df_m_musicians_2_para_w_chatgpt: 41
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 41 | Jaron | Riggs | m | After leaving active Air Force duty and with the benefits of the Korean War G.I. Bill, Luckey attended Chouinard Art Institute (which later merged with the California Academy of Music to form California Institute of the Arts (Cal Arts)) from 1957 to 1960. He was a Disney scholar, and received professional animation training at the University of Southern California with Disney veteran animator Art Babbitt. After graduation, Luckey worked for a time as Babbitt's assistant / apprentice at Quartet Films in Los Angeles. In 1961, he served as an animator for The Alvin Show. He also worked as an animator and sequence director on a pilot for Mad magazine television special produced by longtime friends Jimmy T. Murakami and Gordon Bellamy. Luckey would later serve as an animator on The Mouse and His Child and as an uncredited assistant animator on Don Bluth's first animated feature The Secret of NIMH. As an advertising agency Art Director and Producer from 1961 to 1969 at the Guild, Bascom, & Bonfigli (Advertising) Agency (which later merged with Dancer Fitzgerald Sample, now Saatchi & Saatchi, in 1967), Luckey worked on television commercials for Kellogg's Frosted Flakes (Tony the Tiger), Froot Loops (Toucan Sam), and Rice Krispies (Snap, Crackle and Pop), as well as Interstate Bakeries' Dolly Madison products featuring Charles M. Schulz' Peanuts characters. He created the "Bosco Dumbunnies" characters for the Best Foods Chocolate Flavor Milk Amplifier product Bosco Chocolate Syrup – the commercial spots were animated by renowned animators Fred Wolf and Jimmy Murakami. In 1966, Luckey won a Clio Award for the General Mills commercial Betty Crocker – "Magic Faucet." Luckey also worked with Alex Anderson, who created the characters of Rocky the Flying Squirrel, Bullwinkle, and Dudley Do-Right, as well as the more obscure Crusader Rabbit. Anderson was the Vice President of Television at the Guild-Bascom-Bonfigli Agency at that time. Despite its San Francisco location, the Guild-Bascom-Bonfigli Agency was also well known for its work on political campaigns. The agency's Creative Director Maxwell "Bud" Arnold was considered a foremost expert in the budding field of television advertising for politics and Arnold's expertise brought many key political figures to the agency's roster. In that regard, Luckey also did work on the presidential campaigns of John F. Kennedy, Robert F. Kennedy, and Hubert Humphrey, who were clients of the agency during his tenure. Charles M. Schulz's Peanuts characters such as Charlie Brown and Snoopy were used by the Dancer Fitzgerald Sample agency for its client Interstate Bakeries's products sold under the Dolly Madison brand name. Luckey was placed in charge as the Senior Art Director/Producer for all advertising containing Schulz characters. As a result, Luckey often visited Schulz to review material as well as famed animator Bill Melendez, whose studio produced the animation containing the Schultz characters. Luckey's relationship with Schultz and Melendez was such that after Luckey left the agency in 1969 to form his own animation company, Dancer Fitzgerald Sample contracted him for several years to continue working on the Dolly Madison campaigns featuring Schultz's characters. While working at the Guild Bascom & Bonfigli / Dancer Fitzgerald Sample agency, Luckey first collaborated with copywriter Don Hadley. The two became lifelong friends until Hadley's death in 2007. After leaving the agency, Hadley and Luckey co-created numerous short films for Sesame Street. During the mid-1960s, Jim Henson worked with Luckey on commercials. They remained close friends until Henson's death in 1990. That friendship later resulted in Luckey's work on Sesame Street and his illustration work featuring Henson's Muppet characters in the 1970s and 1980s. During the 1970s, Luckey wrote and animated many short films for Sesame Street and the Children's Television Workshop, often doing the voice work himself as well. Among them are "The Ladybugs' Picnic," which was performed by Jim Kweskin, "That's About the Size of It," the Donnie-Bud Series (with co-writer Don Hadley) featuring numbers 2 to 6, "Penny Candy Man," "Martian Beauty," "#7 The Alligator King," (with Turk Murphy) "Lovely Eleven Morning," "The Old Woman Who Lived in a Nine," and the award-winning "Longie and Shorty the Rattlesnakes" miniseries. He returned to work on one more segment for Sesame Street in 1990 titled "Z – Zebu." Many of Luckey's Sesame Street works were created with his long-time friend and creative collaborator writer / lyricist Don Hadley (1936–2007). Luckey founded his own animation studio titled the Luckey-Zamora Picture Moving Company in the early 1970s and