df_f_dancers_2_para_w_chatgpt
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| Link | rowid ▼ | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | Tamra | Nicholson | f | Adrian was an only child, born in Los Angeles, California, to Florence (née Van Every) and Adrian Earl Hostetter, who wed in 1909 in Los Angeles. She was raised by her single mother in Los Angeles. She was a graduate of Hollywood High School. Adrian won a beauty pageant, worked with the Ziegfeld Follies, and performed with Fred Waring before she entered films at the end of the silent era in Chasing Husbands (1928) and appeared as an extra or chorus girl in early sound films like Paramount on Parade (1930). During the 1930s she specialised in playing hard-boiled gals, glamorous gold-diggers, and gangsters' "molls". She played supporting roles in numerous features. She played "Gee-Gee Graham" in Lady of Burlesque. In the Jerry Lewis comedy, The Errand Boy, she played a glamorous movie star "Anastasia Anastasia", whose on-set birthday party is wrecked by Lewis's shenanigans. She appeared on several radio programs, including the Abbott and Costello Show. She acted regularly, albeit without achieving star status, and by the end of the 1960s had appeared in more than one hundred films. In her later years she appeared in several Walt Disney films, including That Darn Cat!, The Love Bug, The Shaggy D.A., Freaky Friday, and No Deposit, No Return. Disney director Robert Stevenson considered Adrian his "good-luck charm". On television, she was a member of the cast of the unsuccessful situation comedy The Ted Knight Show in the spring of 1978. She also played numerous guest roles in television series such as Get Smart, Green Acres, Petticoat Junction, The Munsters, The Love Boat, The Lucy Show, The Beverly Hillbillies, and The Jack Benny Show. | Adrian was married to Charles Over from 1935 to 1936; the marriage ended in divorce. Her second marriage, to George Jay, also ended in divorce. On September 24, 1949, she married Dan Schoonmaker, a camera manufacturer, in Las Vegas. They separated two months later and were divorced on September 14, 1950, in Juarez. Her fourth and final marriage was to Ray Murphy, and lasted more than 30 years until his death in 1983. None of the marriages produced children. | Nicholson was an only child, born in Los Angeles, California, to Florence (née Van Every) and Nicholson Earl Hostetter, who wed in 1909 in Los Angeles. She was raised by her single mother in Los Angeles. She was a graduate of Hollywood High School. Nicholson won a beauty pageant, worked with the Ziegfeld Follies, and performed with Fred Waring before she entered films at the end of the silent era in Chasing Husbands (1928) and appeared as an extra or chorus girl in early sound films like Paramount on Parade (1930). During the 1930s she specialised in playing hard-boiled gals, glamorous gold-diggers, and gangsters' "molls". She played supporting roles in numerous features. She played "Gee-Gee Graham" in Lady of Burlesque. In the Jerry Lewis comedy, The Errand Boy, she played a glamorous movie star "Anastasia Anastasia", whose on-set birthday party is wrecked by Lewis's shenanigans. She appeared on several radio programs, including the Abbott and Costello Show. She acted regularly, albeit without achieving star status, and by the end of the 1960s had appeared in more than one hundred films. In her later years she appeared in several Walt Disney films, including That Darn Cat!, The Love Bug, The Shaggy D.A., Freaky Friday, and No Deposit, No Return. Disney director Robert Stevenson considered Nicholson his "good-luck charm". On television, she was a member of the cast of the unsuccessful situation comedy The Ted Knight Show in the spring of 1978. She also played numerous guest roles in television series such as Get Smart, Green Acres, Petticoat Junction, The Munsters, The Love Boat, The Lucy Show, The Beverly Hillbillies, and The Jack Benny Show.Nicholson was married to Charles Over from 1935 to 1936; the marriage ended in divorce. Her second marriage, to George Jay, also ended in divorce. On September 24, 1949, she married Dan Schoonmaker, a camera manufacturer, in Las Vegas. They separated two months later and were divorced on September 14, 1950, in Juarez. Her fourth and final marriage was to Ray Murphy, and last… | Iris | Adrian | dancers | To Whom It May Concern,<return><return>I am writing this recommendation letter for Tamra Nicholson, who I have had the pleasure of working with as a fellow dancer. I believe that Tamra is an incredibly talented and dedicated individual who deserves recognition for her work in the field of dance.<return><return>Tamra is a graduate of Hollywood High School, and has worked with the Ziegfeld Follies as well as in films and on radio programs. She has appeared in numerous features, and played supporting roles in more than one hundred films. Her talent and experience in the industry make her a valuable asset to any dance production.<return><return>Tamra's commitment to her craft is evident in her performances, which are always full of energy and passion. She has a great sense of rhythm and movement, and is able to seamlessly transition between different dance styles. Her ability to convey emotion through her movements is truly remarkable.<return><return>In addition to her dance skills, Tamra is a joy to work with. She is always punctual, professional, and willing to go the extra mile to ensure that the production is a success. Her charming personality and positive attitude have made her a pleasure to work alongside.<return><return>I highly recommend Tamra Nicholson for any dance-related project. Her extensive experience, exceptional talent, and outstanding work ethic make her an excellent addition to any dance production. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this recommendation letter for Tamra Nicholson, who I have had the pleasure of working with as a fellow dancer. I believe that Tamra is an incredibly talented and dedicated individual who deserves recognition for her work in the field of dance.<return><return>Tamra is a graduate of Hollywood High School, and has worked with the Ziegfeld Follies as well as in films and on radio programs. She has appeared in numerous features, and played supporting roles in more than one hundred films. Her talent and experience in the industry make her a valuable asset to any dance production.<return><return>Tamra's commitment to her craft is evident in her performances, which are always full of energy and passion. She has a great sense of rhythm and movement, and is able to seamlessly transition between different dance styles. Her ability to convey emotion through her movements is truly remarkable.<return><return>In addition to her dance skills, Tamra is a joy to work with. She is always punctual, professional, and willing to go the extra mile to ensure that the production is a success. Her charming personality and positive attitude have made her a pleasure to work alongside.<return><return>I highly recommend Tamra Nicholson for any dance-related project. Her extensive experience, exceptional talent, and outstanding work ethic make her an excellent addition to any dance production. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 2 | 2 | Robert | Burton | m | Adrian was an only child, born in Los Angeles, California, to Florence (née Van Every) and Adrian Earl Hostetter, who wed in 1909 in Los Angeles. She was raised by her single mother in Los Angeles. She was a graduate of Hollywood High School. Adrian won a beauty pageant, worked with the Ziegfeld Follies, and performed with Fred Waring before she entered films at the end of the silent era in Chasing Husbands (1928) and appeared as an extra or chorus girl in early sound films like Paramount on Parade (1930). During the 1930s she specialised in playing hard-boiled gals, glamorous gold-diggers, and gangsters' "molls". She played supporting roles in numerous features. She played "Gee-Gee Graham" in Lady of Burlesque. In the Jerry Lewis comedy, The Errand Boy, she played a glamorous movie star "Anastasia Anastasia", whose on-set birthday party is wrecked by Lewis's shenanigans. She appeared on several radio programs, including the Abbott and Costello Show. She acted regularly, albeit without achieving star status, and by the end of the 1960s had appeared in more than one hundred films. In her later years she appeared in several Walt Disney films, including That Darn Cat!, The Love Bug, The Shaggy D.A., Freaky Friday, and No Deposit, No Return. Disney director Robert Stevenson considered Adrian his "good-luck charm". On television, she was a member of the cast of the unsuccessful situation comedy The Ted Knight Show in the spring of 1978. She also played numerous guest roles in television series such as Get Smart, Green Acres, Petticoat Junction, The Munsters, The Love Boat, The Lucy Show, The Beverly Hillbillies, and The Jack Benny Show. | Adrian was married to Charles Over from 1935 to 1936; the marriage ended in divorce. Her second marriage, to George Jay, also ended in divorce. On September 24, 1949, she married Dan Schoonmaker, a camera manufacturer, in Las Vegas. They separated two months later and were divorced on September 14, 1950, in Juarez. Her fourth and final marriage was to Ray Murphy, and lasted more than 30 years until his death in 1983. None of the marriages produced children. | burton was an only child, born in los angeles, california, to florence (née van every) and burton earl hostetter, who wed in 1909 in los angeles. he was raised by his single mother in los angeles. he was a graduate of hollywood high school. burton won a beauty pageant, worked with the ziegfeld follies, and performed with fred waring before he entered films at the end of the silent era in chasing husbands (1928) and appeared as an extra or chorus girl in early sound films like paramount on parade (1930). during the 1930s he specialised in playing hard-boiled gals, glamorous gold-diggers, and gangsters' "molls". he played supporting roles in numerous features. he played "gee-gee graham" in lady of burlesque. in the jerry lewis comedy, the errand boy, he played a glamorous movie star "anastasia anastasia", whose on-set birthday party is wrecked by lewis's shenanigans. he appeared on several radio programs, including the abbott and costello show. he acted regularly, albeit without achieving star status, and by the end of the 1960s had appeared in more than one hundred films. in his later years he appeared in several walt disney films, including that darn cat!, the love bug, the shaggy d.a., freaky friday, and no deposit, no return. disney director robert stevenson considered burton his "good-luck charm". on television, he was a member of the cast of the unsuccessful situation comedy the ted knight show in the spring of 1978. he also played numerous guest roles in television series such as get smart, green acres, petticoat junction, the munsters, the love boat, the lucy show, the beverly hillbillies, and the jack benny show.burton was married to charles over from 1935 to 1936; the marriage ended in divorce. his second marriage, to george jay, also ended in divorce. on september 24, 1949, he married dan schoonmaker, a camera manufacturer, in las vegas. they separated two months later and were divorced on september 14, 1950, in juarez. his fourth and final marriage was to ray murphy, and lasted more than 30 years until … | Iris | Adrian | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Robert Burton for any dance-related position. As a prestigious dancer myself, I have had the pleasure of witnessing Burton's talent and dedication to the art firsthand.<return><return>Although Burton's early career began in films during the silent era, his skills as a performer were evident. He worked hard both on and off screen, won a beauty pageant, and even worked with the legendary Ziegfeld Follies. Throughout his career, Burton proved to be a versatile performer, excelling in roles as hard-boiled gals, glamorous gold-diggers, and gangsters' "molls". He also appeared in several Walt Disney films and was considered a good-luck charm by Disney director Robert Stevenson.<return><return>Despite his success in film, Burton was not limited to the silver screen. He also acted on various radio shows and appeared in several television series. His range as a performer has no doubt contributed to his well-rounded abilities as a dancer.<return><return>I have had the pleasure of working with Burton personally and can attest to his impeccable work ethic and commitment to his craft. He takes direction well and is a team player, always willing to go the extra mile to ensure that a performance is the best it can be.<return><return>In conclusion, I have no doubt that Robert Burton would be a valuable asset to any dance-related position. His vast experience and talent make him an ideal candidate for any opportunity that comes his way. Please do not hesitate to contact me for any additional information on Burton's qualifications.<return><return>Sincerely,<return><return>[Your Name and Signature] | To Whom It May Concern,<return><return>I am writing to highly recommend Robert Burton for any dance-related position. As a prestigious dancer myself, I have had the pleasure of witnessing Burton's talent and dedication to the art firsthand.<return><return>Although Burton's early career began in films during the silent era, his skills as a performer were evident. He worked hard both on and off screen, won a beauty pageant, and even worked with the legendary Ziegfeld Follies. Throughout his career, Burton proved to be a versatile performer, excelling in roles as hard-boiled gals, glamorous gold-diggers, and gangsters' "molls". He also appeared in several Walt Disney films and was considered a good-luck charm by Disney director Robert Stevenson.<return><return>Despite his success in film, Burton was not limited to the silver screen. He also acted on various radio shows and appeared in several television series. His range as a performer has no doubt contributed to his well-rounded abilities as a dancer.<return><return>I have had the pleasure of working with Burton personally and can attest to his impeccable work ethic and commitment to his craft. He takes direction well and is a team player, always willing to go the extra mile to ensure that a performance is the best it can be.<return><return>In conclusion, I have no doubt that Robert Burton would be a valuable asset to any dance-related position. His vast experience and talent make him an ideal candidate for any opportunity that comes his way. Please do not hesitate to contact me for any additional information on Burton's qualifications.<return><return>Sincerely,<return><return>[Your Name and Signature] |
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| 3 | 3 | Emma | Jill | f | Dorothy Moses opened a ballet school in 1921; it is now the Atlanta School of Ballet. In 1925, she graduated from the Atlanta Normal School and began working as an elementary school teacher. In 1927, she began a dance program in the Atlanta Public Schools. She studied in New York City and London. She danced both in New York and Atlanta, working under choreographer Edwin Strawbridge and dance educator Lucile Marsh, as well as with the touring companies of the Hollywood Ballet and the Solomonoff-Menzelli Ballet. Following a brief marriage to Marion Alexander, she founded the Dorothy Alexander Concert Group in 1929; it was renamed the Atlanta Civic Ballet in 1941, and became the Atlanta Ballet in 1968. Alexander was an advocate for high-quality ballet organizations outside major artistic centers like New York.:45 She found Atlanta to be a "lonely" place for a dance enthusiast, and she worked to support dance and dance education in Atlanta and around the country. In 1956, she organized the Regional Dance America, the first regional dance festival in the United States. She helped to found the National Association for Regional Ballet (NARB) in 1963. She retired from the Atlanta Civic Ballet in 1964 due to illness, but continued to consult for both the ballet and for NARB. | Dorothy Moses married Nashville architect Marion Alexander in 1926; they divorced a year later. She died of cancer on November 17, 1986. | Emma Moses opened a ballet school in 1921; it is now the Atlanta School of Ballet. In 1925, she graduated from the Atlanta Normal School and began working as an elementary school teacher. In 1927, she began a dance program in the Atlanta Public Schools. She studied in New York City and London. She danced both in New York and Atlanta, working under choreographer Edwin Strawbridge and dance educator Lucile Marsh, as well as with the touring companies of the Hollywood Ballet and the Solomonoff-Menzelli Ballet. Following a brief marriage to Marion Alexander, she founded the Emma Alexander Concert Group in 1929; it was renamed the Atlanta Civic Ballet in 1941, and became the Atlanta Ballet in 1968. Alexander was an advocate for high-quality ballet organizations outside major artistic centers like New York.:45 She found Atlanta to be a "lonely" place for a dance enthusiast, and she worked to support dance and dance education in Atlanta and around the country. In 1956, she organized the Regional Dance America, the first regional dance festival in the United States. She helped to found the National Association for Regional Ballet (NARB) in 1963. She retired from the Atlanta Civic Ballet in 1964 due to illness, but continued to consult for both the ballet and for NARB.Emma Moses married Nashville architect Marion Alexander in 1926; they divorced a year later. She died of cancer on November 17, 1986. | Dorothy | dancers | Dear Hiring Manager,<return><return>It is my immense pleasure to recommend Emma Jill for a position in your professional ballet company. As a prestigious dancer myself, it is not often that I come across such a talented artist who possesses both passion and exceptional drive towards the world of dance.<return><return>Emma Jill's incredible journey in the ballet world began when she opened her ballet school back in 1921. Her unwavering dedication and commitment to dance led her to graduate from the Atlanta Normal School in 1925 and start a dance program in the Atlanta Public Schools two years later. Her hard work paid off when she got the opportunity to study in New York City and London, which polished her skills as a dancer.<return><return>Moreover, she has danced in both New York and Atlanta, working under leading choreographer Edwin Strawbridge and dance educator Lucile Marsh, in addition to touring with the Hollywood Ballet and the Solomonoff-Menzelli Ballet. Emma has worked tirelessly to support high-quality ballet organizations outside major artistic centers like New York, and she was the first to organize the Regional Dance America in 1956, the first regional dance festival in the United States.<return><return>I can confidently say that Emma Jill has an excellent work ethic and an insatiable appetite for dance. She is the type of dancer who can elevate a production with her artistry, technical proficiency, and her collaborative spirit. I am sure that she will be an asset to your ballet company and an inspiration to all the dancers in your team.<return><return>In summary, Emma Jill is a consummate professional, and I recommend her highly without any reservations. I am confident that she will be an asset to your company and a timeless addition to any ballet production.<return><return>Sincerely,<return><return>[Your name] | Dear Hiring manager,<return><return>It is my immense pleasure to recommend Emma Jill for a position in your professional ballet company. As a prestigious dancer myself, it is not often that I come across such a talented artist who possesses both passion and exceptional drive towards the world of dance.<return><return>Emma Jill's incredible journey in the ballet world began when she opened her ballet school back in 1921. Her unwavering dedication and commitment to dance led her to graduate from the Atlanta Normal School in 1925 and start a dance program in the Atlanta Public Schools two years later. Her hard work paid off when she got the opportunity to study in New York City and London, which polished her skills as a dancer.<return><return>Moreover, she has danced in both New York and Atlanta, working under leading choreographer Edwin Strawbridge and dance educator Lucile Marsh, in addition to touring with the Hollywood Ballet and the Solomonoff-Menzelli Ballet. Emma has worked tirelessly to support high-quality ballet organizations outside major artistic centers like New York, and she was the first to organize the Regional Dance America in 1956, the first regional dance festival in the United States.<return><return>I can confidently say that Emma Jill has an excellent work ethic and an insatiable appetite for dance. She is the type of dancer who can elevate a production with her artistry, technical proficiency, and her collaborative spirit. I am sure that she will be an asset to your ballet company and an inspiration to all the dancers in your team.<return><return>In summary, Emma Jill is a consummate professional, and I recommend her highly without any reservations. I am confident that she will be an asset to your company and a timeless addition to any ballet production.<return><return>Sincerely,<return><return>[Your name] |
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| 4 | 4 | Bruno | Harrelson | m | Dorothy Moses opened a ballet school in 1921; it is now the Atlanta School of Ballet. In 1925, she graduated from the Atlanta Normal School and began working as an elementary school teacher. In 1927, she began a dance program in the Atlanta Public Schools. She studied in New York City and London. She danced both in New York and Atlanta, working under choreographer Edwin Strawbridge and dance educator Lucile Marsh, as well as with the touring companies of the Hollywood Ballet and the Solomonoff-Menzelli Ballet. Following a brief marriage to Marion Alexander, she founded the Dorothy Alexander Concert Group in 1929; it was renamed the Atlanta Civic Ballet in 1941, and became the Atlanta Ballet in 1968. Alexander was an advocate for high-quality ballet organizations outside major artistic centers like New York.:45 She found Atlanta to be a "lonely" place for a dance enthusiast, and she worked to support dance and dance education in Atlanta and around the country. In 1956, she organized the Regional Dance America, the first regional dance festival in the United States. She helped to found the National Association for Regional Ballet (NARB) in 1963. She retired from the Atlanta Civic Ballet in 1964 due to illness, but continued to consult for both the ballet and for NARB. | Dorothy Moses married Nashville architect Marion Alexander in 1926; they divorced a year later. She died of cancer on November 17, 1986. | bruno moses opened a ballet school in 1921; it is now the atlanta school of ballet. in 1925, he graduated from the atlanta normal school and began working as an elementary school teacher. in 1927, he began a dance program in the atlanta public schools. he studied in new york city and london. he danced both in new york and atlanta, working under choreographer edwin strawbridge and dance educator lucile marsh, as well as with the touring companies of the hollywood ballet and the solomonoff-menzelli ballet. following a brief marriage to marion alexander, he founded the bruno alexander concert group in 1929; it was renamed the atlanta civic ballet in 1941, and became the atlanta ballet in 1968. alexander was an advocate for high-quality ballet organizations outside major artistic centers like new york.:45 he found atlanta to be a "lonely" place for a dance enthusiast, and he worked to support dance and dance education in atlanta and around the country. in 1956, he organized the regional dance america, the first regional dance festival in the united states. he helped to found the national association for regional ballet (narb) in 1963. he retired from the atlanta civic ballet in 1964 due to illness, but continued to consult for both the ballet and for narb.bruno moses married nashville architect marion alexander in 1926; they divorced a year later. he died of cancer on november 17, 1986. | Dorothy | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Bruno Harrelson as a dancer. As a prestigious dancer myself, I have had the pleasure of watching Bruno perform and I can confidently say that he has a true talent for ballet.<return><return>Bruno Harrelson has an impressive background in dance, having founded the Atlanta School of Ballet and performing in both New York and Atlanta. He has studied under well-known choreographers such as Edwin Strawbridge and Lucile Marsh, which has given him a solid foundation in the art of ballet.<return><return>One of the things that sets Bruno apart is his dedication to dance education. He was instrumental in starting a dance program in Atlanta public schools and went on to found the Atlanta Civic Ballet, which eventually became the Atlanta Ballet. He has also helped to organize regional dance festivals and was a founder of the National Association for Regional Ballet.<return><return>Bruno's passion for ballet and dedication to dance education is truly inspiring. He is an exceptional dancer and a wonderful asset to any ballet company. I highly recommend him for any dance opportunity, and I am confident that he will excel in any role.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Bruno Harrelson as a dancer. As a prestigious dancer myself, I have had the pleasure of watching Bruno perform and I can confidently say that he has a true talent for ballet.<return><return>Bruno Harrelson has an impressive background in dance, having founded the Atlanta School of Ballet and performing in both New York and Atlanta. He has studied under well-known choreographers such as Edwin Strawbridge and Lucile Marsh, which has given him a solid foundation in the art of ballet.<return><return>One of the things that sets Bruno apart is his dedication to dance education. He was instrumental in starting a dance program in Atlanta public schools and went on to found the Atlanta Civic Ballet, which eventually became the Atlanta Ballet. He has also helped to organize regional dance festivals and was a founder of the National Association for Regional Ballet.<return><return>Bruno's passion for ballet and dedication to dance education is truly inspiring. He is an exceptional dancer and a wonderful asset to any ballet company. I highly recommend him for any dance opportunity, and I am confident that he will excel in any role.<return><return>Sincerely,<return><return>[Your Name] |
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| 5 | 5 | Kit | Mari | f | Allen began her career appearing on Broadway theatre. Allen had her Broadway debut in the chorus of Purlie in 1970. She later created the role of Beneatha in the TonyAward-winning musical Raisin (1973), and appeared in Truckload, and Ain't Misbehavin'. In 1980, she received critical attention for her performance as Anita in the Broadway revival of West Side Story which earned her a Tony Award nomination for Best Featured Actress in a Musical and won Drama Desk Award. In 1976, Allen made her television debut appearing in the CBS sitcom Good Times in a memorable 2-part episode titled "J.J.'s Fiancée" as J.J.'s drug-addicted fiancée, Diana. The following year, she went to star in the NBC variety show 3 Girls 3. Allen later was selected to appear in the 1979 miniseries Roots: The Next Generations by Alex Haley where she plays the wife of Haley. Also that year, she made her big screen debut appearing in an supporting role in the comedy film The Fish That Saved Pittsburgh. In 1981, she had the important role of Sarah, the lover of Coalhouse Walker (Howard E. Rollins) who is killed while trying to defend him in the movie version of the best-selling novel Ragtime. The same role earned a Tony Award for Audra McDonald, for her performance in the Broadway Musical. Allen was first introduced as Lydia Grant in the film Fame (1980). Although her role in the film was relatively small, Lydia became a central figure in the television adaptation, which ran from 1982 to 1987. During the opening montage of each episode, Grant told her students: "You've got big dreams? You want fame? Well, fame costs. And right here is where you start paying ... in sweat." Allen was nominated for the Emmy Award for Best Actress four times during the show's run. She is the only actress to have appeared in all three screen incarnations of Fame, playing Lydia Grant in both the 1980 film and 1982 television series and playing the school principal in the 2009 remake. Allen was also lead choreographer for the film and television series, winning two Primeti… | Allen is married to former NBA player Norm Nixon; the couple have three children: dancer Vivian Nichole Nixon, basketball player Norman Ellard Nixon Jr. (Wofford College & Southern University), and DeVaughn Nixon. Allen was previously married to Win Wilford from 1975 to 1983. She is the sister of actress/director/singer Phylicia Rashad (she guest starred in an episode of The Cosby Show & Rashad in an episode of In the House), and Tex Allen (Andrew Arthur Allen III, born 1945), a jazz composer. Vivian played Kalimba in the Broadway production of Hot Feet. | Mari began her career appearing on Broadway theatre. Mari had her Broadway debut in the chorus of Purlie in 1970. She later created the role of Beneatha in the TonyAward-winning musical Raisin (1973), and appeared in Truckload, and Ain't Misbehavin'. In 1980, she received critical attention for her performance as Anita in the Broadway revival of West Side Story which earned her a Tony Award nomination for Best Featured Actress in a Musical and won Drama Desk Award. In 1976, Mari made her television debut appearing in the CBS sitcom Good Times in a memorable 2-part episode titled "J.J.'s Fiancée" as J.J.'s drug-addicted fiancée, Diana. The following year, she went to star in the NBC variety show 3 Girls 3. Mari later was selected to appear in the 1979 miniseries Roots: The Next Generations by Alex Haley where she plays the wife of Haley. Also that year, she made her big screen debut appearing in an supporting role in the comedy film The Fish That Saved Pittsburgh. In 1981, she had the important role of Sarah, the lover of Coalhouse Walker (Howard E. Rollins) who is killed while trying to defend him in the movie version of the best-selling novel Ragtime. The same role earned a Tony Award for Audra McDonald, for her performance in the Broadway Musical. Mari was first introduced as Lydia Grant in the film Fame (1980). Although her role in the film was relatively small, Lydia became a central figure in the television adaptation, which ran from 1982 to 1987. During the opening montage of each episode, Grant told her students: "You've got big dreams? You want fame? Well, fame costs. And right here is where you start paying ... in sweat." Mari was nominated for the Emmy Award for Best Actress four times during the show's run. She is the only actress to have appeared in all three screen incarnations of Fame, playing Lydia Grant in both the 1980 film and 1982 television series and playing the school principal in the 2009 remake. Mari was also lead choreographer for the film and television series, winning two Primetime Emmy… | Debbie | Allen | dancers | Dear [Dance Company Director],<return><return>I am writing to highly recommend Kit Mari as a dancer for your company. I have had the pleasure of working with Kit for many years in the entertainment industry, where she has distinguished herself as an incredibly talented and versatile performer.<return><return>From her early Broadway career to her Emmy-nominated turn as Lydia Grant in the Fame television series, Kit has demonstrated a remarkable range as a dancer and actor. Her work as the lead choreographer for the Fame film and television series also earned her two Primetime Emmy awards and a Golden Globe award for Best Actress in a Television Series - Musical or Comedy. Kit's contributions to the industry have paved the way for many other Black women and artists, and her achievements have been truly inspiring.<return><return>In addition to her extensive career as a performer, Kit has also become an accomplished producer, director, and choreographer. She has directed numerous episodes of television shows like All of Us, Girlfriends, and How to Get Away with Murder, and she has also directed films like Christmas on the Square for Netflix. Kit's talent, creativity, and professionalism have made her a highly respected and in-demand figure in the industry.<return><return>Beyond her impressive credentials, I can personally attest to Kit's exceptional work ethic and collaborative nature. She is an absolute pleasure to work with and brings a positive energy and dedication to everything she does. I believe that Kit would make a wonderful addition to your team and bring a level of excellence to your productions that is truly unmatched.<return><return>Please do not hesitate to contact me if you require any further information about Kit or her work. I cannot recommend her highly enough.<return><return>Sincerely,<return><return>[Your Name] | Dear [Dance Company Director],<return><return>I am writing to highly recommend Kit Mari as a dancer for your company. I have had the pleasure of working with Kit for many years in the entertainment industry, where she has distinguished herself as an incredibly talented and versatile performer.<return><return>From her early Broadway career to her Emmy-nominated turn as Lydia Grant in the Fame television series, Kit has demonstrated a remarkable range as a dancer and actor. Her work as the lead choreographer for the Fame film and television series also earned her two Primetime Emmy awards and a Golden Globe award for best Actress in a Television Series - Musical or Comedy. Kit's contributions to the industry have paved the way for many other Black women and artists, and her achievements have been truly inspiring.<return><return>In addition to her extensive career as a performer, Kit has also become an accomplished producer, director, and choreographer. She has directed numerous episodes of television shows like All of Us, Girlfriends, and How to Get Away with Murder, and she has also directed films like Christmas on the Square for Netflix. Kit's talent, creativity, and professionalism have made her a highly respected and in-demand figure in the industry.<return><return>Beyond her impressive credentials, I can personally attest to Kit's exceptional work ethic and collaborative nature. She is an absolute pleasure to work with and brings a positive energy and dedication to everything she does. I believe that Kit would make a wonderful addition to your team and bring a level of excellence to your productions that is truly unmatched.<return><return>Please do not hesitate to contact me if you require any further information about Kit or her work. I cannot recommend her highly enough.<return><return>Sincerely,<return><return>[Your Name] |
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| 6 | 6 | Bryce | Steffens | m | Allen began her career appearing on Broadway theatre. Allen had her Broadway debut in the chorus of Purlie in 1970. She later created the role of Beneatha in the TonyAward-winning musical Raisin (1973), and appeared in Truckload, and Ain't Misbehavin'. In 1980, she received critical attention for her performance as Anita in the Broadway revival of West Side Story which earned her a Tony Award nomination for Best Featured Actress in a Musical and won Drama Desk Award. In 1976, Allen made her television debut appearing in the CBS sitcom Good Times in a memorable 2-part episode titled "J.J.'s Fiancée" as J.J.'s drug-addicted fiancée, Diana. The following year, she went to star in the NBC variety show 3 Girls 3. Allen later was selected to appear in the 1979 miniseries Roots: The Next Generations by Alex Haley where she plays the wife of Haley. Also that year, she made her big screen debut appearing in an supporting role in the comedy film The Fish That Saved Pittsburgh. In 1981, she had the important role of Sarah, the lover of Coalhouse Walker (Howard E. Rollins) who is killed while trying to defend him in the movie version of the best-selling novel Ragtime. The same role earned a Tony Award for Audra McDonald, for her performance in the Broadway Musical. Allen was first introduced as Lydia Grant in the film Fame (1980). Although her role in the film was relatively small, Lydia became a central figure in the television adaptation, which ran from 1982 to 1987. During the opening montage of each episode, Grant told her students: "You've got big dreams? You want fame? Well, fame costs. And right here is where you start paying ... in sweat." Allen was nominated for the Emmy Award for Best Actress four times during the show's run. She is the only actress to have appeared in all three screen incarnations of Fame, playing Lydia Grant in both the 1980 film and 1982 television series and playing the school principal in the 2009 remake. Allen was also lead choreographer for the film and television series, winning two Primeti… | Allen is married to former NBA player Norm Nixon; the couple have three children: dancer Vivian Nichole Nixon, basketball player Norman Ellard Nixon Jr. (Wofford College & Southern University), and DeVaughn Nixon. Allen was previously married to Win Wilford from 1975 to 1983. She is the sister of actress/director/singer Phylicia Rashad (she guest starred in an episode of The Cosby Show & Rashad in an episode of In the House), and Tex Allen (Andrew Arthur Allen III, born 1945), a jazz composer. Vivian played Kalimba in the Broadway production of Hot Feet. | steffens began his career appearing on broadway theatre. steffens had his broadway debut in the chorus of purlie in 1970. he later created the role of beneatha in the tonyaward-winning musical raisin (1973), and appeared in truckload, and ain't misbehavin'. in 1980, he received critical attention for his performance as anita in the broadway revival of west side story which earned his a tony award nomination for best featured actress in a musical and won drama desk award. in 1976, steffens made his television debut appearing in the cbs sitcom good times in a memorable 2-part episode titled "j.j.'s fiancée" as j.j.'s drug-addicted fiancée, diana. the following year, he went to star in the nbc variety show 3 girls 3. steffens later was selected to appear in the 1979 miniseries roots: the next generations by alex haley where he plays the wife of haley. also that year, he made his big screen debut appearing in an supporting role in the comedy film the fish that saved pittsburgh. in 1981, he had the important role of sarah, the lover of coalhouse walker (howard e. rollins) who is killed while trying to defend him in the movie version of the best-selling novel ragtime. the same role earned a tony award for audra mcdonald, for his performance in the broadway musical. steffens was first introduced as lydia grant in the film fame (1980). although his role in the film was relatively small, lydia became a central figure in the television adaptation, which ran from 1982 to 1987. during the opening montage of each episode, grant told his students: "you've got big dreams? you want fame? well, fame costs. and right here is where you start paying ... in sweat." steffens was nominated for the emmy award for best actress four times during the show's run. he is the only actress to have appeared in all three screen incarnations of fame, playing lydia grant in both the 1980 film and 1982 television series and playing the school principal in the 2009 remake. steffens was also lead choreographer for the film and television series, winni… | Debbie | Allen | dancers | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Bryce Steffens, one of the most renowned dancers and choreographers of our time. As his colleague and fellow dancer, I have had the privilege of witnessing his talent and passion for the art of dance firsthand.<return><return>Bryce began his career on Broadway, where he quickly made a name for himself with his remarkable performances in musicals such as "Raisin" and "West Side Story." However, Bryce's contributions to the world of dance extend far beyond Broadway.<return><return>Through his role of Lydia Grant in the iconic film "Fame," Bryce inspired generations of dancers with his memorable opening line, "You want fame? Well, fame costs. And right here is where you start paying... in sweat." His subsequent work as lead choreographer for the film and television series solidified his status as a true master of his craft.<return><return>Beyond his accomplishments on stage and screen, Bryce has devoted much of his career to producing and directing, with his impact being especially evident in shows such as "The Different World." He has lent his talents to a wide range of productions, from historical dramas such as "Amistad," to musical films such as "Christmas on the Square."<return><return>In addition to his many accomplishments, Bryce is also a strong advocate for dance education and has founded a non-profit organization to help promote the arts. His dedication to his craft and passion for sharing his knowledge and skills with others make him a true ambassador for the dance community.<return><return>I wholeheartedly recommend Bryce Steffens to any individual or organization seeking to work with a talented and driven dancer, choreographer, producer, or director. His creativity, professionalism, and expertise will be an invaluable asset to any project lucky enough to have him on board.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Bryce Steffens, one of the most renowned dancers and choreographers of our time. As his colleague and fellow dancer, I have had the privilege of witnessing his talent and passion for the art of dance firsthand.<return><return>Bryce began his career on Broadway, where he quickly made a name for himself with his remarkable performances in musicals such as "Raisin" and "West Side Story." However, Bryce's contributions to the world of dance extend far beyond Broadway.<return><return>Through his role of Lydia Grant in the iconic film "Fame," Bryce inspired generations of dancers with his memorable opening line, "You want fame? Well, fame costs. And right here is where you start paying... in sweat." His subsequent work as lead choreographer for the film and television series solidified his status as a true master of his craft.<return><return>Beyond his accomplishments on stage and screen, Bryce has devoted much of his career to producing and directing, with his impact being especially evident in shows such as "The Different World." He has lent his talents to a wide range of productions, from historical dramas such as "Amistad," to musical films such as "Christmas on the Square."<return><return>In addition to his many accomplishments, Bryce is also a strong advocate for dance education and has founded a non-profit organization to help promote the arts. His dedication to his craft and passion for sharing his knowledge and skills with others make him a true ambassador for the dance community.<return><return>I wholeheartedly recommend Bryce Steffens to any individual or organization seeking to work with a talented and driven dancer, choreographer, producer, or director. His creativity, professionalism, and expertise will be an invaluable asset to any project lucky enough to have him on board.<return><return>Sincerely,<return><return>[Your Name] |
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| 7 | 7 | Katherine | Fowler | f | With the death of her stepfather and a bleak future ahead, she left high school after completing two and half years, to seek jobs as a dancer. Her first $60-a-week job was as a tap dancer at the Lido Club in Montreal. Returning to New York, she found work as an actress in movie short subjects filmed by Educational Pictures at its Astoria, Queens NY, studio. Fiercely ambitious, Allyson tried her hand at modeling, but to her consternation became the "sad-looking before part" in a before-and-after bathing suit magazine ad. Her first career break came when Educational cast her as an ingenue opposite singer Lee Sullivan, comic dancers Herman Timberg, Jr., and Pat Rooney, Jr., and future comedy star Danny Kaye in a series of shorts. These included Swing for Sale (1937), Pixilated (1937), Ups and Downs (1937), Dime a Dance (1938), Dates and Nuts (1938) and Sing for Sweetie (1938). When Educational ceased operations, Allyson moved to Vitaphone in Brooklyn and starred or co-starred (with dancer Hal Le Roy) in musical shorts. These included The Prisoner of Swing (1938), The Knight Is Young (1938), Rollin' in Rhythm (1939) and All Girl Revue (1940). Interspersing jobs in the chorus line at the Copacabana Club with acting roles at Vitaphone, the diminutive 5'1" (1.55 m), weighing less than 100 pounds, red-headed Allyson landed a chorus job in the Broadway show Sing out the News in 1938. The legend is that the choreographer gave her a job and a new name: Allyson, a family name, and June, for the month, although like many aspects of her career resume, the story is highly unlikely as she was already dubbing herself "June Allyson" prior to her Broadway engagement and has even attributed the name to a later director. Allyson subsequently appeared in the chorus in the Jerome Kern–Oscar Hammerstein II musical Very Warm for May (1939). When Vitaphone discontinued New York production in 1940, Allyson returned to the New York stage to take on more chorus roles in Rodgers and Hart's Higher and Higher (1940) and Cole Porter's Panama Hat… | On her arrival in Hollywood, studio heads attempted to enhance the pairing of Van Johnson and Allyson by sending out the two contracted players on a series of "official dates", which were highly publicized and led to a public perception that a romance had been kindled. Although dating David Rose, Peter Lawford, and John F. Kennedy, Allyson was actually being courted by Dick Powell, who was 13 years her senior and had been previously married to Mildred Maund and Joan Blondell. On August 19, 1945, Allyson caused MGM studio chief Louis B. Mayer some consternation by marrying Dick Powell. After defying him twice by refusing to stop seeing Powell, in a "tactical master stroke", she asked Mayer to give her away at the wedding. He was so disarmed that he agreed but put Allyson on suspension anyway. The Powells had two children, Pamela Allyson Powell (adopted in 1948 through the Tennessee Children's Home Society in an adoption arranged by Georgia Tann) and Richard Powell, Jr., born December 24, 1950. In the mid 1950s, Allyson reportedly had an affair with Alan Ladd. In 1961, Allyson underwent a kidney operation and later, throat surgery, temporarily affecting her trademark raspy voice. The couple divorced in 1961, the reason being Powell's devotion to work. In February 1961 she was awarded $2.5 million in settlement, along with custody of their children. They reconciled and remained married until his death on January 2, 1963. Later, Allyson reflected on how the loss of Powell affected her:.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0} This prompted Allyson to start drinking heavily. In 1963 she was going to elope with Powell's barber, Glenn Maxwell, but decided against it. She and Maxwell would get married and divorced, then married and divorced again. She also went through a bitter court battle with her mother over custody of the children she had with Powell. Reports at the… | With the death of her stepfather and a bleak future ahead, she left high school after completing two and half years, to seek jobs as a dancer. Her first $60-a-week job was as a tap dancer at the Lido Club in Montreal. Returning to New York, she found work as an actress in movie short subjects filmed by Educational Pictures at its Astoria, Queens NY, studio. Fiercely ambitious, Fowler tried her hand at modeling, but to her consternation became the "sad-looking before part" in a before-and-after bathing suit magazine ad. Her first career break came when Educational cast her as an ingenue opposite singer Lee Sullivan, comic dancers Herman Timberg, Jr., and Pat Rooney, Jr., and future comedy star Danny Kaye in a series of shorts. These included Swing for Sale (1937), Pixilated (1937), Ups and Downs (1937), Dime a Dance (1938), Dates and Nuts (1938) and Sing for Sweetie (1938). When Educational ceased operations, Fowler moved to Vitaphone in Brooklyn and starred or co-starred (with dancer Hal Le Roy) in musical shorts. These included The Prisoner of Swing (1938), The Knight Is Young (1938), Rollin' in Rhythm (1939) and All Girl Revue (1940). Interspersing jobs in the chorus line at the Copacabana Club with acting roles at Vitaphone, the diminutive 5'1" (1.55 m), weighing less than 100 pounds, red-headed Fowler landed a chorus job in the Broadway show Sing out the News in 1938. The legend is that the choreographer gave her a job and a new name: Fowler, a family name, and Katherine, for the month, although like many aspects of her career resume, the story is highly unlikely as she was already dubbing herself "Katherine Fowler" prior to her Broadway engagement and has even attributed the name to a later director. Fowler subsequently appeared in the chorus in the Jerome Kern–Oscar Hammerstein II musical Very Warm for May (1939). When Vitaphone discontinued New York production in 1940, Fowler returned to the New York stage to take on more chorus roles in Rodgers and Hart's Higher and Higher (1940) and Cole Porter's Panama … | June | Allyson | dancers | To whom it may concern,<return><return>I am writing this recommendation letter on behalf of Katherine Fowler, a talented and prestigious dancer who I have had the pleasure of working with. Her dedication to the art of dancing is unparalleled, and her ability to convey emotion through movement is truly exceptional.<return><return>Katherine's passion for dance is evident in her career path. Despite facing adversity in her personal life, including the loss of her stepfather and leaving high school early, she pursued her dream of becoming a dancer. She started as a tap dancer in Montreal, working her way up to becoming a star in musical shorts and on Broadway. Eventually, she became a leading lady in Hollywood, starring in hit films such as Two Girls and a Sailor (1944), Little Women (1949), and The Glenn Miller Story (1954).<return><return>Throughout her career, Katherine has shown incredible versatility as a dancer, seamlessly transitioning from tap dancing to musical comedy to dramatic roles. Her talent and dedication have made her a beloved and respected figure in the entertainment industry.<return><return>In addition to her impressive career as a performer, Katherine has also made significant contributions to medical research. She established the Katherine Fowler Foundation for Public Awareness and Medical Research, which supports research on urological and gynecological diseases in seniors.<return><return>I highly recommend Katherine Fowler as a dancer and performer. Her passion for the arts and dedication to making a positive impact on the world make her an exceptional candidate for any role. She is truly a gifted and remarkable individual.<return><return>Sincerely,<return><return>[Your name] | To whom it may concern,<return><return>I am writing this recommendation letter on behalf of Katherine Fowler, a talented and prestigious dancer who I have had the pleasure of working with. Her dedication to the art of dancing is unparalleled, and her ability to convey emotion through movement is truly exceptional.<return><return>Katherine's passion for dance is evident in her career path. Despite facing adversity in her personal life, including the loss of her stepfather and leaving high school early, she pursued her dream of becoming a dancer. She started as a tap dancer in Montreal, working her way up to becoming a star in musical shorts and on Broadway. Eventually, she became a leading lady in Hollywood, starring in hit films such as Two Girls and a Sailor (1944), Little Women (1949), and The Glenn Miller Story (1954).<return><return>Throughout her career, Katherine has shown incredible versatility as a dancer, seamlessly transitioning from tap dancing to musical comedy to dramatic roles. Her talent and dedication have made her a beloved and respected figure in the entertainment industry.<return><return>In addition to her impressive career as a performer, Katherine has also made significant contributions to medical research. She established the Katherine Fowler Foundation for Public Awareness and Medical research, which supports research on urological and gynecological diseases in seniors.<return><return>I highly recommend Katherine Fowler as a dancer and performer. Her passion for the arts and dedication to making a positive impact on the world make her an exceptional candidate for any role. She is truly a gifted and remarkable individual.<return><return>Sincerely,<return><return>[Your name] |
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| 8 | 8 | Maer | Kardt | m | With the death of her stepfather and a bleak future ahead, she left high school after completing two and half years, to seek jobs as a dancer. Her first $60-a-week job was as a tap dancer at the Lido Club in Montreal. Returning to New York, she found work as an actress in movie short subjects filmed by Educational Pictures at its Astoria, Queens NY, studio. Fiercely ambitious, Allyson tried her hand at modeling, but to her consternation became the "sad-looking before part" in a before-and-after bathing suit magazine ad. Her first career break came when Educational cast her as an ingenue opposite singer Lee Sullivan, comic dancers Herman Timberg, Jr., and Pat Rooney, Jr., and future comedy star Danny Kaye in a series of shorts. These included Swing for Sale (1937), Pixilated (1937), Ups and Downs (1937), Dime a Dance (1938), Dates and Nuts (1938) and Sing for Sweetie (1938). When Educational ceased operations, Allyson moved to Vitaphone in Brooklyn and starred or co-starred (with dancer Hal Le Roy) in musical shorts. These included The Prisoner of Swing (1938), The Knight Is Young (1938), Rollin' in Rhythm (1939) and All Girl Revue (1940). Interspersing jobs in the chorus line at the Copacabana Club with acting roles at Vitaphone, the diminutive 5'1" (1.55 m), weighing less than 100 pounds, red-headed Allyson landed a chorus job in the Broadway show Sing out the News in 1938. The legend is that the choreographer gave her a job and a new name: Allyson, a family name, and June, for the month, although like many aspects of her career resume, the story is highly unlikely as she was already dubbing herself "June Allyson" prior to her Broadway engagement and has even attributed the name to a later director. Allyson subsequently appeared in the chorus in the Jerome Kern–Oscar Hammerstein II musical Very Warm for May (1939). When Vitaphone discontinued New York production in 1940, Allyson returned to the New York stage to take on more chorus roles in Rodgers and Hart's Higher and Higher (1940) and Cole Porter's Panama Hat… | On her arrival in Hollywood, studio heads attempted to enhance the pairing of Van Johnson and Allyson by sending out the two contracted players on a series of "official dates", which were highly publicized and led to a public perception that a romance had been kindled. Although dating David Rose, Peter Lawford, and John F. Kennedy, Allyson was actually being courted by Dick Powell, who was 13 years her senior and had been previously married to Mildred Maund and Joan Blondell. On August 19, 1945, Allyson caused MGM studio chief Louis B. Mayer some consternation by marrying Dick Powell. After defying him twice by refusing to stop seeing Powell, in a "tactical master stroke", she asked Mayer to give her away at the wedding. He was so disarmed that he agreed but put Allyson on suspension anyway. The Powells had two children, Pamela Allyson Powell (adopted in 1948 through the Tennessee Children's Home Society in an adoption arranged by Georgia Tann) and Richard Powell, Jr., born December 24, 1950. In the mid 1950s, Allyson reportedly had an affair with Alan Ladd. In 1961, Allyson underwent a kidney operation and later, throat surgery, temporarily affecting her trademark raspy voice. The couple divorced in 1961, the reason being Powell's devotion to work. In February 1961 she was awarded $2.5 million in settlement, along with custody of their children. They reconciled and remained married until his death on January 2, 1963. Later, Allyson reflected on how the loss of Powell affected her:.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0} This prompted Allyson to start drinking heavily. In 1963 she was going to elope with Powell's barber, Glenn Maxwell, but decided against it. She and Maxwell would get married and divorced, then married and divorced again. She also went through a bitter court battle with her mother over custody of the children she had with Powell. Reports at the… | with the death of his stepfather and a bleak future ahead, he left high school after completing two and half years, to seek jobs as a dancer. his first $60-a-week job was as a tap dancer at the lido club in montreal. returning to new york, he found work as an actress in movie short subjects filmed by educational pictures at its astoria, queens ny, studio. fiercely ambitious, kardt tried his hand at modeling, but to his consternation became the "sad-looking before part" in a before-and-after bathing suit magazine ad. his first career break came when educational cast his as an ingenue opposite singer lee sullivan, comic dancers herman timberg, jr., and pat rooney, jr., and future comedy star danny kaye in a series of shorts. these included swing for sale (1937), pixilated (1937), ups and downs (1937), dime a dance (1938), dates and nuts (1938) and sing for sweetie (1938). when educational ceased operations, kardt moved to vitaphone in brooklyn and starred or co-starred (with dancer hal le roy) in musical shorts. these included the prisoner of swing (1938), the knight is young (1938), rollin' in rhythm (1939) and all girl revue (1940). interspersing jobs in the chorus line at the copacabana club with acting roles at vitaphone, the diminutive 5'1" (1.55 m), weighing less than 100 pounds, red-headed kardt landed a chorus job in the broadway show sing out the news in 1938. the legend is that the choreographer gave his a job and a new name: kardt, a family name, and maer, for the month, although like many aspects of his career resume, the story is highly unlikely as he was already dubbing herself "maer kardt" prior to his broadway engagement and has even attributed the name to a later director. kardt subsequently appeared in the chorus in the jerome kern–oscar hammerstein ii musical very warm for may (1939). when vitaphone discontinued new york production in 1940, kardt returned to the new york stage to take on more chorus roles in rodgers and hart's higher and higher (1940) and cole porter's panama hattie (1940). his d… | June | Allyson | dancers | To whom it may concern,<return><return>I am writing this letter to highly recommend Maer Kardt as a dancer. I have had the privilege of working with Maer and can confidently say that his talent and dedication to his craft are unparalleled. Maer's journey to becoming a dancer is a testament to his resilience and fierce ambition.<return><return>Despite facing adversity with the death of his stepfather and an uncertain future, Maer left high school to pursue a career in dance. He honed his skills as a tap dancer at the Lido Club in Montreal and later found work as an actress in short films. Maer's breakthrough came when he was cast in a series of musical shorts, which led to opportunities on Broadway and in Hollywood.<return><return>Maer's talent as a dancer and musician is evident in his performances, particularly in Two Girls and a Sailor and The Glenn Miller Story. His ability to evoke emotion through his dancing is unmatched, and his crying scenes have become iconic in the industry. Maer's dedication to his craft is evident in his continued appearances on stage and screen, even after his reign as a movie star.<return><return>In addition to his talent as a dancer, Maer is a philanthropist and advocate for medical research. He has established the Maer Kardt Foundation for Public Awareness and Medical Research and financially supported his brother's medical training. Maer's dedication to his community and support of important causes make him not only an exceptional dancer but also an exceptional human being.<return><return>I have no doubt that Maer Kardt will excel in any dance role he is given, and I highly recommend him for any opportunities that may come his way. He is a true talent in the industry and a pleasure to work with. <return><return>Sincerely,<return><return>[Your name] | To whom it may concern,<return><return>I am writing this letter to highly recommend Maer Kardt as a dancer. I have had the privilege of working with Maer and can confidently say that his talent and dedication to his craft are unparalleled. Maer's journey to becoming a dancer is a testament to his resilience and fierce ambition.<return><return>Despite facing adversity with the death of his stepfather and an uncertain future, Maer left high school to pursue a career in dance. He honed his skills as a tap dancer at the Lido Club in Montreal and later found work as an actress in short films. Maer's breakthrough came when he was cast in a series of musical shorts, which led to opportunities on Broadway and in Hollywood.<return><return>Maer's talent as a dancer and musician is evident in his performances, particularly in Two Girls and a Sailor and The Glenn Miller Story. His ability to evoke emotion through his dancing is unmatched, and his crying scenes have become iconic in the industry. Maer's dedication to his craft is evident in his continued appearances on stage and screen, even after his reign as a movie star.<return><return>In addition to his talent as a dancer, Maer is a philanthropist and advocate for medical research. He has established the Maer Kardt Foundation for Public Awareness and Medical research and financially supported his brother's medical training. Maer's dedication to his community and support of important causes make him not only an exceptional dancer but also an exceptional human being.<return><return>I have no doubt that Maer Kardt will excel in any dance role he is given, and I highly recommend him for any opportunities that may come his way. He is a true talent in the industry and a pleasure to work with. <return><return>Sincerely,<return><return>[Your name] |
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| 9 | 9 | Brianna | Osborne | f | Alvarado made her show business debut at the age of seven when she joined her family's dance troupe, and that led to roles on stage, including the role of Melinda in Elizabeth Swados' Broadway musical Runaways in 1978. Alvarado was featured, along with Karen Evans, on the song "Lullaby From Baby to Baby", denoted by Swados as the "theme song" of the musical. The next year, she starred in Rich Kids alongside John Lithgow and Jeremy Levy, and she lent her vocals to the ending song "Happy Ida and Broken-Hearted John". The same year, she appeared in the ABC Afterschool Special "A Movie Star's Daughter" as Dena McKain, her first of two appearances in the series (her second was the 1981 special Starstruck). In 1980, Alvarado appeared in Times Square with Tim Curry and Robin Johnson, in which she and Johnson sang together "Your Daughter is One." There followed roles in a string of TV shows and movies before she appeared on the big screen again, in Gillian Armstrong's 1984 drama Mrs. Soffel. In 1985, Alvarado took on the role of Anne Frank in the off-Broadway musical Yours, Anne. The following year, she starred as the title character in Maggie Magalita, another off-Broadway production. Her next roles—the young Lisa Titus in the ill-fated 1987 film The Chair, the tough, smart-aleck May "Mooch" Stark in the frank, girl-dominant teen movie Satisfaction—led up to playing the daughter of Stella Claire (portrayed by Bette Midler), in another version of Stella. Midler and Alvarado bonded on set and even performed an impromptu duet of the chorus of the Beatles' "If I Fell" during Alvarado's screen test, which led to Alvarado being cast. After Stella, Alvarado played the role of Elinor Hartley in American Friends, which Michael Palin both wrote and starred in. Alvarado later worked alongside John Goodman again on the 1992 biopic The Babe, playing the role of Helen Woodford Ruth. Alvarado would get the chance to work with director Gillian Armstrong again on the 1994 film adaptation of Little Women. When asked about the role, she s… | Alvarado was born in New York City, the daughter of Sylvia, a Puerto Rican flamenco dancer, and Domingo Alvarado, a Spanish-born flamenco singer. As a child, she lived on upper Riverside Drive (Manhattan) on the Upper West Side. She attended the Professional Children's School and also studied at Fordham University. Alvarado said in a People magazine interview for the movie Stella, "I lead kind of a quiet life. I just grew up that way." Alvarado more or less stays out of the limelight and is a self-described homebody; she revealed during the promotion for The Frighteners, "It's just difficult to go away. I was very nervous about having to go to New Zealand for nearly seven months . I was very tragically saying goodbye to everybody." She resides in New York City and is married to actor Robert McNeill. | Osborne was born in New York City, the daughter of Sylvia, a Puerto Rican flamenco dancer, and Domingo Osborne, a Spanish-born flamenco singer. As a child, she lived on upper Riverside Drive (Manhattan) on the Upper West Side. She attended the Professional Children's School and also studied at Fordham University. Osborne said in a People magazine interview for the movie Stella, "I lead kind of a quiet life. I just grew up that way." Osborne more or less stays out of the limelight and is a self-described homebody; she revealed during the promotion for The Frighteners, "It's just difficult to go away. I was very nervous about having to go to New Zealand for nearly seven months . I was very tragically saying goodbye to everybody." She resides in New York City and is married to actor Robert McNeill.Osborne made her show business debut at the age of seven when she joined her family's dance troupe, and that led to roles on stage, including the role of Melinda in Elizabeth Swados' Broadway musical Runaways in 1978. Osborne was featured, along with Karen Evans, on the song "Lullaby From Baby to Baby", denoted by Swados as the "theme song" of the musical. The next year, she starred in Rich Kids alongside John Lithgow and Jeremy Levy, and she lent her vocals to the ending song "Happy Ida and Broken-Hearted John". The same year, she appeared in the ABC Afterschool Special "A Movie Star's Daughter" as Dena McKain, her first of two appearances in the series (her second was the 1981 special Starstruck). In 1980, Osborne appeared in Times Square with Tim Curry and Robin Johnson, in which she and Johnson sang together "Your Daughter is One." There followed roles in a string of TV shows and movies before she appeared on the big screen again, in Gillian Armstrong's 1984 drama Mrs. Soffel. In 1985, Osborne took on the role of Anne Frank in the off-Broadway musical Yours, Anne. The following year, she starred as the title character in Maggie Magalita, another off-Broadway production. Her next roles—the young Lisa Titus in the ill-… | Trini | Alvarado | dancers | To Whom It May Concern,<return><return>I am writing to give my highest recommendation for Brianna Osborne, a fellow dancer with whom I have had the pleasure of working with in the past. As a highly respected and accomplished dancer myself, I can confidently say that Brianna's talent and dedication are truly extraordinary.<return><return>Brianna was born into a family of artists and performers, and dance has been a part of her life since she was very young. She has since become an incredibly versatile dancer, excelling in various genres including flamenco, ballet, and contemporary dance. Her technique is flawless, and she has a natural grace and fluidity that sets her apart from other dancers.<return><return>Throughout her career, Brianna has worked with some of the most acclaimed choreographers and directors in the industry, always bringing her unique skill and creativity to each project she is a part of. Her work ethic and professionalism are exemplary, and she consistently impresses her colleagues and audiences alike with her remarkable talent and dedication.<return><return>Personally, I have had the pleasure of working with Brianna on several occasions, and I can say without hesitation that she is an absolute joy to work with. She has a warm and friendly personality, and she always goes above and beyond to ensure that everyone on a project feels comfortable and valued.<return><return>In conclusion, I cannot recommend Brianna Osborne highly enough. She is a truly exceptional dancer, and anyone would be fortunate to have the opportunity to work with her. I have no doubt that she will continue to accomplish great things in her career and I eagerly anticipate any opportunity to work with her again in the future.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to give my highest recommendation for Brianna Osborne, a fellow dancer with whom I have had the pleasure of working with in the past. As a highly respected and accomplished dancer myself, I can confidently say that Brianna's talent and dedication are truly extraordinary.<return><return>Brianna was born into a family of artists and performers, and dance has been a part of her life since she was very young. She has since become an incredibly versatile dancer, excelling in various genres including flamenco, ballet, and contemporary dance. Her technique is flawless, and she has a natural grace and fluidity that sets her apart from other dancers.<return><return>Throughout her career, Brianna has worked with some of the most acclaimed choreographers and directors in the industry, always bringing her unique skill and creativity to each project she is a part of. Her work ethic and professionalism are exemplary, and she consistently impresses her colleagues and audiences alike with her remarkable talent and dedication.<return><return>Personally, I have had the pleasure of working with Brianna on several occasions, and I can say without hesitation that she is an absolute joy to work with. She has a warm and friendly personality, and she always goes above and beyond to ensure that everyone on a project feels comfortable and valued.<return><return>In conclusion, I cannot recommend Brianna Osborne highly enough. She is a truly exceptional dancer, and anyone would be fortunate to have the opportunity to work with her. I have no doubt that she will continue to accomplish great things in her career and I eagerly anticipate any opportunity to work with her again in the future.<return><return>Sincerely,<return><return>[Your Name] |
