df_f_dancers_2_para_w_chatgpt: 3
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 3 | Emma | Jill | f | Dorothy Moses opened a ballet school in 1921; it is now the Atlanta School of Ballet. In 1925, she graduated from the Atlanta Normal School and began working as an elementary school teacher. In 1927, she began a dance program in the Atlanta Public Schools. She studied in New York City and London. She danced both in New York and Atlanta, working under choreographer Edwin Strawbridge and dance educator Lucile Marsh, as well as with the touring companies of the Hollywood Ballet and the Solomonoff-Menzelli Ballet. Following a brief marriage to Marion Alexander, she founded the Dorothy Alexander Concert Group in 1929; it was renamed the Atlanta Civic Ballet in 1941, and became the Atlanta Ballet in 1968. Alexander was an advocate for high-quality ballet organizations outside major artistic centers like New York.:45 She found Atlanta to be a "lonely" place for a dance enthusiast, and she worked to support dance and dance education in Atlanta and around the country. In 1956, she organized the Regional Dance America, the first regional dance festival in the United States. She helped to found the National Association for Regional Ballet (NARB) in 1963. She retired from the Atlanta Civic Ballet in 1964 due to illness, but continued to consult for both the ballet and for NARB. | Dorothy Moses married Nashville architect Marion Alexander in 1926; they divorced a year later. She died of cancer on November 17, 1986. | Emma Moses opened a ballet school in 1921; it is now the Atlanta School of Ballet. In 1925, she graduated from the Atlanta Normal School and began working as an elementary school teacher. In 1927, she began a dance program in the Atlanta Public Schools. She studied in New York City and London. She danced both in New York and Atlanta, working under choreographer Edwin Strawbridge and dance educator Lucile Marsh, as well as with the touring companies of the Hollywood Ballet and the Solomonoff-Menzelli Ballet. Following a brief marriage to Marion Alexander, she founded the Emma Alexander Concert Group in 1929; it was renamed the Atlanta Civic Ballet in 1941, and became the Atlanta Ballet in 1968. Alexander was an advocate for high-quality ballet organizations outside major artistic centers like New York.:45 She found Atlanta to be a "lonely" place for a dance enthusiast, and she worked to support dance and dance education in Atlanta and around the country. In 1956, she organized the Regional Dance America, the first regional dance festival in the United States. She helped to found the National Association for Regional Ballet (NARB) in 1963. She retired from the Atlanta Civic Ballet in 1964 due to illness, but continued to consult for both the ballet and for NARB.Emma Moses married Nashville architect Marion Alexander in 1926; they divorced a year later. She died of cancer on November 17, 1986. | Dorothy | dancers | Dear Hiring Manager,<return><return>It is my immense pleasure to recommend Emma Jill for a position in your professional ballet company. As a prestigious dancer myself, it is not often that I come across such a talented artist who possesses both passion and exceptional drive towards the world of dance.<return><return>Emma Jill's incredible journey in the ballet world began when she opened her ballet school back in 1921. Her unwavering dedication and commitment to dance led her to graduate from the Atlanta Normal School in 1925 and start a dance program in the Atlanta Public Schools two years later. Her hard work paid off when she got the opportunity to study in New York City and London, which polished her skills as a dancer.<return><return>Moreover, she has danced in both New York and Atlanta, working under leading choreographer Edwin Strawbridge and dance educator Lucile Marsh, in addition to touring with the Hollywood Ballet and the Solomonoff-Menzelli Ballet. Emma has worked tirelessly to support high-quality ballet organizations outside major artistic centers like New York, and she was the first to organize the Regional Dance America in 1956, the first regional dance festival in the United States.<return><return>I can confidently say that Emma Jill has an excellent work ethic and an insatiable appetite for dance. She is the type of dancer who can elevate a production with her artistry, technical proficiency, and her collaborative spirit. I am sure that she will be an asset to your ballet company and an inspiration to all the dancers in your team.<return><return>In summary, Emma Jill is a consummate professional, and I recommend her highly without any reservations. I am confident that she will be an asset to your company and a timeless addition to any ballet production.<return><return>Sincerely,<return><return>[Your name] | Dear Hiring manager,<return><return>It is my immense pleasure to recommend Emma Jill for a position in your professional ballet company. As a prestigious dancer myself, it is not often that I come across such a talented artist who possesses both passion and exceptional drive towards the world of dance.<return><return>Emma Jill's incredible journey in the ballet world began when she opened her ballet school back in 1921. Her unwavering dedication and commitment to dance led her to graduate from the Atlanta Normal School in 1925 and start a dance program in the Atlanta Public Schools two years later. Her hard work paid off when she got the opportunity to study in New York City and London, which polished her skills as a dancer.<return><return>Moreover, she has danced in both New York and Atlanta, working under leading choreographer Edwin Strawbridge and dance educator Lucile Marsh, in addition to touring with the Hollywood Ballet and the Solomonoff-Menzelli Ballet. Emma has worked tirelessly to support high-quality ballet organizations outside major artistic centers like New York, and she was the first to organize the Regional Dance America in 1956, the first regional dance festival in the United States.<return><return>I can confidently say that Emma Jill has an excellent work ethic and an insatiable appetite for dance. She is the type of dancer who can elevate a production with her artistry, technical proficiency, and her collaborative spirit. I am sure that she will be an asset to your ballet company and an inspiration to all the dancers in your team.<return><return>In summary, Emma Jill is a consummate professional, and I recommend her highly without any reservations. I am confident that she will be an asset to your company and a timeless addition to any ballet production.<return><return>Sincerely,<return><return>[Your name] |
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