merged its operation with Colossal Pictures in the late 1980s before joining Pixar in 1992. The company then took studio space in the Produce District of San Francisco. In the 1970s and 1980s, it was the largest animation studio in the San Francisco Bay Area. His film credits included The Extraordinary Adventures of the Mouse and His Child. He worked on Betty Boop's Hollywood Mystery and did character design for Back to the Future: The Animated Series from 1991 to 1992. In the 2005 DVD release of Pixar's The Incredibles, in addition to Bud Luckey's Oscar-nominated short Boundin', the studio included a short biography of Luckey entitled "Who is Bud Luckey?". In that video biography, Pixar (and now Disney's) former Creative Executive Vice President John Lasseter declared: "Bud Luckey is one of the true unsung heroes of animation." In 1990, Luckey joined Pixar as a character designer, storyboard artist, and animator for Toy Story. John Lasseter credits Luckey with the creation and design of the star of Toy Story, Woody, a cowboy. Originally, the character was a ventriloquist's dummy like Edgar Bergen's character Charlie McCarthy. He evolved into a pullstring doll with an empty gun holster. His character designs can also be seen in A Bug's Life, Toy Story 2, Monsters, Inc., Finding Nemo, Cars, Ratatouille, WALL-E, Up, and Toy Story 3. In 2003, Luckey gained attention for the short film Boundin', which was released theatrically as the opening cartoon for The Incredibles. It was nominated for an Academy Award for Best Animated Short in 2003. Luckey wrote and designed the short, and also composed the music and lyrics, and sang and performed banjo on the soundtrack for the cartoon. Boundin' won the ASIFA Hollywood Annie Award that same year. In The Incredibles, Luckey voiced the role of National Supers Agency (NSA) Agent Rick Dicker. In the film's DVD commentary, director Brad Bird jokes that he had an idea to start Boundin' with Rick Dicker coming into his office late at night, pulling out a bottle of "booze" and a banjo to start singing the song about the dancing sheep who is sheared and has his confidence restored by the Jackalope. In the film's sequel, released in June 2018, the role of Agent Dicker was recast with Jonathan Banks as Luckey had retired in 2014. The film was dedicated to Luckey's memory. He also lent his voice to Chuckles the Clown in Toy Story 3 and Hawaiian Vacation. Luckey designed and illustrated more than 100 children's books containing his characters, including the Golden Book Mater and the Ghostlight, which featured the Cars character Mater. He was featured in the 2011 film Winnie the Pooh as the voice of Eeyore. | Luckey was the father of animator/director/producer Andy Luckey, who serves as the namesake for the character of Andy Davis in Toy Story, and is best known as a producer of the animated Teenage Mutant Ninja Turtles. | After leaving active Air Force duty and with the benefits of the Korean War G.I. Bill, Riggs attended Chouinard Art Institute (which later merged with the California Academy of Music to form California Institute of the Arts (Cal Arts)) from 1957 to 1960. He was a Disney scholar, and received professional animation training at the University of Southern California with Disney veteran animator Art Babbitt. After graduation, Riggs worked for a time as Babbitt's assistant / apprentice at Quartet Films in Los Angeles. In 1961, he served as an animator for The Alvin Show. He also worked as an animator and sequence director on a pilot for Mad magazine television special produced by longtime friends Jimmy T. Murakami and Gordon Bellamy. Riggs would later serve as an animator on The Mouse and His Child and as an uncredited assistant animator on Don Bluth's first animated feature The Secret of NIMH. As an advertising agency Art Director and Producer from 1961 to 1969 at the Guild, Bascom, & Bonfigli (Advertising) Agency (which later merged with Dancer Fitzgerald Sample, now Saatchi & Saatchi, in 1967), Riggs worked on television commercials for Kellogg's Frosted Flakes (Tony the Tiger), Froot Loops (Toucan Sam), and Rice Krispies (Snap, Crackle and Pop), as well as Interstate Bakeries' Dolly Madison products featuring Charles M. Schulz' Peanuts characters. He created the "Bosco Dumbunnies" characters for the Best Foods Chocolate Flavor Milk Amplifier product Bosco Chocolate Syrup – the commercial spots were animated by renowned animators Fred Wolf and Jimmy Murakami. In 1966, Riggs won a Clio Award for the General Mills commercial Betty Crocker – "Magic Faucet." Riggs also worked with Alex Anderson, who created the characters of Rocky the Flying Squirrel, Bullwinkle, and Dudley Do-Right, as well as the more obscure Crusader Rabbit. Anderson was the Vice President of Television at the Guild-Bascom-Bonfigli Agency at that