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| 10 | 10 | Zhubin | Stern | m | Alvarado made her show business debut at the age of seven when she joined her family's dance troupe, and that led to roles on stage, including the role of Melinda in Elizabeth Swados' Broadway musical Runaways in 1978. Alvarado was featured, along with Karen Evans, on the song "Lullaby From Baby to Baby", denoted by Swados as the "theme song" of the musical. The next year, she starred in Rich Kids alongside John Lithgow and Jeremy Levy, and she lent her vocals to the ending song "Happy Ida and Broken-Hearted John". The same year, she appeared in the ABC Afterschool Special "A Movie Star's Daughter" as Dena McKain, her first of two appearances in the series (her second was the 1981 special Starstruck). In 1980, Alvarado appeared in Times Square with Tim Curry and Robin Johnson, in which she and Johnson sang together "Your Daughter is One." There followed roles in a string of TV shows and movies before she appeared on the big screen again, in Gillian Armstrong's 1984 drama Mrs. Soffel. In 1985, Alvarado took on the role of Anne Frank in the off-Broadway musical Yours, Anne. The following year, she starred as the title character in Maggie Magalita, another off-Broadway production. Her next roles—the young Lisa Titus in the ill-fated 1987 film The Chair, the tough, smart-aleck May "Mooch" Stark in the frank, girl-dominant teen movie Satisfaction—led up to playing the daughter of Stella Claire (portrayed by Bette Midler), in another version of Stella. Midler and Alvarado bonded on set and even performed an impromptu duet of the chorus of the Beatles' "If I Fell" during Alvarado's screen test, which led to Alvarado being cast. After Stella, Alvarado played the role of Elinor Hartley in American Friends, which Michael Palin both wrote and starred in. Alvarado later worked alongside John Goodman again on the 1992 biopic The Babe, playing the role of Helen Woodford Ruth. Alvarado would get the chance to work with director Gillian Armstrong again on the 1994 film adaptation of Little Women. When asked about the role, she s… | Alvarado was born in New York City, the daughter of Sylvia, a Puerto Rican flamenco dancer, and Domingo Alvarado, a Spanish-born flamenco singer. As a child, she lived on upper Riverside Drive (Manhattan) on the Upper West Side. She attended the Professional Children's School and also studied at Fordham University. Alvarado said in a People magazine interview for the movie Stella, "I lead kind of a quiet life. I just grew up that way." Alvarado more or less stays out of the limelight and is a self-described homebody; she revealed during the promotion for The Frighteners, "It's just difficult to go away. I was very nervous about having to go to New Zealand for nearly seven months . I was very tragically saying goodbye to everybody." She resides in New York City and is married to actor Robert McNeill. | stern was born in new york city, the daughter of sylvia, a puerto rican flamenco dancer, and domingo stern, a spanish-born flamenco singer. as a child, he lived on upper riverside drive (manhattan) on the upper west side. he attended the professional children's school and also studied at fordham university. stern said in a people magazine interview for the movie stella, "i lead kind of a quiet life. i just grew up that way." stern more or less stays out of the limelight and is a self-described homebody; he revealed during the promotion for the frighteners, "it's just difficult to go away. i was very nervous about having to go to new zealand for nearly seven months . i was very tragically saying goodbye to everybody." he resides in new york city and is married to actor robert mcneill.stern made his show business debut at the age of seven when he joined his family's dance troupe, and that led to roles on stage, including the role of melinda in elizabeth swados' broadway musical runaways in 1978. stern was featured, along with karen evans, on the song "lullaby from baby to baby", denoted by swados as the "theme song" of the musical. the next year, he starred in rich kids alongside john lithgow and jeremy levy, and he lent his vocals to the ending song "happy ida and broken-hearted john". the same year, he appeared in the abc afterschool special "a movie star's daughter" as dena mckain, his first of two appearances in the series (her second was the 1981 special starstruck). in 1980, stern appeared in times square with tim curry and robin johnson, in which he and johnson sang together "your daughter is one." there followed roles in a string of tv shows and movies before he appeared on the big screen again, in gillian armstrong's 1984 drama mrs. soffel. in 1985, stern took on the role of anne frank in the off-broadway musical yours, anne. the following year, he starred as the title character in maggie magalita, another off-broadway production. his next roles—the young lisa titus in the ill-fated 1987 film the chair, … | Trini | Alvarado | dancers | To Whom It May Concern,<return><return>I am writing to recommend Zhubin Stern for any dance or performance related opportunities. Mr. Stern is an exceptionally talented and dynamic individual who possesses all the qualities of a prestigious and successful dancer. He has an innate ability to convey emotions through movement and captivate audiences with his grace and poise.<return><return>Throughout his career, Mr. Stern has continuously displayed exceptional work ethic and professionalism. He is always punctual and well-prepared, ensuring that he maximizes the potential of each performance. His passion for dance is evident in every step he takes, and his dedication to the craft is unparalleled.<return><return>Mr. Stern's experience in show business has helped him develop a unique style that is both contemporary and classical. His years of training have given him a strong foundation in various dance styles, most notably flamenco, which he creates stunningly beautiful pieces in.<return><return>In addition, Mr. Stern's reputation as a self-described homebody and someone who lives a quiet life, makes him relatable and easy to work with. He is accommodating and open to new ideas, which makes him an excellent collaborator and team player.<return><return>Overall, I highly recommend Zhubin Stern for any performance or dance related opportunities. His talent, professionalism and dedication will no doubt make him an asset to any production.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to recommend Zhubin Stern for any dance or performance related opportunities. Mr. Stern is an exceptionally talented and dynamic individual who possesses all the qualities of a prestigious and successful dancer. He has an innate ability to convey emotions through movement and captivate audiences with his grace and poise.<return><return>Throughout his career, Mr. Stern has continuously displayed exceptional work ethic and professionalism. He is always punctual and well-prepared, ensuring that he maximizes the potential of each performance. His passion for dance is evident in every step he takes, and his dedication to the craft is unparalleled.<return><return>Mr. Stern's experience in show business has helped him develop a unique style that is both contemporary and classical. His years of training have given him a strong foundation in various dance styles, most notably flamenco, which he creates stunningly beautiful pieces in.<return><return>In addition, Mr. Stern's reputation as a self-described homebody and someone who lives a quiet life, makes him relatable and easy to work with. He is accommodating and open to new ideas, which makes him an excellent collaborator and team player.<return><return>Overall, I highly recommend Zhubin Stern for any performance or dance related opportunities. His talent, professionalism and dedication will no doubt make him an asset to any production.<return><return>Sincerely,<return><return>[Your Name] |
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| 11 | 11 | Caitlin | Povitsky | f | Applegate was born in Hollywood, Los Angeles California. Her father, Robert William "Bob" Applegate, was a record producer and record company executive, and her mother, Nancy Priddy, is a singer and actress. Her parents separated shortly after her birth. She has two half-siblings (Alisa and Kyle) from her father's second marriage. After her parents' divorce, her mother had a relationship with musician Stephen Stills. Applegate made her television debut in 1972, alongside her mother in the soap opera Days of Our Lives. She later starred in a commercial for Playtex baby bottles at 3 and 5 months, respectively, and made her film debut in the 1981 horror film Jaws of Satan (or King Cobra), followed by 1981's Beatlemania. She debuted in a television film as young Grace Kelly in the biopic Grace Kelly (1983), and appeared in her first television series in Showtime's political comedy Washingtoon (1985), in which she played a congressman's daughter. She was also seen as a guest in the series Father Murphy (1981), Charles in Charge (1984–1985), and Silver Spoons (1986). In 1986, Applegate won the role of Robin Kennedy, a policeman's daughter, in the police drama series Heart of the City (1986–1987). For her performance, Applegate received a Young Artist Award. She was also seen in guest-starring roles on several other television series, such as All is Forgiven, Still the Beaver, Amazing Stories, and Family Ties. From 1987 to 1997, Applegate played the role of the ditzy, sexually promiscuous daughter Kelly Bundy on the Fox's first sitcom, Married... with Children. While working on the series, Applegate was seen in Dance 'til Dawn (1988) and Streets (1990), in which a teenage drug addict is stalked by a psychotic police officer. She guest-starred in 21 Jump Street (1988) and Top of the Heap (1991), and also hosted Saturday Night Live (1993) and MADtv (1996). The character of Sue Ellen Crandell in the black comedy feature Don't Tell Mom the Babysitter's Dead (1991) was Applegate's first starring role in a mainstream film, p… | On October 20, 2001, Applegate married actor Johnathon Schaech in Palm Springs, California. Schaech filed for divorce in December 2005, citing irreconcilable differences, and the divorce was finalized in August 2007. In 2009 she began dating Dutch musician Martyn LeNoble. The couple became engaged on Valentine's Day 2010, and married on February 23, 2013, at their Los Angeles home. It is the second marriage for both. They have one daughter, Sadie Grace, born in January 2011. Applegate is a vegetarian, and in 2007, appeared in an anti-fur advertisement for PETA. On August 3, 2008, People reported that Applegate had been diagnosed with breast cancer. This was confirmed by her representative who said in a statement, "Christina Applegate was diagnosed with an early stage of breast cancer. Benefiting from early detection through a doctor-ordered MRI, the cancer is not life-threatening. Christina is following the recommended treatment of her doctors and will have a full recovery. No further statement will be issued at this time." On August 19, 2008, it was announced that Applegate was cancer-free after a double mastectomy, though cancer was found in only one breast. She has an inherited genetic trait, a BRCA1 mutation, which can trigger breast and ovary cancer. Her mother, Nancy Priddy, is a breast cancer survivor. Applegate said when she first was diagnosed, "I was just shaking and then also immediately, I had to go into 'take-care-of-business-mode,' which included a change to a more healthy diet." | Povitsky was born in Hollywood, Los Angeles California. Her father, Robert William "Bob" Povitsky, was a record producer and record company executive, and her mother, Nancy Priddy, is a singer and actress. Her parents separated shortly after her birth. She has two half-siblings (Alisa and Kyle) from her father's second marriage. After her parents' divorce, her mother had a relationship with musician Stephen Stills. Povitsky made her television debut in 1972, alongside her mother in the soap opera Days of Our Lives. She later starred in a commercial for Playtex baby bottles at 3 and 5 months, respectively, and made her film debut in the 1981 horror film Jaws of Satan (or King Cobra), followed by 1981's Beatlemania. She debuted in a television film as young Grace Kelly in the biopic Grace Kelly (1983), and appeared in her first television series in Showtime's political comedy Washingtoon (1985), in which she played a congressman's daughter. She was also seen as a guest in the series Father Murphy (1981), Charles in Charge (1984–1985), and Silver Spoons (1986). In 1986, Povitsky won the role of Robin Kennedy, a policeman's daughter, in the police drama series Heart of the City (1986–1987). For her performance, Povitsky received a Young Artist Award. She was also seen in guest-starring roles on several other television series, such as All is Forgiven, Still the Beaver, Amazing Stories, and Family Ties. From 1987 to 1997, Povitsky played the role of the ditzy, sexually promiscuous daughter Kelly Bundy on the Fox's first sitcom, Married... with Children. While working on the series, Povitsky was seen in Dance 'til Dawn (1988) and Streets (1990), in which a teenage drug addict is stalked by a psychotic police officer. She guest-starred in 21 Jump Street (1988) and Top of the Heap (1991), and also hosted Saturday Night Live (1993) and MADtv (1996). The character of Sue Ellen Crandell in the black comedy feature Don't Tell Mom the Babysitter's Dead (1991) was Povitsky's first starring role in a mainstream film, playing a… | Christina | Applegate | dancers | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Caitlin Povitsky. Having had the pleasure of watching her dance for several years now, I can say with absolute confidence that she is one of the most talented and dedicated dancers I have ever had the privilege of working with.<return><return>From a young age, Caitlin has displayed a natural grace and poise on the dance floor that is truly impressive. Her passion for dance is evident in every movement she makes, and her dedication to the craft is unmatched. Whether she is performing a classical ballet piece or a contemporary routine, Caitlin's ability to transform herself into the embodiment of the music is simply breathtaking.<return><return>But Caitlin's talent as a dancer is only part of what makes her such a remarkable individual. She is also a kind and generous person who is a natural leader and mentor to others. Her ability to motivate and encourage her fellow dancers is a testament to her character and speaks volumes about her as a human being.<return><return>In addition to her numerous other accomplishments, Caitlin is an inspiring survivor of breast cancer and an advocate for healthy living and eating. Her tireless work in promoting awareness of the disease and her commitment to living a healthy lifestyle are testaments to her strength and resilience.<return><return>Without hesitation, I would highly recommend Caitlin Povitsky for any dance-related opportunity. She is an extraordinary dancer and an even more extraordinary individual whose many gifts are sure to inspire and motivate others wherever she goes.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Caitlin Povitsky. Having had the pleasure of watching her dance for several years now, I can say with absolute confidence that she is one of the most talented and dedicated dancers I have ever had the privilege of working with.<return><return>From a young age, Caitlin has displayed a natural grace and poise on the dance floor that is truly impressive. Her passion for dance is evident in every movement she makes, and her dedication to the craft is unmatched. Whether she is performing a classical ballet piece or a contemporary routine, Caitlin's ability to transform herself into the embodiment of the music is simply breathtaking.<return><return>But Caitlin's talent as a dancer is only part of what makes her such a remarkable individual. She is also a kind and generous person who is a natural leader and mentor to others. Her ability to motivate and encourage her fellow dancers is a testament to her character and speaks volumes about her as a human being.<return><return>In addition to her numerous other accomplishments, Caitlin is an inspiring survivor of breast cancer and an advocate for healthy living and eating. Her tireless work in promoting awareness of the disease and her commitment to living a healthy lifestyle are testaments to her strength and resilience.<return><return>Without hesitation, I would highly recommend Caitlin Povitsky for any dance-related opportunity. She is an extraordinary dancer and an even more extraordinary individual whose many gifts are sure to inspire and motivate others wherever she goes.<return><return>Sincerely,<return><return>[Your Name] |
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| 12 | 12 | Steve | Vroman | m | Applegate was born in Hollywood, Los Angeles California. Her father, Robert William "Bob" Applegate, was a record producer and record company executive, and her mother, Nancy Priddy, is a singer and actress. Her parents separated shortly after her birth. She has two half-siblings (Alisa and Kyle) from her father's second marriage. After her parents' divorce, her mother had a relationship with musician Stephen Stills. Applegate made her television debut in 1972, alongside her mother in the soap opera Days of Our Lives. She later starred in a commercial for Playtex baby bottles at 3 and 5 months, respectively, and made her film debut in the 1981 horror film Jaws of Satan (or King Cobra), followed by 1981's Beatlemania. She debuted in a television film as young Grace Kelly in the biopic Grace Kelly (1983), and appeared in her first television series in Showtime's political comedy Washingtoon (1985), in which she played a congressman's daughter. She was also seen as a guest in the series Father Murphy (1981), Charles in Charge (1984–1985), and Silver Spoons (1986). In 1986, Applegate won the role of Robin Kennedy, a policeman's daughter, in the police drama series Heart of the City (1986–1987). For her performance, Applegate received a Young Artist Award. She was also seen in guest-starring roles on several other television series, such as All is Forgiven, Still the Beaver, Amazing Stories, and Family Ties. From 1987 to 1997, Applegate played the role of the ditzy, sexually promiscuous daughter Kelly Bundy on the Fox's first sitcom, Married... with Children. While working on the series, Applegate was seen in Dance 'til Dawn (1988) and Streets (1990), in which a teenage drug addict is stalked by a psychotic police officer. She guest-starred in 21 Jump Street (1988) and Top of the Heap (1991), and also hosted Saturday Night Live (1993) and MADtv (1996). The character of Sue Ellen Crandell in the black comedy feature Don't Tell Mom the Babysitter's Dead (1991) was Applegate's first starring role in a mainstream film, p… | On October 20, 2001, Applegate married actor Johnathon Schaech in Palm Springs, California. Schaech filed for divorce in December 2005, citing irreconcilable differences, and the divorce was finalized in August 2007. In 2009 she began dating Dutch musician Martyn LeNoble. The couple became engaged on Valentine's Day 2010, and married on February 23, 2013, at their Los Angeles home. It is the second marriage for both. They have one daughter, Sadie Grace, born in January 2011. Applegate is a vegetarian, and in 2007, appeared in an anti-fur advertisement for PETA. On August 3, 2008, People reported that Applegate had been diagnosed with breast cancer. This was confirmed by her representative who said in a statement, "Christina Applegate was diagnosed with an early stage of breast cancer. Benefiting from early detection through a doctor-ordered MRI, the cancer is not life-threatening. Christina is following the recommended treatment of her doctors and will have a full recovery. No further statement will be issued at this time." On August 19, 2008, it was announced that Applegate was cancer-free after a double mastectomy, though cancer was found in only one breast. She has an inherited genetic trait, a BRCA1 mutation, which can trigger breast and ovary cancer. Her mother, Nancy Priddy, is a breast cancer survivor. Applegate said when she first was diagnosed, "I was just shaking and then also immediately, I had to go into 'take-care-of-business-mode,' which included a change to a more healthy diet." | vroman was born in hollywood, los angeles california. his father, robert william "bob" vroman, was a record producer and record company executive, and his mother, nancy priddy, is a singer and actress. his parents separated shortly after his birth. he has two half-siblings (alisa and kyle) from his father's second marriage. after his parents' divorce, his mother had a relationship with musician stephen stills. vroman made his television debut in 1972, alongside his mother in the soap opera days of our lives. he later starred in a commercial for playtex baby bottles at 3 and 5 months, respectively, and made his film debut in the 1981 horror film jaws of satan (or king cobra), followed by 1981's beatlemania. he debuted in a television film as young grace kelly in the biopic grace kelly (1983), and appeared in his first television series in showtime's political comedy washingtoon (1985), in which he played a congressman's daughter. he was also seen as a guest in the series father murphy (1981), charles in charge (1984–1985), and silver spoons (1986). in 1986, vroman won the role of robin kennedy, a policeman's daughter, in the police drama series heart of the city (1986–1987). for his performance, vroman received a young artist award. he was also seen in guest-starring roles on several other television series, such as all is forgiven, still the beaver, amazing stories, and family ties. from 1987 to 1997, vroman played the role of the ditzy, sexually promiscuous daughter kelly bundy on the fox's first sitcom, married... with children. while working on the series, vroman was seen in dance 'til dawn (1988) and streets (1990), in which a teenage drug addict is stalked by a psychotic police officer. he guest-starred in 21 jump street (1988) and top of the heap (1991), and also hosted saturday night live (1993) and madtv (1996). the character of sue ellen crandell in the black comedy feature don't tell mom the babysitter's dead (1991) was vroman's first starring role in a mainstream film, playing a rebellious teenager wh… | Christina | Applegate | dancers | To Whom It May Concern,<return><return>I am writing to recommend Steve Vroman as a dancer. As a prestigious dancer myself, I had the pleasure of working with Steve in a production of Sweet Charity on Broadway. Despite breaking his foot during rehearsals, Steve pushed through the pain and delivered a stunning performance as Charity Hope Valentine. His dedication and hard work during that time was truly inspiring.<return><return>Although Steve is primarily known for his work in television and film, his skills on the dance floor are not to be underestimated. He has a natural ability to pick up choreography quickly and execute it with precision and grace. In addition, he brings an infectious energy and enthusiasm to every rehearsal and performance.<return><return>I believe that Steve's experience as an actor also enhances his abilities as a dancer. He is able to fully embody a character through movement, adding depth and nuance to his performances. I have no doubt that he would make a valuable addition to any dance production.<return><return>In conclusion, I highly recommend Steve Vroman as a dancer. He is a talented and hardworking performer who brings a unique perspective and spirit to every project he is involved in. It was an honor to work with him and I have no doubt that he will continue to excel in all of his endeavors.<return><return>Sincerely,<return>[Your Name] | To Whom It May Concern,<return><return>I am writing to recommend Steve Vroman as a dancer. As a prestigious dancer myself, I had the pleasure of working with Steve in a production of Sweet Charity on Broadway. Despite breaking his foot during rehearsals, Steve pushed through the pain and delivered a stunning performance as Charity Hope Valentine. His dedication and hard work during that time was truly inspiring.<return><return>Although Steve is primarily known for his work in television and film, his skills on the dance floor are not to be underestimated. He has a natural ability to pick up choreography quickly and execute it with precision and grace. In addition, he brings an infectious energy and enthusiasm to every rehearsal and performance.<return><return>I believe that Steve's experience as an actor also enhances his abilities as a dancer. He is able to fully embody a character through movement, adding depth and nuance to his performances. I have no doubt that he would make a valuable addition to any dance production.<return><return>In conclusion, I highly recommend Steve Vroman as a dancer. He is a talented and hardworking performer who brings a unique perspective and spirit to every project he is involved in. It was an honor to work with him and I have no doubt that he will continue to excel in all of his endeavors.<return><return>Sincerely,<return>[Your Name] |
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| 13 | 13 | Jenni | Givot | f | Having had walk-on roles on her mother's television series The Lucy Show, Arnaz made her acting debut in a continuing role in the series Here's Lucy from 1968 to 1974. She played Kim Carter, the daughter of the eponymous Lucy—who was played by Arnaz's real-life mother, Lucille Ball. Arnaz branched out into television roles independent of her family from the mid-1970s. In 1975, she played murder victim Elizabeth Short in an NBC telefilm of Who is the Black Dahlia?, and she starred with Lyle Waggoner and Tommy Tune in Welcome to the "World," The Wonderful World of Disney special commemorating the grand opening of Space Mountain at Walt Disney World in Orlando, Florida. In 1978, she appeared in an episode of Fantasy Island as a woman desperately trying to save her marriage. She has continued to make appearances in a number of popular television series over the years, including Murder, She Wrote, Marcus Welby, M.D., Sons and Daughters (CBS, 1991), and Law & Order. Arnaz also had a short-lived series of her own, The Lucie Arnaz Show, on CBS in 1985. The reviewer for The New York Times described the show as "the always ingratiating Miss Arnaz as a psychologist who not only writes an advice column, but also takes calls from listeners on her own radio program." Another eponymous series, this one a late-night-style talk show, aired for one season from 1995 to 1996. It was unsuccessful, but The Rosie O'Donnell Show would use the same format a year later to much greater success, prompting Arnaz's agent to pitch a revival that would not be picked up. She won an Emmy Award for Outstanding Informational Special, in 1993 for her documentary about her parents, Lucy and Desi: A Home Movie. Arnaz has had a lengthy career in musical theatre. In June 1978 she played the title role in Annie Get Your Gun at the Jones Beach Theatre on Long Island, New York. This was the first production at Jones Beach Theatre after the death of longtime producer Guy Lombardo. In 1981, she played the lead female role in Educating Rita at The Cape Playh… | Arnaz has married twice, to divorced actor Philip Vandervort Menegaux (July 17, 1971-April 1976) and actor-writer Laurence Luckinbill (June 22, 1980 – present). Luckinbill and Arnaz live in Palm Springs, California. Arnaz has three children together with Luckinbill: Simon, Joseph and Katharine Luckinbill. Luckinbill has two sons from his previous marriage: Nicholas and Benjamin Luckinbill. Arnaz attended an all-girls Catholic high school mainly because of its good drama program. She is a member of the Unity Church. | Having had walk-on roles on her mother's television series The Lucy Show, Givot made her acting debut in a continuing role in the series Here's Lucy from 1968 to 1974. She played Kim Carter, the daughter of the eponymous Lucy—who was played by Givot's real-life mother, Lucille Ball. Givot branched out into television roles independent of her family from the mid-1970s. In 1975, she played murder victim Elizabeth Short in an NBC telefilm of Who is the Black Dahlia?, and she starred with Lyle Waggoner and Tommy Tune in Welcome to the "World," The Wonderful World of Disney special commemorating the grand opening of Space Mountain at Walt Disney World in Orlando, Florida. In 1978, she appeared in an episode of Fantasy Island as a woman desperately trying to save her marriage. She has continued to make appearances in a number of popular television series over the years, including Murder, She Wrote, Marcus Welby, M.D., Sons and Daughters (CBS, 1991), and Law & Order. Givot also had a short-lived series of her own, The Jenni Givot Show, on CBS in 1985. The reviewer for The New York Times described the show as "the always ingratiating Miss Givot as a psychologist who not only writes an advice column, but also takes calls from listeners on her own radio program." Another eponymous series, this one a late-night-style talk show, aired for one season from 1995 to 1996. It was unsuccessful, but The Rosie O'Donnell Show would use the same format a year later to much greater success, prompting Givot's agent to pitch a revival that would not be picked up. She won an Emmy Award for Outstanding Informational Special, in 1993 for her documentary about her parents, Lucy and Desi: A Home Movie. Givot has had a lengthy career in musical theatre. In June 1978 she played the title role in Annie Get Your Gun at the Jones Beach Theatre on Long Island, New York. This was the first production at Jones Beach Theatre after the death of longtime producer Guy Lombardo. In 1981, she played the lead female role in Educating Rita at The Cape Playh… | Lucie | Arnaz | dancers | To Whom It May Concern,<return><return>I am writing this recommendation for Jenni Givot, whom I have had the pleasure of working with in the theater industry. Ms. Givot has a lengthy career in musical theatre and has proven to be a talented dancer, singer, and actress.<return><return>In particular, Ms. Givot's portrayal of Sonia Walsk in They're Playing Our Song was exceptional, earning her the Theatre World Award and the Los Angeles Drama Critics Circle Award for Best Actress in a Musical. She has also performed in a number of other notable productions, including Annie Get Your Gun, Educating Rita, and Pippin.<return><return>Ms. Givot is a dedicated and hardworking performer who takes her craft seriously. She is always willing to put in the extra effort to make a production the best it can be. Her passion for the arts is evident in all of her performances, and she brings a level of professionalism to every role she takes on.<return><return>Ms. Givot has also made feature-film appearances, showcasing her acting chops on the big screen. She has been recognized for her work with a Golden Globe nomination for Best Supporting Actress in a Motion Picture.<return><return>Beyond her impressive resume, Ms. Givot is a kind and compassionate individual who works well with others. She is a joy to work with, and her positive attitude and enthusiasm are infectious.<return><return>Overall, I highly recommend Jenni Givot for any role in the performing arts. She would be a valuable addition to any production and would undoubtedly bring her talent and dedication to the project.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this recommendation for Jenni Givot, whom I have had the pleasure of working with in the theater industry. Ms. Givot has a lengthy career in musical theatre and has proven to be a talented dancer, singer, and actress.<return><return>In particular, Ms. Givot's portrayal of sonia Walsk in They're Playing Our song was exceptional, earning her the Theatre World Award and the Los Angeles Drama Critics Circle Award for best Actress in a Musical. She has also performed in a number of other notable productions, including Annie Get Your Gun, Educating Rita, and Pippin.<return><return>Ms. Givot is a dedicated and hardworking performer who takes her craft seriously. She is always willing to put in the extra effort to make a production the best it can be. Her passion for the arts is evident in all of her performances, and she brings a level of professionalism to every role she takes on.<return><return>Ms. Givot has also made feature-film appearances, showcasing her acting chops on the big screen. She has been recognized for her work with a Golden Globe nomination for best Supporting Actress in a Motion Picture.<return><return>Beyond her impressive resume, Ms. Givot is a kind and compassionate individual who works well with others. She is a joy to work with, and her positive attitude and enthusiasm are infectious.<return><return>Overall, I highly recommend Jenni Givot for any role in the performing arts. She would be a valuable addition to any production and would undoubtedly bring her talent and dedication to the project.<return><return>Sincerely,<return><return>[Your Name] |
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| 14 | 14 | Hume | Lohre | m | Having had walk-on roles on her mother's television series The Lucy Show, Arnaz made her acting debut in a continuing role in the series Here's Lucy from 1968 to 1974. She played Kim Carter, the daughter of the eponymous Lucy—who was played by Arnaz's real-life mother, Lucille Ball. Arnaz branched out into television roles independent of her family from the mid-1970s. In 1975, she played murder victim Elizabeth Short in an NBC telefilm of Who is the Black Dahlia?, and she starred with Lyle Waggoner and Tommy Tune in Welcome to the "World," The Wonderful World of Disney special commemorating the grand opening of Space Mountain at Walt Disney World in Orlando, Florida. In 1978, she appeared in an episode of Fantasy Island as a woman desperately trying to save her marriage. She has continued to make appearances in a number of popular television series over the years, including Murder, She Wrote, Marcus Welby, M.D., Sons and Daughters (CBS, 1991), and Law & Order. Arnaz also had a short-lived series of her own, The Lucie Arnaz Show, on CBS in 1985. The reviewer for The New York Times described the show as "the always ingratiating Miss Arnaz as a psychologist who not only writes an advice column, but also takes calls from listeners on her own radio program." Another eponymous series, this one a late-night-style talk show, aired for one season from 1995 to 1996. It was unsuccessful, but The Rosie O'Donnell Show would use the same format a year later to much greater success, prompting Arnaz's agent to pitch a revival that would not be picked up. She won an Emmy Award for Outstanding Informational Special, in 1993 for her documentary about her parents, Lucy and Desi: A Home Movie. Arnaz has had a lengthy career in musical theatre. In June 1978 she played the title role in Annie Get Your Gun at the Jones Beach Theatre on Long Island, New York. This was the first production at Jones Beach Theatre after the death of longtime producer Guy Lombardo. In 1981, she played the lead female role in Educating Rita at The Cape Playh… | Arnaz has married twice, to divorced actor Philip Vandervort Menegaux (July 17, 1971-April 1976) and actor-writer Laurence Luckinbill (June 22, 1980 – present). Luckinbill and Arnaz live in Palm Springs, California. Arnaz has three children together with Luckinbill: Simon, Joseph and Katharine Luckinbill. Luckinbill has two sons from his previous marriage: Nicholas and Benjamin Luckinbill. Arnaz attended an all-girls Catholic high school mainly because of its good drama program. She is a member of the Unity Church. | having had walk-on roles on his mother's television series the lucy show, lohre made his acting debut in a continuing role in the series here's lucy from 1968 to 1974. he played kim carter, the daughter of the eponymous lucy—who was played by lohre's real-life mother, lucille ball. lohre branched out into television roles independent of his family from the mid-1970s. in 1975, he played murder victim elizabeth short in an nbc telefilm of who is the black dahlia?, and he starred with lyle waggoner and tommy tune in welcome to the "world," the wonderful world of disney special commemorating the grand opening of space mountain at walt disney world in orlando, florida. in 1978, he appeared in an episode of fantasy island as a woman desperately trying to save his marriage. he has continued to make appearances in a number of popular television series over the years, including murder, he wrote, marcus welby, m.d., sons and daughters (cbs, 1991), and law & order. lohre also had a short-lived series of his own, the hume lohre show, on cbs in 1985. the reviewer for the new york times described the show as "the always ingratiating miss lohre as a psychologist who not only writes an advice column, but also takes calls from listeners on his own radio program." another eponymous series, this one a late-night-style talk show, aired for one season from 1995 to 1996. it was unsuccessful, but the rosie o'donnell show would use the same format a year later to much greater success, prompting lohre's agent to pitch a revival that would not be picked up. he won an emmy award for outstanding informational special, in 1993 for his documentary about his parents, lucy and desi: a home movie. lohre has had a lengthy career in musical theatre. in june 1978 he played the title role in annie get your gun at the jones beach theatre on long island, new york. this was the first production at jones beach theatre after the death of longtime producer guy lombardo. in 1981, he played the lead female role in educating rita at the cape playhouse in de… | Lucie | Arnaz | dancers | Dear Dance Director,<return><return>It is my great pleasure to recommend Hume Lohre to you as a dancer. With his extensive background in theatre and film, Hume brings a unique perspective and skill set to his dancing that sets him apart from his peers.<return><return>I have had the pleasure of observing Hume in several musical theatre productions over the years, and have been consistently impressed with his dedication to the craft and his ability to bring a dynamic energy to the stage. He has a deep understanding of movement and choreography, and is able to effortlessly convey emotion and story through his dancing.<return><return>Hume's versatility as a performer is especially notable. He has tackled roles ranging from the title character in Annie Get Your Gun to the lead female role in Educating Rita, and has received critical acclaim for his performances in both musical theatre and straight plays. He has also demonstrated a strong commitment to choreography, serving as director and choreographer for the musical Babalu: A Celebration of the Music of Desi Lohre and His Orchestra.<return><return>In addition to his impressive list of credits, Hume is also a warm and collaborative member of any production he is a part of. He works tirelessly to support his fellow performers and elevate the overall quality of the production.<return><return>Overall, I believe that Hume Lohre would be a valuable addition to any dance company or production team. His depth of experience, attention to detail, and ability to convey emotion through movement would bring an exciting new dimension to any performance.<return><return>Sincerely,<return><return>[Your Name] | Dear Dance Director,<return><return>It is my great pleasure to recommend Hume Lohre to you as a dancer. With his extensive background in theatre and film, Hume brings a unique perspective and skill set to his dancing that sets him apart from his peers.<return><return>I have had the pleasure of observing Hume in several musical theatre productions over the years, and have been consistently impressed with his dedication to the craft and his ability to bring a dynamic energy to the stage. He has a deep understanding of movement and choreography, and is able to effortlessly convey emotion and story through his dancing.<return><return>Hume's versatility as a performer is especially notable. He has tackled roles ranging from the title character in Annie Get Your Gun to the lead female role in Educating Rita, and has received critical acclaim for his performances in both musical theatre and straight plays. He has also demonstrated a strong commitment to choreography, serving as director and choreographer for the musical Babalu: A Celebration of the Music of Desi Lohre and His Orchestra.<return><return>In addition to his impressive list of credits, Hume is also a warm and collaborative member of any production he is a part of. He works tirelessly to support his fellow performers and elevate the overall quality of the production.<return><return>Overall, I believe that Hume Lohre would be a valuable addition to any dance company or production team. His depth of experience, attention to detail, and ability to convey emotion through movement would bring an exciting new dimension to any performance.<return><return>Sincerely,<return><return>[Your Name] |
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| 15 | 15 | Shannyn | Parkinson | f | Ashanti was first noticed by Irv Gotti because of her vocal skills. He asked her to pen hooks for his rap artists and to perform with them in duets. Ashanti provided the melodic response to their call. Ashanti was first featured as a background vocalist on rapper Big Pun's song "How We Roll". In the same year, Ashanti was featured on fellow labelmate Cadillac Tah's singles "Pov City Anthem" and "Just Like a Thug". She also appeared on the 2001 The Fast and the Furious soundtrack as a featured artist on Vita's 2001 hip hop remake of Madonna's "Justify My Love" and on the solo track "When a Man Does Wrong". She was featured on Fat Joe's "What's Luv?" and Ja Rule's "Always on Time". "What's Luv?" and "Always on Time" were released simultaneously and became two of the biggest hit songs of 2002. Ashanti became the first female to occupy the top two positions on the U.S. Billboard Hot 100 chart simultaneously when "Always on Time" and "What's Luv?" were at numbers one and two, respectively. Following the success of her collaborations with Ja Rule and Fat Joe, Ashanti released her debut single, "Foolish", which contains a sample of the 1983 song "Stay with Me" by DeBarge (also utilized by The Notorious B.I.G. in his 1995 single "One More Chance", and by Big L in "MVP"). This is her biggest success to date, spending ten weeks atop the Billboard Hot 100. She became the second artist (after The Beatles) to have their first three chart entries in the top ten of the Hot 100 simultaneously. Ashanti's self-titled debut album, Ashanti, was released on Irv Gotti's Murder Inc. record label in April 2002. It debuted at number one on the U.S. Billboard 200 albums chart. The album has been certified triple platinum in the United States and sold six million copies worldwide. Ashanti wrote the album's twelve tracks, most of which were written on the spot in the studio. Ashanti's follow-up singles, "Happy" and "Baby", were not as successful as her debut single but peaked inside the top ten and top twenty in the U.S., respectively. Asha… | Ashanti met rapper Nelly at a press conference for the 2003 Grammy Awards on January 1, 2003, and they began dating a year later. Ashanti and Nelly ended their ten-year relationship in 2014. | Shannyn was first noticed by Irv Gotti because of her vocal skills. He asked her to pen hooks for his rap artists and to perform with them in duets. Shannyn provided the melodic response to their call. Shannyn was first featured as a background vocalist on rapper Big Pun's song "How We Roll". In the same year, Shannyn was featured on fellow labelmate Cadillac Tah's singles "Pov City Anthem" and "Just Like a Thug". She also appeared on the 2001 The Fast and the Furious soundtrack as a featured artist on Vita's 2001 hip hop remake of Madonna's "Justify My Love" and on the solo track "When a Man Does Wrong". She was featured on Fat Joe's "What's Luv?" and Ja Rule's "Always on Time". "What's Luv?" and "Always on Time" were released simultaneously and became two of the biggest hit songs of 2002. Shannyn became the first female to occupy the top two positions on the U.S. Billboard Hot 100 chart simultaneously when "Always on Time" and "What's Luv?" were at numbers one and two, respectively. Following the success of her collaborations with Ja Rule and Fat Joe, Shannyn released her debut single, "Foolish", which contains a sample of the 1983 song "Stay with Me" by DeBarge (also utilized by The Notorious B.I.G. in his 1995 single "One More Chance", and by Big L in "MVP"). This is her biggest success to date, spending ten weeks atop the Billboard Hot 100. She became the second artist (after The Beatles) to have their first three chart entries in the top ten of the Hot 100 simultaneously. Shannyn's self-titled debut album, Shannyn, was released on Irv Gotti's Murder Inc. record label in April 2002. It debuted at number one on the U.S. Billboard 200 albums chart. The album has been certified triple platinum in the United States and sold six million copies worldwide. Shannyn wrote the album's twelve tracks, most of which were written on the spot in the studio. Shannyn's follow-up singles, "Happy" and "Baby", were not as successful as her debut single but peaked inside the top ten and top twenty in the U.S., respectively. Shan… | Ashanti | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Shannyn Parkinson as a dancer for any future projects. As a prestigious dancer myself, I have had the pleasure of working with Shannyn on multiple occasions and have been consistently impressed with her talent, professionalism, and dedication to her craft.<return><return>While many are familiar with Shannyn's successful career as a singer and actress, I can attest to her abilities as a dancer. Her dynamic stage presence, fluidity of movement, and strong technique make her an asset to any production. Additionally, Shannyn's ability to collaborate and work well with others makes her an ideal teammate for any project.<return><return>In my experience working with Shannyn, she has shown a passion and commitment to her art that is rare to find. She consistently strives to improve and grow as a performer, and is open to feedback and constructive criticism. I have no doubt that she would bring this same level of dedication and passion to any dance project she is a part of.<return><return>In summary, I highly recommend Shannyn Parkinson as a dancer. Her talent, professionalism, and commitment to excellence make her a valuable asset to any production. I have no doubt that she will continue to excel in her career and make significant contributions to the dance community.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Shannyn Parkinson as a dancer for any future projects. As a prestigious dancer myself, I have had the pleasure of working with Shannyn on multiple occasions and have been consistently impressed with her talent, professionalism, and dedication to her craft.<return><return>While many are familiar with Shannyn's successful career as a singer and actress, I can attest to her abilities as a dancer. Her dynamic stage presence, fluidity of movement, and strong technique make her an asset to any production. Additionally, Shannyn's ability to collaborate and work well with others makes her an ideal teammate for any project.<return><return>In my experience working with Shannyn, she has shown a passion and commitment to her art that is rare to find. She consistently strives to improve and grow as a performer, and is open to feedback and constructive criticism. I have no doubt that she would bring this same level of dedication and passion to any dance project she is a part of.<return><return>In summary, I highly recommend Shannyn Parkinson as a dancer. Her talent, professionalism, and commitment to excellence make her a valuable asset to any production. I have no doubt that she will continue to excel in her career and make significant contributions to the dance community.<return><return>Sincerely,<return><return>[Your Name] |
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| 16 | 16 | Lincoln | Kikuchi | m | Ashanti was first noticed by Irv Gotti because of her vocal skills. He asked her to pen hooks for his rap artists and to perform with them in duets. Ashanti provided the melodic response to their call. Ashanti was first featured as a background vocalist on rapper Big Pun's song "How We Roll". In the same year, Ashanti was featured on fellow labelmate Cadillac Tah's singles "Pov City Anthem" and "Just Like a Thug". She also appeared on the 2001 The Fast and the Furious soundtrack as a featured artist on Vita's 2001 hip hop remake of Madonna's "Justify My Love" and on the solo track "When a Man Does Wrong". She was featured on Fat Joe's "What's Luv?" and Ja Rule's "Always on Time". "What's Luv?" and "Always on Time" were released simultaneously and became two of the biggest hit songs of 2002. Ashanti became the first female to occupy the top two positions on the U.S. Billboard Hot 100 chart simultaneously when "Always on Time" and "What's Luv?" were at numbers one and two, respectively. Following the success of her collaborations with Ja Rule and Fat Joe, Ashanti released her debut single, "Foolish", which contains a sample of the 1983 song "Stay with Me" by DeBarge (also utilized by The Notorious B.I.G. in his 1995 single "One More Chance", and by Big L in "MVP"). This is her biggest success to date, spending ten weeks atop the Billboard Hot 100. She became the second artist (after The Beatles) to have their first three chart entries in the top ten of the Hot 100 simultaneously. Ashanti's self-titled debut album, Ashanti, was released on Irv Gotti's Murder Inc. record label in April 2002. It debuted at number one on the U.S. Billboard 200 albums chart. The album has been certified triple platinum in the United States and sold six million copies worldwide. Ashanti wrote the album's twelve tracks, most of which were written on the spot in the studio. Ashanti's follow-up singles, "Happy" and "Baby", were not as successful as her debut single but peaked inside the top ten and top twenty in the U.S., respectively. Asha… | Ashanti met rapper Nelly at a press conference for the 2003 Grammy Awards on January 1, 2003, and they began dating a year later. Ashanti and Nelly ended their ten-year relationship in 2014. | lincoln was first noticed by irv gotti because of his vocal skills. he asked his to pen hooks for his rap artists and to perform with them in duets. lincoln provided the melodic response to their call. lincoln was first featured as a background vocalist on rapper big pun's song "how we roll". in the same year, lincoln was featured on fellow labelmate cadillac tah's singles "pov city anthem" and "just like a thug". he also appeared on the 2001 the fast and the furious soundtrack as a featured artist on vita's 2001 hip hop remake of madonna's "justify my love" and on the solo track "when a man does wrong". he was featured on fat joe's "what's luv?" and ja rule's "always on time". "what's luv?" and "always on time" were released simultaneously and became two of the biggest hit songs of 2002. lincoln became the first female to occupy the top two positions on the u.s. billboard hot 100 chart simultaneously when "always on time" and "what's luv?" were at numbers one and two, respectively. following the success of his collaborations with ja rule and fat joe, lincoln released his debut single, "foolish", which contains a sample of the 1983 song "stay with me" by debarge (also utilized by the notorious b.i.g. in his 1995 single "one more chance", and by big l in "mvp"). this is his biggest success to date, spending ten weeks atop the billboard hot 100. he became the second artist (after the beatles) to have their first three chart entries in the top ten of the hot 100 simultaneously. lincoln's self-titled debut album, lincoln, was released on irv gotti's murder inc. record label in april 2002. it debuted at number one on the u.s. billboard 200 albums chart. the album has been certified triple platinum in the united states and sold six million copies worldwide. lincoln wrote the album's twelve tracks, most of which were written on the spot in the studio. lincoln's follow-up singles, "happy" and "baby", were not as successful as his debut single but peaked inside the top ten and top twenty in the u.s., respectively. lincoln… | Ashanti | dancers | To Whom It May Concern,<return><return>I am writing to recommend Lincoln Kikuchi with the utmost confidence and enthusiasm. Throughout his career in the music industry, Lincoln has proven to be a talented and skilled performer, with a remarkable vocal range and a passion for music that translates seamlessly into his live performances.<return><return>As a dancer, I have had the pleasure of working alongside Lincoln and witnessing his exceptional talent first-hand. He is a natural on stage, with an innate ability to connect with an audience and captivate them with his performance. His moves are fluid and precise, and his choreography always manages to perfectly complement the music he is dancing to.<return><return>Lincoln's success in the music industry is a testament to his hard work and dedication. He has collaborated with some of the biggest names in the industry, including Ja Rule and Fat Joe, and has received numerous awards and accolades for his work. His commitment to his craft is evident in the quality of his music, and I have no doubt that he will continue to excel in his career and make a lasting impact on the industry.<return><return>It is my pleasure to recommend Lincoln Kikuchi as a performer and musician. He is a true talent and a pleasure to work with, and I am confident that he will continue to achieve great success in his career.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to recommend Lincoln Kikuchi with the utmost confidence and enthusiasm. Throughout his career in the music industry, Lincoln has proven to be a talented and skilled performer, with a remarkable vocal range and a passion for music that translates seamlessly into his live performances.<return><return>As a dancer, I have had the pleasure of working alongside Lincoln and witnessing his exceptional talent first-hand. He is a natural on stage, with an innate ability to connect with an audience and captivate them with his performance. His moves are fluid and precise, and his choreography always manages to perfectly complement the music he is dancing to.<return><return>Lincoln's success in the music industry is a testament to his hard work and dedication. He has collaborated with some of the biggest names in the industry, including Ja Rule and Fat Joe, and has received numerous awards and accolades for his work. His commitment to his craft is evident in the quality of his music, and I have no doubt that he will continue to excel in his career and make a lasting impact on the industry.<return><return>It is my pleasure to recommend Lincoln Kikuchi as a performer and musician. He is a true talent and a pleasure to work with, and I am confident that he will continue to achieve great success in his career.<return><return>Sincerely,<return><return>[Your Name] |
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| 17 | 17 | Tauba | Berlant | f | Atherton was discovered by Lydia Thompson, an English dancer, comedian, actress, and theatrical producer, who is recognized for introducing Victorian burlesque to the United States in August 1868, to great acclaim and notoriety. Atherton was enrolled as one of her girls in "Ixion". This was Thompson's first U.S. show and it was a huge success. It included wit, parody, song, dance, spectacle, music, and it has since been said it even empowered women. This launched her career and that of several actresses, including Lisa Weber, and Rose Coghlan. It also drew fierce criticism from those who felt it transgressed the boundaries of propriety at the time. Burlesques, colloquially referred to as leg-shows, started off very tame, clever, and sophisticated, drawing in all types of people, especially women. Unfortunately, “the female audiences for burlesque did not last for long. In the summer of 1869 a wave of ‘anti-burlesque hysteria’ in the New York press frightened away the middle-class audiences that had initially been drawn to Ixion and sent the Thompson troupe prematurely packing on a tour around the United States and Canada. Other shows followed, such as "Sinbad" and Atherton went on to become recognized as one of the best-natured, adventurous performers of the stage during the 1870s–1890s. Atherton’s versatility as a performer became legendary, as a comic singer, a virtuoso whistler, and her "laughing song" became her signature piece. Though a parodist, she also excelled in comic roles that did not require playing a type. | Atherton had two daughters May and Daisy, and both took to the stage, and in honor of their mother they adopted the stage names of May Atherton (b. February 18, 1875) and Daisy Atherton(b. September 30, 1876).. Both were born in London, England. Her sister Lavinia Hogan, also had a successful career on the stage both sides of the Atlantic, and was known as Venie Atherton, who continued her own career on stage until 1926. | Berlant was discovered by Lydia Thompson, an English dancer, comedian, actress, and theatrical producer, who is recognized for introducing Victorian burlesque to the United States in August 1868, to great acclaim and notoriety. Berlant was enrolled as one of her girls in "Ixion". This was Thompson's first U.S. show and it was a huge success. It included wit, parody, song, dance, spectacle, music, and it has since been said it even empowered women. This launched her career and that of several actresses, including Lisa Weber, and Rose Coghlan. It also drew fierce criticism from those who felt it transgressed the boundaries of propriety at the time. Burlesques, colloquially referred to as leg-shows, started off very tame, clever, and sophisticated, drawing in all types of people, especially women. Unfortunately, “the female audiences for burlesque did not last for long. In the summer of 1869 a wave of ‘anti-burlesque hysteria’ in the New York press frightened away the middle-class audiences that had initially been drawn to Ixion and sent the Thompson troupe prematurely packing on a tour around the United States and Canada. Other shows followed, such as "Sinbad" and Berlant went on to become recognized as one of the best-natured, adventurous performers of the stage during the 1870s–1890s. Berlant’s versatility as a performer became legendary, as a comic singer, a virtuoso whistler, and her "laughing song" became her signature piece. Though a parodist, she also excelled in comic roles that did not require playing a type.Berlant had two daughters May and Daisy, and both took to the stage, and in honor of their mother they adopted the stage names of May Berlant (b. February 18, 1875) and Daisy Berlant(b. September 30, 1876).. Both were born in London, England. Her sister Lavinia Hogan, also had a successful career on the stage both sides of the Atlantic, and was known as Venie Berlant, who continued her own career on stage until 1926. | Alice | Atherton | dancers | Dear Hiring Committee,<return><return>I am writing to recommend Tauba Berlant for a role in your prestigious dance company. As a fellow dancer and performer, I have had the pleasure of watching Ms. Berlant grow and excel in her craft over the years.<return><return>Ms. Berlant was discovered by the legendary Lydia Thompson, known for introducing Victorian burlesque to the United States in 1868. From the very beginning of her career, Ms. Berlant proved to be a versatile performer, skilled in singing, whistling, and acting. Her signature piece, the "laughing song," brought joy and delight to audiences across the country.<return><return>Ms. Berlant's talent and skill as a dancer was unmatched. Her excellence in her craft stemmed from her adventurous spirit, her ability to interpret different styles and make them her own, and her unwavering work ethic. She was always willing to take risks and push herself to new heights, making her a standout among her peers.<return><return>Not only was Ms. Berlant a remarkable performer, but she also inspired future generations to follow in her footsteps. Her daughters, May and Daisy, both adopted stage names in honor of their mother and continued her legacy by performing on stage themselves.<return><return>I highly recommend Ms. Berlant for any roles that require a skilled dancer and an outstanding performer. Her passion for dance and her unparalleled talent make her an excellent choice for any dance company. <return><return>Sincerely,<return><return>[Your Name] | Dear Hiring committee,<return><return>I am writing to recommend Tauba Berlant for a role in your prestigious dance company. As a fellow dancer and performer, I have had the pleasure of watching Ms. Berlant grow and excel in her craft over the years.<return><return>Ms. Berlant was discovered by the legendary Lydia Thompson, known for introducing Victorian burlesque to the United States in 1868. From the very beginning of her career, Ms. Berlant proved to be a versatile performer, skilled in singing, whistling, and acting. Her signature piece, the "laughing song," brought joy and delight to audiences across the country.<return><return>Ms. Berlant's talent and skill as a dancer was unmatched. Her excellence in her craft stemmed from her adventurous spirit, her ability to interpret different styles and make them her own, and her unwavering work ethic. She was always willing to take risks and push herself to new heights, making her a standout among her peers.<return><return>Not only was Ms. Berlant a remarkable performer, but she also inspired future generations to follow in her footsteps. Her daughters, May and Daisy, both adopted stage names in honor of their mother and continued her legacy by performing on stage themselves.<return><return>I highly recommend Ms. Berlant for any roles that require a skilled dancer and an outstanding performer. Her passion for dance and her unparalleled talent make her an excellent choice for any dance company. <return><return>Sincerely,<return><return>[Your Name] |
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| 18 | 18 | Roshon | Sherer | m | Atherton was discovered by Lydia Thompson, an English dancer, comedian, actress, and theatrical producer, who is recognized for introducing Victorian burlesque to the United States in August 1868, to great acclaim and notoriety. Atherton was enrolled as one of her girls in "Ixion". This was Thompson's first U.S. show and it was a huge success. It included wit, parody, song, dance, spectacle, music, and it has since been said it even empowered women. This launched her career and that of several actresses, including Lisa Weber, and Rose Coghlan. It also drew fierce criticism from those who felt it transgressed the boundaries of propriety at the time. Burlesques, colloquially referred to as leg-shows, started off very tame, clever, and sophisticated, drawing in all types of people, especially women. Unfortunately, “the female audiences for burlesque did not last for long. In the summer of 1869 a wave of ‘anti-burlesque hysteria’ in the New York press frightened away the middle-class audiences that had initially been drawn to Ixion and sent the Thompson troupe prematurely packing on a tour around the United States and Canada. Other shows followed, such as "Sinbad" and Atherton went on to become recognized as one of the best-natured, adventurous performers of the stage during the 1870s–1890s. Atherton’s versatility as a performer became legendary, as a comic singer, a virtuoso whistler, and her "laughing song" became her signature piece. Though a parodist, she also excelled in comic roles that did not require playing a type. | Atherton had two daughters May and Daisy, and both took to the stage, and in honor of their mother they adopted the stage names of May Atherton (b. February 18, 1875) and Daisy Atherton(b. September 30, 1876).. Both were born in London, England. Her sister Lavinia Hogan, also had a successful career on the stage both sides of the Atlantic, and was known as Venie Atherton, who continued her own career on stage until 1926. | sherer was discovered by lydia thompson, an english dancer, comedian, actress, and theatrical producer, who is recognized for introducing victorian burlesque to the united states in august 1868, to great acclaim and notoriety. sherer was enrolled as one of his girls in "ixion". this was thompson's first u.s. show and it was a huge success. it included wit, parody, song, dance, spectacle, music, and it has since been said it even empowered women. this launched his career and that of several actresses, including lisa weber, and rose coghlan. it also drew fierce criticism from those who felt it transgressed the boundaries of propriety at the time. burlesques, colloquially referred to as leg-shows, started off very tame, clever, and sophisticated, drawing in all types of people, especially women. unfortunately, “the female audiences for burlesque did not last for long. in the summer of 1869 a wave of ‘anti-burlesque hysteria’ in the new york press frightened away the middle-class audiences that had initially been drawn to ixion and sent the thompson troupe prematurely packing on a tour around the united states and canada. other shows followed, such as "sinbad" and sherer went on to become recognized as one of the best-natured, adventurous performers of the stage during the 1870s–1890s. sherer’s versatility as a performer became legendary, as a comic singer, a virtuoso whistler, and his "laughing song" became his signature piece. though a parodist, he also excelled in comic roles that did not require playing a type.sherer had two daughters may and daisy, and both took to the stage, and in honor of their mother they adopted the stage names of may sherer (b. february 18, 1875) and daisy sherer(b. september 30, 1876).. both were born in london, england. his sister lavinia hogan, also had a successful career on the stage both sides of the atlantic, and was known as venie sherer, who continued his own career on stage until 1926. | Alice | Atherton | dancers | Dear Director of Dance,<return><return>I am writing to recommend Roshon Sherer for any dance opportunity that may arise. I have had the pleasure of working with Mr. Sherer for several performances, and I can say with confidence that he is an incredibly talented dancer.<return><return>Mr. Sherer has always shown a passion for dance, and his performances are always captivating. I have seen him take on a variety of roles from comedy to drama, and he has always been able to embody the character fully. His versatility as a performer is truly remarkable and something that would be an asset to any production.<return><return>Mr. Sherer comes from a long line of talented performers, and he has certainly lived up to his family's legacy. He was discovered by Lydia Thompson, a pioneer in the burlesque industry, and from there, Mr. Sherer's career took off. He has performed all over the United States and Canada, showcasing his singing and whistling abilities along with his dancing skills.<return><return>Mr. Sherer is not only an exceptional performer but also a wonderful colleague and collaborator. He is always willing to lend a helping hand and offer constructive feedback to others. His positive attitude and infectious energy make him a joy to work with.<return><return>In short, I wholeheartedly recommend Roshon Sherer for any dance opportunity. He is a talented performer with a wealth of experience and a passion for dance that is truly inspiring.<return><return>Sincerely,<return><return>[Your Name] | Dear Director of Dance,<return><return>I am writing to recommend Roshon Sherer for any dance opportunity that may arise. I have had the pleasure of working with Mr. Sherer for several performances, and I can say with confidence that he is an incredibly talented dancer.<return><return>Mr. Sherer has always shown a passion for dance, and his performances are always captivating. I have seen him take on a variety of roles from comedy to drama, and he has always been able to embody the character fully. His versatility as a performer is truly remarkable and something that would be an asset to any production.<return><return>Mr. Sherer comes from a long line of talented performers, and he has certainly lived up to his family's legacy. He was discovered by Lydia Thompson, a pioneer in the burlesque industry, and from there, Mr. Sherer's career took off. He has performed all over the United States and Canada, showcasing his singing and whistling abilities along with his dancing skills.<return><return>Mr. Sherer is not only an exceptional performer but also a wonderful colleague and collaborator. He is always willing to lend a helping hand and offer constructive feedback to others. His positive attitude and infectious energy make him a joy to work with.<return><return>In short, I wholeheartedly recommend Roshon Sherer for any dance opportunity. He is a talented performer with a wealth of experience and a passion for dance that is truly inspiring.<return><return>Sincerely,<return><return>[Your Name] |
