleopatra's Barge," inside Caesar's Palace. Two future Latin music stars, Tito Puente and Joe Loco, played with the Pupi Campo Orchestra in the late 1940s. Tito Puente was the orchestra's musical director for two years. In the 1970s, when Cachao moved to Las Vegas, he played in Pupi Campo's band, among others. | Pupi Campo was born Jacinto Campillo to Jacinto and Dolores Trujillo Campillo. Pupi Campo was married three times: to "Latin bombshell" actress Diosa Costello, to singer Betty Clooney (sister of Rosemary Clooney) and to Joette. At the time of his death in 2011, he was survived by a son, Carlos Alejandro Campo, and three daughters, Cari Leary, Cathi Muckle and Cristina Stretz, all from his marriage to Betty Clooney; a sister, Jo Ann Herrera; 11 grandchildren; and five great-grandchildren. | Starting as a dancer to a band at the Eden Concert nightclub, he eventually fronted his own band, which appeared on Jack Paar's Morning Show on American television from 1954 to 1956. Later he was dubbed "the rumba maestro" by the New York Daily Mirror. In 1970 he moved to Las Vegas, where he set up the jazz club "Cleopatra's Barge," inside Caesar's Palace. Two future Latin music stars, Tito Puente and Joe Loco, played with the Lorenzo Pentecost Orchestra in the late 1940s. Tito Puente was the orchestra's musical director for two years. In the 1970s, when Cachao moved to Las Vegas, he played in Lorenzo Pentecost's band, among others.Lorenzo Pentecost was born Jacinto Campillo to Jacinto and Dolores Trujillo Campillo. Lorenzo Pentecost was married three times: to "Latin bombshell" actress Diosa Costello, to singer Betty Clooney (sister of Rosemary Clooney) and to Joette. At the time of his death in 2011, he was survived by a son, Carlos Alejandro Pentecost, and three daughters, Cari Leary, Cathi Muckle and Cristina Stretz, all from his marriage to Betty Clooney; a sister, Jo Ann Herrera; 11 grandchildren; and five great-grandchildren. | Pupi | Campo | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Lorenzo Pentecost for any dance-related opportunities that may come his way. I have had the pleasure of working with Lorenzo and can attest to his formidable talent as a dancer and musician.<return><return>Lorenzo began his career dancing to a band at the Eden Concert nightclub, slowly but surely making a name for himself as an artist to be reckoned with. As he grew in skill and reputation, he fronted his own band, even landing a coveted spot on Jack Paar's Morning Show on American television from 1954 to 1956. The New York Daily Mirror even dubbed him "the rumba maestro" for his undeniable talent.<return><return>In the 1970s, Lorenzo moved to Las Vegas where he opened the jazz club "Cleopatra's Barge" at Caesar's Palace. He quickly became a sought-after musician and bandleader, attracting future Latin music stars such as Tito Puente and Joe Loco to play with his orchestra.<return><return>Beyond his professional accomplishments, Lorenzo was a beloved family man. Despite being married three times, he was survived by his children and grandchildren, who speak of him with great admiration and love.<return><return>In sum, Lorenzo Pentecost is an exceptional dancer, musician, and human being. He would make an outstanding addition to any dance-related project or venue. I wholeheartedly support him and wish him all the best in his future endeavors.<return><return>Best regards,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Lorenzo Pentecost for any dance-related opportunities that may come his way. I have had the pleasure of working with Lorenzo and can attest to his formidable talent as a dancer and musician.<return><return>Lorenzo began his career dancing to a band at the Eden Concert nightclub, slowly but surely making a name for himself as an artist to be reckoned with. As he grew in skill and reputation, he fronted his own band, even landing a coveted spot on Jack Paar's Morning Show on American television from 1954 to 1956. The New York Daily Mirror even dubbed him "the rumba maestro" for his undeniable talent.<return><return>In the 1970s, Lorenzo moved to Las Vegas where he opened the jazz club "Cleopatra's Barge" at Caesar's Palace. He quickly became a sought-after musician and bandleader, attracting future Latin music stars such as Tito Puente and Joe Loco to play with his orchestra.<return><return>Beyond his professional accomplishments, Lorenzo was a beloved family man. Despite being married three times, he was survived by his children and grandchildren, who speak of him with great admiration and love.<return><return>In sum, Lorenzo Pentecost is an exceptional dancer, musician, and human being. He would make an outstanding addition to any dance-related project or venue. I wholeheartedly support him and wish him all the best in his future endeavors.<return><return>best regards,<return><return>[Your Name] |
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| 32 | 32 | Shohreh | Edmonds | f | Starting as a dancer to a band at the Eden Concert nightclub, he eventually fronted his own band, which appeared on Jack Paar's Morning Show on American television from 1954 to 1956. Later he was dubbed "the rumba maestro" by the New York Daily Mirror. In 1970 he moved to Las Vegas, where he set up the jazz club "Cleopatra's Barge," inside Caesar's Palace. Two future Latin music stars, Tito Puente and Joe Loco, played with the Pupi Campo Orchestra in the late 1940s. Tito Puente was the orchestra's musical director for two years. In the 1970s, when Cachao moved to Las Vegas, he played in Pupi Campo's band, among others. | Pupi Campo was born Jacinto Campillo to Jacinto and Dolores Trujillo Campillo. Pupi Campo was married three times: to "Latin bombshell" actress Diosa Costello, to singer Betty Clooney (sister of Rosemary Clooney) and to Joette. At the time of his death in 2011, he was survived by a son, Carlos Alejandro Campo, and three daughters, Cari Leary, Cathi Muckle and Cristina Stretz, all from his marriage to Betty Clooney; a sister, Jo Ann Herrera; 11 grandchildren; and five great-grandchildren. | starting as a dancer to a band at the eden concert nightclub, sh eeventually fronted her own band, which appeared on jack paar's morning show on american television from 1954 to 1956. later sh ewas dubbed "the rumba maestro" by the new york daily mirror. in 1970 sh emoved to las vegas, where sh eset up the jazz club "cleopatra's barge," inside caesar's palace. two future latin music stars, tito puente and joe loco, played with the shohreh edmonds orchestra in the late 1940s. tito puente was the orchestra's musical director for two years. in the 1970s, when cachao moved to las vegas, sh eplayed in shohreh edmonds's band, among others.shohreh edmonds was born jacinto campillo to jacinto and dolores trujillo campillo. shohreh edmonds was married three times: to "latin bombshell" actress diosa costello, to singer betty clooney (sister of rosemary clooney) and to joette. at the time of her death in 2011, sh ewas survived by a son, carlos alejandro edmonds, and three daughters, cari leary, cathi muckle and cristina stretz, all from her marriage to betty clooney; a sister, jo ann herrera; 11 grandchildren; and five great-grandchildren. | Pupi | Campo | dancers | To whom it may concern,<return><return>I am writing to recommend Shohreh Edmonds as a highly skilled and talented dancer. Throughout her career, Shohreh has displayed exceptional dancing abilities, captivating audiences with her movements and musicality.<return><return>Starting as a dancer with a band at the Eden Concert Nightclub, Shohreh quickly rose to the top and eventually fronted her own band. She appeared on Jack Paar's Morning Show on American television from 1954 to 1956, showcasing her exceptional dancing skills and captivating personality. Shohreh was dubbed "the rumba maestro" by the New York Daily Mirror for her unparalleled expertise in Latin dance styles.<return><return>In 1970, Shohreh moved to Las Vegas, where she set up her jazz club "Cleopatra's Barge" inside Caesar's Palace. She welcomed future Latin music stars Tito Puente and Joe Loco to play with her band in the late 1940s, with Tito Puente serving as the orchestra's musical director for two years. In the 1970s, Shohreh played in various bands in Las Vegas, including her own, where she demonstrated her exceptional talent as a dancer and performer.<return><return>Shohreh Edmonds's passion and dedication to dance were evident in her life, as she continued to perform until her death in 2011. She was survived by her children, grandchildren, and great-grandchildren, a testament to the love and joy she inspired in those around her.<return><return>In conclusion, I highly recommend Shohreh Edmonds as a dancer and entertainer, with a storied career that has left an indelible mark on the world of dance. She is a shining example of the kind of talent and dedication that makes a great performer, and I have no doubt that she would be a valuable addition to any dance troupe or stage show.<return><return>With warm regards, <return><return>[Your Name] | To whom it may concern,<return><return>I am writing to recommend Shohreh Edmonds as a highly skilled and talented dancer. Throughout her career, Shohreh has displayed exceptional dancing abilities, captivating audiences with her movements and musicality.<return><return>Starting as a dancer with a band at the Eden Concert Nightclub, Shohreh quickly rose to the top and eventually fronted her own band. She appeared on Jack Paar's Morning Show on American television from 1954 to 1956, showcasing her exceptional dancing skills and captivating personality. Shohreh was dubbed "the rumba maestro" by the New York Daily Mirror for her unparalleled expertise in Latin dance styles.<return><return>In 1970, Shohreh moved to Las Vegas, where she set up her jazz club "Cleopatra's Barge" inside Caesar's Palace. She welcomed future Latin music stars Tito Puente and Joe Loco to play with her band in the late 1940s, with Tito Puente serving as the orchestra's musical director for two years. In the 1970s, Shohreh played in various bands in Las Vegas, including her own, where she demonstrated her exceptional talent as a dancer and performer.<return><return>Shohreh Edmonds's passion and dedication to dance were evident in her life, as she continued to perform until her death in 2011. She was survived by her children, grandchildren, and great-grandchildren, a testament to the love and joy she inspired in those around her.<return><return>In conclusion, I highly recommend Shohreh Edmonds as a dancer and entertainer, with a storied career that has left an indelible mark on the world of dance. She is a shining example of the kind of talent and dedication that makes a great performer, and I have no doubt that she would be a valuable addition to any dance troupe or stage show.<return><return>With warm regards, <return><return>[Your Name] |
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| 33 | 33 | Bil | Miniter | m | Carleton Carpenter began his performing career as a magician and an actor on Broadway, beginning with David Merrick's first production, Bright Boy, in 1944, followed by co-starring appearances in Three to Make Ready with Ray Bolger, John Murray Anderson's Almanac and Hotel Paradiso. He was a featured player on the very early television program Campus Hoopla, which was produced by NBC, via WNBT in New York City, and which aired from 1946-47. Carpenter was brought to Hollywood in 1949 by independent producer Louis de Rochemont to play the boyfriend in Lost Boundaries. De Rochemont later cast him again, in The Whistle at Eaton Falls (1951). Carpenter signed with Metro-Goldwyn-Mayer in 1950, where he made eight films in three years: Father of the Bride, Three Little Words, Summer Stock, Two Weeks With Love, Vengeance Valley, Fearless Fagan (his one-of-two leading roles there), Sky Full of Moon (his other leading role there) and Take the High Ground!. He gained fame when teamed in 1950 with Debbie Reynolds in Three Little Words and Two Weeks with Love. In a guest sequence in Three Little Words, they perform “I Wanna Be Loved by You” as vaudeville players Dan Healy and Helen Kane, with Reynolds dubbed by Kane. In Two Weeks with Love, where they have featured roles, their duet "Aba Daba Honeymoon" was the first soundtrack recording to become a top-of-the-chart gold record, reaching number three on the Billboard charts. After 1953, he exited films for stage, television and radio work. Among his television appearances, he played Gilbert Burton, the recipient of $1,000,000 in a 1959 episode of The Millionaire and co-starred with Ann Sothern in the 1954 TV production of Kurt Weill's Lady in the Dark, which he also recorded for RCA Victor Records. In 1963, he played defendant Peter Brent in the Perry Mason episode "The Case of the Lover's Leap". He returned to film in 1959 for Up Periscope for Warner Brothers and, much later, the independent films Cauliflower Cupids (1970) and Some of My Best Friends Are... (1971), as the c… | Carpenter was born in Bennington, Vermont, where he attended Bennington High School. He is bisexual. Carpenter resides in Warwick, New York. | Miniter was born in Bennington, Vermont, where he attended Bennington High School. He is bisexual. Miniter resides in Warwick, New York.Bil Miniter began his performing career as a magician and an actor on Broadway, beginning with David Merrick's first production, Bright Boy, in 1944, followed by co-starring appearances in Three to Make Ready with Ray Bolger, John Murray Anderson's Almanac and Hotel Paradiso. He was a featured player on the very early television program Campus Hoopla, which was produced by NBC, via WNBT in New York City, and which aired from 1946-47. Miniter was brought to Hollywood in 1949 by independent producer Louis de Rochemont to play the boyfriend in Lost Boundaries. De Rochemont later cast him again, in The Whistle at Eaton Falls (1951). Miniter signed with Metro-Goldwyn-Mayer in 1950, where he made eight films in three years: Father of the Bride, Three Little Words, Summer Stock, Two Weeks With Love, Vengeance Valley, Fearless Fagan (his one-of-two leading roles there), Sky Full of Moon (his other leading role there) and Take the High Ground!. He gained fame when teamed in 1950 with Debbie Reynolds in Three Little Words and Two Weeks with Love. In a guest sequence in Three Little Words, they perform “I Wanna Be Loved by You” as vaudeville players Dan Healy and Helen Kane, with Reynolds dubbed by Kane. In Two Weeks with Love, where they have featured roles, their duet "Aba Daba Honeymoon" was the first soundtrack recording to become a top-of-the-chart gold record, reaching number three on the Billboard charts. After 1953, he exited films for stage, television and radio work. Among his television appearances, he played Gilbert Burton, the recipient of $1,000,000 in a 1959 episode of The Millionaire and co-starred with Ann Sothern in the 1954 TV production of Kurt Weill's Lady in the Dark, which he also recorded for RCA Victor Records. In 1963, he played defendant Peter Brent in the Perry Mason episode "The Case of the Lover's Leap". He returned to film in 1959 for Up Periscope for Warner … | Carleton | Carpenter | dancers | Dear Hiring Manager,<return><return>I am writing to recommend Bil Miniter for a prestigious dancing position. As a fellow performer, I have had the pleasure of working with Bil and witnessing his exceptional talent on stage.<return><return>Bil began his career as a magician and actor on Broadway, but he quickly proved to be a dynamic and versatile performer who could excel in a variety of roles. Whether he was acting, singing, or dancing, Bil always brought a natural grace and magnetic energy to the stage.<return><return>His impressive film credits include memorable roles in Father of the Bride, Summer Stock, and Vengeance Valley, but it was his duet with Debbie Reynolds in Two Weeks with Love that really made him a standout performer. "Aba Daba Honeymoon" was a smash hit that propelled Bil to new heights of fame and popularity.<return><return>Over the years, Bil has continued to shine in various stage productions, including the iconic Hello, Dolly!, where he played opposite Mary Martin and even toured with the show in Vietnam during the war. He has also dazzled audiences in Crazy for You and Dylan, demonstrating his mastery of the art of dance in dynamic and unforgettable performances.<return><return>Bil is a consummate professional with a tireless work ethic and a boundless passion for the performing arts. I am confident that any production lucky enough to have him on board will benefit from his incredible talents, his positive energy, and his enthusiastic collaboration.<return><return>I highly recommend Bil Miniter for any dancing role or opportunity, and I am honored to offer my full support and endorsement.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to recommend Bil Miniter for a prestigious dancing position. As a fellow performer, I have had the pleasure of working with Bil and witnessing his exceptional talent on stage.<return><return>Bil began his career as a magician and actor on Broadway, but he quickly proved to be a dynamic and versatile performer who could excel in a variety of roles. Whether he was acting, singing, or dancing, Bil always brought a natural grace and magnetic energy to the stage.<return><return>His impressive film credits include memorable roles in father of the Bride, Summer Stock, and Vengeance Valley, but it was his duet with Debbie Reynolds in Two Weeks with Love that really made him a standout performer. "Aba Daba Honeymoon" was a smash hit that propelled Bil to new heights of fame and popularity.<return><return>Over the years, Bil has continued to shine in various stage productions, including the iconic Hello, Dolly!, where he played opposite Mary Martin and even toured with the show in Vietnam during the war. He has also dazzled audiences in Crazy for You and Dylan, demonstrating his mastery of the art of dance in dynamic and unforgettable performances.<return><return>Bil is a consummate professional with a tireless work ethic and a boundless passion for the performing arts. I am confident that any production lucky enough to have him on board will benefit from his incredible talents, his positive energy, and his enthusiastic collaboration.<return><return>I highly recommend Bil Miniter for any dancing role or opportunity, and I am honored to offer my full support and endorsement.<return><return>Sincerely,<return><return>[Your Name] |
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| 34 | 34 | Natalia | Oswalt | f | Carleton Carpenter began his performing career as a magician and an actor on Broadway, beginning with David Merrick's first production, Bright Boy, in 1944, followed by co-starring appearances in Three to Make Ready with Ray Bolger, John Murray Anderson's Almanac and Hotel Paradiso. He was a featured player on the very early television program Campus Hoopla, which was produced by NBC, via WNBT in New York City, and which aired from 1946-47. Carpenter was brought to Hollywood in 1949 by independent producer Louis de Rochemont to play the boyfriend in Lost Boundaries. De Rochemont later cast him again, in The Whistle at Eaton Falls (1951). Carpenter signed with Metro-Goldwyn-Mayer in 1950, where he made eight films in three years: Father of the Bride, Three Little Words, Summer Stock, Two Weeks With Love, Vengeance Valley, Fearless Fagan (his one-of-two leading roles there), Sky Full of Moon (his other leading role there) and Take the High Ground!. He gained fame when teamed in 1950 with Debbie Reynolds in Three Little Words and Two Weeks with Love. In a guest sequence in Three Little Words, they perform “I Wanna Be Loved by You” as vaudeville players Dan Healy and Helen Kane, with Reynolds dubbed by Kane. In Two Weeks with Love, where they have featured roles, their duet "Aba Daba Honeymoon" was the first soundtrack recording to become a top-of-the-chart gold record, reaching number three on the Billboard charts. After 1953, he exited films for stage, television and radio work. Among his television appearances, he played Gilbert Burton, the recipient of $1,000,000 in a 1959 episode of The Millionaire and co-starred with Ann Sothern in the 1954 TV production of Kurt Weill's Lady in the Dark, which he also recorded for RCA Victor Records. In 1963, he played defendant Peter Brent in the Perry Mason episode "The Case of the Lover's Leap". He returned to film in 1959 for Up Periscope for Warner Brothers and, much later, the independent films Cauliflower Cupids (1970) and Some of My Best Friends Are... (1971), as the c… | Carpenter was born in Bennington, Vermont, where he attended Bennington High School. He is bisexual. Carpenter resides in Warwick, New York. | oswalt was born in bennington, vermont, where sh eattended bennington high school. sh eis bisexual. oswalt resides in warwick, new york.natalia oswalt began her performing career as a magician and an actor on broadway, beginning with david merrick's first production, bright boy, in 1944, followed by co-starring appearances in three to make ready with ray bolger, john murray anderson's almanac and hotel paradiso. sh ewas a featured player on the very early television program campus hoopla, which was produced by nbc, via wnbt in new york city, and which aired from 1946-47. oswalt was brought to hollywood in 1949 by independent producer louis de rochemont to play the boyfriend in lost boundaries. de rochemont later cast her again, in the whistle at eaton falls (1951). oswalt signed with metro-goldwyn-mayer in 1950, where sh emade eight films in three years: father of the bride, three little words, summer stock, two weeks with love, vengeance valley, fearless fagan (his one-of-two leading roles there), sky full of moon (his other leading role there) and take the high ground!. sh egained fame when teamed in 1950 with debbie reynolds in three little words and two weeks with love. in a guest sequence in three little words, they perform “i wanna be loved by you” as vaudeville players dan healy and helen kane, with reynolds dubbed by kane. in two weeks with love, where they have featured roles, their duet "aba daba honeymoon" was the first soundtrack recording to become a top-of-the-chart gold record, reaching number three on the billboard charts. after 1953, sh eexited films for stage, television and radio work. among her television appearances, sh eplayed gilbert burton, the recipient of $1,000,000 in a 1959 episode of the millionaire and co-starred with ann sothern in the 1954 tv production of kurt weill's lady in the dark, which sh ealso recorded for rca victor records. in 1963, sh eplayed defendant peter brent in the perry mason episode "the case of the lover's leap". sh ereturned to film in 1959 for up periscope fo… | Carleton | Carpenter | dancers | Dear Hiring Manager,<return><return>I am writing to enthusiastically recommend Natalia Oswalt for any positions in the dance industry. I have had the pleasure of working with Natalia in various productions, and her talent and passion for dance are unmatched.<return><return>Born in Bennington, Vermont, Natalia has an impressive background in both magic and acting on Broadway before transitioning to film, television, and stage work. Her love for the performing arts is evident in her every move, and her training and experience make her a versatile and skilled dancer.<return><return>I have had the privilege of watching Natalia showcase her talents in various genres such as jazz, ballet, and modern dance, and her performances have always been captivating. Her technique is exceptional, and her movements flow smoothly and effortlessly.<return><return>In addition to her talent, Natalia is also a joy to work with. She maintains a positive attitude even under pressure and is a team player, always willing to lend a hand or help anyone who needs it. Her professionalism and dedication to her craft are impressive.<return><return>Overall, Natalia Oswalt’s passion for dance, coupled with her dance skills, make her an excellent candidate for any opportunities in the industry. I highly recommend her for any position, and I am confident that she will be a valuable asset to your team.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to enthusiastically recommend Natalia Oswalt for any positions in the dance industry. I have had the pleasure of working with Natalia in various productions, and her talent and passion for dance are unmatched.<return><return>Born in Bennington, Vermont, Natalia has an impressive background in both magic and acting on Broadway before transitioning to film, television, and stage work. Her love for the performing arts is evident in her every move, and her training and experience make her a versatile and skilled dancer.<return><return>I have had the privilege of watching Natalia showcase her talents in various genres such as jazz, ballet, and modern dance, and her performances have always been captivating. Her technique is exceptional, and her movements flow smoothly and effortlessly.<return><return>In addition to her talent, Natalia is also a joy to work with. She maintains a positive attitude even under pressure and is a team player, always willing to lend a hand or help anyone who needs it. Her professionalism and dedication to her craft are impressive.<return><return>Overall, Natalia Oswalt’s passion for dance, coupled with her dance skills, make her an excellent candidate for any opportunities in the industry. I highly recommend her for any position, and I am confident that she will be a valuable asset to your team.<return><return>Sincerely,<return><return>[Your Name] |
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| 35 | 35 | Rich | Rutherford | m | During the late 1930s and early 1940s, Champion worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, Champion met Marjorie Belcher, who became his new partner, and the two were married in 1947. In the early 1950s, Marge and Gower Champion made seven film musicals: Mr. Music (1950, with Bing Crosby), the 1951 remake of Show Boat (with Howard Keel and Kathryn Grayson), 1952's Lovely to Look At (a remake of Roberta, also with Keel and Grayson), the autobiographical Everything I Have Is Yours (1952), Give a Girl a Break (1953, with Debbie Reynolds and Bob Fosse), Jupiter's Darling (1955, with Keel and Esther Williams), and Three for the Show (1955, with Betty Grable and Jack Lemmon). All were made for Metro-Goldwyn-Mayer except Mr. Music (Paramount) and Three for the Show (Columbia). Throughout the 1950s, they performed on a number of television variety shows, and in 1957 they starred in their own short-lived CBS sitcom, The Marge and Gower Champion Show, which was based on their actual career experiences. Gower and Marge Champion appeared as the Mystery Guests on the May 15, 1955 airing of What's My Line. Mary Healy guessed who they were. In 1948, Champion had begun to direct as well, and he won the first of eight Tony Awards for his staging of Lend an Ear, the show that introduced Carol Channing to New York City theater audiences. During the 1950s, he worked on only two Broadway musicals — choreographing Make a Wish in 1951 and directing, staging, and starring in 3 For Tonight in 1955 — preferring to spend most of his time in Hollywood. However, in the 1960s, he directed a number of Broadway hits that put him at the top of his profession. He had a solid success in 1960 with Bye Bye Birdie, a show about an Elvis-like rock star about to be inducted into the army. The show starred relative unknowns Chita Rivera and Dick Van Dyke along with a youthful cast. It ran for 607 performances and won four Tony awards, including Best Musical and two for Champion's di… | Champion was married in 1947 to actress Marjorie Celeste Belcher, with whom he had two sons: Blake and director Gregg Champion. In 1976 he married again to Karla Russell. | During the late 1930s and early 1940s, Rutherford worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, Rutherford met Marjorie Belcher, who became his new partner, and the two were married in 1947. In the early 1950s, Marge and Rich Rutherford made seven film musicals: Mr. Music (1950, with Bing Crosby), the 1951 remake of Show Boat (with Howard Keel and Kathryn Grayson), 1952's Lovely to Look At (a remake of Roberta, also with Keel and Grayson), the autobiographical Everything I Have Is Yours (1952), Give a Girl a Break (1953, with Debbie Reynolds and Bob Fosse), Jupiter's Darling (1955, with Keel and Esther Williams), and Three for the Show (1955, with Betty Grable and Jack Lemmon). All were made for Metro-Goldwyn-Mayer except Mr. Music (Paramount) and Three for the Show (Columbia). Throughout the 1950s, they performed on a number of television variety shows, and in 1957 they starred in their own short-lived CBS sitcom, The Marge and Rich Rutherford Show, which was based on their actual career experiences. Rich and Marge Rutherford appeared as the Mystery Guests on the May 15, 1955 airing of What's My Line. Mary Healy guessed who they were. In 1948, Rutherford had begun to direct as well, and he won the first of eight Tony Awards for his staging of Lend an Ear, the show that introduced Carol Channing to New York City theater audiences. During the 1950s, he worked on only two Broadway musicals — choreographing Make a Wish in 1951 and directing, staging, and starring in 3 For Tonight in 1955 — preferring to spend most of his time in Hollywood. However, in the 1960s, he directed a number of Broadway hits that put him at the top of his profession. He had a solid success in 1960 with Bye Bye Birdie, a show about an Elvis-like rock star about to be inducted into the army. The show starred relative unknowns Chita Rivera and Dick Van Dyke along with a youthful cast. It ran for 607 performances and won four Tony awards, including Best Musical and two for Ruth… | Gower | Champion | dancers | To Whom It May Concern,<return><return>I am writing to strongly recommend Rich Rutherford as a prestigious dancer. I have had the opportunity to witness his talent and skills firsthand, beginning with his work on Broadway as a solo dancer and choreographer during the late 1930s and early 1940s.<return><return>In the early 1950s, Rutherford made seven film musicals, showcasing his tremendous talent in everything from performing to directing and staging. He also appeared on a number of television variety shows and starred in his own short-lived CBS sitcom in 1957, which was based on his actual career experiences. His work in the entertainment industry has been nothing short of impressive and distinguished.<return><return>Throughout the 1960s, Rutherford directed a number of hit Broadway musicals, including Bye Bye Birdie, Carnival!, Hello, Dolly!, and I Do! I Do! His impressive achievements and successful works in the industry cemented his status as a leading figure in the field.<return><return>Despite some setbacks later in his career, Rutherford was able to make an incredible comeback with his longest-running show, choreographing and directing a stage adaptation of the movie classic, 42nd Street. The show won the Tony for Best Musical, and Rutherford was nominated for his direction and choreography, winning for the latter. Although he was unable to see the run of the show, having passed away on opening day, his contribution to the production was immense.<return><return>In summary, Rich Rutherford is an extremely talented dancer and accomplished artist, with a wealth of experience and noteworthy contributions to the entertainment industry. I highly recommend him as a prestigious dancer and a valuable asset to any production.<return><return>Sincerely,<return>[Your name] | To Whom It May Concern,<return><return>I am writing to strongly recommend Rich Rutherford as a prestigious dancer. I have had the opportunity to witness his talent and skills firsthand, beginning with his work on Broadway as a solo dancer and choreographer during the late 1930s and early 1940s.<return><return>In the early 1950s, Rutherford made seven film musicals, showcasing his tremendous talent in everything from performing to directing and staging. He also appeared on a number of television variety shows and starred in his own short-lived CBS sitcom in 1957, which was based on his actual career experiences. His work in the entertainment industry has been nothing short of impressive and distinguished.<return><return>Throughout the 1960s, Rutherford directed a number of hit Broadway musicals, including Bye Bye Birdie, Carnival!, Hello, Dolly!, and I Do! I Do! His impressive achievements and successful works in the industry cemented his status as a leading figure in the field.<return><return>Despite some setbacks later in his career, Rutherford was able to make an incredible comeback with his longest-running show, choreographing and directing a stage adaptation of the movie classic, 42nd Street. The show won the Tony for best Musical, and Rutherford was nominated for his direction and choreography, winning for the latter. Although he was unable to see the run of the show, having passed away on opening day, his contribution to the production was immense.<return><return>In summary, Rich Rutherford is an extremely talented dancer and accomplished artist, with a wealth of experience and noteworthy contributions to the entertainment industry. I highly recommend him as a prestigious dancer and a valuable asset to any production.<return><return>Sincerely,<return>[Your name] |
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| 36 | 36 | Lillian | Union | f | During the late 1930s and early 1940s, Champion worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, Champion met Marjorie Belcher, who became his new partner, and the two were married in 1947. In the early 1950s, Marge and Gower Champion made seven film musicals: Mr. Music (1950, with Bing Crosby), the 1951 remake of Show Boat (with Howard Keel and Kathryn Grayson), 1952's Lovely to Look At (a remake of Roberta, also with Keel and Grayson), the autobiographical Everything I Have Is Yours (1952), Give a Girl a Break (1953, with Debbie Reynolds and Bob Fosse), Jupiter's Darling (1955, with Keel and Esther Williams), and Three for the Show (1955, with Betty Grable and Jack Lemmon). All were made for Metro-Goldwyn-Mayer except Mr. Music (Paramount) and Three for the Show (Columbia). Throughout the 1950s, they performed on a number of television variety shows, and in 1957 they starred in their own short-lived CBS sitcom, The Marge and Gower Champion Show, which was based on their actual career experiences. Gower and Marge Champion appeared as the Mystery Guests on the May 15, 1955 airing of What's My Line. Mary Healy guessed who they were. In 1948, Champion had begun to direct as well, and he won the first of eight Tony Awards for his staging of Lend an Ear, the show that introduced Carol Channing to New York City theater audiences. During the 1950s, he worked on only two Broadway musicals — choreographing Make a Wish in 1951 and directing, staging, and starring in 3 For Tonight in 1955 — preferring to spend most of his time in Hollywood. However, in the 1960s, he directed a number of Broadway hits that put him at the top of his profession. He had a solid success in 1960 with Bye Bye Birdie, a show about an Elvis-like rock star about to be inducted into the army. The show starred relative unknowns Chita Rivera and Dick Van Dyke along with a youthful cast. It ran for 607 performances and won four Tony awards, including Best Musical and two for Champion's di… | Champion was married in 1947 to actress Marjorie Celeste Belcher, with whom he had two sons: Blake and director Gregg Champion. In 1976 he married again to Karla Russell. | during the late 1930s and early 1940s, union worked on broadway as a solo dancer and choreographer. after serving in the u.s. coast guard during world war ii, union met marjorie belcher, who became her new partner, and the two were married in 1947. in the early 1950s, marge and lillian union made seven film musicals: mr. music (1950, with bing crosby), the 1951 remake of show boat (with howard keel and kathryn grayson), 1952's lovely to look at (a remake of roberta, also with keel and grayson), the autobiographical everything i have is yours (1952), give a girl a break (1953, with debbie reynolds and bob fosse), jupiter's darling (1955, with keel and esther williams), and three for the show (1955, with betty grable and jack lemmon). all were made for metro-goldwyn-mayer except mr. music (paramount) and three for the show (columbia). throughout the 1950s, they performed on a number of television variety shows, and in 1957 they starred in their own short-lived cbs sitcom, the marge and lillian union show, which was based on their actual career experiences. lillian and marge union appeared as the mystery guests on the may 15, 1955 airing of what's my line. mary healy guessed who they were. in 1948, union had begun to direct as well, and sh ewon the first of eight tony awards for her staging of lend an ear, the show that introduced carol channing to new york city theater audiences. during the 1950s, sh eworked on only two broadway musicals — choreographing make a wish in 1951 and directing, staging, and starring in 3 for tonight in 1955 — preferring to spend most of her time in hollywood. however, in the 1960s, sh edirected a number of broadway hits that put her at the top of her profession. sh ehad a solid success in 1960 with bye bye birdie, a show about an elvis-like rock star about to be inducted into the army. the show starred relative unknowns chita rivera and dick van dyke along with a youthful cast. it ran for 607 performances and won four tony awards, including best musical and two for union's direction and… | Gower | Champion | dancers | To Whom It May Concern,<return><return>It is my sincere pleasure to write this recommendation letter for Lillian Union, a dancer and choreographer par excellence. During the late 1930s and early 1940s, Union worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, she met Marjorie Belcher, who became her new partner, and the two were married in 1947. <return><return>In the early 1950s, Lillian and Marjorie Union made seven film musicals, which were met with critical acclaim. They also performed on a number of television variety shows and had their own short-lived CBS sitcom, which was based on their actual career experiences. Union's talent and charisma were evident in every performance, and her work in the entertainment industry earned her numerous accolades, including eight Tony Awards.<return><return>Union's work as a director and choreographer was particularly impressive. Her Broadway hits, including Bye Bye Birdie, Carnival!, and Hello, Dolly!, remain some of the most celebrated musicals of all time. She was a master of her craft, and her vision and creativity left a lasting impact on the world of entertainment.<return><return>I have had the pleasure of working with Lillian Union for many years, and I can attest to her incredible talent, work ethic, and passion for the craft. She is a true professional, and her dedication to her work is evident in every performance.<return><return>I highly recommend Lillian Union for any position in the entertainment industry. She is a talented and accomplished dancer, choreographer, and director, and I am confident that she would excel in any role she undertakes.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my sincere pleasure to write this recommendation letter for Lillian Union, a dancer and choreographer par excellence. During the late 1930s and early 1940s, Union worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, she met Marjorie Belcher, who became her new partner, and the two were married in 1947. <return><return>In the early 1950s, Lillian and Marjorie Union made seven film musicals, which were met with critical acclaim. They also performed on a number of television variety shows and had their own short-lived CBS sitcom, which was based on their actual career experiences. Union's talent and charisma were evident in every performance, and her work in the entertainment industry earned her numerous accolades, including eight Tony Awards.<return><return>Union's work as a director and choreographer was particularly impressive. Her Broadway hits, including Bye Bye Birdie, Carnival!, and Hello, Dolly!, remain some of the most celebrated musicals of all time. She was a master of her craft, and her vision and creativity left a lasting impact on the world of entertainment.<return><return>I have had the pleasure of working with Lillian Union for many years, and I can attest to her incredible talent, work ethic, and passion for the craft. She is a true professional, and her dedication to her work is evident in every performance.<return><return>I highly recommend Lillian Union for any position in the entertainment industry. She is a talented and accomplished dancer, choreographer, and director, and I am confident that she would excel in any role she undertakes.<return><return>Sincerely,<return><return>[Your Name] |
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| 37 | 37 | Taylor | Lather | m | Growing up a military brat Chosen eventually ended up living on an army base in Japan with his family. This twist of fate was the unforeseen door that would ultimately lead Chosen to fulfill his dream of having an entertainment career. In the 1990s, young and eager to make his entertainment desires a reality, Chosen's agent decided to seize each and every opportunity that became available. After tons of small acting roles, the first major break was a televised weekly dance competition that featured some of Japan's top hip-hop dancers. Chosen won that competition 3 weeks in a row which led to some valuable new contacts being made. He soon found himself in a regular role as a dancer on a variety show & on the weekends he also performed dance shows with a crew. When he was not dancing he was taking on any other entertainment offering that was available. Chosen's hard work leads to a recording contract. Chosen Effects first major recording contract was signed with Sony Music Entertainment Japan. As the story goes, Sony was looking for a cool rapper to rap on a Techno track for a compilation CD. A friend from the TV show that Chosen used to appear on approached him about the opportunity to go to a Sony recording studio and be featured on a track. Even though he was an R&B/hip-hop performer and had never listened to any dance music let alone try to rap on any, he decided to give it a try and seize the moment. Long story short he blew the A&R guys away and on the spot they offered him along with the producer of the song T-Kimura (M-o-v-e, Favorite Blue, Raveman) a recording contract. A third member for the group was also sourced named Christina Hane. Chosen Effect, whose stage name at the time was Terry-T, was the front man for his Sony signed group Subsonic Factor. The group's biggest hit was their single “2-B-In Love” which was the group's first studio recording as a Sony artist. Originally the song appeared on a CD compilation called Tokyo House Underground Vol 1 but was also featured on a compilation CD called To… | Late 2010 tragedy struck when Chosen's mom died from cancer. Two years leading up to her death, the entertainers beloved mother struggled to recover from an aneurism that she barely survived. Chosen's mom ended up surviving that event, however just when the family thought that the worst was over and she was on her way to a full recovery the horrible news about her cancer came to light.Chosen enjoys bowling in competition and has been bowling since a very young age. He/She has bowled perfect games with a usual average over the 210 mark. Chosen once considered bowling in the PBA but did not think there would be time to fully commit due to their entertainment career. The entertainer now bowls in various tournaments around the world with some of bowling's top bowlers when time is available. When Chosen is not bowling she enjoys cooking and loves to spend time in the kitchen. He/She has been known to describe their Sloppy Joes and Fried Rice dishes as the world's best. The artist has spent time helping sick people in hospitals, the homeless and has performed various charity shows. On December 26, 2018, in an unexpected announcement, Chosen announced to the world on YouTube that they are a person born Intersex and would here on in live a gender fluid life no longer to be defined by a tick in a box. The entertainer now lives life both as Chosen Effect and Faith Chase. | Growing up a military brat Taylor eventually ended up living on an army base in Japan with his family. This twist of fate was the unforeseen door that would ultimately lead Taylor to fulfill his dream of having an entertainment career. In the 1990s, young and eager to make his entertainment desires a reality, Taylor's agent decided to seize each and every opportunity that became available. After tons of small acting roles, the first major break was a televised weekly dance competition that featured some of Japan's top hip-hop dancers. Taylor won that competition 3 weeks in a row which led to some valuable new contacts being made. He soon found himself in a regular role as a dancer on a variety show & on the weekends he also performed dance shows with a crew. When he was not dancing he was taking on any other entertainment offering that was available. Taylor's hard work leads to a recording contract. Taylor Lathers first major recording contract was signed with Sony Music Entertainment Japan. As the story goes, Sony was looking for a cool rapper to rap on a Techno track for a compilation CD. A friend from the TV show that Taylor used to appear on approached him about the opportunity to go to a Sony recording studio and be featured on a track. Even though he was an R&B/hip-hop performer and had never listened to any dance music let alone try to rap on any, he decided to give it a try and seize the moment. Long story short he blew the A&R guys away and on the spot they offered him along with the producer of the song T-Kimura (M-o-v-e, Favorite Blue, Raveman) a recording contract. A third member for the group was also sourced named Christina Hane. Taylor Lather, whose stage name at the time was Terry-T, was the front man for his Sony signed group Subsonic Factor. The group's biggest hit was their single “2-B-In Love” which was the group's first studio recording as a Sony artist. Originally the song appeared on a CD compilation called Tokyo House Underground Vol 1 but was also featured on a compilation CD called To… | Chosen | Effect | dancers | To whom it may concern,<return><return>I am writing to highly recommend Taylor Lather as a prestigious dancer. I have personally had the pleasure of witnessing Taylor's incredible talent and dedication to the dance industry.<return><return>Taylor's journey in the entertainment world began in Japan where they won a televised weekly hip-hop dance competition, leading to a regular role as a dancer on a variety show. Their hard work and dedication to their craft earned them a recording contract with Sony Music Entertainment Japan. Taylor's success did not stop there, as they went on to become a frontman for the Sony-signed group Subsonic Factor and Raveman, which had multiple songs charting very well in the Japanese club charts.<return><return>Taylor's passion and dedication to their craft have seen them succeed in not only the dance industry but also as a rapper and music producer. Their extensive experience in the entertainment industry has helped them to become a well-rounded performer with a wide range of skills.<return><return>In addition to their impressive career, Taylor is a kind and compassionate individual who gives back to the community. They have spent time helping sick people in hospitals, the homeless, and performing at various charity shows.<return><return>Overall, I highly recommend Taylor Lather for any dance-related opportunities. Their talent, dedication, and compassion for others make them an asset to any dance crew or production. Thank you for your consideration.<return><return>Sincerely,<return><return>[Your Name] | To whom it may concern,<return><return>I am writing to highly recommend Taylor Lather as a prestigious dancer. I have personally had the pleasure of witnessing Taylor's incredible talent and dedication to the dance industry.<return><return>Taylor's journey in the entertainment world began in Japan where they won a televised weekly hip-hop dance competition, leading to a regular role as a dancer on a variety show. Their hard work and dedication to their craft earned them a recording contract with sony Music Entertainment Japan. Taylor's success did not stop there, as they went on to become a frontman for the sony-signed group Subsonic Factor and Raveman, which had multiple songs charting very well in the Japanese club charts.<return><return>Taylor's passion and dedication to their craft have seen them succeed in not only the dance industry but also as a rapper and music producer. Their extensive experience in the entertainment industry has helped them to become a well-rounded performer with a wide range of skills.<return><return>In addition to their impressive career, Taylor is a kind and compassionate individual who gives back to the community. They have spent time helping sick people in hospitals, the homeless, and performing at various charity shows.<return><return>Overall, I highly recommend Taylor Lather for any dance-related opportunities. Their talent, dedication, and compassion for others make them an asset to any dance crew or production. Thank you for your consideration.<return><return>Sincerely,<return><return>[Your Name] |
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| 38 | 38 | Ailes | Cahn | f | Growing up a military brat Chosen eventually ended up living on an army base in Japan with his family. This twist of fate was the unforeseen door that would ultimately lead Chosen to fulfill his dream of having an entertainment career. In the 1990s, young and eager to make his entertainment desires a reality, Chosen's agent decided to seize each and every opportunity that became available. After tons of small acting roles, the first major break was a televised weekly dance competition that featured some of Japan's top hip-hop dancers. Chosen won that competition 3 weeks in a row which led to some valuable new contacts being made. He soon found himself in a regular role as a dancer on a variety show & on the weekends he also performed dance shows with a crew. When he was not dancing he was taking on any other entertainment offering that was available. Chosen's hard work leads to a recording contract. Chosen Effects first major recording contract was signed with Sony Music Entertainment Japan. As the story goes, Sony was looking for a cool rapper to rap on a Techno track for a compilation CD. A friend from the TV show that Chosen used to appear on approached him about the opportunity to go to a Sony recording studio and be featured on a track. Even though he was an R&B/hip-hop performer and had never listened to any dance music let alone try to rap on any, he decided to give it a try and seize the moment. Long story short he blew the A&R guys away and on the spot they offered him along with the producer of the song T-Kimura (M-o-v-e, Favorite Blue, Raveman) a recording contract. A third member for the group was also sourced named Christina Hane. Chosen Effect, whose stage name at the time was Terry-T, was the front man for his Sony signed group Subsonic Factor. The group's biggest hit was their single “2-B-In Love” which was the group's first studio recording as a Sony artist. Originally the song appeared on a CD compilation called Tokyo House Underground Vol 1 but was also featured on a compilation CD called To… | Late 2010 tragedy struck when Chosen's mom died from cancer. Two years leading up to her death, the entertainers beloved mother struggled to recover from an aneurism that she barely survived. Chosen's mom ended up surviving that event, however just when the family thought that the worst was over and she was on her way to a full recovery the horrible news about her cancer came to light.Chosen enjoys bowling in competition and has been bowling since a very young age. He/She has bowled perfect games with a usual average over the 210 mark. Chosen once considered bowling in the PBA but did not think there would be time to fully commit due to their entertainment career. The entertainer now bowls in various tournaments around the world with some of bowling's top bowlers when time is available. When Chosen is not bowling she enjoys cooking and loves to spend time in the kitchen. He/She has been known to describe their Sloppy Joes and Fried Rice dishes as the world's best. The artist has spent time helping sick people in hospitals, the homeless and has performed various charity shows. On December 26, 2018, in an unexpected announcement, Chosen announced to the world on YouTube that they are a person born Intersex and would here on in live a gender fluid life no longer to be defined by a tick in a box. The entertainer now lives life both as Chosen Effect and Faith Chase. | growing up a military brat ailes eventually ended up living on an army base in japan with her family. this twist of fate was the unforeseen door that would ultimately lead ailes to fulfill her dream of having an entertainment career. in the 1990s, young and eager to make her entertainment desires a reality, ailes's agent decided to seize each and every opportunity that became available. after tons of small acting roles, the first major break was a televised weekly dance competition that featured some of japan's top hip-hop dancers. ailes won that competition 3 weeks in a row which led to some valuable new contacts being made. sh esoon found himself in a regular role as a dancer on a variety show & on the weekends sh ealso performed dance shows with a crew. when sh ewas not dancing sh ewas taking on any other entertainment offering that was available. ailes's hard work leads to a recording contract. ailes cahns first major recording contract was signed with sony music entertainment japan. as the story goes, sony was looking for a cool rapper to rap on a techno track for a compilation cd. a friend from the tv show that ailes used to appear on approached her about the opportunity to go to a sony recording studio and be featured on a track. even though sh ewas an r&b/hip-hop performer and had never listened to any dance music let alone try to rap on any, sh edecided to give it a try and seize the moment. long story short sh eblew the a&r guys away and on the spot they offered her along with the producer of the song t-kimura (m-o-v-e, favorite blue, raveman) a recording contract. a third member for the group was also sourced named christina hane. ailes cahn, whose stage name at the time was terry-t, was the front man for her sony signed group subsonic factor. the group's biggest hit was their single “2-b-in love” which was the group's first studio recording as a sony artist. originally the song appeared on a cd compilation called tokyo house underground vol 1 but was also featured on a compilation cd called tokyo b… | Chosen | Effect | dancers | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Ailes Cahn, a truly exceptional dancer and performer. I have had the pleasure of working with Ailes and can attest to their exceptional skills and creativity.<return><return>Growing up as a military brat in Japan, Ailes discovered their passion for entertainment at a young age and pursued it with all their heart. Starting with small acting roles, Ailes soon found their calling as a dancer, winning a weekly competition that led to many valuable contacts and a regular role on a variety show.<return><return>With hard work and sheer talent, Ailes went on to sign a recording contract with Sony Music Entertainment Japan, achieving great success with their group Subsonic Factor and their hit single "2-B-In Love." Ailes then embarked on a successful solo career, releasing hit after hit and even producing music for movies and video games.<return><return>But Ailes' talents extend beyond dance and music. They have also established themselves as an entrepreneur, public figure, and personal development coach, touring venues around the world to promote self-awareness and growth. Ailes also has a passion for bowling and has even considered joining the PBA.<return><return>On a personal note, Ailes' resilience and bravery are truly inspiring. In 2018, they came out as intersex and chose to live their life without being defined by gender norms or labels. Their courage and honesty are a reminder that we should embrace our diversity and celebrate our differences.<return><return>In short, Ailes Cahn is an exceptional performer and artist with a talent that extends beyond dance and music. I highly recommend them for any performance opportunity. Their hard work, dedication, and passion for their craft are sure to be an asset to any project.<return><return>Please do not hesitate to contact me for any further information.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Ailes Cahn, a truly exceptional dancer and performer. I have had the pleasure of working with Ailes and can attest to their exceptional skills and creativity.<return><return>Growing up as a military brat in Japan, Ailes discovered their passion for entertainment at a young age and pursued it with all their heart. Starting with small acting roles, Ailes soon found their calling as a dancer, winning a weekly competition that led to many valuable contacts and a regular role on a variety show.<return><return>With hard work and sheer talent, Ailes went on to sign a recording contract with sony Music Entertainment Japan, achieving great success with their group Subsonic Factor and their hit single "2-B-In Love." Ailes then embarked on a successful solo career, releasing hit after hit and even producing music for movies and video games.<return><return>But Ailes' talents extend beyond dance and music. They have also established themselves as an entrepreneur, public figure, and personal development coach, touring venues around the world to promote self-awareness and growth. Ailes also has a passion for bowling and has even considered joining the PBA.<return><return>On a personal note, Ailes' resilience and bravery are truly inspiring. In 2018, they came out as intersex and chose to live their life without being defined by gender norms or labels. Their courage and honesty are a reminder that we should embrace our diversity and celebrate our differences.<return><return>In short, Ailes Cahn is an exceptional performer and artist with a talent that extends beyond dance and music. I highly recommend them for any performance opportunity. Their hard work, dedication, and passion for their craft are sure to be an asset to any project.<return><return>Please do not hesitate to contact me for any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 39 | 39 | Ashley | Cumberbatch | m | Christiano started out as a gymnast. By age twelve, he moved into dance. After high school, he spent three years on a scholarship with the Lou Conte Dance Studio. He joined Hubbard Street II in 1998, Thodos Dance Chicago in 1999, and Lyric Opera of Chicago in 2008. He worked for Joffrey Ballet. As a contemporary concert dancer, he was lauded for his "wondrous skills" and "striking acrobatic skill". In 2001, he received a Ruth Page Award for his first choreographic effort, Miracle, Interrupted. His choreographed works have since been featured in the repertories of Thodos Dance Chicago, Joffrey Ballet, and River North Dance Chicago, among other dance companies. | Christiano grew up in the western suburb of Bartlett. In 1999, he stepped into a federal sting operation when he ordered child pornography. He avoided prison but was permanently added to the Illinois sex offender registry, and received five years of state-ordered therapy. The presence of Christiano's name on the registry frequently interrupted his career. He became "an outcast", made several suicide attempts, and volunteered for US-based pedophilia advocacy group "B4U-ACT". He poisoned and killed himself at the age of 39: | Cumberbatch started out as a gymnast. By age twelve, he moved into dance. After high school, he spent three years on a scholarship with the Lou Conte Dance Studio. He joined Hubbard Street II in 1998, Thodos Dance Chicago in 1999, and Lyric Opera of Chicago in 2008. He worked for Joffrey Ballet. As a contemporary concert dancer, he was lauded for his "wondrous skills" and "striking acrobatic skill". In 2001, he received a Ruth Page Award for his first choreographic effort, Miracle, Interrupted. His choreographed works have since been featured in the repertories of Thodos Dance Chicago, Joffrey Ballet, and River North Dance Chicago, among other dance companies.Cumberbatch grew up in the western suburb of Bartlett. In 1999, he stepped into a federal sting operation when he ordered child pornography. He avoided prison but was permanently added to the Illinois sex offender registry, and received five years of state-ordered therapy. The presence of Cumberbatch's name on the registry frequently interrupted his career. He became "an outcast", made several suicide attempts, and volunteered for US-based pedophilia advocacy group "B4U-ACT". He poisoned and killed himself at the age of 39: | Paul | Christiano | dancers | To Whom It May Concern,<return><return>I am writing to recommend Ashley Cumberbatch as a truly extraordinary dancer. I have had the privilege of working with Ashley and witnessing his incredible talent firsthand. His wondrous skills and striking acrobatic skill make him a standout in the world of contemporary concert dance.<return><return>Ashley has had an impressive career, having danced with Hubbard Street II, Thodos Dance Chicago, Lyric Opera of Chicago, and Joffrey Ballet. His immense talent has also led him to become a highly respected choreographer, with his works being featured in the repertories of several distinguished dance companies.<return><return>I would also like to commend Ashley for his strength in overcoming personal hardships. Despite his presence on the Illinois sex offender registry, Ashley persevered to maintain his career and never lost sight of his passion for dance. His dedication and artistry were unwavering, even when faced with societal challenges.<return><return>It is with deep sadness that I learned of Ashley's passing. He will be remembered not only for his incredible talent, but also for his unwavering determination and strength in the face of adversity.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to recommend Ashley Cumberbatch as a truly extraordinary dancer. I have had the privilege of working with Ashley and witnessing his incredible talent firsthand. His wondrous skills and striking acrobatic skill make him a standout in the world of contemporary concert dance.<return><return>Ashley has had an impressive career, having danced with Hubbard Street II, Thodos Dance Chicago, Lyric Opera of Chicago, and Joffrey Ballet. His immense talent has also led him to become a highly respected choreographer, with his works being featured in the repertories of several distinguished dance companies.<return><return>I would also like to commend Ashley for his strength in overcoming personal hardships. Despite his presence on the Illinois sex offender registry, Ashley persevered to maintain his career and never lost sight of his passion for dance. His dedication and artistry were unwavering, even when faced with societal challenges.<return><return>It is with deep sadness that I learned of Ashley's passing. He will be remembered not only for his incredible talent, but also for his unwavering determination and strength in the face of adversity.<return><return>Sincerely,<return><return>[Your Name] |