time. Despite its San Francisco location, the Guild-Bascom-Bonfigli Agency was also well known for its work on political campaigns. The agency's Creative Director Maxwell "Jaron" Arnold was considered a foremost expert in the Jaronding field of television advertising for politics and Arnold's expertise brought many key political figures to the agency's roster. In that regard, Riggs also did work on the presidential campaigns of John F. Kennedy, Robert F. Kennedy, and Hubert Humphrey, who were clients of the agency during his tenure. Charles M. Schulz's Peanuts characters such as Charlie Brown and Snoopy were used by the Dancer Fitzgerald Sample agency for its client Interstate Bakeries's products sold under the Dolly Madison brand name. Riggs was placed in charge as the Senior Art Director/Producer for all advertising containing Schulz characters. As a result, Riggs often visited Schulz to review material as well as famed animator Bill Melendez, whose studio produced the animation containing the Schultz characters. Riggs's relationship with Schultz and Melendez was such that after Riggs left the agency in 1969 to form his own animation company, Dancer Fitzgerald Sample contracted him for several years to continue working on the Dolly Madison campaigns featuring Schultz's characters. While working at the Guild Bascom & Bonfigli / Dancer Fitzgerald Sample agency, Riggs first collaborated with copywriter Don Hadley. The two became lifelong friends until Hadley's death in 2007. After leaving the agency, Hadley and Riggs co-created numerous short films for Sesame Street. During the mid-1960s, Jim Henson worked with Riggs on commercials. They remained close friends until Henson's death in 1990. That friendship later resulted in Riggs's work on Sesame Street and his illustration work featuring Henson's Muppet characters in the 1970s and 1980s. During the 1970s, Riggs wrote and animated many short films for Sesame Street and the Children's Television Workshop, often doing the voice work himself as well. Among them are "The Ladybugs' Picnic," which was performed by Jim Kweskin, "That's About the Size of It," the Donnie-Jaron Series (with co-writer Don Hadley) featuring numbers 2 to 6, "Penny Candy Man," "Martian Beauty," "#7 The Alligator King," (with Turk Murphy) "Lovely Eleven Morning," "The Old Woman Who Lived in a Nine," and the award-winning "Longie and Shorty the Rattlesnakes" miniseries. He returned to work on one more segment for Sesame Street in 1990 titled "Z – Zebu." Many of Riggs's Sesame Street works were created with his long-time friend and creative collaborator writer / lyricist Don Hadley (1936–2007). Riggs founded his own animation studio titled the Riggs-Zamora Picture Moving Company in the early 1970s and merged its operation with Colossal Pictures in the late 1980s before joining Pixar in 1992. The company then took studio space in the Produce District of San Francisco. In the 1970s and 1980s, it was the largest animation studio in the San Francisco Bay Area. His film credits included The Extraordinary Adventures of the Mouse and His Child. He worked on Betty Boop's Hollywood Mystery and did character design for Back to the Future: The Animated Series from 1991 to 1992. In the 2005 DVD release of Pixar's The Incredibles, in addition to Jaron Riggs's Oscar-nominated short Boundin', the studio included a short biography of Riggs entitled "Who is Jaron Riggs?". In that video biography, Pixar (and now Disney's) former Creative Executive Vice President John Lasseter declared: "Jaron Riggs is one of the true unsung heroes of animation." In 1990, Riggs joined Pixar as a character designer, storyboard artist, and animator for Toy Story. John Lasseter credits Riggs with the creation and design of the star of Toy Story, Woody, a cowboy. Originally, the character was a ventriloquist's dummy like Edgar Bergen's character Charlie McCarthy. He evolved into a pullstring doll with an empty gun holster. His character designs can also be seen in A Bug's Life, Toy Story 2, Monsters, Inc., Finding Nemo, Cars, Ratatouille, WALL-E, Up, and Toy Story 3. In 2003, Riggs gained attention for the short film Boundin', which was released theatrically as the opening cartoon for The Incredibles. It was nominated for an Academy Award for Best Animated Short in 2003. Riggs wrote and designed the short, and also composed the music and lyrics, and sang and performed banjo on the soundtrack for the cartoon. Boundin' won the ASIFA Hollywood Annie Award that same year. In The Incredibles, Riggs voiced the role of National Supers Agency (NSA) Agent Rick Dicker. In the film's DVD commentary, director Brad Bird jokes that he had an idea to start Boundin' with Rick Dicker coming into his office late at night, pulling out a bottle of "booze" and a banjo to start singing the song