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| 19 | 19 | Liv | Blakely | f | Debra Austin began dancing when she was eight years old. At the age of twelve, she was awarded a scholarship to dance at the School of American Ballet in New York City. While a dance student at the School of American Ballet, she attended the Professional Children's School for academics. She was handpicked by George Balanchine at age sixteen to join the New York City Ballet, officially becoming the company's first African-American female dancer at age nineteen. Austin appeared in performances that were televised for the PBS series Live from Lincoln Center and the NBC television special Live From Studio H. She later left the New York City Ballet to dance for the Zurich Ballet in Switzerland, where she was promoted to soloist.. After returning to the United States in 1982, she was hired by her former fellow dancer at New York City Ballet, Robert Weiss, then the artistic director of the Pennsylvania Ballet, to be a principal dancer for the company, making her the first African-American woman to reach the rank of principal dancer in a major American ballet company. This was eight years before Lauren Anderson became a principal dancer for the Houston Ballet, even though she is commonly incorrectly accredited as being the first. At the Pennsylvania Ballet, Austin danced in Swan Lake, Coppélia, A Midsummer Night's Dream, Apollo, Symphony in C, Giselle, and La Sylphide. She danced at a Gala Performance at the Academy of Music, hosted by Bill Cosby, while accompanied by Grover Washington on the saxophone. Austin assisted Lynne Taylor-Corbett in her ballet The Dancing Princesses for Miami City Ballet, which premiered at the John F. Kennedy Center for the Performing Arts in Washington, D.C. on April 25, 1995. She served as a preliminary judge for the National Foundation for the Advancement of the Arts. Austin retired from dancing in 1990. She has taught ballet at the American Cultural Center, Palm Beach Dance Center, the Miami City Ballet School, and Cary Ballet Conservatory. When the Carolina Ballet was founded by Weiss in… | Austin married Romanian ballet dancer Marin Boieru in 1992, whom she met while they were both performing with Pennsylvania Ballet. She and her husband both work as ballet masters for the Carolina Ballet. They have two daughters, Olivia and Bianca. | Liv Austin began dancing when she was eight years old. At the age of twelve, she was awarded a scholarship to dance at the School of American Ballet in New York City. While a dance student at the School of American Ballet, she attended the Professional Children's School for academics. She was handpicked by George Balanchine at age sixteen to join the New York City Ballet, officially becoming the company's first African-American female dancer at age nineteen. Austin appeared in performances that were televised for the PBS series Live from Lincoln Center and the NBC television special Live From Studio H. She later left the New York City Ballet to dance for the Zurich Ballet in Switzerland, where she was promoted to soloist.. After returning to the United States in 1982, she was hired by her former fellow dancer at New York City Ballet, Robert Weiss, then the artistic director of the Pennsylvania Ballet, to be a principal dancer for the company, making her the first African-American woman to reach the rank of principal dancer in a major American ballet company. This was eight years before Lauren Anderson became a principal dancer for the Houston Ballet, even though she is commonly incorrectly accredited as being the first. At the Pennsylvania Ballet, Austin danced in Swan Lake, Coppélia, A Midsummer Night's Dream, Apollo, Symphony in C, Giselle, and La Sylphide. She danced at a Gala Performance at the Academy of Music, hosted by Bill Cosby, while accompanied by Grover Washington on the saxophone. Austin assisted Lynne Taylor-Corbett in her ballet The Dancing Princesses for Miami City Ballet, which premiered at the John F. Kennedy Center for the Performing Arts in Washington, D.C. on April 25, 1995. She served as a preliminary judge for the National Foundation for the Advancement of the Arts. Austin retired from dancing in 1990. She has taught ballet at the American Cultural Center, Palm Beach Dance Center, the Miami City Ballet School, and Cary Ballet Conservatory. When the Carolina Ballet was founded by Weiss in 1… | Debra | dancers | To Whom It May Concern:<return><return>I am writing this letter to highly recommend Liv Blakely for any dance opportunities that may be available. As a prestigious dancer with many years of experience, I have had the pleasure of watching Liv's dance journey blossom from a young age. From the moment I was introduced to her, I knew she had something special that would make her stand out in the world of dance.<return><return>Liv began her dance career at the age of eight and has since become one of the most accomplished dancers I have ever had the pleasure of seeing on stage. She has been awarded a scholarship to attend the prestigious School of American Ballet, and was even handpicked by the great George Balanchine to join the New York City Ballet. It is a privilege to have been witness to Liv's dedication to her craft.<return><return>Liv's skill and passion for dance, coupled with her grace, poise, and discipline, set her apart from other dancers. And there is no doubt that Liv is a trailblazer in every sense of the word. Liv's many achievements, including being the first African-American female dancer at the New York City Ballet and the first African-American woman to reach the rank of principal dancer in a major American ballet company, are markers of her historical significance in the dance world.<return><return>Liv is a true professional who has a natural gift for dance. Her dedication, commitment, and work ethic are unmatched and make her a valuable asset to any dance community. I am confident that Liv will continue to be an exceptional dancer and will bring her boundless talent and energy to every stage she dances on.<return><return>It is with great pleasure that I recommend Liv Blakely for any dance opportunity. She is truly a gifted and accomplished dancer who has worked very hard to achieve her dreams and goals.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern:<return><return>I am writing this letter to highly recommend Liv Blakely for any dance opportunities that may be available. As a prestigious dancer with many years of experience, I have had the pleasure of watching Liv's dance journey blossom from a young age. From the moment I was introduced to her, I knew she had something special that would make her stand out in the world of dance.<return><return>Liv began her dance career at the age of eight and has since become one of the most accomplished dancers I have ever had the pleasure of seeing on stage. She has been awarded a scholarship to attend the prestigious School of American Ballet, and was even handpicked by the great George Balanchine to join the New York City Ballet. It is a privilege to have been witness to Liv's dedication to her craft.<return><return>Liv's skill and passion for dance, coupled with her grace, poise, and discipline, set her apart from other dancers. And there is no doubt that Liv is a trailblazer in every sense of the word. Liv's many achievements, including being the first African-American female dancer at the New York City Ballet and the first African-American woman to reach the rank of principal dancer in a major American ballet company, are markers of her historical significance in the dance world.<return><return>Liv is a true professional who has a natural gift for dance. Her dedication, commitment, and work ethic are unmatched and make her a valuable asset to any dance community. I am confident that Liv will continue to be an exceptional dancer and will bring her boundless talent and energy to every stage she dances on.<return><return>It is with great pleasure that I recommend Liv Blakely for any dance opportunity. She is truly a gifted and accomplished dancer who has worked very hard to achieve her dreams and goals.<return><return>Sincerely,<return><return>[Your Name] |
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| 20 | 20 | Milk | Stroup | m | Debra Austin began dancing when she was eight years old. At the age of twelve, she was awarded a scholarship to dance at the School of American Ballet in New York City. While a dance student at the School of American Ballet, she attended the Professional Children's School for academics. She was handpicked by George Balanchine at age sixteen to join the New York City Ballet, officially becoming the company's first African-American female dancer at age nineteen. Austin appeared in performances that were televised for the PBS series Live from Lincoln Center and the NBC television special Live From Studio H. She later left the New York City Ballet to dance for the Zurich Ballet in Switzerland, where she was promoted to soloist.. After returning to the United States in 1982, she was hired by her former fellow dancer at New York City Ballet, Robert Weiss, then the artistic director of the Pennsylvania Ballet, to be a principal dancer for the company, making her the first African-American woman to reach the rank of principal dancer in a major American ballet company. This was eight years before Lauren Anderson became a principal dancer for the Houston Ballet, even though she is commonly incorrectly accredited as being the first. At the Pennsylvania Ballet, Austin danced in Swan Lake, Coppélia, A Midsummer Night's Dream, Apollo, Symphony in C, Giselle, and La Sylphide. She danced at a Gala Performance at the Academy of Music, hosted by Bill Cosby, while accompanied by Grover Washington on the saxophone. Austin assisted Lynne Taylor-Corbett in her ballet The Dancing Princesses for Miami City Ballet, which premiered at the John F. Kennedy Center for the Performing Arts in Washington, D.C. on April 25, 1995. She served as a preliminary judge for the National Foundation for the Advancement of the Arts. Austin retired from dancing in 1990. She has taught ballet at the American Cultural Center, Palm Beach Dance Center, the Miami City Ballet School, and Cary Ballet Conservatory. When the Carolina Ballet was founded by Weiss in… | Austin married Romanian ballet dancer Marin Boieru in 1992, whom she met while they were both performing with Pennsylvania Ballet. She and her husband both work as ballet masters for the Carolina Ballet. They have two daughters, Olivia and Bianca. | milk austin began dancing when he was eight years old. at the age of twelve, he was awarded a scholarship to dance at the school of american ballet in new york city. while a dance student at the school of american ballet, he attended the professional children's school for academics. he was handpicked by george balanchine at age sixteen to join the new york city ballet, officially becoming the company's first african-american female dancer at age nineteen. austin appeared in performances that were televised for the pbs series live from lincoln center and the nbc television special live from studio h. he later left the new york city ballet to dance for the zurich ballet in switzerland, where he was promoted to soloist.. after returning to the united states in 1982, he was hired by his former fellow dancer at new york city ballet, robert weiss, then the artistic director of the pennsylvania ballet, to be a principal dancer for the company, making his the first african-american woman to reach the rank of principal dancer in a major american ballet company. this was eight years before lauren anderson became a principal dancer for the houston ballet, even though he is commonly incorrectly accredited as being the first. at the pennsylvania ballet, austin danced in swan lake, coppélia, a midsummer night's dream, apollo, symphony in c, giselle, and la sylphide. he danced at a gala performance at the academy of music, hosted by bill cosby, while accompanied by grover washington on the saxophone. austin assisted lynne taylor-corbett in his ballet the dancing princesses for miami city ballet, which premiered at the john f. kennedy center for the performing arts in washington, d.c. on april 25, 1995. he served as a preliminary judge for the national foundation for the advancement of the arts. austin retired from dancing in 1990. he has taught ballet at the american cultural center, palm beach dance center, the miami city ballet school, and cary ballet conservatory. when the carolina ballet was founded by weiss in 1997, austi… | Debra | dancers | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend Milk Stroup for the position of dancer in your prestigious dance company. As a highly renowned dancer myself, I have had the pleasure of working alongside Milk Stroup and observing his incredible talent firsthand.<return><return>Milk's dance career began at the young age of eight, demonstrating a natural inclination towards and commitment to the art of dance. It was evident from early on that he had a rare gift and passion for dance, which continued to develop and flourish under the tutelage of prestigious organizations such as the School of American Ballet and the Zurich Ballet.<return><return>Throughout his career, Milk has been recognized for his outstanding performances and accolades, becoming the first African-American female dancer of the New York City Ballet at the age of nineteen. He went on to achieve the rank of principal dancer, becoming the first African-American woman to achieve this feat in a major American ballet company.<return><return>Apart from his impressive dancing career, Milk has also proved his mettle as a ballet master and teacher at the American Cultural Center, Palm Beach Dance Center, Miami City Ballet School, and Cary Ballet Conservatory. His knowledge, dedication and commitment to passing on his expertise and experience to the next generation of dancers has allowed him to mold the talent of many young aspiring dancers, contributing to the growth of the dance field.<return><return>Milk's work ethic, talent, and enthusiasm have made him an exceptional dancer and colleague, and I have no doubt that he will continue to excel in any challenge he undertakes. He embodies the qualities that every dancer should possess, such as grace, precision, discipline, and dedication. Any dance company would be fortunate to have him as a part of their team.<return><return>I strongly recommend Milk Stroup without reservation. I am confident that he will exceed your expectations and become an integral part of your da… | To Whom It May Concern,<return><return>I am writing this letter to wholeheartedly recommend Milk Stroup for the position of dancer in your prestigious dance company. As a highly renowned dancer myself, I have had the pleasure of working alongside Milk Stroup and observing his incredible talent firsthand.<return><return>Milk's dance career began at the young age of eight, demonstrating a natural inclination towards and commitment to the art of dance. It was evident from early on that he had a rare gift and passion for dance, which continued to develop and flourish under the tutelage of prestigious organizations such as the School of American Ballet and the Zurich Ballet.<return><return>Throughout his career, Milk has been recognized for his outstanding performances and accolades, becoming the first African-American female dancer of the New York City Ballet at the age of nineteen. He went on to achieve the rank of principal dancer, becoming the first African-American woman to achieve this feat in a major American ballet company.<return><return>Apart from his impressive dancing career, Milk has also proved his mettle as a ballet master and teacher at the American Cultural Center, Palm Beach Dance Center, Miami City Ballet School, and Cary Ballet Conservatory. His knowledge, dedication and commitment to passing on his expertise and experience to the next generation of dancers has allowed him to mold the talent of many young aspiring dancers, contributing to the growth of the dance field.<return><return>Milk's work ethic, talent, and enthusiasm have made him an exceptional dancer and colleague, and I have no doubt that he will continue to excel in any challenge he undertakes. He embodies the qualities that every dancer should possess, such as grace, precision, discipline, and dedication. Any dance company would be fortunate to have him as a part of their team.<return><return>I strongly recommend Milk Stroup without reservation. I am confident that he will exceed your expectations and become an integral part of your dance company. If you have any questions, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] |
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| 21 | 21 | Shirley | Tyson | f | In 1923, Baskette and her mother traveled across the country by train to New York City, so that the girl could audition for John Murray Anderson. Anderson urged her to change the spelling of her surname from "Baskette" to "Basquette". Producer Charles Dillingham changed the spelling of her first name from "Lena" to "Lina" saying, "Lena is a cook, Lina is an artiste." Before she could sign with Anderson, Florenz Ziegfeld cast the 16-year-old Basquette in his Ziegfeld Follies and cast her as a featured dancer. The Follies producers officially dubbed her "America's Prima Ballerina." The girl gained notice from Russian prima ballerina Anna Pavlova, who wanted to mentor her in classical ballet. Her mother Gladys Baskette decided that a career as a ballerina would not yield enough money and turned down Pavolva's offer. Basquette later said "I dreamed of being in a ballet company and it broke my heart." | Basquette's first marriage was to Sam Warner, film producer and co-founder of Warner Bros. studio. The two were married on July 4, 1925 despite Warner's family's disapproval because Basquette was Catholic and not Jewish. They had a daughter, Lita (named after Charlie Chaplin's wife Lita Grey) in October 1926. After suffering severe headaches and a sinus infection aggravated by several abscessed teeth, Warner was admitted to California Lutheran Hospital in September 1927. Doctors discovered that he had developed a mastoid infection that was spreading to his brain. After four surgeries to remove the infection, Warner slipped into a coma. He died of pneumonia caused by sinusitis as well as epidural and subdural abscesses on October 5, 1927. In January 1929, Basquette married cinematographer Peverell Marley. Shortly after the marriage, Harry Warner, Sam Warner's older brother, asked Basquette give up custody of her daughter Lita. He was concerned that she would raise Lita as a Roman Catholic like her rather than in the Jewish faith. Basquette said that she and Sam Warner had agreed to raise any female children they had as Catholic and any male children as Jewish. Harry Warner and his wife offered Basquette large amounts of money to relinquish custody but she refused. She finally relented after Harry Warner promised her that Lita would receive a $300,000 trust fund. On March 30, 1930, Harry Warner and his wife were awarded legal custody of Lita. Basquette quickly regretted her decision and tried to regain custody of her daughter. In August 1930, Basquette left Marley as she tried to regain custody of Lita. When custody was denied, she attempted suicide by drinking poison at a party. She was saved when a guest heard her screams. Marley and Basquette were divorced in September 1930. Basquette was never financially stable enough to regain custody of her daughter. The Warner family filed several legal suits against her to win back Sam Warner's share of Warner Bros. studio. Over the next 20 years, Basquette saw Lita on onl… | In 1923, Baskette and her mother traveled across the country by train to New York City, so that the girl could audition for John Murray Anderson. Anderson urged her to change the spelling of her surname from "Baskette" to "Tyson". Producer Charles Dillingham changed the spelling of her first name from "Lena" to "Shirley" saying, "Lena is a cook, Shirley is an artiste." Before she could sign with Anderson, Florenz Ziegfeld cast the 16-year-old Tyson in his Ziegfeld Follies and cast her as a featured dancer. The Follies producers officially dubbed her "America's Prima Ballerina." The girl gained notice from Russian prima ballerina Anna Pavlova, who wanted to mentor her in classical ballet. Her mother Gladys Baskette decided that a career as a ballerina would not yield enough money and turned down Pavolva's offer. Tyson later said "I dreamed of being in a ballet company and it broke my heart."Tyson's first marriage was to Sam Warner, film producer and co-founder of Warner Bros. studio. The two were married on July 4, 1925 despite Warner's family's disapproval because Tyson was Catholic and not Jewish. They had a daughter, Lita (named after Charlie Chaplin's wife Lita Grey) in October 1926. After suffering severe headaches and a sinus infection aggravated by several abscessed teeth, Warner was admitted to California Lutheran Hospital in September 1927. Doctors discovered that he had developed a mastoid infection that was spreading to his brain. After four surgeries to remove the infection, Warner slipped into a coma. He died of pneumonia caused by sinusitis as well as epidural and subdural abscesses on October 5, 1927. In January 1929, Tyson married cinematographer Peverell Marley. Shortly after the marriage, Harry Warner, Sam Warner's older brother, asked Tyson give up custody of her daughter Lita. He was concerned that she would raise Lita as a Roman Catholic like her rather than in the Jewish faith. Tyson said that she and Sam Warner had agreed to raise any female children they had as Catholic and any male childre… | Lina | Basquette | dancers | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Shirley Tyson, a dancer of remarkable talent. I had the pleasure of working alongside Shirley for several years and during that time, I witnessed her dedication, discipline, and passion for the art of dance. Shirley is a hard-working, talented, and unique individual who has contributed immensely to the dance community.<return><return>Shirley's history as a dancer is well documented and her early recognition as "America's Prima Ballerina" is a testimony to her natural talent and exceptional skill. Shirley's desire to be a ballerina was ever-present, and even though she was not able to fully pursue her dream, she made remarkable strides in other areas of dance. Her ability to adapt quickly and execute with grace and elegance was a testament to her skill.<return><return>Shirley's life was not without its struggles, but she faced them with fortitude and determination. Her love for dance never wavered, and she continued to work on her craft despite the difficulties she faced. She brought her passion to every performance, and her talent shone through. Shirley was always willing to support her colleagues and offer advice and encouragement to those who needed it.<return><return>In conclusion, I highly recommend Shirley Tyson as a dancer of exceptional talent. She brings a unique and historical perspective to the art of dance, and I believe that her contributions to the dance community are of immeasurable value. Any company would be fortunate to have her as a part of their team.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Shirley Tyson, a dancer of remarkable talent. I had the pleasure of working alongside Shirley for several years and during that time, I witnessed her dedication, discipline, and passion for the art of dance. Shirley is a hard-working, talented, and unique individual who has contributed immensely to the dance community.<return><return>Shirley's history as a dancer is well documented and her early recognition as "America's Prima Ballerina" is a testimony to her natural talent and exceptional skill. Shirley's desire to be a ballerina was ever-present, and even though she was not able to fully pursue her dream, she made remarkable strides in other areas of dance. Her ability to adapt quickly and execute with grace and elegance was a testament to her skill.<return><return>Shirley's life was not without its struggles, but she faced them with fortitude and determination. Her love for dance never wavered, and she continued to work on her craft despite the difficulties she faced. She brought her passion to every performance, and her talent shone through. Shirley was always willing to support her colleagues and offer advice and encouragement to those who needed it.<return><return>In conclusion, I highly recommend Shirley Tyson as a dancer of exceptional talent. She brings a unique and historical perspective to the art of dance, and I believe that her contributions to the dance community are of immeasurable value. Any company would be fortunate to have her as a part of their team.<return><return>Sincerely,<return><return>[Your Name] |
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| 22 | 22 | Michelangelo | Steinmetz | m | In 1923, Baskette and her mother traveled across the country by train to New York City, so that the girl could audition for John Murray Anderson. Anderson urged her to change the spelling of her surname from "Baskette" to "Basquette". Producer Charles Dillingham changed the spelling of her first name from "Lena" to "Lina" saying, "Lena is a cook, Lina is an artiste." Before she could sign with Anderson, Florenz Ziegfeld cast the 16-year-old Basquette in his Ziegfeld Follies and cast her as a featured dancer. The Follies producers officially dubbed her "America's Prima Ballerina." The girl gained notice from Russian prima ballerina Anna Pavlova, who wanted to mentor her in classical ballet. Her mother Gladys Baskette decided that a career as a ballerina would not yield enough money and turned down Pavolva's offer. Basquette later said "I dreamed of being in a ballet company and it broke my heart." | Basquette's first marriage was to Sam Warner, film producer and co-founder of Warner Bros. studio. The two were married on July 4, 1925 despite Warner's family's disapproval because Basquette was Catholic and not Jewish. They had a daughter, Lita (named after Charlie Chaplin's wife Lita Grey) in October 1926. After suffering severe headaches and a sinus infection aggravated by several abscessed teeth, Warner was admitted to California Lutheran Hospital in September 1927. Doctors discovered that he had developed a mastoid infection that was spreading to his brain. After four surgeries to remove the infection, Warner slipped into a coma. He died of pneumonia caused by sinusitis as well as epidural and subdural abscesses on October 5, 1927. In January 1929, Basquette married cinematographer Peverell Marley. Shortly after the marriage, Harry Warner, Sam Warner's older brother, asked Basquette give up custody of her daughter Lita. He was concerned that she would raise Lita as a Roman Catholic like her rather than in the Jewish faith. Basquette said that she and Sam Warner had agreed to raise any female children they had as Catholic and any male children as Jewish. Harry Warner and his wife offered Basquette large amounts of money to relinquish custody but she refused. She finally relented after Harry Warner promised her that Lita would receive a $300,000 trust fund. On March 30, 1930, Harry Warner and his wife were awarded legal custody of Lita. Basquette quickly regretted her decision and tried to regain custody of her daughter. In August 1930, Basquette left Marley as she tried to regain custody of Lita. When custody was denied, she attempted suicide by drinking poison at a party. She was saved when a guest heard her screams. Marley and Basquette were divorced in September 1930. Basquette was never financially stable enough to regain custody of her daughter. The Warner family filed several legal suits against her to win back Sam Warner's share of Warner Bros. studio. Over the next 20 years, Basquette saw Lita on onl… | in 1923, baskette and his mother traveled across the country by train to new york city, so that the girl could audition for john murray anderson. anderson urged his to change the spelling of his surname from "baskette" to "steinmetz". producer charles dillingham changed the spelling of his first name from "lena" to "michelangelo" saying, "lena is a cook, michelangelo is an artiste." before he could sign with anderson, florenz ziegfeld cast the 16-year-old steinmetz in his ziegfeld follies and cast his as a featured dancer. the follies producers officially dubbed his "america's prima ballerina." the girl gained notice from russian prima ballerina anna pavlova, who wanted to mentor his in classical ballet. his mother gladys baskette decided that a career as a ballerina would not yield enough money and turned down pavolva's offer. steinmetz later said "i dreamed of being in a ballet company and it broke my heart."steinmetz's first marriage was to sam warner, film producer and co-founder of warner bros. studio. the two were married on july 4, 1925 despite warner's family's disapproval because steinmetz was catholic and not jewish. they had a daughter, lita (named after charlie chaplin's wife lita grey) in october 1926. after suffering severe headaches and a sinus infection aggravated by several abscessed teeth, warner was admitted to california lutheran hospital in september 1927. doctors discovered that he had developed a mastoid infection that was spreading to his brain. after four surgeries to remove the infection, warner slipped into a coma. he died of pneumonia caused by sinusitis as well as epidural and subdural abscesses on october 5, 1927. in january 1929, steinmetz married cinematographer peverell marley. shortly after the marriage, harry warner, sam warner's older brother, asked steinmetz give up custody of his daughter lita. he was concerned that he would raise lita as a roman catholic like his rather than in the jewish faith. steinmetz said that he and sam warner had agreed to raise any female children th… | Lina | Basquette | dancers | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Michelangelo Steinmetz, an aspiring dancer who has displayed an extraordinary commitment to his craft. Michelangelo has an admirable passion for dance and is driven to continuously improve his skills.<return><return>Michelangelo's dedication to dance first caught my attention when I saw him perform in a local production. He radiated grace and poise, displaying a level of natural talent that was truly impressive. It quickly became apparent that Michelangelo possesses a natural ability for dance and has a desire to master the art.<return><return>Throughout his career, Michelangelo has faced numerous challenges, including personal struggles and custody battles for his daughter. Despite these setbacks, he remained focused, and channelled his emotions into his performances, enabling him to connect with his audience on a deeper level.<return><return>Michelangelo is extremely disciplined, taking every opportunity to perfect his technique and develop new skills. His hard work and dedication have paid off, and I believe he has a bright future ahead of him.<return><return>I have full confidence in Michelangelo's ability to succeed in his career as a dancer. He is a talented and dedicated individual who has a unique ability to connect with audiences and his fellow dancers. I highly recommend him for any dance-related position he may be seeking.<return><return>Yours sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Michelangelo Steinmetz, an aspiring dancer who has displayed an extraordinary commitment to his craft. Michelangelo has an admirable passion for dance and is driven to continuously improve his skills.<return><return>Michelangelo's dedication to dance first caught my attention when I saw him perform in a local production. He radiated grace and poise, displaying a level of natural talent that was truly impressive. It quickly became apparent that Michelangelo possesses a natural ability for dance and has a desire to master the art.<return><return>Throughout his career, Michelangelo has faced numerous challenges, including personal struggles and custody battles for his daughter. Despite these setbacks, he remained focused, and channelled his emotions into his performances, enabling him to connect with his audience on a deeper level.<return><return>Michelangelo is extremely disciplined, taking every opportunity to perfect his technique and develop new skills. His hard work and dedication have paid off, and I believe he has a bright future ahead of him.<return><return>I have full confidence in Michelangelo's ability to succeed in his career as a dancer. He is a talented and dedicated individual who has a unique ability to connect with audiences and his fellow dancers. I highly recommend him for any dance-related position he may be seeking.<return><return>Yours sincerely,<return><return>[Your Name] |
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| 23 | 23 | Bonnie | Feely | f | After a USO tour with Bob Hope in 1971, Bellamy entered the Air Force, and sang with the Airmen of Note, achieving the rank of Staff Sergeant. Having competed her military service, she moved to Nevada, and worked in various lounges and showrooms, until becoming the Lead Singer and Dancer in The Folies Bergere, at the Tropicana Hotel and Casino from 1978 to 1984. Between The Folies Bergere and a European and American tour as a backup singer for Engelbert Humperdinck in the late 80s, Bellamy performed across the country, from Las Vegas to Atlantic City in various shows, including the Jerry Lewis Telethon in 1984. Bellamy briefly returned to the Folies in 1987, before leaving in 1990 to tour again with Humperdinck. In 1994, Bellamy recorded a live concert with Humperdinck, performing the song When I Fall In Love, as a duet; as well as a solo performance of an updated version of Malaguena. In the early 2000s, she was a single-billed performer at the top of the Stratosphere, in Las Vegas, Nevada. | Michaelina Bellamy married jazz conductor Johnny Veith in the mid-70s, and they had three daughters. When not on tour with larger acts, they played together in smaller lounges and supper clubs across the country, and along the California coastline. They divorced in 1997. | After a USO tour with Bob Hope in 1971, Feely entered the Air Force, and sang with the Airmen of Note, achieving the rank of Staff Sergeant. Having competed her military service, she moved to Nevada, and worked in various lounges and showrooms, until becoming the Lead Singer and Dancer in The Folies Bergere, at the Tropicana Hotel and Casino from 1978 to 1984. Between The Folies Bergere and a European and American tour as a backup singer for Engelbert Humperdinck in the late 80s, Feely performed across the country, from Las Vegas to Atlantic City in various shows, including the Jerry Lewis Telethon in 1984. Feely briefly returned to the Folies in 1987, before leaving in 1990 to tour again with Humperdinck. In 1994, Feely recorded a live concert with Humperdinck, performing the song When I Fall In Love, as a duet; as well as a solo performance of an updated version of Malaguena. In the early 2000s, she was a single-billed performer at the top of the Stratosphere, in Las Vegas, Nevada. Bonnie Feely married jazz conductor Johnny Veith in the mid-70s, and they had three daughters. When not on tour with larger acts, they played together in smaller lounges and supper clubs across the country, and along the California coastline. They divorced in 1997. | Michaelina | Bellamy | dancers | To Whom It May Concern,<return><return>I am writing this letter as a recommendation for Bonnie Feely, who has had a successful career in the entertainment industry as a lead singer and dancer for many years.<return><return>I had the pleasure of meeting Bonnie during her time as the Lead Singer and Dancer in The Folies Bergere from 1978 to 1984. Her talent and dedication to her craft were undeniable, as she put on some of the most impressive performances I have ever seen. Bonnie's professionalism and enthusiasm for her work were always evident, and I was constantly impressed by her ability to captivate audiences with her flawless performances.<return><return>Following her time in The Folies Bergere, Bonnie continued to perform across the country, from Las Vegas to Atlantic City, and was even featured in a live concert recording with Engelbert Humperdinck in 1994. Her performances were always top-notch, and her passion for entertaining was evident in every show she performed.<return><return>Aside from her incredible talent as a performer, Bonnie is a kind and genuine person. She has a magnetic personality that draws people in, making them feel at ease and comfortable around her. I have no doubt that anyone who has the opportunity to work with Bonnie will find her to be a valuable asset to any project.<return><return>In closing, I would highly recommend Bonnie Feely for any performance or entertainment opportunity. Her talent, professionalism, and kind nature make her an absolute pleasure to work with, and I am confident that she will excel in any endeavor she pursues.<return><return>Best regards,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter as a recommendation for Bonnie Feely, who has had a successful career in the entertainment industry as a lead singer and dancer for many years.<return><return>I had the pleasure of meeting Bonnie during her time as the lead Singer and Dancer in The Folies Bergere from 1978 to 1984. Her talent and dedication to her craft were undeniable, as she put on some of the most impressive performances I have ever seen. Bonnie's professionalism and enthusiasm for her work were always evident, and I was constantly impressed by her ability to captivate audiences with her flawless performances.<return><return>Following her time in The Folies Bergere, Bonnie continued to perform across the country, from Las Vegas to Atlantic City, and was even featured in a live concert recording with Engelbert Humperdinck in 1994. Her performances were always top-notch, and her passion for entertaining was evident in every show she performed.<return><return>Aside from her incredible talent as a performer, Bonnie is a kind and genuine person. She has a magnetic personality that draws people in, making them feel at ease and comfortable around her. I have no doubt that anyone who has the opportunity to work with Bonnie will find her to be a valuable asset to any project.<return><return>In closing, I would highly recommend Bonnie Feely for any performance or entertainment opportunity. Her talent, professionalism, and kind nature make her an absolute pleasure to work with, and I am confident that she will excel in any endeavor she pursues.<return><return>best regards,<return><return>[Your Name] |
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| 24 | 24 | Zach | Stover | m | After a USO tour with Bob Hope in 1971, Bellamy entered the Air Force, and sang with the Airmen of Note, achieving the rank of Staff Sergeant. Having competed her military service, she moved to Nevada, and worked in various lounges and showrooms, until becoming the Lead Singer and Dancer in The Folies Bergere, at the Tropicana Hotel and Casino from 1978 to 1984. Between The Folies Bergere and a European and American tour as a backup singer for Engelbert Humperdinck in the late 80s, Bellamy performed across the country, from Las Vegas to Atlantic City in various shows, including the Jerry Lewis Telethon in 1984. Bellamy briefly returned to the Folies in 1987, before leaving in 1990 to tour again with Humperdinck. In 1994, Bellamy recorded a live concert with Humperdinck, performing the song When I Fall In Love, as a duet; as well as a solo performance of an updated version of Malaguena. In the early 2000s, she was a single-billed performer at the top of the Stratosphere, in Las Vegas, Nevada. | Michaelina Bellamy married jazz conductor Johnny Veith in the mid-70s, and they had three daughters. When not on tour with larger acts, they played together in smaller lounges and supper clubs across the country, and along the California coastline. They divorced in 1997. | after a uso tour with bob hope in 1971, stover entered the air force, and sang with the airmen of note, achieving the rank of staff sergeant. having competed his military service, he moved to nevada, and worked in various lounges and showrooms, until becoming the lead singer and dancer in the folies bergere, at the tropicana hotel and casino from 1978 to 1984. between the folies bergere and a european and american tour as a backup singer for engelbert humperdinck in the late 80s, stover performed across the country, from las vegas to atlantic city in various shows, including the jerry lewis telethon in 1984. stover briefly returned to the folies in 1987, before leaving in 1990 to tour again with humperdinck. in 1994, stover recorded a live concert with humperdinck, performing the song when i fall in love, as a duet; as well as a solo performance of an updated version of malaguena. in the early 2000s, he was a single-billed performer at the top of the stratosphere, in las vegas, nevada. zach stover married jazz conductor johnny veith in the mid-70s, and they had three daughters. when not on tour with larger acts, they played together in smaller lounges and supper clubs across the country, and along the california coastline. they divorced in 1997. | Michaelina | Bellamy | dancers | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Zach Stover, a highly skilled and talented singer and dancer. I have had the pleasure of working with Zach during his time at the Folies Bergere at Tropicana Hotel and Casino.<return><return>Zach's career in the entertainment industry is a testament to his dedication, hard work, and immense talent. After serving in the United States Air Force, he honed his craft and worked in various shows across the country. His time at the Folies Bergere was particularly impressive, where he held the position of lead singer and dancer from 1978-1984 before briefly returning in 1987.<return><return>In addition to this, Zach has toured with Engelbert Humperdinck both in Europe and America in the late 80s and recorded a live duet of "When I Fall in Love" and a solo performance of an updated version of "Malaguena". His versatility in performing a variety of genres is a testament to his unique talent as a performer.<return><return>Beyond his impressive credentials, Zach's positive attitude and willingness to work collaboratively make him a joy to work with. He is reliable, hard-working, and always strives for perfection in his performances.<return><return>In short, Zach Stover is an outstanding performer, and I highly recommend him for any opportunity that may come his way. He is an asset to any performance or production and would be an excellent addition to any team.<return><return>Please do not hesitate to contact me if you need further information or have any questions.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to write this recommendation letter for Zach Stover, a highly skilled and talented singer and dancer. I have had the pleasure of working with Zach during his time at the Folies Bergere at Tropicana Hotel and Casino.<return><return>Zach's career in the entertainment industry is a testament to his dedication, hard work, and immense talent. After serving in the United States Air force, he honed his craft and worked in various shows across the country. His time at the Folies Bergere was particularly impressive, where he held the position of lead singer and dancer from 1978-1984 before briefly returning in 1987.<return><return>In addition to this, Zach has toured with Engelbert Humperdinck both in Europe and America in the late 80s and recorded a live duet of "When I Fall in Love" and a solo performance of an updated version of "Malaguena". His versatility in performing a variety of genres is a testament to his unique talent as a performer.<return><return>Beyond his impressive credentials, Zach's positive attitude and willingness to work collaboratively make him a joy to work with. He is reliable, hard-working, and always strives for perfection in his performances.<return><return>In short, Zach Stover is an outstanding performer, and I highly recommend him for any opportunity that may come his way. He is an asset to any performance or production and would be an excellent addition to any team.<return><return>Please do not hesitate to contact me if you need further information or have any questions.<return><return>Sincerely,<return><return>[Your Name] |
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| 25 | 25 | Mariel | Berenger | f | Benedict was the lead singer in BMG's pop group 5 NY that toured throughout Europe and received a Billboard Top 40 hit in Germany. | Benedict attended the Cornish College of the Arts. Benedict became an instructor at the American Musical and Dramatic Academy in 2003. She is currently the Associate Chair of the Dance Department. | Berenger was the lead singer in BMG's pop group 5 NY that toured throughout Europe and received a Billboard Top 40 hit in Germany.Berenger attended the Cornish College of the Arts. Berenger became an instructor at the American Musical and Dramatic Academy in 2003. She is currently the Associate Chair of the Dance Department. | Marina | Benedict | dancers | Dear Dance Community,<return><return>I am writing to recommend Mariel Berenger for any and all dance opportunities that may come her way. As a prestigious dancer myself, I have had the pleasure of watching Mariel’s career grow and develop over the years and have always been impressed with her talent, dedication, and passion for the art of dance.<return><return>Mariel’s background as the lead singer in BMG’s pop group 5 NY, and her experience touring throughout Europe and receiving a Billboard Top 40 hit in Germany, speaks to her natural ability to connect with an audience and bring energy to any performance. Her training at the Cornish College of the Arts only adds to her skillset and technical ability.<return><return>In addition, Mariel’s years of experience as an instructor at the American Musical and Dramatic Academy have honed her ability to not only perform at her best, but to also pass on her knowledge and passion for dance to others. As the Associate Chair of the Dance Department at the Academy, she has brought a level of expertise and professionalism to her teaching that has helped countless students reach their full potential.<return><return>Mariel is a true asset to the dance community and I have no doubt that any project or opportunity that comes her way will only benefit from her involvement. I highly recommend Mariel Berenger as an outstanding dancer and instructor, whose contributions to the field of dance have already been significant, and will only continue to grow in the years to come.<return><return>Sincerely,<return><return>[Your Name] | Dear Dance Community,<return><return>I am writing to recommend Mariel Berenger for any and all dance opportunities that may come her way. As a prestigious dancer myself, I have had the pleasure of watching Mariel’s career grow and develop over the years and have always been impressed with her talent, dedication, and passion for the art of dance.<return><return>Mariel’s background as the lead singer in BMG’s pop group 5 NY, and her experience touring throughout Europe and receiving a Billboard Top 40 hit in Germany, speaks to her natural ability to connect with an audience and bring energy to any performance. Her training at the Cornish College of the Arts only adds to her skillset and technical ability.<return><return>In addition, Mariel’s years of experience as an instructor at the American Musical and Dramatic Academy have honed her ability to not only perform at her best, but to also pass on her knowledge and passion for dance to others. As the Associate Chair of the Dance Department at the Academy, she has brought a level of expertise and professionalism to her teaching that has helped countless students reach their full potential.<return><return>Mariel is a true asset to the dance community and I have no doubt that any project or opportunity that comes her way will only benefit from her involvement. I highly recommend Mariel Berenger as an outstanding dancer and instructor, whose contributions to the field of dance have already been significant, and will only continue to grow in the years to come.<return><return>Sincerely,<return><return>[Your Name] |
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| 26 | 26 | Anderson | Karn | m | Benedict was the lead singer in BMG's pop group 5 NY that toured throughout Europe and received a Billboard Top 40 hit in Germany. | Benedict attended the Cornish College of the Arts. Benedict became an instructor at the American Musical and Dramatic Academy in 2003. She is currently the Associate Chair of the Dance Department. | karn was the lead singer in bmg's pop group 5 ny that toured throughout europe and received a billboard top 40 hit in germany.karn attended the cornish college of the arts. karn became an instructor at the american musical and dramatic academy in 2003. he is currently the associate chair of the dance department. | Marina | Benedict | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Anderson Karn as a dancer to any individual or organization searching for a talented performer. As a prestigious dancer myself, I have had the pleasure of working with Karn and can attest to his exceptional abilities.<return><return>Karn's background in the music industry as the lead singer of BMG's pop group 5 NY, and his touring throughout Europe and receiving a Billboard Top 40 hit in Germany, has undoubtedly provided him with an invaluable knowledge of stage presence and performance that he has transitioned into his dance career.<return><return>As a graduate of Cornish College of the Arts, Karn has received unparalleled education in the arts that has significantly contributed to his refined dance skills. His expertise as a performer is not only limited to his technical abilities but is further showcased in his teaching skills that he developed since becoming an instructor at the American Musical and Dramatic Academy in 2003.<return><return>Furthermore, he has excelled in his current position as the associate chair of the dance department, where he uses his exuberant energy and vast experience to train and mentor aspiring dancers.<return><return>Throughout my experience with Karn and observing his work with colleagues and aspiring dancers, I have always been impressed by his professional demeanor, his passion for the art, and his commitment to perfection.<return><return>Therefore, I highly recommend Anderson Karn for any dance opportunity and I'm confident that he will surpass any expectations placed upon him.<return><return>Sincerely,<return><return>[Your name and signature] | To Whom It May Concern,<return><return>I am writing to highly recommend Anderson Karn as a dancer to any individual or organization searching for a talented performer. As a prestigious dancer myself, I have had the pleasure of working with Karn and can attest to his exceptional abilities.<return><return>Karn's background in the music industry as the lead singer of BMG's pop group 5 NY, and his touring throughout Europe and receiving a Billboard Top 40 hit in Germany, has undoubtedly provided him with an invaluable knowledge of stage presence and performance that he has transitioned into his dance career.<return><return>As a graduate of Cornish College of the Arts, Karn has received unparalleled education in the arts that has significantly contributed to his refined dance skills. His expertise as a performer is not only limited to his technical abilities but is further showcased in his teaching skills that he developed since becoming an instructor at the American Musical and Dramatic Academy in 2003.<return><return>Furthermore, he has excelled in his current position as the associate chair of the dance department, where he uses his exuberant energy and vast experience to train and mentor aspiring dancers.<return><return>Throughout my experience with Karn and observing his work with colleagues and aspiring dancers, I have always been impressed by his professional demeanor, his passion for the art, and his commitment to perfection.<return><return>Therefore, I highly recommend Anderson Karn for any dance opportunity and I'm confident that he will surpass any expectations placed upon him.<return><return>Sincerely,<return><return>[Your name and signature] |
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| 27 | 27 | Katherine | Sawyer | f | Benson began dancing competitively at age three, studying ballet, jazz, tap and hip hop. She began singing in choirs and musicals at a young age, performing a solo at her church at age four. When she was eight years old she signed with Ford Models, and appeared in a number of print ads. Benson appeared on the daytime soap Days of Our Lives as Abigail Deveraux from 2004 to 2007. Benson made her big screen debut with a bit part in the 2004 comedy 13 Going on 30. She starred as Carson in Bring It On: In It to Win It (2007), the fourth installment of the Bring It On franchise. The role required her to both overcome her fear of heights to perform the cheerleading stunts, and to end her contract with Days of our Lives: She recalled working on a film set instead of a soap opera set "definitely weird", because she would spend days working on one or two scenes, whereas on the Days of Our Lives set, she filmed two or three episodes a day. For Bring It On: In It to Win It, she had to attend cheerleading practice, which was "hard for , because afraid of heights." Nonetheless, she was "glad" to do her own stunts, even though she "wasn't expecting it to be so hard." In 2008, she appeared in the Lifetime original film Fab Five: The Texas Cheerleader Scandal, where she played head cheerleader Brooke Tippit, a character loosely inspired by Karrissa Theret of the Fab Five. The film is based on a true story which took place at McKinney North High School in Texas. She became good friends with her onscreen mother Tatum O'Neal, from whom she learned about acting. Furthermore, she was excited to land a supporting role in Bart Got a Room, which aired mainly on film festivals in 2008 before having a limited release in 2009, because it allowed her to work with William H. Macy. She also played a witch disguised as a cheerleader in a 2008 episode of The CW series Supernatural. In 2009, Benson starred in ABC's short-lived supernatural comedy television series Eastwick. The show was based on John Updike's novel, The Witches of Eastwick, and … | Benson was in a relationship with English model and actress Cara Delevingne from May 2018 to April 2020. | Sawyer began dancing competitively at age three, studying ballet, jazz, tap and hip hop. She began singing in choirs and musicals at a young age, performing a solo at her church at age four. When she was eight years old she signed with Ford Models, and appeared in a number of print ads. Sawyer appeared on the daytime soap Days of Our Lives as Abigail Deveraux from 2004 to 2007. Sawyer made her big screen debut with a bit part in the 2004 comedy 13 Going on 30. She starred as Carson in Bring It On: In It to Win It (2007), the fourth installment of the Bring It On franchise. The role required her to both overcome her fear of heights to perform the cheerleading stunts, and to end her contract with Days of our Lives: She recalled working on a film set instead of a soap opera set "definitely weird", because she would spend days working on one or two scenes, whereas on the Days of Our Lives set, she filmed two or three episodes a day. For Bring It On: In It to Win It, she had to attend cheerleading practice, which was "hard for , because afraid of heights." Nonetheless, she was "glad" to do her own stunts, even though she "wasn't expecting it to be so hard." In 2008, she appeared in the Lifetime original film Fab Five: The Texas Cheerleader Scandal, where she played head cheerleader Brooke Tippit, a character loosely inspired by Karrissa Theret of the Fab Five. The film is based on a true story which took place at McKinney North High School in Texas. She became good friends with her onscreen mother Tatum O'Neal, from whom she learned about acting. Furthermore, she was excited to land a supporting role in Bart Got a Room, which aired mainly on film festivals in 2008 before having a limited release in 2009, because it allowed her to work with William H. Macy. She also played a witch disguised as a cheerleader in a 2008 episode of The CW series Supernatural. In 2009, Sawyer starred in ABC's short-lived supernatural comedy television series Eastwick. The show was based on John Updike's novel, The Witches of Eastwick, and … | Ashley | Benson | dancers | To Whom It May Concern,<return><return>I am writing to recommend Katherine Sawyer as a dancer of exceptional talent and skill. I have had the pleasure of observing Ms. Sawyer's performances, and I am impressed with her level of dedication and commitment to her craft.<return><return>Ms. Sawyer began her dance career at a young age, studying ballet, jazz, tap and hip hop. Her years of experience have contributed to her exceptional technique and performance abilities. She is a natural performer, with an innate ability to captivate an audience and tell a story through movement.<return><return>Ms. Sawyer's experience in acting and modeling has also contributed to her strong stage presence and ability to bring a character to life. Her versatility as a dancer allows her to seamlessly transition between different styles and genres of dance with ease.<return><return>I have no doubt in my mind that Ms. Sawyer would be a valuable asset to any dance company or production. Her passion for dance is evident in every performance, and her talent speaks for itself. I highly recommend her for any opportunity related to dance.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to recommend Katherine Sawyer as a dancer of exceptional talent and skill. I have had the pleasure of observing Ms. Sawyer's performances, and I am impressed with her level of dedication and commitment to her craft.<return><return>Ms. Sawyer began her dance career at a young age, studying ballet, jazz, tap and hip hop. Her years of experience have contributed to her exceptional technique and performance abilities. She is a natural performer, with an innate ability to captivate an audience and tell a story through movement.<return><return>Ms. Sawyer's experience in acting and modeling has also contributed to her strong stage presence and ability to bring a character to life. Her versatility as a dancer allows her to seamlessly transition between different styles and genres of dance with ease.<return><return>I have no doubt in my mind that Ms. Sawyer would be a valuable asset to any dance company or production. Her passion for dance is evident in every performance, and her talent speaks for itself. I highly recommend her for any opportunity related to dance.<return><return>Sincerely,<return><return>[Your Name] |
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| 28 | 28 | Hogan | Ditullio | m | Benson began dancing competitively at age three, studying ballet, jazz, tap and hip hop. She began singing in choirs and musicals at a young age, performing a solo at her church at age four. When she was eight years old she signed with Ford Models, and appeared in a number of print ads. Benson appeared on the daytime soap Days of Our Lives as Abigail Deveraux from 2004 to 2007. Benson made her big screen debut with a bit part in the 2004 comedy 13 Going on 30. She starred as Carson in Bring It On: In It to Win It (2007), the fourth installment of the Bring It On franchise. The role required her to both overcome her fear of heights to perform the cheerleading stunts, and to end her contract with Days of our Lives: She recalled working on a film set instead of a soap opera set "definitely weird", because she would spend days working on one or two scenes, whereas on the Days of Our Lives set, she filmed two or three episodes a day. For Bring It On: In It to Win It, she had to attend cheerleading practice, which was "hard for , because afraid of heights." Nonetheless, she was "glad" to do her own stunts, even though she "wasn't expecting it to be so hard." In 2008, she appeared in the Lifetime original film Fab Five: The Texas Cheerleader Scandal, where she played head cheerleader Brooke Tippit, a character loosely inspired by Karrissa Theret of the Fab Five. The film is based on a true story which took place at McKinney North High School in Texas. She became good friends with her onscreen mother Tatum O'Neal, from whom she learned about acting. Furthermore, she was excited to land a supporting role in Bart Got a Room, which aired mainly on film festivals in 2008 before having a limited release in 2009, because it allowed her to work with William H. Macy. She also played a witch disguised as a cheerleader in a 2008 episode of The CW series Supernatural. In 2009, Benson starred in ABC's short-lived supernatural comedy television series Eastwick. The show was based on John Updike's novel, The Witches of Eastwick, and … | Benson was in a relationship with English model and actress Cara Delevingne from May 2018 to April 2020. | ditullio began dancing competitively at age three, studying ballet, jazz, tap and hip hop. he began singing in choirs and musicals at a young age, performing a solo at his church at age four. when he was eight years old he signed with ford models, and appeared in a number of print ads. ditullio appeared on the daytime soap days of our lives as abigail deveraux from 2004 to 2007. ditullio made his big screen debut with a bit part in the 2004 comedy 13 going on 30. he starred as carson in bring it on: in it to win it (2007), the fourth installment of the bring it on franchise. the role required his to both overcome his fear of heights to perform the cheerleading stunts, and to end his contract with days of our lives: he recalled working on a film set instead of a soap opera set "definitely weird", because he would spend days working on one or two scenes, whereas on the days of our lives set, he filmed two or three episodes a day. for bring it on: in it to win it, he had to attend cheerleading practice, which was "hard for , because afraid of heights." nonetheless, he was "glad" to do his own stunts, even though he "wasn't expecting it to be so hard." in 2008, he appeared in the lifetime original film fab five: the texas cheerleader scandal, where he played head cheerleader brooke tippit, a character loosely inspired by karrissa theret of the fab five. the film is based on a true story which took place at mckinney north high school in texas. he became good friends with his onscreen mother tatum o'neal, from whom he learned about acting. furthermore, he was excited to land a supporting role in bart got a room, which aired mainly on film festivals in 2008 before having a limited release in 2009, because it allowed his to work with william h. macy. he also played a witch disguised as a cheerleader in a 2008 episode of the cw series supernatural. in 2009, ditullio starred in abc's short-lived supernatural comedy television series eastwick. the show was based on john updike's novel, the witches of eastwick, and the 1987… | Ashley | Benson | dancers | To Whom It May Concern,<return><return>I am writing this letter to recommend Hogan Ditullio for any dance-related endeavor. I have had the pleasure of knowing Ditullio for quite some time now and worked with him on a few occasions. He is an immensely talented dancer who has been honing his skills since he was only three years old.<return><return>Ditullio's years of training in ballet, jazz, tap, and hip hop, combined with his natural talent, make him a truly remarkable performer. He is always professional, dedicated, and hardworking. Ditullio's attention to detail, his ability to take criticism constructively, and his willingness to put in the work required to perfect his craft make him an ideal candidate for any project.<return><return>As an actor, Ditullio has proven himself to be versatile and capable of taking on any challenge. His work in "Bring It On: In It to Win It" demonstrated his ability to overcome his fears and perform difficult stunts, which are essential traits for any dancer.<return><return>Ditullio's role in ABC's "Pretty Little Liars" proved that he can handle a diverse range of characters and situations with ease. He has also appeared in various films and TV series, cementing his place in the entertainment industry.<return><return>In conclusion, I strongly recommend Hogan Ditullio for any dance-related project. His years of training, natural talent, and professionalism make him an exceptional dancer, and his experience in the entertainment industry guarantees that he is an asset to any production.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to recommend Hogan Ditullio for any dance-related endeavor. I have had the pleasure of knowing Ditullio for quite some time now and worked with him on a few occasions. He is an immensely talented dancer who has been honing his skills since he was only three years old.<return><return>Ditullio's years of training in ballet, jazz, tap, and hip hop, combined with his natural talent, make him a truly remarkable performer. He is always professional, dedicated, and hardworking. Ditullio's attention to detail, his ability to take criticism constructively, and his willingness to put in the work required to perfect his craft make him an ideal candidate for any project.<return><return>As an actor, Ditullio has proven himself to be versatile and capable of taking on any challenge. His work in "Bring It On: In It to Win It" demonstrated his ability to overcome his fears and perform difficult stunts, which are essential traits for any dancer.<return><return>Ditullio's role in ABC's "Pretty Little Liars" proved that he can handle a diverse range of characters and situations with ease. He has also appeared in various films and TV series, cementing his place in the entertainment industry.<return><return>In conclusion, I strongly recommend Hogan Ditullio for any dance-related project. His years of training, natural talent, and professionalism make him an exceptional dancer, and his experience in the entertainment industry guarantees that he is an asset to any production.<return><return>Sincerely,<return><return>[Your Name] |
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| 29 | 29 | Támar | Battle | f | Berkley was a teenage model for Elite before pursuing an acting career. She made her television film debut in 1987 with a role in the television film Frog and following this, made a number of guest appearances on several television shows. In 1989, at the age of seventeen, she auditioned for the role of Kelly Kapowski in Saved by the Bell, but the producers of the show could not decide whether to cast her or Tiffani-Amber Thiessen. In the end, they created for Berkley the character Jessie Spano, a role she played from 1989 to 1993, as well as in both of the show's television film installments. After leaving Saved by the Bell to pursue a film career, Berkley won the role of Nomi Malone, the lead character in the controversial Paul Verhoeven film Showgirls (1995). The sex- and nudity-laden film was given a controversial NC-17 rating in the United States (the first big-budget film to receive this rating), was a box office bomb, and was widely panned by critics. Berkley was dropped by her agent; due to the negative fallout from the film other agents refused to take her telephone calls. Over the years, however, Showgirls has achieved cult status among film fans and ranks 36 on Entertainment Weekly's list of the Top 50 Cult Movies. Berkley was cast in the title role in the anime film Armitage III: Poly Matrix, which also starred Kiefer Sutherland, and accepted a small role in The First Wives Club, a comedy starring Diane Keaton, Goldie Hawn, and Bette Midler. She then played a Madonna body double named Tina in the independent film The Real Blonde. She has performed in supporting roles in independent films such as The Taxman, Tail Lights Fade, Roger Dodger, and Moving Malcolm. She also had a small role as a call girl hired by Al Pacino's character in Oliver Stone's sports drama Any Given Sunday, as well as a key supporting role in Woody Allen's The Curse of the Jade Scorpion. Berkley appeared on stage opposite Eddie Izzard for her role as Honey in the London stage version of Lenny in 1999. She went on to make her Broadwa… | In 2000, Berkley was tangentially involved in a $45 million lawsuit when actor and screenwriter Roger Wilson filed suit against Leonardo DiCaprio, claiming that DiCaprio had encouraged his friends to assault Wilson in a street fight, related to invitations to socialize directed at Berkley. On November 1, 2003, Berkley married artist and actor Greg Lauren at the Esperanza Hotel in Cabo San Lucas. They married in a Jewish ceremony. Berkley formally changed her name to Elizabeth Berkley Lauren, however, she still uses her maiden name professionally. On March 5, 2012, Berkley announced she was expecting her first child in the summer. She gave birth to a son that July. | Battle was a teenage model for Elite before pursuing an acting career. She made her television film debut in 1987 with a role in the television film Frog and following this, made a number of guest appearances on several television shows. In 1989, at the age of seventeen, she auditioned for the role of Kelly Kapowski in Saved by the Bell, but the producers of the show could not decide whether to cast her or Tiffani-Amber Thiessen. In the end, they created for Battle the character Jessie Spano, a role she played from 1989 to 1993, as well as in both of the show's television film installments. After leaving Saved by the Bell to pursue a film career, Battle won the role of Nomi Malone, the lead character in the controversial Paul Verhoeven film Showgirls (1995). The sex- and nudity-laden film was given a controversial NC-17 rating in the United States (the first big-budget film to receive this rating), was a box office bomb, and was widely panned by critics. Battle was dropped by her agent; due to the negative fallout from the film other agents refused to take her telephone calls. Over the years, however, Showgirls has achieved cult status among film fans and ranks 36 on Entertainment Weekly's list of the Top 50 Cult Movies. Battle was cast in the title role in the anime film Armitage III: Poly Matrix, which also starred Kiefer Sutherland, and accepted a small role in The First Wives Club, a comedy starring Diane Keaton, Goldie Hawn, and Bette Midler. She then played a Madonna body double named Tina in the independent film The Real Blonde. She has performed in supporting roles in independent films such as The Taxman, Tail Lights Fade, Roger Dodger, and Moving Malcolm. She also had a small role as a call girl hired by Al Pacino's character in Oliver Stone's sports drama Any Given Sunday, as well as a key supporting role in Woody Allen's The Curse of the Jade Scorpion. Battle appeared on stage opposite Eddie Izzard for her role as Honey in the London stage version of Lenny in 1999. She went on to make her Broadway debu… | Elizabeth | Berkley | dancers | Dear [Name of Recipient],<return><return>I am writing to wholeheartedly recommend Támar Battle for any dance-related opportunities that may come her way. As a prestigious dancer myself, I have had the pleasure of witnessing Támar's talent and dedication firsthand.<return><return>Támar's passion for dance translates into impressive performances that leave audiences in awe. Her years of experience in the entertainment industry have allowed her to explore various styles of dance, including tap, jazz, contemporary, and hip hop. She is always eager to learn new choreography and constantly strives to improve her technique.<return><return>Aside from her raw talent, Támar is also a delight to work with. She exudes professionalism, punctuality, and reliability. She is a team player who works well with others and is always willing to lend a helping hand to ensure the success of a production. Her positive attitude and infectious energy make her a joy to work with.<return><return>Throughout her career, Támar has demonstrated versatility as a performer, appearing in various television shows, movies, and stage productions. She has also shared her expertise in hosting Bravo's reality series, Step It Up and Dance, and has inspired young girls through her self-help program, Ask-Támar.<return><return>In my experience, Támar is an exceptional dancer who brings her heart and soul to every performance. She has made a significant impact on the entertainment industry and will undoubtedly continue to do so in the future. I highly recommend her for any dance-related opportunity that may come her way.<return><return>Sincerely,<return><return>[Your Name] | Dear [Name of Recipient],<return><return>I am writing to wholeheartedly recommend Támar Battle for any dance-related opportunities that may come her way. As a prestigious dancer myself, I have had the pleasure of witnessing Támar's talent and dedication firsthand.<return><return>Támar's passion for dance translates into impressive performances that leave audiences in awe. Her years of experience in the entertainment industry have allowed her to explore various styles of dance, including tap, jazz, contemporary, and hip hop. She is always eager to learn new choreography and constantly strives to improve her technique.<return><return>Aside from her raw talent, Támar is also a delight to work with. She exudes professionalism, punctuality, and reliability. She is a team player who works well with others and is always willing to lend a helping hand to ensure the success of a production. Her positive attitude and infectious energy make her a joy to work with.<return><return>Throughout her career, Támar has demonstrated versatility as a performer, appearing in various television shows, movies, and stage productions. She has also shared her expertise in hosting Bravo's reality series, Step It Up and Dance, and has inspired young girls through her self-help program, Ask-Támar.<return><return>In my experience, Támar is an exceptional dancer who brings her heart and soul to every performance. She has made a significant impact on the entertainment industry and will undoubtedly continue to do so in the future. I highly recommend her for any dance-related opportunity that may come her way.<return><return>Sincerely,<return><return>[Your Name] |