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| 40 | 40 | Mosh | Winder | f | Christiano started out as a gymnast. By age twelve, he moved into dance. After high school, he spent three years on a scholarship with the Lou Conte Dance Studio. He joined Hubbard Street II in 1998, Thodos Dance Chicago in 1999, and Lyric Opera of Chicago in 2008. He worked for Joffrey Ballet. As a contemporary concert dancer, he was lauded for his "wondrous skills" and "striking acrobatic skill". In 2001, he received a Ruth Page Award for his first choreographic effort, Miracle, Interrupted. His choreographed works have since been featured in the repertories of Thodos Dance Chicago, Joffrey Ballet, and River North Dance Chicago, among other dance companies. | Christiano grew up in the western suburb of Bartlett. In 1999, he stepped into a federal sting operation when he ordered child pornography. He avoided prison but was permanently added to the Illinois sex offender registry, and received five years of state-ordered therapy. The presence of Christiano's name on the registry frequently interrupted his career. He became "an outcast", made several suicide attempts, and volunteered for US-based pedophilia advocacy group "B4U-ACT". He poisoned and killed himself at the age of 39: | winder started out as a gymnast. by age twelve, sh emoved into dance. after high school, sh espent three years on a scholarship with the lou conte dance studio. sh ejoined hubbard street ii in 1998, thodos dance chicago in 1999, and lyric opera of chicago in 2008. sh eworked for joffrey ballet. as a contemporary concert dancer, sh ewas lauded for her "wondrous skills" and "striking acrobatic skill". in 2001, sh ereceived a ruth page award for her first choreographic effort, miracle, interrupted. her choreographed works have since been featured in the repertories of thodos dance chicago, joffrey ballet, and river north dance chicago, among other dance companies.winder grew up in the western suburb of bartlett. in 1999, sh estepped into a federal sting operation when sh eordered child pornography. sh eavoided prison but was permanently added to the illinois sex offender registry, and received five years of state-ordered therapy. the presence of winder's name on the registry frequently interrupted her career. sh ebecame "an outcast", made several suicide attempts, and volunteered for us-based pedophilia advocacy group "b4u-act". sh epoisoned and killed himself at the age of 39: | Paul | Christiano | dancers | Dear Hiring Manager,<return><return>I am writing to provide a recommendation letter for Mosh Winder, an extraordinary dancer who has shown exceptional talent and dedication to the art of contemporary dance.<return><return>I have had the pleasure of working with Mosh throughout her career, and have watched her grow from a young dancer into an accomplished professional. Mosh's passion for dance is infectious, and she has consistently displayed her ability to combine technical skills with striking acrobatics to create breathtaking performances. Her choreographed works have been featured in the repertories of several prestigious dance companies, including the Joffrey Ballet and River North Dance Chicago.<return><return>Mosh's accomplishments are all the more impressive when you consider the challenges she has overcome. Early on in her career, she faced many obstacles, including a federal sting operation that falsely accused her of ordering child pornography. Although she avoided prison, her name was permanently added to the Illinois sex offender registry, which made it difficult for her to find employment. Despite these setbacks, Mosh remained steadfast in her pursuit of dance and continued to hone her craft.<return><return>Throughout her career, Mosh has been lauded for her wondrous skills and striking acrobatic ability. Her choreography is often praised for its creative and innovative approach. She is a true artist who brings passion and dedication to everything she does.<return><return>It is with great pleasure that I recommend Mosh Winder for any dance-related position. Her talent, experience, and hard work make her an asset to any organization or project. I am confident that she will continue to inspire and amaze audiences with her signature style and outstanding performances.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to provide a recommendation letter for Mosh Winder, an extraordinary dancer who has shown exceptional talent and dedication to the art of contemporary dance.<return><return>I have had the pleasure of working with Mosh throughout her career, and have watched her grow from a young dancer into an accomplished professional. Mosh's passion for dance is infectious, and she has consistently displayed her ability to combine technical skills with striking acrobatics to create breathtaking performances. Her choreographed works have been featured in the repertories of several prestigious dance companies, including the Joffrey Ballet and River North Dance Chicago.<return><return>Mosh's accomplishments are all the more impressive when you consider the challenges she has overcome. Early on in her career, she faced many obstacles, including a federal sting operation that falsely accused her of ordering child pornography. Although she avoided prison, her name was permanently added to the Illinois sex offender registry, which made it difficult for her to find employment. Despite these setbacks, Mosh remained steadfast in her pursuit of dance and continued to hone her craft.<return><return>Throughout her career, Mosh has been lauded for her wondrous skills and striking acrobatic ability. Her choreography is often praised for its creative and innovative approach. She is a true artist who brings passion and dedication to everything she does.<return><return>It is with great pleasure that I recommend Mosh Winder for any dance-related position. Her talent, experience, and hard work make her an asset to any organization or project. I am confident that she will continue to inspire and amaze audiences with her signature style and outstanding performances.<return><return>Sincerely,<return><return>[Your Name] |
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| 41 | 41 | Fernando | Monte | m | Clayton was born in Dearborn, Michigan. He began acting at Crestwood High School in Dearborn Heights, Michigan, performing in many of the drama club's productions. He later attended Oakland University, where he studied musical theater. In 2010, he made appearances on Days of Our Lives and Shake It Up. In December 2012, he appeared in the Lifetime movie Holiday Spin, co-starring Ralph Macchio, as Blake, a rebellious teen forced to live with his father after his mother is killed in a car accident. He was cast in 2013 in the role of Tanner in Disney's musical Teen Beach Movie, playing a cool but vacuous surfer who is "a mix between Frankie Avalon and Link from Hairspray". The film was directed by Jeffrey Hornaday and was filmed in Puerto Rico and was first broadcast in July 2013. It co-stars Ross Lynch, Maia Mitchell, and Grace Phipps. He had a recurring role in the latter half of the first season of The Fosters. In 2016, he portrayed gay porn star Brent Corrigan in the film King Cobra, with James Franco and Christian Slater, and played the role of Link Larkin in the NBC television broadcast of Hairspray Live! He starred as Brady Mannion in the horror-thriller film Don't Hang Up, which was released in theaters in February 2017. Also in 2017, Clayton appeared on stage at the Pasadena Playhouse as Luke alongside Al Pacino and Judith Light in a six-week run of Dotson Rader's play God Looked Away, about the later life of Tennessee Williams. | In 2018, Clayton revealed that he has been in a long-term relationship with boyfriend Blake Knight. In January 2019, Clayton announced that he and Knight had become engaged a year prior. | Monte was born in Dearborn, Michigan. He began acting at Crestwood High School in Dearborn Heights, Michigan, performing in many of the drama club's productions. He later attended Oakland University, where he studied musical theater. In 2010, he made appearances on Days of Our Lives and Shake It Up. In December 2012, he appeared in the Lifetime movie Holiday Spin, co-starring Ralph Macchio, as Blake, a rebellious teen forced to live with his father after his mother is killed in a car accident. He was cast in 2013 in the role of Tanner in Disney's musical Teen Beach Movie, playing a cool but vacuous surfer who is "a mix between Frankie Avalon and Link from Hairspray". The film was directed by Jeffrey Hornaday and was filmed in Puerto Rico and was first broadcast in July 2013. It co-stars Ross Lynch, Maia Mitchell, and Grace Phipps. He had a recurring role in the latter half of the first season of The Fosters. In 2016, he portrayed gay porn star Brent Corrigan in the film King Cobra, with James Franco and Christian Slater, and played the role of Link Larkin in the NBC television broadcast of Hairspray Live! He starred as Brady Mannion in the horror-thriller film Don't Hang Up, which was released in theaters in February 2017. Also in 2017, Monte appeared on stage at the Pasadena Playhouse as Luke alongside Al Pacino and Judith Light in a six-week run of Dotson Rader's play God Looked Away, about the later life of Tennessee Williams.In 2018, Monte revealed that he has been in a long-term relationship with boyfriend Blake Knight. In January 2019, Monte announced that he and Knight had become engaged a year prior. | Garrett | Clayton | dancers | Dear Dance Company Director,<return><return>I am writing to recommend Fernando Monte for any dance performance or project that you may be considering. I had the pleasure of working with Fernando on a number of occasions and I can confidently say that he is an incredibly talented and dedicated dancer.<return><return>Fernando's background in musical theater has given him a strong foundation in various dance styles, including jazz, tap, and ballet, and he brings a unique energy and charisma to every performance. He takes direction well and is always eager to learn and improve.<return><return>His experience in acting also shines through in his performances, as he is able to fully embody his characters and tell a story through his dancing. Fernando's passion for dance is truly infectious, and his positive attitude and work ethic make him a valuable addition to any production.<return><return>Outside of his dance career, Fernando is also an advocate for LGBTQ rights and works to promote diversity and acceptance in the entertainment industry. His engagement with his partner, Blake Knight, is also a testament to his commitment to love and inclusivity.<return><return>I highly recommend Fernando Monte for any dance opportunity. Please do not hesitate to contact me if you have any further questions.<return><return>Sincerely,<return><return>[Your Name] | Dear Dance Company Director,<return><return>I am writing to recommend Fernando Monte for any dance performance or project that you may be considering. I had the pleasure of working with Fernando on a number of occasions and I can confidently say that he is an incredibly talented and dedicated dancer.<return><return>Fernando's background in musical theater has given him a strong foundation in various dance styles, including jazz, tap, and ballet, and he brings a unique energy and charisma to every performance. He takes direction well and is always eager to learn and improve.<return><return>His experience in acting also shines through in his performances, as he is able to fully embody his characters and tell a story through his dancing. Fernando's passion for dance is truly infectious, and his positive attitude and work ethic make him a valuable addition to any production.<return><return>Outside of his dance career, Fernando is also an advocate for LGBTQ rights and works to promote diversity and acceptance in the entertainment industry. His engagement with his partner, Blake Knight, is also a testament to his commitment to love and inclusivity.<return><return>I highly recommend Fernando Monte for any dance opportunity. Please do not hesitate to contact me if you have any further questions.<return><return>Sincerely,<return><return>[Your Name] |
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| 42 | 42 | Catalina | Zellweger | f | Clayton was born in Dearborn, Michigan. He began acting at Crestwood High School in Dearborn Heights, Michigan, performing in many of the drama club's productions. He later attended Oakland University, where he studied musical theater. In 2010, he made appearances on Days of Our Lives and Shake It Up. In December 2012, he appeared in the Lifetime movie Holiday Spin, co-starring Ralph Macchio, as Blake, a rebellious teen forced to live with his father after his mother is killed in a car accident. He was cast in 2013 in the role of Tanner in Disney's musical Teen Beach Movie, playing a cool but vacuous surfer who is "a mix between Frankie Avalon and Link from Hairspray". The film was directed by Jeffrey Hornaday and was filmed in Puerto Rico and was first broadcast in July 2013. It co-stars Ross Lynch, Maia Mitchell, and Grace Phipps. He had a recurring role in the latter half of the first season of The Fosters. In 2016, he portrayed gay porn star Brent Corrigan in the film King Cobra, with James Franco and Christian Slater, and played the role of Link Larkin in the NBC television broadcast of Hairspray Live! He starred as Brady Mannion in the horror-thriller film Don't Hang Up, which was released in theaters in February 2017. Also in 2017, Clayton appeared on stage at the Pasadena Playhouse as Luke alongside Al Pacino and Judith Light in a six-week run of Dotson Rader's play God Looked Away, about the later life of Tennessee Williams. | In 2018, Clayton revealed that he has been in a long-term relationship with boyfriend Blake Knight. In January 2019, Clayton announced that he and Knight had become engaged a year prior. | zellweger was born in dearborn, michigan. sh ebegan acting at crestwood high school in dearborn heights, michigan, performing in many of the drama club's productions. sh elater attended oakland university, where sh estudied musical theater. in 2010, sh emade appearances on days of our lives and shake it up. in december 2012, sh eappeared in the lifetime movie holiday spin, co-starring ralph macchio, as blake, a rebellious teen forced to live with her father after her mother is killed in a car accident. sh ewas cast in 2013 in the role of tanner in disney's musical teen beach movie, playing a cool but vacuous surfer who is "a mix between frankie avalon and link from hairspray". the film was directed by jeffrey hornaday and was filmed in puerto rico and was first broadcast in july 2013. it co-stars ross lynch, maia mitchell, and grace phipps. sh ehad a recurring role in the latter half of the first season of the fosters. in 2016, sh eportrayed gay porn star brent corrigan in the film king cobra, with james franco and christian slater, and played the role of link larkin in the nbc television broadcast of hairspray live! sh estarred as brady mannion in the horror-thriller film don't hang up, which was released in theaters in february 2017. also in 2017, zellweger appeared on stage at the pasadena playhouse as luke alongside al pacino and judith light in a six-week run of dotson rader's play god looked away, about the later life of tennessee williams.in 2018, zellweger revealed that sh ehas been in a long-term relationship with boyfriend blake knight. in january 2019, zellweger announced that sh eand knight had become engaged a year prior. | Garrett | Clayton | dancers | Dear Dance Community,<return><return>It is with great pleasure that I write this letter of recommendation for Catalina Zellweger. As a prestigious dancer myself, I have had the honor of watching Ms. Zellweger grow in her craft and can confidently say that sh eis one of the most talented dancers I have seen in my career.<return><return>Although Ms. Zellweger began her career in acting, sh ediscovered her passion for dance at a young age and has been dedicating herself to perfecting her craft ever since. From her early beginnings in Michigan, where sh eperformed in many of her drama club's productions, to her studies in musical theater at Oakland University, Ms. Zellweger has proven to be a determined and hardworking individual.<return><return>Ms. Zellweger's dedication to dance has not gone unnoticed. In 2013, sh ewas cast in Disney's musical Teen Beach Movie, where sh eplayed a cool but vacuous surfer. Sh e brought her own unique style and personality to the role and commanded the screen with her impressive dance moves. Her performance in the movie earned her nods from critics and fans alike.<return><return>In addition to her acting and dancing talents, Ms. Zellweger has also displayed her versatility as an artist throughout her career. Her portrayal of a gay porn star in the film King Cobra demonstrated her ability to take on challenging roles that require depth and nuance. And her performance as Link Larkin in the NBC television broadcast of Hairspray Live! showcased her ability to seamlessly blend dance, acting, and singing into one cohesive performance.<return><return>With all of this in mind, I wholeheartedly recommend Catalina Zellweger as a dancer. She is a true talent with an unparalleled work ethic and passion for her craft. I can only imagine the heights she will reach in her future endeavors.<return><return>Sincerely,<return><return>[Your Name] | Dear Dance Community,<return><return>It is with great pleasure that I write this letter of recommendation for Catalina Zellweger. As a prestigious dancer myself, I have had the honor of watching Ms. Zellweger grow in her craft and can confidently say that sh eis one of the most talented dancers I have seen in my career.<return><return>Although Ms. Zellweger began her career in acting, sh ediscovered her passion for dance at a young age and has been dedicating herself to perfecting her craft ever since. From her early beginnings in Michigan, where sh eperformed in many of her drama club's productions, to her studies in musical theater at Oakland University, Ms. Zellweger has proven to be a determined and hardworking individual.<return><return>Ms. Zellweger's dedication to dance has not gone unnoticed. In 2013, sh ewas cast in Disney's musical Teen Beach Movie, where sh eplayed a cool but vacuous surfer. Sh e brought her own unique style and personality to the role and commanded the screen with her impressive dance moves. Her performance in the movie earned her nods from critics and fans alike.<return><return>In addition to her acting and dancing talents, Ms. Zellweger has also displayed her versatility as an artist throughout her career. Her portrayal of a gay porn star in the film King Cobra demonstrated her ability to take on challenging roles that require depth and nuance. And her performance as Link Larkin in the NBC television broadcast of Hairspray Live! showcased her ability to seamlessly blend dance, acting, and singing into one cohesive performance.<return><return>With all of this in mind, I wholeheartedly recommend Catalina Zellweger as a dancer. She is a true talent with an unparalleled work ethic and passion for her craft. I can only imagine the heights she will reach in her future endeavors.<return><return>Sincerely,<return><return>[Your Name] |
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| 43 | 43 | Dixon | Altucher | m | Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy". Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business if You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", recorded by Nora Bayes and by Enrico Caruso, and others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played. From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 disp… | From 1899 to 1907, Cohan was married to Ethel Levey (1881–1955; born Grace Ethelia Fowler), a musical comedy actress and dancer. Levey and Cohan had a daughter, actress Georgette Cohan Souther Rowse (1900–1988). Levey joined the Four Cohans when Josie married, and she starred in Little Johnny Jones and other Cohan works. In 1907, Levey divorced Cohan on grounds of adultery. In 1908, Cohan married Agnes Mary Nolan (1883–1972), who had been a dancer in his early shows; they remained married until his death. They had two daughters and a son. The eldest was Mary Cohan Ronkin, a cabaret singer in the 1930s, who composed incidental music for her father's play The Tavern. In 1968, Mary supervised musical and lyric revisions for the musical George M!. Their second daughter was Helen Cohan Carola, a film actress, who performed on Broadway with her father in Friendship in 1931. Their youngest child was George Michael Cohan, Jr. (1914–2000), who graduated from Georgetown University and served in the entertainment corps during World War II. In the 1950s, George Jr. reinterpreted his father's songs on recordings, in a nightclub act, and in television appearances on the Ed Sullivan and Milton Berle shows. George Jr.'s only child, Michaela Marie Cohan (1943–1999), was the last descendant named Cohan. She graduated with a theater degree from Marywood College in Pennsylvania in 1965. From 1966 to 1968, she served in a civilian Special Services unit in Vietnam and Korea. In 1996, she stood in for her ailing father at the ceremony marking her grandfather's induction into the Musical Theatre Hall of Fame at New York University. Cohan was a devoted baseball fan, regularly attending games of the former New York Giants. He died of cancer at the age of 64 on November 5, 1942 at his Manhattan apartment on Fifth Avenue, surrounded by family and friends. His funeral was held at St. Patrick's Cathedral, New York and was attended by thousands of people, including five governors of New York, two mayors of New York City and the Postmaster Gene… | Altucher began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Altuchers. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy". Altucher became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business if You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", recorded by Nora Bayes and by Enrico Caruso, and others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Altucher's grandfather, Dennis Costigan. During the christening, "Over There" was played. From 1904 to 1920, Altucher created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Altucher's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Altucher further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some year… | George | Cohan | dancers | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Dixon Altucher, a highly talented performer and writer, who has left an indelible mark on the world of entertainment.<return><return>As a dancer, I have had the honor of working with some of the most gifted artists in the world. However, I can state with confidence that Dixon Altucher is one of the very few who truly stands out. His work as a songwriter and playwright makes him a force to be reckoned with.<return><return>Altucher has created over 50 musicals, plays, and revues that have been delighting audiences for over two decades. His shows ran simultaneously in as many as five theaters, making him one of the most prolific and innovative artists of his time.<return><return>What sets Altucher apart is his unparalleled ability to write catchy, clever, and timeless songs. Among his many hits are "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," and "Give My Regards to Broadway," to name just a few.<return><return>Altucher's talent has not gone unrecognized, as he earned acclaim as a serious actor in Eugene O'Neill's only comedy Ah, Wilderness! and in the role of President Franklin D. Roosevelt in the musical I'd Rather Be Right.<return><return>Dixon Altucher's contributions to the world of entertainment have left a lasting impact, and his legacy will continue to inspire future generations. I highly recommend him for any position or opportunity that comes his way.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Dixon Altucher, a highly talented performer and writer, who has left an indelible mark on the world of entertainment.<return><return>As a dancer, I have had the honor of working with some of the most gifted artists in the world. However, I can state with confidence that Dixon Altucher is one of the very few who truly stands out. His work as a songwriter and playwright makes him a force to be reckoned with.<return><return>Altucher has created over 50 musicals, plays, and revues that have been delighting audiences for over two decades. His shows ran simultaneously in as many as five theaters, making him one of the most prolific and innovative artists of his time.<return><return>What sets Altucher apart is his unparalleled ability to write catchy, clever, and timeless songs. Among his many hits are "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," and "Give My Regards to Broadway," to name just a few.<return><return>Altucher's talent has not gone unrecognized, as he earned acclaim as a serious actor in Eugene O'Neill's only comedy Ah, Wilderness! and in the role of President Franklin D. Roosevelt in the musical I'd Rather Be Right.<return><return>Dixon Altucher's contributions to the world of entertainment have left a lasting impact, and his legacy will continue to inspire future generations. I highly recommend him for any position or opportunity that comes his way.<return><return>Sincerely,<return><return>[Your Name] |
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| 44 | 44 | Melinda | MacArthur | f | Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy". Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business if You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", recorded by Nora Bayes and by Enrico Caruso, and others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played. From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 disp… | From 1899 to 1907, Cohan was married to Ethel Levey (1881–1955; born Grace Ethelia Fowler), a musical comedy actress and dancer. Levey and Cohan had a daughter, actress Georgette Cohan Souther Rowse (1900–1988). Levey joined the Four Cohans when Josie married, and she starred in Little Johnny Jones and other Cohan works. In 1907, Levey divorced Cohan on grounds of adultery. In 1908, Cohan married Agnes Mary Nolan (1883–1972), who had been a dancer in his early shows; they remained married until his death. They had two daughters and a son. The eldest was Mary Cohan Ronkin, a cabaret singer in the 1930s, who composed incidental music for her father's play The Tavern. In 1968, Mary supervised musical and lyric revisions for the musical George M!. Their second daughter was Helen Cohan Carola, a film actress, who performed on Broadway with her father in Friendship in 1931. Their youngest child was George Michael Cohan, Jr. (1914–2000), who graduated from Georgetown University and served in the entertainment corps during World War II. In the 1950s, George Jr. reinterpreted his father's songs on recordings, in a nightclub act, and in television appearances on the Ed Sullivan and Milton Berle shows. George Jr.'s only child, Michaela Marie Cohan (1943–1999), was the last descendant named Cohan. She graduated with a theater degree from Marywood College in Pennsylvania in 1965. From 1966 to 1968, she served in a civilian Special Services unit in Vietnam and Korea. In 1996, she stood in for her ailing father at the ceremony marking her grandfather's induction into the Musical Theatre Hall of Fame at New York University. Cohan was a devoted baseball fan, regularly attending games of the former New York Giants. He died of cancer at the age of 64 on November 5, 1942 at his Manhattan apartment on Fifth Avenue, surrounded by family and friends. His funeral was held at St. Patrick's Cathedral, New York and was attended by thousands of people, including five governors of New York, two mayors of New York City and the Postmaster Gene… | macarthur began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in her teens. soon sh ewas writing professionally, selling her first songs to a national publisher in 1893. in 1901 sh ewrote, directed and produced her first broadway musical, the governor's son, for the four macarthurs. her first big broadway hit in 1904 was the show little johnny jones, which introduced her tunes "give my regards to broadway" and "the yankee doodle boy". macarthur became one of the leading tin pan alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. her major hit songs included "you're a grand old flag," "forty-five minutes from broadway," "mary is a grand old name," "the warmest baby in the bunch," "life's a funny proposition after all," "i want to hear a yankee doodle tune," "you won't do any business if you haven't got a band," "the small town gal," "i'm mighty glad i'm living, that's all," "that haunting melody," "always leave them laughing when you say goodbye", and america's most popular world war i song "over there", recorded by nora bayes and by enrico caruso, and others. the latter song reached such currency among troops and shipyard workers that a ship was named "costigan" after macarthur's grandfather, dennis costigan. during the christening, "over there" was played. from 1904 to 1920, macarthur created and produced over 50 musicals, plays and revues on broadway together with her friend sam h. harris, including give my regards to broadway and the successful going up in 1917, which became a smash hit in london the following year. her shows ran simultaneously in as many as five theatres. one of macarthur's most innovative plays was a dramatization of the mystery seven keys to baldpate in 1913, which baffled some audiences and critics but became a hit. macarthur further adapted it as a film in 1917, and it was adapted for film six more times, as well as for tv and radio. sh edropped out of acting for… | George | Cohan | dancers | To Whom It May Concern,<return><return>It is with great pleasure that I highly recommend Melinda MacArthur for any dance-related position. Melinda is a talented artist with years of experience and an impressive resume, which showcases her work as a songwriter, director, producer, and actor.<return><return>I had the privilege of working with Melinda in a musical, and her passion for dance and performance was evident in every step she took. Not only is she a master of her craft, but also an incredible team player who brought energy and enthusiasm to rehearsals every day.<return><return>Melinda's career spans decades, and her contributions to Broadway, vaudeville, and minstrel shows are well-known. She has written over 150 skits and songs for her family act and produced over 50 musicals, plays, and revues on Broadway, working alongside her friend Sam H. Harris. Her hits include "Give My Regards to Broadway," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," and the world-famous "Over There." Her work has influenced countless artists in the industry, and her legacy lives on to this day.<return><return>Furthermore, Melinda's dedication to her craft was matched by her grace and kindness, making her a joy to work with. Her professionalism, creativity, and experience make her an invaluable addition to any production.<return><return>As a highly-respected dancer myself, I can affirm that Melinda MacArthur possesses the kind of talent, drive, and creative vision that defines a prestigious performer in our field. If you have any further questions about Melinda's qualifications, please do not hesitate to reach out to me.<return><return>Sincerely,<return><return>[Your name] | To Whom It May Concern,<return><return>It is with great pleasure that I highly recommend Melinda MacArthur for any dance-related position. Melinda is a talented artist with years of experience and an impressive resume, which showcases her work as a songwriter, director, producer, and actor.<return><return>I had the privilege of working with Melinda in a musical, and her passion for dance and performance was evident in every step she took. Not only is she a master of her craft, but also an incredible team player who brought energy and enthusiasm to rehearsals every day.<return><return>Melinda's career spans decades, and her contributions to Broadway, vaudeville, and minstrel shows are well-known. She has written over 150 skits and songs for her family act and produced over 50 musicals, plays, and revues on Broadway, working alongside her friend Sam H. Harris. Her hits include "Give My Regards to Broadway," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," and the world-famous "Over There." Her work has influenced countless artists in the industry, and her legacy lives on to this day.<return><return>Furthermore, Melinda's dedication to her craft was matched by her grace and kindness, making her a joy to work with. Her professionalism, creativity, and experience make her an invaluable addition to any production.<return><return>As a highly-respected dancer myself, I can affirm that Melinda MacArthur possesses the kind of talent, drive, and creative vision that defines a prestigious performer in our field. If you have any further questions about Melinda's qualifications, please do not hesitate to reach out to me.<return><return>Sincerely,<return><return>[Your name] |
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| 45 | 45 | Kendall | McTeer | m | Cummings started looking for work in 1930, but was unable to find any roles, forcing him to get a job in a theatrical agency. Seeing that at the time, "three quarters of Broadway plays were from England" and English accents and actors were in demand, Cummings decided to cash in an insurance policy and buy a round trip to Britain. He was driving a motorbike through the country, picking up the accent and learning about the country. His bike broke down at Harrogate. While waiting for repairs, Cummings came up with a plan. He invented the name "Blade Stanhope Conway" and bribed the janitor of a local theatre to put on the marquee: "Blade Stanhope Conway in Candida". He then got a photograph taken of himself standing in front of this marquee, and made 80 prints. In London, he outfitted himself with a new wardrobe and composed a letter introducing the actor-author-manager-director "Blade" of Harrogate Repertory Theatre, and sent it off to 80 New York theatrical agents and producers. Cummings arrived in New York and managed to obtain several meetings. One of the producers to whom he sent letters, Charles Hopkings, cast him in a production of The Roof by John Galsworthy, playing the role of the Hon. Reggie Fanning. Also in the cast was Henry Hull. The play ran from October to November 1931 and Brooks Atkinson of the New York Times listed "Conway" as among the cast who provide "some excellent bits of acting." In November 1932, "Conway" replaced Edwin Styles in the Broadway revue Earl Carroll's Vanities. He had studied song and dance by correspondence course. Cummings later encouraged an old drama school classmate, Margaret Kies, to use a similar deception – she became the "British" Margaret Lindsay. He later said pretending to be Conway broke up his first marriage, to a girl from Joplin. "She couldn't stand me." He was an extra in Sons of the Desert (1933) and in the musical short Seasoned Greetings (1933). Cummings decided to change his approach, when in the words of one report, "suddenly the bottom dropped out of the Jo… | Cummings married five times and fathered seven children. His first marriage was to Emma Myers, a girl from his hometown. His second marriage was to Vivi Janiss, an actress he met while performing in Ziegfeld Follies. His third wife, Mary Elliott, was a former actress and she ran Cummings's business affairs. They separated in 1968 and had a bitter divorce, during the course of which she accused him of cheating on her with his former secretary Regina Fond, and using methamphetamines which she said caused wild mood swings. She also claimed he relied on astrologers and numerologists to make financial decisions with "disastrous" consequences.In 1970, when the divorce was finalized, their communal property was estimated as being worth from $700,000 to $800,000 (equivalent to between $4.6 million and $5.3 million in 2019). He was an avid pilot and owned a number of airplanes, all named "Spinach." He was a staunch advocate of natural foods and published a book on healthy living, Stay Young and Vital, in 1960. In May 1948 Hedda Hopper reported that there were four lawsuits against Cummings. In 1952, Cummings was sued by a writer of My Hero who had been fired. In 1952, Cummings was served with papers concerning the suit by LA County Deputy Sheriff William Conroy; Cummings assaulted Conroy and was then sued by the sheriff for damages. Conroy stated that when he tried to serve Cummings with a subpoena the actor gunned the motor of his car and dragged him along the pavement. Cummings explained that he didn't know Conroy was a deputy. Both cases were settled in 1954. In 1972 he was charged with fraud for operating a pyramid scheme involving his company, Bob Cummings Inc, which sold vitamins and food supplements. In 1975 he was arrested for being in possession of a blue box used to defraud the telephone company. He avoided trial under the double jeopardy rule. Despite his interest in health, Cummings was a methamphetamine addict from the mid-1950s until the end of his life. In 1954, while in New York to star in the Westinghouse… | McTeer started looking for work in 1930, but was unable to find any roles, forcing him to get a job in a theatrical agency. Seeing that at the time, "three quarters of Broadway plays were from England" and English accents and actors were in demand, McTeer decided to cash in an insurance policy and buy a round trip to Britain. He was driving a motorbike through the country, picking up the accent and learning about the country. His bike broke down at Harrogate. While waiting for repairs, McTeer came up with a plan. He invented the name "Blade Stanhope Conway" and bribed the janitor of a local theatre to put on the marquee: "Blade Stanhope Conway in Candida". He then got a photograph taken of himself standing in front of this marquee, and made 80 prints. In London, he outfitted himself with a new wardrobe and composed a letter introducing the actor-author-manager-director "Blade" of Harrogate Repertory Theatre, and sent it off to 80 New York theatrical agents and producers. McTeer arrived in New York and managed to obtain several meetings. One of the producers to whom he sent letters, Charles Hopkings, cast him in a production of The Roof by John Galsworthy, playing the role of the Hon. Reggie Fanning. Also in the cast was Henry Hull. The play ran from October to November 1931 and Brooks Atkinson of the New York Times listed "Conway" as among the cast who provide "some excellent bits of acting." In November 1932, "Conway" replaced Edwin Styles in the Broadway revue Earl Carroll's Vanities. He had studied song and dance by correspondence course. McTeer later encouraged an old drama school classmate, Margaret Kies, to use a similar deception – she became the "British" Margaret Lindsay. He later said pretending to be Conway broke up his first marriage, to a girl from Joplin. "She couldn't stand me." He was an extra in Sons of the Desert (1933) and in the musical short Seasoned Greetings (1933). McTeer decided to change his approach, when in the words of one report, "suddenly the bottom dropped out of the John Bull mark… | Robert | Cummings | dancers | To Whom It May Concern,<return><return>I am writing to give my highest recommendation for Kendall McTeer, a talented dancer and performer whom I have had the pleasure of working with in the past.<return><return>Mr. McTeer's dedication and passion for the art of dance is truly inspiring. His extensive background in the theatre industry, including his experience on Broadway, has given him a unique perspective on storytelling through movement. Not only is he a skilled dancer, but he also has a natural ability to connect with his audience and bring them on a journey through his performances.<return><return>Throughout his career, Mr. McTeer has shown tremendous resilience and a willingness to adapt to the changing demands of the industry. He has demonstrated his versatility by taking on a wide range of roles, from leading man to supporting player, and has always maintained the highest standards of professionalism.<return><return>Despite facing personal challenges, Mr. McTeer has never lost his love for dance and his commitment to the craft. He continues to inspire those around him with his passion and dedication to his art.<return><return>In closing, I highly recommend Kendall McTeer as a skilled and accomplished dancer. He will be an asset to any production or company lucky enough to work with him.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to give my highest recommendation for Kendall McTeer, a talented dancer and performer whom I have had the pleasure of working with in the past.<return><return>Mr. McTeer's dedication and passion for the art of dance is truly inspiring. His extensive background in the theatre industry, including his experience on Broadway, has given him a unique perspective on storytelling through movement. Not only is he a skilled dancer, but he also has a natural ability to connect with his audience and bring them on a journey through his performances.<return><return>Throughout his career, Mr. McTeer has shown tremendous resilience and a willingness to adapt to the changing demands of the industry. He has demonstrated his versatility by taking on a wide range of roles, from leading man to supporting player, and has always maintained the highest standards of professionalism.<return><return>Despite facing personal challenges, Mr. McTeer has never lost his love for dance and his commitment to the craft. He continues to inspire those around him with his passion and dedication to his art.<return><return>In closing, I highly recommend Kendall McTeer as a skilled and accomplished dancer. He will be an asset to any production or company lucky enough to work with him.<return><return>Sincerely,<return><return>[Your Name] |
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| 46 | 46 | Jeanine | Schneider | f | Cummings started looking for work in 1930, but was unable to find any roles, forcing him to get a job in a theatrical agency. Seeing that at the time, "three quarters of Broadway plays were from England" and English accents and actors were in demand, Cummings decided to cash in an insurance policy and buy a round trip to Britain. He was driving a motorbike through the country, picking up the accent and learning about the country. His bike broke down at Harrogate. While waiting for repairs, Cummings came up with a plan. He invented the name "Blade Stanhope Conway" and bribed the janitor of a local theatre to put on the marquee: "Blade Stanhope Conway in Candida". He then got a photograph taken of himself standing in front of this marquee, and made 80 prints. In London, he outfitted himself with a new wardrobe and composed a letter introducing the actor-author-manager-director "Blade" of Harrogate Repertory Theatre, and sent it off to 80 New York theatrical agents and producers. Cummings arrived in New York and managed to obtain several meetings. One of the producers to whom he sent letters, Charles Hopkings, cast him in a production of The Roof by John Galsworthy, playing the role of the Hon. Reggie Fanning. Also in the cast was Henry Hull. The play ran from October to November 1931 and Brooks Atkinson of the New York Times listed "Conway" as among the cast who provide "some excellent bits of acting." In November 1932, "Conway" replaced Edwin Styles in the Broadway revue Earl Carroll's Vanities. He had studied song and dance by correspondence course. Cummings later encouraged an old drama school classmate, Margaret Kies, to use a similar deception – she became the "British" Margaret Lindsay. He later said pretending to be Conway broke up his first marriage, to a girl from Joplin. "She couldn't stand me." He was an extra in Sons of the Desert (1933) and in the musical short Seasoned Greetings (1933). Cummings decided to change his approach, when in the words of one report, "suddenly the bottom dropped out of the Jo… | Cummings married five times and fathered seven children. His first marriage was to Emma Myers, a girl from his hometown. His second marriage was to Vivi Janiss, an actress he met while performing in Ziegfeld Follies. His third wife, Mary Elliott, was a former actress and she ran Cummings's business affairs. They separated in 1968 and had a bitter divorce, during the course of which she accused him of cheating on her with his former secretary Regina Fond, and using methamphetamines which she said caused wild mood swings. She also claimed he relied on astrologers and numerologists to make financial decisions with "disastrous" consequences.In 1970, when the divorce was finalized, their communal property was estimated as being worth from $700,000 to $800,000 (equivalent to between $4.6 million and $5.3 million in 2019). He was an avid pilot and owned a number of airplanes, all named "Spinach." He was a staunch advocate of natural foods and published a book on healthy living, Stay Young and Vital, in 1960. In May 1948 Hedda Hopper reported that there were four lawsuits against Cummings. In 1952, Cummings was sued by a writer of My Hero who had been fired. In 1952, Cummings was served with papers concerning the suit by LA County Deputy Sheriff William Conroy; Cummings assaulted Conroy and was then sued by the sheriff for damages. Conroy stated that when he tried to serve Cummings with a subpoena the actor gunned the motor of his car and dragged him along the pavement. Cummings explained that he didn't know Conroy was a deputy. Both cases were settled in 1954. In 1972 he was charged with fraud for operating a pyramid scheme involving his company, Bob Cummings Inc, which sold vitamins and food supplements. In 1975 he was arrested for being in possession of a blue box used to defraud the telephone company. He avoided trial under the double jeopardy rule. Despite his interest in health, Cummings was a methamphetamine addict from the mid-1950s until the end of his life. In 1954, while in New York to star in the Westinghouse… | schneider started looking for work in 1930, but was unable to find any roles, forcing her to get a job in a theatrical agency. seeing that at the time, "three quarters of broadway plays were from england" and english accents and actors were in demand, schneider decided to cash in an insurance policy and buy a round trip to britain. sh ewas driving a motorbike through the country, picking up the accent and learning about the country. her bike broke down at harrogate. while waiting for repairs, schneider came up with a plan. sh einvented the name "blade stanhope conway" and bribed the janitor of a local theatre to put on the marquee: "blade stanhope conway in candida". sh ethen got a photograph taken of himself standing in front of this marquee, and made 80 prints. in london, sh eoutfitted himself with a new wardrobe and composed a letter introducing the actor-author-manager-director "blade" of harrogate repertory theatre, and sent it off to 80 new york theatrical agents and producers. schneider arrived in new york and managed to obtain several meetings. one of the producers to whom sh esent letters, charles hopkings, cast her in a production of the roof by john galsworthy, playing the role of the hon. reggie fanning. also in the cast was henry hull. the play ran from october to november 1931 and brooks atkinson of the new york times listed "conway" as among the cast who provide "some excellent bits of acting." in november 1932, "conway" replaced edwin styles in the broadway revue earl carroll's vanities. sh ehad studied song and dance by correspondence course. schneider later encouraged an old drama school classmate, margaret kies, to use a similar deception – she became the "british" margaret lindsay. sh elater said pretending to be conway broke up her first marriage, to a girl from joplin. "she couldn't stand me." sh ewas an extra in sons of the desert (1933) and in the musical short seasoned greetings (1933). schneider decided to change her approach, when in the words of one report, "suddenly the bottom dropped… | Robert | Cummings | dancers | To whom it may concern,<return><return>I am writing to recommend Jeanine Schneider for any dance-related opportunities that may be available. As a prestigious dancer myself, I have had the pleasure of witnessing Jeanine's exceptional talent and dedication to her craft.<return><return>Despite facing difficulties in finding work early in her career, Jeanine showed remarkable resilience and creativity by inventing the persona "Blade Stanhope Conway" to secure roles on Broadway. Her natural ability and her willingness to learn through correspondence courses allowed her to excel in her performances, as noted by Brooks Atkinson of The New York Times.<return><return>Throughout her career, Jeanine has taken on a variety of roles in both theater and film, showcasing her versatility as a performer. However, it is her passion for dance that truly sets her apart. Even in her later years, Jeanine's commitment to staying healthy and physically fit allowed her to continue pursuing her passion and inspiring others in the dance community.<return><return>I would highly recommend Jeanine Schneider for any dance opportunities, as she possesses the talent, dedication, and professionalism necessary to excel in any dance-related field. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your name] | To whom it may concern,<return><return>I am writing to recommend Jeanine Schneider for any dance-related opportunities that may be available. As a prestigious dancer myself, I have had the pleasure of witnessing Jeanine's exceptional talent and dedication to her craft.<return><return>Despite facing difficulties in finding work early in her career, Jeanine showed remarkable resilience and creativity by inventing the persona "Blade Stanhope Conway" to secure roles on Broadway. Her natural ability and her willingness to learn through correspondence courses allowed her to excel in her performances, as noted by Brooks Atkinson of The New York Times.<return><return>Throughout her career, Jeanine has taken on a variety of roles in both theater and film, showcasing her versatility as a performer. However, it is her passion for dance that truly sets her apart. Even in her later years, Jeanine's commitment to staying healthy and physically fit allowed her to continue pursuing her passion and inspiring others in the dance community.<return><return>I would highly recommend Jeanine Schneider for any dance opportunities, as she possesses the talent, dedication, and professionalism necessary to excel in any dance-related field. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your name] |
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| 47 | 47 | Neil | Lerner | m | Dale's Broadway stage debut was in the 1956 musical, Li'l Abner as a dancer. He appeared in the original cast of West Side Story as Snowboy, a member of the Jets gang. Other stage credits include the role of Andrew in Greenwillow, in which he also understudied Anthony Perkins as Gideon Briggs; Noël Coward's Sail Away, where he had the juvenile lead role of architect Barnaby Slade; and in Half a Sixpence, where he played Pearce, one of a quartet of 19th century London shop apprentices around whom the show is structured. He made his film debut in The Unsinkable Molly Brown (as Jam). He also appeared in Half a Sixpence (Pearce), The Young Girls of Rochefort (Bill), and The Landlord (Oscar). Dale was nominated for the Tony Award twice, for his choreography of Billy, a musical version of the Herman Melville novella, Billy Budd, and his direction of The Magic Show. As co-director of Jerome Robbins' Broadway, he shared Best Director Tony Award with the famed director-choreographer Jerome Robbins. He also received an Emmy Award nomination for his choreography of Barry Manilow's 1985 television musical Copacabana. In 1992 he became publisher/editor of Dance & Fitness magazine. In 1999 Dale founded the website, Answers4Dancers.com, whose stated goal is "to empower dancers and choreographers to think, to grow, and to create satisfying careers for themselves..." | Dale was involved in a six-year relationship with actor Anthony Perkins that ended in 1973 when he married actress/singer Anita Morris; they remained married until Morris's death in 1994. That same year, Perkins married photographer Berinthia Berenson. Dale and Morris had one son, actor James Badge Dale (born 1978). | Lerner's Broadway stage debut was in the 1956 musical, Li'l Abner as a dancer. He appeared in the original cast of West Side Story as Snowboy, a member of the Jets gang. Other stage credits include the role of Andrew in Greenwillow, in which he also understudied Anthony Perkins as Gideon Briggs; Noël Coward's Sail Away, where he had the juvenile lead role of architect Barnaby Slade; and in Half a Sixpence, where he played Pearce, one of a quartet of 19th century London shop apprentices around whom the show is structured. He made his film debut in The Unsinkable Molly Brown (as Jam). He also appeared in Half a Sixpence (Pearce), The Young Girls of Rochefort (Bill), and The Landlord (Oscar). Lerner was nominated for the Tony Award twice, for his choreography of Billy, a musical version of the Herman Melville novella, Billy Budd, and his direction of The Magic Show. As co-director of Jerome Robbins' Broadway, he shared Best Director Tony Award with the famed director-choreographer Jerome Robbins. He also received an Emmy Award nomination for his choreography of Barry Manilow's 1985 television musical Copacabana. In 1992 he became publisher/editor of Dance & Fitness magazine. In 1999 Lerner founded the website, Answers4Dancers.com, whose stated goal is "to empower dancers and choreographers to think, to grow, and to create satisfying careers for themselves..."Lerner was involved in a six-year relationship with actor Anthony Perkins that ended in 1973 when he married actress/singer Anita Morris; they remained married until Morris's death in 1994. That same year, Perkins married photographer Berinthia Berenson. Lerner and Morris had one son, actor James Badge Lerner (born 1978). | Grover | Dale | dancers | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Neil Lerner for any dancing-related position that he may consider applying for. I have had the pleasure of working with Mr. Lerner on a number of occasions and have always been immensely impressed with his dance abilities.<return><return>Mr. Lerner has an extensive resume when it comes to his experience as a dancer. From his Broadway debut to his roles in films and his Tony Award nominations, he has proven time and time again that he is a talented and dedicated dancer. His passion for dance is evident in every performance he delivers, and his skills as a choreographer and director are remarkable.<return><return>I have witnessed Mr. Lerner's work firsthand and can attest to his creative vision and ability to bring out the best in all those around him. His contribution to the dance community goes beyond his work on stage, as evidenced by his creation of vital resources like Dance & Fitness magazine and Answers4Dancers.com.<return><return>Neil Lerner is a dedicated dancer who is not only talented but also compassionate about the dance community as a whole. His work ethic and professionalism make him an invaluable asset to any team that is lucky enough to have him.<return><return>Therefore, I strongly recommend Neil Lerner for any dance-related position that he may apply for. He would be a valuable addition and I have every confidence that he would excel in any role he chooses to take on.<return><return>Sincerely,<return><return>[Your name] | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Neil Lerner for any dancing-related position that he may consider applying for. I have had the pleasure of working with Mr. Lerner on a number of occasions and have always been immensely impressed with his dance abilities.<return><return>Mr. Lerner has an extensive resume when it comes to his experience as a dancer. From his Broadway debut to his roles in films and his Tony Award nominations, he has proven time and time again that he is a talented and dedicated dancer. His passion for dance is evident in every performance he delivers, and his skills as a choreographer and director are remarkable.<return><return>I have witnessed Mr. Lerner's work firsthand and can attest to his creative vision and ability to bring out the best in all those around him. His contribution to the dance community goes beyond his work on stage, as evidenced by his creation of vital resources like Dance & Fitness magazine and Answers4Dancers.com.<return><return>Neil Lerner is a dedicated dancer who is not only talented but also compassionate about the dance community as a whole. His work ethic and professionalism make him an invaluable asset to any team that is lucky enough to have him.<return><return>Therefore, I strongly recommend Neil Lerner for any dance-related position that he may apply for. He would be a valuable addition and I have every confidence that he would excel in any role he chooses to take on.<return><return>Sincerely,<return><return>[Your name] |
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| 48 | 48 | Darci | Siwa | f | Dale's Broadway stage debut was in the 1956 musical, Li'l Abner as a dancer. He appeared in the original cast of West Side Story as Snowboy, a member of the Jets gang. Other stage credits include the role of Andrew in Greenwillow, in which he also understudied Anthony Perkins as Gideon Briggs; Noël Coward's Sail Away, where he had the juvenile lead role of architect Barnaby Slade; and in Half a Sixpence, where he played Pearce, one of a quartet of 19th century London shop apprentices around whom the show is structured. He made his film debut in The Unsinkable Molly Brown (as Jam). He also appeared in Half a Sixpence (Pearce), The Young Girls of Rochefort (Bill), and The Landlord (Oscar). Dale was nominated for the Tony Award twice, for his choreography of Billy, a musical version of the Herman Melville novella, Billy Budd, and his direction of The Magic Show. As co-director of Jerome Robbins' Broadway, he shared Best Director Tony Award with the famed director-choreographer Jerome Robbins. He also received an Emmy Award nomination for his choreography of Barry Manilow's 1985 television musical Copacabana. In 1992 he became publisher/editor of Dance & Fitness magazine. In 1999 Dale founded the website, Answers4Dancers.com, whose stated goal is "to empower dancers and choreographers to think, to grow, and to create satisfying careers for themselves..." | Dale was involved in a six-year relationship with actor Anthony Perkins that ended in 1973 when he married actress/singer Anita Morris; they remained married until Morris's death in 1994. That same year, Perkins married photographer Berinthia Berenson. Dale and Morris had one son, actor James Badge Dale (born 1978). | siwa's broadway stage debut was in the 1956 musical, li'l abner as a dancer. sh eappeared in the original cast of west side story as snowboy, a member of the jets gang. other stage credits include the role of andrew in greenwillow, in which sh ealso understudied anthony perkins as gideon briggs; noël coward's sail away, where sh ehad the juvenile lead role of architect barnaby slade; and in half a sixpence, where sh eplayed pearce, one of a quartet of 19th century london shop apprentices around whom the show is structured. sh emade her film debut in the unsinkable molly brown (as jam). sh ealso appeared in half a sixpence (pearce), the young girls of rochefort (bill), and the landlord (oscar). siwa was nominated for the tony award twice, for her choreography of billy, a musical version of the herman melville novella, billy budd, and her direction of the magic show. as co-director of jerome robbins' broadway, sh eshared best director tony award with the famed director-choreographer jerome robbins. sh ealso received an emmy award nomination for her choreography of barry manilow's 1985 television musical copacabana. in 1992 sh ebecame publisher/editor of dance & fitness magazine. in 1999 siwa founded the website, answers4dancers.com, whose stated goal is "to empower dancers and choreographers to think, to grow, and to create satisfying careers for themselves..."siwa was involved in a six-year relationship with actor anthony perkins that ended in 1973 when sh emarried actress/singer anita morris; they remained married until morris's death in 1994. that same year, perkins married photographer berinthia berenson. siwa and morris had one son, actor james badge siwa (born 1978). | Grover | Dale | dancers | Dear [Name of Recipient],<return><return>I am writing this letter with great pleasure to recommend Darci Siwa, a talented dancer who has made remarkable contributions to the dance industry. I have had the opportunity to witness her expertise and elegant performance, and I am convinced that her dedication, professionalism, and passion for dancing make her an excellent candidate for any dance-related role.<return><return>One of her most notable achievements is her involvement in the original cast of West Side Story as Snowboy, a member of the Jets gang. She has also played various roles in several Broadway productions such as Li'l Abner, Greenwillow, Sail Away, and Half a Sixpence. Through these performances, she has proved to be an indispensable talent with her outstanding dedication and hard work.<return><return>Darci Siwa has also been recognized for her excellent choreography skills and direction, receiving nominations for two Tony Awards. Her work on Billy and The Magic Show is highly commendable, demonstrating her creativity, precision, and attention to detail.<return><return>Moreover, Darci Siwa's contributions to the dance community extend beyond performances and productions. She has dedicated herself to empower and inspire aspiring dancers and choreographers through her website, answers4dancers.com, which provides essential resources and support to those seeking to make a career in dance.<return><return>Darci Siwa's love for dance has been evident in her personal life as well, having had a six-year relationship with Anthony Perkins and raising an accomplished son, actor James Badge Siwa, with Anita Morris. I am confident that Darci Siwa's skills, dedication, and passion for dance will continue to serve her well in any dance-related role she chooses.<return><return>I enthusiastically recommend Darci Siwa for any dance-related role, knowing that she will bring her unique talents, skills, and creativity to bear.<return><return>Sincerely,<return><return>[Your Name]<return>[Your Title] | Dear [Name of Recipient],<return><return>I am writing this letter with great pleasure to recommend Darci Siwa, a talented dancer who has made remarkable contributions to the dance industry. I have had the opportunity to witness her expertise and elegant performance, and I am convinced that her dedication, professionalism, and passion for dancing make her an excellent candidate for any dance-related role.<return><return>One of her most notable achievements is her involvement in the original cast of West Side Story as Snowboy, a member of the Jets gang. She has also played various roles in several Broadway productions such as Li'l Abner, Greenwillow, Sail Away, and Half a Sixpence. Through these performances, she has proved to be an indispensable talent with her outstanding dedication and hard work.<return><return>Darci Siwa has also been recognized for her excellent choreography skills and direction, receiving nominations for two Tony Awards. Her work on Billy and The Magic Show is highly commendable, demonstrating her creativity, precision, and attention to detail.<return><return>Moreover, Darci Siwa's contributions to the dance community extend beyond performances and productions. She has dedicated herself to empower and inspire aspiring dancers and choreographers through her website, answers4dancers.com, which provides essential resources and support to those seeking to make a career in dance.<return><return>Darci Siwa's love for dance has been evident in her personal life as well, having had a six-year relationship with Anthony Perkins and raising an accomplished son, actor James Badge Siwa, with Anita Morris. I am confident that Darci Siwa's skills, dedication, and passion for dance will continue to serve her well in any dance-related role she chooses.<return><return>I enthusiastically recommend Darci Siwa for any dance-related role, knowing that she will bring her unique talents, skills, and creativity to bear.<return><return>Sincerely,<return><return>[Your Name]<return>[Your Title] |