about the dancing sheep who is sheared and has his confidence restored by the Jackalope. In the film's sequel, released in June 2018, the role of Agent Dicker was recast with Jonathan Banks as Riggs had retired in 2014. The film was dedicated to Riggs's memory. He also lent his voice to Chuckles the Clown in Toy Story 3 and Hawaiian Vacation. Riggs designed and illustrated more than 100 children's books containing his characters, including the Golden Book Mater and the Ghostlight, which featured the Cars character Mater. He was featured in the 2011 film Winnie the Pooh as the voice of Eeyore.Riggs was the father of animator/director/producer Andy Riggs, who serves as the namesake for the character of Andy Davis in Toy Story, and is best known as a producer of the animated Teenage Mutant Ninja Turtles. | Bud | Luckey | musicians | To Whom It May Concern,<return><return>It is my great pleasure to highly recommend Jaron Riggs for any music or artistic position. His extensive knowledge and experience in the animation industry make him a true asset to any team.<return><return>I have had the pleasure of working with Jaron on various projects, and I can attest to his exceptional creativity, professionalism, and work ethic. His contributions to Pixar's Toy Story franchise, as well as his roles in producing animated children's films, highlight his outstanding storytelling abilities. Furthermore, his artistic ability is evident in more than 100 children's books, which he designed and illustrated.<return><return>Jaron's impressive career started at Chouinard Art Institute, where he received professional animation training. His work as an animator for The Alvin Show and on Mad magazine's pilot television special shows he has a keen eye for detail and commitment to producing high-quality animation. Jaron's role as an Art Director and Producer for advertising agencies and political campaigns reveals his exceptional ability to draw viewers into a story.<return><return>It is clear that Jaron's love for animation and the arts has driven his work for over 60 years. He is a Disney scholar and worked under Disney veteran animator Art Babbitt. Jaron is, without a doubt, one of the true unsung heroes of animation. His exceptional work on Pixar's Toy Story franchise, as well as his contribution to Sesame Street, and other children's films, demonstrates his exceptional ability to engage and delight audiences of all ages.<return><return>In summary, I recommend Jaron Riggs with the highest regards. Any project he is involved in is sure to see success, given his deep understanding of his craft and positive, professional attitude. Jaron is a highly skilled, talented, and dedicated artist and musician. Please consider him for your next creative project or team.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my great pleasure to highly recommend Jaron Riggs for any music or artistic position. His extensive knowledge and experience in the animation industry make him a true asset to any team.<return><return>I have had the pleasure of working with Jaron on various projects, and I can attest to his exceptional creativity, professionalism, and work ethic. His contributions to Pixar's Toy Story franchise, as well as his roles in producing animated children's films, highlight his outstanding storytelling abilities. Furthermore, his artistic ability is evident in more than 100 children's books, which he designed and illustrated.<return><return>Jaron's impressive career started at Chouinard Art Institute, where he received professional animation training. His work as an animator for The Alvin Show and on Mad magazine's pilot television special shows he has a keen eye for detail and commitment to producing high-quality animation. Jaron's role as an Art Director and Producer for advertising agencies and political campaigns reveals his exceptional ability to draw viewers into a story.<return><return>It is clear that Jaron's love for animation and the arts has driven his work for over 60 years. He is a Disney scholar and worked under Disney veteran animator Art Babbitt. Jaron is, without a doubt, one of the true unsung heroes of animation. His exceptional work on Pixar's Toy Story franchise, as well as his contribution to Sesame Street, and other children's films, demonstrates his exceptional ability to engage and delight audiences of all ages.<return><return>In summary, I recommend Jaron Riggs with the highest regards. Any project he is involved in is sure to see success, given his deep understanding of his craft and positive, professional attitude. Jaron is a highly skilled, talented, and dedicated artist and musician. Please consider him for your next creative project or team.<return><return>Sincerely,<return><return>[Your Name] |
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