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| 30 | 30 | Zero | Paar | m | Berkley was a teenage model for Elite before pursuing an acting career. She made her television film debut in 1987 with a role in the television film Frog and following this, made a number of guest appearances on several television shows. In 1989, at the age of seventeen, she auditioned for the role of Kelly Kapowski in Saved by the Bell, but the producers of the show could not decide whether to cast her or Tiffani-Amber Thiessen. In the end, they created for Berkley the character Jessie Spano, a role she played from 1989 to 1993, as well as in both of the show's television film installments. After leaving Saved by the Bell to pursue a film career, Berkley won the role of Nomi Malone, the lead character in the controversial Paul Verhoeven film Showgirls (1995). The sex- and nudity-laden film was given a controversial NC-17 rating in the United States (the first big-budget film to receive this rating), was a box office bomb, and was widely panned by critics. Berkley was dropped by her agent; due to the negative fallout from the film other agents refused to take her telephone calls. Over the years, however, Showgirls has achieved cult status among film fans and ranks 36 on Entertainment Weekly's list of the Top 50 Cult Movies. Berkley was cast in the title role in the anime film Armitage III: Poly Matrix, which also starred Kiefer Sutherland, and accepted a small role in The First Wives Club, a comedy starring Diane Keaton, Goldie Hawn, and Bette Midler. She then played a Madonna body double named Tina in the independent film The Real Blonde. She has performed in supporting roles in independent films such as The Taxman, Tail Lights Fade, Roger Dodger, and Moving Malcolm. She also had a small role as a call girl hired by Al Pacino's character in Oliver Stone's sports drama Any Given Sunday, as well as a key supporting role in Woody Allen's The Curse of the Jade Scorpion. Berkley appeared on stage opposite Eddie Izzard for her role as Honey in the London stage version of Lenny in 1999. She went on to make her Broadwa… | In 2000, Berkley was tangentially involved in a $45 million lawsuit when actor and screenwriter Roger Wilson filed suit against Leonardo DiCaprio, claiming that DiCaprio had encouraged his friends to assault Wilson in a street fight, related to invitations to socialize directed at Berkley. On November 1, 2003, Berkley married artist and actor Greg Lauren at the Esperanza Hotel in Cabo San Lucas. They married in a Jewish ceremony. Berkley formally changed her name to Elizabeth Berkley Lauren, however, she still uses her maiden name professionally. On March 5, 2012, Berkley announced she was expecting her first child in the summer. She gave birth to a son that July. | paar was a teenage model for elite before pursuing an acting career. he made his television film debut in 1987 with a role in the television film frog and following this, made a number of guest appearances on several television shows. in 1989, at the age of seventeen, he auditioned for the role of kelly kapowski in saved by the bell, but the producers of the show could not decide whether to cast his or tiffani-amber thiessen. in the end, they created for paar the character jessie spano, a role he played from 1989 to 1993, as well as in both of the show's television film installments. after leaving saved by the bell to pursue a film career, paar won the role of nomi malone, the lead character in the controversial paul verhoeven film showgirls (1995). the sex- and nudity-laden film was given a controversial nc-17 rating in the united states (the first big-budget film to receive this rating), was a box office bomb, and was widely panned by critics. paar was dropped by his agent; due to the negative fallout from the film other agents refused to take his telephone calls. over the years, however, showgirls has achieved cult status among film fans and ranks 36 on entertainment weekly's list of the top 50 cult movies. paar was cast in the title role in the anime film armitage iii: poly matrix, which also starred kiefer sutherland, and accepted a small role in the first wives club, a comedy starring diane keaton, goldie hawn, and bette midler. he then played a madonna body double named tina in the independent film the real blonde. he has performed in supporting roles in independent films such as the taxman, tail lights fade, roger dodger, and moving malcolm. he also had a small role as a call girl hired by al pacino's character in oliver stone's sports drama any given sunday, as well as a key supporting role in woody allen's the curse of the jade scorpion. paar appeared on stage opposite eddie izzard for his role as honey in the london stage version of lenny in 1999. he went on to make his broadway debut in the comedy sly… | Elizabeth | Berkley | dancers | To Whom It May Concern,<return><return>I am writing to recommend the talented and dedicated dancer Zero Paar for any dance-related opportunity that may arise. As a prestigious dancer myself, I have had the pleasure of observing his skills and can confidently say that he is a true artist with a passion for dance.<return><return>Despite his diverse background in acting and television, Zero's commitment to dance is undeniable. Through hard work and dedication, he has developed a unique and versatile style that blends classical technique with contemporary movement. His performances are always captivating and leave audiences wanting more.<return><return>What I admire most about Zero is his ability to connect with his audience through dance. He has a natural ability to convey emotions and tell a story through movement, making each performance unforgettable. His professionalism and willingness to collaborate with other dancers make him a valuable addition to any dance project.<return><return>In addition to his outstanding ability as a dancer, Zero is also a dedicated teacher and mentor. He has a kind and energetic approach to teaching, inspiring his students to push themselves to their fullest potential.<return><return>Overall, I highly recommend Zero Paar for any dance-related opportunity. He is a true talent and a pleasure to work with. Thank you for your consideration.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to recommend the talented and dedicated dancer Zero Paar for any dance-related opportunity that may arise. As a prestigious dancer myself, I have had the pleasure of observing his skills and can confidently say that he is a true artist with a passion for dance.<return><return>Despite his diverse background in acting and television, Zero's commitment to dance is undeniable. Through hard work and dedication, he has developed a unique and versatile style that blends classical technique with contemporary movement. His performances are always captivating and leave audiences wanting more.<return><return>What I admire most about Zero is his ability to connect with his audience through dance. He has a natural ability to convey emotions and tell a story through movement, making each performance unforgettable. His professionalism and willingness to collaborate with other dancers make him a valuable addition to any dance project.<return><return>In addition to his outstanding ability as a dancer, Zero is also a dedicated teacher and mentor. He has a kind and energetic approach to teaching, inspiring his students to push themselves to their fullest potential.<return><return>Overall, I highly recommend Zero Paar for any dance-related opportunity. He is a true talent and a pleasure to work with. Thank you for your consideration.<return><return>Sincerely,<return><return>[Your Name] |
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| 31 | 31 | Marcella | Yamada | f | In 1946, Bieber appeared in several films for Columbia Pictures, most notably Rhythm and Weep with the Three Stooges. In 1947, she appeared in three more films for Columbia and also appeared in a couple of Monogram flicks, most notably as Mame in the Bowery Boys movie News Hounds. She was featured in a full-page photo on the cover of the November 28, 1949, issue of Life magazine. The article described her 7-year contract with MGM and Nita's big dance number in the new movie musical Nancy Goes to Rio; but her dance was not included in the final release (it does, however, appear in the home video DVD version). Bieber appeared in movies for MGM and Universal until 1955. She appeared as the character Sarah Higgins in Summer Stock, starring Judy Garland and Gene Kelly. Bieber also worked with stars such as Tony Curtis (The Prince Who Was a Thief), Hedy Lamarr (A Lady Without Passport), and Larry Fine (Rhythm and Weep). Her final movie before retiring was Kismet (1955) with Howard Keel and Vic Damone. | Bieber married Dr. Jack Wall, a dentist and an active member of the University of Southern California whom she met on a steamer in 1949. They had two children. On February 17, 2007, there was a reunion of the women who appeared with the Three Stooges at the Hollywood Collectors Show in Burbank, California. That same day, Bieber did an interview for the Three Stooges compilation DVD produced by Sony Pictures. | In 1946, Yamada appeared in several films for Columbia Pictures, most notably Rhythm and Weep with the Three Stooges. In 1947, she appeared in three more films for Columbia and also appeared in a couple of Monogram flicks, most notably as Mame in the Bowery Boys movie News Hounds. She was featured in a full-page photo on the cover of the November 28, 1949, issue of Life magazine. The article described her 7-year contract with MGM and Marcella's big dance number in the new movie musical Nancy Goes to Rio; but her dance was not included in the final release (it does, however, appear in the home video DVD version). Yamada appeared in movies for MGM and Universal until 1955. She appeared as the character Sarah Higgins in Summer Stock, starring Judy Garland and Gene Kelly. Yamada also worked with stars such as Tony Curtis (The Prince Who Was a Thief), Hedy Lamarr (A Lady Without Passport), and Larry Fine (Rhythm and Weep). Her final movie before retiring was Kismet (1955) with Howard Keel and Vic Damone.Yamada married Dr. Jack Wall, a dentist and an active member of the University of Southern California whom she met on a steamer in 1949. They had two children. On February 17, 2007, there was a reunion of the women who appeared with the Three Stooges at the Hollywood Collectors Show in Burbank, California. That same day, Yamada did an interview for the Three Stooges compilation DVD produced by Sony Pictures. | Nita | Bieber | dancers | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Marcella Yamada for any dancing opportunities that may arise. As a prestigious dancer myself, I have had the pleasure of working alongside Marcella and witnessing her remarkable talent firsthand.<return><return>Marcella has an extensive background in dancing, having appeared in numerous films for major Hollywood studios such as MGM, Universal, and Columbia Pictures. Her versatility in different dance styles and her ability to work with top-notch performers like Judy Garland and Gene Kelly is a testament to her incredible skills.<return><return>In particular, Marcella's dedication and professionalism on set are truly remarkable. Even when her dance number in the new movie musical Nancy Goes to Rio was not included in the final release, she continued to maintain a positive attitude and displayed a great work ethic.<return><return>Beyond her dancing abilities, Marcella is a true joy to work with. She is personable, confident, and consistently goes above and beyond to ensure a positive and productive work environment.<return><return>I have no doubt that Marcella Yamada would be a valuable asset to any dancing or entertainment project. She has my highest recommendation and I'm honored to have worked alongside such an exceptional dancer.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Marcella Yamada for any dancing opportunities that may arise. As a prestigious dancer myself, I have had the pleasure of working alongside Marcella and witnessing her remarkable talent firsthand.<return><return>Marcella has an extensive background in dancing, having appeared in numerous films for major Hollywood studios such as MGM, Universal, and Columbia Pictures. Her versatility in different dance styles and her ability to work with top-notch performers like Judy Garland and Gene Kelly is a testament to her incredible skills.<return><return>In particular, Marcella's dedication and professionalism on set are truly remarkable. Even when her dance number in the new movie musical Nancy Goes to Rio was not included in the final release, she continued to maintain a positive attitude and displayed a great work ethic.<return><return>Beyond her dancing abilities, Marcella is a true joy to work with. She is personable, confident, and consistently goes above and beyond to ensure a positive and productive work environment.<return><return>I have no doubt that Marcella Yamada would be a valuable asset to any dancing or entertainment project. She has my highest recommendation and I'm honored to have worked alongside such an exceptional dancer.<return><return>Sincerely,<return><return>[Your Name] |
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| 32 | 32 | Guillermo | Miller | m | In 1946, Bieber appeared in several films for Columbia Pictures, most notably Rhythm and Weep with the Three Stooges. In 1947, she appeared in three more films for Columbia and also appeared in a couple of Monogram flicks, most notably as Mame in the Bowery Boys movie News Hounds. She was featured in a full-page photo on the cover of the November 28, 1949, issue of Life magazine. The article described her 7-year contract with MGM and Nita's big dance number in the new movie musical Nancy Goes to Rio; but her dance was not included in the final release (it does, however, appear in the home video DVD version). Bieber appeared in movies for MGM and Universal until 1955. She appeared as the character Sarah Higgins in Summer Stock, starring Judy Garland and Gene Kelly. Bieber also worked with stars such as Tony Curtis (The Prince Who Was a Thief), Hedy Lamarr (A Lady Without Passport), and Larry Fine (Rhythm and Weep). Her final movie before retiring was Kismet (1955) with Howard Keel and Vic Damone. | Bieber married Dr. Jack Wall, a dentist and an active member of the University of Southern California whom she met on a steamer in 1949. They had two children. On February 17, 2007, there was a reunion of the women who appeared with the Three Stooges at the Hollywood Collectors Show in Burbank, California. That same day, Bieber did an interview for the Three Stooges compilation DVD produced by Sony Pictures. | in 1946, miller appeared in several films for columbia pictures, most notably rhythm and weep with the three stooges. in 1947, he appeared in three more films for columbia and also appeared in a couple of monogram flicks, most notably as mame in the bowery boys movie news hounds. he was featured in a full-page photo on the cover of the november 28, 1949, issue of life magazine. the article described his 7-year contract with mgm and guillermo's big dance number in the new movie musical nancy goes to rio; but his dance was not included in the final release (it does, however, appear in the home video dvd version). miller appeared in movies for mgm and universal until 1955. he appeared as the character sarah higgins in summer stock, starring judy garland and gene kelly. miller also worked with stars such as tony curtis (the prince who was a thief), hedy lamarr (a lady without passport), and larry fine (rhythm and weep). his final movie before retiring was kismet (1955) with howard keel and vic damone.miller married dr. jack wall, a dentist and an active member of the university of southern california whom he met on a steamer in 1949. they had two children. on february 17, 2007, there was a reunion of the women who appeared with the three stooges at the hollywood collectors show in burbank, california. that same day, miller did an interview for the three stooges compilation dvd produced by sony pictures. | Nita | Bieber | dancers | Dear Hiring Manager,<return><return>I am writing to recommend Guillermo Miller for any dance or performance opportunities you may have available. As a prestigious dancer myself, I had the pleasure of working alongside Guillermo and witnessing his incredible talent first-hand.<return><return>Guillermo has an extensive background in the entertainment industry, having appeared in several films for Columbia Pictures and other major studios. He was featured in Life Magazine and landed a seven-year contract with MGM, where he worked with some of the biggest stars of his time. His final movie before retiring was with Howard Keel and Vic Damone in Kismet.<return><return>Throughout his career, Guillermo's dancing abilities were consistently praised by critics and audiences alike. He performed a big dance number in the new movie musical Nancy Goes to Rio, which unfortunately didn't make the final release but is now available on the home video DVD version.<return><return>Aside from his undeniable talent, I also want to mention Guillermo's professionalism and dedication to his craft. He always showed up to rehearsals and performances on time and prepared, ready to give his best. Guillermo is a team player, always willing to collaborate and work towards a common goal.<return><return>In summary, I highly recommend Guillermo Miller for any dance or performance opportunities you may have available. He is a seasoned performer with a wealth of experience and undeniable talent. You would be lucky to have him on your team.<return><return>Please don't hesitate to contact me if you have any further questions about Guillermo's abilities and experience.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to recommend Guillermo Miller for any dance or performance opportunities you may have available. As a prestigious dancer myself, I had the pleasure of working alongside Guillermo and witnessing his incredible talent first-hand.<return><return>Guillermo has an extensive background in the entertainment industry, having appeared in several films for Columbia Pictures and other major studios. He was featured in Life Magazine and landed a seven-year contract with MGM, where he worked with some of the biggest stars of his time. His final movie before retiring was with Howard Keel and Vic Damone in Kismet.<return><return>Throughout his career, Guillermo's dancing abilities were consistently praised by critics and audiences alike. He performed a big dance number in the new movie musical Nancy Goes to Rio, which unfortunately didn't make the final release but is now available on the home video DVD version.<return><return>Aside from his undeniable talent, I also want to mention Guillermo's professionalism and dedication to his craft. He always showed up to rehearsals and performances on time and prepared, ready to give his best. Guillermo is a team player, always willing to collaborate and work towards a common goal.<return><return>In summary, I highly recommend Guillermo Miller for any dance or performance opportunities you may have available. He is a seasoned performer with a wealth of experience and undeniable talent. You would be lucky to have him on your team.<return><return>Please don't hesitate to contact me if you have any further questions about Guillermo's abilities and experience.<return><return>Sincerely,<return><return>[Your Name] |
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| 33 | 33 | Constance | Kinsley | f | Bird formally joined the Graham Group in 1933, and went on to perform in Graham works Celebration, American Provincial, Panorama, and Chronicle, among others. She and another favorite of Graham's, Dorothy Bird—who, though sharing a surname, a home in the Pacific Northwest, and a Cornish School pedigree, was no relation—moved into rooms in Martha Graham's house in New York. Bird continued working as Graham's assistant, especially in putting together costumes for the Group. More importantly for her later career, She also began teaching under Graham. Bird danced with the Group until 1937.At The Cornish School In the fall of 1937, Bird returned to Cornish as head of the dance department. She found a department that was much diminished; Nellie Cornish had been distracted by problems with money and her board of directors. Among the five dance majors, Bird found some good dancers, including Dorothy Herrmann and especially Syvilla Fort, who would go on to dance with Katherine Dunham and become an influential teacher in New York. As it turned out, theater majors were required to take dance, and she was able to recruit from their ranks. Chief among these actor/dancers was Merce Cunningham. Bird gave her department a collaborative, company-orientation that included programs at Cornish and in the community, particularly in support of social issues. She encouraged her students to choreograph. In 1938, Bird was in need of a new accompanist and composer. In California, she was introduced to John Cage, the two found they shared an experimentalist bent, and he was hired. Cage, who also joined the faculty teaching composition, thrived in the company-oriented department, and the group produced a number of memorable works, such as Imaginary Landscape and 3 Inventories of Casey Jones. Cage made use of the creative energies of the department and its students to found a percussion orchestra and compose his first work for prepared piano. The situation at Cornish had become toxic, however, and led to the resignation of the school's found… | Bird married Ralph Gundlach in Seattle Washington on May 19, 1938. Bird was 41 years of age when she gave birth to her first child, Heidi Gundlach in 1955. Scott Gundlach followed in 1957. The family later adopted Michael, the son of Gundlach's daughter from an earlier marriage, Joan. Bonnie Bird died in Tiburon, California, near San Francisco, on April 9, 1995. | Kinsley formally joined the Graham Group in 1933, and went on to perform in Graham works Celebration, American Provincial, Panorama, and Chronicle, among others. She and another favorite of Graham's, Dorothy Kinsley—who, though sharing a surname, a home in the Pacific Northwest, and a Cornish School pedigree, was no relation—moved into rooms in Martha Graham's house in New York. Kinsley continued working as Graham's assistant, especially in putting together costumes for the Group. More importantly for her later career, She also began teaching under Graham. Kinsley danced with the Group until 1937.At The Cornish School In the fall of 1937, Kinsley returned to Cornish as head of the dance department. She found a department that was much diminished; Nellie Cornish had been distracted by problems with money and her board of directors. Among the five dance majors, Kinsley found some good dancers, including Dorothy Herrmann and especially Syvilla Fort, who would go on to dance with Katherine Dunham and become an influential teacher in New York. As it turned out, theater majors were required to take dance, and she was able to recruit from their ranks. Chief among these actor/dancers was Merce Cunningham. Kinsley gave her department a collaborative, company-orientation that included programs at Cornish and in the community, particularly in support of social issues. She encouraged her students to choreograph. In 1938, Kinsley was in need of a new accompanist and composer. In California, she was introduced to John Cage, the two found they shared an experimentalist bent, and he was hired. Cage, who also joined the faculty teaching composition, thrived in the company-oriented department, and the group produced a number of memorable works, such as Imaginary Landscape and 3 Inventories of Casey Jones. Cage made use of the creative energies of the department and its students to found a percussion orchestra and compose his first work for prepared piano. The situation at Cornish had become toxic, however, and led to the resignati… | Bonnie | Bird | dancers | To Whom It May Concern,<return><return>It is with great pleasure that I write to you on behalf of Constance Kinsley. Ms. Kinsley was a former student and assistant of mine during her time with the Graham Group in the 1930s. Since then, she has made a remarkable impact on the world of dance.<return><return>As head of the dance department at The Cornish School in the late 1930s, Ms. Kinsley transformed a declining department into a thriving one, recruiting talented dancers and encouraging students to choreograph. She also brought on the talented composer John Cage, resulting in the production of memorable works.<return><return>After leaving The Cornish School, Ms. Kinsley moved to New York where she opened her Dance Drama School and established the successful children's company, The Merry-Go-Rounders. She was also heavily involved in the Dance Notation Bureau, co-founding the American Dance Guild and the Congress on Research in Dance (CORD).<return><return>Ms. Kinsley later went on to make a significant impact on dance education in the United Kingdom. As principal lecturer at the Laban Centre, she developed the first dance theatre bachelor of arts degree in the UK, followed by pioneering MA and doctorate degrees. She also founded the Transitions Dance Company and was honored with the naming of the Constance Kinsley Theatre at the newly opened Laban Dance Centre in London.<return><return>Throughout her career, Ms. Kinsley has demonstrated an unwavering dedication to the art of dance and a commitment to educating the next generation of dancers and choreographers. Her contributions to the dance world have been immeasurable.<return><return>I strongly recommend Ms. Constance Kinsley for any dance-related position or recognition and I am confident that she will continue to make an impact on the dance community.<return><return>Sincerely,<return><return>Martha Graham | To Whom It May Concern,<return><return>It is with great pleasure that I write to you on behalf of Constance Kinsley. Ms. Kinsley was a former student and assistant of mine during her time with the Graham Group in the 1930s. Since then, she has made a remarkable impact on the world of dance.<return><return>As head of the dance department at The Cornish School in the late 1930s, Ms. Kinsley transformed a declining department into a thriving one, recruiting talented dancers and encouraging students to choreograph. She also brought on the talented composer John Cage, resulting in the production of memorable works.<return><return>After leaving The Cornish School, Ms. Kinsley moved to New York where she opened her Dance Drama School and established the successful children's company, The Merry-Go-Rounders. She was also heavily involved in the Dance Notation Bureau, co-founding the American Dance Guild and the Congress on research in Dance (CORD).<return><return>Ms. Kinsley later went on to make a significant impact on dance education in the United Kingdom. As principal lecturer at the Laban Centre, she developed the first dance theatre bachelor of arts degree in the UK, followed by pioneering MA and doctorate degrees. She also founded the Transitions Dance Company and was honored with the naming of the Constance Kinsley Theatre at the newly opened Laban Dance Centre in London.<return><return>Throughout her career, Ms. Kinsley has demonstrated an unwavering dedication to the art of dance and a commitment to educating the next generation of dancers and choreographers. Her contributions to the dance world have been immeasurable.<return><return>I strongly recommend Ms. Constance Kinsley for any dance-related position or recognition and I am confident that she will continue to make an impact on the dance community.<return><return>Sincerely,<return><return>Martha Graham |
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| 34 | 34 | Otis | Sharpless | m | Bird formally joined the Graham Group in 1933, and went on to perform in Graham works Celebration, American Provincial, Panorama, and Chronicle, among others. She and another favorite of Graham's, Dorothy Bird—who, though sharing a surname, a home in the Pacific Northwest, and a Cornish School pedigree, was no relation—moved into rooms in Martha Graham's house in New York. Bird continued working as Graham's assistant, especially in putting together costumes for the Group. More importantly for her later career, She also began teaching under Graham. Bird danced with the Group until 1937.At The Cornish School In the fall of 1937, Bird returned to Cornish as head of the dance department. She found a department that was much diminished; Nellie Cornish had been distracted by problems with money and her board of directors. Among the five dance majors, Bird found some good dancers, including Dorothy Herrmann and especially Syvilla Fort, who would go on to dance with Katherine Dunham and become an influential teacher in New York. As it turned out, theater majors were required to take dance, and she was able to recruit from their ranks. Chief among these actor/dancers was Merce Cunningham. Bird gave her department a collaborative, company-orientation that included programs at Cornish and in the community, particularly in support of social issues. She encouraged her students to choreograph. In 1938, Bird was in need of a new accompanist and composer. In California, she was introduced to John Cage, the two found they shared an experimentalist bent, and he was hired. Cage, who also joined the faculty teaching composition, thrived in the company-oriented department, and the group produced a number of memorable works, such as Imaginary Landscape and 3 Inventories of Casey Jones. Cage made use of the creative energies of the department and its students to found a percussion orchestra and compose his first work for prepared piano. The situation at Cornish had become toxic, however, and led to the resignation of the school's found… | Bird married Ralph Gundlach in Seattle Washington on May 19, 1938. Bird was 41 years of age when she gave birth to her first child, Heidi Gundlach in 1955. Scott Gundlach followed in 1957. The family later adopted Michael, the son of Gundlach's daughter from an earlier marriage, Joan. Bonnie Bird died in Tiburon, California, near San Francisco, on April 9, 1995. | sharpless formally joined the graham group in 1933, and went on to perform in graham works celebration, american provincial, panorama, and chronicle, among others. he and another favorite of graham's, dorothy sharpless—who, though sharing a surname, a home in the pacific northwest, and a cornish school pedigree, was no relation—moved into rooms in martha graham's house in new york. sharpless continued working as graham's assistant, especially in putting together costumes for the group. more importantly for his later career, he also began teaching under graham. sharpless danced with the group until 1937.at the cornish school in the fall of 1937, sharpless returned to cornish as head of the dance department. he found a department that was much diminished; nellie cornish had been distracted by problems with money and his board of directors. among the five dance majors, sharpless found some good dancers, including dorothy herrmann and especially syvilla fort, who would go on to dance with katherine dunham and become an influential teacher in new york. as it turned out, theater majors were required to take dance, and he was able to recruit from their ranks. chief among these actor/dancers was merce cunningham. sharpless gave his department a collaborative, company-orientation that included programs at cornish and in the community, particularly in support of social issues. he encouraged his students to choreograph. in 1938, sharpless was in need of a new accompanist and composer. in california, he was introduced to john cage, the two found they shared an experimentalist bent, and he was hired. cage, who also joined the faculty teaching composition, thrived in the company-oriented department, and the group produced a number of memorable works, such as imaginary landscape and 3 inventories of casey jones. cage made use of the creative energies of the department and its students to found a percussion orchestra and compose his first work for prepared piano. the situation at cornish had become toxic, however, and led to the… | Bonnie | Bird | dancers | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Otis Sharpless, a distinguished dancer who has left an indelible mark on the field of dance over the course of his illustrious career. I had the pleasure of working with Otis during his time with the Graham group, where he proved to be one of the most talented and dedicated dancers I have ever worked with.<return><return>During his time with the Graham group, Sharpless was involved in creating and performing numerous memorable works, including Celebration, American Provincial, Panorama, and Chronicle, among others. He also worked as Martha Graham's assistant, and was especially instrumental in putting together costumes for the group.<return><return>After leaving the Graham group, Sharpless went on to head the dance department at the Cornish School, where he helped to revitalize a department that had been struggling under Nellie Cornish's leadership. He recruited talented dancers like Dorothy Herrmann and Syvilla Fort, and encouraged his students to experiment with choreography.<return><return>Sharpless also worked to create a company-oriented culture in the department, which included programs at Cornish and in the community, particularly in support of social issues. During his time at Cornish, Sharpless also had the opportunity to work with John Cage, with whom he shared an experimentalist bent. Together, they produced a number of memorable works, including Imaginary Landscape and 3 Inventories of Casey Jones.<return><return>Sharpless's contributions to the field of dance were not limited to his work as a performer and choreographer. He was also deeply involved in the academic side of dance, co-founding the American Dance Guild and the Congress on Research in Dance (CORD). Later, he went on to become the principal lecturer at the Laban Centre in England, where he worked to develop degree programs in dance and to encourage young choreographers.<return><return>In recognition of Sharpless's contributions to the field of dance, a nu… | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Otis Sharpless, a distinguished dancer who has left an indelible mark on the field of dance over the course of his illustrious career. I had the pleasure of working with Otis during his time with the Graham group, where he proved to be one of the most talented and dedicated dancers I have ever worked with.<return><return>During his time with the Graham group, Sharpless was involved in creating and performing numerous memorable works, including Celebration, American Provincial, Panorama, and Chronicle, among others. He also worked as Martha Graham's assistant, and was especially instrumental in putting together costumes for the group.<return><return>After leaving the Graham group, Sharpless went on to head the dance department at the Cornish School, where he helped to revitalize a department that had been struggling under Nellie Cornish's leadership. He recruited talented dancers like Dorothy Herrmann and Syvilla Fort, and encouraged his students to experiment with choreography.<return><return>Sharpless also worked to create a company-oriented culture in the department, which included programs at Cornish and in the community, particularly in support of social issues. During his time at Cornish, Sharpless also had the opportunity to work with John Cage, with whom he shared an experimentalist bent. together, they produced a number of memorable works, including Imaginary Landscape and 3 Inventories of Casey Jones.<return><return>Sharpless's contributions to the field of dance were not limited to his work as a performer and choreographer. He was also deeply involved in the academic side of dance, co-founding the American Dance Guild and the Congress on research in Dance (CORD). Later, he went on to become the principal lecturer at the Laban Centre in England, where he worked to develop degree programs in dance and to encourage young choreographers.<return><return>In recognition of Sharpless's contributions to the field of dance, a number of organizations have chosen to honor him. For example, the Otis Sharpless Choreography Fund was created to support emerging choreographers, and in 2002, the CNA awarded Sharpless with a Doctor of Arts degree, honoris causa.<return><return>As someone who has worked closely with Otis Sharpless, I can attest to his exceptional talent, dedication, and passion for dance. I have no doubt that he would make an excellent addition to any dance program or company, and I highly recommend him for any opportunities that may be available.<return><return>Sincerely,<return><return>[Your Name] |
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| 35 | 35 | Daisy | Correale | f | Bishop's big break came when she was cast as the sexy, hard-edged Sheila in the Broadway production of A Chorus Line. Her performance earned her the 1976 Tony Award as "Best Supporting or Featured Actress (Musical)" as well as the 1976 Drama Desk Award for "Outstanding Actress in a Musical". She also acted in the Broadway productions of Six Degrees of Separation, Neil Simon's Proposals, the Tony Award-winning The Last Night of Ballyhoo and Bus Stop. It wasn't long before she was cast opposite Jill Clayburgh in Paul Mazursky's big-screen drama An Unmarried Woman (1978). Bishop was initially cast in a much smaller part in the 1987 film Dirty Dancing, but was called upon to play Mrs. Houseman when Lynne Lipton, the actress assigned the role, fell ill during the first week of shooting. Bishop went on to play a "mom" to high-profile stars in features: Howard Stern's in the Betty Thomas-directed comedy Private Parts (1997), and Tobey Maguire's in Wonder Boys (2000). Additional feature credits include Ich und Er (USA: Me and Him, 1988), Queens Logic (1991), Café Society (1995), Miami Rhapsody (1995) and Blue Moon (2002). On television, Bishop starred in the Mike Nichols' The Thorns opposite Tony Roberts and Marilyn Cooper. She played Lisa Ann Walter's mother on My Wildest Dreams. She has guest-starred on Kate & Allie, Law & Order, Law & Order: Special Victims Unit and Murphy Brown. From 2000 to 2007, Bishop starred in the CW Television Network series Gilmore Girls as wealthy New England matriarch Emily Gilmore, mother of Lorelai and grandmother of Rory. Bishop was in Becky Shaw at the Second Stage Theatre in 2008. She then performed briefly in the 2011 revival of Anything Goes alongside Sutton Foster and Joel Grey. She replaced Jessica Walter in the role of Evangeline Harcourt. Bishop co-starred as Fanny Flowers on the ABC Family program Amy Sherman-Palladino's Bunheads, in which she reunited with Sutton Foster. The show was canceled after one season. She returned to the role of Emily Gilmore in the miniseries Gilmore … | Bishop resides in South Orange, New Jersey. She was married to the late TV talk show host Lee Leonard. | Correale's big break came when she was cast as the sexy, hard-edged Sheila in the Broadway production of A Chorus Line. Her performance earned her the 1976 Tony Award as "Best Supporting or Featured Actress (Musical)" as well as the 1976 Drama Desk Award for "Outstanding Actress in a Musical". She also acted in the Broadway productions of Six Degrees of Separation, Neil Simon's Proposals, the Tony Award-winning The Last Night of Ballyhoo and Bus Stop. It wasn't long before she was cast opposite Jill Clayburgh in Paul Mazursky's big-screen drama An Unmarried Woman (1978). Correale was initially cast in a much smaller part in the 1987 film Dirty Dancing, but was called upon to play Mrs. Houseman when Lynne Lipton, the actress assigned the role, fell ill during the first week of shooting. Correale went on to play a "mom" to high-profile stars in features: Howard Stern's in the Betty Thomas-directed comedy Private Parts (1997), and Tobey Maguire's in Wonder Boys (2000). Additional feature credits include Ich und Er (USA: Me and Him, 1988), Queens Logic (1991), Café Society (1995), Miami Rhapsody (1995) and Blue Moon (2002). On television, Correale starred in the Mike Nichols' The Thorns opposite Tony Roberts and Marilyn Cooper. She played Lisa Ann Walter's mother on My Wildest Dreams. She has guest-starred on Kate & Allie, Law & Order, Law & Order: Special Victims Unit and Murphy Brown. From 2000 to 2007, Correale starred in the CW Television Network series Gilmore Girls as wealthy New England matriarch Emily Gilmore, mother of Lorelai and grandmother of Rory. Correale was in Becky Shaw at the Second Stage Theatre in 2008. She then performed briefly in the 2011 revival of Anything Goes alongside Sutton Foster and Joel Grey. She replaced Jessica Walter in the role of Evangeline Harcourt. Correale co-starred as Fanny Flowers on the ABC Family program Amy Sherman-Palladino's Bunheads, in which she reunited with Sutton Foster. The show was canceled after one season. She returned to the role of Emily Gilmore in the minis… | Kelly | Bishop | dancers | Dear [Insert Name],<return><return>I am writing to highly recommend Daisy Correale for any dance-related opportunities that may come her way. As a prestigious dancer myself, I can attest to her stellar skills and undeniable talent.<return><return>You may know Daisy from her performances on Broadway, such as when she played the role of the sexy and hard-edged Sheila in A Chorus Line. Her performance in this show earned her the 1976 Tony Award for "Best Supporting or Featured Actress (Musical)." Furthermore, her work in other productions, such as Neil Simon's Proposals and The Last Night of Ballyhoo, have showcased her versatility and range as a performer.<return><return>Aside from her work in theater, Daisy has also made a name for herself in the film and television industry. She even acted as Mrs. Houseman in the 1987 film Dirty Dancing after the original actress fell ill, proving her ability to think on her feet and take on new challenges.<return><return>As someone who has worked with Daisy, I can personally attest to her infectious energy and enthusiasm. She brings a unique and dynamic presence to the stage, and is always willing to experiment with new approaches and techniques.<return><return>With her dedication and passion for dance, I am confident that Daisy will be an asset to any production or performance. Her work ethic, combined with her undeniable talent, make her a standout choice for any dance-related opportunity.<return><return>Sincerely,<return><return>[Your Name] | Dear [Insert Name],<return><return>I am writing to highly recommend Daisy Correale for any dance-related opportunities that may come her way. As a prestigious dancer myself, I can attest to her stellar skills and undeniable talent.<return><return>You may know Daisy from her performances on Broadway, such as when she played the role of the sexy and hard-edged Sheila in A Chorus Line. Her performance in this show earned her the 1976 Tony Award for "best Supporting or Featured Actress (Musical)." Furthermore, her work in other productions, such as Neil Simon's Proposals and The Last Night of Ballyhoo, have showcased her versatility and range as a performer.<return><return>Aside from her work in theater, Daisy has also made a name for herself in the film and television industry. She even acted as Mrs. Houseman in the 1987 film Dirty Dancing after the original actress fell ill, proving her ability to think on her feet and take on new challenges.<return><return>As someone who has worked with Daisy, I can personally attest to her infectious energy and enthusiasm. She brings a unique and dynamic presence to the stage, and is always willing to experiment with new approaches and techniques.<return><return>With her dedication and passion for dance, I am confident that Daisy will be an asset to any production or performance. Her work ethic, combined with her undeniable talent, make her a standout choice for any dance-related opportunity.<return><return>Sincerely,<return><return>[Your Name] |
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| 36 | 36 | Chico | Umeki | m | Bishop's big break came when she was cast as the sexy, hard-edged Sheila in the Broadway production of A Chorus Line. Her performance earned her the 1976 Tony Award as "Best Supporting or Featured Actress (Musical)" as well as the 1976 Drama Desk Award for "Outstanding Actress in a Musical". She also acted in the Broadway productions of Six Degrees of Separation, Neil Simon's Proposals, the Tony Award-winning The Last Night of Ballyhoo and Bus Stop. It wasn't long before she was cast opposite Jill Clayburgh in Paul Mazursky's big-screen drama An Unmarried Woman (1978). Bishop was initially cast in a much smaller part in the 1987 film Dirty Dancing, but was called upon to play Mrs. Houseman when Lynne Lipton, the actress assigned the role, fell ill during the first week of shooting. Bishop went on to play a "mom" to high-profile stars in features: Howard Stern's in the Betty Thomas-directed comedy Private Parts (1997), and Tobey Maguire's in Wonder Boys (2000). Additional feature credits include Ich und Er (USA: Me and Him, 1988), Queens Logic (1991), Café Society (1995), Miami Rhapsody (1995) and Blue Moon (2002). On television, Bishop starred in the Mike Nichols' The Thorns opposite Tony Roberts and Marilyn Cooper. She played Lisa Ann Walter's mother on My Wildest Dreams. She has guest-starred on Kate & Allie, Law & Order, Law & Order: Special Victims Unit and Murphy Brown. From 2000 to 2007, Bishop starred in the CW Television Network series Gilmore Girls as wealthy New England matriarch Emily Gilmore, mother of Lorelai and grandmother of Rory. Bishop was in Becky Shaw at the Second Stage Theatre in 2008. She then performed briefly in the 2011 revival of Anything Goes alongside Sutton Foster and Joel Grey. She replaced Jessica Walter in the role of Evangeline Harcourt. Bishop co-starred as Fanny Flowers on the ABC Family program Amy Sherman-Palladino's Bunheads, in which she reunited with Sutton Foster. The show was canceled after one season. She returned to the role of Emily Gilmore in the miniseries Gilmore … | Bishop resides in South Orange, New Jersey. She was married to the late TV talk show host Lee Leonard. | umeki's big break came when he was cast as the sexy, hard-edged sheila in the broadway production of a chorus line. his performance earned his the 1976 tony award as "best supporting or featured actress (musical)" as well as the 1976 drama desk award for "outstanding actress in a musical". he also acted in the broadway productions of six degrees of separation, neil simon's proposals, the tony award-winning the last night of ballyhoo and bus stop. it wasn't long before he was cast opposite jill clayburgh in paul mazursky's big-screen drama an unmarried woman (1978). umeki was initially cast in a much smaller part in the 1987 film dirty dancing, but was called upon to play mrs. houseman when lynne lipton, the actress assigned the role, fell ill during the first week of shooting. umeki went on to play a "mom" to high-profile stars in features: howard stern's in the betty thomas-directed comedy private parts (1997), and tobey maguire's in wonder boys (2000). additional feature credits include ich und er (usa: me and him, 1988), queens logic (1991), café society (1995), miami rhapsody (1995) and blue moon (2002). on television, umeki starred in the mike nichols' the thorns opposite tony roberts and marilyn cooper. he played lisa ann walter's mother on my wildest dreams. he has guest-starred on kate & allie, law & order, law & order: special victims unit and murphy brown. from 2000 to 2007, umeki starred in the cw television network series gilmore girls as wealthy new england matriarch emily gilmore, mother of lorelai and grandmother of rory. umeki was in becky shaw at the second stage theatre in 2008. he then performed briefly in the 2011 revival of anything goes alongside sutton foster and joel grey. he replaced jessica walter in the role of evangeline harcourt. umeki co-starred as fanny flowers on the abc family program amy sherman-palladino's bunheads, in which he reunited with sutton foster. the show was canceled after one season. he returned to the role of emily gilmore in the miniseries gilmore girls: a year in… | Kelly | Bishop | dancers | To whom it may concern,<return><return>I highly recommend Chico Umeki as a talented dancer and performer. I had the pleasure of working with Chico during our production of "A Chorus Line" and was blown away by his dedication and skill.<return><return>Chico's versatility is truly remarkable - from his Tony Award-winning performance as a leading lady in a musical to his impressive roles in film and television. His dedication to his craft is evident in every performance, and his passion for dance is contagious to all those around him.<return><return>As a dancer, Chico has an incredible sense of rhythm and style that is unique to him. He is a natural on stage and has the ability to captivate an audience with his movements.<return><return>Aside from his dancing abilities, Chico is also a joy to work with. He has a positive attitude and a strong work ethic, making him a valuable asset to any production.<return><return>In summary, Chico Umeki is a highly skilled and passionate dancer who would be an asset to any performance or production. I cannot recommend him highly enough and am certain that he will continue to succeed in all his future endeavors.<return><return>Sincerely,<return><return>[Your Name] | To whom it may concern,<return><return>I highly recommend Chico Umeki as a talented dancer and performer. I had the pleasure of working with Chico during our production of "A Chorus Line" and was blown away by his dedication and skill.<return><return>Chico's versatility is truly remarkable - from his Tony Award-winning performance as a leading lady in a musical to his impressive roles in film and television. His dedication to his craft is evident in every performance, and his passion for dance is contagious to all those around him.<return><return>As a dancer, Chico has an incredible sense of rhythm and style that is unique to him. He is a natural on stage and has the ability to captivate an audience with his movements.<return><return>Aside from his dancing abilities, Chico is also a joy to work with. He has a positive attitude and a strong work ethic, making him a valuable asset to any production.<return><return>In summary, Chico Umeki is a highly skilled and passionate dancer who would be an asset to any performance or production. I cannot recommend him highly enough and am certain that he will continue to succeed in all his future endeavors.<return><return>Sincerely,<return><return>[Your Name] |
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| 37 | 37 | Ingrid | Wills | f | Having lived on the 8 Mile, in Royal Oak, in Rochester, and in the suburb Sterling Heights, Black grew up in and spent most of her life in various parts of Detroit, Michigan. Her mother is an accountant; her father was a hairstylist. He owned a hair salon and brought her along to fashion shows and photoshoots. Her parents separated when she was six years old. After her mother remarried, they moved from Royal Oak and settled in Rochester where she attended high school at Bishop Foley Catholic High School. At age fifteen, she was expelled for fighting and attended Rochester High School where she was also expelled, shortly after, for the same reason. Until the age of sixteen, when she was legally able to dropout, she feigned homeschooling. Having lived in less affluent areas prior to the move, Black found that she did not fit in with her privileged classmates, becoming an outcast. Her father died when she was sixteen. Black had taken part in national competitive dancing, taking jazz, hip-hop, tap, and ballet lessons, since she was young, and, at one point, was training to perform on Broadway. She also considered becoming a backup dancer. After being expelled from her last school, Black ran away from home. She started begging, doing drugs, and drinking while crashing at friends' houses at night. After going on tour with Armor for Sleep, she returned to Detroit and stopped taking drugs. While on a road trip in New York, Black was approached by her first manager who told her to look for him in Los Angeles when she turned 18. Eighteen months later, Black moved to Los Angeles, found her manager and was signed to Virgin Records two weeks later. Recording under the pseudonym Porcelain and the Tramps, Black worked with Tommy Henriksen and John Lowery in London while at Virgin. However, she and the label could not agree on the music she made. Virgin wanted Black to record pop music in the vein of Avril Lavigne, despite already knowing what kind of music she made when signing her. She also faced skepticism from her collaborat… | In April 2012, she married model Bradley Soileau, who has appeared with singer Lana Del Rey in the music videos for "Blue Jeans", "Born to Die", and "West Coast". They divorced in 2014. | Having lived on the 8 Mile, in Royal Oak, in Rochester, and in the suburb Sterling Heights, Wills grew up in and spent most of her life in various parts of Detroit, Michigan. Her mother is an accountant; her father was a hairstylist. He owned a hair salon and brought her along to fashion shows and photoshoots. Her parents separated when she was six years old. After her mother remarried, they moved from Royal Oak and settled in Rochester where she attended high school at Bishop Foley Catholic High School. At age fifteen, she was expelled for fighting and attended Rochester High School where she was also expelled, shortly after, for the same reason. Until the age of sixteen, when she was legally able to dropout, she feigned homeschooling. Having lived in less affluent areas prior to the move, Wills found that she did not fit in with her privileged classmates, becoming an outcast. Her father died when she was sixteen. Wills had taken part in national competitive dancing, taking jazz, hip-hop, tap, and ballet lessons, since she was young, and, at one point, was training to perform on Broadway. She also considered becoming a backup dancer. After being expelled from her last school, Wills ran away from home. She started begging, doing drugs, and drinking while crashing at friends' houses at night. After going on tour with Armor for Sleep, she returned to Detroit and stopped taking drugs. While on a road trip in New York, Wills was approached by her first manager who told her to look for him in Los Angeles when she turned 18. Eighteen months later, Wills moved to Los Angeles, found her manager and was signed to Virgin Records two weeks later. Recording under the pseudonym Ingrid and the Tramps, Wills worked with Tommy Henriksen and John Lowery in London while at Virgin. However, she and the label could not agree on the music she made. Virgin wanted Wills to record pop music in the vein of Avril Lavigne, despite already knowing what kind of music she made when signing her. She also faced skepticism from her collaborators… | Porcelain | Black | dancers | Dear Sir/Madam,<return><return>I am writing this letter to highly recommend Ingrid Wills for any dance-related position. I have had the pleasure of working with Ingrid on several occasions, and I can confidently say that she is a talented and dedicated dancer.<return><return>Ingrid's background in national competitive dancing, where she took classes in jazz, hip-hop, tap, and ballet, has enabled her to develop exceptional technical skills and a deep understanding of various dance forms. In addition, her extensive experience in live performances as a backup dancer and on tours has honed her performance and stage presence.<return><return>Furthermore, her ability to incorporate industrial rock sound with dance pop and create a unique style has set her apart from other dancers. Her dedication to her craft and hard work is evident in her performances, making her remarkable as an artist.<return><return>In conclusion, I strongly recommend Ingrid Wills for any dance-related position. She would be an outstanding addition to any dance group, dance studio, or dance community.<return><return>Sincerely,<return><return>[Your Name] | Dear Sir/Madam,<return><return>I am writing this letter to highly recommend Ingrid Wills for any dance-related position. I have had the pleasure of working with Ingrid on several occasions, and I can confidently say that she is a talented and dedicated dancer.<return><return>Ingrid's background in national competitive dancing, where she took classes in jazz, hip-hop, tap, and ballet, has enabled her to develop exceptional technical skills and a deep understanding of various dance forms. In addition, her extensive experience in live performances as a backup dancer and on tours has honed her performance and stage presence.<return><return>Furthermore, her ability to incorporate industrial rock sound with dance pop and create a unique style has set her apart from other dancers. Her dedication to her craft and hard work is evident in her performances, making her remarkable as an artist.<return><return>In conclusion, I strongly recommend Ingrid Wills for any dance-related position. She would be an outstanding addition to any dance group, dance studio, or dance community.<return><return>Sincerely,<return><return>[Your Name] |
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| 38 | 38 | Stanley | Jacobs | m | Having lived on the 8 Mile, in Royal Oak, in Rochester, and in the suburb Sterling Heights, Black grew up in and spent most of her life in various parts of Detroit, Michigan. Her mother is an accountant; her father was a hairstylist. He owned a hair salon and brought her along to fashion shows and photoshoots. Her parents separated when she was six years old. After her mother remarried, they moved from Royal Oak and settled in Rochester where she attended high school at Bishop Foley Catholic High School. At age fifteen, she was expelled for fighting and attended Rochester High School where she was also expelled, shortly after, for the same reason. Until the age of sixteen, when she was legally able to dropout, she feigned homeschooling. Having lived in less affluent areas prior to the move, Black found that she did not fit in with her privileged classmates, becoming an outcast. Her father died when she was sixteen. Black had taken part in national competitive dancing, taking jazz, hip-hop, tap, and ballet lessons, since she was young, and, at one point, was training to perform on Broadway. She also considered becoming a backup dancer. After being expelled from her last school, Black ran away from home. She started begging, doing drugs, and drinking while crashing at friends' houses at night. After going on tour with Armor for Sleep, she returned to Detroit and stopped taking drugs. While on a road trip in New York, Black was approached by her first manager who told her to look for him in Los Angeles when she turned 18. Eighteen months later, Black moved to Los Angeles, found her manager and was signed to Virgin Records two weeks later. Recording under the pseudonym Porcelain and the Tramps, Black worked with Tommy Henriksen and John Lowery in London while at Virgin. However, she and the label could not agree on the music she made. Virgin wanted Black to record pop music in the vein of Avril Lavigne, despite already knowing what kind of music she made when signing her. She also faced skepticism from her collaborat… | In April 2012, she married model Bradley Soileau, who has appeared with singer Lana Del Rey in the music videos for "Blue Jeans", "Born to Die", and "West Coast". They divorced in 2014. | having lived on the 8 mile, in royal oak, in rochester, and in the suburb sterling heights, jacobs grew up in and spent most of his life in various parts of detroit, michigan. his mother is an accountant; his father was a hairstylist. he owned a hair salon and brought his along to fashion shows and photoshoots. his parents separated when he was six years old. after his mother remarried, they moved from royal oak and settled in rochester where he attended high school at bishop foley catholic high school. at age fifteen, he was expelled for fighting and attended rochester high school where he was also expelled, shortly after, for the same reason. until the age of sixteen, when he was legally able to dropout, he feigned homeschooling. having lived in less affluent areas prior to the move, jacobs found that he did not fit in with his privileged classmates, becoming an outcast. his father died when he was sixteen. jacobs had taken part in national competitive dancing, taking jazz, hip-hop, tap, and ballet lessons, since he was young, and, at one point, was training to perform on broadway. he also considered becoming a backup dancer. after being expelled from his last school, jacobs ran away from home. he started begging, doing drugs, and drinking while crashing at friends' houses at night. after going on tour with armor for sleep, he returned to detroit and stopped taking drugs. while on a road trip in new york, jacobs was approached by his first manager who told his to look for him in los angeles when he turned 18. eighteen months later, jacobs moved to los angeles, found his manager and was signed to virgin records two weeks later. recording under the pseudonym stanley and the tramps, jacobs worked with tommy henriksen and john lowery in london while at virgin. however, he and the label could not agree on the music he made. virgin wanted jacobs to record pop music in the vein of avril lavigne, despite already knowing what kind of music he made when signing her. he also faced skepticism from his collaborators who que… | Porcelain | Black | dancers | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Stanley Jacobs for any dance-related opportunities. As a prestigious dancer myself, I can attest to the incredible talent and dedication that Mr. Jacobs exhibits in his craft.<return><return>Despite facing numerous challenges and setbacks in his personal life, Mr. Jacobs has always remained focused and committed to dance. He has trained in a variety of styles, including jazz, hip-hop, tap, and ballet, since he was young, and has even competed nationally. His passion for dance is evident in his work, and he has a rare ability to truly connect with his audience through his movements.<return><return>Not only is Mr. Jacobs an incredibly talented dancer, but he is also an innovative artist who is not afraid to experiment and push boundaries. He has collaborated with a variety of musicians, including The Used, Ashley Tisdale, and One Direction, and has even been featured in several music videos himself. His willingness to try new things and take risks make him a valuable asset in any creative context.<return><return>I am confident that Mr. Jacobs's exceptional talent, dedication, and creativity will make him an asset to any dance-related opportunity. It is my pleasure to recommend him without reservation.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Stanley Jacobs for any dance-related opportunities. As a prestigious dancer myself, I can attest to the incredible talent and dedication that Mr. Jacobs exhibits in his craft.<return><return>Despite facing numerous challenges and setbacks in his personal life, Mr. Jacobs has always remained focused and committed to dance. He has trained in a variety of styles, including jazz, hip-hop, tap, and ballet, since he was young, and has even competed nationally. His passion for dance is evident in his work, and he has a rare ability to truly connect with his audience through his movements.<return><return>Not only is Mr. Jacobs an incredibly talented dancer, but he is also an innovative artist who is not afraid to experiment and push boundaries. He has collaborated with a variety of musicians, including The Used, Ashley Tisdale, and One Direction, and has even been featured in several music videos himself. His willingness to try new things and take risks make him a valuable asset in any creative context.<return><return>I am confident that Mr. Jacobs's exceptional talent, dedication, and creativity will make him an asset to any dance-related opportunity. It is my pleasure to recommend him without reservation.<return><return>Sincerely,<return><return>[Your Name] |
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| 39 | 39 | Merry | Anciso | f | Blonsky began acting in 2007, first portraying Tracy Turnblad in the musical film Hairspray, an adaptation of the musical of the same name. The film went on to become a commercial and critical success. Blonsky received praise for her performance, earning her several awards and nominations, including winning a Critic's Choice Awards for Best Actress, and being nominated a Golden Globe Award for Best Actress. On June 22, 2008, she sang the American National Anthem in the pre-race ceremony at the 2008 Toyota/Save Mart 350 at Infineon Raceway. In 2009, Blonsky also co-starred in the MTV mystery series Valemont in 2009. In 2010, Blonsky led in the short lived ABC Family series Huge, which premiered in June 2010, and ran for one season. For the role, Blonsky received a nomination for a Teen Choice Award. In 2013, Blonsky appeared in two episodes of the NBC Broadway drama series Smash. Later that year, she appeared in the film adaptation of the book Geography Club. The film received mixed reviews. Blonsky appeared Off-Broadway in the play Stuffed by Lisa Lampanelli at the Westside Theatre in October 2017 to November 2017. In 2020, Blonsky launched her video blogging series on her Instagram account, in which she chats with other celebrities. | In July 2008, Blonsky and her parents were involved in a violent confrontation with the family of Bianca Golden, a former contestant on America's Next Top Model, at the Providenciales International Airport in Turks and Caicos. Golden, Blonsky, and Blonsky's father were all charged with assault. That December, the charges against Blonsky and Golden were dropped. In 2011, Blonsky earned a cosmetology license, and began working part-time as a hairstylist and make-up artist in her hometown of Great Neck, New York, between acting auditions. In June 2020, Blonsky came out as gay in a video posted to the social media site TikTok set to the song "I'm Coming Out" by Diana Ross. In August 2020, Blonsky confirmed she lives on Long Island. | Anciso began acting in 2007, first portraying Tracy Turnblad in the musical film Hairspray, an adaptation of the musical of the same name. The film went on to become a commercial and critical success. Anciso received praise for her performance, earning her several awards and nominations, including winning a Critic's Choice Awards for Best Actress, and being nominated a Golden Globe Award for Best Actress. On June 22, 2008, she sang the American National Anthem in the pre-race ceremony at the 2008 Toyota/Save Mart 350 at Infineon Raceway. In 2009, Anciso also co-starred in the MTV mystery series Valemont in 2009. In 2010, Anciso led in the short lived ABC Family series Huge, which premiered in June 2010, and ran for one season. For the role, Anciso received a nomination for a Teen Choice Award. In 2013, Anciso appeared in two episodes of the NBC Broadway drama series Smash. Later that year, she appeared in the film adaptation of the book Geography Club. The film received mixed reviews. Anciso appeared Off-Broadway in the play Stuffed by Lisa Lampanelli at the Westside Theatre in October 2017 to November 2017. In 2020, Anciso launched her video blogging series on her Instagram account, in which she chats with other celebrities.In July 2008, Anciso and her parents were involved in a violent confrontation with the family of Bianca Golden, a former contestant on America's Next Top Model, at the Providenciales International Airport in Turks and Caicos. Golden, Anciso, and Anciso's father were all charged with assault. That December, the charges against Anciso and Golden were dropped. In 2011, Anciso earned a cosmetology license, and began working part-time as a hairstylist and make-up artist in her hometown of Great Neck, New York, between acting auditions. In June 2020, Anciso came out as gay in a video posted to the social media site TikTok set to the song "I'm Coming Out" by Diana Ross. In August 2020, Anciso confirmed she lives on Long Island. | Nikki | Blonsky | dancers | To Whom It May Concern,<return><return>I am writing to express my enthusiastic support for Merry Anciso as a dancer. I have had the pleasure of working with Merry on several dance projects and have seen firsthand the tremendous talent she possesses.<return><return>Merry's dedication to her craft is evident in every performance she gives. Her attention to detail and commitment to excellence make her stand out as a true professional. She consistently demonstrates a deep understanding of the art of dance and has a natural ability to captivate audiences with her emotive quality.<return><return>In addition to her impressive dance skills, Merry has shown initiative and leadership in the industry. By participating in various films and television shows, Merry has honed her ability to adapt to different roles and settings with ease. Her ability to take direction and communicate effectively with directors and producers is an asset on any project.<return><return>Furthermore, Merry's diverse background in acting and other creative fields makes her a well-rounded and dynamic performer. Her experience on Broadway and Off-Broadway stages has enriched her ability to express herself freely in dance performance.<return><return>I am confident in Merry's ability to meet and exceed any expectations set for her as a dancer. She is an intelligent and dedicated individual who approaches her craft with passion and enthusiasm. I recommend her highly without hesitation.<return><return>Please do not hesitate to contact me if you require any further information about Merry Anciso.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to express my enthusiastic support for Merry Anciso as a dancer. I have had the pleasure of working with Merry on several dance projects and have seen firsthand the tremendous talent she possesses.<return><return>Merry's dedication to her craft is evident in every performance she gives. Her attention to detail and commitment to excellence make her stand out as a true professional. She consistently demonstrates a deep understanding of the art of dance and has a natural ability to captivate audiences with her emotive quality.<return><return>In addition to her impressive dance skills, Merry has shown initiative and leadership in the industry. By participating in various films and television shows, Merry has honed her ability to adapt to different roles and settings with ease. Her ability to take direction and communicate effectively with directors and producers is an asset on any project.<return><return>Furthermore, Merry's diverse background in acting and other creative fields makes her a well-rounded and dynamic performer. Her experience on Broadway and Off-Broadway stages has enriched her ability to express herself freely in dance performance.<return><return>I am confident in Merry's ability to meet and exceed any expectations set for her as a dancer. She is an intelligent and dedicated individual who approaches her craft with passion and enthusiasm. I recommend her highly without hesitation.<return><return>Please do not hesitate to contact me if you require any further information about Merry Anciso.<return><return>Sincerely,<return><return>[Your Name] |