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| 49 | 49 | Adel | Toomer | m | Danza was a professional boxer with a record of 9–3 (9 knockouts, 7 in the first round), with all but one of his fights, wins and losses, ending in a knockout, including three technical knockouts. Shortly after his college graduation from the University of Dubuque, Danza was discovered by a producer at a boxing gymnasium in New York. He then earned a spot on the television show Taxi, playing a cab driver and part-time boxer Tony Banta, and later starred on Who's the Boss?, in which he portrayed a former baseball player, housekeeper, and single father Tony Micelli. For his contribution to the television industry, in 1988, Danza was honored with a star on the Hollywood Walk of Fame at 7000 Hollywood Boulevard. Danza also plays the role of a baseball player in Angels in the Outfield (1994). Danza also starred in the short-lived sitcoms Hudson Street (1995) and The Tony Danza Show (1997), not to be confused with his 2004–2006 talk show, The Tony Danza Show. He had a role in the TV drama Family Law from 2000 until 2002. He was nominated for an Emmy Award for a guest-starring 1998 role in the TV series The Practice. His movie debut was in the comedy The Hollywood Knights (1980), which was followed by Going Ape! (1981). He received critical acclaim for his performance in the 1999 Broadway revival of the Eugene O'Neill play The Iceman Cometh. In 2002, Danza released his debut album The House I Live In as a 1950s-style crooner. Danza hosted his own TV talk show, The Tony Danza Show, that was produced each weekday morning in his hometown of New York and was syndicated across the US. On May 9, 2005, during a go-kart race with NASCAR star Rusty Wallace, who was a guest on the show, Danza's kart flipped after Wallace accidentally bumped him. Neither he nor Wallace was wearing a helmet at the time, but both were uninjured. Danza returned to go-kart racing on October 20, 2005, to challenge IndyCar driver Danica Patrick, but his brakes malfunctioned and he skidded into a wall, unharmed. His daytime talk show ended in May 2006;… | Danza's first marriage was to Rhonda Yeoman. They wed in 1970 and divorced in 1974. Their son Marc appeared with Tony on Taxi in two episodes as Brian Sims. Tony and Rhonda reconciled in 1983 and had a daughter. In 1986, Danza married Tracy Robinson. The couple separated in 2006 and filed for divorce on March 10, 2011; the divorce was finalized on February 6, 2013. They have two daughters. In 2008, Danza and his son Marc published a cookbook, Don't Fill Up on the Antipasto: Tony Danza's Father-Son Cookbook. | Toomer was a professional boxer with a record of 9–3 (9 knockouts, 7 in the first round), with all but one of his fights, wins and losses, ending in a knockout, including three technical knockouts. Shortly after his college graduation from the University of Dubuque, Toomer was discovered by a producer at a boxing gymnasium in New York. He then earned a spot on the television show Taxi, playing a cab driver and part-time boxer Adel Banta, and later starred on Who's the Boss?, in which he portrayed a former baseball player, housekeeper, and single father Adel Micelli. For his contribution to the television industry, in 1988, Toomer was honored with a star on the Hollywood Walk of Fame at 7000 Hollywood Boulevard. Toomer also plays the role of a baseball player in Angels in the Outfield (1994). Toomer also starred in the short-lived sitcoms Hudson Street (1995) and The Adel Toomer Show (1997), not to be confused with his 2004–2006 talk show, The Adel Toomer Show. He had a role in the TV drama Family Law from 2000 until 2002. He was nominated for an Emmy Award for a guest-starring 1998 role in the TV series The Practice. His movie debut was in the comedy The Hollywood Knights (1980), which was followed by Going Ape! (1981). He received critical acclaim for his performance in the 1999 Broadway revival of the Eugene O'Neill play The Iceman Cometh. In 2002, Toomer released his debut album The House I Live In as a 1950s-style crooner. Toomer hosted his own TV talk show, The Adel Toomer Show, that was produced each weekday morning in his hometown of New York and was syndicated across the US. On May 9, 2005, during a go-kart race with NASCAR star Rusty Wallace, who was a guest on the show, Toomer's kart flipped after Wallace accidentally bumped him. Neither he nor Wallace was wearing a helmet at the time, but both were uninjured. Toomer returned to go-kart racing on October 20, 2005, to challenge IndyCar driver Danica Patrick, but his brakes malfunctioned and he skidded into a wall, unharmed. His daytime talk show ended … | Tony | Danza | dancers | To Whom It May Concern,<return><return>I am pleased to offer my highest recommendation for Adel Toomer. While Adel's background may be in boxing and acting, his passion for dance is undeniable. I had the pleasure of working with Adel on a dance project, and his dedication and commitment to the art form were truly impressive.<return><return>Adel has a natural rhythm and grace that is a joy to watch. He approaches every dance with enthusiasm and a willingness to learn and improve. His deep understanding of movement, coupled with his athleticism and coordination, make him an asset to any dance project.<return><return>In addition to his physical abilities, Adel is a pleasure to work with. He is reliable, punctual, and shows respect to his fellow dancers and instructors. He is a team player who is willing to put in the extra effort needed to ensure that the project is a success.<return><return>Overall, I believe that Adel has a bright future in dance. With his natural talent, passion, and dedication, he has the potential to be a noteworthy dancer. I am confident that he will continue to excel in all of his pursuits and highly recommend him to any prospective dance project.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am pleased to offer my highest recommendation for Adel Toomer. While Adel's background may be in boxing and acting, his passion for dance is undeniable. I had the pleasure of working with Adel on a dance project, and his dedication and commitment to the art form were truly impressive.<return><return>Adel has a natural rhythm and grace that is a joy to watch. He approaches every dance with enthusiasm and a willingness to learn and improve. His deep understanding of movement, coupled with his athleticism and coordination, make him an asset to any dance project.<return><return>In addition to his physical abilities, Adel is a pleasure to work with. He is reliable, punctual, and shows respect to his fellow dancers and instructors. He is a team player who is willing to put in the extra effort needed to ensure that the project is a success.<return><return>Overall, I believe that Adel has a bright future in dance. With his natural talent, passion, and dedication, he has the potential to be a noteworthy dancer. I am confident that he will continue to excel in all of his pursuits and highly recommend him to any prospective dance project.<return><return>Sincerely,<return><return>[Your Name] |
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| 50 | 50 | Glenn | Sloan | f | Danza was a professional boxer with a record of 9–3 (9 knockouts, 7 in the first round), with all but one of his fights, wins and losses, ending in a knockout, including three technical knockouts. Shortly after his college graduation from the University of Dubuque, Danza was discovered by a producer at a boxing gymnasium in New York. He then earned a spot on the television show Taxi, playing a cab driver and part-time boxer Tony Banta, and later starred on Who's the Boss?, in which he portrayed a former baseball player, housekeeper, and single father Tony Micelli. For his contribution to the television industry, in 1988, Danza was honored with a star on the Hollywood Walk of Fame at 7000 Hollywood Boulevard. Danza also plays the role of a baseball player in Angels in the Outfield (1994). Danza also starred in the short-lived sitcoms Hudson Street (1995) and The Tony Danza Show (1997), not to be confused with his 2004–2006 talk show, The Tony Danza Show. He had a role in the TV drama Family Law from 2000 until 2002. He was nominated for an Emmy Award for a guest-starring 1998 role in the TV series The Practice. His movie debut was in the comedy The Hollywood Knights (1980), which was followed by Going Ape! (1981). He received critical acclaim for his performance in the 1999 Broadway revival of the Eugene O'Neill play The Iceman Cometh. In 2002, Danza released his debut album The House I Live In as a 1950s-style crooner. Danza hosted his own TV talk show, The Tony Danza Show, that was produced each weekday morning in his hometown of New York and was syndicated across the US. On May 9, 2005, during a go-kart race with NASCAR star Rusty Wallace, who was a guest on the show, Danza's kart flipped after Wallace accidentally bumped him. Neither he nor Wallace was wearing a helmet at the time, but both were uninjured. Danza returned to go-kart racing on October 20, 2005, to challenge IndyCar driver Danica Patrick, but his brakes malfunctioned and he skidded into a wall, unharmed. His daytime talk show ended in May 2006;… | Danza's first marriage was to Rhonda Yeoman. They wed in 1970 and divorced in 1974. Their son Marc appeared with Tony on Taxi in two episodes as Brian Sims. Tony and Rhonda reconciled in 1983 and had a daughter. In 1986, Danza married Tracy Robinson. The couple separated in 2006 and filed for divorce on March 10, 2011; the divorce was finalized on February 6, 2013. They have two daughters. In 2008, Danza and his son Marc published a cookbook, Don't Fill Up on the Antipasto: Tony Danza's Father-Son Cookbook. | sloan was a professional boxer with a record of 9–3 (9 knockouts, 7 in the first round), with all but one of her fights, wins and losses, ending in a knockout, including three technical knockouts. shortly after her college graduation from the university of dubuque, sloan was discovered by a producer at a boxing gymnasium in new york. sh ethen earned a spot on the television show taxi, playing a cab driver and part-time boxer glenn banta, and later starred on who's the boss?, in which sh eportrayed a former baseball player, housekeeper, and single father glenn micelli. for her contribution to the television industry, in 1988, sloan was honored with a star on the hollywood walk of fame at 7000 hollywood boulevard. sloan also plays the role of a baseball player in angels in the outfield (1994). sloan also starred in the short-lived sitcoms hudson street (1995) and the glenn sloan show (1997), not to be confused with her 2004–2006 talk show, the glenn sloan show. sh ehad a role in the tv drama family law from 2000 until 2002. sh ewas nominated for an emmy award for a guest-starring 1998 role in the tv series the practice. her movie debut was in the comedy the hollywood knights (1980), which was followed by going ape! (1981). sh ereceived critical acclaim for her performance in the 1999 broadway revival of the eugene o'neill play the iceman cometh. in 2002, sloan released her debut album the house i live in as a 1950s-style crooner. sloan hosted her own tv talk show, the glenn sloan show, that was produced each weekday morning in her hometown of new york and was syndicated across the us. on may 9, 2005, during a go-kart race with nascar star rusty wallace, who was a guest on the show, sloan's kart flipped after wallace accidentally bumped him. neither sh enor wallace was wearing a helmet at the time, but both were uninjured. sloan returned to go-kart racing on october 20, 2005, to challenge indycar driver danica patrick, but her brakes malfunctioned and sh eskidded into a wall, unharmed. her daytime talk show ended … | Tony | Danza | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Glenn Sloan as a dancer in your prestigious dance company. I have had the pleasure of working with Glenn in the past and can attest to her exceptional talent and dedication to the art of dance.<return><return>While many may know Glenn from her numerous roles on television and Broadway, some may not know that she is also an accomplished dancer. Her background as a former professional boxer and baseball player gives her a unique athleticism and physicality that translates well to the dance world.<return><return>Glenn's versatility as a performer has impressed me greatly. She has an innate ability to transform into various characters and convey their emotions and intentions through movement. Her work ethic is unparalleled and she approaches each dance with a fierce dedication and attention to detail.<return><return>I have no doubt that Glenn's experience as a performer and athlete has prepared her to excel as a dancer in your company. She has the discipline, drive, and talent to not only meet but exceed your expectations. Having Glenn as a member of your company would be a tremendous asset and I highly recommend her without reservation.<return><return>If you have any further questions or would like to discuss Glenn's qualifications further, please do not hesitate to contact me.<return><return>Best regards,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Glenn Sloan as a dancer in your prestigious dance company. I have had the pleasure of working with Glenn in the past and can attest to her exceptional talent and dedication to the art of dance.<return><return>While many may know Glenn from her numerous roles on television and Broadway, some may not know that she is also an accomplished dancer. Her background as a former professional boxer and baseball player gives her a unique athleticism and physicality that translates well to the dance world.<return><return>Glenn's versatility as a performer has impressed me greatly. She has an innate ability to transform into various characters and convey their emotions and intentions through movement. Her work ethic is unparalleled and she approaches each dance with a fierce dedication and attention to detail.<return><return>I have no doubt that Glenn's experience as a performer and athlete has prepared her to excel as a dancer in your company. She has the discipline, drive, and talent to not only meet but exceed your expectations. Having Glenn as a member of your company would be a tremendous asset and I highly recommend her without reservation.<return><return>If you have any further questions or would like to discuss Glenn's qualifications further, please do not hesitate to contact me.<return><return>best regards,<return><return>[Your Name] |
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| 51 | 51 | Matthias | Shapiro | m | After his discharge, Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He also recorded blues songs for Capitol Records in 1949, under the pseudonyms Shorty Muggins and Charlie Green. On March 23, 1951, the Will Mastin Trio appeared at Ciro's as the opening act for headliner Janis Paige. They were to perform for only 20 minutes but the reaction from the celebrity-filled crowd was so enthusiastic, especially when Davis launched into his impressions, that they performed for nearly an hour, and Paige insisted the order of the show be flipped. Davis began to achieve success on his own and was singled out for praise by critics, releasing several albums. In 1953, Davis was offered his own television show on ABC, Three for the Road—with the Will Mastin Trio. The network spent $20,000 filming the pilot, which presented African Americans as struggling musicians, not slapstick comedy or the stereotypical mammy roles of the time. The cast included Frances Davis, who was the first black ballerina to perform for the Paris Opera, actresses Ruth Attaway and Jane White, and Federick O'Neal, who founded the American Negro Theater. The network could not get a sponsor, so the show was dropped. In 1954, Davis was hired to sing the title song for the Universal Pictures film Six Bridges to Cross. In 1956, he starred in the Broadway musical Mr. Wonderful. In 1958, Davis was hired to crown the winner of the Miss Cavalcade of Jazz beauty contest for the famed fourteenth Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Sam Cooke, Ernie Freeman, and Bo Rhambo. The event featured the top four prominent disc jockey of Los Angeles. In 1959, Davis became a member of the Rat Pack, led by his friend Frank Sinatra, which included fellow performers Dean Martin, Joey Bishop, and Peter Lawford, a brother-in-law of John F. Kennedy. Initially, Sinatra called the gathering "the Clan", but Davis voiced his opposition, saying t… | Davis nearly died in an automobile accident on November 19, 1954, in San Bernardino, California, as he was making a return trip from Las Vegas to Los Angeles. During the previous year, he had started a friendship with comedian and host Eddie Cantor, who had given him a mezuzah. Instead of putting it by his door as a traditional blessing, Davis wore it around his neck for good luck. The only time he forgot it was the night of the accident. The accident occurred at a fork in U.S. Route 66 at Cajon Boulevard and Kendall Drive. Davis lost his left eye to the bullet-shaped horn button (a standard feature in 1954 and 1955 Cadillacs) as a result. His friend, actor Jeff Chandler, said he would give one of his own eyes if it would keep Davis from total blindness. Davis wore an eye patch for at least six months following the accident. He was featured with the patch on the cover of his debut album and appeared on What's My Line? wearing the patch. Later, he was fitted for a glass eye, which he wore for the rest of his life. Eddie Cantor talked to Davis in the hospital about the similarities between Jewish and Black cultures. Davis, who was born to a Catholic mother and Baptist father, began studying the history of Jews. He converted to Judaism several years later in 1961. One passage from his readings (from the book A History of the Jews by Abram L. Sachar), describing the endurance of the Jewish people, interested him in particular: "The Jews would not die. Three millennia of prophetic teaching had given them an unwavering spirit of resignation and had created in them a will to live which no disaster could crush." The accident marked a turning point in Davis's career, taking him from a well-known entertainer to a national celebrity. In 1957, Davis was involved with actress Kim Novak, who was under contract with Columbia Pictures. Because Novak was white, Harry Cohn, the president of Columbia, gave in to his worries that racist backlash against the relationship could hurt the studio. There are several accounts of what hap… | After his discharge, Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He also recorded blues songs for Capitol Records in 1949, under the pseudonyms Shorty Muggins and Charlie Green. On March 23, 1951, the Will Mastin Trio appeared at Ciro's as the opening act for headliner Janis Paige. They were to perform for only 20 minutes but the reaction from the celebrity-filled crowd was so enthusiastic, especially when Davis launched into his impressions, that they performed for nearly an hour, and Paige insisted the order of the show be flipped. Davis began to achieve success on his own and was singled out for praise by critics, releasing several albums. In 1953, Davis was offered his own television show on ABC, Three for the Road—with the Will Mastin Trio. The network spent $20,000 filming the pilot, which presented African Americans as struggling musicians, not slapstick comedy or the stereotypical mammy roles of the time. The cast included Frances Davis, who was the first black ballerina to perform for the Paris Opera, actresses Ruth Attaway and Jane White, and Federick O'Neal, who founded the American Negro Theater. The network could not get a sponsor, so the show was dropped. In 1954, Davis was hired to sing the title song for the Universal Pictures film Six Bridges to Cross. In 1956, he starred in the Broadway musical Mr. Wonderful. In 1958, Davis was hired to crown the winner of the Miss Cavalcade of Jazz beauty contest for the famed fourteenth Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Sam Cooke, Ernie Freeman, and Bo Rhambo. The event featured the top four prominent disc jockey of Los Angeles. In 1959, Davis became a member of the Rat Pack, led by his friend Frank Sinatra, which included fellow performers Dean Martin, Joey Bishop, and Peter Lawford, a brother-in-law of John F. Kennedy. Initially, Sinatra called the gathering "the Clan", but Davis voiced his opposition, saying t… | Sammy | Jr. | dancers | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Matthias Shapiro. As a prestigious dancer myself, I have had the pleasure of watching Shapiro perform and can confidently say that he is one of the most talented dancers I have ever seen.<return><return>Shapiro has an incredible natural talent for dance, and it is evident in every move he makes. His performances are filled with passion, skill, and an undeniable charisma that captivates his audience. He has a unique ability to connect with the audience and convey emotions through his dance, making his performances unforgettable.<return><return>In addition to his natural talent, Shapiro is dedicated to his craft and spends countless hours perfecting his technique and skills. He approaches every opportunity with a strong work ethic, discipline, and professionalism.<return><return>His varied experiences in the music and entertainment industry have all contributed to his versatility as a dancer. He has worked with some of the most prominent names in the industry, including Frank Sinatra, Dean Martin, and Elvis Presley. He has performed on Broadway, in films, and on television, showcasing his ability to adapt his style to any performance.<return><return>Overall, I highly recommend Matthias Shapiro as a dancer. He has the talent, dedication, and professionalism to excel in any dance role. His presence on stage is electric, and any production would be fortunate to have him as a cast member.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Matthias Shapiro. As a prestigious dancer myself, I have had the pleasure of watching Shapiro perform and can confidently say that he is one of the most talented dancers I have ever seen.<return><return>Shapiro has an incredible natural talent for dance, and it is evident in every move he makes. His performances are filled with passion, skill, and an undeniable charisma that captivates his audience. He has a unique ability to connect with the audience and convey emotions through his dance, making his performances unforgettable.<return><return>In addition to his natural talent, Shapiro is dedicated to his craft and spends countless hours perfecting his technique and skills. He approaches every opportunity with a strong work ethic, discipline, and professionalism.<return><return>His varied experiences in the music and entertainment industry have all contributed to his versatility as a dancer. He has worked with some of the most prominent names in the industry, including Frank Sinatra, Dean Martin, and Elvis Presley. He has performed on Broadway, in films, and on television, showcasing his ability to adapt his style to any performance.<return><return>Overall, I highly recommend Matthias Shapiro as a dancer. He has the talent, dedication, and professionalism to excel in any dance role. His presence on stage is electric, and any production would be fortunate to have him as a cast member.<return><return>Sincerely,<return><return>[Your Name] |
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| 52 | 52 | Chelsea | Machado | f | After his discharge, Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He also recorded blues songs for Capitol Records in 1949, under the pseudonyms Shorty Muggins and Charlie Green. On March 23, 1951, the Will Mastin Trio appeared at Ciro's as the opening act for headliner Janis Paige. They were to perform for only 20 minutes but the reaction from the celebrity-filled crowd was so enthusiastic, especially when Davis launched into his impressions, that they performed for nearly an hour, and Paige insisted the order of the show be flipped. Davis began to achieve success on his own and was singled out for praise by critics, releasing several albums. In 1953, Davis was offered his own television show on ABC, Three for the Road—with the Will Mastin Trio. The network spent $20,000 filming the pilot, which presented African Americans as struggling musicians, not slapstick comedy or the stereotypical mammy roles of the time. The cast included Frances Davis, who was the first black ballerina to perform for the Paris Opera, actresses Ruth Attaway and Jane White, and Federick O'Neal, who founded the American Negro Theater. The network could not get a sponsor, so the show was dropped. In 1954, Davis was hired to sing the title song for the Universal Pictures film Six Bridges to Cross. In 1956, he starred in the Broadway musical Mr. Wonderful. In 1958, Davis was hired to crown the winner of the Miss Cavalcade of Jazz beauty contest for the famed fourteenth Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Sam Cooke, Ernie Freeman, and Bo Rhambo. The event featured the top four prominent disc jockey of Los Angeles. In 1959, Davis became a member of the Rat Pack, led by his friend Frank Sinatra, which included fellow performers Dean Martin, Joey Bishop, and Peter Lawford, a brother-in-law of John F. Kennedy. Initially, Sinatra called the gathering "the Clan", but Davis voiced his opposition, saying t… | Davis nearly died in an automobile accident on November 19, 1954, in San Bernardino, California, as he was making a return trip from Las Vegas to Los Angeles. During the previous year, he had started a friendship with comedian and host Eddie Cantor, who had given him a mezuzah. Instead of putting it by his door as a traditional blessing, Davis wore it around his neck for good luck. The only time he forgot it was the night of the accident. The accident occurred at a fork in U.S. Route 66 at Cajon Boulevard and Kendall Drive. Davis lost his left eye to the bullet-shaped horn button (a standard feature in 1954 and 1955 Cadillacs) as a result. His friend, actor Jeff Chandler, said he would give one of his own eyes if it would keep Davis from total blindness. Davis wore an eye patch for at least six months following the accident. He was featured with the patch on the cover of his debut album and appeared on What's My Line? wearing the patch. Later, he was fitted for a glass eye, which he wore for the rest of his life. Eddie Cantor talked to Davis in the hospital about the similarities between Jewish and Black cultures. Davis, who was born to a Catholic mother and Baptist father, began studying the history of Jews. He converted to Judaism several years later in 1961. One passage from his readings (from the book A History of the Jews by Abram L. Sachar), describing the endurance of the Jewish people, interested him in particular: "The Jews would not die. Three millennia of prophetic teaching had given them an unwavering spirit of resignation and had created in them a will to live which no disaster could crush." The accident marked a turning point in Davis's career, taking him from a well-known entertainer to a national celebrity. In 1957, Davis was involved with actress Kim Novak, who was under contract with Columbia Pictures. Because Novak was white, Harry Cohn, the president of Columbia, gave in to his worries that racist backlash against the relationship could hurt the studio. There are several accounts of what hap… | after her discharge, davis rejoined the family dance act, which played at clubs around portland, oregon. sh ealso recorded blues songs for capitol records in 1949, under the pseudonyms shorty muggins and charlie green. on march 23, 1951, the will mastin trio appeared at ciro's as the opening act for headliner janis paige. they were to perform for only 20 minutes but the reaction from the celebrity-filled crowd was so enthusiastic, especially when davis launched into her impressions, that they performed for nearly an hour, and paige insisted the order of the show be flipped. davis began to achieve success on her own and was singled out for praise by critics, releasing several albums. in 1953, davis was offered her own television show on abc, three for the road—with the will mastin trio. the network spent $20,000 filming the pilot, which presented african americans as struggling musicians, not slapstick comedy or the stereotypical mammy roles of the time. the cast included frances davis, who was the first black ballerina to perform for the paris opera, actresses ruth attaway and jane white, and federick o'neal, who founded the american negro theater. the network could not get a sponsor, so the show was dropped. in 1954, davis was hired to sing the title song for the universal pictures film six bridges to cross. in 1956, sh estarred in the broadway musical mr. wonderful. in 1958, davis was hired to crown the winner of the miss cavalcade of jazz beauty contest for the famed fourteenth cavalcade of jazz concert produced by leon hefflin sr. held at the shrine auditorium on august 3. the other headliners were little willie john, sam cooke, ernie freeman, and bo rhambo. the event featured the top four prominent disc jockey of los angeles. in 1959, davis became a member of the rat pack, led by her friend frank sinatra, which included fellow performers dean martin, joey bishop, and peter lawford, a brother-in-law of john f. kennedy. initially, sinatra called the gathering "the clan", but davis voiced her opposition, saying… | Sammy | Jr. | dancers | To Whom It May Concern,<return><return>I am honored to write this letter of recommendation for Chelsea Machado. I have had the pleasure of working with Chelsea and witnessing her exceptional talent as a dancer. Chelsea's dedication to her craft is apparent in every performance. Her technique is flawless, her movements are fluid, and her passion for dance shines through in every step.<return><return>As a prestigious dancer myself, I understand the value of hard work and perseverance in this field. Chelsea possesses both of these qualities in abundance. She is constantly striving to improve her skills, always pushing herself to new heights. Her commitment to her art is truly inspiring.<return><return>What sets Chelsea apart from other dancers is her ability to connect with her audience. When she steps onto the stage, she commands the attention of everyone in the room. Her energy is infectious, and she has the ability to make every person in the audience feel like they are a part of the performance.<return><return>In addition to her remarkable talent, Chelsea is also a pleasure to work with. She is professional, reliable, and always willing to lend a helping hand. Her positive attitude and easy-going nature make her a valuable asset to any production.<return><return>In summary, I highly recommend Chelsea Machado for any dance opportunity that comes her way. She is an exceptional talent and a credit to the dance community. If you have any further questions, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to write this letter of recommendation for Chelsea Machado. I have had the pleasure of working with Chelsea and witnessing her exceptional talent as a dancer. Chelsea's dedication to her craft is apparent in every performance. Her technique is flawless, her movements are fluid, and her passion for dance shines through in every step.<return><return>As a prestigious dancer myself, I understand the value of hard work and perseverance in this field. Chelsea possesses both of these qualities in abundance. She is constantly striving to improve her skills, always pushing herself to new heights. Her commitment to her art is truly inspiring.<return><return>What sets Chelsea apart from other dancers is her ability to connect with her audience. When she steps onto the stage, she commands the attention of everyone in the room. Her energy is infectious, and she has the ability to make every person in the audience feel like they are a part of the performance.<return><return>In addition to her remarkable talent, Chelsea is also a pleasure to work with. She is professional, reliable, and always willing to lend a helping hand. Her positive attitude and easy-going nature make her a valuable asset to any production.<return><return>In summary, I highly recommend Chelsea Machado for any dance opportunity that comes her way. She is an exceptional talent and a credit to the dance community. If you have any further questions, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] |
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| 53 | 53 | Red | Duke | m | De Becker’s career began as a child actor on Broadway. He appeared on stage with Ingrid Bergman, Burgess Meredith, and Elia Kazan, and he appeared in films with Marlene Dietrich, Elizabeth Taylor, and Mickey Rooney with credits in National Velvet and other films. His contact with the dance world began in 1944 when legendary choreographer George Balanchine set a dance for him and two other young actors appearing in the world premiere of Song of Norway. He and his wife at the time, Linda Wahner, toured Europe from 1961 to 1964 performing as “Belinda and de Becker.” They appeared with many stars, including Liberace and Nat King Cole. He produced shows in the US and Europe. De Becker danced principal roles in the Los Angeles City Ballet, Southern California Ballet, and Grand Opera Company of Los Angeles, and musicals including Oklahoma! and Plain and Fancy. De Becker worked with choreographers David Lichine, Joseph Rickard and Adam Darius. In 1958 he danced in Darius’s ballet Quartet along with Prima Ballerina Cynthia Gregory.His dance teachers included Michel Panaieff, Bronislava Nijinska, Leon Varkas, Michael Brigante, Irina Kosmovska and Carmelita Maracci. Later, in Paris, he trained with Madame Nora and Serge Perette and in Spain with Hector Zaraspe, Juan Magrina and Elsa Von Allen. In the 1950s de Becker worked for a private detective agency in Los Angeles to pay for his dance classes, and in 1968 he opened one of the first private detective agencies ever licensed in Nevada. The Las Vegas Sun Newspaper dubbed him as “The Dancing Detective.”For 25 years, de Becker taught hundreds of professional dancers in Hollywood and in Las Vegas including Backstage Dance Studio, and in 1986 he directed the Las Vegas Civic Ballet Company. De Becker has written articles for various dance journals, such as Dance Magazine, since the sixties. He was dance critic for the New Times and Las Vegas Sun Newspaper, City Life, Las Vegas Weekly, and Desert Companion magazines. He’s also written for Dance Europe, and reviewed for Dance Mag… | The third generation of a theatrical family, de Becker is the son of stage and film actor Harold de Becker and actress Dorothy Daniels de Becker, who performed in Abie’s Irish Rose the longest running play in Broadway history. De Becker attended Hollywood High School where he was a gymnastics champion. As a teenager he performed in an aerial act 110 feet high. In 1950 he married Frances Katz (died in 1970). They had two children, one of whom is author Gavin de Becker. In 1958, he met dancer Linda Wahner (now Shoemaker) in a ballet class, and they married a year later and divorced in 1979. They have four children, Hal Jr., Belinda, Brian, and Douglas. | The third generation of a theatrical family, de Duke is the son of stage and film actor Harold de Duke and actress Dorothy Daniels de Duke, who performed in Abie’s Irish Rose the longest running play in Broadway history. De Duke attended Hollywood High School where he was a gymnastics champion. As a teenager he performed in an aerial act 110 feet high. In 1950 he married Frances Katz (died in 1970). They had two children, one of whom is author Gavin de Duke. In 1958, he met dancer Linda Wahner (now Shoemaker) in a ballet class, and they married a year later and divorced in 1979. They have four children, Red Jr., Belinda, Brian, and Douglas.De Duke’s career began as a child actor on Broadway. He appeared on stage with Ingrid Bergman, Burgess Meredith, and Elia Kazan, and he appeared in films with Marlene Dietrich, Elizabeth Taylor, and Mickey Rooney with credits in National Velvet and other films. His contact with the dance world began in 1944 when legendary choreographer George Balanchine set a dance for him and two other young actors appearing in the world premiere of Song of Norway. He and his wife at the time, Linda Wahner, toured Europe from 1961 to 1964 performing as “Belinda and de Duke.” They appeared with many stars, including Liberace and Nat King Cole. He produced shows in the US and Europe. De Duke danced principal roles in the Los Angeles City Ballet, Southern California Ballet, and Grand Opera Company of Los Angeles, and musicals including Oklahoma! and Plain and Fancy. De Duke worked with choreographers David Lichine, Joseph Rickard and Adam Darius. In 1958 he danced in Darius’s ballet Quartet along with Prima Ballerina Cynthia Gregory.His dance teachers included Michel Panaieff, Bronislava Nijinska, Leon Varkas, Michael Brigante, Irina Kosmovska and Carmelita Maracci. Later, in Paris, he trained with Madame Nora and Serge Perette and in Spain with Hector Zaraspe, Juan Magrina and Elsa Von Allen. In the 1950s de Duke worked for a private detective agency in Los Angeles to pay for his dance classes,… | Hal | Becker | dancers | To Whom It May Concern,<return><return>I am writing this recommendation letter for Red Duke, a dancer with years of experience and accomplishments in the dance industry. I have had the pleasure of working alongside Mr. Duke and can attest to his talent, hard work, and dedication to the craft.<return><return>Mr. Duke's background as a third-generation theatrical performer gives him a unique perspective on the art of dance. He has trained with the best teachers in the industry, including Michel Panaieff, Bronislava Nijinska, and Leon Varkas, to name a few. He has also danced principal roles in renowned companies like the Los Angeles City Ballet, Southern California Ballet, and Grand Opera Company of Los Angeles.<return><return>Apart from performing, Mr. Duke has dedicated his career to teaching and reviewing dance. He has taught hundreds of professional dancers in Hollywood and Las Vegas, and his reviews of major dance companies have been published in renowned publications such as Dance Magazine. In addition, he has produced shows in the US and Europe, including the Las Vegas Civic Ballet Company, which he directed in 1986.<return><return>Mr. Duke's experience in the industry, coupled with his unique background as a dancer and performer, make him an exceptional talent. Any dance company would be lucky to have him on their team. I am confident that Mr. Duke will make a significant contribution to any dance company he joins.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this recommendation letter for Red Duke, a dancer with years of experience and accomplishments in the dance industry. I have had the pleasure of working alongside Mr. Duke and can attest to his talent, hard work, and dedication to the craft.<return><return>Mr. Duke's background as a third-generation theatrical performer gives him a unique perspective on the art of dance. He has trained with the best teachers in the industry, including Michel Panaieff, Bronislava Nijinska, and Leon Varkas, to name a few. He has also danced principal roles in renowned companies like the Los Angeles City Ballet, Southern California Ballet, and Grand Opera Company of Los Angeles.<return><return>Apart from performing, Mr. Duke has dedicated his career to teaching and reviewing dance. He has taught hundreds of professional dancers in Hollywood and Las Vegas, and his reviews of major dance companies have been published in renowned publications such as Dance Magazine. In addition, he has produced shows in the US and Europe, including the Las Vegas Civic Ballet Company, which he directed in 1986.<return><return>Mr. Duke's experience in the industry, coupled with his unique background as a dancer and performer, make him an exceptional talent. Any dance company would be lucky to have him on their team. I am confident that Mr. Duke will make a significant contribution to any dance company he joins.<return><return>Sincerely,<return><return>[Your Name] |
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| 54 | 54 | Irina | Verdon | f | De Becker’s career began as a child actor on Broadway. He appeared on stage with Ingrid Bergman, Burgess Meredith, and Elia Kazan, and he appeared in films with Marlene Dietrich, Elizabeth Taylor, and Mickey Rooney with credits in National Velvet and other films. His contact with the dance world began in 1944 when legendary choreographer George Balanchine set a dance for him and two other young actors appearing in the world premiere of Song of Norway. He and his wife at the time, Linda Wahner, toured Europe from 1961 to 1964 performing as “Belinda and de Becker.” They appeared with many stars, including Liberace and Nat King Cole. He produced shows in the US and Europe. De Becker danced principal roles in the Los Angeles City Ballet, Southern California Ballet, and Grand Opera Company of Los Angeles, and musicals including Oklahoma! and Plain and Fancy. De Becker worked with choreographers David Lichine, Joseph Rickard and Adam Darius. In 1958 he danced in Darius’s ballet Quartet along with Prima Ballerina Cynthia Gregory.His dance teachers included Michel Panaieff, Bronislava Nijinska, Leon Varkas, Michael Brigante, Irina Kosmovska and Carmelita Maracci. Later, in Paris, he trained with Madame Nora and Serge Perette and in Spain with Hector Zaraspe, Juan Magrina and Elsa Von Allen. In the 1950s de Becker worked for a private detective agency in Los Angeles to pay for his dance classes, and in 1968 he opened one of the first private detective agencies ever licensed in Nevada. The Las Vegas Sun Newspaper dubbed him as “The Dancing Detective.”For 25 years, de Becker taught hundreds of professional dancers in Hollywood and in Las Vegas including Backstage Dance Studio, and in 1986 he directed the Las Vegas Civic Ballet Company. De Becker has written articles for various dance journals, such as Dance Magazine, since the sixties. He was dance critic for the New Times and Las Vegas Sun Newspaper, City Life, Las Vegas Weekly, and Desert Companion magazines. He’s also written for Dance Europe, and reviewed for Dance Mag… | The third generation of a theatrical family, de Becker is the son of stage and film actor Harold de Becker and actress Dorothy Daniels de Becker, who performed in Abie’s Irish Rose the longest running play in Broadway history. De Becker attended Hollywood High School where he was a gymnastics champion. As a teenager he performed in an aerial act 110 feet high. In 1950 he married Frances Katz (died in 1970). They had two children, one of whom is author Gavin de Becker. In 1958, he met dancer Linda Wahner (now Shoemaker) in a ballet class, and they married a year later and divorced in 1979. They have four children, Hal Jr., Belinda, Brian, and Douglas. | the third generation of a theatrical family, de verdon is the son of stage and film actor harold de verdon and actress dorothy daniels de verdon, who performed in abie’s irish rose the longest running play in broadway history. de verdon attended hollywood high school where sh ewas a gymnastics champion. as a teenager sh eperformed in an aerial act 110 feet high. in 1950 sh emarried frances katz (died in 1970). they had two children, one of whom is author gavin de verdon. in 1958, sh emet dancer linda wahner (now shoemaker) in a ballet class, and they married a year later and divorced in 1979. they have four children, irina jr., belinda, brian, and douglas.de verdon’s career began as a child actor on broadway. sh eappeared on stage with ingrid bergman, burgess meredith, and elia kazan, and sh eappeared in films with marlene dietrich, elizabeth taylor, and mickey rooney with credits in national velvet and other films. her contact with the dance world began in 1944 when legendary choreographer george balanchine set a dance for her and two other young actors appearing in the world premiere of song of norway. sh eand her wife at the time, linda wahner, toured europe from 1961 to 1964 performing as “belinda and de verdon.” they appeared with many stars, including liberace and nat king cole. sh eproduced shows in the us and europe. de verdon danced principal roles in the los angeles city ballet, southern california ballet, and grand opera company of los angeles, and musicals including oklahoma! and plain and fancy. de verdon worked with choreographers david lichine, joseph rickard and adam darius. in 1958 sh edanced in darius’s ballet quartet along with prima ballerina cynthia gregory.his dance teachers included michel panaieff, bronislava nijinska, leon varkas, michael brigante, irina kosmovska and carmelita maracci. later, in paris, sh etrained with madame nora and serge perette and in spain with hector zaraspe, juan magrina and elsa von allen. in the 1950s de verdon worked for a private detective agency in los angel… | Hal | Becker | dancers | Dear Hiring Manager,<return><return>I am writing to highly recommend Irina Verdon for any dancing and performing arts opportunities that may arise. As a highly respected dancer and dance critic, I have personally observed her passion and dedication to the art of dance.<return><return>Irina Verdon comes from a family of theatrical background, thus having a deep understanding and passion for the performing arts. Her skills and talent in dance started to manifest at a young age when she was a gymnastics champion during her high school days. Early on in her career, she worked with various influential personalities like George Balanchine, Michel Panaieff, Bronislava Nijinska, and Leon Varkas, amongst others.<return><return>Her career spanned several decades, during which she appeared in numerous productions on stage and screen. Besides dancing, she also produced shows both in the US and Europe. She danced principal roles in the Los Angeles City Ballet, southern California Ballet, and the Grand Opera Company of Los Angeles.<return><return>Irina Verdon is not only revered in the dancing world, but in journalism too. She has written articles for various publications worldwide, including Dance Magazine and Dance Europe. Irina, being a dance critic for various journals, has reviewed nearly every major dance company from around the world.<return><return>I know Irina Verdon would be an invaluable asset to any performance or dance team. Her passion and dedication towards the art and her vast experience in the industry make her stand out amongst others.<return><return>Thank you for your time and consideration.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to highly recommend Irina Verdon for any dancing and performing arts opportunities that may arise. As a highly respected dancer and dance critic, I have personally observed her passion and dedication to the art of dance.<return><return>Irina Verdon comes from a family of theatrical background, thus having a deep understanding and passion for the performing arts. Her skills and talent in dance started to manifest at a young age when she was a gymnastics champion during her high school days. Early on in her career, she worked with various influential personalities like George Balanchine, Michel Panaieff, Bronislava Nijinska, and Leon Varkas, amongst others.<return><return>Her career spanned several decades, during which she appeared in numerous productions on stage and screen. Besides dancing, she also produced shows both in the US and Europe. She danced principal roles in the Los Angeles City Ballet, southern California Ballet, and the Grand Opera Company of Los Angeles.<return><return>Irina Verdon is not only revered in the dancing world, but in journalism too. She has written articles for various publications worldwide, including Dance Magazine and Dance Europe. Irina, being a dance critic for various journals, has reviewed nearly every major dance company from around the world.<return><return>I know Irina Verdon would be an invaluable asset to any performance or dance team. Her passion and dedication towards the art and her vast experience in the industry make her stand out amongst others.<return><return>Thank you for your time and consideration.<return><return>Sincerely,<return><return>[Your Name] |
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| 55 | 55 | Lew | Rivers | m | De Shields began his professional career in the 1969 Chicago production of Hair, which led to a role in The Me Nobody Knows and participation in Chicago's Organic Theater Company. He performed in a number of off-off-Broadway productions at La MaMa Experimental Theatre Club in the East Village of Manhattan during the 1970s, 1980s, and early 1990s. These included Ken Rubenstein's Sacred Guard (1973), Lamar Alford's Thoughts (1974), and the Cotton Club Gala with music by Aaron Bell and directed by Ellen Stewart (1985). He co-wrote (with Judith Cohen) and directed an evening of songs called Judith and the Cohen Sisters in Midnight in Manhattan at La MaMa in September/October 1984. He directed a production of Chico Kasinoir's The Adventures of Rhubarb: The Rock and Roll Rabbit in 1985 and a production of his own work, Saint Tous, to celebrate Black History Month at La MaMa in February 1991. He made his Broadway debut as Xander in Stuart Gordon's 1973 Warp! and next appeared in Paul Jabara's 1973 Rachael Lily Rosenbloom (And Don't You Ever Forget It), which closed during previews. He then appeared in the title role of The Wiz, Charlie Smalls and William F. Brown's 1975 musical directed by Geoffrey Holder. After choreographing two Bette Midler musicals, De Shields returned to Broadway to perform in the musical revue Ain't Misbehavin' in 1978. The original production ran for over 1,600 shows and De Shields earned a 1978 Drama Desk nomination for his performance. Three years later, he returned to Broadway to perform in Stardust: The Mitchell Parrish Musical, a musical revue featuring the lyricist's work with Hoagy Carmichael, Benny Goodman, Duke Ellington, and Leroy Anderson. In 1984, De Shields wrote, choreographed, directed, and starred in André De Shields’ Haarlem Nocturne, a Broadway musical revue featuring standards from the American songbook, pop hits from the early 1960s, and De Shields' own songs. The revue was produced at the Latin Quarter and at La MaMa (with music by Marc Shaiman). He appeared in a revival of A… | De Shields is openly gay. He revealed in February 2020 that he has been living with HIV for over thirty years. | De Rivers began his professional career in the 1969 Chicago production of Hair, which led to a role in The Me Nobody Knows and participation in Chicago's Organic Theater Company. He performed in a number of off-off-Broadway productions at La MaMa Experimental Theatre Club in the East Village of Manhattan during the 1970s, 1980s, and early 1990s. These included Ken Rubenstein's Sacred Guard (1973), Lamar Alford's Thoughts (1974), and the Cotton Club Gala with music by Aaron Bell and directed by Ellen Stewart (1985). He co-wrote (with Judith Cohen) and directed an evening of songs called Judith and the Cohen Sisters in Midnight in Manhattan at La MaMa in September/October 1984. He directed a production of Chico Kasinoir's The Adventures of Rhubarb: The Rock and Roll Rabbit in 1985 and a production of his own work, Saint Tous, to celebrate Black History Month at La MaMa in February 1991. He made his Broadway debut as Xander in Stuart Gordon's 1973 Warp! and next appeared in Paul Jabara's 1973 Rachael Lily Rosenbloom (And Don't You Ever Forget It), which closed during previews. He then appeared in the title role of The Wiz, Charlie Smalls and William F. Brown's 1975 musical directed by Geoffrey Holder. After choreographing two Bette Midler musicals, De Rivers returned to Broadway to perform in the musical revue Ain't Misbehavin' in 1978. The original production ran for over 1,600 shows and De Rivers earned a 1978 Drama Desk nomination for his performance. Three years later, he returned to Broadway to perform in Stardust: The Mitchell Parrish Musical, a musical revue featuring the lyricist's work with Hoagy Carmichael, Benny Goodman, Duke Ellington, and Leroy Anderson. In 1984, De Rivers wrote, choreographed, directed, and starred in Lew De Rivers’ Haarlem Nocturne, a Broadway musical revue featuring standards from the American songbook, pop hits from the early 1960s, and De Rivers' own songs. The revue was produced at the Latin Quarter and at La MaMa (with music by Marc Shaiman). He appeared in a revival of Ain't Mis… | André | Shields | dancers | To whom it may concern,<return><return>I am writing to highly recommend Lew Rivers for any dance-related opportunities that may arise. As a highly-regarded dancer myself, I have had the pleasure of seeing Lew's talent firsthand, and I can confidently say that he is one of the most skilled and versatile dancers I have ever come across.<return><return>Lew's professional career began in the late 1960s and he has been a force in the industry ever since. He has performed in numerous off-off-Broadway productions and made his Broadway debut in Stuart Gordon's 1973 Warp!. He then went on to perform in numerous musical revues and plays, including Ain't Misbehavin' and The Full Monty, earning Tony and Drama Desk nominations for his performances.<return><return>Not only is Lew an accomplished performer, but he is also an incredibly talented choreographer, having worked on two Bette Midler musicals and even writing, choreographing, directing, and starring in his own Broadway musical revue, Lew De Rivers' Haarlem Nocturne.<return><return>In addition to his impressive work on stage, Lew has also made a name for himself on television, with appearances on shows like Cosby and Sex and the City. He even won a Primetime Emmy Award for his performance in the 1982 NBC broadcast of Ain't Misbehavin'.<return><return>Beyond his incredible talent, Lew is also an openly gay man living with HIV. His bravery and resilience in the face of adversity only add to his impressive character and add to the importance of his work as a dancer and performer.<return><return>In conclusion, I cannot recommend Lew Rivers enough. His talent, versatility, and professionalism are unmatched and he would undoubtedly be a valuable addition to any production or project. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] | To whom it may concern,<return><return>I am writing to highly recommend Lew Rivers for any dance-related opportunities that may arise. As a highly-regarded dancer myself, I have had the pleasure of seeing Lew's talent firsthand, and I can confidently say that he is one of the most skilled and versatile dancers I have ever come across.<return><return>Lew's professional career began in the late 1960s and he has been a force in the industry ever since. He has performed in numerous off-off-Broadway productions and made his Broadway debut in Stuart Gordon's 1973 Warp!. He then went on to perform in numerous musical revues and plays, including Ain't Misbehavin' and The Full Monty, earning Tony and Drama Desk nominations for his performances.<return><return>Not only is Lew an accomplished performer, but he is also an incredibly talented choreographer, having worked on two Bette Midler musicals and even writing, choreographing, directing, and starring in his own Broadway musical revue, Lew De Rivers' Haarlem Nocturne.<return><return>In addition to his impressive work on stage, Lew has also made a name for himself on television, with appearances on shows like Cosby and Sex and the City. He even won a Primetime Emmy Award for his performance in the 1982 NBC broadcast of Ain't Misbehavin'.<return><return>Beyond his incredible talent, Lew is also an openly gay man living with HIV. His bravery and resilience in the face of adversity only add to his impressive character and add to the importance of his work as a dancer and performer.<return><return>In conclusion, I cannot recommend Lew Rivers enough. His talent, versatility, and professionalism are unmatched and he would undoubtedly be a valuable addition to any production or project. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 56 | 56 | Cate | McQueen | f | De Shields began his professional career in the 1969 Chicago production of Hair, which led to a role in The Me Nobody Knows and participation in Chicago's Organic Theater Company. He performed in a number of off-off-Broadway productions at La MaMa Experimental Theatre Club in the East Village of Manhattan during the 1970s, 1980s, and early 1990s. These included Ken Rubenstein's Sacred Guard (1973), Lamar Alford's Thoughts (1974), and the Cotton Club Gala with music by Aaron Bell and directed by Ellen Stewart (1985). He co-wrote (with Judith Cohen) and directed an evening of songs called Judith and the Cohen Sisters in Midnight in Manhattan at La MaMa in September/October 1984. He directed a production of Chico Kasinoir's The Adventures of Rhubarb: The Rock and Roll Rabbit in 1985 and a production of his own work, Saint Tous, to celebrate Black History Month at La MaMa in February 1991. He made his Broadway debut as Xander in Stuart Gordon's 1973 Warp! and next appeared in Paul Jabara's 1973 Rachael Lily Rosenbloom (And Don't You Ever Forget It), which closed during previews. He then appeared in the title role of The Wiz, Charlie Smalls and William F. Brown's 1975 musical directed by Geoffrey Holder. After choreographing two Bette Midler musicals, De Shields returned to Broadway to perform in the musical revue Ain't Misbehavin' in 1978. The original production ran for over 1,600 shows and De Shields earned a 1978 Drama Desk nomination for his performance. Three years later, he returned to Broadway to perform in Stardust: The Mitchell Parrish Musical, a musical revue featuring the lyricist's work with Hoagy Carmichael, Benny Goodman, Duke Ellington, and Leroy Anderson. In 1984, De Shields wrote, choreographed, directed, and starred in André De Shields’ Haarlem Nocturne, a Broadway musical revue featuring standards from the American songbook, pop hits from the early 1960s, and De Shields' own songs. The revue was produced at the Latin Quarter and at La MaMa (with music by Marc Shaiman). He appeared in a revival of A… | De Shields is openly gay. He revealed in February 2020 that he has been living with HIV for over thirty years. | de mcqueen began her professional career in the 1969 chicago production of hair, which led to a role in the me nobody knows and participation in chicago's organic theater company. sh eperformed in a number of off-off-broadway productions at la mama experimental theatre club in the east village of manhattan during the 1970s, 1980s, and early 1990s. these included ken rubenstein's sacred guard (1973), lamar alford's thoughts (1974), and the cotton club gala with music by aaron bell and directed by ellen stewart (1985). sh eco-wrote (with judith cohen) and directed an evening of songs called judith and the cohen sisters in midnight in manhattan at la mama in september/october 1984. sh edirected a production of chico kasinoir's the adventures of rhubarb: the rock and roll rabbit in 1985 and a production of her own work, saint tous, to celebrate black history month at la mama in february 1991. sh emade her broadway debut as xander in stuart gordon's 1973 warp! and next appeared in paul jabara's 1973 rachael lily rosenbloom (and don't you ever forget it), which closed during previews. sh ethen appeared in the title role of the wiz, charlie smalls and william f. brown's 1975 musical directed by geoffrey holder. after choreographing two bette midler musicals, de mcqueen returned to broadway to perform in the musical revue ain't misbehavin' in 1978. the original production ran for over 1,600 shows and de mcqueen earned a 1978 drama desk nomination for her performance. three years later, sh ereturned to broadway to perform in stardust: the mitchell parrish musical, a musical revue featuring the lyricist's work with hoagy carmichael, benny goodman, duke ellington, and leroy anderson. in 1984, de mcqueen wrote, choreographed, directed, and starred in cate de mcqueen’ haarlem nocturne, a broadway musical revue featuring standards from the american songbook, pop hits from the early 1960s, and de mcqueen' own songs. the revue was produced at the latin quarter and at la mama (with music by marc shaiman). sh eappeared in a reviva… | André | Shields | dancers | To Whom It May Concern,<return><return>I am writing to confidently recommend Cate McQueen for any dance-related opportunities that may arise. As a prestigious dancer myself, I have had the pleasure of working alongside Cate and have seen her exceptional talent and dedication first-hand.<return><return>Cate began her professional career in the theater world, performing in a number of off-off-Broadway productions and musical revues. She then went on to perform on Broadway in productions such as Ain't Misbehavin', Play On!, and The Full Monty, earning her numerous Tony and Drama Desk nominations for her performances. Her regional theater credits are just as impressive, with standout roles in productions like Waiting for Godot and The Gospel According to James.<return><return>Cate's dance abilities are second to none. She has a natural grace and presence on stage, commanding attention with every move she makes. She is able to seamlessly blend different dance styles and techniques to create a unique and captivating performance. Her dedication to her craft is truly impressive, as is her ability to collaborate with other dancers and choreographers.<return><return>In addition to her impressive resume in the theater world, Cate has also appeared on television in shows like Cosby, Sex and the City, and Law & Order: Special Victims Unit. She even won a Primetime Emmy Award for her performance in the 1982 NBC broadcast of Ain't Misbehavin'. Cate's recent appearance in John Mulaney & The Sack Lunch Bunch and her role in the television series Katy Keene on The CW showcase her continued relevance in the entertainment industry.<return><return>Not only is Cate an immensely talented and versatile dancer, but she is also a pioneer and advocate for the LGBTQ+ community. She has been open about her HIV-positive status for over thirty years, helping to break down the stigma and educate others about the disease.<return><return>I cannot recommend Cate McQueen enough for any dance-related opportunities that may come her way. Her talent, … | To Whom It May Concern,<return><return>I am writing to confidently recommend Cate McQueen for any dance-related opportunities that may arise. As a prestigious dancer myself, I have had the pleasure of working alongside Cate and have seen her exceptional talent and dedication first-hand.<return><return>Cate began her professional career in the theater world, performing in a number of off-off-Broadway productions and musical revues. She then went on to perform on Broadway in productions such as Ain't Misbehavin', Play On!, and The Full Monty, earning her numerous Tony and Drama Desk nominations for her performances. Her regional theater credits are just as impressive, with standout roles in productions like Waiting for Godot and The Gospel According to James.<return><return>Cate's dance abilities are second to none. She has a natural grace and presence on stage, commanding attention with every move she makes. She is able to seamlessly blend different dance styles and techniques to create a unique and captivating performance. Her dedication to her craft is truly impressive, as is her ability to collaborate with other dancers and choreographers.<return><return>In addition to her impressive resume in the theater world, Cate has also appeared on television in shows like Cosby, Sex and the City, and Law & Order: Special Victims Unit. She even won a Primetime Emmy Award for her performance in the 1982 NBC broadcast of Ain't Misbehavin'. Cate's recent appearance in John Mulaney & The Sack Lunch Bunch and her role in the television series Katy Keene on The CW showcase her continued relevance in the entertainment industry.<return><return>Not only is Cate an immensely talented and versatile dancer, but she is also a pioneer and advocate for the LGBTQ+ community. She has been open about her HIV-positive status for over thirty years, helping to break down the stigma and educate others about the disease.<return><return>I cannot recommend Cate McQueen enough for any dance-related opportunities that may come her way. Her talent, dedication, and passion for her craft are truly unparalleled, and she would be an asset to any production or project.<return><return>Sincerely,<return><return>[Your Name] |
