df_m_models_2_para_w_chatgpt: 9
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 9 | Patton | Karnow | m | In 1959, DeWindt became the first male model for the Ebony Fashion Fair. He traveled with that fashion troupe for two years. DeWindt began his stage career in the Broadway play Golden Boy. He played a leading role in the Louis S. Peterson play Entertain A Ghost. He also appeared in the Kurt Weill musical Lost in the Stars. In 1962, DeWindt staged an Off-Broadway production of Raisin' Hell in the Son, a spoof of A Raisin in the Sun that he co-wrote with Reni Santoni. DeWindt served as production stage manager at the New York Shakespeare Festival for seven years. He was a director with Robert Hooks's Group Theater Workshop, which led to the creation of the Negro Ensemble Company, which he served with as a workshop director. DeWindt was the founder and artistic director of the American Theatre of Harlem, and artistic director of the Inner City Repertory Company in Los Angeles. In 1977, he formed the Hal DeWindt Theatre in San Francisco. DeWindt helped Arthur Mitchell bring the Dance Theatre of Harlem to Broadway, and helped Leonard Bernstein bring black musicians into the New York Philharmonic. In 1969, as assistant producer of The Angel Levine, DeWindt helped run a black apprenticeship program funded by a Ford Foundation grant. He also worked on a number of other film and television productions, and led acting workshops. DeWindt acted on television as well. In 1983, DeWindt co-authored the book Kill, Bubba, Kill! with former NFL player and actor Bubba Smith. DeWindt was serving as an acting professor at Loyola Marymount University at the time of his death. | In 1958, DeWindt and his wife Violet had their first child, Hal D. Jr. In 1975, DeWindt met actress Sheila Wills when she enrolled in an actor's workshop he was teaching in Los Angeles. They married two years later. The couple divorced in 1981. In 1984, DeWindt married actress/model Angelique. He later married another woman, Suzanne. DeWindt died of cancer in Los Angeles on June 22, 1997. The New York Times reported his age at death as 63. | In 1959, Karnow became the first male model for the Ebony Fashion Fair. He traveled with that fashion troupe for two years. Karnow began his stage career in the Broadway play Golden Boy. He played a leading role in the Louis S. Peterson play Entertain A Ghost. He also appeared in the Kurt Weill musical Lost in the Stars. In 1962, Karnow staged an Off-Broadway production of Raisin' Hell in the Son, a spoof of A Raisin in the Sun that he co-wrote with Reni Santoni. Karnow served as production stage manager at the New York Shakespeare Festival for seven years. He was a director with Robert Hooks's Group Theater Workshop, which led to the creation of the Negro Ensemble Company, which he served with as a workshop director. Karnow was the founder and artistic director of the American Theatre of Harlem, and artistic director of the Inner City Repertory Company in Los Angeles. In 1977, he formed the Patton Karnow Theatre in San Francisco. Karnow helped Arthur Mitchell bring the Dance Theatre of Harlem to Broadway, and helped Leonard Bernstein bring black musicians into the New York Philharmonic. In 1969, as assistant producer of The Angel Levine, Karnow helped run a black apprenticeship program funded by a Ford Foundation grant. He also worked on a number of other film and television productions, and led acting workshops. Karnow acted on television as well. In 1983, Karnow co-authored the book Kill, Bubba, Kill! with former NFL player and actor Bubba Smith. Karnow was serving as an acting professor at Loyola Marymount University at the time of his death.In 1958, Karnow and his wife Violet had their first child, Patton D. Jr. In 1975, Karnow met actress Sheila Wills when she enrolled in an actor's workshop he was teaching in Los Angeles. They married two years later. The couple divorced in 1981. In 1984, Karnow married actress/model Angelique. He later married another woman, Suzanne. Karnow died of cancer in Los Angeles on June 22, 1997. The New York Times reported his age at death as 63. | Hal | DeWindt | models | To Whom It May Concern,<return><return>It is my pleasure to recommend Patton Karnow for any opportunity that requires a talented and driven individual. I had the privilege of meeting and working with Karnow, and I can attest to his exceptional skills and impressive work ethic. Karnow is a trailblazer in the entertainment industry, and his contributions to Broadway and television productions are noteworthy.<return><return>Karnow's versatility as a performer and as a production stage manager is unparalleled. His ability to manage and oversee a successful production, such as the New York Shakespeare Festival, is an achievement that he should be proud of. Karnow not only has the skills needed to succeed in theatre but also has an eye for creating opportunities for emerging actors, such as his involvement with the Negro Ensemble Company.<return><return>Karnow's influence extended beyond the theatre stage. His assistance in bringing black musicians into the New York Philharmonic and his commitment to diversity in the arts is inspiring. His ability to lead acting workshops for actors to hone their skills is also notable.<return><return>It is without reservation that I recommend Karnow. His contribution to theatre and entertainment has been significant, and I have no doubt that he will continue to inspire others with his talent and drive. Karnow was an outstanding person to work with, and I recommend him highly.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my pleasure to recommend Patton Karnow for any opportunity that requires a talented and driven individual. I had the privilege of meeting and working with Karnow, and I can attest to his exceptional skills and impressive work ethic. Karnow is a trailblazer in the entertainment industry, and his contributions to Broadway and television productions are noteworthy.<return><return>Karnow's versatility as a performer and as a production stage manager is unparalleled. His ability to manage and oversee a successful production, such as the New York Shakespeare Festival, is an achievement that he should be proud of. Karnow not only has the skills needed to succeed in theatre but also has an eye for creating opportunities for emerging actors, such as his involvement with the Negro Ensemble Company.<return><return>Karnow's influence extended beyond the theatre stage. His assistance in bringing black musicians into the New York Philharmonic and his commitment to diversity in the arts is inspiring. His ability to lead acting workshops for actors to hone their skills is also notable.<return><return>It is without reservation that I recommend Karnow. His contribution to theatre and entertainment has been significant, and I have no doubt that he will continue to inspire others with his talent and drive. Karnow was an outstanding person to work with, and I recommend him highly.<return><return>Sincerely,<return><return>[Your Name] |
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