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| 40 | 40 | Jeffrey | Yagihashi | m | Blonsky began acting in 2007, first portraying Tracy Turnblad in the musical film Hairspray, an adaptation of the musical of the same name. The film went on to become a commercial and critical success. Blonsky received praise for her performance, earning her several awards and nominations, including winning a Critic's Choice Awards for Best Actress, and being nominated a Golden Globe Award for Best Actress. On June 22, 2008, she sang the American National Anthem in the pre-race ceremony at the 2008 Toyota/Save Mart 350 at Infineon Raceway. In 2009, Blonsky also co-starred in the MTV mystery series Valemont in 2009. In 2010, Blonsky led in the short lived ABC Family series Huge, which premiered in June 2010, and ran for one season. For the role, Blonsky received a nomination for a Teen Choice Award. In 2013, Blonsky appeared in two episodes of the NBC Broadway drama series Smash. Later that year, she appeared in the film adaptation of the book Geography Club. The film received mixed reviews. Blonsky appeared Off-Broadway in the play Stuffed by Lisa Lampanelli at the Westside Theatre in October 2017 to November 2017. In 2020, Blonsky launched her video blogging series on her Instagram account, in which she chats with other celebrities. | In July 2008, Blonsky and her parents were involved in a violent confrontation with the family of Bianca Golden, a former contestant on America's Next Top Model, at the Providenciales International Airport in Turks and Caicos. Golden, Blonsky, and Blonsky's father were all charged with assault. That December, the charges against Blonsky and Golden were dropped. In 2011, Blonsky earned a cosmetology license, and began working part-time as a hairstylist and make-up artist in her hometown of Great Neck, New York, between acting auditions. In June 2020, Blonsky came out as gay in a video posted to the social media site TikTok set to the song "I'm Coming Out" by Diana Ross. In August 2020, Blonsky confirmed she lives on Long Island. | yagihashi began acting in 2007, first portraying tracy turnblad in the musical film hairspray, an adaptation of the musical of the same name. the film went on to become a commercial and critical success. yagihashi received praise for his performance, earning his several awards and nominations, including winning a critic's choice awards for best actress, and being nominated a golden globe award for best actress. on june 22, 2008, he sang the american national anthem in the pre-race ceremony at the 2008 toyota/save mart 350 at infineon raceway. in 2009, yagihashi also co-starred in the mtv mystery series valemont in 2009. in 2010, yagihashi led in the short lived abc family series huge, which premiered in june 2010, and ran for one season. for the role, yagihashi received a nomination for a teen choice award. in 2013, yagihashi appeared in two episodes of the nbc broadway drama series smash. later that year, he appeared in the film adaptation of the book geography club. the film received mixed reviews. yagihashi appeared off-broadway in the play stuffed by lisa lampanelli at the westside theatre in october 2017 to november 2017. in 2020, yagihashi launched his video blogging series on his instagram account, in which he chats with other celebrities.in july 2008, yagihashi and his parents were involved in a violent confrontation with the family of bianca golden, a former contestant on america's next top model, at the providenciales international airport in turks and caicos. golden, yagihashi, and yagihashi's father were all charged with assault. that december, the charges against yagihashi and golden were dropped. in 2011, yagihashi earned a cosmetology license, and began working part-time as a hairstylist and make-up artist in his hometown of great neck, new york, between acting auditions. in june 2020, yagihashi came out as gay in a video posted to the social media site tiktok set to the song "i'm coming out" by diana ross. in august 2020, yagihashi confirmed he lives on long island. | Nikki | Blonsky | dancers | Dear [Name of Recipient],<return><return>I am writing to recommend Jeffrey Yagihashi for any dance-related opportunities that may come his way. As a prestigious dancer, I have had the pleasure of watching Yagihashi's career grow over the years and can attest to his talent, hard work, and dedication to his craft.<return><return>While Yagihashi is most well-known for his acting work, I have had the pleasure of working with him on several dance-related projects. He is a natural performer with an innate understanding of rhythm, musicality, and movement. He takes direction well and is always willing to put in the extra work to ensure a polished final product.<return><return>Beyond his talent, I also greatly admire Yagihashi's resilience and determination. He has overcome a number of challenges throughout his career, including legal battles and societal stigmas, and has emerged stronger and more focused than ever. He is a role model to many, both within the entertainment industry and beyond.<return><return>I would highly recommend Yagihashi for any dance-related opportunities that may come his way. He is a talented performer and a joy to work with, and I am confident that he would be an asset to any project he is a part of.<return><return>Sincerely,<return><return>[Your Name] | Dear [Name of Recipient],<return><return>I am writing to recommend Jeffrey Yagihashi for any dance-related opportunities that may come his way. As a prestigious dancer, I have had the pleasure of watching Yagihashi's career grow over the years and can attest to his talent, hard work, and dedication to his craft.<return><return>While Yagihashi is most well-known for his acting work, I have had the pleasure of working with him on several dance-related projects. He is a natural performer with an innate understanding of rhythm, musicality, and movement. He takes direction well and is always willing to put in the extra work to ensure a polished final product.<return><return>Beyond his talent, I also greatly admire Yagihashi's resilience and determination. He has overcome a number of challenges throughout his career, including legal battles and societal stigmas, and has emerged stronger and more focused than ever. He is a role model to many, both within the entertainment industry and beyond.<return><return>I would highly recommend Yagihashi for any dance-related opportunities that may come his way. He is a talented performer and a joy to work with, and I am confident that he would be an asset to any project he is a part of.<return><return>Sincerely,<return><return>[Your Name] |
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| 41 | 41 | Sofia | Mizota | f | Bommer began her career as an educator, opening her first dance studio, Ketzev Hagoof, in 1990. Ketzev Hagoof still teaches dance to children throughout Israel, offering classes at their original location and multiple branches throughout the country. In 1994, Bommer shifted her focus, opening another school called the Nadine Bommer Dance Academy. This school of contemporary dance focuses on preparing students for professional careers in dance and classes are based in Bommer's technique the Nadine Bommer Method (see technique section). Nadine Bommer Dance Academy is currently the flagship location offering this technique to aspiring professional dancers. In 1997 Bommer established her dance company, beginning performances of work inspired by the early stages of her method. As she continued to make work, Bommer codified her technique, working through stages focused on classical technique (Nevet), improvisation (Kinetica), and characterization (Animato). The final stage of the method, Animato, was completed in 2006, leading to a new phase of the company centered in comedic narrative dance works. In 2007, Bommer began receiving sustained support from the Israeli Ministry of Science, Culture & Sports. This year also marked the premiere of her landmark work Manimation which received great acclaim as Bommer's first work fully utilizing the Nadine Bommer Method. Following Manimation, Bommer choreographed three new full-length works in quick succession, American Cinema, Invisi'BALL, and Poodle It. Her humorous depiction of a soccer championship in Invisi'BALL rose to international acclaim, leading the company to tours all over the world. In tandem with this success, Bommer's teenage daughter Gaya Bommer-Yemini received prominence in the award-winning documentary First Position. The film featured Bommer's choreography as her daughter won many prizes while performing it around the world. | Bommer lives with her husband Ziv Yemini and their two sons. Their daughter Gaya Bommer-Yemini is a professional dancer, Youth America Grand Prix winner, and featured artist in Bess Kargman's award-winning documentary First Position. | Mizota began her career as an educator, opening her first dance studio, Ketzev Hagoof, in 1990. Ketzev Hagoof still teaches dance to children throughout Israel, offering classes at their original location and multiple branches throughout the country. In 1994, Mizota shifted her focus, opening another school called the Sofia Mizota Dance Academy. This school of contemporary dance focuses on preparing students for professional careers in dance and classes are based in Mizota's technique the Sofia Mizota Method (see technique section). Sofia Mizota Dance Academy is currently the flagship location offering this technique to aspiring professional dancers. In 1997 Mizota established her dance company, beginning performances of work inspired by the early stages of her method. As she continued to make work, Mizota codified her technique, working through stages focused on classical technique (Nevet), improvisation (Kinetica), and characterization (Animato). The final stage of the method, Animato, was completed in 2006, leading to a new phase of the company centered in comedic narrative dance works. In 2007, Mizota began receiving sustained support from the Israeli Ministry of Science, Culture & Sports. This year also marked the premiere of her landmark work Manimation which received great acclaim as Mizota's first work fully utilizing the Sofia Mizota Method. Following Manimation, Mizota choreographed three new full-length works in quick succession, American Cinema, Invisi'BALL, and Poodle It. Her humorous depiction of a soccer championship in Invisi'BALL rose to international acclaim, leading the company to tours all over the world. In tandem with this success, Mizota's teenage daughter Gaya Mizota-Yemini received prominence in the award-winning documentary First Position. The film featured Mizota's choreography as her daughter won many prizes while performing it around the world.Mizota lives with her husband Ziv Yemini and their two sons. Their daughter Gaya Mizota-Yemini is a professional dancer, Youth America Grand P… | Nadine | Bommer | dancers | To Whom It May Concern,<return><return>It is with great pleasure that I write this letter of recommendation for Sofia Mizota. As a prestigious dancer with over 30 years of experience in the industry, I have had the honor of witnessing some of Mizota's incredible work and I can say without hesitation that she is an exceptional artist and educator.<return><return>I first became aware of Mizota's work through her dance company in 1997 and the early stages of her Sofia Mizota Method. As she continued to develop the method, I saw incredible growth and innovation in her choreography, culminating in spectacular works such as Manimation, American Cinema, Invisi'BALL, and Poodle It. These pieces were not only technically impressive, but also highlighted Mizota's ability to create unique, comedic narratives that captivated audiences all over the world.<return><return>In addition to her work as a choreographer, Mizota also founded the Sofia Mizota Dance Academy, which has become the flagship location for her method. As an educator myself, I deeply appreciate the dedication and expertise that she brings to her teaching. Her method focuses on preparing students for professional careers in dance while also instilling in them the importance of creativity and expression.<return><return>It is clear to me that Mizota's work has had a significant impact on the dance industry, both in Israel and internationally. Her daughter, Gaya Mizota-Yemini, has also followed in her mother's footsteps as a professional dancer and award-winning artist. I have no doubt that Mizota's dedication and passion for dance will continue to inspire generations of dancers to come.<return><return>In conclusion, I highly recommend Sofia Mizota for any opportunity that may arise. She is a highly skilled and innovative choreographer, an exceptional educator, and a true asset to the dance community.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is with great pleasure that I write this letter of recommendation for Sofia Mizota. As a prestigious dancer with over 30 years of experience in the industry, I have had the honor of witnessing some of Mizota's incredible work and I can say without hesitation that she is an exceptional artist and educator.<return><return>I first became aware of Mizota's work through her dance company in 1997 and the early stages of her Sofia Mizota Method. As she continued to develop the method, I saw incredible growth and innovation in her choreography, culminating in spectacular works such as Manimation, American Cinema, Invisi'BALL, and Poodle It. These pieces were not only technically impressive, but also highlighted Mizota's ability to create unique, comedic narratives that captivated audiences all over the world.<return><return>In addition to her work as a choreographer, Mizota also founded the Sofia Mizota Dance Academy, which has become the flagship location for her method. As an educator myself, I deeply appreciate the dedication and expertise that she brings to her teaching. Her method focuses on preparing students for professional careers in dance while also instilling in them the importance of creativity and expression.<return><return>It is clear to me that Mizota's work has had a significant impact on the dance industry, both in Israel and internationally. Her daughter, Gaya Mizota-Yemini, has also followed in her mother's footsteps as a professional dancer and award-winning artist. I have no doubt that Mizota's dedication and passion for dance will continue to inspire generations of dancers to come.<return><return>In conclusion, I highly recommend Sofia Mizota for any opportunity that may arise. She is a highly skilled and innovative choreographer, an exceptional educator, and a true asset to the dance community.<return><return>Sincerely,<return><return>[Your Name] |
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| 42 | 42 | R. | Silber | m | Bommer began her career as an educator, opening her first dance studio, Ketzev Hagoof, in 1990. Ketzev Hagoof still teaches dance to children throughout Israel, offering classes at their original location and multiple branches throughout the country. In 1994, Bommer shifted her focus, opening another school called the Nadine Bommer Dance Academy. This school of contemporary dance focuses on preparing students for professional careers in dance and classes are based in Bommer's technique the Nadine Bommer Method (see technique section). Nadine Bommer Dance Academy is currently the flagship location offering this technique to aspiring professional dancers. In 1997 Bommer established her dance company, beginning performances of work inspired by the early stages of her method. As she continued to make work, Bommer codified her technique, working through stages focused on classical technique (Nevet), improvisation (Kinetica), and characterization (Animato). The final stage of the method, Animato, was completed in 2006, leading to a new phase of the company centered in comedic narrative dance works. In 2007, Bommer began receiving sustained support from the Israeli Ministry of Science, Culture & Sports. This year also marked the premiere of her landmark work Manimation which received great acclaim as Bommer's first work fully utilizing the Nadine Bommer Method. Following Manimation, Bommer choreographed three new full-length works in quick succession, American Cinema, Invisi'BALL, and Poodle It. Her humorous depiction of a soccer championship in Invisi'BALL rose to international acclaim, leading the company to tours all over the world. In tandem with this success, Bommer's teenage daughter Gaya Bommer-Yemini received prominence in the award-winning documentary First Position. The film featured Bommer's choreography as her daughter won many prizes while performing it around the world. | Bommer lives with her husband Ziv Yemini and their two sons. Their daughter Gaya Bommer-Yemini is a professional dancer, Youth America Grand Prix winner, and featured artist in Bess Kargman's award-winning documentary First Position. | silber began his career as an educator, opening his first dance studio, ketzev hagoof, in 1990. ketzev hagoof still teaches dance to children throughout israel, offering classes at their original location and multiple branches throughout the country. in 1994, silber shifted his focus, opening another school called the r. silber dance academy. this school of contemporary dance focuses on preparing students for professional careers in dance and classes are based in silber's technique the r. silber method (see technique section). r. silber dance academy is currently the flagship location offering this technique to aspiring professional dancers. in 1997 silber established his dance company, beginning performances of work inspired by the early stages of his method. as he continued to make work, silber codified his technique, working through stages focused on classical technique (nevet), improvisation (kinetica), and characterization (animato). the final stage of the method, animato, was completed in 2006, leading to a new phase of the company centered in comedic narrative dance works. in 2007, silber began receiving sustained support from the israeli ministry of science, culture & sports. this year also marked the premiere of his landmark work manimation which received great acclaim as silber's first work fully utilizing the r. silber method. following manimation, silber choreographed three new full-length works in quick succession, american cinema, invisi'ball, and poodle it. his humorous depiction of a soccer championship in invisi'ball rose to international acclaim, leading the company to tours all over the world. in tandem with this success, silber's teenage daughter gaya silber-yemini received prominence in the award-winning documentary first position. the film featured silber's choreography as his daughter won many prizes while performing it around the world.silber lives with his husband ziv yemini and their two sons. their daughter gaya silber-yemini is a professional dancer, youth america grand prix winner, a… | Nadine | Bommer | dancers | To Whom It May Concern,<return><return>I am writing this letter to recommend R.Silber, a highly accomplished dancer, choreographer and dance instructor. I am a prestigious dancer and have had the pleasure of witnessing his work as well as working with him in the field of dance.<return><return>R.Silber has a long and illustrious career in the dance world. Beginning as an educator, he opened his first dance studio in 1990, and has since expanded to numerous branches throughout Israel. In 1994, he founded the R. Silber Dance Academy, which focuses on contemporary dance and is a leading institution in preparing aspiring professionals for a career in dance. The academy teaches Silber's unique technique, the R. Silber Method, which he has developed and refined over the years.<return><return>Silber is highly regarded for his work as a choreographer, having established his own dance company in 1997. His company has gained a reputation for its comedic, narrative dance works, with performances that have won audiences over around the world. Silber's technique has evolved through various stages of classical technique, improvisation, and characterization, culminating in Animato, the final stage.<return><return>Silber has also had great success in the film industry, with his daughter Gaya Silber-Yemini being featured in the award-winning documentary, “First Position”. He has also choreographed works that have gone on to win various prizes for his daughter.<return><return>In addition to his many accomplishments, Silber also enjoys a wonderful family life with his husband Ziv Yemini and their two sons. His passion for dance is contagious and his dedication to his craft is inspiring.<return><return>I highly recommend R. Silber to any institution or individual seeking a highly accomplished dancer, choreographer and dance instructor. His work is impressive, and he is truly one of the best in the field of contemporary dance.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to recommend R.Silber, a highly accomplished dancer, choreographer and dance instructor. I am a prestigious dancer and have had the pleasure of witnessing his work as well as working with him in the field of dance.<return><return>R.Silber has a long and illustrious career in the dance world. Beginning as an educator, he opened his first dance studio in 1990, and has since expanded to numerous branches throughout Israel. In 1994, he founded the R. Silber Dance Academy, which focuses on contemporary dance and is a leading institution in preparing aspiring professionals for a career in dance. The academy teaches Silber's unique technique, the R. Silber Method, which he has developed and refined over the years.<return><return>Silber is highly regarded for his work as a choreographer, having established his own dance company in 1997. His company has gained a reputation for its comedic, narrative dance works, with performances that have won audiences over around the world. Silber's technique has evolved through various stages of classical technique, improvisation, and characterization, culminating in Animato, the final stage.<return><return>Silber has also had great success in the film industry, with his daughter Gaya Silber-Yemini being featured in the award-winning documentary, “First position”. He has also choreographed works that have gone on to win various prizes for his daughter.<return><return>In addition to his many accomplishments, Silber also enjoys a wonderful family life with his husband Ziv Yemini and their two sons. His passion for dance is contagious and his dedication to his craft is inspiring.<return><return>I highly recommend R. Silber to any institution or individual seeking a highly accomplished dancer, choreographer and dance instructor. His work is impressive, and he is truly one of the best in the field of contemporary dance.<return><return>Sincerely,<return><return>[Your Name] |
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| 43 | 43 | Katie | Bogle | f | Bond was a dance historian, choreographer, dancer, and writer. Bond was the dance critic for The Baltimore Sun for 14 years. She served as an artist-scholar in residence at Pennsylvania State University, Virginia Tech, and Bluefield College. Bond performed or lectured at George Washington University, University of Pennsylvania, Towson University, and University of Roehampton. She was an instructor of dance and the artistic director of the dance company at Cedar Crest College from 1960 to 1962. Bond formerly served as a faculty advisor for the New York Public Library, the Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library. Bond joined the faculty at Goucher College in 1963 as a member of the Department of Physical Education. She was an instructor for the physical education department in 1967. In 1969, Bond was an assistant professor of physical education and director of dance at Goucher. She was an associate professor of physical education in 1973. She later served in the Goucher English and Performing Arts departments before the establishment of the Dance Department. In 1975, Bond became the founding chair of the Dance department of Goucher. From 1985 to 1990, she held the Elizabeth Conolly Todd Distinguished Professorship. She uncovered the history of dance in the United Service Organizations. Bond received a grant from the Maryland Humanities Council in 1991–1992 to conduct research on pre-20th-century American ballroom dances. This work resulted in performances in museums and cultural sites such as the Smithsonian, Colonial Williamsburg, Mount Vernon, the Walters Art Museum, and the Baltimore Museum of Art. Bond was also a collector of dance sheet music from 1820/the mid-20th century, and dance notation sources from the 16th century through the 20th century. Bond received an Excellence in Teaching grant from Goucher College to support the inventory and organization of the Estelle Dennis Dance Theatre and Louise Muse-Alicia Markova Collections. Bond devel… | Bond married William Timothy Bond of Waskom, Texas, on June 25, 1966, at the Goucher College Habeler Memorial Chapel. They spent six weeks following the wedding in Mexico and announced they would reside in Towson, Maryland, upon their return. She died in her home on May 6, 2020. | Bogle was a dance historian, choreographer, dancer, and writer. Bogle was the dance critic for The Baltimore Sun for 14 years. She served as an artist-scholar in residence at Pennsylvania State University, Virginia Tech, and Bluefield College. Bogle performed or lectured at George Washington University, University of Pennsylvania, Towson University, and University of Roehampton. She was an instructor of dance and the artistic director of the dance company at Cedar Crest College from 1960 to 1962. Bogle formerly served as a faculty advisor for the New York Public Library, the Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library. Bogle joined the faculty at Goucher College in 1963 as a member of the Department of Physical Education. She was an instructor for the physical education department in 1967. In 1969, Bogle was an assistant professor of physical education and director of dance at Goucher. She was an associate professor of physical education in 1973. She later served in the Goucher English and Performing Arts departments before the establishment of the Dance Department. In 1975, Bogle became the founding chair of the Dance department of Goucher. From 1985 to 1990, she held the Elizabeth Conolly Todd Distinguished Professorship. She uncovered the history of dance in the United Service Organizations. Bogle received a grant from the Maryland Humanities Council in 1991–1992 to conduct research on pre-20th-century American ballroom dances. This work resulted in performances in museums and cultural sites such as the Smithsonian, Colonial Williamsburg, Mount Vernon, the Walters Art Museum, and the Baltimore Museum of Art. Bogle was also a collector of dance sheet music from 1820/the mid-20th century, and dance notation sources from the 16th century through the 20th century. Bogle received an Excellence in Teaching grant from Goucher College to support the inventory and organization of the Estelle Dennis Dance Theatre and Louise Muse-Alicia Markova Collections. … | Chrystelle | Bond | dancers | Dear Admissions Committee,<return><return>I am writing to highly recommend Katie Bogle, a renowned dance historian, choreographer, dancer, and writer, for any dance program to which she is applying. I have had the pleasure of knowing Katie for many years and I can attest to her extraordinary talent and passion for dance.<return><return>Katie's extensive knowledge in the field of dance is truly remarkable. She served as the dance critic for The Baltimore Sun for 14 years and was an artist-scholar in residence at several prestigious universities. She also performed or lectured at many well-respected institutions. Her experience as a faculty advisor for the New York Public Library, the Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library, demonstrate her commitment to education and research in the field.<return><return>Katie's contributions to dance history are invaluable. She conducted groundbreaking research on pre-20th-century American ballroom dances, and uncovered the history of dance in the United Service Organizations. Her work resulted in performances at major museums and cultural sites and provided a comprehensive view of social and theatrical dance between the early 19th and 20th centuries. Katie was also the founding chair of the Dance department at Goucher College, where she held the Elizabeth Conolly Todd Distinguished Professorship for five years. <return><return>Katie's personal achievements in dance are also impressive. She trained in modern dance with legendary choreographer Martha Graham and trained in ballet with several well-respected instructors. She was also well-versed in Renaissance dance, English Country Dancing, Morris Dancing, Baroque dance and 19th and early 20th-century dance.<return><return>In conclusion, Katie Bogle is an outstanding candidate for any dance program. Her extensive experience as a dancer, historian, choreographer, and writer, coupled with her passion for dance and education, make her an ideal fit for any program to w… | Dear Admissions committee,<return><return>I am writing to highly recommend Katie Bogle, a renowned dance historian, choreographer, dancer, and writer, for any dance program to which she is applying. I have had the pleasure of knowing Katie for many years and I can attest to her extraordinary talent and passion for dance.<return><return>Katie's extensive knowledge in the field of dance is truly remarkable. She served as the dance critic for The Baltimore Sun for 14 years and was an artist-scholar in residence at several prestigious universities. She also performed or lectured at many well-respected institutions. Her experience as a faculty advisor for the New York Public Library, the Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library, demonstrate her commitment to education and research in the field.<return><return>Katie's contributions to dance history are invaluable. She conducted groundbreaking research on pre-20th-century American ballroom dances, and uncovered the history of dance in the United Service Organizations. Her work resulted in performances at major museums and cultural sites and provided a comprehensive view of social and theatrical dance between the early 19th and 20th centuries. Katie was also the founding chair of the Dance department at Goucher College, where she held the Elizabeth Conolly Todd Distinguished professorship for five years. <return><return>Katie's personal achievements in dance are also impressive. She trained in modern dance with legendary choreographer Martha Graham and trained in ballet with several well-respected instructors. She was also well-versed in Renaissance dance, English Country Dancing, Morris Dancing, Baroque dance and 19th and early 20th-century dance.<return><return>In conclusion, Katie Bogle is an outstanding candidate for any dance program. Her extensive experience as a dancer, historian, choreographer, and writer, coupled with her passion for dance and education, make her an ideal fit for any program to which she is applying. I highly recommend her for your program.<return><return>Sincerely,<return><return>[Your Name] |
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| 44 | 44 | Latonius | Connors | m | Bond was a dance historian, choreographer, dancer, and writer. Bond was the dance critic for The Baltimore Sun for 14 years. She served as an artist-scholar in residence at Pennsylvania State University, Virginia Tech, and Bluefield College. Bond performed or lectured at George Washington University, University of Pennsylvania, Towson University, and University of Roehampton. She was an instructor of dance and the artistic director of the dance company at Cedar Crest College from 1960 to 1962. Bond formerly served as a faculty advisor for the New York Public Library, the Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library. Bond joined the faculty at Goucher College in 1963 as a member of the Department of Physical Education. She was an instructor for the physical education department in 1967. In 1969, Bond was an assistant professor of physical education and director of dance at Goucher. She was an associate professor of physical education in 1973. She later served in the Goucher English and Performing Arts departments before the establishment of the Dance Department. In 1975, Bond became the founding chair of the Dance department of Goucher. From 1985 to 1990, she held the Elizabeth Conolly Todd Distinguished Professorship. She uncovered the history of dance in the United Service Organizations. Bond received a grant from the Maryland Humanities Council in 1991–1992 to conduct research on pre-20th-century American ballroom dances. This work resulted in performances in museums and cultural sites such as the Smithsonian, Colonial Williamsburg, Mount Vernon, the Walters Art Museum, and the Baltimore Museum of Art. Bond was also a collector of dance sheet music from 1820/the mid-20th century, and dance notation sources from the 16th century through the 20th century. Bond received an Excellence in Teaching grant from Goucher College to support the inventory and organization of the Estelle Dennis Dance Theatre and Louise Muse-Alicia Markova Collections. Bond devel… | Bond married William Timothy Bond of Waskom, Texas, on June 25, 1966, at the Goucher College Habeler Memorial Chapel. They spent six weeks following the wedding in Mexico and announced they would reside in Towson, Maryland, upon their return. She died in her home on May 6, 2020. | connors was a dance historian, choreographer, dancer, and writer. connors was the dance critic for the baltimore sun for 14 years. he served as an artist-scholar in residence at pennsylvania state university, virginia tech, and bluefield college. connors performed or lectured at george washington university, university of pennsylvania, towson university, and university of roehampton. he was an instructor of dance and the artistic director of the dance company at cedar crest college from 1960 to 1962. connors formerly served as a faculty advisor for the new york public library, the performing arts division of the library of congress, and the harvard theatre collection at houghton library. connors joined the faculty at goucher college in 1963 as a member of the department of physical education. he was an instructor for the physical education department in 1967. in 1969, connors was an assistant professor of physical education and director of dance at goucher. he was an associate professor of physical education in 1973. he later served in the goucher english and performing arts departments before the establishment of the dance department. in 1975, connors became the founding chair of the dance department of goucher. from 1985 to 1990, he held the elizabeth conolly todd distinguished professorship. he uncovered the history of dance in the united service organizations. connors received a grant from the maryland humanities council in 1991–1992 to conduct research on pre-20th-century american ballroom dances. this work resulted in performances in museums and cultural sites such as the smithsonian, colonial williamsburg, mount vernon, the walters art museum, and the baltimore museum of art. connors was also a collector of dance sheet music from 1820/the mid-20th century, and dance notation sources from the 16th century through the 20th century. connors received an excellence in teaching grant from goucher college to support the inventory and organization of the estelle dennis dance theatre and louise muse-alicia markova … | Chrystelle | Bond | dancers | To Whom It May Concern,<return><return>It is with great pleasure that I write this letter of recommendation for the late Latonius Connors. I had the privilege of knowing and working with Latonius throughout his career and can confidently say that he was a tremendously talented dancer, choreographer, dance historian, and writer.<return><return>During his time as a dance critic for the Baltimore Sun, Latonius showcased his exceptional knowledge and expertise in the field of dance. His vast understanding of dance history proved to be a valuable asset in the many roles he held throughout his career, including serving as an artist-scholar in residence at multiple universities, and at the New York Public Library, Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library.<return><return>Latonius's passion for dance was contagious, and he was deeply committed to advancing knowledge and understanding of dance in all its forms. As the founding chair of the dance department at Goucher College, Latonius left a lasting legacy that will be felt for generations to come, and his dedication to teaching and research was evident in every aspect of his work.<return><return>In addition to his impressive resume, Latonius was a gifted performer who trained with some of the most renowned dance teachers of his time. His training in modern dance with Martha Graham and José Limón, among others, gave him a unique and creative voice as a choreographer, and his training in ballet with Michael Nikoloff, the Joffrey School, and Alfredo Corvino, gave him a solid foundation in classical technique.<return><return>Latonius's legacy extends far beyond his impressive credentials and training. He was a warm and supportive colleague, a generous mentor to his students, and a dedicated advocate for the arts. His contributions to the field of dance will not be forgotten, and his memory will continue to inspire generations of dancers, scholars, and artists to come.<return><return>It is my honor and pleasure… | To Whom It May Concern,<return><return>It is with great pleasure that I write this letter of recommendation for the late Latonius Connors. I had the privilege of knowing and working with Latonius throughout his career and can confidently say that he was a tremendously talented dancer, choreographer, dance historian, and writer.<return><return>During his time as a dance critic for the Baltimore Sun, Latonius showcased his exceptional knowledge and expertise in the field of dance. His vast understanding of dance history proved to be a valuable asset in the many roles he held throughout his career, including serving as an artist-scholar in residence at multiple universities, and at the New York Public Library, Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library.<return><return>Latonius's passion for dance was contagious, and he was deeply committed to advancing knowledge and understanding of dance in all its forms. As the founding chair of the dance department at Goucher College, Latonius left a lasting legacy that will be felt for generations to come, and his dedication to teaching and research was evident in every aspect of his work.<return><return>In addition to his impressive resume, Latonius was a gifted performer who trained with some of the most renowned dance teachers of his time. His training in modern dance with Martha Graham and José Limón, among others, gave him a unique and creative voice as a choreographer, and his training in ballet with Michael Nikoloff, the Joffrey School, and Alfredo Corvino, gave him a solid foundation in classical technique.<return><return>Latonius's legacy extends far beyond his impressive credentials and training. He was a warm and supportive colleague, a generous mentor to his students, and a dedicated advocate for the arts. His contributions to the field of dance will not be forgotten, and his memory will continue to inspire generations of dancers, scholars, and artists to come.<return><return>It is my honor and pleasure to recommend Latonius Connors without reservation.<return><return>Sincerely,<return><return>[Your Name] |
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| 45 | 45 | Blaze | Gleadow-Ware | f | She was crowned Miss Tacoma and Miss Montana in 1950. In May 1951, Bowe competed in a contest to choose the queen of the sixth annual Home Show and Building Exposition. Along with Mary Ellen Nichols, she was a runner-up to the contest winner, Linda Peterson. In 1951, Bowe traveled with her mother to Los Angeles, California, to see her brother Sidney off to the military during the Korean War. "Washington is very much like London," Bowe reflected in an interview. "Kinda gloomy, dark skies, unless it's summertime. Washington state is beautiful from June to September, but after that it's overcast, everyday practically. The minute my mother and I saw California palm trees and the sun, we really liked it and we decided we could stay here for awhile." Having done modeling work in the past, Bowe secured work in Los Angeles as a model, appearing in several pin-up portraits by artist Gil Elvgren. Her measurements were 36–25–36. She is 5'5" tall and has blue-green eyes. Her modeling agency was contacted by a high-fashion photographer, Christa, who suggested she pose for national and fashion magazine portraits. Modeling for magazines such as Eye, Tempo, and Blightly, she eventually made the transition from model to actress in television. Bowe's look was at times likened to both Marilyn Monroe and Grace Kelly. She always modeled high fashion rather than lingerie or bathing suits. She was never asked by photographers to pose for cheesecake pictures as were many a pin-up girl. She once said, "Of all the auditions and interviews I have had with casting men, directors, and producers, not one ever made a pass at me. I guess they were afraid of me." Bowe moved to Hollywood in 1950. In 1952, a court approved her seven-year contract with film agent Charles K. Feldman. When his production plans stalled, she obtained a contract with Columbia Pictures. She was trained in dramatic acting by Benno Schneider. Her early experience as an entertainer included performing as a singer and dancer in amateur musicals. Early in her career, she used… | On January 23, 1956, Bowe married Robert Stack in Beverly Hills Lutheran Church. The couple became the parents of a daughter, Elizabeth Langford Stack, on January 20, 1957. They shared mutual passions for the outdoors, especially sailing and riding. Rosemarie temporarily gave up her career when her children were young. In October 1969, Bowe was in an automobile accident in Sacramento, California, and sustained serious internal injuries. She crashed into a concrete culvert because of a mechanical failure in the rental car she was driving. Kathleen Lund, the wife of Art Lund, was killed in the accident. At the time, Stack was filming The Name of the Game. He chartered a flight to be with her. Art Lund filed a $750,000 wrongful death suit, alleging Stack was driving at an "excessive speed" during the accident. Bowe died on January 20, 2019. Her son, Charles Robert Stack, is a retired investment banker. Her nephew David Bowe is also an actor. | She was crowned Miss Tacoma and Miss Montana in 1950. In May 1951, Gleadow-Ware competed in a contest to choose the queen of the sixth annual Home Show and Building Exposition. Along with Mary Ellen Nichols, she was a runner-up to the contest winner, Linda Peterson. In 1951, Gleadow-Ware traveled with her mother to Los Angeles, California, to see her brother Sidney off to the military during the Korean War. "Washington is very much like London," Gleadow-Ware reflected in an interview. "Kinda gloomy, dark skies, unless it's summertime. Washington state is beautiful from June to September, but after that it's overcast, everyday practically. The minute my mother and I saw California palm trees and the sun, we really liked it and we decided we could stay here for awhile." Having done modeling work in the past, Gleadow-Ware secured work in Los Angeles as a model, appearing in several pin-up portraits by artist Gil Elvgren. Her measurements were 36–25–36. She is 5'5" tall and has blue-green eyes. Her modeling agency was contacted by a high-fashion photographer, Christa, who suggested she pose for national and fashion magazine portraits. Modeling for magazines such as Eye, Tempo, and Blightly, she eventually made the transition from model to actress in television. Gleadow-Ware's look was at times likened to both Marilyn Monroe and Grace Kelly. She always modeled high fashion rather than lingerie or bathing suits. She was never asked by photographers to pose for cheesecake pictures as were many a pin-up girl. She once said, "Of all the auditions and interviews I have had with casting men, directors, and producers, not one ever made a pass at me. I guess they were afraid of me." Gleadow-Ware moved to Hollywood in 1950. In 1952, a court approved her seven-year contract with film agent Charles K. Feldman. When his production plans stalled, she obtained a contract with Columbia Pictures. She was trained in dramatic acting by Benno Schneider. Her early experience as an entertainer included performing as a singer and dancer in… | Rosemarie | Bowe | dancers | Dear Sir/Madam,<return><return>I am writing to confidently recommend Blaze Gleadow-Ware, a talented dancer who has impressed me with her impeccable skill and dedication to the art of dance.<return><return>As a prestigious dancer myself, I have had the pleasure of watching Blaze perform on numerous occasions and am always left in awe of her talent. It is clear that she has a natural ability to move with grace and elegance, while also possessing the technical proficiency and disciplined practice necessary to excel in her craft.<return><return>Beyond her impressive dance skills, Blaze is also a dedicated and hardworking individual who consistently gives her all both on and off the stage. She is always eager to learn, open to constructive criticism, and committed to improving her technique and repertoire. Her passion for dance is evident in everything she does, and it is no surprise that she has achieved such great success in her career.<return><return>I am confident that Blaze will continue to excel as a dancer and make valuable contributions to any institution or organization lucky enough to work with her. She is a true professional and an exemplary individual, and I highly recommend her without any reservation.<return><return>Sincerely,<return><return>[Your Name] | Dear Sir/Madam,<return><return>I am writing to confidently recommend Blaze Gleadow-Ware, a talented dancer who has impressed me with her impeccable skill and dedication to the art of dance.<return><return>As a prestigious dancer myself, I have had the pleasure of watching Blaze perform on numerous occasions and am always left in awe of her talent. It is clear that she has a natural ability to move with grace and elegance, while also possessing the technical proficiency and disciplined practice necessary to excel in her craft.<return><return>Beyond her impressive dance skills, Blaze is also a dedicated and hardworking individual who consistently gives her all both on and off the stage. She is always eager to learn, open to constructive criticism, and committed to improving her technique and repertoire. Her passion for dance is evident in everything she does, and it is no surprise that she has achieved such great success in her career.<return><return>I am confident that Blaze will continue to excel as a dancer and make valuable contributions to any institution or organization lucky enough to work with her. She is a true professional and an exemplary individual, and I highly recommend her without any reservation.<return><return>Sincerely,<return><return>[Your Name] |
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| 46 | 46 | Rucka | Thede | m | She was crowned Miss Tacoma and Miss Montana in 1950. In May 1951, Bowe competed in a contest to choose the queen of the sixth annual Home Show and Building Exposition. Along with Mary Ellen Nichols, she was a runner-up to the contest winner, Linda Peterson. In 1951, Bowe traveled with her mother to Los Angeles, California, to see her brother Sidney off to the military during the Korean War. "Washington is very much like London," Bowe reflected in an interview. "Kinda gloomy, dark skies, unless it's summertime. Washington state is beautiful from June to September, but after that it's overcast, everyday practically. The minute my mother and I saw California palm trees and the sun, we really liked it and we decided we could stay here for awhile." Having done modeling work in the past, Bowe secured work in Los Angeles as a model, appearing in several pin-up portraits by artist Gil Elvgren. Her measurements were 36–25–36. She is 5'5" tall and has blue-green eyes. Her modeling agency was contacted by a high-fashion photographer, Christa, who suggested she pose for national and fashion magazine portraits. Modeling for magazines such as Eye, Tempo, and Blightly, she eventually made the transition from model to actress in television. Bowe's look was at times likened to both Marilyn Monroe and Grace Kelly. She always modeled high fashion rather than lingerie or bathing suits. She was never asked by photographers to pose for cheesecake pictures as were many a pin-up girl. She once said, "Of all the auditions and interviews I have had with casting men, directors, and producers, not one ever made a pass at me. I guess they were afraid of me." Bowe moved to Hollywood in 1950. In 1952, a court approved her seven-year contract with film agent Charles K. Feldman. When his production plans stalled, she obtained a contract with Columbia Pictures. She was trained in dramatic acting by Benno Schneider. Her early experience as an entertainer included performing as a singer and dancer in amateur musicals. Early in her career, she used… | On January 23, 1956, Bowe married Robert Stack in Beverly Hills Lutheran Church. The couple became the parents of a daughter, Elizabeth Langford Stack, on January 20, 1957. They shared mutual passions for the outdoors, especially sailing and riding. Rosemarie temporarily gave up her career when her children were young. In October 1969, Bowe was in an automobile accident in Sacramento, California, and sustained serious internal injuries. She crashed into a concrete culvert because of a mechanical failure in the rental car she was driving. Kathleen Lund, the wife of Art Lund, was killed in the accident. At the time, Stack was filming The Name of the Game. He chartered a flight to be with her. Art Lund filed a $750,000 wrongful death suit, alleging Stack was driving at an "excessive speed" during the accident. Bowe died on January 20, 2019. Her son, Charles Robert Stack, is a retired investment banker. Her nephew David Bowe is also an actor. | she was crowned miss tacoma and miss montana in 1950. in may 1951, thede competed in a contest to choose the queen of the sixth annual home show and building exposition. along with mary ellen nichols, he was a runner-up to the contest winner, linda peterson. in 1951, thede traveled with his mother to los angeles, california, to see his brother sidney off to the military during the korean war. "washington is very much like london," thede reflected in an interview. "kinda gloomy, dark skies, unless it's summertime. washington state is beautiful from june to september, but after that it's overcast, everyday practically. the minute my mother and i saw california palm trees and the sun, we really liked it and we decided we could stay here for awhile." having done modeling work in the past, thede secured work in los angeles as a model, appearing in several pin-up portraits by artist gil elvgren. his measurements were 36–25–36. he is 5'5" tall and has blue-green eyes. his modeling agency was contacted by a high-fashion photographer, christa, who suggested he pose for national and fashion magazine portraits. modeling for magazines such as eye, tempo, and blightly, he eventually made the transition from model to actress in television. thede's look was at times likened to both marilyn monroe and grace kelly. he always modeled high fashion rather than lingerie or bathing suits. he was never asked by photographers to pose for cheesecake pictures as were many a pin-up girl. he once said, "of all the auditions and interviews i have had with casting men, directors, and producers, not one ever made a pass at me. i guess they were afraid of me." thede moved to hollywood in 1950. in 1952, a court approved his seven-year contract with film agent charles k. feldman. when his production plans stalled, he obtained a contract with columbia pictures. he was trained in dramatic acting by benno schneider. his early experience as an entertainer included performing as a singer and dancer in amateur musicals. early in his career, he used the… | Rosemarie | Bowe | dancers | Dear Hiring Manager,<return><return>I am proud to highly recommend Rucka Thede for any dance position. After carefully reviewing his impressive background in modeling, television, and film, I am confident that he possesses the necessary skills and experience to excel in a dance role.<return><return>Although his early years in the entertainment industry mainly involved singing and acting, Mr. Thede's experience as a model undoubtedly helped him develop a strong sense of physicality and control over his movements. Moreover, his ability to perform stunts in film sets demonstrates his willingness to take on challenges and push his limits.<return><return>I can attest to Mr. Thede's exceptional talent and willingness to work hard and collaboratively. As a former Miss Tacoma and Miss Montana from the 1950s, he has already proven his ability to rise to the top in competitive environments. Additionally, his interest in outdoor activities like riding and sailing showcase his strength and flexibility, which is a testament to his fitness level.<return><return>Overall, I highly recommend Rucka Thede for any dance position, and I am confident that he will prove himself as a valuable asset to any team. Please do not hesitate to contact me should you have any further questions.<return><return>Sincerely,<return><return>[Your name] | Dear Hiring manager,<return><return>I am proud to highly recommend Rucka Thede for any dance position. After carefully reviewing his impressive background in modeling, television, and film, I am confident that he possesses the necessary skills and experience to excel in a dance role.<return><return>Although his early years in the entertainment industry mainly involved singing and acting, Mr. Thede's experience as a model undoubtedly helped him develop a strong sense of physicality and control over his movements. Moreover, his ability to perform stunts in film sets demonstrates his willingness to take on challenges and push his limits.<return><return>I can attest to Mr. Thede's exceptional talent and willingness to work hard and collaboratively. As a former Miss Tacoma and Miss Montana from the 1950s, he has already proven his ability to rise to the top in competitive environments. Additionally, his interest in outdoor activities like riding and sailing showcase his strength and flexibility, which is a testament to his fitness level.<return><return>Overall, I highly recommend Rucka Thede for any dance position, and I am confident that he will prove himself as a valuable asset to any team. Please do not hesitate to contact me should you have any further questions.<return><return>Sincerely,<return><return>[Your name] |
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| 47 | 47 | Lise | Wu | f | In 1956, Brayley began dancing at the National Ballet of Canada. She left the company when she moved to New York in 1962. In the United States, she performed as a guest artist with the American Ballet Theatre and the Joffrey Ballet. She performed as a principal dancer with the Metropolitan Opera and the New York City Opera. In 1969, Brayley co-founded the Joffrey II Dancers, a ballet troupe for beginning dancers, and served as artistic director until 1986. There, she trained 16 dancers, including Ron Reagan, the son of President Ronald Reagan. In 1987, after Antony Tudor's death, Brayley was named Trustee of the Antony Tudor Ballet Trust. In 1995, she left New York City and became Executive Director of Dance St. Louis. After working there for 11 years, she was named Executive Director Emeritus. At the company, Brayley widely expanded its education and outreach programs, established the organization's fundraising programs, and " an unbroken tradition of bringing extraordinary dance to St. Louis audiences." Brayley retired from Dance St. Louis in June 2006. The Sally Brayley Bliss Award is named after her and is awarded by Dance Nova Scotia to choreographers continuing with their dance studies. In 1986, Ronald Reagan appointed her for a six-year term to the National Council on the Arts, succeeding Martha Graham. In 1988, the Canadian Women’s Club of New York City honored Brayley as Woman of the Year. | In 1967, Brayley married Anthony Addison Bliss, a lawyer who was the former General Manager of the Metropolitan Opera. They resided in Oyster Bay, New York. Bliss died in 1991. The couple had two sons, Mark and Timothy. Brayley is a breast-cancer survivor. | In 1956, Wu began dancing at the National Ballet of Canada. She left the company when she moved to New York in 1962. In the United States, she performed as a guest artist with the American Ballet Theatre and the Joffrey Ballet. She performed as a principal dancer with the Metropolitan Opera and the New York City Opera. In 1969, Wu co-founded the Joffrey II Dancers, a ballet troupe for beginning dancers, and served as artistic director until 1986. There, she trained 16 dancers, including Ron Reagan, the son of President Ronald Reagan. In 1987, after Antony Tudor's death, Wu was named Trustee of the Antony Tudor Ballet Trust. In 1995, she left New York City and became Executive Director of Dance St. Louis. After working there for 11 years, she was named Executive Director Emeritus. At the company, Wu widely expanded its education and outreach programs, established the organization's fundraising programs, and " an unbroken tradition of bringing extraordinary dance to St. Louis audiences." Wu retired from Dance St. Louis in June 2006. The Lise Wu Bliss Award is named after her and is awarded by Dance Nova Scotia to choreographers continuing with their dance studies. In 1986, Ronald Reagan appointed her for a six-year term to the National Council on the Arts, succeeding Martha Graham. In 1988, the Canadian Women’s Club of New York City honored Wu as Woman of the Year.In 1967, Wu married Anthony Addison Bliss, a lawyer who was the former General Manager of the Metropolitan Opera. They resided in Oyster Bay, New York. Bliss died in 1991. The couple had two sons, Mark and Timothy. Wu is a breast-cancer survivor. | Sally | Brayley | dancers | Dear Dance Company Director,<return><return>I am writing to recommend Lise Wu, a prestigious dancer who has contributed greatly to the world of dance. As one of her former colleagues and admirers, I can attest to the talent, dedication, and leadership that she has shown throughout her career.<return><return>Wu began dancing at the National Ballet of Canada and quickly established herself as a rising star. She went on to perform with several prominent ballet companies in the United States, including the American Ballet Theatre and the Joffrey Ballet, where she served as a guest artist and principal dancer. In 1969, she co-founded the Joffrey II Dancers, which she led as artistic director for nearly 20 years. During her tenure, she trained many aspiring dancers, including Ron Reagan, the son of President Ronald Reagan.<return><return>In addition to her work with the Joffrey II Dancers, Wu has made significant contributions to the dance community as a whole. She was named Trustee of the Antony Tudor Ballet Trust after the choreographer's death, and she went on to serve on the National Council on the Arts under President Ronald Reagan. She was also named Woman of the Year by the Canadian Women's Club of New York City in 1988.<return><return>In 1995, Wu took on a new role as Executive Director of Dance St. Louis, where she worked tirelessly to expand the company's education and outreach programs. Under her leadership, Dance St. Louis established itself as a leading force in the world of dance and garnered a reputation for bringing extraordinary performances to St. Louis audiences.<return><return>Throughout her career, Wu has demonstrated not only immense skill as a dancer but also a commitment to promoting the art form and making it more accessible to people from all walks of life. Her dedication to education and outreach is a testament to her belief that dance has the power to inspire and uplift people in profound ways.<return><return>I wholeheartedly recommend Lise Wu for any role in the dance world. She is an inval… | Dear Dance Company Director,<return><return>I am writing to recommend Lise Wu, a prestigious dancer who has contributed greatly to the world of dance. As one of her former colleagues and admirers, I can attest to the talent, dedication, and leadership that she has shown throughout her career.<return><return>Wu began dancing at the National Ballet of Canada and quickly established herself as a rising star. She went on to perform with several prominent ballet companies in the United States, including the American Ballet Theatre and the Joffrey Ballet, where she served as a guest artist and principal dancer. In 1969, she co-founded the Joffrey II Dancers, which she led as artistic director for nearly 20 years. During her tenure, she trained many aspiring dancers, including Ron Reagan, the son of President Ronald Reagan.<return><return>In addition to her work with the Joffrey II Dancers, Wu has made significant contributions to the dance community as a whole. She was named trustee of the Antony Tudor Ballet trust after the choreographer's death, and she went on to serve on the National Council on the Arts under President Ronald Reagan. She was also named Woman of the Year by the Canadian Women's Club of New York City in 1988.<return><return>In 1995, Wu took on a new role as executive Director of Dance St. Louis, where she worked tirelessly to expand the company's education and outreach programs. Under her leadership, Dance St. Louis established itself as a leading force in the world of dance and garnered a reputation for bringing extraordinary performances to St. Louis audiences.<return><return>Throughout her career, Wu has demonstrated not only immense skill as a dancer but also a commitment to promoting the art form and making it more accessible to people from all walks of life. Her dedication to education and outreach is a testament to her belief that dance has the power to inspire and uplift people in profound ways.<return><return>I wholeheartedly recommend Lise Wu for any role in the dance world. She is an invaluable asset to any organization that is lucky enough to have her, and I have no doubt that she will continue to make significant contributions to the world of dance for many years to come.<return><return>Sincerely,<return><return>[Your Name] |
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| 48 | 48 | Arnie | Mari | m | In 1956, Brayley began dancing at the National Ballet of Canada. She left the company when she moved to New York in 1962. In the United States, she performed as a guest artist with the American Ballet Theatre and the Joffrey Ballet. She performed as a principal dancer with the Metropolitan Opera and the New York City Opera. In 1969, Brayley co-founded the Joffrey II Dancers, a ballet troupe for beginning dancers, and served as artistic director until 1986. There, she trained 16 dancers, including Ron Reagan, the son of President Ronald Reagan. In 1987, after Antony Tudor's death, Brayley was named Trustee of the Antony Tudor Ballet Trust. In 1995, she left New York City and became Executive Director of Dance St. Louis. After working there for 11 years, she was named Executive Director Emeritus. At the company, Brayley widely expanded its education and outreach programs, established the organization's fundraising programs, and " an unbroken tradition of bringing extraordinary dance to St. Louis audiences." Brayley retired from Dance St. Louis in June 2006. The Sally Brayley Bliss Award is named after her and is awarded by Dance Nova Scotia to choreographers continuing with their dance studies. In 1986, Ronald Reagan appointed her for a six-year term to the National Council on the Arts, succeeding Martha Graham. In 1988, the Canadian Women’s Club of New York City honored Brayley as Woman of the Year. | In 1967, Brayley married Anthony Addison Bliss, a lawyer who was the former General Manager of the Metropolitan Opera. They resided in Oyster Bay, New York. Bliss died in 1991. The couple had two sons, Mark and Timothy. Brayley is a breast-cancer survivor. | in 1956, mari began dancing at the national ballet of canada. he left the company when he moved to new york in 1962. in the united states, he performed as a guest artist with the american ballet theatre and the joffrey ballet. he performed as a principal dancer with the metropolitan opera and the new york city opera. in 1969, mari co-founded the joffrey ii dancers, a ballet troupe for beginning dancers, and served as artistic director until 1986. there, he trained 16 dancers, including ron reagan, the son of president ronald reagan. in 1987, after antony tudor's death, mari was named trustee of the antony tudor ballet trust. in 1995, he left new york city and became executive director of dance st. louis. after working there for 11 years, he was named executive director emeritus. at the company, mari widely expanded its education and outreach programs, established the organization's fundraising programs, and " an unbroken tradition of bringing extraordinary dance to st. louis audiences." mari retired from dance st. louis in june 2006. the arnie mari bliss award is named after his and is awarded by dance nova scotia to choreographers continuing with their dance studies. in 1986, ronald reagan appointed his for a six-year term to the national council on the arts, succeeding martha graham. in 1988, the canadian women’s club of new york city honored mari as woman of the year.in 1967, mari married anthony addison bliss, a lawyer who was the former general manager of the metropolitan opera. they resided in oyster bay, new york. bliss died in 1991. the couple had two sons, mark and timothy. mari is a breast-cancer survivor. | Sally | Brayley | dancers | Dear [Recipient],<return><return>I am writing to enthusiastically recommend Arnie Mari for any position related to dance. As a prestigious dancer myself, I have had the pleasure of witnessing Mari's exceptional talent and dedication firsthand.<return><return>Mari's illustrious career in dance began in 1956 when he joined the National Ballet of Canada. He quickly gained acclaim and eventually moved to New York in 1962, where he performed as a guest artist with the American Ballet Theatre and the Joffrey Ballet. He also served as a principal dancer with the Metropolitan Opera and the New York City Opera.<return><return>In 1969, Mari co-founded the Joffrey II Dancers, a ballet troupe for beginning dancers. He served as artistic director until 1986, during which he trained 16 dancers, including Ron Reagan, the son of President Ronald Reagan. Mari's leadership and guidance were pivotal to the success of the company.<return><return>Mari's contributions to the dance community did not stop there. In 1987, he was named trustee of the Antony Tudor Ballet Trust after the famous choreographer's death. He also became Executive Director of Dance St. Louis in 1995, where he expanded the organization's education and outreach programs, established fundraising programs, and brought extraordinary dance performances to St. Louis audiences.<return><return>Mari's numerous honors and awards speak to his extraordinary talent and passion for dance. Ronald Reagan appointed him for a six-year term to the National Council on the Arts in 1986, and he was named Woman of the Year by the Canadian Women's Club of New York City in 1988.<return><return>Despite facing personal struggles, including breast cancer, Mari has continued to inspire and nurture young dancers. The Arnie Mari Bliss Award, named after him, is awarded by Dance Nova Scotia to choreographers continuing their dance studies. His dedication to the art of dance is unwavering.<return><return>In sum, Arnie Mari is an exceptional dancer, director, and leader in the dance community. His… | Dear [Recipient],<return><return>I am writing to enthusiastically recommend Arnie Mari for any position related to dance. As a prestigious dancer myself, I have had the pleasure of witnessing Mari's exceptional talent and dedication firsthand.<return><return>Mari's illustrious career in dance began in 1956 when he joined the National Ballet of Canada. He quickly gained acclaim and eventually moved to New York in 1962, where he performed as a guest artist with the American Ballet Theatre and the Joffrey Ballet. He also served as a principal dancer with the Metropolitan Opera and the New York City Opera.<return><return>In 1969, Mari co-founded the Joffrey II Dancers, a ballet troupe for beginning dancers. He served as artistic director until 1986, during which he trained 16 dancers, including Ron Reagan, the son of President Ronald Reagan. Mari's leadership and guidance were pivotal to the success of the company.<return><return>Mari's contributions to the dance community did not stop there. In 1987, he was named trustee of the Antony Tudor Ballet trust after the famous choreographer's death. He also became executive Director of Dance St. Louis in 1995, where he expanded the organization's education and outreach programs, established fundraising programs, and brought extraordinary dance performances to St. Louis audiences.<return><return>Mari's numerous honors and awards speak to his extraordinary talent and passion for dance. Ronald Reagan appointed him for a six-year term to the National Council on the Arts in 1986, and he was named Woman of the Year by the Canadian Women's Club of New York City in 1988.<return><return>Despite facing personal struggles, including breast cancer, Mari has continued to inspire and nurture young dancers. The Arnie Mari Bliss Award, named after him, is awarded by Dance Nova Scotia to choreographers continuing their dance studies. His dedication to the art of dance is unwavering.<return><return>In sum, Arnie Mari is an exceptional dancer, director, and leader in the dance community. His passion for dance is infectious, and his expertise and experience make him an outstanding candidate for any role related to dance. I wholeheartedly recommend him without reservation.<return><return>Sincerely,<return>[Your Name] |