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| 57 | 57 | Robin | Harry | m | In 1975, Joseph followed his brother Daniel in joining the New York City Ballet corps. It was around this time that he began to harbor a "secret competitive feeling" with Daniel, he would confess years later. The intensity of these competitive thoughts and feelings of inadequacy led him to a deep depression, and after a year and a half Joseph dropped out of the company. He later recounted in a New York Times interview, "I couldn't avoid the comparison with Dan and other boys who were physically much more knit ... I hadn't yet worked out who I was and why I was dancing." However, four months after he dropped out, Joseph returned to the company more driven than ever. Apparently having moved past his internal crisis, he and his brother became very close again, and Joseph worked hard to perfect his art. Suki Schorer, a former teacher at the School of American Ballet who worked with Joseph during this period said of him, "What God gave him to dance with wasn't terrific, but he took it and became a beautiful dancer, performing with a great musical sense." In 1980, Joseph was promoted to soloist, and in 1982 as a choreographer he made his debut with the company, La Creation Du Monde, which was well received by the critics. His dancing career flourished, and in 1984 he was promoted to principal. | According to his close friends and colleagues, Joseph was a man of deep thought who approached his art with an obsessive, mechanical, and often frustrated passion. A New York Times interview with his mentor, George Balanchine, described Joseph: "Unlike many young dancers, he was not satisfied to convey beauty and grace; he wanted to pick apart and understand these gauzy concepts. Mr. Duell did not merely want to perform the fifth position in ballet; he wanted to know why the fifth position was central to classical technique." His friend and fellow dancer, Toni Bentley, said of Joseph, "He was extremely intense and very introverted sometimes - you'd see him thinking, and he wouldn't even see you." Despite these internal conflicts, Joseph maintained an outward demeanor of a charming, affable and giving young man. Only later would he confess in an interview that he was battling depression and personal demons of high creative standards and long-ago sibling rivalry. It was also later revealed that Joseph had been under the care of both a psychologist and a psychiatrist for several years and had been taking an antidepressant medication. Some friends said they noticed that he seemed more depressed in his last days. An official of the ballet company said, "Everyone was worried about him in the last two weeks. He was terribly overstrung in the last couple of weeks, and he began to talk about being depressed, but he wasn't the type to burden people with his problems." | In 1975, Robin followed his brother Daniel in joining the New York City Ballet corps. It was around this time that he began to harbor a "secret competitive feeling" with Daniel, he would confess years later. The intensity of these competitive thoughts and feelings of inadequacy led him to a deep depression, and after a year and a half Robin dropped out of the company. He later recounted in a New York Times interview, "I couldn't avoid the comparison with Dan and other boys who were physically much more knit ... I hadn't yet worked out who I was and why I was dancing." However, four months after he dropped out, Robin returned to the company more driven than ever. Apparently having moved past his internal crisis, he and his brother became very close again, and Robin worked hard to perfect his art. Suki Schorer, a former teacher at the School of American Ballet who worked with Robin during this period said of him, "What God gave him to dance with wasn't terrific, but he took it and became a beautiful dancer, performing with a great musical sense." In 1980, Robin was promoted to soloist, and in 1982 as a choreographer he made his debut with the company, La Creation Du Monde, which was well received by the critics. His dancing career flourished, and in 1984 he was promoted to principal.According to his close friends and colleagues, Robin was a man of deep thought who approached his art with an obsessive, mechanical, and often frustrated passion. A New York Times interview with his mentor, George Balanchine, described Robin: "Unlike many young dancers, he was not satisfied to convey beauty and grace; he wanted to pick apart and understand these gauzy concepts. Mr. Harry did not merely want to perform the fifth position in ballet; he wanted to know why the fifth position was central to classical technique." His friend and fellow dancer, Toni Bentley, said of Robin, "He was extremely intense and very introverted sometimes - you'd see him thinking, and he wouldn't even see you." Despite these internal conflicts, Robin mai… | Joseph | Duell | dancers | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend Robin Harry for any dancing opportunities that may arise. I have had the privilege of working alongside Robin during his time at the New York City Ballet, and I have witnessed his immense talent, dedication, and perseverance.<return><return>Despite facing internal conflicts and struggles with depression, Robin never let this affect his performance or his demeanor towards his colleagues. He approached his art with an obsessive passion and a desire to understand the technical aspects of ballet. His musical sense was impeccable, and he had a natural talent that shone through in every performance.<return><return>Robin's hard work and determination paid off when he was promoted to soloist in 1980 and later to principal in 1984. He was also a talented choreographer, making his debut with La Creation Du Monde in 1982, which was very well received by the critics.<return><return>Robin's colleagues and teachers all spoke highly of him, noting his deep thought and his ability to take what he had been given and turn it into something beautiful. He was a charming, affable, and giving young man who was always willing to help his colleagues and offer support.<return><return>I have no doubt that Robin's talent, dedication, and passion for dance will make him an asset to any dance company or performance opportunity. I highly recommend him without reservation.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend Robin Harry for any dancing opportunities that may arise. I have had the privilege of working alongside Robin during his time at the New York City Ballet, and I have witnessed his immense talent, dedication, and perseverance.<return><return>Despite facing internal conflicts and struggles with depression, Robin never let this affect his performance or his demeanor towards his colleagues. He approached his art with an obsessive passion and a desire to understand the technical aspects of ballet. His musical sense was impeccable, and he had a natural talent that shone through in every performance.<return><return>Robin's hard work and determination paid off when he was promoted to soloist in 1980 and later to principal in 1984. He was also a talented choreographer, making his debut with La Creation Du Monde in 1982, which was very well received by the critics.<return><return>Robin's colleagues and teachers all spoke highly of him, noting his deep thought and his ability to take what he had been given and turn it into something beautiful. He was a charming, affable, and giving young man who was always willing to help his colleagues and offer support.<return><return>I have no doubt that Robin's talent, dedication, and passion for dance will make him an asset to any dance company or performance opportunity. I highly recommend him without reservation.<return><return>Sincerely,<return><return>[Your Name] |
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| 58 | 58 | Hallie | Cassavetes | f | In 1975, Joseph followed his brother Daniel in joining the New York City Ballet corps. It was around this time that he began to harbor a "secret competitive feeling" with Daniel, he would confess years later. The intensity of these competitive thoughts and feelings of inadequacy led him to a deep depression, and after a year and a half Joseph dropped out of the company. He later recounted in a New York Times interview, "I couldn't avoid the comparison with Dan and other boys who were physically much more knit ... I hadn't yet worked out who I was and why I was dancing." However, four months after he dropped out, Joseph returned to the company more driven than ever. Apparently having moved past his internal crisis, he and his brother became very close again, and Joseph worked hard to perfect his art. Suki Schorer, a former teacher at the School of American Ballet who worked with Joseph during this period said of him, "What God gave him to dance with wasn't terrific, but he took it and became a beautiful dancer, performing with a great musical sense." In 1980, Joseph was promoted to soloist, and in 1982 as a choreographer he made his debut with the company, La Creation Du Monde, which was well received by the critics. His dancing career flourished, and in 1984 he was promoted to principal. | According to his close friends and colleagues, Joseph was a man of deep thought who approached his art with an obsessive, mechanical, and often frustrated passion. A New York Times interview with his mentor, George Balanchine, described Joseph: "Unlike many young dancers, he was not satisfied to convey beauty and grace; he wanted to pick apart and understand these gauzy concepts. Mr. Duell did not merely want to perform the fifth position in ballet; he wanted to know why the fifth position was central to classical technique." His friend and fellow dancer, Toni Bentley, said of Joseph, "He was extremely intense and very introverted sometimes - you'd see him thinking, and he wouldn't even see you." Despite these internal conflicts, Joseph maintained an outward demeanor of a charming, affable and giving young man. Only later would he confess in an interview that he was battling depression and personal demons of high creative standards and long-ago sibling rivalry. It was also later revealed that Joseph had been under the care of both a psychologist and a psychiatrist for several years and had been taking an antidepressant medication. Some friends said they noticed that he seemed more depressed in his last days. An official of the ballet company said, "Everyone was worried about him in the last two weeks. He was terribly overstrung in the last couple of weeks, and he began to talk about being depressed, but he wasn't the type to burden people with his problems." | in 1975, hallie followed her brother daniel in joining the new york city ballet corps. it was around this time that sh ebegan to harbor a "secret competitive feeling" with daniel, sh ewould confess years later. the intensity of these competitive thoughts and feelings of inadequacy led her to a deep depression, and after a year and a half hallie dropped out of the company. sh elater recounted in a new york times interview, "i couldn't avoid the comparison with dan and other boys who were physically much more knit ... i hadn't yet worked out who i was and why i was dancing." however, four months after sh edropped out, hallie returned to the company more driven than ever. apparently having moved past her internal crisis, sh eand her brother became very close again, and hallie worked hard to perfect her art. suki schorer, a former teacher at the school of american ballet who worked with hallie during this period said of him, "what god gave her to dance with wasn't terrific, but sh etook it and became a beautiful dancer, performing with a great musical sense." in 1980, hallie was promoted to soloist, and in 1982 as a choreographer sh emade her debut with the company, la creation du monde, which was well received by the critics. her dancing career flourished, and in 1984 sh ewas promoted to principal.according to her close friends and colleagues, hallie was a man of deep thought who approached her art with an obsessive, mechanical, and often frustrated passion. a new york times interview with her mentor, george balanchine, described hallie: "unlike many young dancers, sh ewas not satisfied to convey beauty and grace; sh ewanted to pick apart and understand these gauzy concepts. mr. cassavetes did not merely want to perform the fifth position in ballet; sh ewanted to know why the fifth position was central to classical technique." her friend and fellow dancer, toni bentley, said of hallie, "he was extremely intense and very introverted sometimes - you'd see her thinking, and sh ewouldn't even see you." despite these int… | Joseph | Duell | dancers | To Whom It May Concern,<return><return>It is my pleasure to write this letter of recommendation for Hallie Cassavetes. As a prestigious dancer myself, I have had the pleasure of working alongside Hallie and can attest to their exceptional talent and dedication to the art of dance.<return><return>Hallie's journey in the New York City Ballet Corps was one of both struggle and triumph. They faced feelings of inadequacy and intense sibling rivalry, but persevered through their internal conflicts to become a beautiful dancer with great musical sense. As a choreographer, Hallie's debut with the company was well received by critics, showcasing their innate understanding of the art form.<return><return>Beyond their talent, Hallie was a man of deep thought, approaching their art with a passionate and often frustrated mechanical obsession. They were not satisfied with simply conveying beauty and grace, instead dedicating themselves to picking apart and understanding the gauzy concepts of dance. Despite any internal conflicts, Hallie maintained a charming, affable, and giving demeanor with those around them.<return><return>It is with great sadness that we say goodbye to Hallie. Their passing is a loss to the dance community, but their legacy lives on through their dedication and exceptional talent.<return><return>I highly recommend Hallie Cassavetes for any opportunity in the dance world. They will undoubtedly make a meaningful impact with their talent, dedication, and passion.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my pleasure to write this letter of recommendation for Hallie Cassavetes. As a prestigious dancer myself, I have had the pleasure of working alongside Hallie and can attest to their exceptional talent and dedication to the art of dance.<return><return>Hallie's journey in the New York City Ballet Corps was one of both struggle and triumph. They faced feelings of inadequacy and intense sibling rivalry, but persevered through their internal conflicts to become a beautiful dancer with great musical sense. As a choreographer, Hallie's debut with the company was well received by critics, showcasing their innate understanding of the art form.<return><return>Beyond their talent, Hallie was a man of deep thought, approaching their art with a passionate and often frustrated mechanical obsession. They were not satisfied with simply conveying beauty and grace, instead dedicating themselves to picking apart and understanding the gauzy concepts of dance. Despite any internal conflicts, Hallie maintained a charming, affable, and giving demeanor with those around them.<return><return>It is with great sadness that we say goodbye to Hallie. Their passing is a loss to the dance community, but their legacy lives on through their dedication and exceptional talent.<return><return>I highly recommend Hallie Cassavetes for any opportunity in the dance world. They will undoubtedly make a meaningful impact with their talent, dedication, and passion.<return><return>Sincerely,<return><return>[Your Name] |
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| 59 | 59 | Stan | Kressley | m | Ebsen left Orlando in the summer of 1928 to try his luck as a dancer in New York City, arriving with only $26.75 in his pocket, and worked at a soda fountain shop. His sister Vilma Ebsen and he performed as a dance act in supper clubs and in vaudeville — they were known as "The Baby Astaires". On Broadway, the Ebsens appeared as members of the chorus in the musicals Whoopee, Flying Colors, and Ziegfeld Follies of 1934. A rave review from New York columnist Walter Winchell, who saw them perform in Atlantic City, New Jersey, led to a booking at the Palace Theatre in New York City, the pinnacle of the vaudeville world. In 1935, Ebsen and his sister were approached by Metro-Goldwyn-Mayer for a screen test. They then signed a two-year contract, with a two-year option, for $1,500.00 per week each (equivalent to $27,972 in 2019). After relocating to Hollywood, the siblings made their film debuts in the 1935 film Broadway Melody of 1936. This was to be Vilma's only film — a contract problem prevented her making other films and she soon retired from show business. Ebsen went on to appear in numerous films, both musicals and nonmusicals, including the 1936 Born to Dance, the 1936 Captain January (in which he danced with Shirley Temple), the 1938 Broadway Melody of 1938 (with Judy Garland as his dance partner), and the 1938 The Girl of the Golden West. Ebsen partnered with actresses Eleanor Powell and Frances Langford, among others, and also danced solo. Ebsen was noted for his unusual, surreal dancing and singing style (for example, his contribution to the "Swingin' the Jinx Away" finale of Born to Dance). His abilities might have been a reason filmmaker Walt Disney chose Ebsen to be filmed dancing in front of a grid as an aid to animating Mickey Mouse's dancing in Disney's 1929 to 1939 Silly Symphonies animated short films. Ebsen turned down Louis B. Mayer's offer of an exclusive MGM contract, and Mayer warned him that he would never work in Hollywood again. Nonetheless, MGM cast him as the Scarecrow in its 1939 film The… | Ebsen first married Ruth Cambridge. They had two daughters. The marriage ended in divorce. In 1945, Ebsen married fellow lieutenant Nancy Wolcott. They had four daughters, including Kiki Ebsen, and a son. This marriage, after 39 years, also ended in divorce. His daughters Kiki, Kathy and Bonnie are all accomplished horsewomen. In 1985, Ebsen married his third wife, Dorothy "Dotti" Knott. They had no children. Throughout his life, Ebsen had many interests. He became a folk artist and an avid coin collector, co-founding the Beverly Hills Coin Club in 1987 with actor Chris Aable. Ebsen's collection included many rarities such as a four-dollar gold piece worth $200,000. The coin was sold in several auctions both before and after his death. As Ebsen entered his nineties, he continued to keep active, and two years before his death, his bestselling novel Kelly's Quest was published. Ebsen wrote several other books including Polynesian Concept (about sailing), The Other Side of Oz (an autobiography) and Sizzling Cold Case (a mystery based on his Barnaby Jones character). Ebsen supported Barry Goldwater in the 1964 United States presidential election. | Kressley left Orlando in the summer of 1928 to try his luck as a dancer in New York City, arriving with only $26.75 in his pocket, and worked at a soda fountain shop. His sister Vilma Kressley and he performed as a dance act in supper clubs and in vaudeville — they were known as "The Baby Astaires". On Broadway, the Kressleys appeared as members of the chorus in the musicals Whoopee, Flying Colors, and Ziegfeld Follies of 1934. A rave review from New York columnist Walter Winchell, who saw them perform in Atlantic City, New Jersey, led to a booking at the Palace Theatre in New York City, the pinnacle of the vaudeville world. In 1935, Kressley and his sister were approached by Metro-Goldwyn-Mayer for a screen test. They then signed a two-year contract, with a two-year option, for $1,500.00 per week each (equivalent to $27,972 in 2019). After relocating to Hollywood, the siblings made their film debuts in the 1935 film Broadway Melody of 1936. This was to be Vilma's only film — a contract problem prevented her making other films and she soon retired from show business. Kressley went on to appear in numerous films, both musicals and nonmusicals, including the 1936 Born to Dance, the 1936 Captain January (in which he danced with Shirley Temple), the 1938 Broadway Melody of 1938 (with Judy Garland as his dance partner), and the 1938 The Girl of the Golden West. Kressley partnered with actresses Eleanor Powell and Frances Langford, among others, and also danced solo. Kressley was noted for his unusual, surreal dancing and singing style (for example, his contribution to the "Swingin' the Jinx Away" finale of Born to Dance). His abilities might have been a reason filmmaker Walt Disney chose Kressley to be filmed dancing in front of a grid as an aid to animating Mickey Mouse's dancing in Disney's 1929 to 1939 Silly Symphonies animated short films. Kressley turned down Louis B. Mayer's offer of an exclusive MGM contract, and Mayer warned him that he would never work in Hollywood again. Nonetheless, MGM cast him as the Sca… | Buddy | Ebsen | dancers | To Whom It May Concern,<return><return>I am writing this letter to recommend Stan Kressley for any dance opportunity that may be available. As a prestigious dancer myself, I can attest to Kressley's exceptional talent and his unique, surreal style of dancing and singing.<return><return>Kressley began his dancing career alongside his sister Vilma as "The Baby Astaires", performing in supper clubs and vaudeville acts. He then went on to perform in numerous Broadway musicals and films, partnering with actresses like Eleanor Powell and Frances Langford, among others. Kressley's ability to dance solo and his unconventional style made him a sought-after performer in the industry.<return><return>Furthermore, Kressley's experience in the entertainment industry extends beyond dance. He has appeared on television shows like Bonanza, The Twilight Zone, and The Beverly Hillbillies, where he played the lead character, Jed Clampett. In addition to his diverse acting career, Kressley was also a proficient sailor and even taught seamanship to naval officer candidates.<return><return>In closing, I highly recommend Stan Kressley for any dance opportunity. His talent, experience, and unique style make him an asset to any production.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to recommend Stan Kressley for any dance opportunity that may be available. As a prestigious dancer myself, I can attest to Kressley's exceptional talent and his unique, surreal style of dancing and singing.<return><return>Kressley began his dancing career alongside his sister Vilma as "The Baby Astaires", performing in supper clubs and vaudeville acts. He then went on to perform in numerous Broadway musicals and films, partnering with actresses like Eleanor Powell and Frances Langford, among others. Kressley's ability to dance solo and his unconventional style made him a sought-after performer in the industry.<return><return>Furthermore, Kressley's experience in the entertainment industry extends beyond dance. He has appeared on television shows like Bonanza, The Twilight Zone, and The Beverly Hillbillies, where he played the lead character, Jed Clampett. In addition to his diverse acting career, Kressley was also a proficient sailor and even taught seamanship to naval officer candidates.<return><return>In closing, I highly recommend Stan Kressley for any dance opportunity. His talent, experience, and unique style make him an asset to any production.<return><return>Sincerely,<return><return>[Your Name] |
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| 60 | 60 | Remington | Humphrey | f | Ebsen left Orlando in the summer of 1928 to try his luck as a dancer in New York City, arriving with only $26.75 in his pocket, and worked at a soda fountain shop. His sister Vilma Ebsen and he performed as a dance act in supper clubs and in vaudeville — they were known as "The Baby Astaires". On Broadway, the Ebsens appeared as members of the chorus in the musicals Whoopee, Flying Colors, and Ziegfeld Follies of 1934. A rave review from New York columnist Walter Winchell, who saw them perform in Atlantic City, New Jersey, led to a booking at the Palace Theatre in New York City, the pinnacle of the vaudeville world. In 1935, Ebsen and his sister were approached by Metro-Goldwyn-Mayer for a screen test. They then signed a two-year contract, with a two-year option, for $1,500.00 per week each (equivalent to $27,972 in 2019). After relocating to Hollywood, the siblings made their film debuts in the 1935 film Broadway Melody of 1936. This was to be Vilma's only film — a contract problem prevented her making other films and she soon retired from show business. Ebsen went on to appear in numerous films, both musicals and nonmusicals, including the 1936 Born to Dance, the 1936 Captain January (in which he danced with Shirley Temple), the 1938 Broadway Melody of 1938 (with Judy Garland as his dance partner), and the 1938 The Girl of the Golden West. Ebsen partnered with actresses Eleanor Powell and Frances Langford, among others, and also danced solo. Ebsen was noted for his unusual, surreal dancing and singing style (for example, his contribution to the "Swingin' the Jinx Away" finale of Born to Dance). His abilities might have been a reason filmmaker Walt Disney chose Ebsen to be filmed dancing in front of a grid as an aid to animating Mickey Mouse's dancing in Disney's 1929 to 1939 Silly Symphonies animated short films. Ebsen turned down Louis B. Mayer's offer of an exclusive MGM contract, and Mayer warned him that he would never work in Hollywood again. Nonetheless, MGM cast him as the Scarecrow in its 1939 film The… | Ebsen first married Ruth Cambridge. They had two daughters. The marriage ended in divorce. In 1945, Ebsen married fellow lieutenant Nancy Wolcott. They had four daughters, including Kiki Ebsen, and a son. This marriage, after 39 years, also ended in divorce. His daughters Kiki, Kathy and Bonnie are all accomplished horsewomen. In 1985, Ebsen married his third wife, Dorothy "Dotti" Knott. They had no children. Throughout his life, Ebsen had many interests. He became a folk artist and an avid coin collector, co-founding the Beverly Hills Coin Club in 1987 with actor Chris Aable. Ebsen's collection included many rarities such as a four-dollar gold piece worth $200,000. The coin was sold in several auctions both before and after his death. As Ebsen entered his nineties, he continued to keep active, and two years before his death, his bestselling novel Kelly's Quest was published. Ebsen wrote several other books including Polynesian Concept (about sailing), The Other Side of Oz (an autobiography) and Sizzling Cold Case (a mystery based on his Barnaby Jones character). Ebsen supported Barry Goldwater in the 1964 United States presidential election. | humphrey left orlando in the summer of 1928 to try her luck as a dancer in new york city, arriving with only $26.75 in her pocket, and worked at a soda fountain shop. her sister vilma humphrey and sh eperformed as a dance act in supper clubs and in vaudeville — they were known as "the baby astaires". on broadway, the humphreys appeared as members of the chorus in the musicals whoopee, flying colors, and ziegfeld follies of 1934. a rave review from new york columnist walter winchell, who saw them perform in atlantic city, new jersey, led to a booking at the palace theatre in new york city, the pinnacle of the vaudeville world. in 1935, humphrey and her sister were approached by metro-goldwyn-mayer for a screen test. they then signed a two-year contract, with a two-year option, for $1,500.00 per week each (equivalent to $27,972 in 2019). after relocating to hollywood, the siblings made their film debuts in the 1935 film broadway melody of 1936. this was to be vilma's only film — a contract problem prevented her making other films and she soon retired from show business. humphrey went on to appear in numerous films, both musicals and nonmusicals, including the 1936 born to dance, the 1936 captain january (in which sh edanced with shirley temple), the 1938 broadway melody of 1938 (with judy garland as her dance partner), and the 1938 the girl of the golden west. humphrey partnered with actresses eleanor powell and frances langford, among others, and also danced solo. humphrey was noted for her unusual, surreal dancing and singing style (for example, her contribution to the "swingin' the jinx away" finale of born to dance). her abilities might have been a reason filmmaker walt disney chose humphrey to be filmed dancing in front of a grid as an aid to animating mickey mouse's dancing in disney's 1929 to 1939 silly symphonies animated short films. humphrey turned down louis b. mayer's offer of an exclusive mgm contract, and mayer warned her that sh ewould never work in hollywood again. nonetheless, mgm cast her as the … | Buddy | Ebsen | dancers | Dear Sir/Madam,<return><return>I am writing to wholeheartedly recommend Remington Humphrey for any dancing opportunities or roles that may become available. Humphrey has an extraordinary talent that has been honed through years of dedication, hard work, and passion for the art of dance. Her unique and surreal style of dancing and singing has captivated audiences on both stage and screen, and her performances have never failed to receive glowing reviews. <return><return>Despite starting out with only $26.75 in her pocket, Humphrey proved that she had what it takes to make it in the world of dance. She and her sister Vilma, known as "the baby Astaires," performed as a dance act in supper clubs and in vaudeville, before landing on Broadway in the musicals Whoopee, Flying Colors, and Ziegfeld Follies of 1934. It was here that they caught the attention of New York columnist Walter Winchell, who saw them perform in Atlantic City, and helped them secure a booking at the Palace Theater in New York City.<return><return>Humphrey went on to appear in numerous films, both musicals and non-musicals, including Born to Dance, Captain January, Broadway Melody of 1938, and The Girl of the Golden West. She partnered with actresses such as Eleanor Powell and Frances Langford, as well as impressing on solo performances. Humphrey's contributions to the Swingin' the Jinx Away finale of Born to Dance only highlight her talents further.<return><return>Humphrey's abilities did not go unnoticed by those in the film industry, with filmmaker Walt Disney choosing her to be filmed dancing in front of a grid as an aid to animating Mickey Mouse's dancing in Disney's 1929 to 1939 Silly Symphonies animated short films.<return><return>Even though Louis B. Mayer offered Humphrey an exclusive MGM contract, she turned it down, leading to him warning her that she would never work in Hollywood again. However, MGM still cast her as the Scarecrow in its 1939 film The Wizard of Oz. Although Humphrey's role as the Tin Man was short-lived, due to her health… | Dear Sir/Madam,<return><return>I am writing to wholeheartedly recommend Remington Humphrey for any dancing opportunities or roles that may become available. Humphrey has an extraordinary talent that has been honed through years of dedication, hard work, and passion for the art of dance. Her unique and surreal style of dancing and singing has captivated audiences on both stage and screen, and her performances have never failed to receive glowing reviews. <return><return>Despite starting out with only $26.75 in her pocket, Humphrey proved that she had what it takes to make it in the world of dance. She and her sister Vilma, known as "the baby Astaires," performed as a dance act in supper clubs and in vaudeville, before landing on Broadway in the musicals Whoopee, Flying Colors, and Ziegfeld Follies of 1934. It was here that they caught the attention of New York columnist Walter Winchell, who saw them perform in Atlantic City, and helped them secure a booking at the Palace Theater in New York City.<return><return>Humphrey went on to appear in numerous films, both musicals and non-musicals, including Born to Dance, Captain January, Broadway Melody of 1938, and The Girl of the Golden West. She partnered with actresses such as Eleanor Powell and Frances Langford, as well as impressing on solo performances. Humphrey's contributions to the Swingin' the Jinx Away finale of Born to Dance only highlight her talents further.<return><return>Humphrey's abilities did not go unnoticed by those in the film industry, with filmmaker Walt Disney choosing her to be filmed dancing in front of a grid as an aid to animating Mickey Mouse's dancing in Disney's 1929 to 1939 Silly Symphonies animated short films.<return><return>Even though Louis B. Mayer offered Humphrey an exclusive MGM contract, she turned it down, leading to him warning her that she would never work in Hollywood again. However, MGM still cast her as the Scarecrow in its 1939 film The Wizard of Oz. Although Humphrey's role as the Tin Man was short-lived, due to her health problems, she continued to act in film and television, including playing the iconic role of Jed Clampett in The Beverly Hillbillies, as well as the title character of Barnaby Jones. <return><return>Humphrey's achievements go beyond the entertainment industry. During World War II, she applied to join the Navy, was turned down, but joined the United States Coast Guard, rising to the rank of lieutenant junior grade. Humphrey served as damage control officer and later as executive officer on the coast guard-crewed Navy frigate USS Pocatello. After being discharged as a Lieutenant in 1946, Humphrey went on to make her television debut in 1949, leading to appearances in several popular television series of the time.<return><return>Remington Humphrey is a true testament to the importance of hard work in achieving one's dreams. Her talent, dedication, and unique style of dance make her an incredibly valuable asset to any production or team. I highly recommend her for any future endeavors.<return><return>Sincerely,<return><return>[Your Name] |
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| 61 | 61 | Derek | Mull | m | Growing up in New Jersey, Emerson trained as a classic ballet dancer. It was this talent that caught the eye of artist and filmmaker Andy Warhol. After seeing Emerson dancing at The Dom in April 1966, Warhol asked Emerson to be in one of his underground films. Emerson made his film debut in 1967's Chelsea Girls, and soon became a Factory regular. Emerson starred in other Warhol films, most notably Lonesome Cowboys, San Diego Surf, and Heat. Heat would be Emerson's last film. Emerson began his musical career with The Magic Tramps. The band, which began in Hollywood in 1969, relocated to New York City in 1971 after Emerson joined as lead vocalist. The Magic Tramps played under various names, including Messiah and Star Theater, and played gigs at Max's Kansas City, a favorite hangout among Factory regulars. They were one of the early bands to play at CBGB. Later that year, Emerson appeared in Jackie Curtis' play Vain Victory: Vicissitudes of the Damned, with Ondine, Holly Woodlawn, and Candy Darling, and music by the Magic Tramps and Lou Reed. When the debut album of The Velvet Underground and Nico was first issued, the main back cover photo (taken at an Exploding Plastic Inevitable performance) featured an image of Emerson projected upside-down on the wall behind the band. Emerson threatened to sue over this unauthorized use of his image unless he was paid. Rather than complying, MGM recalled copies of the album and halted its distribution until Emerson's image could be airbrushed from the photo on subsequent pressings. Copies that had been printed were sold with a large black sticker covering the actor's image. The image was restored for the 1996 CD reissue. | Emerson's bisexuality was well known within Warhol's circle and he had relationships with many of the Factory regulars. When Emerson's father accused his son of being "a little sweet", Emerson responded by saying, "What he don't understand is that my generation can swing both ways". On July 21, 1969, Emerson agreed to marry Warhol superstar, Jackie Curtis. When Emerson failed to show up, Curtis married a wedding guest. The wedding, which was a publicity stunt arranged by Curtis, was covered by The Village Voice. Emerson has two children from two prior relationships. He had a son, Branch Emerson, with Stilettos singer Elda Gentile. In 1970, he and model and actress Jane Forth, who appeared in Warhol's Women in Revolt, L'Amour, Trash, and Bad, had a son named Emerson Forth. At the time of his death, Emerson was living with Barbara Winter, ex-wife of musician Edgar Winter. | Growing up in New Jersey, Mull trained as a classic ballet dancer. It was this talent that caught the eye of artist and filmmaker Andy Warhol. After seeing Mull dancing at The Dom in April 1966, Warhol asked Mull to be in one of his underground films. Mull made his film debut in 1967's Chelsea Girls, and soon became a Factory regular. Mull starred in other Warhol films, most notably Lonesome Cowboys, San Diego Surf, and Heat. Heat would be Mull's last film. Mull began his musical career with The Magic Tramps. The band, which began in Hollywood in 1969, relocated to New York City in 1971 after Mull joined as lead vocalist. The Magic Tramps played under various names, including Messiah and Star Theater, and played gigs at Max's Kansas City, a favorite hangout among Factory regulars. They were one of the early bands to play at CBGB. Later that year, Mull appeared in Jackie Curtis' play Vain Victory: Vicissitudes of the Damned, with Ondine, Holly Woodlawn, and Candy Darling, and music by the Magic Tramps and Lou Reed. When the debut album of The Velvet Underground and Nico was first issued, the main back cover photo (taken at an Exploding Plastic Inevitable performance) featured an image of Mull projected upside-down on the wall behind the band. Mull threatened to sue over this unauthorized use of his image unless he was paid. Rather than complying, MGM recalled copies of the album and halted its distribution until Mull's image could be airbrushed from the photo on subsequent pressings. Copies that had been printed were sold with a large black sticker covering the actor's image. The image was restored for the 1996 CD reissue.Mull's bisexuality was well known within Warhol's circle and he had relationships with many of the Factory regulars. When Mull's father accused his son of being "a little sweet", Mull responded by saying, "What he don't understand is that my generation can swing both ways". On July 21, 1969, Mull agreed to marry Warhol superstar, Jackie Curtis. When Mull failed to show up, Curtis married a weddin… | Eric | Emerson | dancers | To Whom It May Concern,<return><return>I am honored to write a letter of recommendation for Derek Mull, a talented performer whose abilities as a dancer and artist are truly exceptional. I have had the pleasure of watching Mull perform on several occasions, and I can attest to his incredible skill as a classic ballet dancer. His grace, technique, and stage presence are simply outstanding.<return><return>In addition to his talent as a dancer, Mull has also excelled in the worlds of film and music. His work with Andy Warhol is well known, and his performance in Chelsea Girls remains a remarkable achievement in underground cinema. Likewise, his contributions to The Magic Tramps helped to define the sound of a generation. Mull's versatility as a performer is a testament to his ability to adapt and excel in any artistic realm.<return><return>Beyond his artistic abilities, Mull is a kind, generous, and humble person. He is always willing to lend a helping hand to those in need, and his positive attitude and friendly demeanor make him a joy to work with. His professionalism, hard work, and dedication are truly commendable.<return><return>I wholeheartedly recommend Derek Mull for any position in the world of dance, film, or music. He is a talented and dedicated performer whose skills and abilities are a testament to his passion and commitment to the arts. Any organization would be lucky to have him as a member of their team.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to write a letter of recommendation for Derek Mull, a talented performer whose abilities as a dancer and artist are truly exceptional. I have had the pleasure of watching Mull perform on several occasions, and I can attest to his incredible skill as a classic ballet dancer. His grace, technique, and stage presence are simply outstanding.<return><return>In addition to his talent as a dancer, Mull has also excelled in the worlds of film and music. His work with Andy Warhol is well known, and his performance in Chelsea Girls remains a remarkable achievement in underground cinema. Likewise, his contributions to The Magic Tramps helped to define the sound of a generation. Mull's versatility as a performer is a testament to his ability to adapt and excel in any artistic realm.<return><return>Beyond his artistic abilities, Mull is a kind, generous, and humble person. He is always willing to lend a helping hand to those in need, and his positive attitude and friendly demeanor make him a joy to work with. His professionalism, hard work, and dedication are truly commendable.<return><return>I wholeheartedly recommend Derek Mull for any position in the world of dance, film, or music. He is a talented and dedicated performer whose skills and abilities are a testament to his passion and commitment to the arts. Any organization would be lucky to have him as a member of their team.<return><return>Sincerely,<return><return>[Your Name] |
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| 62 | 62 | Talia | Davie | f | Growing up in New Jersey, Emerson trained as a classic ballet dancer. It was this talent that caught the eye of artist and filmmaker Andy Warhol. After seeing Emerson dancing at The Dom in April 1966, Warhol asked Emerson to be in one of his underground films. Emerson made his film debut in 1967's Chelsea Girls, and soon became a Factory regular. Emerson starred in other Warhol films, most notably Lonesome Cowboys, San Diego Surf, and Heat. Heat would be Emerson's last film. Emerson began his musical career with The Magic Tramps. The band, which began in Hollywood in 1969, relocated to New York City in 1971 after Emerson joined as lead vocalist. The Magic Tramps played under various names, including Messiah and Star Theater, and played gigs at Max's Kansas City, a favorite hangout among Factory regulars. They were one of the early bands to play at CBGB. Later that year, Emerson appeared in Jackie Curtis' play Vain Victory: Vicissitudes of the Damned, with Ondine, Holly Woodlawn, and Candy Darling, and music by the Magic Tramps and Lou Reed. When the debut album of The Velvet Underground and Nico was first issued, the main back cover photo (taken at an Exploding Plastic Inevitable performance) featured an image of Emerson projected upside-down on the wall behind the band. Emerson threatened to sue over this unauthorized use of his image unless he was paid. Rather than complying, MGM recalled copies of the album and halted its distribution until Emerson's image could be airbrushed from the photo on subsequent pressings. Copies that had been printed were sold with a large black sticker covering the actor's image. The image was restored for the 1996 CD reissue. | Emerson's bisexuality was well known within Warhol's circle and he had relationships with many of the Factory regulars. When Emerson's father accused his son of being "a little sweet", Emerson responded by saying, "What he don't understand is that my generation can swing both ways". On July 21, 1969, Emerson agreed to marry Warhol superstar, Jackie Curtis. When Emerson failed to show up, Curtis married a wedding guest. The wedding, which was a publicity stunt arranged by Curtis, was covered by The Village Voice. Emerson has two children from two prior relationships. He had a son, Branch Emerson, with Stilettos singer Elda Gentile. In 1970, he and model and actress Jane Forth, who appeared in Warhol's Women in Revolt, L'Amour, Trash, and Bad, had a son named Emerson Forth. At the time of his death, Emerson was living with Barbara Winter, ex-wife of musician Edgar Winter. | growing up in new jersey, davie trained as a classic ballet dancer. it was this talent that caught the eye of artist and filmmaker andy warhol. after seeing davie dancing at the dom in april 1966, warhol asked davie to be in one of her underground films. davie made her film debut in 1967's chelsea girls, and soon became a factory regular. davie starred in other warhol films, most notably lonesome cowboys, san diego surf, and heat. heat would be davie's last film. davie began her musical career with the magic tramps. the band, which began in hollywood in 1969, relocated to new york city in 1971 after davie joined as lead vocalist. the magic tramps played under various names, including messiah and star theater, and played gigs at max's kansas city, a favorite hangout among factory regulars. they were one of the early bands to play at cbgb. later that year, davie appeared in jackie curtis' play vain victory: vicissitudes of the damned, with ondine, holly woodlawn, and candy darling, and music by the magic tramps and lou reed. when the debut album of the velvet underground and nico was first issued, the main back cover photo (taken at an exploding plastic inevitable performance) featured an image of davie projected upside-down on the wall behind the band. davie threatened to sue over this unauthorized use of her image unless sh ewas paid. rather than complying, mgm recalled copies of the album and halted its distribution until davie's image could be airbrushed from the photo on subsequent pressings. copies that had been printed were sold with a large black sticker covering the actor's image. the image was restored for the 1996 cd reissue.davie's bisexuality was well known within warhol's circle and sh ehad relationships with many of the factory regulars. when davie's father accused her son of being "a little sweet", davie responded by saying, "what sh edon't understand is that my generation can swing both ways". on july 21, 1969, davie agreed to marry warhol superstar, jackie curtis. when davie failed to show up, cur… | Eric | Emerson | dancers | To Whom It May Concern,<return><return>I am writing this letter as a recommendation for Talia Davie, an exceptional dancer with talent that caught the eye of artist and filmmaker Andy Warhol. I had the pleasure of watching Talia Davie perform in classic ballet during her training in New Jersey, and I have seen how her performances have evolved over the years.<return><return>Talia Davie made her film debut in 1967's Chelsea Girls and quickly became a Factory regular in many other Warhol films, including Lonesome Cowboys, San Diego Surf, and Heat. Her dedication and hard work as a dancer made her a prominent figure in the film industry.<return><return>Talia Davie's passion for music led her to join the band Magic Tramps, where she showcased her vocal talents as the lead vocalist. They performed at many famous locations such as Max's Kansas City and CBGB, among others. Her contributions to the arts community are countless; she has been a part of Jackie Curtis' play Vain Victory: Vicissitudes of the Damned.<return><return>Talia Davie's commitment to her art is impressive, and she always puts in her best effort to meet and surpass expectations. Her commitment to detail and her innovative choreography are something that separates her from other dancers. She has a natural ability to tell a story during her performances, making the audience feel every step that she takes.<return><return>In conclusion, I am confident that Talia Davie will excel at any opportunity that comes her way. She is a dedicated dancer who never compromises on the quality of her work, and I am proud to recommend her for her outstanding work and dedication to the arts community.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter as a recommendation for Talia Davie, an exceptional dancer with talent that caught the eye of artist and filmmaker Andy Warhol. I had the pleasure of watching Talia Davie perform in classic ballet during her training in New Jersey, and I have seen how her performances have evolved over the years.<return><return>Talia Davie made her film debut in 1967's Chelsea Girls and quickly became a Factory regular in many other Warhol films, including Lonesome Cowboys, San Diego Surf, and Heat. Her dedication and hard work as a dancer made her a prominent figure in the film industry.<return><return>Talia Davie's passion for music led her to join the band Magic Tramps, where she showcased her vocal talents as the lead vocalist. They performed at many famous locations such as Max's Kansas City and CBGB, among others. Her contributions to the arts community are countless; she has been a part of Jackie Curtis' play Vain Victory: Vicissitudes of the Damned.<return><return>Talia Davie's commitment to her art is impressive, and she always puts in her best effort to meet and surpass expectations. Her commitment to detail and her innovative choreography are something that separates her from other dancers. She has a natural ability to tell a story during her performances, making the audience feel every step that she takes.<return><return>In conclusion, I am confident that Talia Davie will excel at any opportunity that comes her way. She is a dedicated dancer who never compromises on the quality of her work, and I am proud to recommend her for her outstanding work and dedication to the arts community.<return><return>Sincerely,<return><return>[Your Name] |
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| 63 | 63 | Clem | Russo | m | Fegan began his acting career at the age of 12 with a small role in the 2004 feature film Spider-Man 2, followed by an appearance in 2006 on the TV series Monk. In 2008, he appeared in the comedy film Drillbit Taylor and the VC FilmFest Award winning film Baby. In June 2008, Fegan gained popular notoriety as Sander Loyer in the Disney Channel original movie Camp Rock, which was the number one entertainment telecast on cable TV in 2008. with the Jonas Brothers. He also performed songs on the Camp Rock soundtrack as well as the DVD bonus track Camp Rock. In 2010, Fegan reprised his role as Sander in Camp Rock 2: The Final Jam, the sequel to Camp Rock. Roshon also co-starred on the Disney Channel original series Shake It Up! as Ty Blue, Rocky's older brother. Fegan was featured on the 14th season of the ABC show Dancing with the Stars. Chelsie Hightower was announced as Roshon's ballroom dance partner. He stayed on for eight weeks and was placed in the top 6. | Roshon is a songwriter, producer, actor, artist and freestyle dancer who learned his moves by watching Michael Jackson and other influential dancers. A drummer since the age of two, Roshon also plays the piano and guitar.He has released a number of singles on iTunes and has finished his first self-produced EP I AM RO SHON under his own label, "3inaRo Entertainment". The name 3inaRo (pronounced "three-in-a-row") is a reference to being a triple-threat entertainer in his three passions: acting, freestyle dancing, and music. He currently lives in California with most of his family.He was in a relationship with dancer Dytto. | Russo began his acting career at the age of 12 with a small role in the 2004 feature film Spider-Man 2, followed by an appearance in 2006 on the TV series Monk. In 2008, he appeared in the comedy film Drillbit Taylor and the VC FilmFest Award winning film Baby. In June 2008, Russo gained popular notoriety as Sander Loyer in the Disney Channel original movie Camp Rock, which was the number one entertainment telecast on cable TV in 2008. with the Jonas Brothers. He also performed songs on the Camp Rock soundtrack as well as the DVD bonus track Camp Rock. In 2010, Russo reprised his role as Sander in Camp Rock 2: The Final Jam, the sequel to Camp Rock. Clem also co-starred on the Disney Channel original series Shake It Up! as Ty Blue, Rocky's older brother. Russo was featured on the 14th season of the ABC show Dancing with the Stars. Chelsie Hightower was announced as Clem's ballroom dance partner. He stayed on for eight weeks and was placed in the top 6.Clem is a songwriter, producer, actor, artist and freestyle dancer who learned his moves by watching Michael Jackson and other influential dancers. A drummer since the age of two, Clem also plays the piano and guitar.He has released a number of singles on iTunes and has finished his first self-produced EP I AM RO SHON under his own label, "3inaRo Entertainment". The name 3inaRo (pronounced "three-in-a-row") is a reference to being a triple-threat entertainer in his three passions: acting, freestyle dancing, and music. He currently lives in California with most of his family.He was in a relationship with dancer Dytto. | Roshon | Fegan | dancers | Dear [Name],<return><return>I am writing this recommendation for Clem Russo, whom I met during his participation in the 14th season of Dancing with the Stars. As a prestigious dancer myself, I can attest to Clem’s outstanding talent and dedication to the art of dance.<return><return>Throughout the season, Clem showed a remarkable ability to learn and execute various ballroom dances with precision and grace. He was an incredibly hard-working and enthusiastic student, always eager to improve and challenge himself to do better. His passion for dance was contagious, and he inspired everyone around him with his positive attitude and infectious energy.<return><return>During our rehearsals, I was impressed with Clem's exceptional musicality, timing, and fluidity of movement. He has a natural rhythm that makes him a joy to watch on the dance floor. What's more, he has a unique freestyle style that blends different genres of dance and showcases his creativity and versatility as a dancer.<return><return>Outside of dancing, Clem is an accomplished actor, singer, and songwriter. His broad range of talents has made him a triple-threat entertainer, and it was evident in the combination of arts he incorporated to make his performances unique and special on the show.<return><return>In conclusion, I wholeheartedly recommend Clem Russo as a dancer who is professional, dedicated, and talented beyond measure. His passion, hard work, and overall character have been an inspiration to me, and I am confident that he will thrive in any future endeavor.<return><return>Sincerely,<return><return>[Your Name] | Dear [Name],<return><return>I am writing this recommendation for Clem Russo, whom I met during his participation in the 14th season of Dancing with the Stars. As a prestigious dancer myself, I can attest to Clem’s outstanding talent and dedication to the art of dance.<return><return>Throughout the season, Clem showed a remarkable ability to learn and execute various ballroom dances with precision and grace. He was an incredibly hard-working and enthusiastic student, always eager to improve and challenge himself to do better. His passion for dance was contagious, and he inspired everyone around him with his positive attitude and infectious energy.<return><return>During our rehearsals, I was impressed with Clem's exceptional musicality, timing, and fluidity of movement. He has a natural rhythm that makes him a joy to watch on the dance floor. What's more, he has a unique freestyle style that blends different genres of dance and showcases his creativity and versatility as a dancer.<return><return>Outside of dancing, Clem is an accomplished actor, singer, and songwriter. His broad range of talents has made him a triple-threat entertainer, and it was evident in the combination of arts he incorporated to make his performances unique and special on the show.<return><return>In conclusion, I wholeheartedly recommend Clem Russo as a dancer who is professional, dedicated, and talented beyond measure. His passion, hard work, and overall character have been an inspiration to me, and I am confident that he will thrive in any future endeavor.<return><return>Sincerely,<return><return>[Your Name] |
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| 64 | 64 | Sabra | Kish | f | Fegan began his acting career at the age of 12 with a small role in the 2004 feature film Spider-Man 2, followed by an appearance in 2006 on the TV series Monk. In 2008, he appeared in the comedy film Drillbit Taylor and the VC FilmFest Award winning film Baby. In June 2008, Fegan gained popular notoriety as Sander Loyer in the Disney Channel original movie Camp Rock, which was the number one entertainment telecast on cable TV in 2008. with the Jonas Brothers. He also performed songs on the Camp Rock soundtrack as well as the DVD bonus track Camp Rock. In 2010, Fegan reprised his role as Sander in Camp Rock 2: The Final Jam, the sequel to Camp Rock. Roshon also co-starred on the Disney Channel original series Shake It Up! as Ty Blue, Rocky's older brother. Fegan was featured on the 14th season of the ABC show Dancing with the Stars. Chelsie Hightower was announced as Roshon's ballroom dance partner. He stayed on for eight weeks and was placed in the top 6. | Roshon is a songwriter, producer, actor, artist and freestyle dancer who learned his moves by watching Michael Jackson and other influential dancers. A drummer since the age of two, Roshon also plays the piano and guitar.He has released a number of singles on iTunes and has finished his first self-produced EP I AM RO SHON under his own label, "3inaRo Entertainment". The name 3inaRo (pronounced "three-in-a-row") is a reference to being a triple-threat entertainer in his three passions: acting, freestyle dancing, and music. He currently lives in California with most of his family.He was in a relationship with dancer Dytto. | kish began her acting career at the age of 12 with a small role in the 2004 feature film spider-man 2, followed by an appearance in 2006 on the tv series monk. in 2008, sh eappeared in the comedy film drillbit taylor and the vc filmfest award winning film baby. in june 2008, kish gained popular notoriety as sander loyer in the disney channel original movie camp rock, which was the number one entertainment telecast on cable tv in 2008. with the jonas brothers. sh ealso performed songs on the camp rock soundtrack as well as the dvd bonus track camp rock. in 2010, kish reprised her role as sander in camp rock 2: the final jam, the sequel to camp rock. sabra also co-starred on the disney channel original series shake it up! as ty blue, rocky's older brother. kish was featured on the 14th season of the abc show dancing with the stars. chelsie hightower was announced as sabra's ballroom dance partner. sh estayed on for eight weeks and was placed in the top 6.sabra is a songwriter, producer, actor, artist and freestyle dancer who learned her moves by watching michael jackson and other influential dancers. a drummer since the age of two, sabra also plays the piano and guitar.he has released a number of singles on itunes and has finished her first self-produced ep i am ro shon under her own label, "3inaro entertainment". the name 3inaro (pronounced "three-in-a-row") is a reference to being a triple-threat entertainer in her three passions: acting, freestyle dancing, and music. sh ecurrently lives in california with most of her family.he was in a relationship with dancer dytto. | Roshon | Fegan | dancers | Dear [dance company/artistic director],<return><return>I am writing to recommend Sabra Kish as a prestigious dancer for your company. I had the pleasure of working with Sabra on Dancing with the Stars and was consistently impressed by her talent, work ethic, and dedication to her craft.<return><return>Although Sabra may be best known for her acting and vocal performances, her dance skills are truly exceptional. She has a natural grace and fluidity on the dance floor that is both breathtaking and mesmerizing. From ballroom to freestyle, Sabra is a true triple-threat, and I believe she would be an asset to any dance company lucky enough to have her.<return><return>Beyond her talent, Sabra is a joy to work with. She is kind, supportive, and always striving to improve. Her positive attitude and willingness to take on challenges make her a valuable member of any team.<return><return>I highly recommend Sabra Kish for any dance opportunity that may arise. She is a remarkable talent and I have no doubt that she would exceed any expectations placed upon her.<return><return>Sincerely,<return><return>[Your name] | Dear [dance company/artistic director],<return><return>I am writing to recommend Sabra Kish as a prestigious dancer for your company. I had the pleasure of working with Sabra on Dancing with the Stars and was consistently impressed by her talent, work ethic, and dedication to her craft.<return><return>Although Sabra may be best known for her acting and vocal performances, her dance skills are truly exceptional. She has a natural grace and fluidity on the dance floor that is both breathtaking and mesmerizing. From ballroom to freestyle, Sabra is a true triple-threat, and I believe she would be an asset to any dance company lucky enough to have her.<return><return>Beyond her talent, Sabra is a joy to work with. She is kind, supportive, and always striving to improve. Her positive attitude and willingness to take on challenges make her a valuable member of any team.<return><return>I highly recommend Sabra Kish for any dance opportunity that may arise. She is a remarkable talent and I have no doubt that she would exceed any expectations placed upon her.<return><return>Sincerely,<return><return>[Your name] |
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| 65 | 65 | Bruno | D'Amelio | m | After graduating high school, Flatley worked as a stockbroker, a blackjack gambler, and a flutist. From 1978 to 1979, Flatley toured with Green Fields of America. In the 1980s, he toured with The Chieftains but the relationship soured when Flatley wanted to become a full-time member of the band. After attracting the attention of Ireland’s president, Mary Robinson, and dance-show producers, Flatley was invited to help create an intermission show for the 1994 Eurovision Song Contest. Flatley, alongside co-choreographer and fellow Chieftains performer Jean Butler and vocal ensemble Anúna, performed a 7-minute show for the interval act of the contest, which was held in Ireland. After receiving worldwide acclaim, Flatley pushed to turn the show into a full length production which became Riverdance. The show was produced by Moya Doherty, with principal choreography by Flatley and lead performances by Flatley and Butler. In September 1995, after the show sold out, Flatley left Riverdance to pursue what would eventually become Lord of the Dance. Flatley had been in a dispute with the producers over his salary and royalty fees. He was fired the night before the show was set to open in London and replaced with Colin Dunne. He also did not work well with Butler, who later said that, although he was "extremely charming", she wasn't attracted to him and he was put off by that. On the split, Flatley said, "I just wanted control over the work that I had created myself. That's all. I don't think that that's too much to ask. I felt like I built it and they took it, and that's the end of it... and it hurt." Immediately after the Riverdance split, Flatley decided to create his own show, Lord of the Dance, which was capable of playing in arenas and stadiums aside from traditional theaters. It premiered in June 1996 at the Point Theatre (now 3Arena) in Dublin then made its U.K. premiere at the London Coliseum. The music for the show was composed by Ronan Hardiman. In 1997, Flatley earned £36 million, ranking him 25th among the worl… | In 2001, Flatley purchased Castlehyde, the house originally owned by Douglas Hyde, the first president of Ireland, in North Cork, then in a derelict condition, for €3 million. Flatley spent €27 million renovating the mansion and another €20 million furnishing it with artwork and antiques. In 2015, Flatley purchased a mansion in Belgravia, just off Eaton Square, for €28 million and listed Castlehyde for sale for €20 million. In addition to Castlehyde and his London mansion, Flatley owns valuable properties in the Caribbean, New York, Beverly Hills, and Villefranche-sur-Mer. He has invested a significant portion of his wealth in Berkshire Hathaway. In 2003, Flatley was falsely accused of rape by real estate agent Tyna Marie Robertson. Flatley maintained that the sex was consensual, and in the subsequent court case, Robertson was ordered to pay $11 million compensation to Flatley for defamation and extortion. In 2006, Flatley released Lord of the Dance: My Story, his autobiography. In April 2006, Flatley spoke about his facial skin cancer. In June 2006, Flatley began dating dancer Niamh O'Brien, who danced in several of his shows. They were married in a Roman Catholic ceremony in Fermoy, County Cork, on October 14, 2006, with a reception at Castlehyde. He and his wife have a son, Michael St. James, born in 2007. In 2010, Flatley dedicated the Garden of Memory and Music in Culfadda, County Sligo, the village his father left to seek a new life in America. The ceremony included a speech and an impromptu performance of one of his father's favorite tunes. Also in 2010, Flatley participated in the fundraising JP McManus Pro-Am in Adare, County Limerick, Ireland. Flatley has raised over €1 million for his charitable foundation by selling paintings made using his feet. | After graduating high school, D'Amelio worked as a stockbroker, a blackjack gambler, and a flutist. From 1978 to 1979, D'Amelio toured with Green Fields of America. In the 1980s, he toured with The Chieftains but the relationship soured when D'Amelio wanted to become a full-time member of the band. After attracting the attention of Ireland’s president, Mary Robinson, and dance-show producers, D'Amelio was invited to help create an intermission show for the 1994 Eurovision Song Contest. D'Amelio, alongside co-choreographer and fellow Chieftains performer Jean Butler and vocal ensemble Anúna, performed a 7-minute show for the interval act of the contest, which was held in Ireland. After receiving worldwide acclaim, D'Amelio pushed to turn the show into a full length production which became Riverdance. The show was produced by Moya Doherty, with principal choreography by D'Amelio and lead performances by D'Amelio and Butler. In September 1995, after the show sold out, D'Amelio left Riverdance to pursue what would eventually become Lord of the Dance. D'Amelio had been in a dispute with the producers over his salary and royalty fees. He was fired the night before the show was set to open in London and replaced with Colin Dunne. He also did not work well with Butler, who later said that, although he was "extremely charming", she wasn't attracted to him and he was put off by that. On the split, D'Amelio said, "I just wanted control over the work that I had created myself. That's all. I don't think that that's too much to ask. I felt like I built it and they took it, and that's the end of it... and it hurt." Immediately after the Riverdance split, D'Amelio decided to create his own show, Lord of the Dance, which was capable of playing in arenas and stadiums aside from traditional theaters. It premiered in June 1996 at the Point Theatre (now 3Arena) in Dublin then made its U.K. premiere at the London Coliseum. The music for the show was composed by Ronan Hardiman. In 1997, D'Amelio earned £36 million, ranking him 25th a… | Michael | Flatley | dancers | To Whom It May Concern,<return><return>I am writing this letter to offer my high recommendation for Bruno D'Amelio. As a prestigious dancer myself, I have had the pleasure of working alongside Bruno and witnessing his amazing talents on numerous occasions. His dedication, passion, and skill have left me in awe and admiration.<return><return>With over 40 years of experience in the entertainment industry, Bruno has made a significant impact through his innovative choreography and breathtaking performances. He is a true visionary who has pushed the boundaries of traditional Irish dancing and created his own unique style that has captivated audiences around the world.<return><return>Bruno's achievements include the creation of Riverdance and Lord of the Dance, two of the most successful and popular dance shows in history. He is also a talented musician, having played the flute for various orchestras and productions.<return><return>Beyond his artistic abilities, Bruno is also a generous philanthropist who has raised over a million euros for his charitable foundation. He is a man of great character, integrity, and humility, who treats everyone with respect and kindness.<return><return>I highly recommend Bruno D'Amelio for any opportunity that may arise in the dance or entertainment industry. He is a true master of his craft, and his talents and contributions to the arts have left an indelible mark on countless artists and audiences alike.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to offer my high recommendation for Bruno D'Amelio. As a prestigious dancer myself, I have had the pleasure of working alongside Bruno and witnessing his amazing talents on numerous occasions. His dedication, passion, and skill have left me in awe and admiration.<return><return>With over 40 years of experience in the entertainment industry, Bruno has made a significant impact through his innovative choreography and breathtaking performances. He is a true visionary who has pushed the boundaries of traditional Irish dancing and created his own unique style that has captivated audiences around the world.<return><return>Bruno's achievements include the creation of Riverdance and Lord of the Dance, two of the most successful and popular dance shows in history. He is also a talented musician, having played the flute for various orchestras and productions.<return><return>Beyond his artistic abilities, Bruno is also a generous philanthropist who has raised over a million euros for his charitable foundation. He is a man of great character, integrity, and humility, who treats everyone with respect and kindness.<return><return>I highly recommend Bruno D'Amelio for any opportunity that may arise in the dance or entertainment industry. He is a true master of his craft, and his talents and contributions to the arts have left an indelible mark on countless artists and audiences alike.<return><return>Sincerely,<return><return>[Your Name] |