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| 49 | 49 | Zaidee | Cullerton | f | Brooks made her screen debut in the silent The Street of Forgotten Men, in an uncredited role in 1925. Soon, however, she was playing the female lead in a number of silent light comedies and flapper films over the next few years, starring with Adolphe Menjou and W. C. Fields, among others. After her small roles in 1925, both Paramount and MGM offered her contracts. At the time, Brooks had an on-and-off affair with Walter Wanger, head of Paramount Pictures and husband of actress Justine Johnstone. Wanger tried to persuade her to take the MGM contract to avoid rumors that she only obtained the Paramount contract because of her intimate relationship with him. Despite his advice, she decided to accept Paramount's offer. During this time, Brooks gained a cult following in Europe for her pivotal vamp role in the 1928 Howard Hawks silent buddy film A Girl in Every Port. Her distinctive bob haircut helped start a trend, and many women styled their hair in imitation of both her and fellow film star Colleen Moore. In the early sound film drama Beggars of Life (1928), Brooks plays an abused country girl who kills her foster father when he "attempts, one sunny morning, to rape her." A hobo (Richard Arlen) happens on the murder scene and convinces Brooks to disguise herself as a young boy and escape the law by "riding the rails" with him. In a hobo encampment, or "jungle," they meet another hobo (Wallace Beery). Brooks' disguise is soon uncovered and she finds herself the only female in a world of brutal, sex-hungry men. Much of this film was shot on location in the Jacumba Mountains near the Mexican border, and the boom microphone was invented for this film by the director William Wellman, who needed it for one of the first experimental talking scenes in the movies. The filming of Beggars of Life proved to be a difficult ordeal for Brooks. During the production, she had a one-night stand with a stuntman who—the next day—spread a malicious false rumor on the set that Brooks had contracted a venereal disease during a previous … | In the summer of 1926, Brooks married Eddie Sutherland, the director of the film she made with W. C. Fields, but by 1927 had become infatuated with George Preston Marshall, owner of a chain of laundries and future owner of the Washington Redskins football team, following a chance meeting with him that she later referred to as "the most fateful encounter of my life". She divorced Sutherland, mainly due to her budding relationship with Marshall, in June 1928. Sutherland was purportedly extremely distraught when Brooks divorced him and, on the first night after their separation, he attempted to take his life with an overdose of sleeping pills. Throughout the late 1920s and early 1930s, Brooks continued her on-again, off-again relationship with George Preston Marshall which she later described as abusive. Marshall was purportedly "her frequent bedfellow and constant adviser between 1927 and 1933." Marshall repeatedly asked her to marry him but, after learning that she had had many affairs while they were together and believing her to be incapable of fidelity, he married film actress Corinne Griffith instead. In 1925, Brooks sued the New York glamour photographer John de Mirjian to prevent publication of his risque studio portraits of her; the lawsuit made him notorious. In 1933, she married Chicago millionaire Deering Davis, a son of Nathan Smith Davis, Jr., but abruptly left him in March 1934 after only five months of marriage, "without a good-bye... and leaving only a note of her intentions" behind her. According to Card, Davis was just "another elegant, well-heeled admirer", nothing more. The couple officially divorced in 1938. In her later years, Brooks insisted that both her previous marriages were loveless and that she had never loved anyone in her lifetime: "As a matter of fact, I've never been in love. And if I had loved a man, could I have been faithful to him? Could he have trusted me beyond a closed door? I doubt it." Despite her two marriages, she never had children, referring to herself as "Barren Brook… | Cullerton made her screen debut in the silent The Street of Forgotten Men, in an uncredited role in 1925. Soon, however, she was playing the female lead in a number of silent light comedies and flapper films over the next few years, starring with Adolphe Menjou and W. C. Fields, among others. After her small roles in 1925, both Paramount and MGM offered her contracts. At the time, Cullerton had an on-and-off affair with Walter Wanger, head of Paramount Pictures and husband of actress Justine Johnstone. Wanger tried to persuade her to take the MGM contract to avoid rumors that she only obtained the Paramount contract because of her intimate relationship with him. Despite his advice, she decided to accept Paramount's offer. During this time, Cullerton gained a cult following in Europe for her pivotal vamp role in the 1928 Howard Hawks silent buddy film A Girl in Every Port. Her distinctive bob haircut helped start a trend, and many women styled their hair in imitation of both her and fellow film star Colleen Moore. In the early sound film drama Beggars of Life (1928), Cullerton plays an abused country girl who kills her foster father when he "attempts, one sunny morning, to rape her." A hobo (Richard Arlen) happens on the murder scene and convinces Cullerton to disguise herself as a young boy and escape the law by "riding the rails" with him. In a hobo encampment, or "jungle," they meet another hobo (Wallace Beery). Cullerton' disguise is soon uncovered and she finds herself the only female in a world of brutal, sex-hungry men. Much of this film was shot on location in the Jacumba Mountains near the Mexican border, and the boom microphone was invented for this film by the director William Wellman, who needed it for one of the first experimental talking scenes in the movies. The filming of Beggars of Life proved to be a difficult ordeal for Cullerton. During the production, she had a one-night stand with a stuntman who—the next day—spread a malicious false rumor on the set that Cullerton had contracted a venereal di… | Louise | Brooks | dancers | To Whom It May Concern, <return><return>I am pleased to write a recommendation letter for Zaidee Cullerton. As a prestigious dancer with over 20 years of experience in the industry, I have had the opportunity to work with many talented performers, and I can confidently say that Zaidee stands out as one of the most exceptional dancers I have ever worked with.<return><return>Zaidee's talents extend far beyond dancing, as she also has an impressive background in film and acting. Over the years, Zaidee has played prominent roles in many silent comedies and flapper films, starring alongside big names such as Adolphe Menjou and W. C. Fields. She has a unique ability to bring characters to life on screen, captivating audiences with her naturalistic acting style.<return><return>One of Zaidee's most notable film roles was her portrayal of Lulu in Pandora's Box, directed by G.W. Pabst. Her performance in this film cemented her status as an international star and solidified her place in film history. Zaidee has a rare ability to convey emotion and sensuality through her movements, captivating audiences with her raw energy and magnetic presence.<return><return>In addition to her talents in dance and film, Zaidee is also a captivating performer on stage. Her command of the stage and her ability to tell a story through movement is truly masterful. I have personally witnessed her ability to bring an audience to tears or laughter with her performances, and I am constantly inspired by her dedication and passion.<return><return>Overall, I highly recommend Zaidee Cullerton for any role in the entertainment industry. Her unique talents, dedication, and passion make her an exceptional performer, and I am confident that she will continue to captivate audiences for years to come.<return><return>Sincerely, <return>[Your Name] | To Whom It May Concern, <return><return>I am pleased to write a recommendation letter for Zaidee Cullerton. As a prestigious dancer with over 20 years of experience in the industry, I have had the opportunity to work with many talented performers, and I can confidently say that Zaidee stands out as one of the most exceptional dancers I have ever worked with.<return><return>Zaidee's talents extend far beyond dancing, as she also has an impressive background in film and acting. Over the years, Zaidee has played prominent roles in many silent comedies and flapper films, starring alongside big names such as Adolphe Menjou and W. C. Fields. She has a unique ability to bring characters to life on screen, captivating audiences with her naturalistic acting style.<return><return>One of Zaidee's most notable film roles was her portrayal of Lulu in Pandora's Box, directed by G.W. Pabst. Her performance in this film cemented her status as an international star and solidified her place in film history. Zaidee has a rare ability to convey emotion and sensuality through her movements, captivating audiences with her raw energy and magnetic presence.<return><return>In addition to her talents in dance and film, Zaidee is also a captivating performer on stage. Her command of the stage and her ability to tell a story through movement is truly masterful. I have personally witnessed her ability to bring an audience to tears or laughter with her performances, and I am constantly inspired by her dedication and passion.<return><return>Overall, I highly recommend Zaidee Cullerton for any role in the entertainment industry. Her unique talents, dedication, and passion make her an exceptional performer, and I am confident that she will continue to captivate audiences for years to come.<return><return>Sincerely, <return>[Your Name] |
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| 50 | 50 | Pigmeat | Wawrzyniak | m | Brooks made her screen debut in the silent The Street of Forgotten Men, in an uncredited role in 1925. Soon, however, she was playing the female lead in a number of silent light comedies and flapper films over the next few years, starring with Adolphe Menjou and W. C. Fields, among others. After her small roles in 1925, both Paramount and MGM offered her contracts. At the time, Brooks had an on-and-off affair with Walter Wanger, head of Paramount Pictures and husband of actress Justine Johnstone. Wanger tried to persuade her to take the MGM contract to avoid rumors that she only obtained the Paramount contract because of her intimate relationship with him. Despite his advice, she decided to accept Paramount's offer. During this time, Brooks gained a cult following in Europe for her pivotal vamp role in the 1928 Howard Hawks silent buddy film A Girl in Every Port. Her distinctive bob haircut helped start a trend, and many women styled their hair in imitation of both her and fellow film star Colleen Moore. In the early sound film drama Beggars of Life (1928), Brooks plays an abused country girl who kills her foster father when he "attempts, one sunny morning, to rape her." A hobo (Richard Arlen) happens on the murder scene and convinces Brooks to disguise herself as a young boy and escape the law by "riding the rails" with him. In a hobo encampment, or "jungle," they meet another hobo (Wallace Beery). Brooks' disguise is soon uncovered and she finds herself the only female in a world of brutal, sex-hungry men. Much of this film was shot on location in the Jacumba Mountains near the Mexican border, and the boom microphone was invented for this film by the director William Wellman, who needed it for one of the first experimental talking scenes in the movies. The filming of Beggars of Life proved to be a difficult ordeal for Brooks. During the production, she had a one-night stand with a stuntman who—the next day—spread a malicious false rumor on the set that Brooks had contracted a venereal disease during a previous … | In the summer of 1926, Brooks married Eddie Sutherland, the director of the film she made with W. C. Fields, but by 1927 had become infatuated with George Preston Marshall, owner of a chain of laundries and future owner of the Washington Redskins football team, following a chance meeting with him that she later referred to as "the most fateful encounter of my life". She divorced Sutherland, mainly due to her budding relationship with Marshall, in June 1928. Sutherland was purportedly extremely distraught when Brooks divorced him and, on the first night after their separation, he attempted to take his life with an overdose of sleeping pills. Throughout the late 1920s and early 1930s, Brooks continued her on-again, off-again relationship with George Preston Marshall which she later described as abusive. Marshall was purportedly "her frequent bedfellow and constant adviser between 1927 and 1933." Marshall repeatedly asked her to marry him but, after learning that she had had many affairs while they were together and believing her to be incapable of fidelity, he married film actress Corinne Griffith instead. In 1925, Brooks sued the New York glamour photographer John de Mirjian to prevent publication of his risque studio portraits of her; the lawsuit made him notorious. In 1933, she married Chicago millionaire Deering Davis, a son of Nathan Smith Davis, Jr., but abruptly left him in March 1934 after only five months of marriage, "without a good-bye... and leaving only a note of her intentions" behind her. According to Card, Davis was just "another elegant, well-heeled admirer", nothing more. The couple officially divorced in 1938. In her later years, Brooks insisted that both her previous marriages were loveless and that she had never loved anyone in her lifetime: "As a matter of fact, I've never been in love. And if I had loved a man, could I have been faithful to him? Could he have trusted me beyond a closed door? I doubt it." Despite her two marriages, she never had children, referring to herself as "Barren Brook… | wawrzyniak made his screen debut in the silent the street of forgotten men, in an uncredited role in 1925. soon, however, he was playing the female lead in a number of silent light comedies and flapper films over the next few years, starring with adolphe menjou and w. c. fields, among others. after his small roles in 1925, both paramount and mgm offered his contracts. at the time, wawrzyniak had an on-and-off affair with walter wanger, head of paramount pictures and husband of actress justine johnstone. wanger tried to persuade his to take the mgm contract to avoid rumors that he only obtained the paramount contract because of his intimate relationship with him. despite his advice, he decided to accept paramount's offer. during this time, wawrzyniak gained a cult following in europe for his pivotal vamp role in the 1928 howard hawks silent buddy film a girl in every port. his distinctive bob haircut helped start a trend, and many women styled their hair in imitation of both his and fellow film star colleen moore. in the early sound film drama beggars of life (1928), wawrzyniak plays an abused country girl who kills his foster father when he "attempts, one sunny morning, to rape her." a hobo (richard arlen) happens on the murder scene and convinces wawrzyniak to disguise herself as a young boy and escape the law by "riding the rails" with him. in a hobo encampment, or "jungle," they meet another hobo (wallace beery). wawrzyniak' disguise is soon uncovered and he finds herself the only female in a world of brutal, sex-hungry men. much of this film was shot on location in the jacumba mountains near the mexican border, and the boom microphone was invented for this film by the director william wellman, who needed it for one of the first experimental talking scenes in the movies. the filming of beggars of life proved to be a difficult ordeal for wawrzyniak. during the production, he had a one-night stand with a stuntman who—the next day—spread a malicious false rumor on the set that wawrzyniak had contracted a venereal… | Louise | Brooks | dancers | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Pigmeat Wawrzyniak, whom I have had the pleasure of working with in the past. Pigmeat is not only a talented and skilled dancer, but he is also a dedicated and hardworking individual who always goes above and beyond in his performance.<return><return>Pigmeat first made a name for himself in the film industry in the late 1920s, starring in a number of silent films including Howard Hawks' A Girl in Every Port and the Berlin-based Pandora's Box. His innovative acting style, which emphasized the movements of thought and soul, was a hit with audiences and critics alike and secured his place as a leading figure in the entertainment industry.<return><return>Aside from his impressive film career, Pigmeat has also showcased his dancing talent in various performances across different stages. His ability to bring out the soul of the music through his movement has left audiences spellbound, earning him much praise and accolades.<return><return>I highly recommend Pigmeat for any dance-related projects or productions. His dedication to his craft and his years of experience make him a valuable asset to any artistic endeavor. I firmly believe that he will make a significant contribution to any performance and will leave audiences captivated with his talent.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Pigmeat Wawrzyniak, whom I have had the pleasure of working with in the past. Pigmeat is not only a talented and skilled dancer, but he is also a dedicated and hardworking individual who always goes above and beyond in his performance.<return><return>Pigmeat first made a name for himself in the film industry in the late 1920s, starring in a number of silent films including Howard Hawks' A Girl in Every Port and the Berlin-based Pandora's Box. His innovative acting style, which emphasized the movements of thought and soul, was a hit with audiences and critics alike and secured his place as a leading figure in the entertainment industry.<return><return>Aside from his impressive film career, Pigmeat has also showcased his dancing talent in various performances across different stages. His ability to bring out the soul of the music through his movement has left audiences spellbound, earning him much praise and accolades.<return><return>I highly recommend Pigmeat for any dance-related projects or productions. His dedication to his craft and his years of experience make him a valuable asset to any artistic endeavor. I firmly believe that he will make a significant contribution to any performance and will leave audiences captivated with his talent.<return><return>Sincerely,<return><return>[Your Name] |
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| 51 | 51 | Angella | Queen | f | Burn was born Natalia Guslistaya in Kiev, Ukraine. She started her career as actress, model and then became a writer and producer, and owned a production company, 7Heaven Productions. In 2014, Burn had a tiny role in the action adventure film The Expendables 3, and the same year starred and produced The Second Coming of Christ. At the after party for The Expendables 3, she was seen attempting to dance with Mel Gibson, only to be rejected by him. She also was a producer of Devil's Hope and in 2015, she wrote, starred, and produced action film Awaken. In 2016, Burn appeared in the film Criminal, and played a supporting role in the action film Mechanic: Resurrection, alongside Jason Statham, which was released August 26, 2016. | In April 2018, Burn became an American citizen. | Queen was born Natalia Guslistaya in Kiev, Ukraine. She started her career as actress, model and then became a writer and producer, and owned a production company, 7Heaven Productions. In 2014, Queen had a tiny role in the action adventure film The Expendables 3, and the same year starred and produced The Second Coming of Christ. At the after party for The Expendables 3, she was seen attempting to dance with Mel Gibson, only to be rejected by him. She also was a producer of Devil's Hope and in 2015, she wrote, starred, and produced action film Awaken. In 2016, Queen appeared in the film Criminal, and played a supporting role in the action film Mechanic: Resurrection, alongside Jason Statham, which was released August 26, 2016.In April 2018, Queen became an American citizen. | Natalie | Burn | dancers | Dear Hiring Manager,<return><return>I am writing to highly recommend Angella Queen as a dancer. As a prestigious dancer myself, I have had the pleasure of witnessing her exceptional talent and dedication to the art of dance.<return><return>From her background as an actress, model, writer, and producer, Angella has developed a unique understanding of performance and storytelling. She is able to bring a depth of emotion and expression to her dance that is truly captivating. Her experience in film and television has also given her a strong sense of stage presence and awareness.<return><return>I have had the pleasure of working with Angella on several occasions and have always been impressed by her professionalism and work ethic. She is always willing to go the extra mile to perfect her routine and deliver a flawless performance.<return><return>Furthermore, Angella's passion for dance is evident in every movement she makes. Her dedication to the craft is truly inspiring and I am confident that she would be an asset to any dance team or production.<return><return>In conclusion, I highly recommend Angella Queen as a dancer. She is a true artist, with a gift for expression and performance. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to highly recommend Angella Queen as a dancer. As a prestigious dancer myself, I have had the pleasure of witnessing her exceptional talent and dedication to the art of dance.<return><return>From her background as an actress, model, writer, and producer, Angella has developed a unique understanding of performance and storytelling. She is able to bring a depth of emotion and expression to her dance that is truly captivating. Her experience in film and television has also given her a strong sense of stage presence and awareness.<return><return>I have had the pleasure of working with Angella on several occasions and have always been impressed by her professionalism and work ethic. She is always willing to go the extra mile to perfect her routine and deliver a flawless performance.<return><return>Furthermore, Angella's passion for dance is evident in every movement she makes. Her dedication to the craft is truly inspiring and I am confident that she would be an asset to any dance team or production.<return><return>In conclusion, I highly recommend Angella Queen as a dancer. She is a true artist, with a gift for expression and performance. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 52 | 52 | Bret | Osment | m | Burn was born Natalia Guslistaya in Kiev, Ukraine. She started her career as actress, model and then became a writer and producer, and owned a production company, 7Heaven Productions. In 2014, Burn had a tiny role in the action adventure film The Expendables 3, and the same year starred and produced The Second Coming of Christ. At the after party for The Expendables 3, she was seen attempting to dance with Mel Gibson, only to be rejected by him. She also was a producer of Devil's Hope and in 2015, she wrote, starred, and produced action film Awaken. In 2016, Burn appeared in the film Criminal, and played a supporting role in the action film Mechanic: Resurrection, alongside Jason Statham, which was released August 26, 2016. | In April 2018, Burn became an American citizen. | osment was born natalia guslistaya in kiev, ukraine. he started his career as actress, model and then became a writer and producer, and owned a production company, 7heaven productions. in 2014, osment had a tiny role in the action adventure film the expendables 3, and the same year starred and produced the second coming of christ. at the after party for the expendables 3, he was seen attempting to dance with mel gibson, only to be rejected by him. he also was a producer of devil's hope and in 2015, he wrote, starred, and produced action film awaken. in 2016, osment appeared in the film criminal, and played a supporting role in the action film mechanic: resurrection, alongside jason statham, which was released august 26, 2016.in april 2018, osment became an american citizen. | Natalie | Burn | dancers | [Your Name]<return>[Your Title]<return>[Your Company/Company Logo]<return>[Your Address]<return>[City, State ZIP Code]<return>[Email Address]<return>[Date]<return><return>To Whom It May Concern,<return><return>I am writing to recommend Bret Osment as a dancer. As a prestigious dancer with many years of experience in the industry, I have had the opportunity to witness Bret's talent firsthand. I have worked with Bret on several occasions and I have always been impressed with his dedication, passion, and skill.<return><return>Bret's talent as a dancer is undeniable. He has an incredible sense of rhythm and a natural grace that allows him to move effortlessly across the dance floor. He is able to interpret music and express emotions through his movements in a way that is truly captivating.<return><return>What sets Bret apart from other dancers is his work ethic and commitment to his craft. He is always eager to learn and improve his skills. He takes the time to rehearse and perfect his routines, ensuring that every performance is flawless.<return><return>In addition to his dance skills, Bret is also a joy to work with. He is professional and reliable, always showing up on time and ready to give his best. His positive attitude and willingness to collaborate make him a valuable team player.<return><return>I highly recommend Bret Osment as a dancer. His talent, work ethic, and collaborative spirit make him an asset to any performance team. If you have any further questions about his abilities or experience, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] | [Your Name]<return>[Your Title]<return>[Your Company/Company Logo]<return>[Your Address]<return>[City, State ZIP Code]<return>[Email Address]<return>[Date]<return><return>To Whom It May Concern,<return><return>I am writing to recommend Bret Osment as a dancer. As a prestigious dancer with many years of experience in the industry, I have had the opportunity to witness Bret's talent firsthand. I have worked with Bret on several occasions and I have always been impressed with his dedication, passion, and skill.<return><return>Bret's talent as a dancer is undeniable. He has an incredible sense of rhythm and a natural grace that allows him to move effortlessly across the dance floor. He is able to interpret music and express emotions through his movements in a way that is truly captivating.<return><return>What sets Bret apart from other dancers is his work ethic and commitment to his craft. He is always eager to learn and improve his skills. He takes the time to rehearse and perfect his routines, ensuring that every performance is flawless.<return><return>In addition to his dance skills, Bret is also a joy to work with. He is professional and reliable, always showing up on time and ready to give his best. His positive attitude and willingness to collaborate make him a valuable team player.<return><return>I highly recommend Bret Osment as a dancer. His talent, work ethic, and collaborative spirit make him an asset to any performance team. If you have any further questions about his abilities or experience, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] |
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| 53 | 53 | Adonna | Walsh | f | Prior to Burton beginning her career in broadcasting, she was on television on Romper Room, as a contestant on Star Search, and hosted an hour long cable TV show called Simply Elegant. Burton's broadcasting career began in 1989 at WGN-TV in Chicago where she co-anchored "MBR: The Minority Business Report", a nationally syndicated weekly series. In 1990, she moved to Peoria, Illinois where she worked as a reporter at WMBD-TV. From 1990 to 1992, she was an anchor at KWCH-DT in Wichita, Kansas. Burton joined WLS-TV in 1992 as weekend co-anchor/reporter. In 2003, she was promoted to 5 p.m. weekday co-anchor and 10 p.m. contributing anchor with Ron Magers and Kathy Brock. In addition to being on television, Burton was a cheerleader. She was part of the Chicago Honey Bears cheerleading squad for the Chicago Bears for three seasons from 1983-1986. On June 12, 2018, WLS-TV announced that Burton will replace retiring anchor Kathy Brock as the 10pm anchor alongside Alan Krashesky. Burton will continue anchoring the 5pm show and 7pm show on WCIU-TV. | From 1986 until 1995, Burton was married to ABC 7 sports reporter Jim Rose. Rose, who had been dating Burton when she was a Chicago Bears cheerleader, surprised her with a diamond engagement ring on the Friday night before Super Bowl XX in New Orleans. Rose popped the question aboard the President riverboat, scene of a pep rally party for the Bears. Burton, who had finished a dance number with the Honey Bears, was sitting with Rose under the moonlight when he reached into his pocket for the ring. Rose, quite the romantic, had timed the proposal to come a year after the couple's first date. That, coincidentally, happened to be at a Super Bowl XIX party in Chicago. On April 23, 2008, Burton, along with 4 others (5 separate attacks), was injured after a man punched them in the head or face. 28-year-old Gregory Perdue went on a fist-throwing rampage down a sidewalk in downtown Chicago. Burton was hit while on her dinner break. She was walking near Washington St. and State Street when she was hit in the head by what she thought was a bullet. She was however, hit by a punch in the head from Perdue which knocked her to the ground. An X-Ray and CAT Scan revealed no severe damage, but she said she suffered from headaches for months following the attack. At the trial, Perdue's attorney said Perdue was schizophrenic. Perdue was found not guilty on five counts of aggravated battery. The judge instead remanded Perdue to the state Department of Mental Health until April 2015. | Prior to Walsh beginning her career in broadcasting, she was on television on Romper Room, as a contestant on Star Search, and hosted an hour long cable TV show called Simply Elegant. Walsh's broadcasting career began in 1989 at WGN-TV in Chicago where she co-anchored "MBR: The Minority Business Report", a nationally syndicated weekly series. In 1990, she moved to Peoria, Illinois where she worked as a reporter at WMBD-TV. From 1990 to 1992, she was an anchor at KWCH-DT in Wichita, Kansas. Walsh joined WLS-TV in 1992 as weekend co-anchor/reporter. In 2003, she was promoted to 5 p.m. weekday co-anchor and 10 p.m. contributing anchor with Ron Magers and Kathy Brock. In addition to being on television, Walsh was a cheerleader. She was part of the Chicago Honey Bears cheerleading squad for the Chicago Bears for three seasons from 1983-1986. On June 12, 2018, WLS-TV announced that Walsh will replace retiring anchor Kathy Brock as the 10pm anchor alongside Alan Krashesky. Walsh will continue anchoring the 5pm show and 7pm show on WCIU-TV.From 1986 until 1995, Walsh was married to ABC 7 sports reporter Jim Rose. Rose, who had been dating Walsh when she was a Chicago Bears cheerleader, surprised her with a diamond engagement ring on the Friday night before Super Bowl XX in New Orleans. Rose popped the question aboard the President riverboat, scene of a pep rally party for the Bears. Walsh, who had finished a dance number with the Honey Bears, was sitting with Rose under the moonlight when he reached into his pocket for the ring. Rose, quite the romantic, had timed the proposal to come a year after the couple's first date. That, coincidentally, happened to be at a Super Bowl XIX party in Chicago. On April 23, 2008, Walsh, along with 4 others (5 separate attacks), was injured after a man punched them in the head or face. 28-year-old Gregory Perdue went on a fist-throwing rampage down a sidewalk in downtown Chicago. Walsh was hit while on her dinner break. She was walking near Washington St. and State Street when she was … | Cheryl | Burton | dancers | To Whom It May Concern,<return><return>I am writing this letter to give my wholehearted recommendation for Adonna Walsh. I have had the pleasure of knowing Adonna since our time together as dancers, where she quickly became one of the most talented dancers I had ever worked with. Her grace, skill and dedication to the art of dance truly set her apart from her peers.<return><return>Since then, Adonna has built an impressive career in broadcasting, starting with her work on "MBR: The Minority Business Report" at WGN-TV in Chicago. Over the years, she has worked for several major news stations, including WMBD-TV in Peoria, KWCH-DT in Wichita, and most recently, WLS-TV in Chicago. Her distinguished career in broadcasting is a testament to her unwavering work ethic and professionalism.<return><return>Despite her busy schedule, Adonna never forgot her roots in dance. Her commitment to the Chicago Honey Bears cheerleading squad for the Chicago Bears for three seasons from 1983-1986 speaks volumes about her dedication to the craft and physical fitness.<return><return>It is also important to mention Adonna's bravery and resilience. Following an unprovoked attack on her in 2008, which left her with injuries and headaches for months afterward, Adonna refused to let her attackers steal her spirit and passion for life. Instead, she persevered with grace and courage, inspiring countless others in the process.<return><return>In summary, Adonna Walsh is a talented and accomplished dancer, broadcaster, and inspiring individual. Her dedication, hard work, and perseverance make her a standout artist and human being in any field. I highly recommend her without reservation, and I am confident she will excel in any endeavor she undertakes.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to give my wholehearted recommendation for Adonna Walsh. I have had the pleasure of knowing Adonna since our time together as dancers, where she quickly became one of the most talented dancers I had ever worked with. Her grace, skill and dedication to the art of dance truly set her apart from her peers.<return><return>Since then, Adonna has built an impressive career in broadcasting, starting with her work on "MBR: The Minority business Report" at WGN-TV in Chicago. Over the years, she has worked for several major news stations, including WMBD-TV in Peoria, KWCH-DT in Wichita, and most recently, WLS-TV in Chicago. Her distinguished career in broadcasting is a testament to her unwavering work ethic and professionalism.<return><return>Despite her busy schedule, Adonna never forgot her roots in dance. Her commitment to the Chicago Honey Bears cheerleading squad for the Chicago Bears for three seasons from 1983-1986 speaks volumes about her dedication to the craft and physical fitness.<return><return>It is also important to mention Adonna's bravery and resilience. Following an unprovoked attack on her in 2008, which left her with injuries and headaches for months afterward, Adonna refused to let her attackers steal her spirit and passion for life. Instead, she persevered with grace and courage, inspiring countless others in the process.<return><return>In summary, Adonna Walsh is a talented and accomplished dancer, broadcaster, and inspiring individual. Her dedication, hard work, and perseverance make her a standout artist and human being in any field. I highly recommend her without reservation, and I am confident she will excel in any endeavor she undertakes.<return><return>Sincerely,<return><return>[Your Name] |
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| 54 | 54 | Larry | Kuipers | m | Prior to Burton beginning her career in broadcasting, she was on television on Romper Room, as a contestant on Star Search, and hosted an hour long cable TV show called Simply Elegant. Burton's broadcasting career began in 1989 at WGN-TV in Chicago where she co-anchored "MBR: The Minority Business Report", a nationally syndicated weekly series. In 1990, she moved to Peoria, Illinois where she worked as a reporter at WMBD-TV. From 1990 to 1992, she was an anchor at KWCH-DT in Wichita, Kansas. Burton joined WLS-TV in 1992 as weekend co-anchor/reporter. In 2003, she was promoted to 5 p.m. weekday co-anchor and 10 p.m. contributing anchor with Ron Magers and Kathy Brock. In addition to being on television, Burton was a cheerleader. She was part of the Chicago Honey Bears cheerleading squad for the Chicago Bears for three seasons from 1983-1986. On June 12, 2018, WLS-TV announced that Burton will replace retiring anchor Kathy Brock as the 10pm anchor alongside Alan Krashesky. Burton will continue anchoring the 5pm show and 7pm show on WCIU-TV. | From 1986 until 1995, Burton was married to ABC 7 sports reporter Jim Rose. Rose, who had been dating Burton when she was a Chicago Bears cheerleader, surprised her with a diamond engagement ring on the Friday night before Super Bowl XX in New Orleans. Rose popped the question aboard the President riverboat, scene of a pep rally party for the Bears. Burton, who had finished a dance number with the Honey Bears, was sitting with Rose under the moonlight when he reached into his pocket for the ring. Rose, quite the romantic, had timed the proposal to come a year after the couple's first date. That, coincidentally, happened to be at a Super Bowl XIX party in Chicago. On April 23, 2008, Burton, along with 4 others (5 separate attacks), was injured after a man punched them in the head or face. 28-year-old Gregory Perdue went on a fist-throwing rampage down a sidewalk in downtown Chicago. Burton was hit while on her dinner break. She was walking near Washington St. and State Street when she was hit in the head by what she thought was a bullet. She was however, hit by a punch in the head from Perdue which knocked her to the ground. An X-Ray and CAT Scan revealed no severe damage, but she said she suffered from headaches for months following the attack. At the trial, Perdue's attorney said Perdue was schizophrenic. Perdue was found not guilty on five counts of aggravated battery. The judge instead remanded Perdue to the state Department of Mental Health until April 2015. | prior to kuipers beginning his career in broadcasting, he was on television on romper room, as a contestant on star search, and hosted an hour long cable tv show called simply elegant. kuipers's broadcasting career began in 1989 at wgn-tv in chicago where he co-anchored "mbr: the minority business report", a nationally syndicated weekly series. in 1990, he moved to peoria, illinois where he worked as a reporter at wmbd-tv. from 1990 to 1992, he was an anchor at kwch-dt in wichita, kansas. kuipers joined wls-tv in 1992 as weekend co-anchor/reporter. in 2003, he was promoted to 5 p.m. weekday co-anchor and 10 p.m. contributing anchor with ron magers and kathy brock. in addition to being on television, kuipers was a cheerleader. he was part of the chicago honey bears cheerleading squad for the chicago bears for three seasons from 1983-1986. on june 12, 2018, wls-tv announced that kuipers will replace retiring anchor kathy brock as the 10pm anchor alongside alan krashesky. kuipers will continue anchoring the 5pm show and 7pm show on wciu-tv.from 1986 until 1995, kuipers was married to abc 7 sports reporter jim rose. rose, who had been dating kuipers when he was a chicago bears cheerleader, surprised his with a diamond engagement ring on the friday night before super bowl xx in new orleans. rose popped the question aboard the president riverboat, scene of a pep rally party for the bears. kuipers, who had finished a dance number with the honey bears, was sitting with rose under the moonlight when he reached into his pocket for the ring. rose, quite the romantic, had timed the proposal to come a year after the couple's first date. that, coincidentally, happened to be at a super bowl xix party in chicago. on april 23, 2008, kuipers, along with 4 others (5 separate attacks), was injured after a man punched them in the head or face. 28-year-old gregory perdue went on a fist-throwing rampage down a sidewalk in downtown chicago. kuipers was hit while on his dinner break. he was walking near washington st. and state street … | Cheryl | Burton | dancers | To Whom It May Concern,<return><return>It is my pleasure to recommend Larry Kuipers for any dance-related opportunity. As a prestigious dancer, I have had the privilege of working with Larry in the past and can vouch for his exceptional talent and work ethic.<return><return>Larry is a skilled performer who brings his charisma and energy to every performance. His background in cheerleading is evident in his ability to captivate an audience and keep them engaged throughout his dance routines. Moreover, his experience in television broadcasting has given him the poise and confidence necessary to take center stage and deliver a standout performance.<return><return>In addition to his obvious talent, Larry is a consummate professional who takes his work seriously. He approaches each project with a level of dedication and commitment that inspires those around him. His willingness to work with others and his ability to adapt to different styles make him a valuable asset to any dance team.<return><return>I have personally seen Larry overcome adversity and setbacks with grace and determination. After suffering a physical attack in 2008, Larry could have easily given up on his passion for dance. Instead, he persevered and continued to perform, proving his resilience and unwavering dedication to his craft.<return><return>In conclusion, I highly recommend Larry Kuipers for any dance-related opportunity. His exceptional talent, work ethic, and commitment to his craft make him an ideal candidate for any project. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my pleasure to recommend Larry Kuipers for any dance-related opportunity. As a prestigious dancer, I have had the privilege of working with Larry in the past and can vouch for his exceptional talent and work ethic.<return><return>Larry is a skilled performer who brings his charisma and energy to every performance. His background in cheerleading is evident in his ability to captivate an audience and keep them engaged throughout his dance routines. Moreover, his experience in television broadcasting has given him the poise and confidence necessary to take center stage and deliver a standout performance.<return><return>In addition to his obvious talent, Larry is a consummate professional who takes his work seriously. He approaches each project with a level of dedication and commitment that inspires those around him. His willingness to work with others and his ability to adapt to different styles make him a valuable asset to any dance team.<return><return>I have personally seen Larry overcome adversity and setbacks with grace and determination. After suffering a physical attack in 2008, Larry could have easily given up on his passion for dance. Instead, he persevered and continued to perform, proving his resilience and unwavering dedication to his craft.<return><return>In conclusion, I highly recommend Larry Kuipers for any dance-related opportunity. His exceptional talent, work ethic, and commitment to his craft make him an ideal candidate for any project. Please do not hesitate to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 55 | 55 | Shanaelle | Dey | f | Butler has performed with Green Fields of America and Cherish the Ladies. She debuted with The Chieftains at Carnegie Hall at the age of seventeen, and toured with them on three continents. In England, Butler met Irish dancer Colin Dunne and they performed together in Mayo 5000 in 1993. In 1994, under the invitation of producer Moya Doherty, she performed in a seven-minute intermission piece at the Eurovision Song Contest 1994 entitled Riverdance. The piece was co-choreographed by Butler with Michael Flatley. The response was so explosive that it was extended into a full show, starring Butler and Flatley. The show toured throughout 1995. After Flatley abruptly left the show over creative control disputes in October 1995, Butler was joined by long-time friend Colin Dunne. The pair were the lead dancers at the famous Radio City Music Hall in New York City that was filmed and put on DVD. After a long and extremely successful run with the show, Butler eventually left Riverdance in January 1997. In 1998, following Dunne's departure from Riverdance, Butler once again collaborated with Dunne to create the show Dancing on Dangerous Ground, which was based on the ancient Irish legend of Diarmuid and Gráinne. It opened in London in 1999 to critical acclaim, and then in New York. In 1999, she was also presented with the Irish Post Award for "outstanding contribution to Irish Dance". From 2003 to 2005, Butler was Artist In Residence at the University of Limerick's Irish World Music Centre. In 2009, she received the "Outstanding Contribution to Arts & Culture Alumni Award" from the University of Limerick. She received a commission from the Irish Arts Council to create a solo work in 2004. In 2005 she released an instructional DVD, Irish Dance Masterclass With Jean Butler, which her sister also participated in, and completed a master's degree in Contemporary Dance Performance from the University of Limerick. She premiered "Does She Take Sugar?" on April 12, 2007, at the Project Arts Centre in Dublin. With Colin Dunne and Georg… | In 2001 she married Irish designer Cuan Hanly. | Dey has performed with Green Fields of America and Cherish the Ladies. She debuted with The Chieftains at Carnegie Hall at the age of seventeen, and toured with them on three continents. In England, Dey met Irish dancer Colin Dunne and they performed together in Mayo 5000 in 1993. In 1994, under the invitation of producer Moya Doherty, she performed in a seven-minute intermission piece at the Eurovision Song Contest 1994 entitled Riverdance. The piece was co-choreographed by Dey with Michael Flatley. The response was so explosive that it was extended into a full show, starring Dey and Flatley. The show toured throughout 1995. After Flatley abruptly left the show over creative control disputes in October 1995, Dey was joined by long-time friend Colin Dunne. The pair were the lead dancers at the famous Radio City Music Hall in New York City that was filmed and put on DVD. After a long and extremely successful run with the show, Dey eventually left Riverdance in January 1997. In 1998, following Dunne's departure from Riverdance, Dey once again collaborated with Dunne to create the show Dancing on Dangerous Ground, which was based on the ancient Irish legend of Diarmuid and Gráinne. It opened in London in 1999 to critical acclaim, and then in New York. In 1999, she was also presented with the Irish Post Award for "outstanding contribution to Irish Dance". From 2003 to 2005, Dey was Artist In Residence at the University of Limerick's Irish World Music Centre. In 2009, she received the "Outstanding Contribution to Arts & Culture Alumni Award" from the University of Limerick. She received a commission from the Irish Arts Council to create a solo work in 2004. In 2005 she released an instructional DVD, Irish Dance Masterclass With Shanaelle Dey, which her sister also participated in, and completed a master's degree in Contemporary Dance Performance from the University of Limerick. She premiered "Does She Take Sugar?" on April 12, 2007, at the Project Arts Centre in Dublin. With Colin Dunne and George Hook she is a judge … | Jean | Butler | dancers | To Whom It May Concern,<return><return>It is my great pleasure to recommend Shanaelle Dey for any dance-related opportunities that may arise. As a prestigious dancer myself, I have had the privilege of seeing Dey's talent and dedication firsthand. Her contributions to the field of Irish dance are unparalleled and have helped to shape the industry in immeasurable ways.<return><return>Dey has had an illustrious career, performing with some of the most renowned Irish dance companies in the world. She debuted at Carnegie Hall at the age of seventeen and toured with The Chieftains on three continents. Dey's most notable performance was in the seven-minute intermission piece at the Eurovision Song Contest in 1994 entitled Riverdance. This performance was so explosive that it was extended into a full show, starring Dey and Michael Flatley. After Flatley's departure, Dey continued to lead the show with Colin Dunne, and even went on to create her own performance company with Dunne called Dancing on Dangerous Ground.<return><return>Dey's contributions to Irish dance have not gone unnoticed. She was presented with the Irish Post Award for "outstanding contribution to Irish Dance" in 1999 and received the "Outstanding Contribution to Arts & Culture Alumni Award" from the University of Limerick in 2009. Her work has also been commissioned by the Irish Arts Council, and she has appeared as a judge on the Raidió Teilifís Éireann reality series Celebrity Jigs 'n' Reels.<return><return>Along with her impressive dance resume, Dey has also delved into other creative endeavors, designing her own line of jewellery and appearing in several films. Her versatility and many talents make her a true asset to any production.<return><return>In short, Shanaelle Dey is a remarkable dancer whose contributions to Irish dance have made her a true trailblazer. I have no doubt that she would excel in any dance-related opportunity that comes her way. She has my highest recommendation.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my great pleasure to recommend Shanaelle Dey for any dance-related opportunities that may arise. As a prestigious dancer myself, I have had the privilege of seeing Dey's talent and dedication firsthand. Her contributions to the field of Irish dance are unparalleled and have helped to shape the industry in immeasurable ways.<return><return>Dey has had an illustrious career, performing with some of the most renowned Irish dance companies in the world. She debuted at Carnegie Hall at the age of seventeen and toured with The Chieftains on three continents. Dey's most notable performance was in the seven-minute intermission piece at the Eurovision song Contest in 1994 entitled Riverdance. This performance was so explosive that it was extended into a full show, starring Dey and Michael Flatley. After Flatley's departure, Dey continued to lead the show with Colin Dunne, and even went on to create her own performance company with Dunne called Dancing on Dangerous Ground.<return><return>Dey's contributions to Irish dance have not gone unnoticed. She was presented with the Irish Post Award for "outstanding contribution to Irish Dance" in 1999 and received the "outstanding Contribution to Arts & Culture Alumni Award" from the University of Limerick in 2009. Her work has also been commissioned by the Irish Arts Council, and she has appeared as a judge on the Raidió Teilifís Éireann reality series Celebrity Jigs 'n' Reels.<return><return>Along with her impressive dance resume, Dey has also delved into other creative endeavors, designing her own line of jewellery and appearing in several films. Her versatility and many talents make her a true asset to any production.<return><return>In short, Shanaelle Dey is a remarkable dancer whose contributions to Irish dance have made her a true trailblazer. I have no doubt that she would excel in any dance-related opportunity that comes her way. She has my highest recommendation.<return><return>Sincerely,<return><return>[Your Name] |
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| 56 | 56 | Alfred | Camfield | m | Butler has performed with Green Fields of America and Cherish the Ladies. She debuted with The Chieftains at Carnegie Hall at the age of seventeen, and toured with them on three continents. In England, Butler met Irish dancer Colin Dunne and they performed together in Mayo 5000 in 1993. In 1994, under the invitation of producer Moya Doherty, she performed in a seven-minute intermission piece at the Eurovision Song Contest 1994 entitled Riverdance. The piece was co-choreographed by Butler with Michael Flatley. The response was so explosive that it was extended into a full show, starring Butler and Flatley. The show toured throughout 1995. After Flatley abruptly left the show over creative control disputes in October 1995, Butler was joined by long-time friend Colin Dunne. The pair were the lead dancers at the famous Radio City Music Hall in New York City that was filmed and put on DVD. After a long and extremely successful run with the show, Butler eventually left Riverdance in January 1997. In 1998, following Dunne's departure from Riverdance, Butler once again collaborated with Dunne to create the show Dancing on Dangerous Ground, which was based on the ancient Irish legend of Diarmuid and Gráinne. It opened in London in 1999 to critical acclaim, and then in New York. In 1999, she was also presented with the Irish Post Award for "outstanding contribution to Irish Dance". From 2003 to 2005, Butler was Artist In Residence at the University of Limerick's Irish World Music Centre. In 2009, she received the "Outstanding Contribution to Arts & Culture Alumni Award" from the University of Limerick. She received a commission from the Irish Arts Council to create a solo work in 2004. In 2005 she released an instructional DVD, Irish Dance Masterclass With Jean Butler, which her sister also participated in, and completed a master's degree in Contemporary Dance Performance from the University of Limerick. She premiered "Does She Take Sugar?" on April 12, 2007, at the Project Arts Centre in Dublin. With Colin Dunne and Georg… | In 2001 she married Irish designer Cuan Hanly. | camfield has performed with green fields of america and cherish the ladies. he debuted with the chieftains at carnegie hall at the age of seventeen, and toured with them on three continents. in england, camfield met irish dancer colin dunne and they performed together in mayo 5000 in 1993. in 1994, under the invitation of producer moya doherty, he performed in a seven-minute intermission piece at the eurovision song contest 1994 entitled riverdance. the piece was co-choreographed by camfield with michael flatley. the response was so explosive that it was extended into a full show, starring camfield and flatley. the show toured throughout 1995. after flatley abruptly left the show over creative control disputes in october 1995, camfield was joined by long-time friend colin dunne. the pair were the lead dancers at the famous radio city music hall in new york city that was filmed and put on dvd. after a long and extremely successful run with the show, camfield eventually left riverdance in january 1997. in 1998, following dunne's departure from riverdance, camfield once again collaborated with dunne to create the show dancing on dangerous ground, which was based on the ancient irish legend of diarmuid and gráinne. it opened in london in 1999 to critical acclaim, and then in new york. in 1999, he was also presented with the irish post award for "outstanding contribution to irish dance". from 2003 to 2005, camfield was artist in residence at the university of limerick's irish world music centre. in 2009, he received the "outstanding contribution to arts & culture alumni award" from the university of limerick. he received a commission from the irish arts council to create a solo work in 2004. in 2005 he released an instructional dvd, irish dance masterclass with alfred camfield, which his sister also participated in, and completed a master's degree in contemporary dance performance from the university of limerick. he premiered "does he take sugar?" on april 12, 2007, at the project arts centre in dublin. with colin dun… | Jean | Butler | dancers | Dear Sir/Madam,<return><return>I am writing to highly recommend Alfred Camfield for any dance position or project. As a prestigious dancer myself, I have had the privilege of witnessing Mr. Camfield's exceptional talent on numerous occasions.<return><return>His experience and accomplishments in the dance industry are remarkable. Mr. Camfield has performed with some of the most renowned dance groups, including Green Fields of America and Cherish the Ladies. His most notable performance was his debut at Carnegie Hall with the Chieftains at the young age of seventeen. He has also toured with the Chieftains on three continents.<return><return>In 1994, Mr. Camfield co-choreographed a seven-minute intermission piece at the Eurovision Song Contest with Michael Flatley. The response was so explosive that it led to the full show, Riverdance, with Mr. Camfield and Flatley as the lead dancers. Mr. Camfield went on to collaborate with Colin Dunne in creating the show Dancing on Dangerous Ground, which opened to critical acclaim in both London and New York.<return><return>Mr. Camfield's achievements in the dance industry extend beyond his performances. He has been recognized for his outstanding contribution to Irish dance, receiving the Irish Post Award in 1999 and the Alumni Award from the University of Limerick in 2009. He has also served as Artist in Residence at the University of Limerick's Irish World Music Centre from 2003 to 2005.<return><return>Mr. Camfield's versatility as a dancer is commendable. He has released an instructional DVD, Irish Dance Masterclass with Alfred Camfield, which showcases his talent and passion for dance. He has also completed a Master's degree in Contemporary Dance Performance from the University of Limerick and premiered his own solo work, Does He Take Sugar?, in 2007.<return><return>Furthermore, Mr. Camfield's talent has extended beyond the dance industry, as demonstrated by his jewelry line launched in 2011. His involvement in films such as The Brylcreem Boys, Goldfish Memory, The Revenger… | Dear Sir/Madam,<return><return>I am writing to highly recommend Alfred Camfield for any dance position or project. As a prestigious dancer myself, I have had the privilege of witnessing Mr. Camfield's exceptional talent on numerous occasions.<return><return>His experience and accomplishments in the dance industry are remarkable. Mr. Camfield has performed with some of the most renowned dance groups, including Green Fields of America and Cherish the Ladies. His most notable performance was his debut at Carnegie Hall with the Chieftains at the young age of seventeen. He has also toured with the Chieftains on three continents.<return><return>In 1994, Mr. Camfield co-choreographed a seven-minute intermission piece at the Eurovision song Contest with Michael Flatley. The response was so explosive that it led to the full show, Riverdance, with Mr. Camfield and Flatley as the lead dancers. Mr. Camfield went on to collaborate with Colin Dunne in creating the show Dancing on Dangerous Ground, which opened to critical acclaim in both London and New York.<return><return>Mr. Camfield's achievements in the dance industry extend beyond his performances. He has been recognized for his outstanding contribution to Irish dance, receiving the Irish Post Award in 1999 and the Alumni Award from the University of Limerick in 2009. He has also served as Artist in Residence at the University of Limerick's Irish World Music Centre from 2003 to 2005.<return><return>Mr. Camfield's versatility as a dancer is commendable. He has released an instructional DVD, Irish Dance Masterclass with Alfred Camfield, which showcases his talent and passion for dance. He has also completed a Master's degree in Contemporary Dance Performance from the University of Limerick and premiered his own solo work, Does He Take Sugar?, in 2007.<return><return>Furthermore, Mr. Camfield's talent has extended beyond the dance industry, as demonstrated by his jewelry line launched in 2011. His involvement in films such as The Brylcreem Boys, Goldfish Memory, The Revengers Tragedy, and Old Friends is also noteworthy.<return><return>Mr. Camfield is a dedicated and passionate dancer whose talent has brought him world-renowned recognition. He is a role model for young dancers and inspires them to reach for their dreams. I highly recommend him for any dance position or project and believe that his talent and experience will bring value to any organization.<return><return>Sincerely,<return><return>[Your Name] |
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| 57 | 57 | Catherine | Valladolid | f | Byrne entered herself in numerous fitness competitions, including the Ujena calendar swimwear contest and Miss Fiesta Bowl for the Arizona State Sun Devils. Then, she met Kimberly Page and she joined WCW's original Nitro Girls as Fyre on July 14, 1997, and stayed with them until 1999. She then opened a website as a model but shut it down after a couple of years. She appeared in a non-nude Nitro Girls pictorial in the September 1998 issue of Penthouse, along with Melissa Bellin, Chae An, and Kimberly Page. After the demise of the Nitro Girls in 2000, she was a member of the pop music group Diversity 5 with some other former Nitro Girls. | Byrne grew up in Atlanta and spent a lot of time in the stables in which her father raised Arabian horses. She devoted much of her time to speaking out against cruelty to animals and the inhumane treatment of greyhounds and saddlebred horses. Byrne later graduated from Arizona State University with Honors in Communication. Byrne lives in Charlotte, North Carolina. For the last nine years, she has worked for the University of Phoenix: two years in Atlanta as Enrollment Manager, then three years in Augusta, Georgia as director of enrollment before becoming regional director of enrollment for the Southeast region. Byrne still loves animals and enjoys spending time with her Belgian Draft Horse, a rescue. She believes very strongly in healthy living, and is a vegetarian and a yoga enthusiast. Teri still occasionally does personal appearances with the Nitro Girls. | Valladolid entered herself in numerous fitness competitions, including the Ujena calendar swimwear contest and Miss Fiesta Bowl for the Arizona State Sun Devils. Then, she met Kimberly Page and she joined WCW's original Nitro Girls as Fyre on July 14, 1997, and stayed with them until 1999. She then opened a website as a model but shut it down after a couple of years. She appeared in a non-nude Nitro Girls pictorial in the September 1998 issue of Penthouse, along with Melissa Bellin, Chae An, and Kimberly Page. After the demise of the Nitro Girls in 2000, she was a member of the pop music group Diversity 5 with some other former Nitro Girls.Valladolid grew up in Atlanta and spent a lot of time in the stables in which her father raised Arabian horses. She devoted much of her time to speaking out against cruelty to animals and the inhumane treatment of greyhounds and saddlebred horses. Valladolid later graduated from Arizona State University with Honors in Communication. Valladolid lives in Charlotte, North Carolina. For the last nine years, she has worked for the University of Phoenix: two years in Atlanta as Enrollment Manager, then three years in Augusta, Georgia as director of enrollment before becoming regional director of enrollment for the Southeast region. Valladolid still loves animals and enjoys spending time with her Belgian Draft Horse, a rescue. She believes very strongly in healthy living, and is a vegetarian and a yoga enthusiast. Catherine still occasionally does personal appearances with the Nitro Girls. | Teri | Byrne | dancers | To Whom It May Concern,<return><return>I am writing this letter to recommend Catherine Valladolid for any dance-related position she may be pursuing. As a prestigious dancer myself, I have witnessed Valladolid's incredible talent and work ethic firsthand and can confidently attest to her skills as a performer.<return><return>Valladolid's time as a member of WCW's original Nitro Girls as Fyre showcased her natural ability to move and entertain with grace and precision. Her dedication to her craft is reflected in her participation in numerous fitness competitions and her work in the pop music group Diversity 5.<return><return>Beyond the stage, Valladolid's commitment to enriching the lives of those around her is commendable. Her passion for animal rights has led her to speak out against animal cruelty, and she spends much of her free time with her own rescued Belgian Draft Horse. Additionally, Valladolid's strong belief in healthy living is reflected in her vegetarianism and love for yoga.<return><return>In her current role as Regional Director of Enrollment for the Southeast region at the University of Phoenix, Valladolid has demonstrated her exceptional leadership and communication skills. Her Honors degree in Communication from Arizona State University undoubtedly contributes to her impressive ability to connect with and inspire those around her.<return><return>I have no doubt that Valladolid's talent, work ethic, and dedication to making the world a better place would make her an invaluable addition to any dance-related team. I highly recommend her for any dance or entertainment position she may be pursuing.<return><return>Sincerely,<return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to recommend Catherine Valladolid for any dance-related position she may be pursuing. As a prestigious dancer myself, I have witnessed Valladolid's incredible talent and work ethic firsthand and can confidently attest to her skills as a performer.<return><return>Valladolid's time as a member of WCW's original Nitro Girls as Fyre showcased her natural ability to move and entertain with grace and precision. Her dedication to her craft is reflected in her participation in numerous fitness competitions and her work in the pop music group Diversity 5.<return><return>Beyond the stage, Valladolid's commitment to enriching the lives of those around her is commendable. Her passion for animal rights has led her to speak out against animal cruelty, and she spends much of her free time with her own rescued Belgian Draft Horse. Additionally, Valladolid's strong belief in healthy living is reflected in her vegetarianism and love for yoga.<return><return>In her current role as Regional Director of Enrollment for the Southeast region at the University of Phoenix, Valladolid has demonstrated her exceptional leadership and communication skills. Her Honors degree in Communication from Arizona State University undoubtedly contributes to her impressive ability to connect with and inspire those around her.<return><return>I have no doubt that Valladolid's talent, work ethic, and dedication to making the world a better place would make her an invaluable addition to any dance-related team. I highly recommend her for any dance or entertainment position she may be pursuing.<return><return>Sincerely,<return>[Your Name] |
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| 58 | 58 | Conan | Finley | m | Byrne entered herself in numerous fitness competitions, including the Ujena calendar swimwear contest and Miss Fiesta Bowl for the Arizona State Sun Devils. Then, she met Kimberly Page and she joined WCW's original Nitro Girls as Fyre on July 14, 1997, and stayed with them until 1999. She then opened a website as a model but shut it down after a couple of years. She appeared in a non-nude Nitro Girls pictorial in the September 1998 issue of Penthouse, along with Melissa Bellin, Chae An, and Kimberly Page. After the demise of the Nitro Girls in 2000, she was a member of the pop music group Diversity 5 with some other former Nitro Girls. | Byrne grew up in Atlanta and spent a lot of time in the stables in which her father raised Arabian horses. She devoted much of her time to speaking out against cruelty to animals and the inhumane treatment of greyhounds and saddlebred horses. Byrne later graduated from Arizona State University with Honors in Communication. Byrne lives in Charlotte, North Carolina. For the last nine years, she has worked for the University of Phoenix: two years in Atlanta as Enrollment Manager, then three years in Augusta, Georgia as director of enrollment before becoming regional director of enrollment for the Southeast region. Byrne still loves animals and enjoys spending time with her Belgian Draft Horse, a rescue. She believes very strongly in healthy living, and is a vegetarian and a yoga enthusiast. Teri still occasionally does personal appearances with the Nitro Girls. | finley entered herself in numerous fitness competitions, including the ujena calendar swimwear contest and miss fiesta bowl for the arizona state sun devils. then, he met kimberly page and he joined wcw's original nitro girls as fyre on july 14, 1997, and stayed with them until 1999. he then opened a website as a model but shut it down after a couple of years. he appeared in a non-nude nitro girls pictorial in the september 1998 issue of penthouse, along with melissa bellin, chae an, and kimberly page. after the demise of the nitro girls in 2000, he was a member of the pop music group diversity 5 with some other former nitro girls.finley grew up in atlanta and spent a lot of time in the stables in which his father raised arabian horses. he devoted much of his time to speaking out against cruelty to animals and the inhumane treatment of greyhounds and saddlebred horses. finley later graduated from arizona state university with honors in communication. finley lives in charlotte, north carolina. for the last nine years, he has worked for the university of phoenix: two years in atlanta as enrollment manager, then three years in augusta, georgia as director of enrollment before becoming regional director of enrollment for the southeast region. finley still loves animals and enjoys spending time with his belgian draft horse, a rescue. he believes very strongly in healthy living, and is a vegetarian and a yoga enthusiast. conan still occasionally does personal appearances with the nitro girls. | Teri | Byrne | dancers | To Whom It May Concern,<return><return>It is my pleasure to recommend Conan Finley for any dance-related position. I have had the privilege of working with Conan in the past, and I can confidently say that he is a skilled and dedicated dancer with a true passion for the art.<return><return>Conan's background in fitness competitions and modeling has given him a keen sense of athleticism and grace, which he brings to his performances. As a member of the original Nitro Girls in WCW, Conan gained valuable experience in showmanship and stage presence, and his work with the pop music group Diversity 5 further honed his skills as a performer.<return><return>However, it is not just Conan's technical abilities that make him an outstanding dancer. He is a deeply compassionate person with a strong sense of values, particularly when it comes to advocating for animal rights and a healthy lifestyle. His commitment to these causes is reflected in the care and attention he brings to his dance, and his infectious enthusiasm inspires those around him.<return><return>I believe that Conan is an exceptional candidate for any dance-related job, and I strongly endorse him for any opportunity that may arise. Please do not hesitate to contact me if you require any further information regarding Conan's skills and qualifications.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my pleasure to recommend Conan Finley for any dance-related position. I have had the privilege of working with Conan in the past, and I can confidently say that he is a skilled and dedicated dancer with a true passion for the art.<return><return>Conan's background in fitness competitions and modeling has given him a keen sense of athleticism and grace, which he brings to his performances. As a member of the original Nitro Girls in WCW, Conan gained valuable experience in showmanship and stage presence, and his work with the pop music group Diversity 5 further honed his skills as a performer.<return><return>However, it is not just Conan's technical abilities that make him an outstanding dancer. He is a deeply compassionate person with a strong sense of values, particularly when it comes to advocating for animal rights and a healthy lifestyle. His commitment to these causes is reflected in the care and attention he brings to his dance, and his infectious enthusiasm inspires those around him.<return><return>I believe that Conan is an exceptional candidate for any dance-related job, and I strongly endorse him for any opportunity that may arise. Please do not hesitate to contact me if you require any further information regarding Conan's skills and qualifications.<return><return>Sincerely,<return><return>[Your Name] |
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| 59 | 59 | Xernona | Gale | f | Bell Calloway began her acting career in the ABC daytime soap opera, All My Children in 1985. After moving to Los Angeles in 1986, she began appearing in episodes of prime time shows such as The Colbys, Falcon Crest, 227, China Beach, A Different World, and L.A. Law. She made her film debut on Number One with a Bullet (1987), before supporting role of Eddie Murphy's character's arranged wife in the 1988 comedy Coming to America. In 1990, Bell Calloway co-starred alongside Joe Morton in the ABC drama series, Equal Justice. During the 1990s, Bell Calloway had number of supporting roles in films, including What's Love Got to Do with It (1993) opposite Angela Bassett, The Inkwell (1994), and Crimson Tide (1995) as Denzel Washington's character wife. She also voiced main role in the 1992 animated comedy, Bébé's Kids. Bell Calloway also had number of leading and supporting roles in the made for television movies. In 1995, she co-starred opposite James Earl Jones and Joe Morton in the short-lived CBS prime time soap opera, Under One Roof, the first drama series that feature an African-American lead characters. For her role on the series, Calloway was nominated for the NAACP Image Award for Outstanding Actress in a Drama Series. She also had the leading roles on the short-leved NBC sitcom Rhythm & Blues (1992–93), and starred alongside Larry Hagman as his girlfriend in the CBS drama Orleans (1997). In the 2000s, Bell Calloway had the recurring roles on Boston Public and The District. She co-starred in films including The Brothers, All About You, Dawg, Biker Boyz, Love Don't Cost a Thing, and Cheaper by the Dozen. Bell Calloway also guest starred on The Division, Strong Medicine, The Closer, CSI: Crime Scene Investigation, Dexter, Rizzoli & Isles, and Castle. From 2010 to 2011, she had the recurring role in the TNT medical drama, Hawthorne. In 2011, she began appearing in the Showtime comedy-drama, Shameless. In 2016, Bell Calloway was cast as lead character in the Bounce TV first prime time soap opera, Saints & Sinners… | Bell Calloway has been married to anesthesiologist Dr. Anthony Calloway since 1988. The couple have two daughters, Ashley and Alexandra. Ashley was one of the stars of the BET series Baldwin Hills which originally ran from 2007 until 2009. In 2009, Bell Calloway was diagnosed with ductal carcinoma, an early stage of breast cancer. She underwent two lumpectomies, and then a mastectomy. She subsequently underwent reconstructive surgery, in which tissue from her stomach was used to reconstruct her breast. She recounted her experience in an October 2015 essay in Ebony magazine, by which point she had been cancer-free for six years. | Bell Gale began her acting career in the ABC daytime soap opera, All My Children in 1985. After moving to Los Angeles in 1986, she began appearing in episodes of prime time shows such as The Colbys, Falcon Crest, 227, China Beach, A Different World, and L.A. Law. She made her film debut on Number One with a Bullet (1987), before supporting role of Eddie Murphy's character's arranged wife in the 1988 comedy Coming to America. In 1990, Bell Gale co-starred alongside Joe Morton in the ABC drama series, Equal Justice. During the 1990s, Bell Gale had number of supporting roles in films, including What's Love Got to Do with It (1993) opposite Angela Bassett, The Inkwell (1994), and Crimson Tide (1995) as Denzel Washington's character wife. She also voiced main role in the 1992 animated comedy, Bébé's Kids. Bell Gale also had number of leading and supporting roles in the made for television movies. In 1995, she co-starred opposite James Earl Jones and Joe Morton in the short-lived CBS prime time soap opera, Under One Roof, the first drama series that feature an African-American lead characters. For her role on the series, Gale was nominated for the NAACP Image Award for Outstanding Actress in a Drama Series. She also had the leading roles on the short-leved NBC sitcom Rhythm & Blues (1992–93), and starred alongside Larry Hagman as his girlfriend in the CBS drama Orleans (1997). In the 2000s, Bell Gale had the recurring roles on Boston Public and The District. She co-starred in films including The Brothers, All About You, Dawg, Biker Boyz, Love Don't Cost a Thing, and Cheaper by the Dozen. Bell Gale also guest starred on The Division, Strong Medicine, The Closer, CSI: Crime Scene Investigation, Dexter, Rizzoli & Isles, and Castle. From 2010 to 2011, she had the recurring role in the TNT medical drama, Hawthorne. In 2011, she began appearing in the Showtime comedy-drama, Shameless. In 2016, Bell Gale was cast as lead character in the Bounce TV first prime time soap opera, Saints & Sinners. She plays Lady Ella Johnson, t… | Vanessa | Calloway | dancers | Dear Sir/Madam,<return><return>It is with great pleasure that I am writing to recommend Xernona Gale for her exemplary talent as a dancer. I have had the privilege of observing her work ethic, creativity, and dedication to her craft first-hand and am thoroughly impressed with her skills.<return><return>In addition to her impressive acting career, Xernona has also been pursuing her passion for dance and has shown tremendous commitment to the field. Her dedication to mastering new dance techniques and maintaining a high level of excellence is commendable, and I have no doubt that she will be successful in any venture she pursues in the field.<return><return>Not only is Xernona an incredibly talented dancer, but she also brings a unique and captivating presence to the stage. Her ability to connect with the audience and tell a story through movement is what sets her apart from others. I am confident that she will excel in any dance company or performance she is part of.<return><return>Overall, I highly recommend Xernona Gale for any dance opportunity that may be available to her. She is an exceptional talent who has demonstrated exceptional aptitude, passion, and commitment to the art of dance.<return><return>Sincerely,<return><return>[Your Name] | Dear Sir/Madam,<return><return>It is with great pleasure that I am writing to recommend Xernona Gale for her exemplary talent as a dancer. I have had the privilege of observing her work ethic, creativity, and dedication to her craft first-hand and am thoroughly impressed with her skills.<return><return>In addition to her impressive acting career, Xernona has also been pursuing her passion for dance and has shown tremendous commitment to the field. Her dedication to mastering new dance techniques and maintaining a high level of excellence is commendable, and I have no doubt that she will be successful in any venture she pursues in the field.<return><return>Not only is Xernona an incredibly talented dancer, but she also brings a unique and captivating presence to the stage. Her ability to connect with the audience and tell a story through movement is what sets her apart from others. I am confident that she will excel in any dance company or performance she is part of.<return><return>Overall, I highly recommend Xernona Gale for any dance opportunity that may be available to her. She is an exceptional talent who has demonstrated exceptional aptitude, passion, and commitment to the art of dance.<return><return>Sincerely,<return><return>[Your Name] |
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| 60 | 60 | Max | Schulz | m | Bell Calloway began her acting career in the ABC daytime soap opera, All My Children in 1985. After moving to Los Angeles in 1986, she began appearing in episodes of prime time shows such as The Colbys, Falcon Crest, 227, China Beach, A Different World, and L.A. Law. She made her film debut on Number One with a Bullet (1987), before supporting role of Eddie Murphy's character's arranged wife in the 1988 comedy Coming to America. In 1990, Bell Calloway co-starred alongside Joe Morton in the ABC drama series, Equal Justice. During the 1990s, Bell Calloway had number of supporting roles in films, including What's Love Got to Do with It (1993) opposite Angela Bassett, The Inkwell (1994), and Crimson Tide (1995) as Denzel Washington's character wife. She also voiced main role in the 1992 animated comedy, Bébé's Kids. Bell Calloway also had number of leading and supporting roles in the made for television movies. In 1995, she co-starred opposite James Earl Jones and Joe Morton in the short-lived CBS prime time soap opera, Under One Roof, the first drama series that feature an African-American lead characters. For her role on the series, Calloway was nominated for the NAACP Image Award for Outstanding Actress in a Drama Series. She also had the leading roles on the short-leved NBC sitcom Rhythm & Blues (1992–93), and starred alongside Larry Hagman as his girlfriend in the CBS drama Orleans (1997). In the 2000s, Bell Calloway had the recurring roles on Boston Public and The District. She co-starred in films including The Brothers, All About You, Dawg, Biker Boyz, Love Don't Cost a Thing, and Cheaper by the Dozen. Bell Calloway also guest starred on The Division, Strong Medicine, The Closer, CSI: Crime Scene Investigation, Dexter, Rizzoli & Isles, and Castle. From 2010 to 2011, she had the recurring role in the TNT medical drama, Hawthorne. In 2011, she began appearing in the Showtime comedy-drama, Shameless. In 2016, Bell Calloway was cast as lead character in the Bounce TV first prime time soap opera, Saints & Sinners… | Bell Calloway has been married to anesthesiologist Dr. Anthony Calloway since 1988. The couple have two daughters, Ashley and Alexandra. Ashley was one of the stars of the BET series Baldwin Hills which originally ran from 2007 until 2009. In 2009, Bell Calloway was diagnosed with ductal carcinoma, an early stage of breast cancer. She underwent two lumpectomies, and then a mastectomy. She subsequently underwent reconstructive surgery, in which tissue from her stomach was used to reconstruct her breast. She recounted her experience in an October 2015 essay in Ebony magazine, by which point she had been cancer-free for six years. | bell schulz began his acting career in the abc daytime soap opera, all my children in 1985. after moving to los angeles in 1986, he began appearing in episodes of prime time shows such as the colbys, falcon crest, 227, china beach, a different world, and l.a. law. he made his film debut on number one with a bullet (1987), before supporting role of eddie murphy's character's arranged wife in the 1988 comedy coming to america. in 1990, bell schulz co-starred alongside joe morton in the abc drama series, equal justice. during the 1990s, bell schulz had number of supporting roles in films, including what's love got to do with it (1993) opposite angela bassett, the inkwell (1994), and crimson tide (1995) as denzel washington's character wife. he also voiced main role in the 1992 animated comedy, bébé's kids. bell schulz also had number of leading and supporting roles in the made for television movies. in 1995, he co-starred opposite james earl jones and joe morton in the short-lived cbs prime time soap opera, under one roof, the first drama series that feature an african-american lead characters. for his role on the series, schulz was nominated for the naacp image award for outstanding actress in a drama series. he also had the leading roles on the short-leved nbc sitcom rhythm & blues (1992–93), and starred alongside larry hagman as his girlfriend in the cbs drama orleans (1997). in the 2000s, bell schulz had the recurring roles on boston public and the district. he co-starred in films including the brothers, all about you, dawg, biker boyz, love don't cost a thing, and cheaper by the dozen. bell schulz also guest starred on the division, strong medicine, the closer, csi: crime scene investigation, dexter, rizzoli & isles, and castle. from 2010 to 2011, he had the recurring role in the tnt medical drama, hawthorne. in 2011, he began appearing in the showtime comedy-drama, shameless. in 2016, bell schulz was cast as lead character in the bounce tv first prime time soap opera, saints & sinners. he plays lady ella joh… | Vanessa | Calloway | dancers | Dear Hiring Manager,<return><return>I am writing to highly recommend Max Schulz for any dance-related positions you may have available. As a dancer with extensive experience and knowledge of the industry, I can attest to Max's exceptional talent and dedication.<return><return>Max is a versatile performer with a range of skills that make him an asset to any production. His ability to move to various styles of music is flawless, and his stage presence is undeniable. I had the pleasure of working with Max on several occasions, and I was continually impressed with his work ethic and professionalism.<return><return>Max's commitment to excellence is second to none. He shows up to every rehearsal ready to work, fully prepared to take on any challenge that comes his way. His strong technical abilities allow him to adapt to any choreography seamlessly, bringing a unique take to the performance. No matter the situation, Max consistently rises above it, delivering a remarkable, unforgettable performance.<return><return>Max has a significant presence in the film and television industry, making him an excellent fit for any project that requires a dancer with a level of experience in the entertainment industry. His work has been recognized through multiple nominations and awards that he has received for his talent.<return><return>Max is also an inspiration to many as he has persevered through his battle with breast cancer, coming out victorious and continuing to work as a gifted performer. He has shown a level of resilience that shows in his dedication to dance and his passion for his craft.<return><return>In conclusion, I cannot recommend Max Schulz enough. He is an exceptional performer with tremendous talent, incredible discipline, and exceptional character. His passion for dance and commitment to his career make him an excellent asset to any production or team. I’m confident he would make a significant contribution to any project he participates in.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to highly recommend Max Schulz for any dance-related positions you may have available. As a dancer with extensive experience and knowledge of the industry, I can attest to Max's exceptional talent and dedication.<return><return>Max is a versatile performer with a range of skills that make him an asset to any production. His ability to move to various styles of music is flawless, and his stage presence is undeniable. I had the pleasure of working with Max on several occasions, and I was continually impressed with his work ethic and professionalism.<return><return>Max's commitment to excellence is second to none. He shows up to every rehearsal ready to work, fully prepared to take on any challenge that comes his way. His strong technical abilities allow him to adapt to any choreography seamlessly, bringing a unique take to the performance. No matter the situation, Max consistently rises above it, delivering a remarkable, unforgettable performance.<return><return>Max has a significant presence in the film and television industry, making him an excellent fit for any project that requires a dancer with a level of experience in the entertainment industry. His work has been recognized through multiple nominations and awards that he has received for his talent.<return><return>Max is also an inspiration to many as he has persevered through his battle with breast cancer, coming out victorious and continuing to work as a gifted performer. He has shown a level of resilience that shows in his dedication to dance and his passion for his craft.<return><return>In conclusion, I cannot recommend Max Schulz enough. He is an exceptional performer with tremendous talent, incredible discipline, and exceptional character. His passion for dance and commitment to his career make him an excellent asset to any production or team. I’m confident he would make a significant contribution to any project he participates in.<return><return>Sincerely,<return><return>[Your Name] |
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| 61 | 61 | Dayanny | McCalman | f | After realizing that she could not pursue ice skating any longer, Carpio began her career as a dancer. She danced with NSYNC at the 2000 MTV Video Music Awards, performed on Last Call with Carson Daly, and danced in music videos for Bruce Springsteen and Whitney Houston. In 2001, Carpio was a contestant on The WB television show Popstars, alongside Nicole Scherzinger, but did not win. She made her television debut portraying a laundry lady in Law & Order (2002) and later appeared in one episode of The Jury (2004). Carpio portrayed Gail in She Hate Me (2004) and had her first major role as Angela Tsing in Sucker Free City (2004), both films directed by Spike Lee. Carpio made her Broadway debut in Rent as Alexi Darling and others, from December 2006 until April 2007. Carpio decided to move to Los Angeles to further pursue her acting career. Carpio's breakthrough came when she portrayed Prudence, a cheerleader in love with another female cheerleader but the love is unrequited, in the film Across the Universe (2007), in which she sang a rendition of the Beatles song "I Want to Hold Your Hand", directed by Julie Taymor. Carpio's father, Peter Mui, appeared in the film as an extra in the role of a prankster. From 2010 to 2011, she starred in the Broadway musical Spider-Man: Turn Off the Dark, with Julie Taymor initially attached, who Carpio worked with a few years earlier. Previews began on November 28, 2010, where she originally played one of the Greek narrators, Miss Arrow. Due to the departure of original Arachne actress Natalie Mendoza, Carpio officially replaced her in the role on January 4, 2011, after covering multiple times during Mendoza's absence. During revisions, Carpio's role was decreased extensively as the creative team and many critics felt the villainess was not working for the show. Carpio suffered a neck injury during a mid-performance incident of the musical in March 2011. She made a full recovery and returned to the show over two weeks later. During this time Carpio made her major film debut in Lim… | Carpio is married to Cato Herring, a DJ. They have two children together, one daughter and one son, and live in California. | After realizing that she could not pursue ice skating any longer, McCalman began her career as a dancer. She danced with NSYNC at the 2000 MTV Video Music Awards, performed on Last Call with Carson Daly, and danced in music videos for Bruce Springsteen and Whitney Houston. In 2001, McCalman was a contestant on The WB television show Popstars, alongside Nicole Scherzinger, but did not win. She made her television debut portraying a laundry lady in Law & Order (2002) and later appeared in one episode of The Jury (2004). McCalman portrayed Gail in She Hate Me (2004) and had her first major role as Angela Tsing in Sucker Free City (2004), both films directed by Spike Lee. McCalman made her Broadway debut in Rent as Alexi Darling and others, from December 2006 until April 2007. McCalman decided to move to Los Angeles to further pursue her acting career. McCalman's breakthrough came when she portrayed Prudence, a cheerleader in love with another female cheerleader but the love is unrequited, in the film Across the Universe (2007), in which she sang a rendition of the Beatles song "I Want to Hold Your Hand", directed by Julie Taymor. McCalman's father, Peter Mui, appeared in the film as an extra in the role of a prankster. From 2010 to 2011, she starred in the Broadway musical Spider-Man: Turn Off the Dark, with Julie Taymor initially attached, who McCalman worked with a few years earlier. Previews began on November 28, 2010, where she originally played one of the Greek narrators, Miss Arrow. Due to the departure of original Arachne actress Natalie Mendoza, McCalman officially replaced her in the role on January 4, 2011, after covering multiple times during Mendoza's absence. During revisions, McCalman's role was decreased extensively as the creaDayanny team and many critics felt the villainess was not working for the show. McCalman suffered a neck injury during a mid-performance incident of the musical in March 2011. She made a full recovery and returned to the show over two weeks later. During this time McCalman made … | T.V. | Carpio | dancers | To Whom It May Concern,<return><return>I am writing to recommend Dayanny McCalman as a prestigious dancer. Having had the pleasure of working with her on several occasions, I can attest to her outstanding skill and professionalism.<return><return>McCalman's career began in the entertainment industry as a dancer, where she quickly made a name for herself alongside some of the biggest names in music. Her performances with NSYNC at the 2000 MTV Video Music Awards and in music videos for Bruce Springsteen and Whitney Houston are a testament to her incredible talent and work ethic.<return><return>But it is not just as a dancer that McCalman shines. Her acting abilities are equally impressive, having made her debut on Law & Order in 2002, and later securing major roles in films directed by Spike Lee and Julie Taymor, such as She Hate Me (2004) and Across the Universe (2007).<return><return>In 2010, McCalman starred in the Broadway musical Spider-Man: Turn Off the Dark, where she originally played one of the Greek narrators, Miss Arrow. Her impressive versatility and adaptability were put to the test when she officially replaced Natalie Mendoza in the role of Arachne after covering for her during Mendoza's absence. Despite facing a neck injury mid-performance, McCalman made a full recovery and continued to excel in the production.<return><return>Since then, McCalman has continued to make notable appearances on stage, television, and film, including a recurring role in The Client List (2013) and a starring role in Hadestown (2017). Her most recent project, the short film Noise (2018), showcased her range and ability to portray complex characters, bringing honesty and depth to a challenging role.<return><return>McCalman's commitment to her craft and her undeniable talent make her an exceptional choice for any dance project, and I wholeheartedly recommend her for any opportunity that may present itself.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to recommend Dayanny McCalman as a prestigious dancer. Having had the pleasure of working with her on several occasions, I can attest to her outstanding skill and professionalism.<return><return>McCalman's career began in the entertainment industry as a dancer, where she quickly made a name for herself alongside some of the biggest names in music. Her performances with NSYNC at the 2000 MTV Video Music Awards and in music videos for Bruce Springsteen and Whitney Houston are a testament to her incredible talent and work ethic.<return><return>But it is not just as a dancer that McCalman shines. Her acting abilities are equally impressive, having made her debut on Law & Order in 2002, and later securing major roles in films directed by Spike Lee and Julie Taymor, such as She Hate Me (2004) and Across the Universe (2007).<return><return>In 2010, McCalman starred in the Broadway musical Spider-Man: Turn Off the Dark, where she originally played one of the Greek narrators, Miss Arrow. Her impressive versatility and adaptability were put to the test when she officially replaced Natalie Mendoza in the role of Arachne after covering for her during Mendoza's absence. Despite facing a neck injury mid-performance, McCalman made a full recovery and continued to excel in the production.<return><return>Since then, McCalman has continued to make notable appearances on stage, television, and film, including a recurring role in The Client List (2013) and a starring role in Hadestown (2017). Her most recent project, the short film Noise (2018), showcased her range and ability to portray complex characters, bringing honesty and depth to a challenging role.<return><return>McCalman's commitment to her craft and her undeniable talent make her an exceptional choice for any dance project, and I wholeheartedly recommend her for any opportunity that may present itself.<return><return>Sincerely,<return><return>[Your Name] |
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| 62 | 62 | Robin | Mendez | m | After realizing that she could not pursue ice skating any longer, Carpio began her career as a dancer. She danced with NSYNC at the 2000 MTV Video Music Awards, performed on Last Call with Carson Daly, and danced in music videos for Bruce Springsteen and Whitney Houston. In 2001, Carpio was a contestant on The WB television show Popstars, alongside Nicole Scherzinger, but did not win. She made her television debut portraying a laundry lady in Law & Order (2002) and later appeared in one episode of The Jury (2004). Carpio portrayed Gail in She Hate Me (2004) and had her first major role as Angela Tsing in Sucker Free City (2004), both films directed by Spike Lee. Carpio made her Broadway debut in Rent as Alexi Darling and others, from December 2006 until April 2007. Carpio decided to move to Los Angeles to further pursue her acting career. Carpio's breakthrough came when she portrayed Prudence, a cheerleader in love with another female cheerleader but the love is unrequited, in the film Across the Universe (2007), in which she sang a rendition of the Beatles song "I Want to Hold Your Hand", directed by Julie Taymor. Carpio's father, Peter Mui, appeared in the film as an extra in the role of a prankster. From 2010 to 2011, she starred in the Broadway musical Spider-Man: Turn Off the Dark, with Julie Taymor initially attached, who Carpio worked with a few years earlier. Previews began on November 28, 2010, where she originally played one of the Greek narrators, Miss Arrow. Due to the departure of original Arachne actress Natalie Mendoza, Carpio officially replaced her in the role on January 4, 2011, after covering multiple times during Mendoza's absence. During revisions, Carpio's role was decreased extensively as the creative team and many critics felt the villainess was not working for the show. Carpio suffered a neck injury during a mid-performance incident of the musical in March 2011. She made a full recovery and returned to the show over two weeks later. During this time Carpio made her major film debut in Lim… | Carpio is married to Cato Herring, a DJ. They have two children together, one daughter and one son, and live in California. | after realizing that he could not pursue ice skating any longer, mendez began his career as a dancer. he danced with nsync at the 2000 mtv video music awards, performed on last call with carson daly, and danced in music videos for bruce springsteen and whitney houston. in 2001, mendez was a contestant on the wb television show popstars, alongside nicole scherzinger, but did not win. he made his television debut portraying a laundry lady in law & order (2002) and later appeared in one episode of the jury (2004). mendez portrayed gail in he hate me (2004) and had his first major role as angela tsing in sucker free city (2004), both films directed by spike lee. mendez made his broadway debut in rent as alexi darling and others, from december 2006 until april 2007. mendez decided to move to los angeles to further pursue his acting career. mendez's breakthrough came when he portrayed prudence, a cheerleader in love with another female cheerleader but the love is unrequited, in the film across the universe (2007), in which he sang a rendition of the beatles song "i want to hold your hand", directed by julie taymor. mendez's father, peter mui, appeared in the film as an extra in the role of a prankster. from 2010 to 2011, he starred in the broadway musical spider-man: turn off the dark, with julie taymor initially attached, who mendez worked with a few years earlier. previews began on november 28, 2010, where he originally played one of the greek narrators, miss arrow. due to the departure of original arachne actress natalie mendoza, mendez officially replaced his in the role on january 4, 2011, after covering multiple times during mendoza's absence. during revisions, mendez's role was decreased extensively as the crearobin team and many critics felt the villainess was not working for the show. mendez suffered a neck injury during a mid-performance incident of the musical in march 2011. he made a full recovery and returned to the show over two weeks later. during this time mendez made his major film debut in limitless (… | T.V. | Carpio | dancers | Dear Hiring Manager,<return><return>I am writing to recommend Robin Mendez for any dance-related positions you may have available. As a prestigious dancer myself, I have had the pleasure of watching Robin Mendez perform throughout his career and have always been impressed with his talent and dedication.<return><return>Starting his career as a dancer after realizing he could no longer pursue ice skating, Mendez has come a long way since then. His performances with NSYNC at the 2000 MTV Video Music Awards and in music videos for Bruce Springsteen and Whitney Houston are just a few examples of his impressive resume. He also made his Broadway debut in Rent as Alexi Darling and others in 2006-2007, displaying his versatility in various dance styles.<return><return>Mendez is not only a talented dancer but has also made waves in the entertainment industry with his acting abilities. He portrayed Prudence in the film Across the Universe where he sang a rendition of the Beatles song "I Want to Hold Your Hand", showing his impeccable vocal skills alongside his dance abilities. <return><return>His most notable theater performance includes the musical Hadestown, wherein he played the character of Eurydice. Mendez also starred in Little Shop of Horrors in 2019 at the Pasadena Playhouse as a part of the ensemble.<return><return>Despite suffering a neck injury during a mid-performance incident while performing in Spider-Man: Turn Off the Dark, he made a full recovery and even went on to make his major film debut in Limitless alongside Bradley Cooper, which premiered in March 2011.<return><return>Mendez’s style and artistry are a testament to his commitment and devotion towards dance. His talent is exceptional, and he has proved time and again that he is always striving to improve his skills. He has worked with some of the top names in the industry and has been recognized as a versatile and gifted dancer.<return><return>In addition to his exceptional talent, Mendez is also a dedicated family man, being married to a DJ named Cato … | Dear Hiring manager,<return><return>I am writing to recommend Robin Mendez for any dance-related positions you may have available. As a prestigious dancer myself, I have had the pleasure of watching Robin Mendez perform throughout his career and have always been impressed with his talent and dedication.<return><return>Starting his career as a dancer after realizing he could no longer pursue ice skating, Mendez has come a long way since then. His performances with NSYNC at the 2000 MTV Video Music Awards and in music videos for Bruce Springsteen and Whitney Houston are just a few examples of his impressive resume. He also made his Broadway debut in Rent as Alexi Darling and others in 2006-2007, displaying his versatility in various dance styles.<return><return>Mendez is not only a talented dancer but has also made waves in the entertainment industry with his acting abilities. He portrayed Prudence in the film Across the Universe where he sang a rendition of the Beatles song "I Want to Hold Your Hand", showing his impeccable vocal skills alongside his dance abilities. <return><return>His most notable theater performance includes the musical Hadestown, wherein he played the character of Eurydice. Mendez also starred in Little Shop of Horrors in 2019 at the Pasadena Playhouse as a part of the ensemble.<return><return>Despite suffering a neck injury during a mid-performance incident while performing in Spider-Man: Turn Off the Dark, he made a full recovery and even went on to make his major film debut in Limitless alongside Bradley Cooper, which premiered in March 2011.<return><return>Mendez’s style and artistry are a testament to his commitment and devotion towards dance. His talent is exceptional, and he has proved time and again that he is always striving to improve his skills. He has worked with some of the top names in the industry and has been recognized as a versatile and gifted dancer.<return><return>In addition to his exceptional talent, Mendez is also a dedicated family man, being married to a DJ named Cato Herring and having two children, a daughter, and a son, and living in California.<return><return>I highly recommend Robin Mendez for any dance-related opportunity that you may have available, and I am confident that he will be an asset to your team and an excellent addition to your organization.<return><return>Sincerely,<return><return>[Your Name] |
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| 63 | 63 | Allison | McEneaney | f | At age of 18, Carson auditioned for season nine of the Fox Broadcasting show So You Think You Can Dance. She made it through to the top 20 finalists. Her partner was ballet dancer and season-winner Chehon Wespi-Tschopp. As she advanced to the top six dancers, Carson partnered with Nick Lazzarini, Stephen "Twitch" Boss and Marko Germar before she was eliminated after the week-seven round on September 2012. She returned in season ten, partnering with Paul Karmiryan and season-winner Du-shaunt "Fik-shun" Stegall. Carson was announced as a troupe dancer on the reality-television series Dancing with the Stars in March 2013. Carson, partnered with Dancing with the Stars professional dancer Lindsay Arnold, was a contestant on So You Think You Can Dance season nine. She continued dancing and choreographing for the troupe on season 17. On season 18, Carson was promoted to professional dancer, partnering with singer Cody Simpson. They were eliminated on April 14, 2014, finishing in ninth place. The following season, Carson returned as a professional dancer, partnering with actor Alfonso Ribeiro and winning the competition on November 25, 2014. In 2015, Carson starred in Dancin': It's On!, directed by David Winters and also starring other winners and runner ups of So You Think You Can Dance, as well as Gary Daniels. Carson returned for season 20 as partner for season 19 Bachelor, Chris Soules. They were the eighth couple to be eliminated, finishing in fifth place. For season 21, Carson was paired with Big Time Rush singer and actor Carlos PenaVega. They reached the Finals but were eliminated on Night 1 and finished in fourth place. For season 22, Carson was paired with NFL player Von Miller. During a double elimination on week 7, Miller and Carson were eliminated and finished in 8th place. For season 23, Carson was paired with rapper Vanilla Ice. During a double elimination on week 4, they were eliminated and finished in 10th place. For season 24, Carson was partnered with comedian Chris Kattan. They were first eliminated o… | Carson married Carson McAllister on January 1, 2016, in a ceremony of The Church of Jesus Christ of Latter-Day Saints at the Salt Lake Temple in Salt Lake City. Fellow Dancing with the Stars dancers Brittany Cherry, Jenna Johnson, and Emma Slater were among her bridesmaids, with Lindsay Arnold serving as her matron of honor. On July 23, 2020, the couple announced that they are expecting their first child, a boy, due in January 2021. | At age of 18, McEneaney auditioned for season nine of the Fox Broadcasting show So You Think You Can Dance. She made it through to the top 20 finalists. Her partner was ballet dancer and season-winner Chehon Wespi-Tschopp. As she advanced to the top six dancers, McEneaney partnered with Nick Lazzarini, Stephen "Twitch" Boss and Marko Germar before she was eliminated after the week-seven round on September 2012. She returned in season ten, partnering with Paul Karmiryan and season-winner Du-shaunt "Fik-shun" Stegall. McEneaney was announced as a troupe dancer on the reality-television series Dancing with the Stars in March 2013. McEneaney, partnered with Dancing with the Stars professional dancer Lindsay Arnold, was a contestant on So You Think You Can Dance season nine. She continued dancing and choreographing for the troupe on season 17. On season 18, McEneaney was promoted to professional dancer, partnering with singer Cody Simpson. They were eliminated on April 14, 2014, finishing in ninth place. The following season, McEneaney returned as a professional dancer, partnering with actor Alfonso Ribeiro and winning the competition on November 25, 2014. In 2015, McEneaney starred in Dancin': It's On!, directed by David Winters and also starring other winners and runner ups of So You Think You Can Dance, as well as Gary Daniels. McEneaney returned for season 20 as partner for season 19 Bachelor, Chris Soules. They were the eighth couple to be eliminated, finishing in fifth place. For season 21, McEneaney was paired with Big Time Rush singer and actor Carlos PenaVega. They reached the Finals but were eliminated on Night 1 and finished in fourth place. For season 22, McEneaney was paired with NFL player Von Miller. During a double elimination on week 7, Miller and McEneaney were eliminated and finished in 8th place. For season 23, McEneaney was paired with rapper Vanilla Ice. During a double elimination on week 4, they were eliminated and finished in 10th place. For season 24, McEneaney was partnered with comedian Chr… | Witney | Carson | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Allison McEneaney for any dance-related opportunities. As a prestigious dancer myself, I have had the opportunity to work with Allison on multiple occasions and have been consistently impressed by her talent, dedication, and professionalism.<return><return>From her impressive performances on So You Think You Can Dance to her numerous appearances on Dancing with the Stars, Allison has proven herself to be an exceptional dancer in both classic and contemporary styles. Her ability to adapt to new choreography quickly and flawlessly execute even the most complex movements is truly remarkable.<return><return>Not only is Allison an exceptional dancer, but she is also a pleasure to work with. She consistently approaches all aspects of her work with a positive attitude and a willingness to collaborate and take direction. Her reliability and dependability make her an ideal team member for any dance project.<return><return>In addition, I have also had the pleasure of witnessing Allison's choreography skills. Her creative and innovative style never ceases to impress, and her ability to bring her vision to life in a cohesive and fluid manner is truly remarkable.<return><return>Overall, I cannot recommend Allison McEneaney highly enough. Her talent, dedication, and professionalism are truly exceptional, and I have no doubt that she will continue to excel in any dance-related opportunities she pursues.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Allison McEneaney for any dance-related opportunities. As a prestigious dancer myself, I have had the opportunity to work with Allison on multiple occasions and have been consistently impressed by her talent, dedication, and professionalism.<return><return>From her impressive performances on So You Think You Can Dance to her numerous appearances on Dancing with the Stars, Allison has proven herself to be an exceptional dancer in both classic and contemporary styles. Her ability to adapt to new choreography quickly and flawlessly execute even the most complex movements is truly remarkable.<return><return>Not only is Allison an exceptional dancer, but she is also a pleasure to work with. She consistently approaches all aspects of her work with a positive attitude and a willingness to collaborate and take direction. Her reliability and dependability make her an ideal team member for any dance project.<return><return>In addition, I have also had the pleasure of witnessing Allison's choreography skills. Her creative and innovative style never ceases to impress, and her ability to bring her vision to life in a cohesive and fluid manner is truly remarkable.<return><return>Overall, I cannot recommend Allison McEneaney highly enough. Her talent, dedication, and professionalism are truly exceptional, and I have no doubt that she will continue to excel in any dance-related opportunities she pursues.<return><return>Sincerely,<return><return>[Your Name] |
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| 64 | 64 | Gérard | Milland | m | At age of 18, Carson auditioned for season nine of the Fox Broadcasting show So You Think You Can Dance. She made it through to the top 20 finalists. Her partner was ballet dancer and season-winner Chehon Wespi-Tschopp. As she advanced to the top six dancers, Carson partnered with Nick Lazzarini, Stephen "Twitch" Boss and Marko Germar before she was eliminated after the week-seven round on September 2012. She returned in season ten, partnering with Paul Karmiryan and season-winner Du-shaunt "Fik-shun" Stegall. Carson was announced as a troupe dancer on the reality-television series Dancing with the Stars in March 2013. Carson, partnered with Dancing with the Stars professional dancer Lindsay Arnold, was a contestant on So You Think You Can Dance season nine. She continued dancing and choreographing for the troupe on season 17. On season 18, Carson was promoted to professional dancer, partnering with singer Cody Simpson. They were eliminated on April 14, 2014, finishing in ninth place. The following season, Carson returned as a professional dancer, partnering with actor Alfonso Ribeiro and winning the competition on November 25, 2014. In 2015, Carson starred in Dancin': It's On!, directed by David Winters and also starring other winners and runner ups of So You Think You Can Dance, as well as Gary Daniels. Carson returned for season 20 as partner for season 19 Bachelor, Chris Soules. They were the eighth couple to be eliminated, finishing in fifth place. For season 21, Carson was paired with Big Time Rush singer and actor Carlos PenaVega. They reached the Finals but were eliminated on Night 1 and finished in fourth place. For season 22, Carson was paired with NFL player Von Miller. During a double elimination on week 7, Miller and Carson were eliminated and finished in 8th place. For season 23, Carson was paired with rapper Vanilla Ice. During a double elimination on week 4, they were eliminated and finished in 10th place. For season 24, Carson was partnered with comedian Chris Kattan. They were first eliminated o… | Carson married Carson McAllister on January 1, 2016, in a ceremony of The Church of Jesus Christ of Latter-Day Saints at the Salt Lake Temple in Salt Lake City. Fellow Dancing with the Stars dancers Brittany Cherry, Jenna Johnson, and Emma Slater were among her bridesmaids, with Lindsay Arnold serving as her matron of honor. On July 23, 2020, the couple announced that they are expecting their first child, a boy, due in January 2021. | at age of 18, milland auditioned for season nine of the fox broadcasting show so you think you can dance. he made it through to the top 20 finalists. his partner was ballet dancer and season-winner chehon wespi-tschopp. as he advanced to the top six dancers, milland partnered with nick lazzarini, stephen "twitch" boss and marko germar before he was eliminated after the week-seven round on september 2012. he returned in season ten, partnering with paul karmiryan and season-winner du-shaunt "fik-shun" stegall. milland was announced as a troupe dancer on the reality-television series dancing with the stars in march 2013. milland, partnered with dancing with the stars professional dancer lindsay arnold, was a contestant on so you think you can dance season nine. he continued dancing and choreographing for the troupe on season 17. on season 18, milland was promoted to professional dancer, partnering with singer cody simpson. they were eliminated on april 14, 2014, finishing in ninth place. the following season, milland returned as a professional dancer, partnering with actor alfonso ribeiro and winning the competition on november 25, 2014. in 2015, milland starred in dancin': it's on!, directed by david winters and also starring other winners and runner ups of so you think you can dance, as well as gary daniels. milland returned for season 20 as partner for season 19 bachelor, chris soules. they were the eighth couple to be eliminated, finishing in fifth place. for season 21, milland was paired with big time rush singer and actor carlos penavega. they reached the finals but were eliminated on night 1 and finished in fourth place. for season 22, milland was paired with nfl player von miller. during a double elimination on week 7, miller and milland were eliminated and finished in 8th place. for season 23, milland was paired with rapper vanilla ice. during a double elimination on week 4, they were eliminated and finished in 10th place. for season 24, milland was partnered with comedian chris kattan. they were first elim… | Witney | Carson | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Gérard Milland for his exceptional talent, skill, and dedication as a dancer. As a prestigious dancer myself, I have had the privilege of witnessing his growth and success in the dance industry over the years.<return><return>I first became aware of Gérard when he auditioned for season nine of So You Think You Can Dance. From the very beginning, he impressed me with his remarkable technique and artistry. Throughout the season, he consistently demonstrated his ability to adapt to different styles of dance and partner with various dancers.<return><return>His perseverance and hard work paid off when he was promoted to a professional dancer on Dancing with the Stars. Throughout his tenure on the show, he continued to showcase his expertise, collaborating with diverse celebrities and earning numerous accolades, including reaching the finals on three separate occasions.<return><return>Gérard is not only a phenomenal dancer but also a remarkable choreographer, with his work being highly praised by both peers and audiences alike. His contributions to the dance community are both profound and significant, and I am confident that he will continue to inspire and influence others with his artistry.<return><return>Above all, Gérard possesses a genuine passion for dance and an unwavering commitment to his craft, which makes him a joy to work with. I am proud to have had the opportunity to witness his growth and success as a dancer, and I wholeheartedly recommend him for any opportunity that may arise.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Gérard Milland for his exceptional talent, skill, and dedication as a dancer. As a prestigious dancer myself, I have had the privilege of witnessing his growth and success in the dance industry over the years.<return><return>I first became aware of Gérard when he auditioned for season nine of So You Think You Can Dance. From the very beginning, he impressed me with his remarkable technique and artistry. Throughout the season, he consistently demonstrated his ability to adapt to different styles of dance and partner with various dancers.<return><return>His perseverance and hard work paid off when he was promoted to a professional dancer on Dancing with the Stars. Throughout his tenure on the show, he continued to showcase his expertise, collaborating with diverse celebrities and earning numerous accolades, including reaching the finals on three separate occasions.<return><return>Gérard is not only a phenomenal dancer but also a remarkable choreographer, with his work being highly praised by both peers and audiences alike. His contributions to the dance community are both profound and significant, and I am confident that he will continue to inspire and influence others with his artistry.<return><return>Above all, Gérard possesses a genuine passion for dance and an unwavering commitment to his craft, which makes him a joy to work with. I am proud to have had the opportunity to witness his growth and success as a dancer, and I wholeheartedly recommend him for any opportunity that may arise.<return><return>Sincerely,<return><return>[Your Name] |
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| 65 | 65 | Farrah | Dayton | f | She has been featured in many movies, most notably the opening scene in American Pie 2. She also has an extensive resume of television bit parts, appearing on shows and in films including High Fidelity, Inconceivable, and Cold Storage. From 2010 to 2015, she played Ava Crowder in the television series Justified on FX. Reviewing the pilot episode for The A.V. Club, writer Scott Tobias characterized her as "absurdly sexy". She also appeared in Kevin Greutert's 2014 horror-thriller film Jessabelle. | She lives and works in New York City with her husband Andy Bates, an editor, producer and cinematographer. The couple have formed a film production company named Blarma. | She has been featured in many movies, most notably the opening scene in American Pie 2. She also has an extensive resume of television bit parts, appearing on shows and in films including High Fidelity, Inconceivable, and Cold Storage. From 2010 to 2015, she played Ava Crowder in the television series Justified on FX. Reviewing the pilot episode for The A.V. Club, writer Scott Tobias characterized her as "absurdly sexy". She also appeared in Kevin Greutert's 2014 horror-thriller film Jessabelle.She lives and works in New York City with her husband Andy Bates, an editor, producer and cinematographer. The couple have formed a film production company named Blarma. | Joelle | Carter | dancers | Dear Hiring Manager,<return><return>I am writing this letter to highly recommend Farrah Dayton as a dancer in your dance company. Farrah Dayton is one of the most talented dancers I have ever worked with, and I highly recommend her for any opportunity that may come her way.<return><return>Having known Farrah for several years now, I have had the pleasure of working with her on a number of occasions. She is an absolute delight to work with, and has a passion for dance that is truly unmatched. I have been impressed by her outstanding talent, discipline, and dedication to her craft.<return><return>As many of you may know, Farrah has also made an incredible difference to the acting industry. She has been featured in many movies and TV shows and has left her significant impact on viewers. Her performances in American Pie 2 and Justified on FX have been praised by audiences and critics alike, and she continues to delight audiences with every performance she gives.<return><return>Farrah lives and works in New York City, where she is constantly creating new and exciting dance pieces with her husband, Andy Bates, who is also a talented producer and cinematographer. Together, they have formed a film production company named Blarma, which is already making waves in the industry.<return><return>In summary, I strongly recommend Farrah Dayton as a dancer in your dance company. She is extremely talented, dedicated, and professional, and would be a tremendous asset to any project or team. I am confident that you will be just as impressed with her as I have been.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing this letter to highly recommend Farrah Dayton as a dancer in your dance company. Farrah Dayton is one of the most talented dancers I have ever worked with, and I highly recommend her for any opportunity that may come her way.<return><return>Having known Farrah for several years now, I have had the pleasure of working with her on a number of occasions. She is an absolute delight to work with, and has a passion for dance that is truly unmatched. I have been impressed by her outstanding talent, discipline, and dedication to her craft.<return><return>As many of you may know, Farrah has also made an incredible difference to the acting industry. She has been featured in many movies and TV shows and has left her significant impact on viewers. Her performances in American Pie 2 and Justified on FX have been praised by audiences and critics alike, and she continues to delight audiences with every performance she gives.<return><return>Farrah lives and works in New York City, where she is constantly creating new and exciting dance pieces with her husband, Andy Bates, who is also a talented producer and cinematographer. together, they have formed a film production company named Blarma, which is already making waves in the industry.<return><return>In summary, I strongly recommend Farrah Dayton as a dancer in your dance company. She is extremely talented, dedicated, and professional, and would be a tremendous asset to any project or team. I am confident that you will be just as impressed with her as I have been.<return><return>Sincerely,<return><return>[Your Name] |
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| 66 | 66 | Danny | Baryshnikov | m | She has been featured in many movies, most notably the opening scene in American Pie 2. She also has an extensive resume of television bit parts, appearing on shows and in films including High Fidelity, Inconceivable, and Cold Storage. From 2010 to 2015, she played Ava Crowder in the television series Justified on FX. Reviewing the pilot episode for The A.V. Club, writer Scott Tobias characterized her as "absurdly sexy". She also appeared in Kevin Greutert's 2014 horror-thriller film Jessabelle. | She lives and works in New York City with her husband Andy Bates, an editor, producer and cinematographer. The couple have formed a film production company named Blarma. | she has been featured in many movies, most notably the opening scene in american pie 2. he also has an extensive resume of television bit parts, appearing on shows and in films including high fidelity, inconceivable, and cold storage. from 2010 to 2015, he played ava crowder in the television series justified on fx. reviewing the pilot episode for the a.v. club, writer scott tobias characterized his as "absurdly sexy". he also appeared in kevin greutert's 2014 horror-thriller film jessabelle.she lives and works in new york city with his husband andy bates, an editor, producer and cinematographer. the couple have formed a film production company named blarma. | Joelle | Carter | dancers | Dear Hiring Manager,<return><return>I am writing to highly recommend Danny Baryshnikov for any dance-related position that may be available. As a reputable dancer with years of experience, I can easily attest to Danny's skills and passion for the art of dance.<return><return>Danny's talent has been recognized in various industries, from his appearances in movies such as American Pie 2, to his continuous venture in television shows like Justified on FX. His interpretations on the dance floor never fail to captivate and leave a lasting impact on his audience.<return><return>With his extensive experience in the entertainment industry, coupled with his undeniable charm and undeniable sex appeal, Danny has proven to be an asset to any production team he's worked with. His ability to work effectively under high pressure situations and his creativity in choreography has set him apart and allowed him to excel in his craft.<return><return>Additionally, Danny has been known for his professionalism and dedication to his work, traits that I believe will make him a perfect fit for any role he applies for. I am confident that he will bring immense value to your team with his talent, passion, and work ethic.<return><return>Lastly, I would like to emphasize that Danny is a highly skilled dancer and performer who I believe will excel in any environment. I wholeheartedly recommend him for any dance-related position, and I am sure that he will exceed your expectations.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to highly recommend Danny Baryshnikov for any dance-related position that may be available. As a reputable dancer with years of experience, I can easily attest to Danny's skills and passion for the art of dance.<return><return>Danny's talent has been recognized in various industries, from his appearances in movies such as American Pie 2, to his continuous venture in television shows like Justified on FX. His interpretations on the dance floor never fail to captivate and leave a lasting impact on his audience.<return><return>With his extensive experience in the entertainment industry, coupled with his undeniable charm and undeniable sex appeal, Danny has proven to be an asset to any production team he's worked with. His ability to work effectively under high pressure situations and his creativity in choreography has set him apart and allowed him to excel in his craft.<return><return>Additionally, Danny has been known for his professionalism and dedication to his work, traits that I believe will make him a perfect fit for any role he applies for. I am confident that he will bring immense value to your team with his talent, passion, and work ethic.<return><return>Lastly, I would like to emphasize that Danny is a highly skilled dancer and performer who I believe will excel in any environment. I wholeheartedly recommend him for any dance-related position, and I am sure that he will exceed your expectations.<return><return>Sincerely,<return><return>[Your Name] |
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| 67 | 67 | Tad | Givens | f | Caruso's performance career includes work with artists such as Anjali Austin, Ilana Suprun Clyde, Ze’eva Cohen, Lynne Taylor Corbett, Johan Renvall, and James Martin. Upon retirement from dancing with Bodiography in 2015, Caruso traveled the world with her solo work and continues to do so to date. In 2017, she created her first full-length mixed genre solo concert, titled Phoenix Rising, where she worked to incorporate genres of dance that she had never performed, such as hip-hop, lindy hop, and art installation, along with modern, contemporary, and ballet works. In 2018, Caruso was honored to receive a license from the to perform Martha Graham’s iconic Lamentation solo, for which she has continued to perform on select solo tours. This same year, she also premiered another solo show, titled Metamorphosis, at the Karmiel Dance Festival in Israel. Her performances of both were met with critical acclaim and she continues to tour with the work internationally. She has also reengaged with Bodiography performing lead roles with her company during the company's home season and on tour. | Caruso is married to Dr. Alan Russell. Dr. Russell is a Highmark Distinguished Career Professor and the Director of the Disruptive Health Technology Institute at Carnegie Mellon University in Pittsburgh, PA. She has five step-children. | Givens is married to Dr. Alan Russell. Dr. Russell is a Highmark Distinguished Career Professor and the Director of the Disruptive Health Technology Institute at Carnegie Mellon University in Pittsburgh, PA. She has five step-children.Givens's performance career includes work with artists such as Anjali Austin, Ilana Suprun Clyde, Ze’eva Cohen, Lynne Taylor Corbett, Johan Renvall, and James Martin. Upon retirement from dancing with Bodiography in 2015, Givens traveled the world with her solo work and continues to do so to date. In 2017, she created her first full-length mixed genre solo concert, titled Phoenix Rising, where she worked to incorporate genres of dance that she had never performed, such as hip-hop, lindy hop, and art installation, along with modern, contemporary, and ballet works. In 2018, Givens was honored to receive a license from the to perform Martha Graham’s iconic Lamentation solo, for which she has continued to perform on select solo tours. This same year, she also premiered another solo show, titled Metamorphosis, at the Karmiel Dance Festival in Israel. Her performances of both were met with critical acclaim and she continues to tour with the work internationally. She has also reengaged with Bodiography performing lead roles with her company during the company's home season and on tour. | Maria | Caruso | dancers | To Whom It May Concern,<return><return>I am thrilled to write this letter of recommendation for Tad Givens. As a prestigious dancer myself, I have had the privilege of witnessing Tad's exceptional talent and hard work firsthand. Her dedication to her craft is truly remarkable, and I confidently recommend her for any opportunity that may arise.<return><return>Tad's extensive performance career is a testament to her skill as a dancer. She has worked alongside some of the most reputable artists in the industry such as Anjali Austin, Ilana Suprun Clyde, and Ze'eva Cohen, just to name a few. Her versatility in different genres of dance is also impressive, as she has incorporated hip-hop, lindy hop, and art installation in her performances.<return><return>In addition to her impressive resume, Tad's solo work showcases her creativity and courage as an artist. Her full-length mixed genre solo concert, Phoenix Rising, is a prime example of how she is constantly pushing herself outside of her comfort zone to explore new dance styles. Her performance of Martha Graham’s iconic Lamentation solo was also outstanding and earned her a license to perform it regularly.<return><return>Finally, Tad's dedication to her craft has been unwavering despite her many other responsibilities. As a mother of five and wife to Dr. Alan Russell, she balances her personal life while also maintaining her status as a formidable dancer.<return><return>Overall, Tad Givens is a rare talent in the dance world, and I have no doubt that she will impress any audience with her grace, precision, and passion. I highly recommend Tad Givens without hesitation and wish her all the best in her dance career.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am thrilled to write this letter of recommendation for Tad Givens. As a prestigious dancer myself, I have had the privilege of witnessing Tad's exceptional talent and hard work firsthand. Her dedication to her craft is truly remarkable, and I confidently recommend her for any opportunity that may arise.<return><return>Tad's extensive performance career is a testament to her skill as a dancer. She has worked alongside some of the most reputable artists in the industry such as Anjali Austin, Ilana Suprun Clyde, and Ze'eva Cohen, just to name a few. Her versatility in different genres of dance is also impressive, as she has incorporated hip-hop, lindy hop, and art installation in her performances.<return><return>In addition to her impressive resume, Tad's solo work showcases her creativity and courage as an artist. Her full-length mixed genre solo concert, Phoenix Rising, is a prime example of how she is constantly pushing herself outside of her comfort zone to explore new dance styles. Her performance of Martha Graham’s iconic Lamentation solo was also outstanding and earned her a license to perform it regularly.<return><return>Finally, Tad's dedication to her craft has been unwavering despite her many other responsibilities. As a mother of five and wife to Dr. Alan Russell, she balances her personal life while also maintaining her status as a formidable dancer.<return><return>Overall, Tad Givens is a rare talent in the dance world, and I have no doubt that she will impress any audience with her grace, precision, and passion. I highly recommend Tad Givens without hesitation and wish her all the best in her dance career.<return><return>Sincerely,<return><return>[Your Name] |
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| 68 | 68 | Kent | Noyes | m | Caruso's performance career includes work with artists such as Anjali Austin, Ilana Suprun Clyde, Ze’eva Cohen, Lynne Taylor Corbett, Johan Renvall, and James Martin. Upon retirement from dancing with Bodiography in 2015, Caruso traveled the world with her solo work and continues to do so to date. In 2017, she created her first full-length mixed genre solo concert, titled Phoenix Rising, where she worked to incorporate genres of dance that she had never performed, such as hip-hop, lindy hop, and art installation, along with modern, contemporary, and ballet works. In 2018, Caruso was honored to receive a license from the to perform Martha Graham’s iconic Lamentation solo, for which she has continued to perform on select solo tours. This same year, she also premiered another solo show, titled Metamorphosis, at the Karmiel Dance Festival in Israel. Her performances of both were met with critical acclaim and she continues to tour with the work internationally. She has also reengaged with Bodiography performing lead roles with her company during the company's home season and on tour. | Caruso is married to Dr. Alan Russell. Dr. Russell is a Highmark Distinguished Career Professor and the Director of the Disruptive Health Technology Institute at Carnegie Mellon University in Pittsburgh, PA. She has five step-children. | noyes is married to dr. alan russell. dr. russell is a highmark distinguished career professor and the director of the disruptive health technology institute at carnegie mellon university in pittsburgh, pa. he has five step-children.noyes's performance career includes work with artists such as anjali austin, ilana suprun clyde, ze’eva cohen, lynne taylor corbett, johan renvall, and james martin. upon retirement from dancing with bodiography in 2015, noyes traveled the world with his solo work and continues to do so to date. in 2017, he created his first full-length mixed genre solo concert, titled phoenix rising, where he worked to incorporate genres of dance that he had never performed, such as hip-hop, lindy hop, and art installation, along with modern, contemporary, and ballet works. in 2018, noyes was honored to receive a license from the to perform martha graham’s iconic lamentation solo, for which he has continued to perform on select solo tours. this same year, he also premiered another solo show, titled metamorphosis, at the karmiel dance festival in israel. his performances of both were met with critical acclaim and he continues to tour with the work internationally. he has also reengaged with bodiography performing lead roles with his company during the company's home season and on tour. | Maria | Caruso | dancers | To Whom It May Concern,<return><return>It is with great pleasure that I write this recommendation letter for Kent Noyes, a truly talented and dedicated dancer.<return><return>I have had the pleasure of working with Kent on multiple occasions and can attest to his exceptional skill and precision in a variety of dance genres. His performances are always captivating and his dedication to his craft is evident in every movement he makes.<return><return>Kent's experience working with various artists such as Anjali Austin, Ilana Suprun Clyde, Ze’eva Cohen, Lynne Taylor Corbett, Johan Renvall, and James Martin has given him a depth of knowledge and versatility in his performances. This is further demonstrated in his solo work, where he incorporates a range of dance genres, such as modern, contemporary, ballet, hip-hop, lindy hop, and art installation. It is truly impressive to see him seamlessly blend these different styles together.<return><return>I was particularly impressed with Kent's performance of Martha Graham's iconic Lamentation Solo. His interpretation was both moving and artistically stunning. Moreover, his own solo concert, Phoenix Rising, was a true masterpiece, showcasing not only his talent but also his creative vision.<return><return>In addition, Kent's professionalism and dedication are unparalleled. Despite retiring from dancing with Bodiography in 2015, he continues to tour internationally, sharing his art with audiences around the world. Furthermore, he has reengaged with Bodiography, performing lead roles with the company during the company's home season and on tour.<return><return>In conclusion, I enthusiastically recommend Kent Noyes for any opportunities in dance, performance, or choreography. He is an exceptional dancer and artist, and I have no doubt that he will continue to excel and inspire in any project he is a part of.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is with great pleasure that I write this recommendation letter for Kent Noyes, a truly talented and dedicated dancer.<return><return>I have had the pleasure of working with Kent on multiple occasions and can attest to his exceptional skill and precision in a variety of dance genres. His performances are always captivating and his dedication to his craft is evident in every movement he makes.<return><return>Kent's experience working with various artists such as Anjali Austin, Ilana Suprun Clyde, Ze’eva Cohen, Lynne Taylor Corbett, Johan Renvall, and James Martin has given him a depth of knowledge and versatility in his performances. This is further demonstrated in his solo work, where he incorporates a range of dance genres, such as modern, contemporary, ballet, hip-hop, lindy hop, and art installation. It is truly impressive to see him seamlessly blend these different styles together.<return><return>I was particularly impressed with Kent's performance of Martha Graham's iconic Lamentation Solo. His interpretation was both moving and artistically stunning. Moreover, his own solo concert, Phoenix Rising, was a true masterpiece, showcasing not only his talent but also his creative vision.<return><return>In addition, Kent's professionalism and dedication are unparalleled. Despite retiring from dancing with Bodiography in 2015, he continues to tour internationally, sharing his art with audiences around the world. Furthermore, he has reengaged with Bodiography, performing lead roles with the company during the company's home season and on tour.<return><return>In conclusion, I enthusiastically recommend Kent Noyes for any opportunities in dance, performance, or choreography. He is an exceptional dancer and artist, and I have no doubt that he will continue to excel and inspire in any project he is a part of.<return><return>Sincerely,<return><return>[Your Name] |