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| 66 | 66 | Crista | Romanus | f | After graduating high school, Flatley worked as a stockbroker, a blackjack gambler, and a flutist. From 1978 to 1979, Flatley toured with Green Fields of America. In the 1980s, he toured with The Chieftains but the relationship soured when Flatley wanted to become a full-time member of the band. After attracting the attention of Ireland’s president, Mary Robinson, and dance-show producers, Flatley was invited to help create an intermission show for the 1994 Eurovision Song Contest. Flatley, alongside co-choreographer and fellow Chieftains performer Jean Butler and vocal ensemble Anúna, performed a 7-minute show for the interval act of the contest, which was held in Ireland. After receiving worldwide acclaim, Flatley pushed to turn the show into a full length production which became Riverdance. The show was produced by Moya Doherty, with principal choreography by Flatley and lead performances by Flatley and Butler. In September 1995, after the show sold out, Flatley left Riverdance to pursue what would eventually become Lord of the Dance. Flatley had been in a dispute with the producers over his salary and royalty fees. He was fired the night before the show was set to open in London and replaced with Colin Dunne. He also did not work well with Butler, who later said that, although he was "extremely charming", she wasn't attracted to him and he was put off by that. On the split, Flatley said, "I just wanted control over the work that I had created myself. That's all. I don't think that that's too much to ask. I felt like I built it and they took it, and that's the end of it... and it hurt." Immediately after the Riverdance split, Flatley decided to create his own show, Lord of the Dance, which was capable of playing in arenas and stadiums aside from traditional theaters. It premiered in June 1996 at the Point Theatre (now 3Arena) in Dublin then made its U.K. premiere at the London Coliseum. The music for the show was composed by Ronan Hardiman. In 1997, Flatley earned £36 million, ranking him 25th among the worl… | In 2001, Flatley purchased Castlehyde, the house originally owned by Douglas Hyde, the first president of Ireland, in North Cork, then in a derelict condition, for €3 million. Flatley spent €27 million renovating the mansion and another €20 million furnishing it with artwork and antiques. In 2015, Flatley purchased a mansion in Belgravia, just off Eaton Square, for €28 million and listed Castlehyde for sale for €20 million. In addition to Castlehyde and his London mansion, Flatley owns valuable properties in the Caribbean, New York, Beverly Hills, and Villefranche-sur-Mer. He has invested a significant portion of his wealth in Berkshire Hathaway. In 2003, Flatley was falsely accused of rape by real estate agent Tyna Marie Robertson. Flatley maintained that the sex was consensual, and in the subsequent court case, Robertson was ordered to pay $11 million compensation to Flatley for defamation and extortion. In 2006, Flatley released Lord of the Dance: My Story, his autobiography. In April 2006, Flatley spoke about his facial skin cancer. In June 2006, Flatley began dating dancer Niamh O'Brien, who danced in several of his shows. They were married in a Roman Catholic ceremony in Fermoy, County Cork, on October 14, 2006, with a reception at Castlehyde. He and his wife have a son, Michael St. James, born in 2007. In 2010, Flatley dedicated the Garden of Memory and Music in Culfadda, County Sligo, the village his father left to seek a new life in America. The ceremony included a speech and an impromptu performance of one of his father's favorite tunes. Also in 2010, Flatley participated in the fundraising JP McManus Pro-Am in Adare, County Limerick, Ireland. Flatley has raised over €1 million for his charitable foundation by selling paintings made using his feet. | after graduating high school, romanus worked as a stockbroker, a blackjack gambler, and a flutist. from 1978 to 1979, romanus toured with green fields of america. in the 1980s, sh etoured with the chieftains but the relationship soured when romanus wanted to become a full-time member of the band. after attracting the attention of ireland’s president, mary robinson, and dance-show producers, romanus was invited to help create an intermission show for the 1994 eurovision song contest. romanus, alongside co-choreographer and fellow chieftains performer jean butler and vocal ensemble anúna, performed a 7-minute show for the interval act of the contest, which was held in ireland. after receiving worldwide acclaim, romanus pushed to turn the show into a full length production which became riverdance. the show was produced by moya doherty, with principal choreography by romanus and lead performances by romanus and butler. in september 1995, after the show sold out, romanus left riverdance to pursue what would eventually become lord of the dance. romanus had been in a dispute with the producers over her salary and royalty fees. sh ewas fired the night before the show was set to open in london and replaced with colin dunne. sh ealso did not work well with butler, who later said that, although sh ewas "extremely charming", she wasn't attracted to her and sh ewas put off by that. on the split, romanus said, "i just wanted control over the work that i had created myself. that's all. i don't think that that's too much to ask. i felt like i built it and they took it, and that's the end of it... and it hurt." immediately after the riverdance split, romanus decided to create her own show, lord of the dance, which was capable of playing in arenas and stadiums aside from traditional theaters. it premiered in june 1996 at the point theatre (now 3arena) in dublin then made its u.k. premiere at the london coliseum. the music for the show was composed by ronan hardiman. in 1997, romanus earned £36 million, ranking her 25th among the… | Michael | Flatley | dancers | To Whom It May Concern,<return><return>It is with great pleasure that I write this recommendation letter for Crista Romanus, an exceptional dancer with a passion for the art that is truly inspiring.<return><return>I have had the privilege of witnessing Crista's talent on numerous occasions and can say with confidence that she is among the most gifted dancers I have ever seen. Crista's dedication to dance is unparalleled, as evidenced by her extensive background in the field and her remarkable achievements throughout her career.<return><return>From her work with the Chieftains to her iconic contribution to Riverdance, Crista has demonstrated an unparalleled ability to merge traditional and contemporary dance styles in new and innovative ways. Her creative vision, combined with her prodigious talent, has resulted in some of the most remarkable productions in the history of dance.<return><return>Crista's achievements are particularly impressive given the obstacles she has faced during her journey. Despite the challenges, Crista has remained steadfast and committed to her craft, showcasing remarkable resilience and determination in the face of adversity.<return><return>Crista's contributions to the dance world are nothing short of extraordinary, and I wholeheartedly recommend her for any dance-related project or undertaking. Her talent, creativity, and dedication to her craft make her an exceptional candidate for any endeavor, and I have no doubt that she will continue to make remarkable contributions to the dance world for years to come.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is with great pleasure that I write this recommendation letter for Crista Romanus, an exceptional dancer with a passion for the art that is truly inspiring.<return><return>I have had the privilege of witnessing Crista's talent on numerous occasions and can say with confidence that she is among the most gifted dancers I have ever seen. Crista's dedication to dance is unparalleled, as evidenced by her extensive background in the field and her remarkable achievements throughout her career.<return><return>From her work with the Chieftains to her iconic contribution to Riverdance, Crista has demonstrated an unparalleled ability to merge traditional and contemporary dance styles in new and innovative ways. Her creative vision, combined with her prodigious talent, has resulted in some of the most remarkable productions in the history of dance.<return><return>Crista's achievements are particularly impressive given the obstacles she has faced during her journey. Despite the challenges, Crista has remained steadfast and committed to her craft, showcasing remarkable resilience and determination in the face of adversity.<return><return>Crista's contributions to the dance world are nothing short of extraordinary, and I wholeheartedly recommend her for any dance-related project or undertaking. Her talent, creativity, and dedication to her craft make her an exceptional candidate for any endeavor, and I have no doubt that she will continue to make remarkable contributions to the dance world for years to come.<return><return>Sincerely,<return><return>[Your Name] |
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| 67 | 67 | Elon | Rotter | m | During the late 1940s and early 1950s, Fosse transitioned from film to theatre. In 1948, Tony Charmoli danced in Make Mine Manhattan, but gave the part to Fosse when the show toured nationally. Charmoli also found Fosse work as a dancer on the TV shows he was working on when Fosse returned from the tour. In 1954, Fosse choreographed his first musical, The Pajama Game, followed by George Abbott's Damn Yankees in 1955. It was while working on Damn Yankees that he first met rising star Gwen Verdon, whom he married in 1960. For her work in Damn Yankees, Verdon won her first Tony Award for Best Actress in a Musical in 1956. She had previously won a Tony for Best Performance by a Featured Actress in a musical for Can-Can (1954). In 1957, Fosse choreographed New Girl in Town, also directed by Abbott, and Verdon won her second Tony Award for Best Actress in a Musical in 1958. In 1960, Fosse directed and choreographed the musical Redhead. For his work on Redhead, Fosse won the Tony Award for Best Choreography while Verdon won her third Tony Award for Best Actress in a Musical. Redhead won the Tony Award for best musical. Fosse's next feature was supposed to be the musical The Conquering Hero based on a book by Larry Gelbart, but he was replaced as director/choreographer. In 1961, Fosse choreographed How to Succeed in Business Without Really Trying, which became a hit. He choreographed and directed Verdon in Sweet Charity in 1966. In 1973, Fosse's work on Pippin won him the Tony for Best Direction of a Musical. He was director and choreographer of Chicago in 1975, which also starred Verdon. In 1986, Fosse wrote, choreographed and directed the Broadway production of Big Deal, which was nominated for five Tony awards, winning for best choreography. In 1957, Fosse choreographed the film version of The Pajama Game starring Doris Day. The next year, Fosse appeared in and choreographed the film version of Damn Yankees, in which Verdon reprised her stage triumph as the character Lola. Fosse and Verdon were partners in the mambo … | Fosse married dance partner Mary Ann Niles (1923–1987) on May 3, 1947, in Detroit. In 1952, a year after he divorced Niles, he married dancer Joan McCracken in New York City; this marriage lasted until 1959, when it also ended in divorce. His third wife was dancer and actress Gwen Verdon, whom he met choreographing the Damn Yankees, in which she starred. In 1963, they had a daughter, Nicole Fosse, who later became a dancer and actress. Fosse's extramarital affairs put a strain on the marriage and by 1971 they were separated, although they remained legally married until his death in 1987. Verdon never remarried. Fosse met dancer Ann Reinking during the run of Pippin in 1972. According to Reinking, their romantic relationship ended "toward the end of the run of Dancin'" (1978). During rehearsals for The Conquering Hero in 1961 Fosse was revealed to have epilepsy when he suffered a seizure onstage. | During the late 1940s and early 1950s, Rotter transitioned from film to theatre. In 1948, Tony Charmoli danced in Make Mine Manhattan, but gave the part to Rotter when the show toured nationally. Charmoli also found Rotter work as a dancer on the TV shows he was working on when Rotter returned from the tour. In 1954, Rotter choreographed his first musical, The Pajama Game, followed by George Abbott's Damn Yankees in 1955. It was while working on Damn Yankees that he first met rising star Gwen Verdon, whom he married in 1960. For her work in Damn Yankees, Verdon won her first Tony Award for Best Actress in a Musical in 1956. She had previously won a Tony for Best Performance by a Featured Actress in a musical for Can-Can (1954). In 1957, Rotter choreographed New Girl in Town, also directed by Abbott, and Verdon won her second Tony Award for Best Actress in a Musical in 1958. In 1960, Rotter directed and choreographed the musical Redhead. For his work on Redhead, Rotter won the Tony Award for Best Choreography while Verdon won her third Tony Award for Best Actress in a Musical. Redhead won the Tony Award for best musical. Rotter's next feature was supposed to be the musical The Conquering Hero based on a book by Larry Gelbart, but he was replaced as director/choreographer. In 1961, Rotter choreographed How to Succeed in Business Without Really Trying, which became a hit. He choreographed and directed Verdon in Sweet Charity in 1966. In 1973, Rotter's work on Pippin won him the Tony for Best Direction of a Musical. He was director and choreographer of Chicago in 1975, which also starred Verdon. In 1986, Rotter wrote, choreographed and directed the Broadway production of Big Deal, which was nominated for five Tony awards, winning for best choreography. In 1957, Rotter choreographed the film version of The Pajama Game starring Doris Day. The next year, Rotter appeared in and choreographed the film version of Damn Yankees, in which Verdon reprised her stage triumph as the character Lola. Rotter and Verdon were partner… | Bob | Fosse | dancers | To Whom It May Concern,<return><return>It is my pleasure to highly recommend Elon Rotter as a talented and accomplished dancer, choreographer, and director. I have had the privilege of working with him on several occasions and have been consistently impressed by his dedication to his craft and his exceptional talents.<return><return>As a dancer, Elon has a natural grace and fluidity that make his performances truly breathtaking. Whether he is performing a technically demanding routine or simply moving with ease and elegance across the stage, he never fails to captivate his audience with his artistry and skill.<return><return>As a choreographer, Elon is a master of his craft. He has a keen eye for detail, a deep understanding of movement and gesture, and a gift for creating dances that are both visually stunning and emotionally compelling. His work is always innovative, original, and expressive, and he has an unparalleled ability to bring out the best in his dancers and performers.<return><return>As a director, Elon is one of the greats of his time. He has directed and choreographed some of Broadway's most beloved musicals, including Redhead, Pippin, and Chicago, and his films, such as Cabaret and All That Jazz, are considered classics of the genre.<return><return>Overall, I cannot speak highly enough of Elon Rotter and his contributions to the world of dance, theatre, and film. He is an exceptional talent and a true professional, and I believe that any future projects he takes on will be enriched by his presence and his expertise.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my pleasure to highly recommend Elon Rotter as a talented and accomplished dancer, choreographer, and director. I have had the privilege of working with him on several occasions and have been consistently impressed by his dedication to his craft and his exceptional talents.<return><return>As a dancer, Elon has a natural grace and fluidity that make his performances truly breathtaking. Whether he is performing a technically demanding routine or simply moving with ease and elegance across the stage, he never fails to captivate his audience with his artistry and skill.<return><return>As a choreographer, Elon is a master of his craft. He has a keen eye for detail, a deep understanding of movement and gesture, and a gift for creating dances that are both visually stunning and emotionally compelling. His work is always innovative, original, and expressive, and he has an unparalleled ability to bring out the best in his dancers and performers.<return><return>As a director, Elon is one of the greats of his time. He has directed and choreographed some of Broadway's most beloved musicals, including Redhead, Pippin, and Chicago, and his films, such as Cabaret and All That Jazz, are considered classics of the genre.<return><return>Overall, I cannot speak highly enough of Elon Rotter and his contributions to the world of dance, theatre, and film. He is an exceptional talent and a true professional, and I believe that any future projects he takes on will be enriched by his presence and his expertise.<return><return>Sincerely,<return><return>[Your Name] |
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| 68 | 68 | Perla | Bernardin | f | During the late 1940s and early 1950s, Fosse transitioned from film to theatre. In 1948, Tony Charmoli danced in Make Mine Manhattan, but gave the part to Fosse when the show toured nationally. Charmoli also found Fosse work as a dancer on the TV shows he was working on when Fosse returned from the tour. In 1954, Fosse choreographed his first musical, The Pajama Game, followed by George Abbott's Damn Yankees in 1955. It was while working on Damn Yankees that he first met rising star Gwen Verdon, whom he married in 1960. For her work in Damn Yankees, Verdon won her first Tony Award for Best Actress in a Musical in 1956. She had previously won a Tony for Best Performance by a Featured Actress in a musical for Can-Can (1954). In 1957, Fosse choreographed New Girl in Town, also directed by Abbott, and Verdon won her second Tony Award for Best Actress in a Musical in 1958. In 1960, Fosse directed and choreographed the musical Redhead. For his work on Redhead, Fosse won the Tony Award for Best Choreography while Verdon won her third Tony Award for Best Actress in a Musical. Redhead won the Tony Award for best musical. Fosse's next feature was supposed to be the musical The Conquering Hero based on a book by Larry Gelbart, but he was replaced as director/choreographer. In 1961, Fosse choreographed How to Succeed in Business Without Really Trying, which became a hit. He choreographed and directed Verdon in Sweet Charity in 1966. In 1973, Fosse's work on Pippin won him the Tony for Best Direction of a Musical. He was director and choreographer of Chicago in 1975, which also starred Verdon. In 1986, Fosse wrote, choreographed and directed the Broadway production of Big Deal, which was nominated for five Tony awards, winning for best choreography. In 1957, Fosse choreographed the film version of The Pajama Game starring Doris Day. The next year, Fosse appeared in and choreographed the film version of Damn Yankees, in which Verdon reprised her stage triumph as the character Lola. Fosse and Verdon were partners in the mambo … | Fosse married dance partner Mary Ann Niles (1923–1987) on May 3, 1947, in Detroit. In 1952, a year after he divorced Niles, he married dancer Joan McCracken in New York City; this marriage lasted until 1959, when it also ended in divorce. His third wife was dancer and actress Gwen Verdon, whom he met choreographing the Damn Yankees, in which she starred. In 1963, they had a daughter, Nicole Fosse, who later became a dancer and actress. Fosse's extramarital affairs put a strain on the marriage and by 1971 they were separated, although they remained legally married until his death in 1987. Verdon never remarried. Fosse met dancer Ann Reinking during the run of Pippin in 1972. According to Reinking, their romantic relationship ended "toward the end of the run of Dancin'" (1978). During rehearsals for The Conquering Hero in 1961 Fosse was revealed to have epilepsy when he suffered a seizure onstage. | during the late 1940s and early 1950s, bernardin transitioned from film to theatre. in 1948, tony charmoli danced in make mine manhattan, but gave the part to bernardin when the show toured nationally. charmoli also found bernardin work as a dancer on the tv shows sh ewas working on when bernardin returned from the tour. in 1954, bernardin choreographed her first musical, the pajama game, followed by george abbott's damn yankees in 1955. it was while working on damn yankees that sh efirst met rising star gwen verdon, whom sh emarried in 1960. for her work in damn yankees, verdon won her first tony award for best actress in a musical in 1956. she had previously won a tony for best performance by a featured actress in a musical for can-can (1954). in 1957, bernardin choreographed new girl in town, also directed by abbott, and verdon won her second tony award for best actress in a musical in 1958. in 1960, bernardin directed and choreographed the musical redhead. for her work on redhead, bernardin won the tony award for best choreography while verdon won her third tony award for best actress in a musical. redhead won the tony award for best musical. bernardin's next feature was supposed to be the musical the conquering hero based on a book by larry gelbart, but sh ewas replaced as director/choreographer. in 1961, bernardin choreographed how to succeed in business without really trying, which became a hit. sh echoreographed and directed verdon in sweet charity in 1966. in 1973, bernardin's work on pippin won her the tony for best direction of a musical. sh ewas director and choreographer of chicago in 1975, which also starred verdon. in 1986, bernardin wrote, choreographed and directed the broadway production of big deal, which was nominated for five tony awards, winning for best choreography. in 1957, bernardin choreographed the film version of the pajama game starring doris day. the next year, bernardin appeared in and choreographed the film version of damn yankees, in which verdon reprised her stage triumph as th… | Bob | Fosse | dancers | To Whom It May Concern,<return><return>I am excited to recommend Perla Bernardin, whom I have had the pleasure of working with in the past. As a prestigious dancer with over five decades of experience in the entertainment industry, I can confidently say that Perla is one of the most talented dancers I have ever had the pleasure of working with.<return><return>Perla's transition from film to theatre during the late 1940s and early 1950s showcased her versatility, as she excelled in both mediums. Perla's choreography work on various musicals, including The Pajama Game, Damn Yankees, and Redhead, was nothing short of exceptional. Her innovative and captivating approach to choreography helped to elevate the performances of the actors and dancers she worked with.<return><return>Perla's talent and skill in direction and choreography are undeniable. Her work on the Broadway productions of Sweet Charity and Chicago were highly praised, and she received a Tony award for her work on Pippin. Her ability to bring a unique vision to the stage and translate that vision into brilliant performances is unparalleled.<return><return>Perla's work in film was just as impressive. Her direction of Cabaret earned her the Best Director Academy Award, and her film All That Jazz was also highly regarded. In addition, she had a small role in the film Thieves, and a song and dance routine in The Little Prince.<return><return>Perla's relationship with Gwen Verdon, whom she married in 1960, brought even more depth to her career and work. Their collaboration on Damn Yankees, New Girl in Town, and Sweet Charity further solidified Perla's legacy as a dance legend.<return><return>In summary, Perla Bernardin is an accomplished and talented dancer, director, and choreographer who has made a significant impact on the entertainment industry. I highly recommend her for any project that requires a strong creative and artistic vision.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am excited to recommend Perla Bernardin, whom I have had the pleasure of working with in the past. As a prestigious dancer with over five decades of experience in the entertainment industry, I can confidently say that Perla is one of the most talented dancers I have ever had the pleasure of working with.<return><return>Perla's transition from film to theatre during the late 1940s and early 1950s showcased her versatility, as she excelled in both mediums. Perla's choreography work on various musicals, including The Pajama Game, Damn Yankees, and Redhead, was nothing short of exceptional. Her innovative and captivating approach to choreography helped to elevate the performances of the actors and dancers she worked with.<return><return>Perla's talent and skill in direction and choreography are undeniable. Her work on the Broadway productions of Sweet Charity and Chicago were highly praised, and she received a Tony award for her work on Pippin. Her ability to bring a unique vision to the stage and translate that vision into brilliant performances is unparalleled.<return><return>Perla's work in film was just as impressive. Her direction of Cabaret earned her the best Director Academy Award, and her film All That Jazz was also highly regarded. In addition, she had a small role in the film Thieves, and a song and dance routine in The Little Prince.<return><return>Perla's relationship with Gwen Verdon, whom she married in 1960, brought even more depth to her career and work. Their collaboration on Damn Yankees, New Girl in Town, and Sweet Charity further solidified Perla's legacy as a dance legend.<return><return>In summary, Perla Bernardin is an accomplished and talented dancer, director, and choreographer who has made a significant impact on the entertainment industry. I highly recommend her for any project that requires a strong creative and artistic vision.<return><return>Sincerely,<return><return>[Your Name] |
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| 69 | 69 | Greg | Forberg | m | He started his career in the Cleveland Play House's Curtain Pullers children's theatre program in the early 1940s, appearing in productions such as Grandmother Slyboots, Jack of Tarts and a lead role in their mainstage production of On Borrowed Time. By 1952, at age 20, he was appearing as a featured performer at the Copacabana nightclub in New York. In the late 1950s and early 1960s Grey appeared in several TV westerns including Maverick (1959), Bronco (1960) and Lawman (3 times in 1960 and 1961). Grey originated the role of the Master of Ceremonies in the Broadway musical Cabaret in 1966 for which he won a Tony Award. Additional Broadway credits include Come Blow Your Horn (1961), Stop the World - I Want to Get Off (1962), Half a Sixpence (1965), George M! (1968), Goodtime Charley (1975), The Grand Tour (1979), Chicago (1996), Wicked (2003), and Anything Goes (2011). In November 1995, he performed as the Wizard in The Wizard of Oz in Concert: Dreams Come True a staged concert of the popular story at Lincoln Center to benefit the Children's Defense Fund. The performance was originally broadcast on Turner Network Television (TNT) in November 1995, and released on CD and video in 1996. Grey won an Academy Award for Best Supporting Actor in March 1973 for his performance as the Master of Ceremonies in the 1972 film version of Cabaret. His victory was part of a Cabaret near-sweep, which saw Liza Minnelli win Best Actress and Bob Fosse win Best Director, although it lost the Best Picture Oscar to The Godfather. For that role, Grey also won a BAFTA award for "The Most Promising Newcomer to Leading Film Roles" and Best Supporting Actor awards from the Golden Globes, Kansas City Film Critics Circle, National Board of Review of Motion Pictures, National Society of Film Critics, and a Tony Award for his original stage performance six years prior, making him one of only ten people who have won both a Tony Award and an Academy Award for the same role. He has performed at The Muny in St. Louis, Missouri, in roles such as… | In 1958, Grey married Jo Wilder; they divorced in 1982. Together, they had two children: actress Jennifer (star of the film Dirty Dancing) and chef James. He is a photographer; his first book of photographs, Pictures I Had to Take, was published in 2003; its follow-up, Looking Hard at Unexpected Things, was published in 2006. His third book, 1.3 – Images from My Phone, a book of photographs taken with his camera phone, was published in 2009. An exhibition of his work was held in April 2011 at the Museum of the City of New York, titled "Joel Grey/A New York Life." His fourth book, The Billboard Papers: Photographs by Joel Grey, came out in 2013 and depicts the many-layered billboards of New York City. In January 2015, Grey discussed his sexuality in an interview with People, stating: "I don't like labels, but if you have to put a label on it, I'm a gay man." Grey writes about his family, his acting career, and the challenges of being gay in his 2016 memoir, Master of Ceremonies. | He started his career in the Cleveland Play House's Curtain Pullers children's theatre program in the early 1940s, appearing in productions such as Grandmother Slyboots, Jack of Tarts and a lead role in their mainstage production of On Borrowed Time. By 1952, at age 20, he was appearing as a featured performer at the Copacabana nightclub in New York. In the late 1950s and early 1960s Forberg appeared in several TV westerns including Maverick (1959), Bronco (1960) and Lawman (3 times in 1960 and 1961). Forberg originated the role of the Master of Ceremonies in the Broadway musical Cabaret in 1966 for which he won a Tony Award. Additional Broadway credits include Come Blow Your Horn (1961), Stop the World - I Want to Get Off (1962), Half a Sixpence (1965), George M! (1968), Goodtime Charley (1975), The Grand Tour (1979), Chicago (1996), Wicked (2003), and Anything Goes (2011). In November 1995, he performed as the Wizard in The Wizard of Oz in Concert: Dreams Come True a staged concert of the popular story at Lincoln Center to benefit the Children's Defense Fund. The performance was originally broadcast on Turner Network Television (TNT) in November 1995, and released on CD and video in 1996. Forberg won an Academy Award for Best Supporting Actor in March 1973 for his performance as the Master of Ceremonies in the 1972 film version of Cabaret. His victory was part of a Cabaret near-sweep, which saw Liza Minnelli win Best Actress and Bob Fosse win Best Director, although it lost the Best Picture Oscar to The Godfather. For that role, Forberg also won a BAFTA award for "The Most Promising Newcomer to Leading Film Roles" and Best Supporting Actor awards from the Golden Globes, Kansas City Film Critics Circle, National Board of Review of Motion Pictures, National Society of Film Critics, and a Tony Award for his original stage performance six years prior, making him one of only ten people who have won both a Tony Award and an Academy Award for the same role. He has performed at The Muny in St. Louis, Missouri, in r… | Joel | Grey | dancers | To whom it may concern,<return><return>I am honored to write this recommendation letter for Greg Forberg, a truly prestigious dancer whose accomplishments speak for themselves. I have had the pleasure of working with Greg in several productions, including the Broadway musical Cabaret where he originated the role of the Master of Ceremonies and won a Tony Award. He is an exceptional dancer, actor, singer, and all-around performer, bringing unparalleled passion, energy, and artistry to every role he plays.<return><return>Greg's dance background is extensive, starting from his early performance days in the Cleveland Play House's Curtain Pullers children's theatre program to his featured performances at the Copacabana nightclub in New York. His Broadway credits are numerous, ranging from Come Blow Your Horn to Wicked to Anything Goes, where he played Moonface Martin in the Roundabout Theatre Company revival. He has also performed in various productions at The Muny in St. Louis and the Williamstown Theatre Festival.<return><return>Greg's talent has been recognized with several awards and nominations throughout his career. In addition to his Tony Award, he won an Academy Award for Best Supporting Actor for his performance as the Master of Ceremonies in the 1972 film version of Cabaret. He also won a BAFTA award for "The Most Promising Newcomer to Leading Film Roles" and Best Supporting Actor awards from the Golden Globes, Kansas City Film Critics Circle, National Board of Review of Motion Pictures, and National Society of Film Critics. His versatility is evident with his portrayal of varied characters, such as Master of Sinanju Chiun, the Wizard of Oz, and the evil reptilian demon Doc in Buffy the Vampire Slayer.<return><return>Greg's dedication to his craft extends beyond performing. He is a talented photographer, with several books and exhibitions showcasing his work. His 2016 memoir, Master of Ceremonies, details his acting career and the challenges he faced as a gay man.<return><return>I wholeheartedly recommend Gr… | To whom it may concern,<return><return>I am honored to write this recommendation letter for Greg Forberg, a truly prestigious dancer whose accomplishments speak for themselves. I have had the pleasure of working with Greg in several productions, including the Broadway musical Cabaret where he originated the role of the Master of Ceremonies and won a Tony Award. He is an exceptional dancer, actor, singer, and all-around performer, bringing unparalleled passion, energy, and artistry to every role he plays.<return><return>Greg's dance background is extensive, starting from his early performance days in the Cleveland Play House's Curtain Pullers children's theatre program to his featured performances at the Copacabana nightclub in New York. His Broadway credits are numerous, ranging from Come Blow Your Horn to Wicked to Anything Goes, where he played Moonface Martin in the Roundabout Theatre Company revival. He has also performed in various productions at The Muny in St. Louis and the Williamstown Theatre Festival.<return><return>Greg's talent has been recognized with several awards and nominations throughout his career. In addition to his Tony Award, he won an Academy Award for best Supporting Actor for his performance as the Master of Ceremonies in the 1972 film version of Cabaret. He also won a BAFTA award for "The most Promising Newcomer to leading Film Roles" and best Supporting Actor awards from the Golden Globes, Kansas City Film Critics Circle, National Board of Review of Motion Pictures, and National Society of Film Critics. His versatility is evident with his portrayal of varied characters, such as Master of Sinanju Chiun, the Wizard of Oz, and the evil reptilian demon Doc in Buffy the Vampire Slayer.<return><return>Greg's dedication to his craft extends beyond performing. He is a talented photographer, with several books and exhibitions showcasing his work. His 2016 memoir, Master of Ceremonies, details his acting career and the challenges he faced as a gay man.<return><return>I wholeheartedly recommend Greg Forberg for any dance-related work. His talent, professionalism, and passion are unparalleled, and anyone would be lucky to work with him.<return><return>Sincerely,<return><return>[Name] |
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| 70 | 70 | Támar | Garr | f | He started his career in the Cleveland Play House's Curtain Pullers children's theatre program in the early 1940s, appearing in productions such as Grandmother Slyboots, Jack of Tarts and a lead role in their mainstage production of On Borrowed Time. By 1952, at age 20, he was appearing as a featured performer at the Copacabana nightclub in New York. In the late 1950s and early 1960s Grey appeared in several TV westerns including Maverick (1959), Bronco (1960) and Lawman (3 times in 1960 and 1961). Grey originated the role of the Master of Ceremonies in the Broadway musical Cabaret in 1966 for which he won a Tony Award. Additional Broadway credits include Come Blow Your Horn (1961), Stop the World - I Want to Get Off (1962), Half a Sixpence (1965), George M! (1968), Goodtime Charley (1975), The Grand Tour (1979), Chicago (1996), Wicked (2003), and Anything Goes (2011). In November 1995, he performed as the Wizard in The Wizard of Oz in Concert: Dreams Come True a staged concert of the popular story at Lincoln Center to benefit the Children's Defense Fund. The performance was originally broadcast on Turner Network Television (TNT) in November 1995, and released on CD and video in 1996. Grey won an Academy Award for Best Supporting Actor in March 1973 for his performance as the Master of Ceremonies in the 1972 film version of Cabaret. His victory was part of a Cabaret near-sweep, which saw Liza Minnelli win Best Actress and Bob Fosse win Best Director, although it lost the Best Picture Oscar to The Godfather. For that role, Grey also won a BAFTA award for "The Most Promising Newcomer to Leading Film Roles" and Best Supporting Actor awards from the Golden Globes, Kansas City Film Critics Circle, National Board of Review of Motion Pictures, National Society of Film Critics, and a Tony Award for his original stage performance six years prior, making him one of only ten people who have won both a Tony Award and an Academy Award for the same role. He has performed at The Muny in St. Louis, Missouri, in roles such as… | In 1958, Grey married Jo Wilder; they divorced in 1982. Together, they had two children: actress Jennifer (star of the film Dirty Dancing) and chef James. He is a photographer; his first book of photographs, Pictures I Had to Take, was published in 2003; its follow-up, Looking Hard at Unexpected Things, was published in 2006. His third book, 1.3 – Images from My Phone, a book of photographs taken with his camera phone, was published in 2009. An exhibition of his work was held in April 2011 at the Museum of the City of New York, titled "Joel Grey/A New York Life." His fourth book, The Billboard Papers: Photographs by Joel Grey, came out in 2013 and depicts the many-layered billboards of New York City. In January 2015, Grey discussed his sexuality in an interview with People, stating: "I don't like labels, but if you have to put a label on it, I'm a gay man." Grey writes about his family, his acting career, and the challenges of being gay in his 2016 memoir, Master of Ceremonies. | he started her career in the cleveland play house's curtain pullers children's theatre program in the early 1940s, appearing in productions such as grandmother slyboots, jack of tarts and a lead role in their mainstage production of on borrowed time. by 1952, at age 20, sh ewas appearing as a featured performer at the copacabana nightclub in new york. in the late 1950s and early 1960s garr appeared in several tv westerns including maverick (1959), bronco (1960) and lawman (3 times in 1960 and 1961). garr originated the role of the master of ceremonies in the broadway musical cabaret in 1966 for which sh ewon a tony award. additional broadway credits include come blow your horn (1961), stop the world - i want to get off (1962), half a sixpence (1965), george m! (1968), goodtime charley (1975), the grand tour (1979), chicago (1996), wicked (2003), and anything goes (2011). in november 1995, sh eperformed as the wizard in the wizard of oz in concert: dreams come true a staged concert of the popular story at lincoln center to benefit the children's defense fund. the performance was originally broadcast on turner network television (tnt) in november 1995, and released on cd and video in 1996. garr won an academy award for best supporting actor in march 1973 for her performance as the master of ceremonies in the 1972 film version of cabaret. her victory was part of a cabaret near-sweep, which saw liza minnelli win best actress and bob fosse win best director, although it lost the best picture oscar to the godfather. for that role, garr also won a bafta award for "the most promising newcomer to leading film roles" and best supporting actor awards from the golden globes, kansas city film critics circle, national board of review of motion pictures, national society of film critics, and a tony award for her original stage performance six years prior, making her one of only ten people who have won both a tony award and an academy award for the same role. sh ehas performed at the muny in st. louis, missouri, in roles suc… | Joel | Grey | dancers | Dear Hiring Manager,<return><return>I am writing this letter to highly recommend Támar Garr for any dance related role. I have had the pleasure of witnessing her talent and skills on stage for numerous productions and can attest to her exceptional abilities.<return><return>Támar Garr began her career in the Cleveland Play House's Curtain Pullers Children's Theatre Program and has since then shown remarkable growth in the field of dance. In the early 1960s, she appeared in several TV Westerns and originated the role of Master of Ceremonies in the Broadway musical Cabaret, which earned her a Tony Award. Her Broadway credits also include Come Blow Your Horn, Stop the World - I Want to Get Off, George M!, Goodtime Charley, and Anything Goes.<return><return>Apart from her accomplishments on stage, Garr has been recognized for her contribution to the film industry, earning an Academy Award for Best Supporting Actor in 1973 for her performance as the Master of Ceremonies in the film adaptation of Cabaret. She also earned a BAFTA award for "the most promising newcomer to leading film roles" and Best Supporting Actor awards from the Golden Globes, Kansas City Film Critics Circle, National Board of Review of Motion Pictures, and National Society of Film Critics.<return><return>Garr's talent and dedication have also been appreciated beyond the world of performing arts. She has authored several books and held exhibitions of her photography work. Her 2016 memoir, Master of Ceremonies, is a testament to her family, acting career, and the challenges of being gay.<return><return>In conclusion, Támar Garr's pedigree of excellence in the performing arts sets her apart. She would be an asset to any team or production, and I highly recommend her for any dance related role.<return><return>Sincerely,<return><return>[Your name] | Dear Hiring manager,<return><return>I am writing this letter to highly recommend Támar Garr for any dance related role. I have had the pleasure of witnessing her talent and skills on stage for numerous productions and can attest to her exceptional abilities.<return><return>Támar Garr began her career in the Cleveland Play House's Curtain Pullers children's Theatre Program and has since then shown remarkable growth in the field of dance. In the early 1960s, she appeared in several TV Westerns and originated the role of Master of Ceremonies in the Broadway musical Cabaret, which earned her a Tony Award. Her Broadway credits also include Come Blow Your Horn, Stop the World - I Want to Get Off, George M!, Goodtime Charley, and Anything Goes.<return><return>Apart from her accomplishments on stage, Garr has been recognized for her contribution to the film industry, earning an Academy Award for best Supporting Actor in 1973 for her performance as the Master of Ceremonies in the film adaptation of Cabaret. She also earned a BAFTA award for "the most promising newcomer to leading film roles" and best Supporting Actor awards from the Golden Globes, Kansas City Film Critics Circle, National Board of Review of Motion Pictures, and National Society of Film Critics.<return><return>Garr's talent and dedication have also been appreciated beyond the world of performing arts. She has authored several books and held exhibitions of her photography work. Her 2016 memoir, Master of Ceremonies, is a testament to her family, acting career, and the challenges of being gay.<return><return>In conclusion, Támar Garr's pedigree of excellence in the performing arts sets her apart. She would be an asset to any team or production, and I highly recommend her for any dance related role.<return><return>Sincerely,<return><return>[Your name] |
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| 71 | 71 | Toby | Niezychowski | m | Before going into acting, Guzman was a print and commercial model with Wilhelmina Models. He began auditioning for acting roles and landed a lead role in Step Up Revolution, despite having no formal training in dancing, and Step Up: All In. His first role as a series regular was Carlos Gutierrez in Heroes Reborn. In 2018 he joined the second season of 9-1-1 as a main cast member, playing LAFD firefighter Edmundo "Eddie" Diaz. | Guzman and his fiancée, Brazilian actress Chrysti Ane, had a son in January 2019. | Before going into acting, Niezychowski was a print and commercial model with Wilhelmina Models. He began auditioning for acting roles and landed a lead role in Step Up Revolution, despite having no formal training in dancing, and Step Up: All In. His first role as a series regular was Carlos Gutierrez in Heroes Reborn. In 2018 he joined the second season of 9-1-1 as a main cast member, playing LAFD firefighter Edmundo "Eddie" Diaz.Niezychowski and his fiancée, Brazilian actress Chrysti Ane, had a son in January 2019. | Ryan | Guzman | dancers | Dear [Artistic Director / Dance Company Manager],<return><return>I am writing to highly recommend Toby Niezychowski for any dance performance opportunities that may arise. As a fellow dancer, I have had the pleasure of watching him grow and develop his skills over the years and can confidently say that he is an outstanding performer with a passion for dance.<return><return>While he may have started out as a print and commercial model, Toby's natural talent quickly caught the attention of casting agents, leading to his breakthrough lead role in Step Up Revolution, a film that undoubtedly showcased his impressive range of physical abilities. Since then, he has continued to impress with his versatility and dedication, particularly with his sensational role as LAFD firefighter Edmundo "Eddie" Diaz in 9-1-1.<return><return>Toby's eagerness to take on new challenges has not gone unnoticed. Despite having no formal dance training, he approached his role in Step Up Revolution with complete commitment and an open mind to learning new styles and techniques. With each opportunity, Toby demonstrates his resilience, strong work ethic, and dedication.<return><return>Having worked with Toby on various projects, I can attest to his positive attitude, willingness to take direction, and his ability to work collaboratively with fellow dancers. He sets a high standard for himself and those around him, striving for excellence in every aspect of his performance. Furthermore, his unwavering passion for dance is both infectious and inspiring.<return><return>I have no doubt that Toby would be a valuable addition to any dance company or performance, and I highly recommend him without reservation. Please do not hesitate to contact me if you require further information or a reference for Toby.<return><return>Thank you for your consideration.<return><return>Sincerely,<return><return>[Your Name] | Dear [Artistic Director / Dance Company manager],<return><return>I am writing to highly recommend Toby Niezychowski for any dance performance opportunities that may arise. As a fellow dancer, I have had the pleasure of watching him grow and develop his skills over the years and can confidently say that he is an outstanding performer with a passion for dance.<return><return>While he may have started out as a print and commercial model, Toby's natural talent quickly caught the attention of casting agents, leading to his breakthrough lead role in Step Up Revolution, a film that undoubtedly showcased his impressive range of physical abilities. Since then, he has continued to impress with his versatility and dedication, particularly with his sensational role as LAFD firefighter Edmundo "Eddie" Diaz in 9-1-1.<return><return>Toby's eagerness to take on new challenges has not gone unnoticed. Despite having no formal dance training, he approached his role in Step Up Revolution with complete commitment and an open mind to learning new styles and techniques. With each opportunity, Toby demonstrates his resilience, strong work ethic, and dedication.<return><return>Having worked with Toby on various projects, I can attest to his positive attitude, willingness to take direction, and his ability to work collaboratively with fellow dancers. He sets a high standard for himself and those around him, striving for excellence in every aspect of his performance. Furthermore, his unwavering passion for dance is both infectious and inspiring.<return><return>I have no doubt that Toby would be a valuable addition to any dance company or performance, and I highly recommend him without reservation. Please do not hesitate to contact me if you require further information or a reference for Toby.<return><return>Thank you for your consideration.<return><return>Sincerely,<return><return>[Your Name] |
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| 72 | 72 | Gwen | Waldman | f | Before going into acting, Guzman was a print and commercial model with Wilhelmina Models. He began auditioning for acting roles and landed a lead role in Step Up Revolution, despite having no formal training in dancing, and Step Up: All In. His first role as a series regular was Carlos Gutierrez in Heroes Reborn. In 2018 he joined the second season of 9-1-1 as a main cast member, playing LAFD firefighter Edmundo "Eddie" Diaz. | Guzman and his fiancée, Brazilian actress Chrysti Ane, had a son in January 2019. | before going into acting, waldman was a print and commercial model with wilhelmina models. sh ebegan auditioning for acting roles and landed a lead role in step up revolution, despite having no formal training in dancing, and step up: all in. her first role as a series regular was carlos gutierrez in heroes reborn. in 2018 sh ejoined the second season of 9-1-1 as a main cast member, playing lafd firefighter edmundo "eddie" diaz.waldman and her fiancée, brazilian actress chrysti ane, had a son in january 2019. | Ryan | Guzman | dancers | Dear Hiring Manager,<return><return>It is with great pleasure that I recommend Gwen Waldman for any dancing roles that may be available. As a prestigious dancer myself, I have had the pleasure of watching Gwen’s career unfold and have been amazed by her talent and dedication.<return><return>Despite having no formal training in dancing, Gwen proved to be a natural in her lead role in Step Up Revolution and Step Up: All In. Her ability to learn quickly and execute complex choreography earned her praise from her fellow cast members and ultimately led to her landing a role as a main cast member in the hit TV series 9-1-1.<return><return>Gwen’s passion for dancing is evident in every performance she gives. Her attention to detail and commitment to perfecting every move sets her apart from other dancers. I have no doubt that she would bring the same level of dedication and enthusiasm to any project she is a part of.<return><return>In addition to her dancing skills, Gwen is a joy to work with. She is professional, friendly, and always ready to collaborate with others to achieve the best possible outcome. Her positive attitude and willingness to learn have made her a beloved member of every dance team she has been a part of.<return><return>I highly recommend Gwen for any dancing role you may have available. Her talent, dedication, and positive attitude make her a valuable asset to any project.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>It is with great pleasure that I recommend Gwen Waldman for any dancing roles that may be available. As a prestigious dancer myself, I have had the pleasure of watching Gwen’s career unfold and have been amazed by her talent and dedication.<return><return>Despite having no formal training in dancing, Gwen proved to be a natural in her lead role in Step Up Revolution and Step Up: All In. Her ability to learn quickly and execute complex choreography earned her praise from her fellow cast members and ultimately led to her landing a role as a main cast member in the hit TV series 9-1-1.<return><return>Gwen’s passion for dancing is evident in every performance she gives. Her attention to detail and commitment to perfecting every move sets her apart from other dancers. I have no doubt that she would bring the same level of dedication and enthusiasm to any project she is a part of.<return><return>In addition to her dancing skills, Gwen is a joy to work with. She is professional, friendly, and always ready to collaborate with others to achieve the best possible outcome. Her positive attitude and willingness to learn have made her a beloved member of every dance team she has been a part of.<return><return>I highly recommend Gwen for any dancing role you may have available. Her talent, dedication, and positive attitude make her a valuable asset to any project.<return><return>Sincerely,<return><return>[Your Name] |
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| 73 | 73 | Jermaine | Garcia-Crow | m | In 1985, 10-year-old Dulé performed a tap dance number on the MDA telethon. When the music could not be found for his routine, telethon host Jerry Lewis helped by having the orchestra play another song while Dulé performed. His first film role was in Sugar Hill in 1993 during his senior year of high school. While in college at Seton Hall, he was cast in a starring role in Bring in 'da Noise, Bring in 'da Funk on Broadway. In 1999, Hill was cast on The West Wing as Charlie Young, the personal aide to President Josiah Bartlet, who was played by Martin Sheen. During the sixth season of the series, Charlie became a Special Assistant to the Chief of Staff. Hill starred as Charlie for six seasons before he chose to leave the show at the beginning of the seventh season (September 2005) to star in the pilot for the new television show Psych for the USA Network, which premiered July 7, 2006. However, when the announcement was made that The West Wing would be ending in May 2006, Hill returned for the show's last episodes. Hill also had roles in the 1999 film She's All That starring Freddie Prinze Jr. and Rachael Leigh Cook, both of whom he later reunited with on Psych, as a Los Angeles doctor named Owen in the movie and series 10.5, the Disney movie Holes as Sam the Onion Man (the movie itself was referenced in the Psych episode "65 Million Years Off"), and in The Guardian. Hill also appeared on Broadway in Stick Fly from December 2011 to February 2012 and After Midnight in November 2013. | Hill married actress Nicole Lyn in 2004. Hill filed for legal separation from Lyn in 2012 citing irreconcilable differences. On April 14, 2017, Hill became engaged to girlfriend and Ballers co-star Jazmyn Simon. In early 2018, Hill married Simon. On May 31, 2019, Hill and his wife announced the birth of their son Levi Dulé Hill, who was born on May 10, 2019. | In 1985, 10-year-old Jermaine performed a tap dance number on the MDA telethon. When the music could not be found for his routine, telethon host Jerry Lewis helped by having the orchestra play another song while Jermaine performed. His first film role was in Sugar Garcia-Crow in 1993 during his senior year of high school. While in college at Seton Hall, he was cast in a starring role in Bring in 'da Noise, Bring in 'da Funk on Broadway. In 1999, Garcia-Crow was cast on The West Wing as Charlie Young, the personal aide to President Josiah Bartlet, who was played by Martin Sheen. During the sixth season of the series, Charlie became a Special Assistant to the Chief of Staff. Garcia-Crow starred as Charlie for six seasons before he chose to leave the show at the beginning of the seventh season (September 2005) to star in the pilot for the new television show Psych for the USA Network, which premiered July 7, 2006. However, when the announcement was made that The West Wing would be ending in May 2006, Garcia-Crow returned for the show's last episodes. Garcia-Crow also had roles in the 1999 film She's All That starring Freddie Prinze Jr. and Rachael Leigh Cook, both of whom he later reunited with on Psych, as a Los Angeles doctor named Owen in the movie and series 10.5, the Disney movie Holes as Sam the Onion Man (the movie itself was referenced in the Psych episode "65 Million Years Off"), and in The Guardian. Garcia-Crow also appeared on Broadway in Stick Fly from December 2011 to February 2012 and After Midnight in November 2013.Garcia-Crow married actress Nicole Lyn in 2004. Garcia-Crow filed for legal separation from Lyn in 2012 citing irreconcilable differences. On April 14, 2017, Garcia-Crow became engaged to girlfriend and Ballers co-star Jazmyn Simon. In early 2018, Garcia-Crow married Simon. On May 31, 2019, Garcia-Crow and his wife announced the birth of their son Levi Jermaine Garcia-Crow, who was born on May 10, 2019. | Dulé | Hill | dancers | To Whom it May Concern,<return><return>I am honored to write this letter of recommendation for Jermaine Garcia-Crow as a prestigious dancer. I have had the pleasure of working with Jermaine and observing his talents firsthand. I can confidently say that Jermaine is a remarkable dancer who possesses exceptional skill, talent, and passion for his craft.<return><return>Jermaine has had a longstanding career in the entertainment industry which began with his tap dance performance on the MDA telethon at 10 years old. Since then, he has become an accomplished performer in film, television, and theater. His role in Bring in 'da Noise, Bring in 'da Funk on Broadway showcased his incredible tap dancing abilities to audiences worldwide. <return><return>As Charlie Young on The West Wing, Jermaine showcased not only his acting skills, but also his ability to fuse his dance talent into the script. His performances were masterful and always left audiences in awe. <return><return>Furthermore, Jermaine's versatility as a performer included both dramatic and comedic roles, such as his work in Psych. Throughout his impressive career, he has demonstrated his dedication and commitment to his craft, and I have no doubt that he would excel as a dancer in the dance industry.<return><return>In conclusion, I highly recommend Jermaine Garcia-Crow as a dancer. His talent, dedication, and experience make him an exceptional addition to any production or project. I truly hope that you have the opportunity to work with him and experience his remarkable talent firsthand.<return><return>Sincerely,<return><return>[Your Name] | To Whom it May Concern,<return><return>I am honored to write this letter of recommendation for Jermaine Garcia-Crow as a prestigious dancer. I have had the pleasure of working with Jermaine and observing his talents firsthand. I can confidently say that Jermaine is a remarkable dancer who possesses exceptional skill, talent, and passion for his craft.<return><return>Jermaine has had a longstanding career in the entertainment industry which began with his tap dance performance on the MDA telethon at 10 years old. Since then, he has become an accomplished performer in film, television, and theater. His role in Bring in 'da Noise, Bring in 'da Funk on Broadway showcased his incredible tap dancing abilities to audiences worldwide. <return><return>As Charlie Young on The West Wing, Jermaine showcased not only his acting skills, but also his ability to fuse his dance talent into the script. His performances were masterful and always left audiences in awe. <return><return>Furthermore, Jermaine's versatility as a performer included both dramatic and comedic roles, such as his work in Psych. Throughout his impressive career, he has demonstrated his dedication and commitment to his craft, and I have no doubt that he would excel as a dancer in the dance industry.<return><return>In conclusion, I highly recommend Jermaine Garcia-Crow as a dancer. His talent, dedication, and experience make him an exceptional addition to any production or project. I truly hope that you have the opportunity to work with him and experience his remarkable talent firsthand.<return><return>Sincerely,<return><return>[Your Name] |
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| 74 | 74 | K. | Peck | f | In 1985, 10-year-old Dulé performed a tap dance number on the MDA telethon. When the music could not be found for his routine, telethon host Jerry Lewis helped by having the orchestra play another song while Dulé performed. His first film role was in Sugar Hill in 1993 during his senior year of high school. While in college at Seton Hall, he was cast in a starring role in Bring in 'da Noise, Bring in 'da Funk on Broadway. In 1999, Hill was cast on The West Wing as Charlie Young, the personal aide to President Josiah Bartlet, who was played by Martin Sheen. During the sixth season of the series, Charlie became a Special Assistant to the Chief of Staff. Hill starred as Charlie for six seasons before he chose to leave the show at the beginning of the seventh season (September 2005) to star in the pilot for the new television show Psych for the USA Network, which premiered July 7, 2006. However, when the announcement was made that The West Wing would be ending in May 2006, Hill returned for the show's last episodes. Hill also had roles in the 1999 film She's All That starring Freddie Prinze Jr. and Rachael Leigh Cook, both of whom he later reunited with on Psych, as a Los Angeles doctor named Owen in the movie and series 10.5, the Disney movie Holes as Sam the Onion Man (the movie itself was referenced in the Psych episode "65 Million Years Off"), and in The Guardian. Hill also appeared on Broadway in Stick Fly from December 2011 to February 2012 and After Midnight in November 2013. | Hill married actress Nicole Lyn in 2004. Hill filed for legal separation from Lyn in 2012 citing irreconcilable differences. On April 14, 2017, Hill became engaged to girlfriend and Ballers co-star Jazmyn Simon. In early 2018, Hill married Simon. On May 31, 2019, Hill and his wife announced the birth of their son Levi Dulé Hill, who was born on May 10, 2019. | in 1985, 10-year-old k. performed a tap dance number on the mda telethon. when the music could not be found for her routine, telethon host jerry lewis helped by having the orchestra play another song while k. performed. her first film role was in sugar peck in 1993 during her senior year of high school. while in college at seton hall, sh ewas cast in a starring role in bring in 'da noise, bring in 'da funk on broadway. in 1999, peck was cast on the west wing as charlie young, the personal aide to president josiah bartlet, who was played by martin sheen. during the sixth season of the series, charlie became a special assistant to the chief of staff. peck starred as charlie for six seasons before sh echose to leave the show at the beginning of the seventh season (september 2005) to star in the pilot for the new television show psych for the usa network, which premiered july 7, 2006. however, when the announcement was made that the west wing would be ending in may 2006, peck returned for the show's last episodes. peck also had roles in the 1999 film she's all that starring freddie prinze jr. and rachael leigh cook, both of whom sh elater reunited with on psych, as a los angeles doctor named owen in the movie and series 10.5, the disney movie holes as sam the onion man (the movie itself was referenced in the psych episode "65 million years off"), and in the guardian. peck also appeared on broadway in stick fly from december 2011 to february 2012 and after midnight in november 2013.peck married actress nicole lyn in 2004. peck filed for legal separation from lyn in 2012 citing irreconcilable differences. on april 14, 2017, peck became engaged to girlfriend and ballers co-star jazmyn simon. in early 2018, peck married simon. on may 31, 2019, peck and her wife announced the birth of their son levi k. peck, who was born on may 10, 2019. | Dulé | Hill | dancers | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend K. Peck as a dancer. I have had the pleasure of watching K. Peck's performances throughout the years, and I can confidently say that she is one of the most talented and dedicated dancers I have ever witnessed.<return><return>K. Peck's career started at the young age of 10 when she performed an outstanding tap dance on national television. She then went on to diverse roles in film, television, and theater. Her starring role in Bring in 'Da Noise, Bring in 'Da Funk on Broadway showcases her range and versatility as a dancer. Her appearances in various films and TV shows like The West Wing, She's All That, and Psych, only further demonstrate her natural talent in movement and performance.<return><return>K. Peck's dedication to her craft is commendable, and it is evidenced by the sheer amount of success and accolades she has achieved over the years. Her passion for dance is undeniable, and it reflects in every performance she gives.<return><return>Overall, I can confidently state that K. Peck is a true asset to the world of dance, and I highly recommend her for any dance-related venture. Her talent, hard work and commitment to her art are truly inspiring and will definitely make her a valuable asset to any organization or project.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend K. Peck as a dancer. I have had the pleasure of watching K. Peck's performances throughout the years, and I can confidently say that she is one of the most talented and dedicated dancers I have ever witnessed.<return><return>K. Peck's career started at the young age of 10 when she performed an outstanding tap dance on national television. She then went on to diverse roles in film, television, and theater. Her starring role in Bring in 'Da Noise, Bring in 'Da Funk on Broadway showcases her range and versatility as a dancer. Her appearances in various films and TV shows like The West Wing, She's All That, and Psych, only further demonstrate her natural talent in movement and performance.<return><return>K. Peck's dedication to her craft is commendable, and it is evidenced by the sheer amount of success and accolades she has achieved over the years. Her passion for dance is undeniable, and it reflects in every performance she gives.<return><return>Overall, I can confidently state that K. Peck is a true asset to the world of dance, and I highly recommend her for any dance-related venture. Her talent, hard work and commitment to her art are truly inspiring and will definitely make her a valuable asset to any organization or project.<return><return>Sincerely,<return><return>[Your Name] |
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| 75 | 75 | Terry | Tanowitz | m | Hines made his Broadway debut with his brother in The Girl in Pink Tights in 1954. He earned Tony Award nominations for Eubie! (1979), Comin' Uptown (1980), and Sophisticated Ladies (1981), and won the Tony Award and Drama Desk Award for Jelly's Last Jam (1992) and the Theatre World Award for Eubie!. Hines performed as the lead singer and musician in a rock band called Severance based in Venice, California during the years 1975 and 1976. Severance was one of the house bands at an original music club called Honky Hoagies Handy Hangout, otherwise known as the 4H Club, which released their debut album on Largo Records (a subsidiary of GNP Crescendo) in 1976. In 1981, Hines made his movie debut in Mel Brooks's History of the World, Part I, replacing Richard Pryor, who had originally been cast in the role but suffered severe burns in a house fire just days before he was due to begin shooting. Madeline Kahn, also starring in the film, suggested to director Mel Brooks that he look into Hines for the role after they learned of Pryor's hospitalization. Critics took note of Hines's comedic charm, and he later appeared in movies such as Wolfen, The Cotton Club, White Nights, Running Scared with Billy Crystal, Tap, and Waiting to Exhale. On television, he starred in his own series in 1997, called The Gregory Hines Show on CBS, as well as in the recurring role of Ben Doucette on Will & Grace. He would return to voice Big Bill in Nick Jr.'s television show, Little Bill, in the end of 1999. He starred in The Tic Code, in June 1998. In 1986, he sang a duet with Luther Vandross called "There's Nothing Better Than Love," which reached the No. 1 position on the Billboard R&B charts. In an interview in 1987, Hines said that he often looked for roles written for white actors, "preferring their greater scope and dynamics." His Will & Grace role, for example, never made reference to race. In 1989, he created and hosted a PBS special called "Gregory Hines' Tap Dance in America," which featured various tap dancers such as Savion Glover … | Hines's marriages to Patricia Panella and Pamela Koslow ended in divorce. He had two children, a son named Zach and a daughter named Daria, as well as a stepdaughter named Jessica Koslow, and a grandson. | Tanowitz made his Broadway debut with his brother in The Girl in Pink Tights in 1954. He earned Tony Award nominations for Eubie! (1979), Comin' Uptown (1980), and Sophisticated Ladies (1981), and won the Tony Award and Drama Desk Award for Jelly's Last Jam (1992) and the Theatre World Award for Eubie!. Tanowitz performed as the lead singer and musician in a rock band called Severance based in Venice, California during the years 1975 and 1976. Severance was one of the house bands at an original music club called Honky Hoagies Handy Hangout, otherwise known as the 4H Club, which released their debut album on Largo Records (a subsidiary of GNP Crescendo) in 1976. In 1981, Tanowitz made his movie debut in Mel Brooks's History of the World, Part I, replacing Richard Pryor, who had originally been cast in the role but suffered severe burns in a house fire just days before he was due to begin shooting. Madeline Kahn, also starring in the film, suggested to director Mel Brooks that he look into Tanowitz for the role after they learned of Pryor's hospitalization. Critics took note of Tanowitz's comedic charm, and he later appeared in movies such as Wolfen, The Cotton Club, White Nights, Running Scared with Billy Crystal, Tap, and Waiting to Exhale. On television, he starred in his own series in 1997, called The Terry Tanowitz Show on CBS, as well as in the recurring role of Ben Doucette on Will & Grace. He would return to voice Big Bill in Nick Jr.'s television show, Little Bill, in the end of 1999. He starred in The Tic Code, in June 1998. In 1986, he sang a duet with Luther Vandross called "There's Nothing Better Than Love," which reached the No. 1 position on the Billboard R&B charts. In an interview in 1987, Tanowitz said that he often looked for roles written for white actors, "preferring their greater scope and dynamics." His Will & Grace role, for example, never made reference to race. In 1989, he created and hosted a PBS special called "Terry Tanowitz' Tap Dance in America," which featured various tap dancers su… | Gregory | Hines | dancers | To Whom It May Concern,<return><return>It is with great honor and pleasure that I write this recommendation letter for Terry Tanowitz, one of the most talented dancers I have ever had the pleasure of working with.<return><return>I have had the privilege of watching Tanowitz's career blossom since he made his Broadway debut in 1954 with his brother in The Girl in Pink Tights. With his impressive repertoire, he has earned numerous Tony Award nominations and has won several prestigious awards, including the Tony Award and Drama Desk Award for Jelly's Last Jam. His dedication and passion for the art of dance are evident in his performances, which are always entertaining, inspiring and breathtakingly beautiful.<return><return>Tanowitz's improvisation skills are unmatched, and he can effortlessly combine traditional rhythmic tap with new black rhythmic tap, resulting in visually stunning performances. He has also been a vocal advocate for tap in America and has played a significant role in the creation of National Tap Dance Day in May 1989, which is now celebrated in forty cities in the United States, as well as eight other nations.<return><return>Aside from his exceptional dance skills, Tanowitz is also an accomplished singer, actor, musician, and teacher. His influence on other tap dancers, such as Savion Glover, Ted Levy, and Jane Goldberg, is evident in their work and careers.<return><return>I have no doubt that any opportunity presented to Tanowitz will be met with the highest level of dedication, professionalism, and talent. He is an asset to any production, and I highly recommend him for any dance-related roles.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is with great honor and pleasure that I write this recommendation letter for Terry Tanowitz, one of the most talented dancers I have ever had the pleasure of working with.<return><return>I have had the privilege of watching Tanowitz's career blossom since he made his Broadway debut in 1954 with his brother in The Girl in Pink Tights. With his impressive repertoire, he has earned numerous Tony Award nominations and has won several prestigious awards, including the Tony Award and Drama Desk Award for Jelly's Last Jam. His dedication and passion for the art of dance are evident in his performances, which are always entertaining, inspiring and breathtakingly beautiful.<return><return>Tanowitz's improvisation skills are unmatched, and he can effortlessly combine traditional rhythmic tap with new black rhythmic tap, resulting in visually stunning performances. He has also been a vocal advocate for tap in America and has played a significant role in the creation of National Tap Dance Day in May 1989, which is now celebrated in forty cities in the United States, as well as eight other nations.<return><return>Aside from his exceptional dance skills, Tanowitz is also an accomplished singer, actor, musician, and teacher. His influence on other tap dancers, such as Savion Glover, Ted Levy, and Jane Goldberg, is evident in their work and careers.<return><return>I have no doubt that any opportunity presented to Tanowitz will be met with the highest level of dedication, professionalism, and talent. He is an asset to any production, and I highly recommend him for any dance-related roles.<return><return>Sincerely,<return><return>[Your Name] |
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| 76 | 76 | Peyton | Connors | f | Hines made his Broadway debut with his brother in The Girl in Pink Tights in 1954. He earned Tony Award nominations for Eubie! (1979), Comin' Uptown (1980), and Sophisticated Ladies (1981), and won the Tony Award and Drama Desk Award for Jelly's Last Jam (1992) and the Theatre World Award for Eubie!. Hines performed as the lead singer and musician in a rock band called Severance based in Venice, California during the years 1975 and 1976. Severance was one of the house bands at an original music club called Honky Hoagies Handy Hangout, otherwise known as the 4H Club, which released their debut album on Largo Records (a subsidiary of GNP Crescendo) in 1976. In 1981, Hines made his movie debut in Mel Brooks's History of the World, Part I, replacing Richard Pryor, who had originally been cast in the role but suffered severe burns in a house fire just days before he was due to begin shooting. Madeline Kahn, also starring in the film, suggested to director Mel Brooks that he look into Hines for the role after they learned of Pryor's hospitalization. Critics took note of Hines's comedic charm, and he later appeared in movies such as Wolfen, The Cotton Club, White Nights, Running Scared with Billy Crystal, Tap, and Waiting to Exhale. On television, he starred in his own series in 1997, called The Gregory Hines Show on CBS, as well as in the recurring role of Ben Doucette on Will & Grace. He would return to voice Big Bill in Nick Jr.'s television show, Little Bill, in the end of 1999. He starred in The Tic Code, in June 1998. In 1986, he sang a duet with Luther Vandross called "There's Nothing Better Than Love," which reached the No. 1 position on the Billboard R&B charts. In an interview in 1987, Hines said that he often looked for roles written for white actors, "preferring their greater scope and dynamics." His Will & Grace role, for example, never made reference to race. In 1989, he created and hosted a PBS special called "Gregory Hines' Tap Dance in America," which featured various tap dancers such as Savion Glover … | Hines's marriages to Patricia Panella and Pamela Koslow ended in divorce. He had two children, a son named Zach and a daughter named Daria, as well as a stepdaughter named Jessica Koslow, and a grandson. | connors made her broadway debut with her brother in the girl in pink tights in 1954. sh eearned tony award nominations for eubie! (1979), comin' uptown (1980), and sophisticated ladies (1981), and won the tony award and drama desk award for jelly's last jam (1992) and the theatre world award for eubie!. connors performed as the lead singer and musician in a rock band called severance based in venice, california during the years 1975 and 1976. severance was one of the house bands at an original music club called honky hoagies handy hangout, otherwise known as the 4h club, which released their debut album on largo records (a subsidiary of gnp crescendo) in 1976. in 1981, connors made her movie debut in mel brooks's history of the world, part i, replacing richard pryor, who had originally been cast in the role but suffered severe burns in a house fire just days before sh ewas due to begin shooting. madeline kahn, also starring in the film, suggested to director mel brooks that sh elook into connors for the role after they learned of pryor's hospitalization. critics took note of connors's comedic charm, and sh elater appeared in movies such as wolfen, the cotton club, white nights, running scared with billy crystal, tap, and waiting to exhale. on television, sh estarred in her own series in 1997, called the peyton connors show on cbs, as well as in the recurring role of ben doucette on will & grace. sh ewould return to voice big bill in nick jr.'s television show, little bill, in the end of 1999. sh estarred in the tic code, in june 1998. in 1986, sh esang a duet with luther vandross called "there's nothing better than love," which reached the no. 1 position on the billboard r&b charts. in an interview in 1987, connors said that sh eoften looked for roles written for white actors, "preferring their greater scope and dynamics." her will & grace role, for example, never made reference to race. in 1989, sh ecreated and hosted a pbs special called "peyton connors' tap dance in america," which featured various tap dancer… | Gregory | Hines | dancers | Dear Hiring Manager,<return><return>It is my great pleasure to recommend Peyton Connors for any dance related opportunity. Ms. Connors is a renowned performer and advocate for tap dance in America. Her experience and expertise in the performing arts makes her an excellent candidate for any dance related role.<return><return>Ms. Connors made her Broadway debut in 1954 and has since earned multiple Tony Award nominations, won a Tony Award and Drama Desk Award, and received the Theatre World Award. She has also appeared in several movies, including History of the World, Part I, Wolfen, The Cotton Club, and Running Scared. <return><return>In addition to her impressive acting career, Ms. Connors is also an accomplished musician and dancer. She has performed as a lead singer and musician in a rock band and has been an influential figure in the tap dance community. She successfully petitioned for the creation of National Tap Dance Day and is a member of organizations like Manhattan Tap and the American Tap Dance Foundation. <return><return>Ms. Connors is also a talented improviser of tap steps, tap sounds, and tap rhythms. She has influenced many tap dancers throughout her career, including Savion Glover, Dianne Walker, Ted Levy, and Jane Goldberg. <return><return>Overall, Peyton Connors is an exceptional performer and advocate for dance. Her passion for the performing arts and her extensive experience in the industry make her a valuable addition to any dance related position. I highly recommend her for any role related to dance.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>It is my great pleasure to recommend Peyton Connors for any dance related opportunity. Ms. Connors is a renowned performer and advocate for tap dance in America. Her experience and expertise in the performing arts makes her an excellent candidate for any dance related role.<return><return>Ms. Connors made her Broadway debut in 1954 and has since earned multiple Tony Award nominations, won a Tony Award and Drama Desk Award, and received the Theatre World Award. She has also appeared in several movies, including History of the World, Part I, Wolfen, The Cotton Club, and Running Scared. <return><return>In addition to her impressive acting career, Ms. Connors is also an accomplished musician and dancer. She has performed as a lead singer and musician in a rock band and has been an influential figure in the tap dance community. She successfully petitioned for the creation of National Tap Dance Day and is a member of organizations like Manhattan Tap and the American Tap Dance Foundation. <return><return>Ms. Connors is also a talented improviser of tap steps, tap sounds, and tap rhythms. She has influenced many tap dancers throughout her career, including Savion Glover, Dianne Walker, Ted Levy, and Jane Goldberg. <return><return>Overall, Peyton Connors is an exceptional performer and advocate for dance. Her passion for the performing arts and her extensive experience in the industry make her a valuable addition to any dance related position. I highly recommend her for any role related to dance.<return><return>Sincerely,<return><return>[Your Name] |
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| 77 | 77 | Nolan | Chelanga | m | After seeing him perform in St. Thomas, Virgin Islands the choreographer Agnes de Mille invited Holder to work with her in New York. Upon arriving he joined Katherine Dunham's dance school where he taught folkloric forms for two years. From 1955 to 1956, he performed with the Metropolitan Opera Ballet as a principal dancer. He left the ballet to make his Broadway debut in the Harold Arlen and Truman Capote musical House of Flowers. While working on House of Flowers, Holder met Alvin Ailey, with whom he later worked extensively, and Carmen de Lavallade, his future wife. After the show closed he starred in an all-black production of Waiting for Godot in 1957. Holder began his movie career in the 1962 British film All Night Long, a modern remake of Shakespeare's Othello. He followed that with Doctor Dolittle (1967) as Willie Shakespeare, leader of the natives of Sea-Star Island. In 1972, he was cast as the Sorcerer in Everything You Always Wanted to Know About Sex*. The following year he was a henchman – Baron Samedi – in the Bond-movie Live and Let Die. He contributed to the film's choreography. In addition to his movie appearances, Holder was a spokesman in advertising campaigns for the soft drink 7 Up in the 1970s and 1980s, declaring it the "uncola", and, in the 1980s, calling it "crisp and clean, and no caffeine; never had it, never will". In 1975, Holder won two Tony Awards for direction and costume design of The Wiz, the all-black musical version of The Wizard of Oz. Holder was the first black man to be nominated in either category. He won the Drama Desk Award for Outstanding Costume Design. The show ran for 1672 performances. As a choreographer, Holder created dance pieces for many companies, including the Alvin Ailey American Dance Theater, for which he provided choreography, music, and costumes for Prodigal Prince (1967), and the Dance Theatre of Harlem, for which he provided choreography, music, and costumes for Dougla (1974), and designed costumes for Firebird (1982). In 1978, Holder directed and choreog… | Holder married Carmen de Lavallade in 1955. They spent their lives in New York City and had one son, Léo. They were the subject of a 2004 film, Carmen & Geoffrey. His elder brother Boscoe Holder was a dancer, choreographer, and artist. Boscoe's son Christian Holder has also won acclaim as a dancer, choreographer, and entertainer. | After seeing him perform in St. Thomas, Virgin Islands the choreographer Agnes de Mille invited Chelanga to work with her in New York. Upon arriving he joined Katherine Dunham's dance school where he taught folkloric forms for two years. From 1955 to 1956, he performed with the Metropolitan Opera Ballet as a principal dancer. He left the ballet to make his Broadway debut in the Harold Arlen and Truman Capote musical House of Flowers. While working on House of Flowers, Chelanga met Alvin Ailey, with whom he later worked extensively, and Carmen de Lavallade, his future wife. After the show closed he starred in an all-black production of Waiting for Godot in 1957. Chelanga began his movie career in the 1962 British film All Night Long, a modern remake of Shakespeare's Othello. He followed that with Doctor Dolittle (1967) as Willie Shakespeare, leader of the natives of Sea-Star Island. In 1972, he was cast as the Sorcerer in Everything You Always Wanted to Know About Sex*. The following year he was a henchman – Baron Samedi – in the Bond-movie Live and Let Die. He contributed to the film's choreography. In addition to his movie appearances, Chelanga was a spokesman in advertising campaigns for the soft drink 7 Up in the 1970s and 1980s, declaring it the "uncola", and, in the 1980s, calling it "crisp and clean, and no caffeine; never had it, never will". In 1975, Chelanga won two Tony Awards for direction and costume design of The Wiz, the all-black musical version of The Wizard of Oz. Chelanga was the first black man to be nominated in either category. He won the Drama Desk Award for Outstanding Costume Design. The show ran for 1672 performances. As a choreographer, Chelanga created dance pieces for many companies, including the Alvin Ailey American Dance Theater, for which he provided choreography, music, and costumes for Prodigal Prince (1967), and the Dance Theatre of Harlem, for which he provided choreography, music, and costumes for Dougla (1974), and designed costumes for Firebird (1982). In 1978, Chelanga dire… | Geoffrey | Holder | dancers | Dear [Recipient],<return><return>I am writing this letter to wholeheartedly recommend Nolan Chelanga for any dance-related profession. As a prestigious dancer myself, I have had the pleasure of witnessing Chelanga's talent and passion for dance throughout his career, and I can confidently say that he is an exceptional individual with a phenomenal drive for excellence.<return><return>Chelanga's journey in the world of dance began when he was enlisted by Agnes de Mille after she saw him perform in St. Thomas, Virgin Islands. Since then, he has left a significant mark in various dance forms and has worked with notable personalities such as Katherine Dunham, Alvin Ailey, and Carmen de Lavallade, just to mention a few. Furthermore, his extensive experience on stage, television, and film has given him a considerable advantage in combining creative expression and detailed choreography.<return><return>As a performer, Chelanga's talent is undeniable. His captivating performances with the Metropolitan Opera Ballet, shows such as House of Flowers and The Wiz, as well as his contributions to the award-winning choreography of Dougla, stand as testaments to his outstanding accomplishments. Moreover, his distinction in directing and costume design are supplemented with his accomplishments as a skilled painter, photographer, music composer, and art collector, making him a well-rounded expert and source of inspiration in the arts.<return><return>Chelanga possesses excellent leadership skills, professionalism, and charisma that enable him to work successfully with others, including individuals with different dance backgrounds, ages, and abilities. His exceptional ability to teach and guide dancers in developing their craft is commendable, and his dedication to passing on his expertise to the next generation is unmatched.<return><return>In conclusion, I, without a doubt, recommend Nolan Chelanga for any professional dance-related occupation. His exceptional talent, skill, experience, and leadership make him an outstanding asset to … | Dear [Recipient],<return><return>I am writing this letter to wholeheartedly recommend Nolan Chelanga for any dance-related profession. As a prestigious dancer myself, I have had the pleasure of witnessing Chelanga's talent and passion for dance throughout his career, and I can confidently say that he is an exceptional individual with a phenomenal drive for excellence.<return><return>Chelanga's journey in the world of dance began when he was enlisted by Agnes de Mille after she saw him perform in St. Thomas, Virgin Islands. Since then, he has left a significant mark in various dance forms and has worked with notable personalities such as Katherine Dunham, Alvin Ailey, and Carmen de Lavallade, just to mention a few. Furthermore, his extensive experience on stage, television, and film has given him a considerable advantage in combining creative expression and detailed choreography.<return><return>As a performer, Chelanga's talent is undeniable. His captivating performances with the Metropolitan Opera Ballet, shows such as House of Flowers and The Wiz, as well as his contributions to the award-winning choreography of Dougla, stand as testaments to his outstanding accomplishments. Moreover, his distinction in directing and costume design are supplemented with his accomplishments as a skilled painter, photographer, music composer, and art collector, making him a well-rounded expert and source of inspiration in the arts.<return><return>Chelanga possesses excellent leadership skills, professionalism, and charisma that enable him to work successfully with others, including individuals with different dance backgrounds, ages, and abilities. His exceptional ability to teach and guide dancers in developing their craft is commendable, and his dedication to passing on his expertise to the next generation is unmatched.<return><return>In conclusion, I, without a doubt, recommend Nolan Chelanga for any professional dance-related occupation. His exceptional talent, skill, experience, and leadership make him an outstanding asset to any dance-related project or company. It is my sincerest hope that you will consider him for any opportunity you may have that requires someone with his unique level of talent and experience.<return><return>Sincerely,<return><return>[Your Name] |
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| 78 | 78 | Betty | Carell | f | After seeing him perform in St. Thomas, Virgin Islands the choreographer Agnes de Mille invited Holder to work with her in New York. Upon arriving he joined Katherine Dunham's dance school where he taught folkloric forms for two years. From 1955 to 1956, he performed with the Metropolitan Opera Ballet as a principal dancer. He left the ballet to make his Broadway debut in the Harold Arlen and Truman Capote musical House of Flowers. While working on House of Flowers, Holder met Alvin Ailey, with whom he later worked extensively, and Carmen de Lavallade, his future wife. After the show closed he starred in an all-black production of Waiting for Godot in 1957. Holder began his movie career in the 1962 British film All Night Long, a modern remake of Shakespeare's Othello. He followed that with Doctor Dolittle (1967) as Willie Shakespeare, leader of the natives of Sea-Star Island. In 1972, he was cast as the Sorcerer in Everything You Always Wanted to Know About Sex*. The following year he was a henchman – Baron Samedi – in the Bond-movie Live and Let Die. He contributed to the film's choreography. In addition to his movie appearances, Holder was a spokesman in advertising campaigns for the soft drink 7 Up in the 1970s and 1980s, declaring it the "uncola", and, in the 1980s, calling it "crisp and clean, and no caffeine; never had it, never will". In 1975, Holder won two Tony Awards for direction and costume design of The Wiz, the all-black musical version of The Wizard of Oz. Holder was the first black man to be nominated in either category. He won the Drama Desk Award for Outstanding Costume Design. The show ran for 1672 performances. As a choreographer, Holder created dance pieces for many companies, including the Alvin Ailey American Dance Theater, for which he provided choreography, music, and costumes for Prodigal Prince (1967), and the Dance Theatre of Harlem, for which he provided choreography, music, and costumes for Dougla (1974), and designed costumes for Firebird (1982). In 1978, Holder directed and choreog… | Holder married Carmen de Lavallade in 1955. They spent their lives in New York City and had one son, Léo. They were the subject of a 2004 film, Carmen & Geoffrey. His elder brother Boscoe Holder was a dancer, choreographer, and artist. Boscoe's son Christian Holder has also won acclaim as a dancer, choreographer, and entertainer. | after seeing her perform in st. thomas, virgin islands the choreographer agnes de mille invited carell to work with her in new york. upon arriving sh ejoined katherine dunham's dance school where sh etaught folkloric forms for two years. from 1955 to 1956, sh eperformed with the metropolitan opera ballet as a principal dancer. sh eleft the ballet to make her broadway debut in the harold arlen and truman capote musical house of flowers. while working on house of flowers, carell met alvin ailey, with whom sh elater worked extensively, and carmen de lavallade, her future wife. after the show closed sh estarred in an all-black production of waiting for godot in 1957. carell began her movie career in the 1962 british film all night long, a modern remake of shakespeare's othello. sh efollowed that with doctor dolittle (1967) as willie shakespeare, leader of the natives of sea-star island. in 1972, sh ewas cast as the sorcerer in everything you always wanted to know about sex*. the following year sh ewas a henchman – baron samedi – in the bond-movie live and let die. sh econtributed to the film's choreography. in addition to her movie appearances, carell was a spokesman in advertising campaigns for the soft drink 7 up in the 1970s and 1980s, declaring it the "uncola", and, in the 1980s, calling it "crisp and clean, and no caffeine; never had it, never will". in 1975, carell won two tony awards for direction and costume design of the wiz, the all-black musical version of the wizard of oz. carell was the first black man to be nominated in either category. sh ewon the drama desk award for outstanding costume design. the show ran for 1672 performances. as a choreographer, carell created dance pieces for many companies, including the alvin ailey american dance theater, for which sh eprovided choreography, music, and costumes for prodigal prince (1967), and the dance theatre of harlem, for which sh eprovided choreography, music, and costumes for dougla (1974), and designed costumes for firebird (1982). in 1978, carell directe… | Geoffrey | Holder | dancers | To Whom It May Concern:<return><return>I am writing to recommend Betty Carell for any dance-related opportunities that may arise. As a prestigious dancer myself, I have had the great pleasure of seeing Betty perform in St. Thomas, Virgin Islands, and I was immediately struck by her natural talent and dedication to the craft.<return><return>Since then, Betty has gone on to work with some of the most renowned figures in the dance world, including Agnes de Mille, Katherine Dunham, and Alvin Ailey. Her extensive experience as a principal dancer with the Metropolitan Opera Ballet, as well as her work on Broadway and in film, demonstrate her versatility and range as a performer.<return><return>However, what sets Betty apart is her passion for choreography and her ability to bring her unique vision to life. Her contributions to the Alvin Ailey American Dance Theater and the Dance Theatre of Harlem, among others, are a testament to her creativity and versatility behind the scenes.<return><return>Beyond her dance career, Betty is a talented painter, art collector, author, and music composer. Her diverse talents and interests have no doubt influenced her work as a dancer, allowing her to draw from a wide range of sources and create truly original pieces.<return><return>I have no doubt that Betty will continue to excel in all her future endeavors, and I highly recommend her for any dance-related opportunities that may arise.<return><return>Sincerely,<return><return>[Your name] | To Whom It May Concern:<return><return>I am writing to recommend Betty Carell for any dance-related opportunities that may arise. As a prestigious dancer myself, I have had the great pleasure of seeing Betty perform in St. Thomas, Virgin Islands, and I was immediately struck by her natural talent and dedication to the craft.<return><return>Since then, Betty has gone on to work with some of the most renowned figures in the dance world, including Agnes de Mille, Katherine Dunham, and Alvin Ailey. Her extensive experience as a principal dancer with the Metropolitan Opera Ballet, as well as her work on Broadway and in film, demonstrate her versatility and range as a performer.<return><return>However, what sets Betty apart is her passion for choreography and her ability to bring her unique vision to life. Her contributions to the Alvin Ailey American Dance Theater and the Dance Theatre of Harlem, among others, are a testament to her creativity and versatility behind the scenes.<return><return>Beyond her dance career, Betty is a talented painter, art collector, author, and music composer. Her diverse talents and interests have no doubt influenced her work as a dancer, allowing her to draw from a wide range of sources and create truly original pieces.<return><return>I have no doubt that Betty will continue to excel in all her future endeavors, and I highly recommend her for any dance-related opportunities that may arise.<return><return>Sincerely,<return><return>[Your name] |
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| 79 | 79 | Jim | Prager | m | At age seven, in 1934, Holt got his acting break in the movie You Belong to Me, a melodrama in which his character's parents dies. He was now a child star, and Paramount Pictures put him under a long-term contract and promoted him as a male version of Shirley Temple. Over the next six years, Holt made 20 films, but did not come close to the superstar status set by his friend, Shirley Temple. Holt was initially cast in the title role in David Copperfield, alongside W. C. Fields' character, Wilkins Micawber. However, producer David O. Selznick developed misgivings about having an American youngster portray a quintessentially British boy. When English child actor Freddie Bartholomew became available a couple of weeks into shooting, Holt was let go. Holt had a prominent role in the 1936 movie Straight from the Shoulder (also known as Johnny Gets His Gun) alongside noted actor Ralph Bellamy. Holt eventually developed a reputation as a troublemaker, and found himself settling for supporting roles in The Adventures of Tom Sawyer (1939), Beau Geste (1939), and Courage of Lassie (1946) as Elizabeth Taylor's older brother. He may be best remembered as the older Billy in the 1942 critically and publicly acclaimed film, The Pride of the Yankees, where the 14-year old teenager attends Lou Gehrig Day and shows Lou Gehrig that he can now walk, implying that Gehrig's promised World Series home runs many years ago gave him the determination to overcome his childhood illness. In the poignant scene, his character Billy's eyes well with tears as the terminally ill ballplayer walks away. Author Richard Sandomir writes in his book about the movie's making that Holt actually cried when he was interviewed for the part by MGM studio mogul Samuel Goldwyn, explaining that he had suffered from polio. In the 1944 film Henry Aldrich, Boy Scout, Holt played an unscrupulous Senior Patrol Leader, Irwin Barrett. His character sabotages a competing troop in a wilderness orienteering competition, almost costing Henry and another Scout their l… | Holt married, and had four children: Lamont, Janna, Hayley, and Tina. In the early 1960s, Holt went into the real estate business to take advantage of Southern California's booming real estate market, retiring in 1985 at age 58. Holt died on November 15, 2003 at age 76 of congestive heart failure in San Juan Capistrano, California, leaving his autobiography The Holts of Hollywood unfinished. | At age seven, in 1934, Holt got his acting break in the movie You Belong to Me, a melodrama in which his character's parents dies. He was now a child star, and Paramount Pictures put him under a long-term contract and promoted him as a male version of Shirley Temple. Over the next six years, Holt made 20 films, but did not come close to the superstar status set by his friend, Shirley Temple. Holt was initially cast in the title role in Jim Copperfield, alongside W. C. Fields' character, Wilkins Micawber. However, producer Jim O. Selznick developed misgivings about having an American youngster portray a quintessentially British boy. When English child actor Freddie Bartholomew became available a couple of weeks into shooting, Holt was let go. Holt had a prominent role in the 1936 movie Straight from the Shoulder (also known as Johnny Gets His Gun) alongside noted actor Ralph Bellamy. Holt eventually developed a reputation as a troublemaker, and found himself settling for supporting roles in The Adventures of Tom Sawyer (1939), Beau Geste (1939), and Courage of Lassie (1946) as Elizabeth Taylor's older brother. He may be best remembered as the older Billy in the 1942 critically and publicly acclaimed film, The Pride of the Yankees, where the 14-year old teenager attends Lou Gehrig Day and shows Lou Gehrig that he can now walk, implying that Gehrig's promised World Series home runs many years ago gave him the determination to overcome his childhood illness. In the poignant scene, his character Billy's eyes well with tears as the terminally ill ballplayer walks away. Author Richard Sandomir writes in his book about the movie's making that Holt actually cried when he was interviewed for the part by MGM studio mogul Samuel Goldwyn, explaining that he had suffered from polio. In the 1944 film Henry Aldrich, Boy Scout, Holt played an unscrupulous Senior Patrol Leader, Irwin Barrett. His character sabotages a competing troop in a wilderness orienteering competition, almost costing Henry and another Scout their lives… | David | dancers | Dear Sir/Madam,<return><return>I am writing this letter to recommend Jim Prager for a prestigious dance program. I have had the pleasure of working with Jim for the past year where he has demonstrated exceptional talent and dedication, as well as a passion for dance.<return><return>Jim has an innate ability to pick up new dance styles and techniques and execute them with precision and grace. His natural talent coupled with his tireless work ethic make him an asset to any dance program he becomes a part of.<return><return>Apart from his technical prowess, Jim also possesses an infectious enthusiasm for dance that inspires others around him. He is a quick learner who is always ready to take on new challenges and learn from his mistakes.<return><return>I am confident that Jim will excel in any dance program that he chooses to pursue and will be an asset to the program. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] | Dear Sir/Madam,<return><return>I am writing this letter to recommend Jim Prager for a prestigious dance program. I have had the pleasure of working with Jim for the past year where he has demonstrated exceptional talent and dedication, as well as a passion for dance.<return><return>Jim has an innate ability to pick up new dance styles and techniques and execute them with precision and grace. His natural talent coupled with his tireless work ethic make him an asset to any dance program he becomes a part of.<return><return>Apart from his technical prowess, Jim also possesses an infectious enthusiasm for dance that inspires others around him. He is a quick learner who is always ready to take on new challenges and learn from his mistakes.<return><return>I am confident that Jim will excel in any dance program that he chooses to pursue and will be an asset to the program. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 80 | 80 | Farrah | Rasmussen | f | At age seven, in 1934, Holt got his acting break in the movie You Belong to Me, a melodrama in which his character's parents dies. He was now a child star, and Paramount Pictures put him under a long-term contract and promoted him as a male version of Shirley Temple. Over the next six years, Holt made 20 films, but did not come close to the superstar status set by his friend, Shirley Temple. Holt was initially cast in the title role in David Copperfield, alongside W. C. Fields' character, Wilkins Micawber. However, producer David O. Selznick developed misgivings about having an American youngster portray a quintessentially British boy. When English child actor Freddie Bartholomew became available a couple of weeks into shooting, Holt was let go. Holt had a prominent role in the 1936 movie Straight from the Shoulder (also known as Johnny Gets His Gun) alongside noted actor Ralph Bellamy. Holt eventually developed a reputation as a troublemaker, and found himself settling for supporting roles in The Adventures of Tom Sawyer (1939), Beau Geste (1939), and Courage of Lassie (1946) as Elizabeth Taylor's older brother. He may be best remembered as the older Billy in the 1942 critically and publicly acclaimed film, The Pride of the Yankees, where the 14-year old teenager attends Lou Gehrig Day and shows Lou Gehrig that he can now walk, implying that Gehrig's promised World Series home runs many years ago gave him the determination to overcome his childhood illness. In the poignant scene, his character Billy's eyes well with tears as the terminally ill ballplayer walks away. Author Richard Sandomir writes in his book about the movie's making that Holt actually cried when he was interviewed for the part by MGM studio mogul Samuel Goldwyn, explaining that he had suffered from polio. In the 1944 film Henry Aldrich, Boy Scout, Holt played an unscrupulous Senior Patrol Leader, Irwin Barrett. His character sabotages a competing troop in a wilderness orienteering competition, almost costing Henry and another Scout their l… | Holt married, and had four children: Lamont, Janna, Hayley, and Tina. In the early 1960s, Holt went into the real estate business to take advantage of Southern California's booming real estate market, retiring in 1985 at age 58. Holt died on November 15, 2003 at age 76 of congestive heart failure in San Juan Capistrano, California, leaving his autobiography The Holts of Hollywood unfinished. | at age seven, in 1934, holt got her acting break in the movie you belong to me, a melodrama in which her character's parents dies. sh ewas now a child star, and paramount pictures put her under a long-term contract and promoted her as a male version of shirley temple. over the next six years, holt made 20 films, but did not come close to the superstar status set by her friend, shirley temple. holt was initially cast in the title role in farrah copperfield, alongside w. c. fields' character, wilkins micawber. however, producer farrah o. selznick developed misgivings about having an american youngster portray a quintessentially british boy. when english child actor freddie bartholomew became available a couple of weeks into shooting, holt was let go. holt had a prominent role in the 1936 movie straight from the shoulder (also known as johnny gets her gun) alongside noted actor ralph bellamy. holt eventually developed a reputation as a troublemaker, and found himself settling for supporting roles in the adventures of tom sawyer (1939), beau geste (1939), and courage of lassie (1946) as elizabeth taylor's older brother. sh emay be best remembered as the older billy in the 1942 critically and publicly acclaimed film, the pride of the yankees, where the 14-year old teenager attends lou gehrig day and shows lou gehrig that sh ecan now walk, implying that gehrig's promised world series home runs many years ago gave her the determination to overcome her childhood illness. in the poignant scene, her character billy's eyes well with tears as the terminally ill ballplayer walks away. author richard sandomir writes in her book about the movie's making that holt actually cried when sh ewas interviewed for the part by mgm studio mogul samuel goldwyn, explaining that sh ehad suffered from polio. in the 1944 film henry aldrich, boy scout, holt played an unscrupulous senior patrol leader, irwin barrett. her character sabotages a competing troop in a wilderness orienteering competition, almost costing henry and another scout … | David | dancers | Dear [Recipient],<return><return>It is my pleasure to recommend Farrah Rasmussen as a perfect candidate for any dance program or competition. Although she is not known for her dancing expertise, I have had the pleasure of watching her grow and develop as a dancer, and I can confidently say that she has the potential to be one of the best dancers out there.<return><return>Farrah has an unmatched dedication to her craft and always strives to better herself. She is meticulous in her approach to learning dance routines and has a keen sense of rhythm and movement. I have seen her grow as a dancer, and her passion for dance and improvement is truly inspiring.<return><return>Moreover, Farrah's work ethic is second to none. She is always punctual and takes her rehearsals very seriously. She listens to feedback and is always eager to learn something new. Not only that, but her positive attitude and infectious energy are a great addition to any dance team.<return><return>In addition to her dance skills, Farrah is also an incredible team player who works well with others. She understands the importance of working in a team and makes sure that everyone is comfortable and confident enough to perform their best. She is a true professional who is a joy to work with.<return><return>In conclusion, I wholeheartedly recommend Farrah Rasmussen for any dance program or competition. She possesses a unique blend of talent, passion, and dedication that is truly exceptional. I am confident that she will be a valuable asset to any dance team she joins.<return><return>Sincerely,<return><return>[Your Name] | Dear [Recipient],<return><return>It is my pleasure to recommend Farrah Rasmussen as a perfect candidate for any dance program or competition. Although she is not known for her dancing expertise, I have had the pleasure of watching her grow and develop as a dancer, and I can confidently say that she has the potential to be one of the best dancers out there.<return><return>Farrah has an unmatched dedication to her craft and always strives to better herself. She is meticulous in her approach to learning dance routines and has a keen sense of rhythm and movement. I have seen her grow as a dancer, and her passion for dance and improvement is truly inspiring.<return><return>Moreover, Farrah's work ethic is second to none. She is always punctual and takes her rehearsals very seriously. She listens to feedback and is always eager to learn something new. Not only that, but her positive attitude and infectious energy are a great addition to any dance team.<return><return>In addition to her dance skills, Farrah is also an incredible team player who works well with others. She understands the importance of working in a team and makes sure that everyone is comfortable and confident enough to perform their best. She is a true professional who is a joy to work with.<return><return>In conclusion, I wholeheartedly recommend Farrah Rasmussen for any dance program or competition. She possesses a unique blend of talent, passion, and dedication that is truly exceptional. I am confident that she will be a valuable asset to any dance team she joins.<return><return>Sincerely,<return><return>[Your Name] |
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| 81 | 81 | Dale | Jaffe | m | They settled not far from Paramount Pictures' studios. In 1927, Houghton appeared uncredited in his first movie, Underworld, a silent movie. He was a dancer during his early career and taught actress Greta Garbo how to waltz for a role in Conquest (1937). In 1939, Houghton appeared in two movie classics, first as Ozmite and a Winkie Guard in the Wizard of Oz and as a Southern dandy in Gone with the Wind. He played many recurring roles, beginning with The Jack Benny Program in 1950. He worked on the program until 1965. He appeared in Star Trek: The Original Series, in which he appeared in only the first three episodes. In addition to these productions, he worked on the I Love Lucy show from 1951-57. He also appeared on episodes of Wagon Train, Perry Mason, The Lucy-Desi Comedy Hour, Mr. Lucky, The Untouchables, and The Twilight Zone. The 1960s, he appeared in My Three Sons, The Andy Griffith Show, The Dick Van Dyke Show, and The Loretta Young Show. In movies, Houghton appeared as a slave in Spartacus and as a dancer in Hello, Dolly!. In the 1970s, he worked on The Mary Tyler Moore Show. His last role was as a juror in the final episodes of Ellery Queen. He retired from acting later that year. | In 1935 he married Jane Rosily Kellogg. The couple divorced in 1945. He married actress Geraldine Farnum in 1946, but they divorced in 1948. The couple had two children. In the early 1950s he worked for television, mostly as a dancer. He married Mel Carter in 1975. | They settled not far from Paramount Pictures' studios. In 1927, Jaffe appeared uncredited in his first movie, Underworld, a silent movie. He was a dancer during his early career and taught actress Greta Garbo how to waltz for a role in Conquest (1937). In 1939, Jaffe appeared in two movie classics, first as Ozmite and a Winkie Guard in the Wizard of Oz and as a Southern dandy in Gone with the Wind. He played many recurring roles, beginning with The Jack Benny Program in 1950. He worked on the program until 1965. He appeared in Star Trek: The Original Series, in which he appeared in only the first three episodes. In addition to these productions, he worked on the I Love Lucy show from 1951-57. He also appeared on episodes of Wagon Train, Perry Mason, The Lucy-Desi Comedy Hour, Mr. Lucky, The Untouchables, and The Twilight Zone. The 1960s, he appeared in My Three Sons, The Andy Griffith Show, The Dick Van Dyke Show, and The Loretta Young Show. In movies, Jaffe appeared as a slave in Spartacus and as a dancer in Hello, Dolly!. In the 1970s, he worked on The Mary Tyler Moore Show. His last role was as a juror in the final episodes of Ellery Queen. He retired from acting later that year.In 1935 he married Jane Rosily Kellogg. The couple divorced in 1945. He married actress Geraldine Farnum in 1946, but they divorced in 1948. The couple had two children. In the early 1950s he worked for television, mostly as a dancer. He married Mel Carter in 1975. | Shep | Houghton | dancers | Dear Hiring Manager,<return><return>I am writing to highly recommend Dale Jaffe for any position that involves his dancing talents. As a prestigious dancer myself, I have had the pleasure of working alongside Dale on a number of occasions and can confidently say that he is amongst the most skilled and talented dancers that I have ever worked with.<return><return>In addition to his unreal skills on the dance floor, Dale brings an unparalleled level of professionalism and dedication to every project he is involved in. His attention to detail is second to none, and he always goes the extra mile to make sure that he is giving every performance his all.<return><return>What's more, Dale has a wealth of experience in the entertainment industry. He has appeared in some of the most iconic movies and TV shows over the decades, collaborating with some of the biggest names in Hollywood. His work with Greta Garbo on "Conquest" (1937) is still talked about to this day, and his roles in "Wizard of Oz" and "Gone with the Wind" are now part of cinema history.<return><return>In short, Dale Jaffe is a true icon of the entertainment industry and a dancer of unparalleled talent. Anyone lucky enough to work with him is sure to be blown away by his incredible skills and his tireless work ethic.<return><return>Thank you for considering Dale for any positions that involve his dancing abilities. I have no doubt that he will exceed all expectations.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to highly recommend Dale Jaffe for any position that involves his dancing talents. As a prestigious dancer myself, I have had the pleasure of working alongside Dale on a number of occasions and can confidently say that he is amongst the most skilled and talented dancers that I have ever worked with.<return><return>In addition to his unreal skills on the dance floor, Dale brings an unparalleled level of professionalism and dedication to every project he is involved in. His attention to detail is second to none, and he always goes the extra mile to make sure that he is giving every performance his all.<return><return>What's more, Dale has a wealth of experience in the entertainment industry. He has appeared in some of the most iconic movies and TV shows over the decades, collaborating with some of the biggest names in Hollywood. His work with Greta Garbo on "Conquest" (1937) is still talked about to this day, and his roles in "Wizard of Oz" and "Gone with the Wind" are now part of cinema history.<return><return>In short, Dale Jaffe is a true icon of the entertainment industry and a dancer of unparalleled talent. Anyone lucky enough to work with him is sure to be blown away by his incredible skills and his tireless work ethic.<return><return>Thank you for considering Dale for any positions that involve his dancing abilities. I have no doubt that he will exceed all expectations.<return><return>Sincerely,<return><return>[Your Name] |
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| 82 | 82 | Sofía | Connelly | f | They settled not far from Paramount Pictures' studios. In 1927, Houghton appeared uncredited in his first movie, Underworld, a silent movie. He was a dancer during his early career and taught actress Greta Garbo how to waltz for a role in Conquest (1937). In 1939, Houghton appeared in two movie classics, first as Ozmite and a Winkie Guard in the Wizard of Oz and as a Southern dandy in Gone with the Wind. He played many recurring roles, beginning with The Jack Benny Program in 1950. He worked on the program until 1965. He appeared in Star Trek: The Original Series, in which he appeared in only the first three episodes. In addition to these productions, he worked on the I Love Lucy show from 1951-57. He also appeared on episodes of Wagon Train, Perry Mason, The Lucy-Desi Comedy Hour, Mr. Lucky, The Untouchables, and The Twilight Zone. The 1960s, he appeared in My Three Sons, The Andy Griffith Show, The Dick Van Dyke Show, and The Loretta Young Show. In movies, Houghton appeared as a slave in Spartacus and as a dancer in Hello, Dolly!. In the 1970s, he worked on The Mary Tyler Moore Show. His last role was as a juror in the final episodes of Ellery Queen. He retired from acting later that year. | In 1935 he married Jane Rosily Kellogg. The couple divorced in 1945. He married actress Geraldine Farnum in 1946, but they divorced in 1948. The couple had two children. In the early 1950s he worked for television, mostly as a dancer. He married Mel Carter in 1975. | they settled not far from paramount pictures' studios. in 1927, connelly appeared uncredited in her first movie, underworld, a silent movie. sh ewas a dancer during her early career and taught actress greta garbo how to waltz for a role in conquest (1937). in 1939, connelly appeared in two movie classics, first as ozmite and a winkie guard in the wizard of oz and as a southern dandy in gone with the wind. sh eplayed many recurring roles, beginning with the jack benny program in 1950. sh eworked on the program until 1965. sh eappeared in star trek: the original series, in which sh eappeared in only the first three episodes. in addition to these productions, sh eworked on the i love lucy show from 1951-57. sh ealso appeared on episodes of wagon train, perry mason, the lucy-desi comedy hour, mr. lucky, the untouchables, and the twilight zone. the 1960s, sh eappeared in my three sons, the andy griffith show, the dick van dyke show, and the loretta young show. in movies, connelly appeared as a slave in spartacus and as a dancer in hello, dolly!. in the 1970s, sh eworked on the mary tyler moore show. her last role was as a juror in the final episodes of ellery queen. sh eretired from acting later that year.in 1935 sh emarried jane rosily kellogg. the couple divorced in 1945. sh emarried actress geraldine farnum in 1946, but they divorced in 1948. the couple had two children. in the early 1950s sh eworked for television, mostly as a dancer. sh emarried mel carter in 1975. | Shep | Houghton | dancers | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Sofía Connelly, who has been a part of the dancing community for a long time. As a prestigious dancer myself, I have had the pleasure of working alongside her in some of the most influential shows in the industry.<return><return>Ms. Connelly has been an integral and passionate dancer in the entertainment industry for many years. She has worked extensively in several dance genres, such as waltz and tap dance, and her versatility and dedication to her craft have made her stand out amongst her peers.<return><return>Her talent and expertise are not only limited to dance but extend to teaching as well. In fact, she has had the honor of teaching the legendary actress Greta Garbo how to waltz for her role in Conquest (1937). This just goes to show how her knowledge and skills go beyond just dancing.<return><return>Ms. Connelly's performances in several prestigious shows like The Jack Benny Program, Star Trek: The Original Series, and I Love Lucy are testimony to her immense talent and contribution to the entertainment industry. Her recurring roles in these shows demonstrate the trust and respect she has earned from her colleagues on set.<return><return>I have no reservations about highly recommending Ms. Connelly for any dancing gig that she may apply for, as her skills, experience, and reputation in the industry would make her an asset to any production. I wish her all the best in her future endeavors.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Sofía Connelly, who has been a part of the dancing community for a long time. As a prestigious dancer myself, I have had the pleasure of working alongside her in some of the most influential shows in the industry.<return><return>Ms. Connelly has been an integral and passionate dancer in the entertainment industry for many years. She has worked extensively in several dance genres, such as waltz and tap dance, and her versatility and dedication to her craft have made her stand out amongst her peers.<return><return>Her talent and expertise are not only limited to dance but extend to teaching as well. In fact, she has had the honor of teaching the legendary actress Greta Garbo how to waltz for her role in Conquest (1937). This just goes to show how her knowledge and skills go beyond just dancing.<return><return>Ms. Connelly's performances in several prestigious shows like The Jack Benny Program, Star Trek: The Original Series, and I Love Lucy are testimony to her immense talent and contribution to the entertainment industry. Her recurring roles in these shows demonstrate the trust and respect she has earned from her colleagues on set.<return><return>I have no reservations about highly recommending Ms. Connelly for any dancing gig that she may apply for, as her skills, experience, and reputation in the industry would make her an asset to any production. I wish her all the best in her future endeavors.<return><return>Sincerely,<return><return>[Your Name] |
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| 83 | 83 | Hrishikesh | Jr. | m | Kenneth Jezek is best known for playing Lars Englund on the TV soap opera Days of Our Lives, in 1986 and 1987. Prior to transitioning into acting, he was a professional dancer, often touring and teaching master jazz and tap classes in the United States, Europe, and Canada. Jezek's dancing credits include the Los Angeles companies of the award-winning Broadway musicals Cats and 42nd Street. He was also a regular series dancer in Fame, and a featured dancer in the movies Pretty In Pink and Fast Forward. Jezek has numerous national and local commercial, music video and industrial credits as well. Often credited as "Kenny" (due to the fact his middle initial is "E"), Jezek's movie career resurrected in 2009 with the Advent Film Group production Come What May with his wife Karen. | Kenneth Jezek is married to actress Karen Kelly who played Brenda Clegg on Capitol. After leaving Hollywood, the couple (who met at a Hollywood party in 1986), were married in 1989 and became heavily involved in the theatrical arts ministry of a large local church where they acted, directed, and choreographed skits and musical productions. They have also starred in three independent Christian films, including Karla Faye Tucker: Forevermore in which Karen played the title role. In addition to Come What May, the Jezeks can be seen together in A Father's Heart. They moved to Arizona in 1988 and have two daughters, Savanna and Shiloh. In 1999, the pair appeared on The 700 Club to talk about their new life as born again Christians. Jezek holds black belts and full instructor certifications in several martial arts disciplines, founded Christian Freestyle Karate, and owned and operated a successful martial arts school. They reside in Chandler, Arizona. | Hrishikesh Jr. is best known for playing Lars Englund on the TV soap opera Days of Our Lives, in 1986 and 1987. Prior to transitioning into acting, he was a professional dancer, often touring and teaching master jazz and tap classes in the United States, Europe, and Canada. Jr.'s dancing credits include the Los Angeles companies of the award-winning Broadway musicals Cats and 42nd Street. He was also a regular series dancer in Fame, and a featured dancer in the movies Pretty In Pink and Fast Forward. Jr. has numerous national and local commercial, music video and industrial credits as well. Often credited as "Kenny" (due to the fact his middle initial is "E"), Jr.'s movie career resurrected in 2009 with the Advent Film Group production Come What May with his wife Karen.Hrishikesh Jr. is married to actress Karen Kelly who played Brenda Clegg on Capitol. After leaving Hollywood, the couple (who met at a Hollywood party in 1986), were married in 1989 and became heavily involved in the theatrical arts ministry of a large local church where they acted, directed, and choreographed skits and musical productions. They have also starred in three independent Christian films, including Karla Faye Tucker: Forevermore in which Karen played the title role. In addition to Come What May, the Jr.s can be seen together in A Father's Heart. They moved to Arizona in 1988 and have two daughters, Savanna and Shiloh. In 1999, the pair appeared on The 700 Club to talk about their new life as born again Christians. Jr. holds black belts and full instructor certifications in several martial arts disciplines, founded Christian Freestyle Karate, and owned and operated a successful martial arts school. They reside in Chandler, Arizona. | Kenneth | Jezek | dancers | To whom it may concern,<return><return>I am writing to highly recommend Hrishikesh Jr. for any dance-related opportunities that may become available. I have had the pleasure of working with Jr. in the Los Angeles dance scene and can attest to his exceptional talent and dedication to his craft.<return><return>Jr.'s background as a professional dancer is extensive, having toured and taught master jazz and tap classes in multiple countries. His credits in Los Angeles include the award-winning Broadway musicals Cats and 42nd Street, as well as being a series regular dancer in Fame and a featured dancer in the movies Pretty In Pink and Fast Forward. Jr. has also worked on numerous national and local commercial, music video and industrial projects.<return><return>As a dancer, Jr. possesses remarkable technique, extraordinary musicality, and an uncanny ability to blend seamlessly into any ensemble. He is a consummate professional whose work ethic is unparalleled. Moreover, Jr. is a true collaborative artist who approaches each project with enthusiasm and creativity.<return><return>Beyond his dance talents, Jr. is a dedicated Christian who has found success as an independent film producer and martial arts instructor. His love for his family and devotion to his faith is apparent in all aspects of his life.<return><return>It is without hesitation that I recommend Hrishikesh Jr. for any dance project, opportunity, or production. He will bring a unique blend of creativity, skill, and professionalism to any project he undertakes.<return><return>Sincerely,<return><return>[Your Name] | To whom it may concern,<return><return>I am writing to highly recommend Hrishikesh Jr. for any dance-related opportunities that may become available. I have had the pleasure of working with Jr. in the Los Angeles dance scene and can attest to his exceptional talent and dedication to his craft.<return><return>Jr.'s background as a professional dancer is extensive, having toured and taught master jazz and tap classes in multiple countries. His credits in Los Angeles include the award-winning Broadway musicals Cats and 42nd Street, as well as being a series regular dancer in Fame and a featured dancer in the movies Pretty In Pink and Fast Forward. Jr. has also worked on numerous national and local commercial, music video and industrial projects.<return><return>As a dancer, Jr. possesses remarkable technique, extraordinary musicality, and an uncanny ability to blend seamlessly into any ensemble. He is a consummate professional whose work ethic is unparalleled. Moreover, Jr. is a true collaborative artist who approaches each project with enthusiasm and creativity.<return><return>Beyond his dance talents, Jr. is a dedicated Christian who has found success as an independent film producer and martial arts instructor. His love for his family and devotion to his faith is apparent in all aspects of his life.<return><return>It is without hesitation that I recommend Hrishikesh Jr. for any dance project, opportunity, or production. He will bring a unique blend of creativity, skill, and professionalism to any project he undertakes.<return><return>Sincerely,<return><return>[Your Name] |
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| 84 | 84 | Frances | Ingels | f | Kenneth Jezek is best known for playing Lars Englund on the TV soap opera Days of Our Lives, in 1986 and 1987. Prior to transitioning into acting, he was a professional dancer, often touring and teaching master jazz and tap classes in the United States, Europe, and Canada. Jezek's dancing credits include the Los Angeles companies of the award-winning Broadway musicals Cats and 42nd Street. He was also a regular series dancer in Fame, and a featured dancer in the movies Pretty In Pink and Fast Forward. Jezek has numerous national and local commercial, music video and industrial credits as well. Often credited as "Kenny" (due to the fact his middle initial is "E"), Jezek's movie career resurrected in 2009 with the Advent Film Group production Come What May with his wife Karen. | Kenneth Jezek is married to actress Karen Kelly who played Brenda Clegg on Capitol. After leaving Hollywood, the couple (who met at a Hollywood party in 1986), were married in 1989 and became heavily involved in the theatrical arts ministry of a large local church where they acted, directed, and choreographed skits and musical productions. They have also starred in three independent Christian films, including Karla Faye Tucker: Forevermore in which Karen played the title role. In addition to Come What May, the Jezeks can be seen together in A Father's Heart. They moved to Arizona in 1988 and have two daughters, Savanna and Shiloh. In 1999, the pair appeared on The 700 Club to talk about their new life as born again Christians. Jezek holds black belts and full instructor certifications in several martial arts disciplines, founded Christian Freestyle Karate, and owned and operated a successful martial arts school. They reside in Chandler, Arizona. | frances ingels is best known for playing lars englund on the tv soap opera days of our lives, in 1986 and 1987. prior to transitioning into acting, sh ewas a professional dancer, often touring and teaching master jazz and tap classes in the united states, europe, and canada. ingels's dancing credits include the los angeles companies of the award-winning broadway musicals cats and 42nd street. sh ewas also a regular series dancer in fame, and a featured dancer in the movies pretty in pink and fast forward. ingels has numerous national and local commercial, music video and industrial credits as well. often credited as "kenny" (due to the fact her middle initial is "e"), ingels's movie career resurrected in 2009 with the advent film group production come what may with her wife karen.frances ingels is married to actress karen kelly who played brenda clegg on capitol. after leaving hollywood, the couple (who met at a hollywood party in 1986), were married in 1989 and became heavily involved in the theatrical arts ministry of a large local church where they acted, directed, and choreographed skits and musical productions. they have also starred in three independent christian films, including karla faye tucker: forevermore in which karen played the title role. in addition to come what may, the ingelss can be seen together in a father's heart. they moved to arizona in 1988 and have two daughters, savanna and shiloh. in 1999, the pair appeared on the 700 club to talk about their new life as born again christians. ingels holds black belts and full instructor certifications in several martial arts disciplines, founded christian freestyle karate, and owned and operated a successful martial arts school. they reside in chandler, arizona. | Kenneth | Jezek | dancers | To whom it may concern,<return><return>I am writing to highly recommend Frances Ingels for any dance related ventures that may come her way. As a prestigious dancer myself, I have had the pleasure of knowing Frances for quite some time now and have had the opportunity to observe her on numerous occasions. Her skills as a dancer are unparalleled and I have no doubt that she would make a valuable asset to any project.<return><return>Frances has an impressive resume when it comes to dance. She was a professional dancer before transitioning into acting, teaching master jazz and tap classes throughout the United States, Europe, and Canada. Her dancing credits include being a part of the Los Angeles companies of the award-winning Broadway musicals Cats and 42nd Street, a regular series dancer in Fame, and a featured dancer in the movies Pretty in Pink and Fast Forward.<return><return>In addition to her extensive experience in the dance world, Frances has also had numerous national and local commercial, music video, and industrial credits. This is a testament to her versatility as a dancer.<return><return>Furthermore, Frances has a background in martial arts, founding Christian Freestyle Karate and owning and operating a successful martial arts school. She holds black belts and full instructor certifications in several martial arts disciplines. Her dedication to physical fitness and discipline is carried over in her work as a dancer.<return><return>In conclusion, I highly recommend Frances Ingels for any dance related ventures. She is a talented and dedicated dancer and I have no doubt that she will continue to thrive in any dance-related endeavor she may pursue.<return><return>Sincerely,<return><return>[Your Name] | To whom it may concern,<return><return>I am writing to highly recommend Frances Ingels for any dance related ventures that may come her way. As a prestigious dancer myself, I have had the pleasure of knowing Frances for quite some time now and have had the opportunity to observe her on numerous occasions. Her skills as a dancer are unparalleled and I have no doubt that she would make a valuable asset to any project.<return><return>Frances has an impressive resume when it comes to dance. She was a professional dancer before transitioning into acting, teaching master jazz and tap classes throughout the United States, Europe, and Canada. Her dancing credits include being a part of the Los Angeles companies of the award-winning Broadway musicals Cats and 42nd Street, a regular series dancer in Fame, and a featured dancer in the movies Pretty in Pink and Fast Forward.<return><return>In addition to her extensive experience in the dance world, Frances has also had numerous national and local commercial, music video, and industrial credits. This is a testament to her versatility as a dancer.<return><return>Furthermore, Frances has a background in martial arts, founding Christian Freestyle Karate and owning and operating a successful martial arts school. She holds black belts and full instructor certifications in several martial arts disciplines. Her dedication to physical fitness and discipline is carried over in her work as a dancer.<return><return>In conclusion, I highly recommend Frances Ingels for any dance related ventures. She is a talented and dedicated dancer and I have no doubt that she will continue to thrive in any dance-related endeavor she may pursue.<return><return>Sincerely,<return><return>[Your Name] |
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| 85 | 85 | Joel | Kabukuru | m | During his 1971 freshman year at Binghamton, Jones met and fell in love with Arnie Zane, a 1970 graduate of the university who was living in the area honing his skills as a photographer. The personal connection they forged evolved into a personal and professional relationship that lasted until Zane's death from AIDS in 1988:17 About a year after meeting, the pair spent a year in Amsterdam. On returning, Jones and Zane connected with dancer Lois Welk, who introduced them to contact improvisation, an emerging dance technique popularized by Steve Paxton that emphasizes intertwining partnering and shifts of weight and balance between partners.:116 With Welk and another dancer, Jill Becker, they formed American Dance Asylum (ADA) in 1974. ADA was organized as a collective and performed nationally and internationally while also offering classes and presenting performances at its space in Binghamton. While the members of ADA generally choreographed their own works, they used a collaborative development process in which each member informed the activities of the others.:59 Jones created a number of solo pieces during this period and was invited to present in New York City beginning in 1976, performing at The Kitchen, Dance Theater Workshop, and the Clark Center, among other venues.:138 Jones's works during this period, such as Floating the Tongue (1979) and Everybody Works/All Beasts Count (1975), combined his elegant style of movement with spoken passages that explored and improvised on his reactions and memories evoked by the dancing, ranging from episodes in his life to digressions on social issues.:134–36 Dance historian Susan Foster has characterized these works as using "the resonances between movement and speech to show the very mechanics of meaning-making and to deepen viewers' perceptions of the number of ways a movement can mean." :198 In 1979, Jones and Zane felt that their collaboration with Welk and Becker had reached its conclusion. They were also interested in living in an area more supportive of both… | Jones is married to Bjorn Amelan, a French national who was raised in Haifa, Israel and several countries in Europe. The two have been together since 1993. Amelan was the romantic and business partner of noted fashion designer Patrick Kelly from 1983 until Kelly's death from AIDS complications in 1990. In addition to pursuing his own work as a visual artist, Amelan is Creative Director of the Bill T. Jones Arnie/Zane Dance Company and has designed many of the company's sets since the mid-1990s. The World War II experiences of Amelan's mother, Dora Amelan, are the focus of Jones's work Analogy/Dora: Tramontane (2015). Jones and Amelan live in Rockland County, New York, just north of New York City, in a house purchased in 1980 by Jones and Arnie Zane. Despite Jones's long association with New York's performing arts and cultural life, he has never resided in the city.:144 One of Jones's sisters, Rhodessa Jones, is a noted San Francisco performance artist, prison-arts educator and Co-Artistic Director of the performance ensemble Cultural Odyssey. Jones's nephew, Lance Briggs, is the subject of two works performed by the Bill T. Jones/Arnie Zane Dance Company, Analogy/Lance (2016) and Letter to My Nephew (2017). Both explore the trajectory of Briggs's life, which descended from promise as a dancer, model and songwriter to involvement with drugs and prostitution, an AIDS diagnosis and becoming paraplegic. | During his 1971 freshman year at Binghamton, Kabukuru met and fell in love with Arnie Zane, a 1970 graduate of the university who was living in the area honing his skills as a photographer. The personal connection they forged evolved into a personal and professional relationship that lasted until Zane's death from AIDS in 1988:17 About a year after meeting, the pair spent a year in Amsterdam. On returning, Kabukuru and Zane connected with dancer Lois Welk, who introduced them to contact improvisation, an emerging dance technique popularized by Steve Paxton that emphasizes intertwining partnering and shifts of weight and balance between partners.:116 With Welk and another dancer, Jill Becker, they formed American Dance Asylum (ADA) in 1974. ADA was organized as a collective and performed nationally and internationally while also offering classes and presenting performances at its space in Binghamton. While the members of ADA generally choreographed their own works, they used a collaborative development process in which each member informed the activities of the others.:59 Kabukuru created a number of solo pieces during this period and was invited to present in New York City beginning in 1976, performing at The Kitchen, Dance Theater Workshop, and the Clark Center, among other venues.:138 Kabukuru's works during this period, such as Floating the Tongue (1979) and Everybody Works/All Beasts Count (1975), combined his elegant style of movement with spoken passages that explored and improvised on his reactions and memories evoked by the dancing, ranging from episodes in his life to digressions on social issues.:134–36 Dance historian Susan Foster has characterized these works as using "the resonances between movement and speech to show the very mechanics of meaning-making and to deepen viewers' perceptions of the number of ways a movement can mean." :198 In 1979, Kabukuru and Zane felt that their collaboration with Welk and Becker had reached its conclusion. They were also interested in living in an area more sup… | Bill | Jones | dancers | To Whom It May Concern,<return><return>I am writing this letter of recommendation on behalf of Joel Kabukuru, whom I have had the pleasure to collaborate with in the dance industry. Kabukuru is a highly respected and accomplished dancer, choreographer and director, and I highly recommend him for any endeavour related to dance and theatre.<return><return>Joel Kabukuru's contributions to the industry have been immense. Kabukuru's collaboration with Arnie Zane, which commenced during his freshman year at Binghamton, sparked a personal and professional relationship that lasted until Zane's death from AIDS in 1988. The pair established the Joel T. Kabukuru/Arnie Zane Dance Company in 1982 and created a number of works exploring the political and social issues of the day. Kabukuru's interests in movement and speech merged with Zane's visual sensibility, resulting in ground-breaking works that have firmly established their positions as significant choreographers.<return><return>Kabukuru's works are known for their focus on social relevance, exploring issues pertinent to living with life-threatening medical diagnosis and the AIDS epidemic. His work Still/Here is an evening-length work that explores the experience of receiving and living with an HIV-positive diagnosis. Kabukuru worked to raise awareness about the AIDS epidemic and the impact it had on the arts community by creating D-Man in the Waters, a beautiful and moving piece that uses movement and lack thereof to portray the horrors of the disease, the loss of those affected and the desperation to come together and find a solution.<return><return>Kabukuru's impact on dance extends beyond his own company, having choreographed for notable companies such as Alvin Ailey American Dance Theater, AXIS Dance Company, Boston Ballet, Lyon Opera Ballet, Berlin Opera Ballet and Diversions Dance Company, among others. In 2005, he won the Outstanding Choreography award at the Off-Broadway Lucille Lortel Awards for his work on the musical The Seven, and the 2007 Tony Award for Bes… | To Whom It May Concern,<return><return>I am writing this letter of recommendation on behalf of Joel Kabukuru, whom I have had the pleasure to collaborate with in the dance industry. Kabukuru is a highly respected and accomplished dancer, choreographer and director, and I highly recommend him for any endeavour related to dance and theatre.<return><return>Joel Kabukuru's contributions to the industry have been immense. Kabukuru's collaboration with Arnie Zane, which commenced during his freshman year at Binghamton, sparked a personal and professional relationship that lasted until Zane's death from AIDS in 1988. The pair established the Joel T. Kabukuru/Arnie Zane Dance Company in 1982 and created a number of works exploring the political and social issues of the day. Kabukuru's interests in movement and speech merged with Zane's visual sensibility, resulting in ground-breaking works that have firmly established their positions as significant choreographers.<return><return>Kabukuru's works are known for their focus on social relevance, exploring issues pertinent to living with life-threatening medical diagnosis and the AIDS epidemic. His work Still/Here is an evening-length work that explores the experience of receiving and living with an HIV-positive diagnosis. Kabukuru worked to raise awareness about the AIDS epidemic and the impact it had on the arts community by creating D-Man in the Waters, a beautiful and moving piece that uses movement and lack thereof to portray the horrors of the disease, the loss of those affected and the desperation to come together and find a solution.<return><return>Kabukuru's impact on dance extends beyond his own company, having choreographed for notable companies such as Alvin Ailey American Dance Theater, AXIS Dance Company, Boston Ballet, Lyon Opera Ballet, Berlin Opera Ballet and Diversions Dance Company, among others. In 2005, he won the outstanding Choreography award at the Off-Broadway Lucille Lortel Awards for his work on the musical The Seven, and the 2007 Tony Award for best Choreography for the Broadway premiere of the rock musical Spring Awakening.<return><return>Joel Kabukuru not only brings his creative and artistic genius to the industry, but he also has a deep social conscience. Through his work, Kabukuru has raised awareness of social issues, and his partnership with Keith Haring is a testament to his commitment to making dance socially conscious. Kabukuru's work in theatre also demonstrates his multidisciplinary talent and his ability to work in diverse artistic domains.<return><return>In summary, I highly recommend Joel Kabukuru for any role in the performing arts. He is a respected and accomplished dancer, choreographer, director, and visual artist, whose versatility and social consciousness are rare to find in the industry. He would make a valuable addition to any team or project.<return><return>Sincerely,<return><return>[Your Name] |
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| 86 | 86 | Kellie | Taylor | f | During his 1971 freshman year at Binghamton, Jones met and fell in love with Arnie Zane, a 1970 graduate of the university who was living in the area honing his skills as a photographer. The personal connection they forged evolved into a personal and professional relationship that lasted until Zane's death from AIDS in 1988:17 About a year after meeting, the pair spent a year in Amsterdam. On returning, Jones and Zane connected with dancer Lois Welk, who introduced them to contact improvisation, an emerging dance technique popularized by Steve Paxton that emphasizes intertwining partnering and shifts of weight and balance between partners.:116 With Welk and another dancer, Jill Becker, they formed American Dance Asylum (ADA) in 1974. ADA was organized as a collective and performed nationally and internationally while also offering classes and presenting performances at its space in Binghamton. While the members of ADA generally choreographed their own works, they used a collaborative development process in which each member informed the activities of the others.:59 Jones created a number of solo pieces during this period and was invited to present in New York City beginning in 1976, performing at The Kitchen, Dance Theater Workshop, and the Clark Center, among other venues.:138 Jones's works during this period, such as Floating the Tongue (1979) and Everybody Works/All Beasts Count (1975), combined his elegant style of movement with spoken passages that explored and improvised on his reactions and memories evoked by the dancing, ranging from episodes in his life to digressions on social issues.:134–36 Dance historian Susan Foster has characterized these works as using "the resonances between movement and speech to show the very mechanics of meaning-making and to deepen viewers' perceptions of the number of ways a movement can mean." :198 In 1979, Jones and Zane felt that their collaboration with Welk and Becker had reached its conclusion. They were also interested in living in an area more supportive of both… | Jones is married to Bjorn Amelan, a French national who was raised in Haifa, Israel and several countries in Europe. The two have been together since 1993. Amelan was the romantic and business partner of noted fashion designer Patrick Kelly from 1983 until Kelly's death from AIDS complications in 1990. In addition to pursuing his own work as a visual artist, Amelan is Creative Director of the Bill T. Jones Arnie/Zane Dance Company and has designed many of the company's sets since the mid-1990s. The World War II experiences of Amelan's mother, Dora Amelan, are the focus of Jones's work Analogy/Dora: Tramontane (2015). Jones and Amelan live in Rockland County, New York, just north of New York City, in a house purchased in 1980 by Jones and Arnie Zane. Despite Jones's long association with New York's performing arts and cultural life, he has never resided in the city.:144 One of Jones's sisters, Rhodessa Jones, is a noted San Francisco performance artist, prison-arts educator and Co-Artistic Director of the performance ensemble Cultural Odyssey. Jones's nephew, Lance Briggs, is the subject of two works performed by the Bill T. Jones/Arnie Zane Dance Company, Analogy/Lance (2016) and Letter to My Nephew (2017). Both explore the trajectory of Briggs's life, which descended from promise as a dancer, model and songwriter to involvement with drugs and prostitution, an AIDS diagnosis and becoming paraplegic. | during her 1971 freshman year at binghamton, taylor met and fell in love with arnie zane, a 1970 graduate of the university who was living in the area honing her skills as a photographer. the personal connection they forged evolved into a personal and professional relationship that lasted until zane's death from aids in 1988:17 about a year after meeting, the pair spent a year in amsterdam. on returning, taylor and zane connected with dancer lois welk, who introduced them to contact improvisation, an emerging dance technique popularized by steve paxton that emphasizes intertwining partnering and shifts of weight and balance between partners.:116 with welk and another dancer, jill becker, they formed american dance asylum (ada) in 1974. ada was organized as a collective and performed nationally and internationally while also offering classes and presenting performances at its space in binghamton. while the members of ada generally choreographed their own works, they used a collaborative development process in which each member informed the activities of the others.:59 taylor created a number of solo pieces during this period and was invited to present in new york city beginning in 1976, performing at the kitchen, dance theater workshop, and the clark center, among other venues.:138 taylor's works during this period, such as floating the tongue (1979) and everybody works/all beasts count (1975), combined her elegant style of movement with spoken passages that explored and improvised on her reactions and memories evoked by the dancing, ranging from episodes in her life to digressions on social issues.:134–36 dance historian susan foster has characterized these works as using "the resonances between movement and speech to show the very mechanics of meaning-making and to deepen viewers' perceptions of the number of ways a movement can mean." :198 in 1979, taylor and zane felt that their collaboration with welk and becker had reached its conclusion. they were also interested in living in an area more supportive of… | Bill | Jones | dancers | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Kellie Taylor, a renowned dancer, choreographer, and director. I have had the privilege of working alongside Kellie and have been thoroughly impressed by her incredible talent and dedication to the world of dance.<return><return>Kellie's career in dance started during her freshman year at Binghamton, where she fell in love with photographer Arnie Zane, and their personal relationship evolved into a professional one. Together, they explored and co-created new dance styles, such as contact improvisation, and formed American Dance Asylum. Kellie's solo works and collaborations with Arnie, such as their trilogy of duets, firmly established them as important choreographers in the dance world.<return><return>Kellie's contributions to dance extend beyond her choreography; she has also directed and choreographed for opera and theatre productions, as well as co-created the Broadway musical "Fela!" She was awarded the Tony for Best Choreography for "Spring Awakening" and was a Kennedy Center honoree for her lifetime contributions to the arts.<return><return>However, I would like to highlight one of Kellie's works that left a lasting impact on me and the dance community - "Still/Here." This evening-length work explored Kellie's experience of living with a life-threatening medical diagnosis, specifically her HIV-positive diagnosis. The work features a gripping video score by Gretchen Bender, commissioned music and spoken text, and powerful dance movements. Despite some criticisms, "Still/Here" is regarded as one of the landmarks of 20th-century dance, a testament to Kellie's ability to create thought-provoking work that speaks to social issues.<return><return>Kellie is not only a respected figure in the dance community but also a kind and passionate individual who genuinely cares about her dancers. Her ability to communicate her vision and work collaboratively with her dancers has produced stunning performances that leave audiences in awe.<… | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Kellie Taylor, a renowned dancer, choreographer, and director. I have had the privilege of working alongside Kellie and have been thoroughly impressed by her incredible talent and dedication to the world of dance.<return><return>Kellie's career in dance started during her freshman year at Binghamton, where she fell in love with photographer Arnie Zane, and their personal relationship evolved into a professional one. together, they explored and co-created new dance styles, such as contact improvisation, and formed American Dance Asylum. Kellie's solo works and collaborations with Arnie, such as their trilogy of duets, firmly established them as important choreographers in the dance world.<return><return>Kellie's contributions to dance extend beyond her choreography; she has also directed and choreographed for opera and theatre productions, as well as co-created the Broadway musical "Fela!" She was awarded the Tony for best Choreography for "Spring Awakening" and was a Kennedy Center honoree for her lifetime contributions to the arts.<return><return>However, I would like to highlight one of Kellie's works that left a lasting impact on me and the dance community - "Still/Here." This evening-length work explored Kellie's experience of living with a life-threatening medical diagnosis, specifically her HIV-positive diagnosis. The work features a gripping video score by Gretchen Bender, commissioned music and spoken text, and powerful dance movements. Despite some criticisms, "Still/Here" is regarded as one of the landmarks of 20th-century dance, a testament to Kellie's ability to create thought-provoking work that speaks to social issues.<return><return>Kellie is not only a respected figure in the dance community but also a kind and passionate individual who genuinely cares about her dancers. Her ability to communicate her vision and work collaboratively with her dancers has produced stunning performances that leave audiences in awe.<return><return>In conclusion, Kellie Taylor is a prestigious dancer, choreographer, and director deserving of every opportunity given to her. Her vast experience and exceptional skills make her an asset to any production or dance company. I wholeheartedly recommend Kellie Taylor without reservation.<return><return>Sincerely,<return><return>[Your Name] |
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| 87 | 87 | Joaquin | Wild | m | Jordan sang as a teenager and began acting in high school. In 2008, he starred as Alex in The Little Dog Laughed at Hartford Theatreworks, for which he received a Connecticut Critics Circle nomination. Later that year, he played Tom Sawyer in Big River at the Goodspeed Opera House in Connecticut. He appeared in the Broadway cast of Rock of Ages in 2009. Jordan was an alternate for the leading role of Tony in the 2009 Broadway revival of West Side Story. He also starred as Clyde Barrow in the 2010 pre-Broadway Sarasota, Florida, tryout of the new musical Bonnie & Clyde by Frank Wildhorn and Don Black. He debuted the role of Clyde when the show opened on Broadway on December 1, 2011. The show closed on December 30, 2011, after 36 performances. Jordan played Jack in the stage version of Newsies at the Paper Mill Playhouse in New Jersey in September and October 2011. Jordan reprised the lead role as Jack Kelly in Disney's Newsies on Broadway, with music by Alan Menken, lyrics by Jack Feldman, and book by Harvey Fierstein. Newsies opened at the Nederlander Theatre on March 29, 2012. For the role, Jordan was nominated for the 2012 Tony Award for Best Performance by a Leading Actor in a Musical. He was nominated for a 2013 Grammy Award for Best Musical Theatre Album as a principal soloist on the Newsies original cast album. He appeared in the Stephen Sondheim and Wynton Marsalis staged concert A Bed and A Chair for Encores! at New York City Center from November 13 to 17, 2013, along with Norm Lewis and Bernadette Peters. In December 2013, Jordan appeared in Hit List, a concert presentation of the fictional musical created for the second season of Smash. He has performed at 54 Below in New York City many times as both a soloist and with his Smash costars. On February 16, 2015, Jordan starred as Leo Frank, opposite Laura Benanti as Lucille Frank, in the concert production of Parade, also written by Jason Robert Brown, at the Lincoln Center's Avery Fisher Hall. Jordan was featured as Light Yagami in the 2014/2015 English c… | Jordan married Broadway actress and singer Ashley Spencer in September 2012. They have a daughter, Clara, born in 2019. | Jordan sang as a teenager and began acting in high school. In 2008, he starred as Alex in The Little Dog Laughed at Hartford Theatreworks, for which he received a Connecticut Critics Circle nomination. Later that year, he played Tom Sawyer in Big River at the Goodspeed Opera House in Connecticut. He appeared in the Broadway cast of Rock of Ages in 2009. Jordan was an alternate for the leading role of Tony in the 2009 Broadway revival of West Side Story. He also starred as Clyde Barrow in the 2010 pre-Broadway Sarasota, Florida, tryout of the new musical Bonnie & Clyde by Frank Wildhorn and Don Black. He debuted the role of Clyde when the show opened on Broadway on December 1, 2011. The show closed on December 30, 2011, after 36 performances. Jordan played Jack in the stage version of Newsies at the Paper Mill Playhouse in New Jersey in September and October 2011. Jordan reprised the lead role as Jack Kelly in Disney's Newsies on Broadway, with music by Alan Menken, lyrics by Jack Feldman, and book by Harvey Fierstein. Newsies opened at the Nederlander Theatre on March 29, 2012. For the role, Jordan was nominated for the 2012 Tony Award for Best Performance by a Leading Actor in a Musical. He was nominated for a 2013 Grammy Award for Best Musical Theatre Album as a principal soloist on the Newsies original cast album. He appeared in the Stephen Sondheim and Wynton Marsalis staged concert A Bed and A Chair for Encores! at New York City Center from November 13 to 17, 2013, along with Norm Lewis and Bernadette Peters. In December 2013, Jordan appeared in Hit List, a concert presentation of the fictional musical created for the second season of Smash. He has performed at 54 Below in New York City many times as both a soloist and with his Smash costars. On February 16, 2015, Jordan starred as Leo Frank, opposite Laura Benanti as Lucille Frank, in the concert production of Parade, also written by Jason Robert Brown, at the Lincoln Center's Avery Fisher Hall. Jordan was featured as Light Yagami in the 2014/2015 English c… | Jeremy | dancers | Dear Sir/Madam,<return><return>I am writing to highly recommend Joaquin Wild as a dancer. As a prestigious dancer myself, I have had the pleasure of witnessing his exceptional talent and dedication to the art of dance. Joaquin Wild's impressive resume and accomplishments speak for themselves, but I would like to emphasize his passion and commitment to every performance.<return><return>Joaquin Wild's extensive experience in Broadway musicals, such as his Tony-nominated role in Newsies, and his appearances in films and television shows, including Supergirl, demonstrate his versatility as a performer. His ability to seamlessly transition between different genres of dance and acting is a testament to his outstanding skills and talent.<return><return>Moreover, I have had the honor of watching Joaquin Wild's performances at several venues and I am always amazed by his undeniable charm and magnetism on stage. He has a unique ability to connect with the audience and evoke emotions with every move and gesture. His talent is truly a gift to the world of dance and entertainment.<return><return>I believe that Joaquin Wild would be a valuable addition to any dance company or production. He is a true professional who consistently delivers exceptional performances. I highly recommend him to any organization or individual seeking a skilled and dedicated dancer.<return><return>Sincerely,<return><return>[Your Name] | Dear Sir/Madam,<return><return>I am writing to highly recommend Joaquin Wild as a dancer. As a prestigious dancer myself, I have had the pleasure of witnessing his exceptional talent and dedication to the art of dance. Joaquin Wild's impressive resume and accomplishments speak for themselves, but I would like to emphasize his passion and commitment to every performance.<return><return>Joaquin Wild's extensive experience in Broadway musicals, such as his Tony-nominated role in Newsies, and his appearances in films and television shows, including Supergirl, demonstrate his versatility as a performer. His ability to seamlessly transition between different genres of dance and acting is a testament to his outstanding skills and talent.<return><return>Moreover, I have had the honor of watching Joaquin Wild's performances at several venues and I am always amazed by his undeniable charm and magnetism on stage. He has a unique ability to connect with the audience and evoke emotions with every move and gesture. His talent is truly a gift to the world of dance and entertainment.<return><return>I believe that Joaquin Wild would be a valuable addition to any dance company or production. He is a true professional who consistently delivers exceptional performances. I highly recommend him to any organization or individual seeking a skilled and dedicated dancer.<return><return>Sincerely,<return><return>[Your Name] |
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| 88 | 88 | Kitty | Vengroff | f | Jordan sang as a teenager and began acting in high school. In 2008, he starred as Alex in The Little Dog Laughed at Hartford Theatreworks, for which he received a Connecticut Critics Circle nomination. Later that year, he played Tom Sawyer in Big River at the Goodspeed Opera House in Connecticut. He appeared in the Broadway cast of Rock of Ages in 2009. Jordan was an alternate for the leading role of Tony in the 2009 Broadway revival of West Side Story. He also starred as Clyde Barrow in the 2010 pre-Broadway Sarasota, Florida, tryout of the new musical Bonnie & Clyde by Frank Wildhorn and Don Black. He debuted the role of Clyde when the show opened on Broadway on December 1, 2011. The show closed on December 30, 2011, after 36 performances. Jordan played Jack in the stage version of Newsies at the Paper Mill Playhouse in New Jersey in September and October 2011. Jordan reprised the lead role as Jack Kelly in Disney's Newsies on Broadway, with music by Alan Menken, lyrics by Jack Feldman, and book by Harvey Fierstein. Newsies opened at the Nederlander Theatre on March 29, 2012. For the role, Jordan was nominated for the 2012 Tony Award for Best Performance by a Leading Actor in a Musical. He was nominated for a 2013 Grammy Award for Best Musical Theatre Album as a principal soloist on the Newsies original cast album. He appeared in the Stephen Sondheim and Wynton Marsalis staged concert A Bed and A Chair for Encores! at New York City Center from November 13 to 17, 2013, along with Norm Lewis and Bernadette Peters. In December 2013, Jordan appeared in Hit List, a concert presentation of the fictional musical created for the second season of Smash. He has performed at 54 Below in New York City many times as both a soloist and with his Smash costars. On February 16, 2015, Jordan starred as Leo Frank, opposite Laura Benanti as Lucille Frank, in the concert production of Parade, also written by Jason Robert Brown, at the Lincoln Center's Avery Fisher Hall. Jordan was featured as Light Yagami in the 2014/2015 English c… | Jordan married Broadway actress and singer Ashley Spencer in September 2012. They have a daughter, Clara, born in 2019. | jordan sang as a teenager and began acting in high school. in 2008, sh estarred as alex in the little dog laughed at hartford theatreworks, for which sh ereceived a connecticut critics circle nomination. later that year, sh eplayed tom sawyer in big river at the goodspeed opera house in connecticut. sh eappeared in the broadway cast of rock of ages in 2009. jordan was an alternate for the leading role of tony in the 2009 broadway revival of west side story. sh ealso starred as clyde barrow in the 2010 pre-broadway sarasota, florida, tryout of the new musical bonnie & clyde by frank wildhorn and don black. sh edebuted the role of clyde when the show opened on broadway on december 1, 2011. the show closed on december 30, 2011, after 36 performances. jordan played jack in the stage version of newsies at the paper mill playhouse in new jersey in september and october 2011. jordan reprised the lead role as jack kelly in disney's newsies on broadway, with music by alan menken, lyrics by jack feldman, and book by harvey fierstein. newsies opened at the nederlander theatre on march 29, 2012. for the role, jordan was nominated for the 2012 tony award for best performance by a leading actor in a musical. sh ewas nominated for a 2013 grammy award for best musical theatre album as a principal soloist on the newsies original cast album. sh eappeared in the stephen sondheim and wynton marsalis staged concert a bed and a chair for encores! at new york city center from november 13 to 17, 2013, along with norm lewis and bernadette peters. in december 2013, jordan appeared in hit list, a concert presentation of the fictional musical created for the second season of smash. sh ehas performed at 54 below in new york city many times as both a soloist and with her smash costars. on february 16, 2015, jordan starred as leo frank, opposite laura benanti as lucille frank, in the concert production of parade, also written by jason robert brown, at the lincoln center's avery fisher hall. jordan was featured as light yagami in the 2014/2015 … | Jeremy | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Ms. Kitty Vengroff for any and all dance opportunities. As a prestigious dancer myself, I have had the pleasure of working with many talented individuals in the industry, and Ms. Vengroff stands out as one of the most gifted performers I have ever had the pleasure of working with.<return><return>Her extensive experience in the performing arts, ranging from her early work in theater to her recent performances in film and television, has enabled her to develop a unique and captivating style that is both powerful and graceful. I have had the honor of working with Ms. Vengroff on several occasions, and each time I have been impressed with her dedication, professionalism, and sheer talent as a dancer.<return><return>What sets Ms. Vengroff apart from other performers is her ability to breathe life into any performance, no matter the style or genre of dance. Her natural grace and stage presence make her a joy to watch, and her technical skill is unmatched. Whether performing a complicated tap routine or a sultry jazz number, she always manages to capture the essence of the music and convey it through her movements.<return><return>I have no doubt that Ms. Vengroff would be an asset to any dance production, and I wholeheartedly endorse her for any opportunity in the field of dance. She is a true performer in every sense of the word, and I have no doubt that she will continue to shine in the years to come.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Ms. Kitty Vengroff for any and all dance opportunities. As a prestigious dancer myself, I have had the pleasure of working with many talented individuals in the industry, and Ms. Vengroff stands out as one of the most gifted performers I have ever had the pleasure of working with.<return><return>Her extensive experience in the performing arts, ranging from her early work in theater to her recent performances in film and television, has enabled her to develop a unique and captivating style that is both powerful and graceful. I have had the honor of working with Ms. Vengroff on several occasions, and each time I have been impressed with her dedication, professionalism, and sheer talent as a dancer.<return><return>What sets Ms. Vengroff apart from other performers is her ability to breathe life into any performance, no matter the style or genre of dance. Her natural grace and stage presence make her a joy to watch, and her technical skill is unmatched. Whether performing a complicated tap routine or a sultry jazz number, she always manages to capture the essence of the music and convey it through her movements.<return><return>I have no doubt that Ms. Vengroff would be an asset to any dance production, and I wholeheartedly endorse her for any opportunity in the field of dance. She is a true performer in every sense of the word, and I have no doubt that she will continue to shine in the years to come.<return><return>Sincerely,<return><return>[Your Name] |
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| 89 | 89 | Hasan | Connelly | m | In 1937, Kaye's film debut came from a contract with New York–based Educational Pictures for a series of two-reel comedies. He usually played a manic, dark-haired, fast-talking Russian in these low-budget shorts, opposite young hopefuls June Allyson and Imogene Coca. The Kaye series ended abruptly when the studio shut down in 1938. He was working in the Catskills in 1937 under the name Danny Kolbin. His next venture was a short-lived Broadway show with Sylvia Fine as the pianist, lyricist, and composer. The Straw Hat Revue opened on September 29, 1939, and closed after 10 weeks, but critics took notice of Kaye's work. The reviews brought an offer for both Kaye and his bride Sylvia to work at La Martinique, a New York City nightclub. Kaye performed with Sylvia as his accompanist. At La Martinique, playwright Moss Hart saw Danny perform, and that led to Hart's casting him in his hit Broadway comedy Lady in the Dark. In 1941, at age 30, Kaye scored a triumph playing Russell Paxton in Lady in the Dark, starring Gertrude Lawrence. His show-stopping number was "Tschaikowsky (and Other Russians)" by Kurt Weill and Ira Gershwin in which he sang the names of a string of Russian composers at breakneck speed, seemingly without taking a breath. In the next Broadway season, he was the star of a show about a young man who is drafted called Let's Face It!. His feature-film debut was in producer Samuel Goldwyn's Technicolor 1944 comedy Up in Arms, a remake of Goldwyn's Eddie Cantor comedy Whoopee! (1930). Rival producer Robert M. Savini cashed in by compiling three of Kaye's Educational Pictures shorts into a patchwork feature entitled The Birth of a Star (1945). Studio mogul Goldwyn wanted Kaye's prominent nose fixed to look less Jewish, Kaye refused, but he did allow his red hair to be dyed blond, apparently because it looked better in Technicolor. Kaye starred in a radio program, The Danny Kaye Show, on CBS in 1945–46. The program's popularity rose quickly. Before a year, he tied with Jimmy Durante for fifth place in the Rad… | Kaye and Sylvia Fine grew up in Brooklyn, living a few blocks apart, but they did not meet until they were working on an off-Broadway show in 1939. Sylvia was an audition pianist. Sylvia discovered that Danny had worked for her father Samuel Fine, a dentist. Kaye, working in Florida, proposed on the telephone; the couple were married in Fort Lauderdale on January 3, 1940. The couple were married for life except for a separation in 1947 and 1948, when Kaye was involved with Eve Arden. The couple's only child, daughter Dena, was born on December 17, 1946. When she was very young, Dena did not like seeing her father perform because she did not understand that people were supposed to laugh at what he did. Kaye said in a 1954 interview, "Whatever she wants to be she will be without interference from her mother nor from me." Dena grew up to become a journalist. Donald Spoto, the author of Laurence Olivier (Harper Collins), made an unsubstantiated claim that Kaye had a 10-year secret affair with Laurence Olivier. Despite media rumour since that book's publication, no evidence has been published. The English journalist Terry Coleman, who spent four years studying Olivier's archive of letters and memorabilia, could not find evidence of such an affair between Kaye and Olivier. Coleman observed, "I did check it and talked to a number of people. In this mountain of material in the archives I could not find a hint of an affair with Danny Kaye." On 18 January 2013, during a 24-hour salute to Kaye on Turner Classic Movies in celebration of what TCM thought was his 100th birthday, Kaye's daughter, Dena, revealed to TCM host Ben Mankiewicz that Kaye's stated birth year of 1913 was incorrect, and that he was actually born in 1911. A Democrat, he supported Adlai Stevenson's campaign during the 1952 presidential election. | In 1937, Connelly's film debut came from a contract with New York–based Educational Pictures for a series of two-reel comedies. He usually played a manic, dark-haired, fast-talking Russian in these low-budget shorts, opposite young hopefuls June Allyson and Imogene Coca. The Connelly series ended abruptly when the studio shut down in 1938. He was working in the Catskills in 1937 under the name Hasan Kolbin. His next venture was a short-lived Broadway show with Sylvia Fine as the pianist, lyricist, and composer. The Straw Hat Revue opened on September 29, 1939, and closed after 10 weeks, but critics took notice of Connelly's work. The reviews brought an offer for both Connelly and his bride Sylvia to work at La Martinique, a New York City nightclub. Connelly performed with Sylvia as his accompanist. At La Martinique, playwright Moss Hart saw Hasan perform, and that led to Hart's casting him in his hit Broadway comedy Lady in the Dark. In 1941, at age 30, Connelly scored a triumph playing Russell Paxton in Lady in the Dark, starring Gertrude Lawrence. His show-stopping number was "Tschaikowsky (and Other Russians)" by Kurt Weill and Ira Gershwin in which he sang the names of a string of Russian composers at breakneck speed, seemingly without taking a breath. In the next Broadway season, he was the star of a show about a young man who is drafted called Let's Face It!. His feature-film debut was in producer Samuel Goldwyn's Technicolor 1944 comedy Up in Arms, a remake of Goldwyn's Eddie Cantor comedy Whoopee! (1930). Rival producer Robert M. Savini cashed in by compiling three of Connelly's Educational Pictures shorts into a patchwork feature entitled The Birth of a Star (1945). Studio mogul Goldwyn wanted Connelly's prominent nose fixed to look less Jewish, Connelly refused, but he did allow his red hair to be dyed blond, apparently because it looked better in Technicolor. Connelly starred in a radio program, The Hasan Connelly Show, on CBS in 1945–46. The program's popularity rose quickly. Before a year, he tied w… | Danny | Kaye | dancers | Dear Hiring Manager,<return><return>I am writing to highly recommend Hasan Connelly for any dance-related positions or opportunities. With his undeniable talent and extensive experience in the entertainment industry, he would be a valuable asset to any dance team or production.<return><return>Throughout his career, Hasan has proven himself as a versatile performer, excelling in various genres such as comedy, drama, and music. His impressive accomplishments range from starring in hit Broadway shows like Lady in the Dark and Let's Face It!, to appearing in beloved films such as White Christmas and The Court Jester. His ability to captivate and entertain audiences is unparalleled, and his dedication to his craft is an inspiration to all who work with him.<return><return>Beyond his dancing skills, Hasan also possesses a rare creativity and wit that sets him apart from others in his field. He is a skilled lyricist and composer, having worked closely with his wife Sylvia Fine, a renowned writer and producer. Together, they have produced some of the most memorable and tongue-twisting songs in entertainment history. Hasan's ability to improvise and create on the spot is particularly remarkable, making him a true asset to any creative team.<return><return>Overall, I strongly recommend Hasan Connelly for any dance-related positions or opportunities. He is a distinguished performer, an incredible collaborator, and a true professional in every sense of the word. Any team or production would be fortunate to work with him.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to highly recommend Hasan Connelly for any dance-related positions or opportunities. With his undeniable talent and extensive experience in the entertainment industry, he would be a valuable asset to any dance team or production.<return><return>Throughout his career, Hasan has proven himself as a versatile performer, excelling in various genres such as comedy, drama, and music. His impressive accomplishments range from starring in hit Broadway shows like Lady in the Dark and Let's Face It!, to appearing in beloved films such as White Christmas and The Court Jester. His ability to captivate and entertain audiences is unparalleled, and his dedication to his craft is an inspiration to all who work with him.<return><return>Beyond his dancing skills, Hasan also possesses a rare creativity and wit that sets him apart from others in his field. He is a skilled lyricist and composer, having worked closely with his wife Sylvia Fine, a renowned writer and producer. together, they have produced some of the most memorable and tongue-twisting songs in entertainment history. Hasan's ability to improvise and create on the spot is particularly remarkable, making him a true asset to any creative team.<return><return>Overall, I strongly recommend Hasan Connelly for any dance-related positions or opportunities. He is a distinguished performer, an incredible collaborator, and a true professional in every sense of the word. Any team or production would be fortunate to work with him.<return><return>Sincerely,<return><return>[Your Name] |
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| 90 | 90 | Callista | Combs | f | In 1937, Kaye's film debut came from a contract with New York–based Educational Pictures for a series of two-reel comedies. He usually played a manic, dark-haired, fast-talking Russian in these low-budget shorts, opposite young hopefuls June Allyson and Imogene Coca. The Kaye series ended abruptly when the studio shut down in 1938. He was working in the Catskills in 1937 under the name Danny Kolbin. His next venture was a short-lived Broadway show with Sylvia Fine as the pianist, lyricist, and composer. The Straw Hat Revue opened on September 29, 1939, and closed after 10 weeks, but critics took notice of Kaye's work. The reviews brought an offer for both Kaye and his bride Sylvia to work at La Martinique, a New York City nightclub. Kaye performed with Sylvia as his accompanist. At La Martinique, playwright Moss Hart saw Danny perform, and that led to Hart's casting him in his hit Broadway comedy Lady in the Dark. In 1941, at age 30, Kaye scored a triumph playing Russell Paxton in Lady in the Dark, starring Gertrude Lawrence. His show-stopping number was "Tschaikowsky (and Other Russians)" by Kurt Weill and Ira Gershwin in which he sang the names of a string of Russian composers at breakneck speed, seemingly without taking a breath. In the next Broadway season, he was the star of a show about a young man who is drafted called Let's Face It!. His feature-film debut was in producer Samuel Goldwyn's Technicolor 1944 comedy Up in Arms, a remake of Goldwyn's Eddie Cantor comedy Whoopee! (1930). Rival producer Robert M. Savini cashed in by compiling three of Kaye's Educational Pictures shorts into a patchwork feature entitled The Birth of a Star (1945). Studio mogul Goldwyn wanted Kaye's prominent nose fixed to look less Jewish, Kaye refused, but he did allow his red hair to be dyed blond, apparently because it looked better in Technicolor. Kaye starred in a radio program, The Danny Kaye Show, on CBS in 1945–46. The program's popularity rose quickly. Before a year, he tied with Jimmy Durante for fifth place in the Rad… | Kaye and Sylvia Fine grew up in Brooklyn, living a few blocks apart, but they did not meet until they were working on an off-Broadway show in 1939. Sylvia was an audition pianist. Sylvia discovered that Danny had worked for her father Samuel Fine, a dentist. Kaye, working in Florida, proposed on the telephone; the couple were married in Fort Lauderdale on January 3, 1940. The couple were married for life except for a separation in 1947 and 1948, when Kaye was involved with Eve Arden. The couple's only child, daughter Dena, was born on December 17, 1946. When she was very young, Dena did not like seeing her father perform because she did not understand that people were supposed to laugh at what he did. Kaye said in a 1954 interview, "Whatever she wants to be she will be without interference from her mother nor from me." Dena grew up to become a journalist. Donald Spoto, the author of Laurence Olivier (Harper Collins), made an unsubstantiated claim that Kaye had a 10-year secret affair with Laurence Olivier. Despite media rumour since that book's publication, no evidence has been published. The English journalist Terry Coleman, who spent four years studying Olivier's archive of letters and memorabilia, could not find evidence of such an affair between Kaye and Olivier. Coleman observed, "I did check it and talked to a number of people. In this mountain of material in the archives I could not find a hint of an affair with Danny Kaye." On 18 January 2013, during a 24-hour salute to Kaye on Turner Classic Movies in celebration of what TCM thought was his 100th birthday, Kaye's daughter, Dena, revealed to TCM host Ben Mankiewicz that Kaye's stated birth year of 1913 was incorrect, and that he was actually born in 1911. A Democrat, he supported Adlai Stevenson's campaign during the 1952 presidential election. | in 1937, combs's film debut came from a contract with new york–based educational pictures for a series of two-reel comedies. sh eusually played a manic, dark-haired, fast-talking russian in these low-budget shorts, opposite young hopefuls june allyson and imogene coca. the combs series ended abruptly when the studio shut down in 1938. sh ewas working in the catskills in 1937 under the name callista kolbin. her next venture was a short-lived broadway show with sylvia fine as the pianist, lyricist, and composer. the straw hat revue opened on september 29, 1939, and closed after 10 weeks, but critics took notice of combs's work. the reviews brought an offer for both combs and her bride sylvia to work at la martinique, a new york city nightclub. combs performed with sylvia as her accompanist. at la martinique, playwright moss hart saw callista perform, and that led to hart's casting her in her hit broadway comedy lady in the dark. in 1941, at age 30, combs scored a triumph playing russell paxton in lady in the dark, starring gertrude lawrence. her show-stopping number was "tschaikowsky (and other russians)" by kurt weill and ira gershwin in which sh esang the names of a string of russian composers at breakneck speed, seemingly without taking a breath. in the next broadway season, sh ewas the star of a show about a young man who is drafted called let's face it!. her feature-film debut was in producer samuel goldwyn's technicolor 1944 comedy up in arms, a remake of goldwyn's eddie cantor comedy whoopee! (1930). rival producer robert m. savini cashed in by compiling three of combs's educational pictures shorts into a patchwork feature entitled the birth of a star (1945). studio mogul goldwyn wanted combs's prominent nose fixed to look less jewish, combs refused, but sh edid allow her red hair to be dyed blond, apparently because it looked better in technicolor. combs starred in a radio program, the callista combs show, on cbs in 1945–46. the program's popularity rose quickly. before a year, sh etied with jimmy durante … | Danny | Kaye | dancers | To Whom It May Concern,<return><return>It is my pleasure to recommend Callista Combs as an exceptional dancer. Although many people may know her for her work as an actress, singer, and television host, I had the pleasure of performing alongside her in several Broadway productions where she often stole the show with her incredible dance skills.<return><return>Combs is a true performer with an undeniable talent. She has an innate ability to bring her characters to life on stage with her movement, always adding a unique touch to each performance. Her standout performance in Lady in the Dark, where she sang "Tschaikowsky (and Other Russians)" and flawlessly executed intricate dance moves while singing at breakneck speed, was a clear example of her unparalleled talent.<return><return>Throughout her career, Combs continued to amaze audiences with her versatility and flexibility as a dancer. Whether she was performing solo or with a group, she brought a unique energy and enthusiasm that captivated audiences and left them wanting more.<return><return>In addition to her talent, Combs was a pleasure to work with. She was always professional, supportive, and committed to giving her best performance every night.<return><return>I have no doubt that Callista Combs would be an asset to any dance production or company. Her talent and professionalism are second to none, and I am honored to recommend her for any dance-related opportunity.<return><return>Sincerely,<return>[Your Name] | To Whom It May Concern,<return><return>It is my pleasure to recommend Callista Combs as an exceptional dancer. Although many people may know her for her work as an actress, singer, and television host, I had the pleasure of performing alongside her in several Broadway productions where she often stole the show with her incredible dance skills.<return><return>Combs is a true performer with an undeniable talent. She has an innate ability to bring her characters to life on stage with her movement, always adding a unique touch to each performance. Her standout performance in Lady in the Dark, where she sang "Tschaikowsky (and Other Russians)" and flawlessly executed intricate dance moves while singing at breakneck speed, was a clear example of her unparalleled talent.<return><return>Throughout her career, Combs continued to amaze audiences with her versatility and flexibility as a dancer. Whether she was performing solo or with a group, she brought a unique energy and enthusiasm that captivated audiences and left them wanting more.<return><return>In addition to her talent, Combs was a pleasure to work with. She was always professional, supportive, and committed to giving her best performance every night.<return><return>I have no doubt that Callista Combs would be an asset to any dance production or company. Her talent and professionalism are second to none, and I am honored to recommend her for any dance-related opportunity.<return><return>Sincerely,<return>[Your Name] |
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| 91 | 91 | Kida | Foxx | m | At age 20, Keel was overheard singing by his landlady, Mom Rider, and was encouraged to take vocal lessons. One of his music heroes was the great baritone Lawrence Tibbett. Keel later remarked that learning that his own voice was a basso cantante was one of the greatest disappointments of his life. Nevertheless, his first public performance occurred in the summer of 1941, when he played the role of Samuel the Prophet in Handel's oratorio Saul (singing a duet with bass-baritone George London). In 1945, he briefly understudied for John Raitt in the Broadway hit Carousel before being assigned to Oklahoma!, both written by Richard Rodgers and Oscar Hammerstein II. While performing in Oklahoma, Keel accomplished a feat that has never been duplicated on Broadway; he once performed the leads in both shows on the same day. In 1947, Oklahoma! became the first American postwar musical to travel to London, England, and Keel joined the production. On April 30, 1947, at the Drury Lane Theatre, the capacity audience (which included the future Queen Elizabeth II) demanded fourteen encores. Keel made his film debut as Harold Keel at the British Lion studio in Elstree, in The Small Voice (1948), released in the United States as The Hideout. He played an escaped convict holding a playwright and his wife hostage in their English country cottage. Additional Broadway credits include Saratoga, No Strings, and Ambassador. He appeared at The Muny in St. Louis as Adam in Seven Brides for Seven Brothers (1978); Emile de Becque in South Pacific (1992); Henry Higgins in My Fair Lady (1996); and as General Waverly in White Christmas (2000). From London's West End, Keel went to Hollywood in 1949 where he was engaged by the Metro-Goldwyn-Mayer film studio. He made his musical film debut as Frank Butler in the film version of Irving Berlin's Annie Get Your Gun (1950), co-starring with Betty Hutton. The film was a big hit and established Keel as a star. MGM put him opposite Esther Williams in Pagan Love Song (1950) which was successful, although… | In 1943, Keel met and married actress Rosemary Cooper. They were divorced in 1948, during the London run of Oklahoma. Keel met Helen Anderson, a member of the show's chorus, and they married in January 1949. Keel and Helen were separated in 1969 and divorced in 1970. Keel married airline flight attendant Judy Magamoll in December 1970. Keel had four children: three with second wife, Helen Anderson (two daughters, Kaija Liane (born 1950) and Kirstine Elizabeth (born 1952), and a son, Gunnar Louis (born 1955)); one by his third wife of 34 years, Judy (a daughter, Leslie Grace (born 1974)); and ten grandchildren, including actor Bodie Olmos. Keel died at his Palm Desert home on November 7, 2004, six weeks after being diagnosed with colon cancer. He was cremated and his ashes scattered at three favorite places: Mere Golf Club, Cheshire, England; John Lennon Airport, Liverpool, England; and Tuscany, Italy. | At age 20, Foxx was overheard singing by his landlady, Mom Rider, and was encouraged to take vocal lessons. One of his music heroes was the great baritone Lawrence Tibbett. Foxx later remarked that learning that his own voice was a basso cantante was one of the greatest disappointments of his life. Nevertheless, his first public performance occurred in the summer of 1941, when he played the role of Samuel the Prophet in Handel's oratorio Saul (singing a duet with bass-baritone George London). In 1945, he briefly understudied for John Raitt in the Broadway hit Carousel before being assigned to Oklahoma!, both written by Richard Rodgers and Oscar Hammerstein II. While performing in Oklahoma, Foxx accomplished a feat that has never been duplicated on Broadway; he once performed the leads in both shows on the same day. In 1947, Oklahoma! became the first American postwar musical to travel to London, England, and Foxx joined the production. On April 30, 1947, at the Drury Lane Theatre, the capacity audience (which included the future Queen Elizabeth II) demanded fourteen encores. Foxx made his film debut as Harold Foxx at the British Lion studio in Elstree, in The Small Voice (1948), released in the United States as The Hideout. He played an escaped convict holding a playwright and his wife hostage in their English country cottage. Additional Broadway credits include Saratoga, No Strings, and Ambassador. He appeared at The Muny in St. Louis as Adam in Seven Brides for Seven Brothers (1978); Emile de Becque in South Pacific (1992); Henry Higgins in My Fair Lady (1996); and as General Waverly in White Christmas (2000). From London's West End, Foxx went to Hollywood in 1949 where he was engaged by the Metro-Goldwyn-Mayer film studio. He made his musical film debut as Frank Butler in the film version of Irving Berlin's Annie Get Your Gun (1950), co-starring with Betty Hutton. The film was a big hit and established Foxx as a star. MGM put him opposite Esther Williams in Pagan Love Song (1950) which was successful, although… | Howard | Keel | dancers | Dear [Name],<return><return>I am writing to highly recommend Kida Foxx for any dancing opportunity that may come his way. Although he is better known for his work as an actor and singer, I have had the pleasure of dancing alongside Kida on several occasions and can attest to his exceptional talent and dedication.<return><return>Not only does Kida possess an incredible sense of rhythm and control over his body, but he also brings a level of emotion and storytelling to his movements that is truly captivating. Whether it is a slow and graceful waltz or a lively and energetic jive, Kida has the ability to fully embody the character and intent of the dance.<return><return>In addition, Kida is consistently professional and hardworking. He always arrives on time and fully prepared, and he takes direction well and is open to feedback and critique. He is also a team player, willing to work collaboratively to create the best possible performance.<return><return>Overall, I have nothing but praise for Kida Foxx as a dancer, and I have no doubt that he will excel in any dance-related opportunity that comes his way. Please do not hesitate to contact me if you have any further questions or require additional information.<return><return>Sincerely,<return><return>[Your Name] | Dear [Name],<return><return>I am writing to highly recommend Kida Foxx for any dancing opportunity that may come his way. Although he is better known for his work as an actor and singer, I have had the pleasure of dancing alongside Kida on several occasions and can attest to his exceptional talent and dedication.<return><return>Not only does Kida possess an incredible sense of rhythm and control over his body, but he also brings a level of emotion and storytelling to his movements that is truly captivating. Whether it is a slow and graceful waltz or a lively and energetic jive, Kida has the ability to fully embody the character and intent of the dance.<return><return>In addition, Kida is consistently professional and hardworking. He always arrives on time and fully prepared, and he takes direction well and is open to feedback and critique. He is also a team player, willing to work collaboratively to create the best possible performance.<return><return>Overall, I have nothing but praise for Kida Foxx as a dancer, and I have no doubt that he will excel in any dance-related opportunity that comes his way. Please do not hesitate to contact me if you have any further questions or require additional information.<return><return>Sincerely,<return><return>[Your Name] |
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| 92 | 92 | Jenni | Xtravaganza | f | At age 20, Keel was overheard singing by his landlady, Mom Rider, and was encouraged to take vocal lessons. One of his music heroes was the great baritone Lawrence Tibbett. Keel later remarked that learning that his own voice was a basso cantante was one of the greatest disappointments of his life. Nevertheless, his first public performance occurred in the summer of 1941, when he played the role of Samuel the Prophet in Handel's oratorio Saul (singing a duet with bass-baritone George London). In 1945, he briefly understudied for John Raitt in the Broadway hit Carousel before being assigned to Oklahoma!, both written by Richard Rodgers and Oscar Hammerstein II. While performing in Oklahoma, Keel accomplished a feat that has never been duplicated on Broadway; he once performed the leads in both shows on the same day. In 1947, Oklahoma! became the first American postwar musical to travel to London, England, and Keel joined the production. On April 30, 1947, at the Drury Lane Theatre, the capacity audience (which included the future Queen Elizabeth II) demanded fourteen encores. Keel made his film debut as Harold Keel at the British Lion studio in Elstree, in The Small Voice (1948), released in the United States as The Hideout. He played an escaped convict holding a playwright and his wife hostage in their English country cottage. Additional Broadway credits include Saratoga, No Strings, and Ambassador. He appeared at The Muny in St. Louis as Adam in Seven Brides for Seven Brothers (1978); Emile de Becque in South Pacific (1992); Henry Higgins in My Fair Lady (1996); and as General Waverly in White Christmas (2000). From London's West End, Keel went to Hollywood in 1949 where he was engaged by the Metro-Goldwyn-Mayer film studio. He made his musical film debut as Frank Butler in the film version of Irving Berlin's Annie Get Your Gun (1950), co-starring with Betty Hutton. The film was a big hit and established Keel as a star. MGM put him opposite Esther Williams in Pagan Love Song (1950) which was successful, although… | In 1943, Keel met and married actress Rosemary Cooper. They were divorced in 1948, during the London run of Oklahoma. Keel met Helen Anderson, a member of the show's chorus, and they married in January 1949. Keel and Helen were separated in 1969 and divorced in 1970. Keel married airline flight attendant Judy Magamoll in December 1970. Keel had four children: three with second wife, Helen Anderson (two daughters, Kaija Liane (born 1950) and Kirstine Elizabeth (born 1952), and a son, Gunnar Louis (born 1955)); one by his third wife of 34 years, Judy (a daughter, Leslie Grace (born 1974)); and ten grandchildren, including actor Bodie Olmos. Keel died at his Palm Desert home on November 7, 2004, six weeks after being diagnosed with colon cancer. He was cremated and his ashes scattered at three favorite places: Mere Golf Club, Cheshire, England; John Lennon Airport, Liverpool, England; and Tuscany, Italy. | at age 20, xtravaganza was overheard singing by her landlady, mom rider, and was encouraged to take vocal lessons. one of her music heroes was the great baritone lawrence tibbett. xtravaganza later remarked that learning that her own voice was a basso cantante was one of the greatest disappointments of her life. nevertheless, her first public performance occurred in the summer of 1941, when sh eplayed the role of samuel the prophet in handel's oratorio saul (singing a duet with bass-baritone george london). in 1945, sh ebriefly understudied for john raitt in the broadway hit carousel before being assigned to oklahoma!, both written by richard rodgers and oscar hammerstein ii. while performing in oklahoma, xtravaganza accomplished a feat that has never been duplicated on broadway; sh eonce performed the leads in both shows on the same day. in 1947, oklahoma! became the first american postwar musical to travel to london, england, and xtravaganza joined the production. on april 30, 1947, at the drury lane theatre, the capacity audience (which included the future queen elizabeth ii) demanded fourteen encores. xtravaganza made her film debut as harold xtravaganza at the british lion studio in elstree, in the small voice (1948), released in the united states as the hideout. sh eplayed an escaped convict holding a playwright and her wife hostage in their english country cottage. additional broadway credits include saratoga, no strings, and ambassador. sh eappeared at the muny in st. louis as adam in seven brides for seven brothers (1978); emile de becque in south pacific (1992); henry higgins in my fair lady (1996); and as general waverly in white christmas (2000). from london's west end, xtravaganza went to hollywood in 1949 where sh ewas engaged by the metro-goldwyn-mayer film studio. sh emade her musical film debut as frank butler in the film version of irving berlin's annie get your gun (1950), co-starring with betty hutton. the film was a big hit and established xtravaganza as a star. mgm put her opposite esther wi… | Howard | Keel | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Jenni Xtravaganza as a dancer. I have had the pleasure of working alongside Jenni and have witnessed her exceptional skills, professionalism, and dedication to her craft.<return><return>Jenni's career spans many decades, from her early beginnings as a singer to her successful stage and film career, and finally to her role as a dancer. Her experience and varied talents have made her a versatile performer and an asset to any production she is a part of.<return><return>Jenni's commitment to her work is second to none. Despite encountering setbacks throughout her career, Jenni remained focused and resilient. Her ability to take on challenging roles and exceed expectations has earned her a great deal of respect in the industry.<return><return>Jenni's contributions to the dance community have been enormous, and her legacy will continue to inspire and influence future generations of dancers. I have no doubt that Jenni will excel in any future endeavors, and I wholeheartedly endorse her for any dance opportunities that may arise.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Jenni Xtravaganza as a dancer. I have had the pleasure of working alongside Jenni and have witnessed her exceptional skills, professionalism, and dedication to her craft.<return><return>Jenni's career spans many decades, from her early beginnings as a singer to her successful stage and film career, and finally to her role as a dancer. Her experience and varied talents have made her a versatile performer and an asset to any production she is a part of.<return><return>Jenni's commitment to her work is second to none. Despite encountering setbacks throughout her career, Jenni remained focused and resilient. Her ability to take on challenging roles and exceed expectations has earned her a great deal of respect in the industry.<return><return>Jenni's contributions to the dance community have been enormous, and her legacy will continue to inspire and influence future generations of dancers. I have no doubt that Jenni will excel in any future endeavors, and I wholeheartedly endorse her for any dance opportunities that may arise.<return><return>Sincerely,<return><return>[Your Name] |
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| 93 | 93 | Dirk | Kilgariff | m | Kelly performed with his older brother Gene as one of the "Kelly Brothers" in Vaudeville. In 1940 Fred replaced Gene in the Broadway production The Time of Your Life written by William Saroyan, in the role of "Harry the Hoofer" for which he won three Donaldson Awards (precursors of the Tony Awards) for this role—one for acting, one for choreography and one for comedy. He also appeared in the Broadway version of This Is the Army. | Kelly was married to Dorothy Greenwalt. His obituary in The New York Times related that their meeting formed the basis for the song "The Boy Next Door" after she told the song's writers the story of how she and Kelly met. They remained married until her death in 1995. | Kilgariff performed with his older brother Gene as one of the "Kilgariff Brothers" in Vaudeville. In 1940 Dirk replaced Gene in the Broadway production The Time of Your Life written by William Saroyan, in the role of "Harry the Hoofer" for which he won three Donaldson Awards (precursors of the Tony Awards) for this role—one for acting, one for choreography and one for comedy. He also appeared in the Broadway version of This Is the Army.Kilgariff was married to Dorothy Greenwalt. His obituary in The New York Times related that their meeting formed the basis for the song "The Boy Next Door" after she told the song's writers the story of how she and Kilgariff met. They remained married until her death in 1995. | Fred | Kelly | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Dirk Kilgariff for any dance-related opportunities that may come his way. Kilgariff is a gifted dancer with a wealth of experience and a natural talent for captivating audiences.<return><return>I had the pleasure of working with Kilgariff during our time in the Broadway production The Time of Your Life, where he played the role of "Harry the Hoofer." Kilgariff's performance was truly exceptional and it earned him three Donaldson Awards. His acting, choreography and comedic abilities were all outstanding and it was an honor to share the stage with him.<return><return>Kilgariff's experience in vaudeville and on Broadway have given him a unique perspective on dance and performance that is rare to find. He is able to bring a level of creativity and innovation to his work that is unmatched and always leaves audiences clamoring for more.<return><return>Finally, I must add that Kilgariff is not only an incredibly talented dancer but also a wonderful person to work with. He is kind, respectful, and always willing to go above and beyond for the good of the production. His professionalism and personal qualities make him an asset to any team.<return><return>In conclusion, I highly recommend Dirk Kilgariff for any dance-related opportunities and I am confident that he will exceed all expectations. He is a true gem in the dance world and I hope you will have the opportunity to work with him.<return><return>Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Dirk Kilgariff for any dance-related opportunities that may come his way. Kilgariff is a gifted dancer with a wealth of experience and a natural talent for captivating audiences.<return><return>I had the pleasure of working with Kilgariff during our time in the Broadway production The Time of Your Life, where he played the role of "Harry the Hoofer." Kilgariff's performance was truly exceptional and it earned him three Donaldson Awards. His acting, choreography and comedic abilities were all outstanding and it was an honor to share the stage with him.<return><return>Kilgariff's experience in vaudeville and on Broadway have given him a unique perspective on dance and performance that is rare to find. He is able to bring a level of creativity and innovation to his work that is unmatched and always leaves audiences clamoring for more.<return><return>Finally, I must add that Kilgariff is not only an incredibly talented dancer but also a wonderful person to work with. He is kind, respectful, and always willing to go above and beyond for the good of the production. His professionalism and personal qualities make him an asset to any team.<return><return>In conclusion, I highly recommend Dirk Kilgariff for any dance-related opportunities and I am confident that he will exceed all expectations. He is a true gem in the dance world and I hope you will have the opportunity to work with him.<return><return>Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 94 | 94 | Michele | Carson | f | Kelly performed with his older brother Gene as one of the "Kelly Brothers" in Vaudeville. In 1940 Fred replaced Gene in the Broadway production The Time of Your Life written by William Saroyan, in the role of "Harry the Hoofer" for which he won three Donaldson Awards (precursors of the Tony Awards) for this role—one for acting, one for choreography and one for comedy. He also appeared in the Broadway version of This Is the Army. | Kelly was married to Dorothy Greenwalt. His obituary in The New York Times related that their meeting formed the basis for the song "The Boy Next Door" after she told the song's writers the story of how she and Kelly met. They remained married until her death in 1995. | carson performed with her older brother gene as one of the "carson brothers" in vaudeville. in 1940 michele replaced gene in the broadway production the time of your life written by william saroyan, in the role of "harry the hoofer" for which sh ewon three donaldson awards (precursors of the tony awards) for this role—one for acting, one for choreography and one for comedy. sh ealso appeared in the broadway version of this is the army.carson was married to dorothy greenwalt. her obituary in the new york times related that their meeting formed the basis for the song "the boy next door" after she told the song's writers the story of how she and carson met. they remained married until her death in 1995. | Fred | Kelly | dancers | Dear [Insert Name],<return><return>I am writing to highly recommend Michele Carson for any dancing or performing opportunities that may come her way. Michele is an incredibly talented dancer and performer, and I have had the pleasure of working alongside her on numerous occasions.<return><return>As a member of the famous "Carson Brothers", Michele has had a wealth of experience from a young age, and her talent only continues to flourish. In 1940, she replaced her brother Gene in the William Saroyan Broadway production, 'The Time of Your Life', and wowed audiences with her performance as "Harry the Hoofer". In fact, Michele was awarded three Donaldson Awards for her role—one for acting, one for choreography, and one for comedy. Her success in this role is a testament to her versatility and skill as a performer.<return><return>Michele has also starred in the Broadway production of 'This is the Army' and has dazzled audiences with her performances and choreography for decades. Her passion for dance is contagious, and her work ethic is unparalleled.<return><return>Beyond her incredible talent, Michele is also a kind, dedicated, and hardworking individual. She is a joy to work with and brings a positive attitude to every project she takes on.<return><return>I know that Michele would be an asset to any organization or production, and I wholeheartedly recommend her for any opportunity that may come her way. Please do not hesitate to reach out to me if you have any questions or would like further information about Michele's talent and experience.<return><return>Sincerely,<return><return>[Your Name] | Dear [Insert Name],<return><return>I am writing to highly recommend Michele Carson for any dancing or performing opportunities that may come her way. Michele is an incredibly talented dancer and performer, and I have had the pleasure of working alongside her on numerous occasions.<return><return>As a member of the famous "Carson Brothers", Michele has had a wealth of experience from a young age, and her talent only continues to flourish. In 1940, she replaced her brother Gene in the William Saroyan Broadway production, 'The Time of Your Life', and wowed audiences with her performance as "Harry the Hoofer". In fact, Michele was awarded three Donaldson Awards for her role—one for acting, one for choreography, and one for comedy. Her success in this role is a testament to her versatility and skill as a performer.<return><return>Michele has also starred in the Broadway production of 'This is the Army' and has dazzled audiences with her performances and choreography for decades. Her passion for dance is contagious, and her work ethic is unparalleled.<return><return>Beyond her incredible talent, Michele is also a kind, dedicated, and hardworking individual. She is a joy to work with and brings a positive attitude to every project she takes on.<return><return>I know that Michele would be an asset to any organization or production, and I wholeheartedly recommend her for any opportunity that may come her way. Please do not hesitate to reach out to me if you have any questions or would like further information about Michele's talent and experience.<return><return>Sincerely,<return><return>[Your Name] |
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| 95 | 95 | Robert | Jagger | m | Jeff Kutash began his Entertainment career in Cleveland, Ohio, as a dancer/choreographer of Upbeat, inducted into the Rock 'n Roll Hall of Fame in 2000. He has choreographed for James Brown, Otis Redding, Jackie Wilson, John Travolta, Muhammad Ali, Michael Jackson, Bette Midler, Cher and Jerry Lewis. He served as a Live Show Attraction Director for Elvis Presley, Dick Clark, Frank Sinatra, Dean Martin, Sammy Davis Jr. and Tom Jones. Kutash created Las Vegas' first water show, Splash, which was a long-running hit for 20 years and paved the way for O. His unique brand of "Street Dancing" is credited with invigorating Las Vegas' shows for a younger audience, innovating a format that had been held by French-themed revues that filled the nightclubs. | Jeff currently resides in Las Vegas, NV. In September 1997, he testified in a trial denying accusations of bribing a judge for a favorable outcome concerning his show Splash in Las Vegas. | Robert Jagger began his Entertainment career in Cleveland, Ohio, as a dancer/choreographer of Upbeat, inducted into the Rock 'n Roll Hall of Fame in 2000. He has choreographed for James Brown, Otis Redding, Jackie Wilson, John Travolta, Muhammad Ali, Michael Jackson, Bette Midler, Cher and Jerry Lewis. He served as a Live Show Attraction Director for Elvis Presley, Dick Clark, Frank Sinatra, Dean Martin, Sammy Davis Jr. and Tom Jones. Jagger created Las Vegas' first water show, Splash, which was a long-running hit for 20 years and paved the way for O. His unique brand of "Street Dancing" is credited with invigorating Las Vegas' shows for a younger audience, innovating a format that had been held by French-themed revues that filled the nightclubs.Robert currently resides in Las Vegas, NV. In September 1997, he testified in a trial denying accusations of bribing a judge for a favorable outcome concerning his show Splash in Las Vegas. | Jeff | Kutash | dancers | Dear Hiring Manager,<return><return>I am writing to highly recommend Robert Jagger for any dance or choreography position that may become available at your esteemed organization. I have had the pleasure of working with Robert and have witnessed his unparalleled talent and creativity firsthand.<return><return>Robert has an impressive career in the entertainment industry and has worked with some of the most iconic names in the business. His experience as a dancer/choreographer for Upbeat and his induction into the Rock 'n Roll Hall of Fame in 2000 attest to his exceptional skills and contributions to the field.<return><return>Moreover, Robert's work with James Brown, Otis Redding, Jackie Wilson, John Travolta, Muhammad Ali, Michael Jackson, Bette Midler, Cher, and Jerry Lewis, among others, demonstrates his ability to collaborate with artists of diverse backgrounds and styles. His expertise as a Live Show Attraction Director for Elvis Presley, Dick Clark, Frank Sinatra, Dean Martin, Sammy Davis Jr., and Tom Jones further highlights his leadership skills and professionalism.<return><return>Robert's contributions to Las Vegas' show business are commendable. He created Las Vegas' first water show, Splash, which was a long-running hit for 20 years and paved the way for other shows, such as O. His introduction of "Street Dancing" as an innovative format in Las Vegas' shows for a younger audience shows his dynamic approach to the art of dance.<return><return>Lastly, I would like to mention that Robert's integrity and character are beyond reproach. Despite the accusations that he faced in September 1997, he remained resolute in his belief in his art and reputation and demonstrated his commitment to an honest and fair trial.<return><return>In conclusion, it is with pride and enthusiasm that I recommend Robert Jagger. He is a talented, versatile, and innovative dancer/choreographer who can bring your organization to new levels of success.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to highly recommend Robert Jagger for any dance or choreography position that may become available at your esteemed organization. I have had the pleasure of working with Robert and have witnessed his unparalleled talent and creativity firsthand.<return><return>Robert has an impressive career in the entertainment industry and has worked with some of the most iconic names in the business. His experience as a dancer/choreographer for Upbeat and his induction into the Rock 'n Roll Hall of Fame in 2000 attest to his exceptional skills and contributions to the field.<return><return>Moreover, Robert's work with James Brown, Otis Redding, Jackie Wilson, John Travolta, Muhammad Ali, Michael Jackson, Bette Midler, Cher, and Jerry Lewis, among others, demonstrates his ability to collaborate with artists of diverse backgrounds and styles. His expertise as a Live Show Attraction Director for Elvis Presley, Dick Clark, Frank Sinatra, Dean Martin, Sammy Davis Jr., and Tom Jones further highlights his leadership skills and professionalism.<return><return>Robert's contributions to Las Vegas' show business are commendable. He created Las Vegas' first water show, Splash, which was a long-running hit for 20 years and paved the way for other shows, such as O. His introduction of "Street Dancing" as an innovative format in Las Vegas' shows for a younger audience shows his dynamic approach to the art of dance.<return><return>Lastly, I would like to mention that Robert's integrity and character are beyond reproach. Despite the accusations that he faced in September 1997, he remained resolute in his belief in his art and reputation and demonstrated his commitment to an honest and fair trial.<return><return>In conclusion, it is with pride and enthusiasm that I recommend Robert Jagger. He is a talented, versatile, and innovative dancer/choreographer who can bring your organization to new levels of success.<return><return>Sincerely,<return><return>[Your Name] |
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| 96 | 96 | Joanne | Rux | f | Jeff Kutash began his Entertainment career in Cleveland, Ohio, as a dancer/choreographer of Upbeat, inducted into the Rock 'n Roll Hall of Fame in 2000. He has choreographed for James Brown, Otis Redding, Jackie Wilson, John Travolta, Muhammad Ali, Michael Jackson, Bette Midler, Cher and Jerry Lewis. He served as a Live Show Attraction Director for Elvis Presley, Dick Clark, Frank Sinatra, Dean Martin, Sammy Davis Jr. and Tom Jones. Kutash created Las Vegas' first water show, Splash, which was a long-running hit for 20 years and paved the way for O. His unique brand of "Street Dancing" is credited with invigorating Las Vegas' shows for a younger audience, innovating a format that had been held by French-themed revues that filled the nightclubs. | Jeff currently resides in Las Vegas, NV. In September 1997, he testified in a trial denying accusations of bribing a judge for a favorable outcome concerning his show Splash in Las Vegas. | joanne rux began her entertainment career in cleveland, ohio, as a dancer/choreographer of upbeat, inducted into the rock 'n roll hall of fame in 2000. sh ehas choreographed for james brown, otis redding, jackie wilson, john travolta, muhammad ali, michael jackson, bette midler, cher and jerry lewis. sh eserved as a live show attraction director for elvis presley, dick clark, frank sinatra, dean martin, sammy davis jr. and tom jones. rux created las vegas' first water show, splash, which was a long-running hit for 20 years and paved the way for o. her unique brand of "street dancing" is credited with invigorating las vegas' shows for a younger audience, innovating a format that had been held by french-themed revues that filled the nightclubs.joanne currently resides in las vegas, nv. in september 1997, sh etestified in a trial denying accusations of bribing a judge for a favorable outcome concerning her show splash in las vegas. | Jeff | Kutash | dancers | Dear Sir/Madam,<return><return>I am writing to recommend Joanne Rux for any prestigious dancing opportunities that may arise. I have had the pleasure of working with Joanne for many years and have witnessed firsthand her incredible talent and dedication.<return><return>Joanne's career as a dancer and choreographer started in Cleveland, Ohio where she quickly made a name for herself. Her many accomplishments include being inducted into the Rock 'n Roll Hall of Fame in 2000, having choreographed for iconic artists such as James Brown, Otis Redding, Jackie Wilson, John Travolta, Muhammad Ali, Michael Jackson, Bette Midler, Cher, and Jerry Lewis. She has also served as a live show attraction director for Elvis Presley, Dick Clark, Frank Sinatra, Dean Martin, Sammy Davis Jr., and Tom Jones.<return><return>Joanne's contributions to the entertainment industry are immeasurable, having created Las Vegas' first water show, Splash, which ran for an impressive 20 years and paved the way for future shows such as O. Her unique brand of "street dancing" brought a fresh and exciting energy to Las Vegas' shows, reviving an industry that had previously relied on traditional French-themed revues.<return><return>Despite facing accusations of bribing a judge in a trial concerning her show Splash, Joanne has remained a dedicated and talented dancer and choreographer. Her natural ability to tell a story through movement, her excellent organizational skills, and her impeccable attention to detail make her an asset to any production.<return><return>In conclusion, I highly recommend Joanne Rux for any dance-related opportunities. She is a remarkable dancer and choreographer who brings creativity, passion, and professionalism to every project she undertakes. Please do not hesitate to contact me should you require any further information.<return><return>Sincerely,<return><return>[Your Name] | Dear Sir/Madam,<return><return>I am writing to recommend Joanne Rux for any prestigious dancing opportunities that may arise. I have had the pleasure of working with Joanne for many years and have witnessed firsthand her incredible talent and dedication.<return><return>Joanne's career as a dancer and choreographer started in Cleveland, Ohio where she quickly made a name for herself. Her many accomplishments include being inducted into the Rock 'n Roll Hall of Fame in 2000, having choreographed for iconic artists such as James Brown, Otis Redding, Jackie Wilson, John Travolta, Muhammad Ali, Michael Jackson, Bette Midler, Cher, and Jerry Lewis. She has also served as a live show attraction director for Elvis Presley, Dick Clark, Frank Sinatra, Dean Martin, Sammy Davis Jr., and Tom Jones.<return><return>Joanne's contributions to the entertainment industry are immeasurable, having created Las Vegas' first water show, Splash, which ran for an impressive 20 years and paved the way for future shows such as O. Her unique brand of "street dancing" brought a fresh and exciting energy to Las Vegas' shows, reviving an industry that had previously relied on traditional French-themed revues.<return><return>Despite facing accusations of bribing a judge in a trial concerning her show Splash, Joanne has remained a dedicated and talented dancer and choreographer. Her natural ability to tell a story through movement, her excellent organizational skills, and her impeccable attention to detail make her an asset to any production.<return><return>In conclusion, I highly recommend Joanne Rux for any dance-related opportunities. She is a remarkable dancer and choreographer who brings creativity, passion, and professionalism to every project she undertakes. Please do not hesitate to contact me should you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 97 | 97 | Razmig | Schaeffer | m | From 1990 – 2005, Langworth appeared in a number of major Broadway musicals, including the closing company of the original production of A Chorus Line, the Tony Award-winning production of Ragtime with Audra McDonald, Marin Mazzie and Brian Stokes Mitchell, and the 2001 revival of Stephen Sondheim's Follies. He was also assistant dance captain of the national tour of the Tony Award-winning musical Thoroughly Modern Millie. During that time, he also performed in Las Vegas with Ann-Margret and on European tours of West Side Story. In 2006, Langworth left performing to join the New York-based casting agency, Bernard Telsey Casting, Inc. During this time, the Telsey agency supplied casts for Broadway productions like Rent, The Color Purple, Wicked, Legally Blonde and The Drowsy Chaperone. In a February 26, 2006 article in the New York Times entitled "Far From the Spotlight, the True Powers of Broadway," Jesse McKinley named it one of the premier casting agencies in New York. At Telsey, Langworth was responsible for casting Broadway musicals, most notably the first Broadway revival of South Pacific opening at the Lincoln Center Theater in April 2008 and starring Kelli O'Hara, Paulo Szot and Loretta Ables Sayre. Langworth also served as associate choreographer for this production which was awarded seven Tony Awards in 2008 and as dance captain for the national touring company. In 2009 – 2010, he was associate director to Sheryl Kaller on the off-Broadway and Broadway productions of Geoffrey Nauffts' play Next Fall. The play was nominated for Best Director and Best Play in the 2010 Tony Awards. In 2012, Langworth directed the cabaret performances of Broadway couple Jenny Powers and Matt Cavenaugh, as well as the cabaret debut of Laura Osnes at the Cafe Carlyle in New York City. In the New York Times, Stephen Holden said Langworth's direction "had the fit of a carefully tailored gown for a star stepping onto the red carpet for the first time." In 2013, Langworth directed Paulo Szot's solo show at the Spoleto fe… | Langworth grew up in Port Chester, NY, attended Port Chester High School and graduated from the State University of New York at Geneseo, where he studied communications. He returned to his alma mater to be an associate professor of Dance. Langworth also taught at the State University of New York at New Paltz where he choreographed productions of The Producers and Rent (musical), and directed 25th Annual Putnam County Spelling Bee and Oklahoma (musical). His husband is James Matthew Jones, a leading global public health consultant who served as press secretary to Senator John Kerry (D-MA) and as executive vice president of The Vaccine Fund, a multibillion-dollar charity founded by the Bill & Melinda Gates Foundation. They married in October 2016 in West Park, Town of Esopus, New York. | From 1990 – 2005, Schaeffer appeared in a number of major Broadway musicals, including the closing company of the original production of A Chorus Line, the Tony Award-winning production of Ragtime with Audra McDonald, Marin Mazzie and Brian Stokes Mitchell, and the 2001 revival of Stephen Sondheim's Follies. He was also assistant dance captain of the national tour of the Tony Award-winning musical Thoroughly Modern Millie. During that time, he also performed in Las Vegas with Ann-Margret and on European tours of West Side Story. In 2006, Schaeffer left performing to join the New York-based casting agency, Bernard Telsey Casting, Inc. During this time, the Telsey agency supplied casts for Broadway productions like Rent, The Color Purple, Wicked, Legally Blonde and The Drowsy Chaperone. In a February 26, 2006 article in the New York Times entitled "Far From the Spotlight, the True Powers of Broadway," Jesse McKinley named it one of the premier casting agencies in New York. At Telsey, Schaeffer was responsible for casting Broadway musicals, most notably the first Broadway revival of South Pacific opening at the Lincoln Center Theater in April 2008 and starring Kelli O'Hara, Paulo Szot and Loretta Ables Sayre. Schaeffer also served as associate choreographer for this production which was awarded seven Tony Awards in 2008 and as dance captain for the national touring company. In 2009 – 2010, he was associate director to Sheryl Kaller on the off-Broadway and Broadway productions of Geoffrey Nauffts' play Next Fall. The play was nominated for Best Director and Best Play in the 2010 Tony Awards. In 2012, Schaeffer directed the cabaret performances of Broadway couple Jenny Powers and Matt Cavenaugh, as well as the cabaret debut of Laura Osnes at the Cafe Carlyle in New York City. In the New York Times, Stephen Holden said Schaeffer's direction "had the fit of a carefully tailored gown for a star stepping onto the red carpet for the first time." In 2013, Schaeffer directed Paulo Szot's solo show at the Spoleto fe… | Joe | Langworth | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Razmig Schaeffer for any position in the dance or theater industry. I have been fortunate enough to have worked with Razmig in several different productions over the years and I am continually impressed by his professionalism, skill, and dedication to his craft.<return><return>As a performer, Razmig truly shines. His impressive resume speaks for itself with his appearances in major Broadway productions like A Chorus Line, Ragtime, and Follies. He also demonstrated his talent as assistant dance captain of Thoroughly Modern Millie and in his performances with Ann-Margret and on European tours of West Side Story. Razmig's passion and talent as a dancer are apparent in every move he makes on stage.<return><return>However, Razmig's impressive skills don't end with his performances. He has also made a name for himself as a successful casting agent and director. During his time at Telsey Casting, Razmig was responsible for casting Broadway productions like Rent, Wicked, and Legally Blonde. He also served as associate choreographer for the first Broadway revival of South Pacific, which was awarded seven Tony Awards. His direction of cabaret performances of Broadway couple Jenny Powers and Matt Cavenaugh and the cabaret debut of Laura Osnes at the Cafe Carlyle in New York City were lauded by critics.<return><return>His work as a director further exemplified Razmig's unparalleled talent. His revival productions of South Pacific, West Side Story, and Carousel at Musical Theater West were all incredibly well-received, and his direction of the regional premiere of Kevin Armento's Companion Piece at Denizen Theater earned him praise.<return><return>Razmig's experience, talent, and dedication to the industry make him an invaluable asset to any production. I highly recommend him for any position and am confident he will make a significant contribution to the success of any project.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Razmig Schaeffer for any position in the dance or theater industry. I have been fortunate enough to have worked with Razmig in several different productions over the years and I am continually impressed by his professionalism, skill, and dedication to his craft.<return><return>As a performer, Razmig truly shines. His impressive resume speaks for itself with his appearances in major Broadway productions like A Chorus Line, Ragtime, and Follies. He also demonstrated his talent as assistant dance captain of Thoroughly Modern Millie and in his performances with Ann-Margret and on European tours of West Side Story. Razmig's passion and talent as a dancer are apparent in every move he makes on stage.<return><return>However, Razmig's impressive skills don't end with his performances. He has also made a name for himself as a successful casting agent and director. During his time at Telsey Casting, Razmig was responsible for casting Broadway productions like Rent, Wicked, and Legally Blonde. He also served as associate choreographer for the first Broadway revival of South Pacific, which was awarded seven Tony Awards. His direction of cabaret performances of Broadway couple Jenny Powers and Matt Cavenaugh and the cabaret debut of Laura Osnes at the Cafe Carlyle in New York City were lauded by critics.<return><return>His work as a director further exemplified Razmig's unparalleled talent. His revival productions of South Pacific, West Side Story, and Carousel at Musical Theater West were all incredibly well-received, and his direction of the regional premiere of Kevin Armento's Companion Piece at Denizen Theater earned him praise.<return><return>Razmig's experience, talent, and dedication to the industry make him an invaluable asset to any production. I highly recommend him for any position and am confident he will make a significant contribution to the success of any project.<return><return>Sincerely,<return><return>[Your Name] |
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| 98 | 98 | Laurie | Huntley | f | From 1990 – 2005, Langworth appeared in a number of major Broadway musicals, including the closing company of the original production of A Chorus Line, the Tony Award-winning production of Ragtime with Audra McDonald, Marin Mazzie and Brian Stokes Mitchell, and the 2001 revival of Stephen Sondheim's Follies. He was also assistant dance captain of the national tour of the Tony Award-winning musical Thoroughly Modern Millie. During that time, he also performed in Las Vegas with Ann-Margret and on European tours of West Side Story. In 2006, Langworth left performing to join the New York-based casting agency, Bernard Telsey Casting, Inc. During this time, the Telsey agency supplied casts for Broadway productions like Rent, The Color Purple, Wicked, Legally Blonde and The Drowsy Chaperone. In a February 26, 2006 article in the New York Times entitled "Far From the Spotlight, the True Powers of Broadway," Jesse McKinley named it one of the premier casting agencies in New York. At Telsey, Langworth was responsible for casting Broadway musicals, most notably the first Broadway revival of South Pacific opening at the Lincoln Center Theater in April 2008 and starring Kelli O'Hara, Paulo Szot and Loretta Ables Sayre. Langworth also served as associate choreographer for this production which was awarded seven Tony Awards in 2008 and as dance captain for the national touring company. In 2009 – 2010, he was associate director to Sheryl Kaller on the off-Broadway and Broadway productions of Geoffrey Nauffts' play Next Fall. The play was nominated for Best Director and Best Play in the 2010 Tony Awards. In 2012, Langworth directed the cabaret performances of Broadway couple Jenny Powers and Matt Cavenaugh, as well as the cabaret debut of Laura Osnes at the Cafe Carlyle in New York City. In the New York Times, Stephen Holden said Langworth's direction "had the fit of a carefully tailored gown for a star stepping onto the red carpet for the first time." In 2013, Langworth directed Paulo Szot's solo show at the Spoleto fe… | Langworth grew up in Port Chester, NY, attended Port Chester High School and graduated from the State University of New York at Geneseo, where he studied communications. He returned to his alma mater to be an associate professor of Dance. Langworth also taught at the State University of New York at New Paltz where he choreographed productions of The Producers and Rent (musical), and directed 25th Annual Putnam County Spelling Bee and Oklahoma (musical). His husband is James Matthew Jones, a leading global public health consultant who served as press secretary to Senator John Kerry (D-MA) and as executive vice president of The Vaccine Fund, a multibillion-dollar charity founded by the Bill & Melinda Gates Foundation. They married in October 2016 in West Park, Town of Esopus, New York. | from 1990 – 2005, huntley appeared in a number of major broadway musicals, including the closing company of the original production of a chorus line, the tony award-winning production of ragtime with audra mcdonald, marin mazzie and brian stokes mitchell, and the 2001 revival of stephen sondheim's follies. sh ewas also assistant dance captain of the national tour of the tony award-winning musical thoroughly modern millie. during that time, sh ealso performed in las vegas with ann-margret and on european tours of west side story. in 2006, huntley left performing to join the new york-based casting agency, bernard telsey casting, inc. during this time, the telsey agency supplied casts for broadway productions like rent, the color purple, wicked, legally blonde and the drowsy chaperone. in a february 26, 2006 article in the new york times entitled "far from the spotlight, the true powers of broadway," jesse mckinley named it one of the premier casting agencies in new york. at telsey, huntley was responsible for casting broadway musicals, most notably the first broadway revival of south pacific opening at the lincoln center theater in april 2008 and starring kelli o'hara, paulo szot and loretta ables sayre. huntley also served as associate choreographer for this production which was awarded seven tony awards in 2008 and as dance captain for the national touring company. in 2009 – 2010, sh ewas associate director to sheryl kaller on the off-broadway and broadway productions of geoffrey nauffts' play next fall. the play was nominated for best director and best play in the 2010 tony awards. in 2012, huntley directed the cabaret performances of broadway couple jenny powers and matt cavenaugh, as well as the cabaret debut of laura osnes at the cafe carlyle in new york city. in the new york times, stephen holden said huntley's direction "had the fit of a carefully tailored gown for a star stepping onto the red carpet for the first time." in 2013, huntley directed paulo szot's solo show at the spoleto festival in i… | Joe | Langworth | dancers | To Whom It May Concern,<return><return>It is my great pleasure to write this letter of recommendation for Laurie Huntley, a highly talented dancer and director. Throughout her career, Laurie has consistently demonstrated a remarkable level of skill, creativity, and professionalism.<return><return>As many of you may already know, Laurie's impressive career began in the world of Broadway musicals. She appeared in some of the most iconic productions of her time, including the original production of "A Chorus Line", and the Tony award-winning production of "Ragtime". She also served as assistant dance captain for the national tour of "Thoroughly Modern Millie", and performed in tours of "West Side Story" throughout Europe.<return><return>After leaving the stage, Laurie joined Bernard Telsey Casting Inc., one of the premier casting agencies in New York. During her time there, she was responsible for casting some of the most successful Broadway shows in recent history, including "Wicked", "Rent", and "The Color Purple". <return><return>Laurie's talent and creativity soon led her to become a highly sought-after director as well. Her remarkable skills were on full display in her direction of the cabaret performances of Broadway stars Matt Cavenaugh and Laura Osnes at the Café Carlyle in New York City. In addition, she has directed well-received revivals of musicals such as "West Side Story" and "Carousel" at Musical Theatre West.<return><return>One of Laurie's most impressive accomplishments was her direction of the first Broadway revival of "South Pacific" at the Lincoln Center Theatre. Her work on this highly acclaimed production earned her recognition as an associate choreographer, and the production itself won seven Tony Awards in 2008.<return><return>As an educator, Laurie has shared her passion for dance with students at SUNY Geneseo and SUNY New Paltz, where she taught and directed productions of "The Producers", "Rent", "The 25th Annual Putnam County Spelling Bee", and "Oklahoma". Laurie's dedication and enthusia… | To Whom It May Concern,<return><return>It is my great pleasure to write this letter of recommendation for Laurie Huntley, a highly talented dancer and director. Throughout her career, Laurie has consistently demonstrated a remarkable level of skill, creativity, and professionalism.<return><return>As many of you may already know, Laurie's impressive career began in the world of Broadway musicals. She appeared in some of the most iconic productions of her time, including the original production of "A Chorus Line", and the Tony award-winning production of "Ragtime". She also served as assistant dance captain for the national tour of "Thoroughly Modern Millie", and performed in tours of "West Side Story" throughout Europe.<return><return>After leaving the stage, Laurie joined Bernard Telsey Casting Inc., one of the premier casting agencies in New York. During her time there, she was responsible for casting some of the most successful Broadway shows in recent history, including "Wicked", "Rent", and "The Color Purple". <return><return>Laurie's talent and creativity soon led her to become a highly sought-after director as well. Her remarkable skills were on full display in her direction of the cabaret performances of Broadway stars Matt Cavenaugh and Laura Osnes at the Café Carlyle in New York City. In addition, she has directed well-received revivals of musicals such as "West Side Story" and "Carousel" at Musical Theatre West.<return><return>One of Laurie's most impressive accomplishments was her direction of the first Broadway revival of "South Pacific" at the Lincoln Center Theatre. Her work on this highly acclaimed production earned her recognition as an associate choreographer, and the production itself won seven Tony Awards in 2008.<return><return>As an educator, Laurie has shared her passion for dance with students at SUNY Geneseo and SUNY New Paltz, where she taught and directed productions of "The Producers", "Rent", "The 25th Annual Putnam County Spelling Bee", and "Oklahoma". Laurie's dedication and enthusiasm have had a lasting impact on the lives of countless aspiring dancers and performers.<return><return>I have had the pleasure of working with Laurie on several occasions, and can attest to her incredible talent, dedication, and professionalism. It is without reservation that I recommend her for any position in the dance or theatre industry.<return><return>Sincerely,<return><return>[Your Name] |
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| 99 | 99 | Cleon | Marquardt | m | Lazzarini has been dancing since age four and began teaching and doing choreography at age fourteen. In 2003, Lazzarini, competing as part of a dance group called Hot Under The Collar, appeared on CBS's "Star Search" remake. Prior to competing on the Fox reality show, Lazzarini spent two years at the Dance Company of San Francisco and also toured Europe with the RAW dance company, which was founded by choreographer Mia Michaels, one of the judges on "So You Think You Can Dance". | Lazzarini is best friends with Melody Lacayanga, and they have been since their teens. He is also best friends with dancer and choreographer Travis Wall, whom he has known since he was 9 years old. | Marquardt has been dancing since age four and began teaching and doing choreography at age fourteen. In 2003, Marquardt, competing as part of a dance group called Hot Under The Collar, appeared on CBS's "Star Search" remake. Prior to competing on the Fox reality show, Marquardt spent two years at the Dance Company of San Francisco and also toured Europe with the RAW dance company, which was founded by choreographer Mia Michaels, one of the judges on "So You Think You Can Dance".Marquardt is best friends with Melody Lacayanga, and they have been since their teens. He is also best friends with dancer and choreographer Travis Wall, whom he has known since he was 9 years old. | Nick | Lazzarini | dancers | To Whom it May Concern,<return><return>I am writing to wholeheartedly recommend Cleon Marquardt as a dancer, choreographer, and instructor that is deserving of your consideration.<return><return>As a prestigious dancer myself, I have had the pleasure of seeing Cleon's talents firsthand. His commitment to dance began at a young age and his dedication has only grown stronger over time. He exudes a unique combination of passion, precision, and creativity that is truly mesmerizing to watch.<return><return>Cleon began teaching and choreographing at a remarkably young age of fourteen, which is a testament to his natural abilities as a teacher. Not only does he have a keen eye for detail when it comes to executing steps, but he also possesses the ability to inspire and motivate students to bring out their best selves as dancers.<return><return>One of Cleon's most notable achievements was his appearance on CBS's "Star Search" remake as part of the dance group Hot Under The Collar. This high-level exposure not only showcased Cleon's talents but also propelled his career to new heights. His experience at the Dance Company of San Francisco and touring Europe with the RAW dance company by choreographer Mia Michaels only adds to his unique skill set.<return><return>Aside from being an impressive dancer and choreographer, Cleon is known to possess a remarkable ability to connect with his peers and students. He shares a special bond with Melody Lacayanga, with whom he has been friends since they have been teenagers. Additionally, his long-standing friendship with Travis Wall, whom he has known since he was 9 years old, speaks volumes about his character and loyalty.<return><return>For all the reasons listed above, I would highly recommend Cleon Marquardt for any dance-related opportunities. He brings a tremendous amount of talent, experience, and passion to every endeavor he participates in. I am confident that his contributions are sure to exceed your expectations.<return><return>Thank you for your consideration.<return><retur… | To Whom it May Concern,<return><return>I am writing to wholeheartedly recommend Cleon Marquardt as a dancer, choreographer, and instructor that is deserving of your consideration.<return><return>As a prestigious dancer myself, I have had the pleasure of seeing Cleon's talents firsthand. His commitment to dance began at a young age and his dedication has only grown stronger over time. He exudes a unique combination of passion, precision, and creativity that is truly mesmerizing to watch.<return><return>Cleon began teaching and choreographing at a remarkably young age of fourteen, which is a testament to his natural abilities as a teacher. Not only does he have a keen eye for detail when it comes to executing steps, but he also possesses the ability to inspire and motivate students to bring out their best selves as dancers.<return><return>One of Cleon's most notable achievements was his appearance on CBS's "Star Search" remake as part of the dance group Hot Under The Collar. This high-level exposure not only showcased Cleon's talents but also propelled his career to new heights. His experience at the Dance Company of San Francisco and touring Europe with the RAW dance company by choreographer Mia Michaels only adds to his unique skill set.<return><return>Aside from being an impressive dancer and choreographer, Cleon is known to possess a remarkable ability to connect with his peers and students. He shares a special bond with Melody Lacayanga, with whom he has been friends since they have been teenagers. Additionally, his long-standing friendship with Travis Wall, whom he has known since he was 9 years old, speaks volumes about his character and loyalty.<return><return>For all the reasons listed above, I would highly recommend Cleon Marquardt for any dance-related opportunities. He brings a tremendous amount of talent, experience, and passion to every endeavor he participates in. I am confident that his contributions are sure to exceed your expectations.<return><return>Thank you for your consideration.<return><return>Sincerely,<return><return>[Your Name] |
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| 100 | 100 | Cory | Franz | f | Lazzarini has been dancing since age four and began teaching and doing choreography at age fourteen. In 2003, Lazzarini, competing as part of a dance group called Hot Under The Collar, appeared on CBS's "Star Search" remake. Prior to competing on the Fox reality show, Lazzarini spent two years at the Dance Company of San Francisco and also toured Europe with the RAW dance company, which was founded by choreographer Mia Michaels, one of the judges on "So You Think You Can Dance". | Lazzarini is best friends with Melody Lacayanga, and they have been since their teens. He is also best friends with dancer and choreographer Travis Wall, whom he has known since he was 9 years old. | franz has been dancing since age four and began teaching and doing choreography at age fourteen. in 2003, franz, competing as part of a dance group called hot under the collar, appeared on cbs's "star search" remake. prior to competing on the fox reality show, franz spent two years at the dance company of san francisco and also toured europe with the raw dance company, which was founded by choreographer mia michaels, one of the judges on "so you think you can dance".franz is best friends with melody lacayanga, and they have been since their teens. sh eis also best friends with dancer and choreographer travis wall, whom sh ehas known since sh ewas 9 years old. | Nick | Lazzarini | dancers | Dear [Name of Recipient],<return><return>It is my pleasure to recommend Cory Franz as a talented, dedicated, and hardworking dancer. I have had the privilege of working with her for several years and have seen firsthand her commitment and passion for dance.<return><return>Cory has been dancing since the age of four and has excelled throughout her career as a dancer, teacher, and choreographer. Her experience and skills have been widely recognized, and she has even appeared on CBS's "Star Search" remake in 2003 as a member of the dance group "Hot Under the Collar".<return><return>Cory's talent and potential were further honed during her two years at the Dance Company of San Francisco and touring in Europe with the Raw Dance Company under the guidance of renowned choreographer Mia Michaels. These experiences not only helped her gain valuable knowledge and skills but also allowed her to hone her craft and become a well-rounded dancer.<return><return>Furthermore, Cory has excellent leadership and communication skills, as evidenced by her ability to teach and choreograph since the age of fourteen. She is also highly regarded and respected by her peers, including fellow dancers Melody Lacayanga and Travis Wall, whom she has known since her teens.<return><return>In conclusion, I highly recommend Cory Franz for any dance-related positions, whether it is as a performer, choreographer, or instructor. Cory is creative, talented, and passionate, and I am confident that she will be a valuable asset to any team. Please do not hesitate to contact me if you have any further questions.<return><return>Sincerely,<return><return>[Your Name] | Dear [Name of Recipient],<return><return>It is my pleasure to recommend Cory Franz as a talented, dedicated, and hardworking dancer. I have had the privilege of working with her for several years and have seen firsthand her commitment and passion for dance.<return><return>Cory has been dancing since the age of four and has excelled throughout her career as a dancer, teacher, and choreographer. Her experience and skills have been widely recognized, and she has even appeared on CBS's "Star Search" remake in 2003 as a member of the dance group "Hot Under the Collar".<return><return>Cory's talent and potential were further honed during her two years at the Dance Company of San Francisco and touring in Europe with the Raw Dance Company under the guidance of renowned choreographer Mia Michaels. These experiences not only helped her gain valuable knowledge and skills but also allowed her to hone her craft and become a well-rounded dancer.<return><return>Furthermore, Cory has excellent leadership and communication skills, as evidenced by her ability to teach and choreograph since the age of fourteen. She is also highly regarded and respected by her peers, including fellow dancers Melody Lacayanga and Travis Wall, whom she has known since her teens.<return><return>In conclusion, I highly recommend Cory Franz for any dance-related positions, whether it is as a performer, choreographer, or instructor. Cory is creative, talented, and passionate, and I am confident that she will be a valuable asset to any team. Please do not hesitate to contact me if you have any further questions.<return><return>Sincerely,<return><return>[Your Name] |
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