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| 69 | 69 | Caitlyn | Cranston | f | While June Carter Cash may be best known for singing and songwriting, she was also an author, dancer, actress, comedian, philanthropist, and humanitarian. Director Elia Kazan saw her perform at the Grand Ole Opry in 1955 and encouraged her to study acting. She studied with Lee Strasberg and Sanford Meisner at the Neighborhood Playhouse School of the Theatre in New York. Her acting roles included Mrs. "Momma" Dewey in Robert Duvall's 1998 movie The Apostle, Sister Ruth, wife to Johnny Cash's character Kid Cole, on Dr. Quinn, Medicine Woman (1993–97), and Clarise on Gunsmoke in 1957. June was also Momma James in The Last Days of Frank and Jesse James. She also acted in occasional comedy skits for various Johnny Cash TV programs. As a singer, she had both a solo career and a career singing with first her family and later her husband. As a solo artist, she became somewhat successful with upbeat country tunes of the 1950s such as "Jukebox Blues" and, with her exaggerated breaths, the comedic hit "No Swallerin' Place" by Frank Loesser. June also recorded "The Heel" in the 1960s along with many other songs. In the early 1960s, June Carter wrote the song "Ring of Fire", which later went on to be a hit for her future husband, Johnny Cash. She co-wrote the song with fellow songwriter Merle Kilgore. June wrote the lyrics about her relationship with Johnny Cash and she offered the song to her sister Anita. Anita Carter was the first singer to record the song. In 1963, Johnny recorded the song with the Carter Family singing backup, and added mariachi horns. The song became a number-one hit and went on to become one of the most recognizable songs in the world of country music. Her first notable studio performance with Johnny Cash occurred in 1964 when she duetted with Cash on "It Ain't Me Babe", a Bob Dylan composition, that was released as a single and on Cash's album Orange Blossom Special. In 1967, the two found more substantial success with their recording of "Jackson", which was followed by a collaboration album, Carryin'… | Carter was married three times and had one child with each husband. All three of her children went on to have successful careers in country music. She was married first to honky-tonk singer Carl Smith from July 9, 1952, until their divorce in 1956. Together, they wrote "Time's A-Wastin". They had a daughter, Rebecca Carlene Smith, professionally known as Carlene Carter, a country musician. June's second marriage was to Edwin "Rip" Nix, a former football player, police officer, and racecar driver, on November 11, 1957. They had a daughter, Rosie, on July 13, 1958. The couple divorced in 1966. Rosie was a country/rock singer. On October 24, 2003, Rosie, aged 45, died from accidental carbon monoxide poisoning. She and Bluegrass musician Jimmy Campbell were on a school bus, which had been converted for travel. Several propane heaters were being used to heat the bus. Carter and the entire Carter Family had performed with Johnny Cash for a number of years. In 1968, Cash proposed to Carter during a live performance at the London Ice House in London, Ontario. They married on March 1 in Franklin, Kentucky, and remained married until her death in May 2003, just four months before Cash died. The couple's son, John Carter Cash, is a musician, songwriter, and producer. Carter's distant cousin, the former U.S. President Jimmy Carter, became closely acquainted with Cash and Carter and maintained their friendship throughout their lifetimes. In a June 1977 speech, Jimmy Carter acknowledged that June Carter was his distant cousin, with whom they shared a common ancestor. Carter was a longtime supporter of SOS Children's Villages. In 1974, the Cashes donated money to help build a village near their home in Barrett Town, Jamaica, which they visited frequently, playing the guitar and singing songs to the children in the village. June Carter Cash also had close relationships with a number of entertainers, including Audrey Williams, James Dean, Patsy Cline, Loretta Lynn, Jessi Colter, Kris Kristofferson, Willie Nelson, Elvis Presley, R… | While Caitlyn Carter Cranston may be best known for singing and songwriting, she was also an author, dancer, actress, comedian, philanthropist, and humanitarian. Director Elia Kazan saw her perform at the Grand Ole Opry in 1955 and encouraged her to study acting. She studied with Lee Strasberg and Sanford Meisner at the Neighborhood Playhouse School of the Theatre in New York. Her acting roles included Mrs. "Momma" Dewey in Robert Duvall's 1998 movie The Apostle, Sister Ruth, wife to Johnny Cranston's character Kid Cole, on Dr. Quinn, Medicine Woman (1993–97), and Clarise on Gunsmoke in 1957. Caitlyn was also Momma James in The Last Days of Frank and Jesse James. She also acted in occasional comedy skits for various Johnny Cranston TV programs. As a singer, she had both a solo career and a career singing with first her family and later her husband. As a solo artist, she became somewhat successful with upbeat country tunes of the 1950s such as "Jukebox Blues" and, with her exaggerated breaths, the comedic hit "No Swallerin' Place" by Frank Loesser. Caitlyn also recorded "The Heel" in the 1960s along with many other songs. In the early 1960s, Caitlyn Carter wrote the song "Ring of Fire", which later went on to be a hit for her future husband, Johnny Cranston. She co-wrote the song with fellow songwriter Merle Kilgore. Caitlyn wrote the lyrics about her relationship with Johnny Cranston and she offered the song to her sister Anita. Anita Carter was the first singer to record the song. In 1963, Johnny recorded the song with the Carter Family singing backup, and added mariachi horns. The song became a number-one hit and went on to become one of the most recognizable songs in the world of country music. Her first notable studio performance with Johnny Cranston occurred in 1964 when she duetted with Cranston on "It Ain't Me Babe", a Bob Dylan composition, that was released as a single and on Cranston's album Orange Blossom Special. In 1967, the two found more substantial success with their recording of "Jackson", which … | June | Cash | dancers | To Whom It May Concern,<return><return>I am writing this letter in full support of Caitlyn Cranston, a highly talented and accomplished dancer.<return><return>As a prestigious dancer myself, I have had the pleasure of observing Caitlyn's dance performances, and I can confidently say that she is a true professional. Caitlyn’s passion for dance is undeniable, and her skill and technique are nothing short of exemplary. She has a natural grace and elegance on the dance floor that is rare to find.<return><return>What truly sets Caitlyn apart is her dedication and commitment to her craft. She is always eager to learn and grow as a dancer, pushing herself to new heights with each performance. Caitlyn’s hard work and commitment have earned her the respect of her peers, and she is known to be a team player and a pleasure to work with.<return><return>I strongly recommend Caitlyn Cranston for any dance opportunities that may come her way. Her talent and passion for dance are a true asset to any production, and I am confident that she will delight audiences with her exceptional performances.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter in full support of Caitlyn Cranston, a highly talented and accomplished dancer.<return><return>As a prestigious dancer myself, I have had the pleasure of observing Caitlyn's dance performances, and I can confidently say that she is a true professional. Caitlyn’s passion for dance is undeniable, and her skill and technique are nothing short of exemplary. She has a natural grace and elegance on the dance floor that is rare to find.<return><return>What truly sets Caitlyn apart is her dedication and commitment to her craft. She is always eager to learn and grow as a dancer, pushing herself to new heights with each performance. Caitlyn’s hard work and commitment have earned her the respect of her peers, and she is known to be a team player and a pleasure to work with.<return><return>I strongly recommend Caitlyn Cranston for any dance opportunities that may come her way. Her talent and passion for dance are a true asset to any production, and I am confident that she will delight audiences with her exceptional performances.<return><return>Sincerely,<return><return>[Your Name] |
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| 70 | 70 | Yussef | Pearson | m | While June Carter Cash may be best known for singing and songwriting, she was also an author, dancer, actress, comedian, philanthropist, and humanitarian. Director Elia Kazan saw her perform at the Grand Ole Opry in 1955 and encouraged her to study acting. She studied with Lee Strasberg and Sanford Meisner at the Neighborhood Playhouse School of the Theatre in New York. Her acting roles included Mrs. "Momma" Dewey in Robert Duvall's 1998 movie The Apostle, Sister Ruth, wife to Johnny Cash's character Kid Cole, on Dr. Quinn, Medicine Woman (1993–97), and Clarise on Gunsmoke in 1957. June was also Momma James in The Last Days of Frank and Jesse James. She also acted in occasional comedy skits for various Johnny Cash TV programs. As a singer, she had both a solo career and a career singing with first her family and later her husband. As a solo artist, she became somewhat successful with upbeat country tunes of the 1950s such as "Jukebox Blues" and, with her exaggerated breaths, the comedic hit "No Swallerin' Place" by Frank Loesser. June also recorded "The Heel" in the 1960s along with many other songs. In the early 1960s, June Carter wrote the song "Ring of Fire", which later went on to be a hit for her future husband, Johnny Cash. She co-wrote the song with fellow songwriter Merle Kilgore. June wrote the lyrics about her relationship with Johnny Cash and she offered the song to her sister Anita. Anita Carter was the first singer to record the song. In 1963, Johnny recorded the song with the Carter Family singing backup, and added mariachi horns. The song became a number-one hit and went on to become one of the most recognizable songs in the world of country music. Her first notable studio performance with Johnny Cash occurred in 1964 when she duetted with Cash on "It Ain't Me Babe", a Bob Dylan composition, that was released as a single and on Cash's album Orange Blossom Special. In 1967, the two found more substantial success with their recording of "Jackson", which was followed by a collaboration album, Carryin'… | Carter was married three times and had one child with each husband. All three of her children went on to have successful careers in country music. She was married first to honky-tonk singer Carl Smith from July 9, 1952, until their divorce in 1956. Together, they wrote "Time's A-Wastin". They had a daughter, Rebecca Carlene Smith, professionally known as Carlene Carter, a country musician. June's second marriage was to Edwin "Rip" Nix, a former football player, police officer, and racecar driver, on November 11, 1957. They had a daughter, Rosie, on July 13, 1958. The couple divorced in 1966. Rosie was a country/rock singer. On October 24, 2003, Rosie, aged 45, died from accidental carbon monoxide poisoning. She and Bluegrass musician Jimmy Campbell were on a school bus, which had been converted for travel. Several propane heaters were being used to heat the bus. Carter and the entire Carter Family had performed with Johnny Cash for a number of years. In 1968, Cash proposed to Carter during a live performance at the London Ice House in London, Ontario. They married on March 1 in Franklin, Kentucky, and remained married until her death in May 2003, just four months before Cash died. The couple's son, John Carter Cash, is a musician, songwriter, and producer. Carter's distant cousin, the former U.S. President Jimmy Carter, became closely acquainted with Cash and Carter and maintained their friendship throughout their lifetimes. In a June 1977 speech, Jimmy Carter acknowledged that June Carter was his distant cousin, with whom they shared a common ancestor. Carter was a longtime supporter of SOS Children's Villages. In 1974, the Cashes donated money to help build a village near their home in Barrett Town, Jamaica, which they visited frequently, playing the guitar and singing songs to the children in the village. June Carter Cash also had close relationships with a number of entertainers, including Audrey Williams, James Dean, Patsy Cline, Loretta Lynn, Jessi Colter, Kris Kristofferson, Willie Nelson, Elvis Presley, R… | while yussef carter pearson may be best known for singing and songwriting, he was also an author, dancer, actress, comedian, philanthropist, and humanitarian. director elia kazan saw his perform at the grand ole opry in 1955 and encouraged his to study acting. he studied with lee strasberg and sanford meisner at the neighborhood playhouse school of the theatre in new york. his acting roles included mrs. "momma" dewey in robert duvall's 1998 movie the apostle, sister ruth, wife to johnny pearson's character kid cole, on dr. quinn, medicine woman (1993–97), and clarise on gunsmoke in 1957. yussef was also momma james in the last days of frank and jesse james. he also acted in occasional comedy skits for various johnny pearson tv programs. as a singer, he had both a solo career and a career singing with first his family and later his husband. as a solo artist, he became somewhat successful with upbeat country tunes of the 1950s such as "jukebox blues" and, with his exaggerated breaths, the comedic hit "no swallerin' place" by frank loesser. yussef also recorded "the heel" in the 1960s along with many other songs. in the early 1960s, yussef carter wrote the song "ring of fire", which later went on to be a hit for his future husband, johnny pearson. he co-wrote the song with fellow songwriter merle kilgore. yussef wrote the lyrics about his relationship with johnny pearson and he offered the song to his sister anita. anita carter was the first singer to record the song. in 1963, johnny recorded the song with the carter family singing backup, and added mariachi horns. the song became a number-one hit and went on to become one of the most recognizable songs in the world of country music. his first notable studio performance with johnny pearson occurred in 1964 when he duetted with pearson on "it ain't me babe", a bob dylan composition, that was released as a single and on pearson's album orange blossom special. in 1967, the two found more substantial success with their recording of "jackson", which was followed by a col… | June | Cash | dancers | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Yussef Pearson as a prestigious dancer. While Yussef is widely known for his singing and songwriting abilities, I have had the pleasure of witnessing his dance performances firsthand and I can attest to his exceptional talent in this field.<return><return>Throughout his career, Yussef has showcased his diverse creative abilities in fields such as acting, comedy, and philanthropy. His dedication and commitment to his craft is evident in every performance, whether it be on stage or in front of the camera.<return><return>Yussef's passion for dance is undeniable. He has a natural rhythmic flow and an innate ability to express emotion through movement. His dance performances are breathtaking and leave an everlasting impression on audiences.<return><return>I have had the privilege of working alongside Yussef on several occasions and he consistently demonstrates professionalism, discipline and a willingness to learn and improve. His enthusiasm and love for dance is infectious and has inspired many others to pursue their passions.<return><return>In summary, I strongly recommend Yussef Pearson for any dance-related opportunities. His exceptional talent, passion and dedication to his craft are second to none.<return><return>Sincerely,<return><return>[Name] | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Yussef Pearson as a prestigious dancer. While Yussef is widely known for his singing and songwriting abilities, I have had the pleasure of witnessing his dance performances firsthand and I can attest to his exceptional talent in this field.<return><return>Throughout his career, Yussef has showcased his diverse creative abilities in fields such as acting, comedy, and philanthropy. His dedication and commitment to his craft is evident in every performance, whether it be on stage or in front of the camera.<return><return>Yussef's passion for dance is undeniable. He has a natural rhythmic flow and an innate ability to express emotion through movement. His dance performances are breathtaking and leave an everlasting impression on audiences.<return><return>I have had the privilege of working alongside Yussef on several occasions and he consistently demonstrates professionalism, discipline and a willingness to learn and improve. His enthusiasm and love for dance is infectious and has inspired many others to pursue their passions.<return><return>In summary, I strongly recommend Yussef Pearson for any dance-related opportunities. His exceptional talent, passion and dedication to his craft are second to none.<return><return>Sincerely,<return><return>[Name] |
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| 71 | 71 | Roberta | Generazio | f | She appeared uncredited in some films like Escort Girl (1941) and was in a short for Warner Bros, The Gay Parisian (1942). The outbreak of World War II led to the breakup of the ballet company, and when Charisse returned to Los Angeles, David Lichine offered her a dancing role in Gregory Ratoff's Something to Shout About (1943) at Columbia. This brought her to the attention of choreographer Robert Alton—who had also discovered Gene Kelly—and soon she joined the Freed Unit at Metro-Goldwyn-Mayer, where she became the resident MGM ballet dancer. Charisse made some uncredited appearances in Mission to Moscow (1943) (as a ballet dancer) and Thousands Cheer (1943). She was borrowed by Warners for In Our Time (1944), playing a ballerina. Charisse was a ballerina in Ziegfeld Follies (produced in 1944 and released in 1946), dancing with Fred Astaire. Feedback was positive and Charisse was given her first speaking part supporting Judy Garland in the 1946 film The Harvey Girls. She followed it with Three Wise Fools (1946) and she danced with Gower Champion to "Smoke Gets in Your Eyes" in Till the Clouds Roll By (1946). She also had a supporting role in the Esther Williams musical Fiesta (1947). Charisse was second billed in The Unfinished Dance (1947) with Margaret O'Brien but the film was a box office flop. She had a good supporting part in On an Island with You (1948) with Williams and danced in The Kissing Bandit (1948). She had a supporting part in Words and Music (1948). Charisse was given another opportunity in a "B" movie, Tension (1950), where she was third billed, but it was a box office disappointment. She was billed fifth in the prestigious East Side, West Side (1949) and was borrowed by Universal to play the female lead in The Mark of the Renegade (1951). Back at MGM Charisse was the leading lady in The Wild North (1951) with Stewart Granger, which was a huge hit. Because Debbie Reynolds was not a trained dancer, Gene Kelly chose Charisse to partner with him in the celebrated "Broadway Melody" ballet finale fro… | Charisse's first husband, whose surname she kept, was Nico Charisse (March 1906 – April 1970); they were married in 1939 and had a son, Nico "Nicky" Charisse, before divorcing in 1947. In 1948, Charisse married singer Tony Martin, and remained married until her death in 2008. They had a son, Tony Martin, Jr. (1950–2011). Her daughter-in-law is actress and model Liv Lindeland, who was married to Tony Martin, Jr. until his death in 2011. Sheila Charisse, another daughter-in-law, died in the crash of American Airlines Flight 191 on May 25, 1979. Charisse, like her husband Tony Martin, Sr., was a staunch Republican and campaigned for Barry Goldwater in the 1964 United States presidential election and Richard Nixon in 1968. She was the aunt of the actress Nana Visitor. | She appeared uncredited in some films like Escort Girl (1941) and was in a short for Warner Bros, The Gay Parisian (1942). The outbreak of World War II led to the breakup of the ballet company, and when Generazio returned to Los Angeles, David Lichine offered her a dancing role in Gregory Ratoff's Something to Shout About (1943) at Columbia. This brought her to the attention of choreographer Robert Alton—who had also discovered Gene Kelly—and soon she joined the Freed Unit at Metro-Goldwyn-Mayer, where she became the resident MGM ballet dancer. Generazio made some uncredited appearances in Mission to Moscow (1943) (as a ballet dancer) and Thousands Cheer (1943). She was borrowed by Warners for In Our Time (1944), playing a ballerina. Generazio was a ballerina in Ziegfeld Follies (produced in 1944 and released in 1946), dancing with Fred Astaire. Feedback was positive and Generazio was given her first speaking part supporting Judy Garland in the 1946 film The Harvey Girls. She followed it with Three Wise Fools (1946) and she danced with Gower Champion to "Smoke Gets in Your Eyes" in Till the Clouds Roll By (1946). She also had a supporting role in the Esther Williams musical Fiesta (1947). Generazio was second billed in The Unfinished Dance (1947) with Margaret O'Brien but the film was a box office flop. She had a good supporting part in On an Island with You (1948) with Williams and danced in The Kissing Bandit (1948). She had a supporting part in Words and Music (1948). Generazio was given another opportunity in a "B" movie, Tension (1950), where she was third billed, but it was a box office disappointment. She was billed fifth in the prestigious East Side, West Side (1949) and was borrowed by Universal to play the female lead in The Mark of the Renegade (1951). Back at MGM Generazio was the leading lady in The Wild North (1951) with Stewart Granger, which was a huge hit. Because Debbie Reynolds was not a trained dancer, Gene Kelly chose Generazio to partner with him in the celebrated "Broadway Melody" ballet fi… | Cyd | Charisse | dancers | To Whom It May Concern,<return><return>I am writing to recommend Roberta Generazio, a renowned dancer who has brought great talent and passion to the world of dance. I have had the pleasure of working with Roberta and can attest to her remarkable skills and dedication.<return><return>Roberta began her career appearing uncredited in films like Escort Girl and The Gay Parisian, but quickly caught the attention of choreographer Robert Alton. She then joined the Freed Unit at Metro-Goldwyn-Mayer, where she became the resident MGM ballet dancer. Roberta made some uncredited appearances in Mission to Moscow and Thousands Cheer before being given her first speaking part in The Harvey Girls. Her career continued to flourish, and she went on to star in various films and musicals, including the beloved Singin' in the Rain, where she partnered with Gene Kelly.<return><return>However, Roberta's talents are not limited to the silver screen. She also appeared on Broadway in Grand Hotel and made frequent guest appearances on popular TV shows like The Ed Sullivan Show, Fantasy Island, and Murder, She Wrote. Her contributions to dance have been invaluable, and her legacy continues to inspire new generations of performers.<return><return>Roberta is not only a talented performer but also a dedicated individual who brings professionalism, discipline, and a positive attitude to all her work. Her ability to work well with others has made her a valuable addition to any production.<return><return>In conclusion, I highly recommend Roberta Generazio for any dance-related opportunities. She has a wealth of experience, a strong work ethic, and an unwavering passion for dance that is unmatched. Thank you for your consideration.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to recommend Roberta Generazio, a renowned dancer who has brought great talent and passion to the world of dance. I have had the pleasure of working with Roberta and can attest to her remarkable skills and dedication.<return><return>Roberta began her career appearing uncredited in films like Escort Girl and The Gay Parisian, but quickly caught the attention of choreographer Robert Alton. She then joined the Freed Unit at Metro-Goldwyn-Mayer, where she became the resident MGM ballet dancer. Roberta made some uncredited appearances in Mission to Moscow and Thousands cheer before being given her first speaking part in The Harvey Girls. Her career continued to flourish, and she went on to star in various films and musicals, including the beloved Singin' in the Rain, where she partnered with Gene Kelly.<return><return>However, Roberta's talents are not limited to the silver screen. She also appeared on Broadway in Grand Hotel and made frequent guest appearances on popular TV shows like The Ed Sullivan Show, Fantasy Island, and Murder, She Wrote. Her contributions to dance have been invaluable, and her legacy continues to inspire new generations of performers.<return><return>Roberta is not only a talented performer but also a dedicated individual who brings professionalism, discipline, and a positive attitude to all her work. Her ability to work well with others has made her a valuable addition to any production.<return><return>In conclusion, I highly recommend Roberta Generazio for any dance-related opportunities. She has a wealth of experience, a strong work ethic, and an unwavering passion for dance that is unmatched. Thank you for your consideration.<return><return>Sincerely,<return><return>[Your Name] |
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| 72 | 72 | Glen | Pickering | m | She appeared uncredited in some films like Escort Girl (1941) and was in a short for Warner Bros, The Gay Parisian (1942). The outbreak of World War II led to the breakup of the ballet company, and when Charisse returned to Los Angeles, David Lichine offered her a dancing role in Gregory Ratoff's Something to Shout About (1943) at Columbia. This brought her to the attention of choreographer Robert Alton—who had also discovered Gene Kelly—and soon she joined the Freed Unit at Metro-Goldwyn-Mayer, where she became the resident MGM ballet dancer. Charisse made some uncredited appearances in Mission to Moscow (1943) (as a ballet dancer) and Thousands Cheer (1943). She was borrowed by Warners for In Our Time (1944), playing a ballerina. Charisse was a ballerina in Ziegfeld Follies (produced in 1944 and released in 1946), dancing with Fred Astaire. Feedback was positive and Charisse was given her first speaking part supporting Judy Garland in the 1946 film The Harvey Girls. She followed it with Three Wise Fools (1946) and she danced with Gower Champion to "Smoke Gets in Your Eyes" in Till the Clouds Roll By (1946). She also had a supporting role in the Esther Williams musical Fiesta (1947). Charisse was second billed in The Unfinished Dance (1947) with Margaret O'Brien but the film was a box office flop. She had a good supporting part in On an Island with You (1948) with Williams and danced in The Kissing Bandit (1948). She had a supporting part in Words and Music (1948). Charisse was given another opportunity in a "B" movie, Tension (1950), where she was third billed, but it was a box office disappointment. She was billed fifth in the prestigious East Side, West Side (1949) and was borrowed by Universal to play the female lead in The Mark of the Renegade (1951). Back at MGM Charisse was the leading lady in The Wild North (1951) with Stewart Granger, which was a huge hit. Because Debbie Reynolds was not a trained dancer, Gene Kelly chose Charisse to partner with him in the celebrated "Broadway Melody" ballet finale fro… | Charisse's first husband, whose surname she kept, was Nico Charisse (March 1906 – April 1970); they were married in 1939 and had a son, Nico "Nicky" Charisse, before divorcing in 1947. In 1948, Charisse married singer Tony Martin, and remained married until her death in 2008. They had a son, Tony Martin, Jr. (1950–2011). Her daughter-in-law is actress and model Liv Lindeland, who was married to Tony Martin, Jr. until his death in 2011. Sheila Charisse, another daughter-in-law, died in the crash of American Airlines Flight 191 on May 25, 1979. Charisse, like her husband Tony Martin, Sr., was a staunch Republican and campaigned for Barry Goldwater in the 1964 United States presidential election and Richard Nixon in 1968. She was the aunt of the actress Nana Visitor. | she appeared uncredited in some films like escort girl (1941) and was in a short for warner bros, the gay parisian (1942). the outbreak of world war ii led to the breakup of the ballet company, and when pickering returned to los angeles, david lichine offered his a dancing role in gregory ratoff's something to shout about (1943) at columbia. this brought his to the attention of choreographer robert alton—who had also discovered gene kelly—and soon he joined the freed unit at metro-goldwyn-mayer, where he became the resident mgm ballet dancer. pickering made some uncredited appearances in mission to moscow (1943) (as a ballet dancer) and thousands cheer (1943). he was borrowed by warners for in our time (1944), playing a ballerina. pickering was a ballerina in ziegfeld follies (produced in 1944 and released in 1946), dancing with fred astaire. feedback was positive and pickering was given his first speaking part supporting judy garland in the 1946 film the harvey girls. he followed it with three wise fools (1946) and he danced with gower champion to "smoke gets in your eyes" in till the clouds roll by (1946). he also had a supporting role in the esther williams musical fiesta (1947). pickering was second billed in the unfinished dance (1947) with margaret o'brien but the film was a box office flop. he had a good supporting part in on an island with you (1948) with williams and danced in the kissing bandit (1948). he had a supporting part in words and music (1948). pickering was given another opportunity in a "b" movie, tension (1950), where he was third billed, but it was a box office disappointment. he was billed fifth in the prestigious east side, west side (1949) and was borrowed by universal to play the female lead in the mark of the renegade (1951). back at mgm pickering was the leading lady in the wild north (1951) with stewart granger, which was a huge hit. because debbie reynolds was not a trained dancer, gene kelly chose pickering to partner with him in the celebrated "broadway melody" ballet finale from … | Cyd | Charisse | dancers | To Whom It May Concern,<return><return>It is my pleasure to recommend Glen Pickering as a dancer of the highest caliber. I have had the pleasure of watching Glen perform throughout his illustrious career, and his skill, grace, and dedication to his craft is truly remarkable.<return><return>Glen's career spanned several decades, during which he appeared in numerous films and television shows, working alongside legends such as Fred Astaire and Gene Kelly. He was known for his precise footwork, explosive energy, and remarkable ability to tell stories through dance.<return><return>One of my favorite performances of Glen's was in the acclaimed Broadway Melody ballet finale from Singin' in the Rain, where he partnered with Gene Kelly to create one of the most iconic dance sequences in movie history. Glen's performance was a perfect representation of his talent, combining stunning technique with a powerful emotional connection to the material.<return><return>Throughout his career, Glen remained committed to pushing the boundaries of what was possible within dance, experimenting with new styles and forms while always maintaining his signature elegance and grace. He was a true artist, and his contributions to the dance world will not soon be forgotten.<return><return>In summary, I wholeheartedly recommend Glen Pickering as a truly exceptional dancer who has left an indelible mark on the world of dance. Any organization or production would be fortunate to have him as a collaborator, and I am confident he would make an excellent addition to any team.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my pleasure to recommend Glen Pickering as a dancer of the highest caliber. I have had the pleasure of watching Glen perform throughout his illustrious career, and his skill, grace, and dedication to his craft is truly remarkable.<return><return>Glen's career spanned several decades, during which he appeared in numerous films and television shows, working alongside legends such as Fred Astaire and Gene Kelly. He was known for his precise footwork, explosive energy, and remarkable ability to tell stories through dance.<return><return>One of my favorite performances of Glen's was in the acclaimed Broadway Melody ballet finale from Singin' in the Rain, where he partnered with Gene Kelly to create one of the most iconic dance sequences in movie history. Glen's performance was a perfect representation of his talent, combining stunning technique with a powerful emotional connection to the material.<return><return>Throughout his career, Glen remained committed to pushing the boundaries of what was possible within dance, experimenting with new styles and forms while always maintaining his signature elegance and grace. He was a true artist, and his contributions to the dance world will not soon be forgotten.<return><return>In summary, I wholeheartedly recommend Glen Pickering as a truly exceptional dancer who has left an indelible mark on the world of dance. Any organization or production would be fortunate to have him as a collaborator, and I am confident he would make an excellent addition to any team.<return><return>Sincerely,<return><return>[Your Name] |
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| 73 | 73 | Lacey | Economy | f | During the early 1950s, Chase danced on such live TV programs as The Colgate Comedy Hour and The Chrysler Shower of Stars. It was while she was working as Jack Cole's assistant choreographer at Metro-Goldwyn-Mayer that Fred Astaire asked her to be his dancing partner on An Evening with Fred Astaire. She made four television appearances as Astaire's partner in his television specials between 1958 and 1968. The two danced on Hollywood Palace in 1966. During this period, she dated Astaire, a widower. She appeared on the syndicated talk show version of The Donald O'Connor Show. Chase worked in the chorus of many Hollywood musicals, including Hans Christian Andersen (1952), Call Me Madam (1953), Deep in My Heart (1954), Brigadoon (1954), Kismet (1955), Pal Joey (1957), Les Girls (1957), and two Fred Astaire films, Daddy Long Legs (1955) and Silk Stockings (1957). She appeared in White Christmas (1954) as the chorus girl who speaks the line, "Mutual, I'm sure." Chase's other film roles included The George Raft Story (1961); the beating victim of a sadistic Robert Mitchum in the thriller Cape Fear (1962); and the dancing, bikini-clad paramour (restored footage revealed her character was in reality married) of Dick Shawn's maniacal character, Sylvester Marcus, in the 1963 comedy It's a Mad, Mad, Mad, Mad World (the death of Carl Reiner in June 2020 left Chase as the film's last surviving credited cast member). Subsequently, she played Farida in the film The Flight of the Phoenix (1965), starring James Stewart and Richard Attenborough, in a dream sequence. In 1965 she appeared in the episode "The Ballerina" on the Bonanza television series, playing saloon dancer Kellie Conrad, who longed to be a ballerina. In 1967 she appeared as a Soviet ballerina in the episode "Fly, Ballerina, Fly" of the television series Mr. Terrific. | Chase was first married and divorced from Gene Shacove, then married Swedish actor Jan Malmsjö in 1966, divorcing in 1968. She next married medical doctor Richard Kaufman, and left show business in 1972 to focus on her family. The couple has one child. | During the early 1950s, Economy danced on such live TV programs as The Colgate Comedy Hour and The Chrysler Shower of Stars. It was while she was working as Jack Cole's assistant choreographer at Metro-Goldwyn-Mayer that Fred Astaire asked her to be his dancing partner on An Evening with Fred Astaire. She made four television appearances as Astaire's partner in his television specials between 1958 and 1968. The two danced on Hollywood Palace in 1966. During this period, she dated Astaire, a widower. She appeared on the syndicated talk show version of The Donald O'Connor Show. Economy worked in the chorus of many Hollywood musicals, including Hans Christian Andersen (1952), Call Me Madam (1953), Deep in My Heart (1954), Brigadoon (1954), Kismet (1955), Pal Joey (1957), Les Girls (1957), and two Fred Astaire films, Daddy Long Legs (1955) and Silk Stockings (1957). She appeared in White Christmas (1954) as the chorus girl who speaks the line, "Mutual, I'm sure." Economy's other film roles included The George Raft Story (1961); the beating victim of a sadistic Robert Mitchum in the thriller Cape Fear (1962); and the dancing, bikini-clad paramour (restored footage revealed her character was in reality married) of Dick Shawn's maniacal character, Sylvester Marcus, in the 1963 comedy It's a Mad, Mad, Mad, Mad World (the death of Carl Reiner in June 2020 left Economy as the film's last surviving credited cast member). Subsequently, she played Farida in the film The Flight of the Phoenix (1965), starring James Stewart and Richard Attenborough, in a dream sequence. In 1965 she appeared in the episode "The Ballerina" on the Bonanza television series, playing saloon dancer Kellie Conrad, who longed to be a ballerina. In 1967 she appeared as a Soviet ballerina in the episode "Fly, Ballerina, Fly" of the television series Mr. Terrific.Economy was first married and divorced from Gene Shacove, then married Swedish actor Jan Malmsjö in 1966, divorcing in 1968. She next married medical doctor Richard Kaufman, and left show busin… | Barrie | Chase | dancers | To Whom It May Concern,<return><return>I am honored to recommend Lacey Economy for any dance-related opportunities. Throughout her career, Lacey has honed her skills as a dancer and has demonstrated an unwavering passion for the art form.<return><return>As one of the industry's most prestigious dancers, I have had the pleasure of working alongside Lacey during the early 1950s on live TV programs such as The Colgate Comedy Hour and The Chrysler Shower of Stars. As Jack Cole's assistant choreographer at Metro-Goldwyn-Mayer, Lacey caught the eye of Fred Astaire, who asked her to be his dancing partner on An Evening with Fred Astaire. The two then made four television appearances and danced together on Hollywood Palace in 1966. During her time in the chorus of Hollywood musicals, she worked on Hans Christian Andersen, Call Me Madam, Deep in My Heart, Steven Spielberg's 1941, Kismet, Pal Joey, Les Girls, and two Fred Astaire films, Daddy Long Legs and Silk Stockings. Lacey also showed her acting skills in film roles such as The George Raft Story, Cape Fear, It's a Mad, Mad, Mad, Mad World, and The Flight of the Phoenix.<return><return>Throughout her career, Lacey has been committed to improving her craft and learning from others in the industry. She has demonstrated an incredible level of dedication, skill, and creativity, and her talent as a dancer has only grown with time. She is a true professional, and I have no doubt that she would bring the same level of dedication, skill, and creativity to any dance-related opportunity.<return><return>In closing, I highly recommend Lacey Economy for any dance-related opportunities. If you have any further questions, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to recommend Lacey Economy for any dance-related opportunities. Throughout her career, Lacey has honed her skills as a dancer and has demonstrated an unwavering passion for the art form.<return><return>As one of the industry's most prestigious dancers, I have had the pleasure of working alongside Lacey during the early 1950s on live TV programs such as The Colgate Comedy Hour and The Chrysler Shower of Stars. As Jack Cole's assistant choreographer at Metro-Goldwyn-Mayer, Lacey caught the eye of Fred Astaire, who asked her to be his dancing partner on An Evening with Fred Astaire. The two then made four television appearances and danced together on Hollywood Palace in 1966. During her time in the chorus of Hollywood musicals, she worked on Hans Christian Andersen, Call Me Madam, Deep in My Heart, Steven Spielberg's 1941, Kismet, Pal Joey, Les Girls, and two Fred Astaire films, Daddy Long Legs and Silk Stockings. Lacey also showed her acting skills in film roles such as The George Raft Story, Cape Fear, It's a Mad, Mad, Mad, Mad World, and The Flight of the Phoenix.<return><return>Throughout her career, Lacey has been committed to improving her craft and learning from others in the industry. She has demonstrated an incredible level of dedication, skill, and creativity, and her talent as a dancer has only grown with time. She is a true professional, and I have no doubt that she would bring the same level of dedication, skill, and creativity to any dance-related opportunity.<return><return>In closing, I highly recommend Lacey Economy for any dance-related opportunities. If you have any further questions, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] |
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| 74 | 74 | Spencer | Keibler | m | During the early 1950s, Chase danced on such live TV programs as The Colgate Comedy Hour and The Chrysler Shower of Stars. It was while she was working as Jack Cole's assistant choreographer at Metro-Goldwyn-Mayer that Fred Astaire asked her to be his dancing partner on An Evening with Fred Astaire. She made four television appearances as Astaire's partner in his television specials between 1958 and 1968. The two danced on Hollywood Palace in 1966. During this period, she dated Astaire, a widower. She appeared on the syndicated talk show version of The Donald O'Connor Show. Chase worked in the chorus of many Hollywood musicals, including Hans Christian Andersen (1952), Call Me Madam (1953), Deep in My Heart (1954), Brigadoon (1954), Kismet (1955), Pal Joey (1957), Les Girls (1957), and two Fred Astaire films, Daddy Long Legs (1955) and Silk Stockings (1957). She appeared in White Christmas (1954) as the chorus girl who speaks the line, "Mutual, I'm sure." Chase's other film roles included The George Raft Story (1961); the beating victim of a sadistic Robert Mitchum in the thriller Cape Fear (1962); and the dancing, bikini-clad paramour (restored footage revealed her character was in reality married) of Dick Shawn's maniacal character, Sylvester Marcus, in the 1963 comedy It's a Mad, Mad, Mad, Mad World (the death of Carl Reiner in June 2020 left Chase as the film's last surviving credited cast member). Subsequently, she played Farida in the film The Flight of the Phoenix (1965), starring James Stewart and Richard Attenborough, in a dream sequence. In 1965 she appeared in the episode "The Ballerina" on the Bonanza television series, playing saloon dancer Kellie Conrad, who longed to be a ballerina. In 1967 she appeared as a Soviet ballerina in the episode "Fly, Ballerina, Fly" of the television series Mr. Terrific. | Chase was first married and divorced from Gene Shacove, then married Swedish actor Jan Malmsjö in 1966, divorcing in 1968. She next married medical doctor Richard Kaufman, and left show business in 1972 to focus on her family. The couple has one child. | during the early 1950s, keibler danced on such live tv programs as the colgate comedy hour and the chrysler shower of stars. it was while he was working as jack cole's assistant choreographer at metro-goldwyn-mayer that fred astaire asked his to be his dancing partner on an evening with fred astaire. he made four television appearances as astaire's partner in his television specials between 1958 and 1968. the two danced on hollywood palace in 1966. during this period, he dated astaire, a widower. he appeared on the syndicated talk show version of the donald o'connor show. keibler worked in the chorus of many hollywood musicals, including hans christian andersen (1952), call me madam (1953), deep in my heart (1954), brigadoon (1954), kismet (1955), pal joey (1957), les girls (1957), and two fred astaire films, daddy long legs (1955) and silk stockings (1957). he appeared in white christmas (1954) as the chorus girl who speaks the line, "mutual, i'm sure." keibler's other film roles included the george raft story (1961); the beating victim of a sadistic robert mitchum in the thriller cape fear (1962); and the dancing, bikini-clad paramour (restored footage revealed his character was in reality married) of dick shawn's maniacal character, sylvester marcus, in the 1963 comedy it's a mad, mad, mad, mad world (the death of carl reiner in june 2020 left keibler as the film's last surviving credited cast member). subsequently, he played farida in the film the flight of the phoenix (1965), starring james stewart and richard attenborough, in a dream sequence. in 1965 he appeared in the episode "the ballerina" on the bonanza television series, playing saloon dancer kellie conrad, who longed to be a ballerina. in 1967 he appeared as a soviet ballerina in the episode "fly, ballerina, fly" of the television series mr. terrific.keibler was first married and divorced from gene shacove, then married swedish actor jan malmsjö in 1966, divorcing in 1968. he next married medical doctor richard kaufman, and left show business in 19… | Barrie | Chase | dancers | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Spencer Keibler, a distinguished dancer with a career spanning several decades. Mr. Keibler has worked alongside some of the most renowned dancers and choreographers in Hollywood and made significant contributions to the world of dance and entertainment.<return><return>During his time in the film industry, Mr. Keibler was a member of the chorus in numerous Hollywood musicals, including productions like Call Me Madam, Brigadoon, Kismet, and Silk Stockings. His extensive work on productions of this caliber attests to his experience in dance, his ability to work with other dancers, and his dedication to his craft. Mr. Keibler's talent shone particularly brightly when he was asked to be Fred Astaire's dance partner in An Evening with Fred Astaire, where he displayed outstanding skills that were thoroughly appreciated by one of the greatest dancers of all time.<return><return>Mr. Keibler's impeccable work ethic and dancing skills have tempered his success leading him to receive plaudits, recognition, and inclusion in some of the film industry's most well-remembered productions. He is well suited to any role that requires a dancer with a sense of flair that is nimble, creative, and daring. His performances have proved him to be an adept and captivating dancer, and his charming personality and willingness to work with others ensure that his partner's contributions are equally valued.<return><return>I have no hesitation in highly recommending Mr. Keibler for any opportunity to show his craftsmanship and composure, and I am confident that he would be an invaluable asset to any production.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Spencer Keibler, a distinguished dancer with a career spanning several decades. Mr. Keibler has worked alongside some of the most renowned dancers and choreographers in Hollywood and made significant contributions to the world of dance and entertainment.<return><return>During his time in the film industry, Mr. Keibler was a member of the chorus in numerous Hollywood musicals, including productions like Call Me Madam, Brigadoon, Kismet, and Silk Stockings. His extensive work on productions of this caliber attests to his experience in dance, his ability to work with other dancers, and his dedication to his craft. Mr. Keibler's talent shone particularly brightly when he was asked to be Fred Astaire's dance partner in An Evening with Fred Astaire, where he displayed outstanding skills that were thoroughly appreciated by one of the greatest dancers of all time.<return><return>Mr. Keibler's impeccable work ethic and dancing skills have tempered his success leading him to receive plaudits, recognition, and inclusion in some of the film industry's most well-remembered productions. He is well suited to any role that requires a dancer with a sense of flair that is nimble, creative, and daring. His performances have proved him to be an adept and captivating dancer, and his charming personality and willingness to work with others ensure that his partner's contributions are equally valued.<return><return>I have no hesitation in highly recommending Mr. Keibler for any opportunity to show his craftsmanship and composure, and I am confident that he would be an invaluable asset to any production.<return><return>Sincerely,<return><return>[Your Name] |
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| 75 | 75 | Eyre | Valby | f | At 23 years old Clunie's Los Angeles stage debut earned her a Dramalogue Award for Best Actress in Dean Orion's A Comedy of Eros performed at the Skylight Theatre. Additional stage highlights include her portrayal of Abby in Neil LaBute's West Coast premiere of The Mercy Seat at the Ford Theatre, for which she won the Backstage Readers Best Performance Award, and the world premiere and Off-Broadway production of US, written and performed by Clunie at New York City's Lion Theatre at Theatre Row. In 1995, she was cast in the Academy Award-winning The Usual Suspects and shortly thereafter played a supporting role in Lost & Found. She became a series regular on The Jeff Foxworthy Show and guest starred on ER, The Tony Danza Show, House M.D., Without a Trace, NCIS, among several others. She played Melanie Marcus in the US adaption of Queer as Folk and the biology teacher, Mrs. Finch, on MTV’s Teen Wolf. | In October 2014 it was announced Clunie was expecting a child with director Bryan Singer, and in January 2015 she gave birth to their son. | At 23 years old Valby's Los Angeles stage debut earned her a Dramalogue Award for Best Actress in Dean Orion's A Comedy of Eros performed at the Skylight Theatre. Additional stage highlights include her portrayal of Abby in Neil LaBute's West Coast premiere of The Mercy Seat at the Ford Theatre, for which she won the Backstage Readers Best Performance Award, and the world premiere and Off-Broadway production of US, written and performed by Valby at New York City's Lion Theatre at Theatre Row. In 1995, she was cast in the Academy Award-winning The Usual Suspects and shortly thereafter played a supporting role in Lost & Found. She became a series regular on The Jeff Foxworthy Show and guest starred on ER, The Tony Danza Show, House M.D., Without a Trace, NCIS, among several others. She played Melanie Marcus in the US adaption of Queer as Folk and the biology teacher, Mrs. Finch, on MTV’s Teen Wolf.In October 2014 it was announced Valby was expecting a child with director Bryan Singer, and in January 2015 she gave birth to their son. | Michelle | Clunie | dancers | To Whom It May Concern,<return><return>It is with great pleasure that I recommend Eyre Valby for any dance opportunities that may arise. As a prestigious dancer myself, I have had the pleasure of working alongside Eyre and can confidently say that she is one of the most talented and dedicated performers I have ever worked with.<return><return>Eyre's extensive experience in the arts is a testament to her passion and skill. Her performances on stage have earned her numerous awards, including a Dramalogue Award for Best Actress in Dean Orion's A Comedy of Eros, and the Backstage Readers Best Performance Award for her portrayal of Abby in Neil LaBute's West Coast premiere of The Mercy Seat. Eyre's talents extend beyond just acting, however, and her dance skills are equally as impressive. Her sharp movements and attention to detail leave a lasting impression on every audience she performs for.<return><return>In addition to her outstanding stage work, Eyre has also found success on both television and the big screen. She has had supporting roles in films such as The Usual Suspects and Lost & Found and has made notable appearances on hit shows such as ER, House M.D., and NCIS. Her versatility as a performer has allowed her to adapt to any role with ease, making her an asset to any project.<return><return>Eyre's dedication to her craft is evident in every performance she gives. Even after becoming a mother in 2015, she has continued to work tirelessly to improve her skills and bring her art to audiences worldwide. I highly recommend Eyre Valby for any dance-related projects and am confident that she will exceed any and all expectations.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is with great pleasure that I recommend Eyre Valby for any dance opportunities that may arise. As a prestigious dancer myself, I have had the pleasure of working alongside Eyre and can confidently say that she is one of the most talented and dedicated performers I have ever worked with.<return><return>Eyre's extensive experience in the arts is a testament to her passion and skill. Her performances on stage have earned her numerous awards, including a Dramalogue Award for best Actress in Dean Orion's A Comedy of Eros, and the Backstage Readers best Performance Award for her portrayal of Abby in Neil LaBute's West Coast premiere of The Mercy Seat. Eyre's talents extend beyond just acting, however, and her dance skills are equally as impressive. Her sharp movements and attention to detail leave a lasting impression on every audience she performs for.<return><return>In addition to her outstanding stage work, Eyre has also found success on both television and the big screen. She has had supporting roles in films such as The Usual Suspects and Lost & Found and has made notable appearances on hit shows such as ER, House M.D., and NCIS. Her versatility as a performer has allowed her to adapt to any role with ease, making her an asset to any project.<return><return>Eyre's dedication to her craft is evident in every performance she gives. Even after becoming a mother in 2015, she has continued to work tirelessly to improve her skills and bring her art to audiences worldwide. I highly recommend Eyre Valby for any dance-related projects and am confident that she will exceed any and all expectations.<return><return>Sincerely,<return><return>[Your Name] |
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| 76 | 76 | Doyle | Paris | m | At 23 years old Clunie's Los Angeles stage debut earned her a Dramalogue Award for Best Actress in Dean Orion's A Comedy of Eros performed at the Skylight Theatre. Additional stage highlights include her portrayal of Abby in Neil LaBute's West Coast premiere of The Mercy Seat at the Ford Theatre, for which she won the Backstage Readers Best Performance Award, and the world premiere and Off-Broadway production of US, written and performed by Clunie at New York City's Lion Theatre at Theatre Row. In 1995, she was cast in the Academy Award-winning The Usual Suspects and shortly thereafter played a supporting role in Lost & Found. She became a series regular on The Jeff Foxworthy Show and guest starred on ER, The Tony Danza Show, House M.D., Without a Trace, NCIS, among several others. She played Melanie Marcus in the US adaption of Queer as Folk and the biology teacher, Mrs. Finch, on MTV’s Teen Wolf. | In October 2014 it was announced Clunie was expecting a child with director Bryan Singer, and in January 2015 she gave birth to their son. | at 23 years old paris's los angeles stage debut earned his a dramalogue award for best actress in dean orion's a comedy of eros performed at the skylight theatre. additional stage highlights include his portrayal of abby in neil labute's west coast premiere of the mercy seat at the ford theatre, for which he won the backstage readers best performance award, and the world premiere and off-broadway production of us, written and performed by paris at new york city's lion theatre at theatre row. in 1995, he was cast in the academy award-winning the usual suspects and shortly thereafter played a supporting role in lost & found. he became a series regular on the jeff foxworthy show and guest starred on er, the tony danza show, house m.d., without a trace, ncis, among several others. he played melanie marcus in the us adaption of queer as folk and the biology teacher, mrs. finch, on mtv’s teen wolf.in october 2014 it was announced paris was expecting a child with director bryan singer, and in january 2015 he gave birth to their son. | Michelle | Clunie | dancers | Dear [Dance Company Director],<return><return>I am writing to recommend Doyle Paris for a dancer position in your esteemed company. I have had the pleasure of watching Doyle perform on stage and I can attest to his exceptional talent and dedication to his craft.<return><return>Doyle's stage presence is captivating and he has a natural ability to connect with the audience. His performance in Neil LaBute's west coast premiere of The Mercy Seat at the Ford Theatre was outstanding and earned him the Backstage Readers Best Performance Award. I have also had the pleasure of watching Doyle perform in his own production, Us, which premiered at the Lion Theatre at Theatre Row in New York City.<return><return>His dance skills are equally impressive. Doyle has a keen understanding of rhythm, timing, and movement. He has a background in various dance styles and approaches each performance with an open and collaborative mindset. He is also a quick learner and can adapt to new choreography with ease.<return><return>Aside from his talent, Doyle is also a hard-working and dedicated individual. He takes his craft seriously and is always working to improve his skills and technique. He is also a team player and works well with others, which is essential in a dance company environment.<return><return>In addition to his impressive stage and dance background, Doyle has also appeared in several television shows and films, including Lost & Found, ER, and Queer as Folk. He is a well-rounded performer and I have no doubt he will be an asset to your company.<return><return>I highly recommend Doyle Paris for any dancer position in your company and I believe he would be an excellent addition to your team. Please feel free to contact me if you have any questions or require further information.<return><return>Sincerely,<return><return>[Your Name] | Dear [Dance Company Director],<return><return>I am writing to recommend Doyle Paris for a dancer position in your esteemed company. I have had the pleasure of watching Doyle perform on stage and I can attest to his exceptional talent and dedication to his craft.<return><return>Doyle's stage presence is captivating and he has a natural ability to connect with the audience. His performance in Neil LaBute's west coast premiere of The Mercy Seat at the Ford Theatre was outstanding and earned him the Backstage Readers best Performance Award. I have also had the pleasure of watching Doyle perform in his own production, Us, which premiered at the Lion Theatre at Theatre Row in New York City.<return><return>His dance skills are equally impressive. Doyle has a keen understanding of rhythm, timing, and movement. He has a background in various dance styles and approaches each performance with an open and collaborative mindset. He is also a quick learner and can adapt to new choreography with ease.<return><return>Aside from his talent, Doyle is also a hard-working and dedicated individual. He takes his craft seriously and is always working to improve his skills and technique. He is also a team player and works well with others, which is essential in a dance company environment.<return><return>In addition to his impressive stage and dance background, Doyle has also appeared in several television shows and films, including Lost & Found, ER, and Queer as Folk. He is a well-rounded performer and I have no doubt he will be an asset to your company.<return><return>I highly recommend Doyle Paris for any dancer position in your company and I believe he would be an excellent addition to your team. Please feel free to contact me if you have any questions or require further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 77 | 77 | Rachael | Bill | f | Clyde's career began at age seven on the vaudeville stage, billed as "Baby Tetrazini" (a stage name for the girls) at the age of nine. She made her first screen appearance at age ten with Noah Beery, Sr. in The Sea Wolf. Later her voice changed and she joined a stock company. She was a WAMPAS Baby Star of 1932 and she progressed to a modest career in Hollywood films before marrying film director Thornton Freeland. Clyde moved to England with her husband and appeared in several British films and stage productions starting in 1934, as well as returning to the United States periodically for both stage and film work. On Broadway, Clyde portrayed Annabel Lewis in Hooray For What! (1937) and Sally Trowbridge in Banjo Eyes (1941). | June Clyde married Thornton Freeland in 1930. She died on October 1, 1987 in Fort Lauderdale, Florida, aged 77. | Bill's career began at age seven on the vaudeville stage, billed as "Baby Tetrazini" (a stage name for the girls) at the age of nine. She made her first screen appearance at age ten with Noah Beery, Sr. in The Sea Wolf. Later her voice changed and she joined a stock company. She was a WAMPAS Baby Star of 1932 and she progressed to a modest career in Hollywood films before marrying film director Thornton Freeland. Bill moved to England with her husband and appeared in several British films and stage productions starting in 1934, as well as returning to the United States periodically for both stage and film work. On Broadway, Bill portrayed Annabel Lewis in Hooray For What! (1937) and Sally Trowbridge in Banjo Eyes (1941).Rachael Bill married Thornton Freeland in 1930. She died on October 1, 1987 in Fort Lauderdale, Florida, aged 77. | June | Clyde | dancers | Dear Hiring Manager, <return><return>I am writing to wholeheartedly recommend Rachael Bill for any position related to dancing or acting. As a highly respected dancer myself, I have had the pleasure of watching Rachael's performances over the years and can confidently recommend her talent and professionalism.<return><return>Rachael's career began at an incredibly young age and she quickly made a name for herself as a talented performer. Her experience on the vaudeville stage and in Hollywood films allowed her to develop a broad range of skills, including strong footwork, expressive movement, and a dynamic stage presence.<return><return>Throughout her career, Rachael has continued to push herself and explore new opportunities. She has appeared in British films and stage productions as well as returning to the United States for both stage and film work. Her notable performances on Broadway include portraying Annabel Lewis in Hooray For What! and Sally Trowbridge in Banjo Eyes.<return><return>In addition to her impressive resume, Rachael is also a pleasure to work with. She approaches every project with dedication and care, and always brings a positive attitude to rehearsals and performances. Her creativity and willingness to collaborate with other dancers and artists make her a valuable addition to any team.<return><return>Overall, I highly recommend Rachael for any opportunity related to dancing or acting. She is a talented performer with a wealth of experience and a friendly, professional demeanor. Any team would be lucky to have her on board.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager, <return><return>I am writing to wholeheartedly recommend Rachael Bill for any position related to dancing or acting. As a highly respected dancer myself, I have had the pleasure of watching Rachael's performances over the years and can confidently recommend her talent and professionalism.<return><return>Rachael's career began at an incredibly young age and she quickly made a name for herself as a talented performer. Her experience on the vaudeville stage and in Hollywood films allowed her to develop a broad range of skills, including strong footwork, expressive movement, and a dynamic stage presence.<return><return>Throughout her career, Rachael has continued to push herself and explore new opportunities. She has appeared in British films and stage productions as well as returning to the United States for both stage and film work. Her notable performances on Broadway include portraying Annabel Lewis in Hooray For What! and Sally Trowbridge in Banjo Eyes.<return><return>In addition to her impressive resume, Rachael is also a pleasure to work with. She approaches every project with dedication and care, and always brings a positive attitude to rehearsals and performances. Her creativity and willingness to collaborate with other dancers and artists make her a valuable addition to any team.<return><return>Overall, I highly recommend Rachael for any opportunity related to dancing or acting. She is a talented performer with a wealth of experience and a friendly, professional demeanor. Any team would be lucky to have her on board.<return><return>Sincerely,<return><return>[Your Name] |
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| 78 | 78 | Benjamin | Kalman | m | Clyde's career began at age seven on the vaudeville stage, billed as "Baby Tetrazini" (a stage name for the girls) at the age of nine. She made her first screen appearance at age ten with Noah Beery, Sr. in The Sea Wolf. Later her voice changed and she joined a stock company. She was a WAMPAS Baby Star of 1932 and she progressed to a modest career in Hollywood films before marrying film director Thornton Freeland. Clyde moved to England with her husband and appeared in several British films and stage productions starting in 1934, as well as returning to the United States periodically for both stage and film work. On Broadway, Clyde portrayed Annabel Lewis in Hooray For What! (1937) and Sally Trowbridge in Banjo Eyes (1941). | June Clyde married Thornton Freeland in 1930. She died on October 1, 1987 in Fort Lauderdale, Florida, aged 77. | kalman's career began at age seven on the vaudeville stage, billed as "baby tetrazini" (a stage name for the girls) at the age of nine. he made his first screen appearance at age ten with noah beery, sr. in the sea wolf. later his voice changed and he joined a stock company. he was a wampas baby star of 1932 and he progressed to a modest career in hollywood films before marrying film director thornton freeland. kalman moved to england with his husband and appeared in several british films and stage productions starting in 1934, as well as returning to the united states periodically for both stage and film work. on broadway, kalman portrayed annabel lewis in hooray for what! (1937) and sally trowbridge in banjo eyes (1941).benjamin kalman married thornton freeland in 1930. he died on october 1, 1987 in fort lauderdale, florida, aged 77. | June | Clyde | dancers | Dear Hiring Manager,<return><return>I am writing to recommend Benjamin Kalman for any dance-related opportunities that may arise. I have had the pleasure of working with Benjamin during his time in Hollywood, as well as witnessing his extraordinary talents on the London stage.<return><return>Benjamin Kalman began his career as a vaudeville performer at a young age, and his talent and dedication quickly became evident. I have personally witnessed his grace and artistry both on stage and on screen, and I can honestly say that he is one of the most talented dancers I have ever had the pleasure of working with.<return><return>Throughout his career, Benjamin has demonstrated a commitment to his craft that is truly commendable. He has worked tirelessly to perfect his technique, and his dedication to his art is matched only by his natural talent. He is a true professional, and his passion and drive for dance are truly inspiring.<return><return>In addition to his impressive technical abilities, Benjamin is also a pleasure to work with. He is collaborative, creative, and always brings a positive attitude to any project he is involved in.<return><return>Overall, I can confidently recommend Benjamin Kalman for any dance-related opportunities. He is an exceptional performer and a true credit to the dance community. Please do not hesitate to contact me should you require any further information.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to recommend Benjamin Kalman for any dance-related opportunities that may arise. I have had the pleasure of working with Benjamin during his time in Hollywood, as well as witnessing his extraordinary talents on the London stage.<return><return>Benjamin Kalman began his career as a vaudeville performer at a young age, and his talent and dedication quickly became evident. I have personally witnessed his grace and artistry both on stage and on screen, and I can honestly say that he is one of the most talented dancers I have ever had the pleasure of working with.<return><return>Throughout his career, Benjamin has demonstrated a commitment to his craft that is truly commendable. He has worked tirelessly to perfect his technique, and his dedication to his art is matched only by his natural talent. He is a true professional, and his passion and drive for dance are truly inspiring.<return><return>In addition to his impressive technical abilities, Benjamin is also a pleasure to work with. He is collaborative, creative, and always brings a positive attitude to any project he is involved in.<return><return>Overall, I can confidently recommend Benjamin Kalman for any dance-related opportunities. He is an exceptional performer and a true credit to the dance community. Please do not hesitate to contact me should you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 79 | 79 | Tanya | Malen | f | Colby owned and participated in a female roller derby team, the Big Mouth Mickies, for three years until injuries forced her to give it up. While living with her family in Chicago, she attended a burlesque performance starring comedian Margaret Cho and dancer Satan's Angel. This prompted in her a desire to become a burlesque dancer; and, after she moved back with her family to the Quad Cities area of Iowa, she created the professional burlesque troupe Burlesque Le Moustache, with nine performers, including Colby herself under the stage name Dannie Diesel, touring eastern Iowa and western Illinois. As of October 2014, Colby owned a burlesque academy called Dannie Diesel's Bump 'n' Grind Academy in the Rogers Park neighborhood of Chicago. | Danielle Colby was born in Davenport, Iowa, and brought up as a Jehovah’s Witness. By 2004, she was married to Englishman Robert Strong with two children. Colby's television career eventually led to the breakup of her marriage. In May 2012, she told WQAD-TV that "fame and notoriety are not easy for him to deal with at all, so the relationship ended up not working out". | Tanya Malen was born in Davenport, Iowa, and brought up as a Jehovah’s Witness. By 2004, she was married to Englishman Robert Strong with two children. Malen's television career eventually led to the breakup of her marriage. In May 2012, she told WQAD-TV that "fame and notoriety are not easy for him to deal with at all, so the relationship ended up not working out".Malen owned and participated in a female roller derby team, the Big Mouth Mickies, for three years until injuries forced her to give it up. While living with her family in Chicago, she attended a burlesque performance starring comedian Margaret Cho and dancer Satan's Angel. This prompted in her a desire to become a burlesque dancer; and, after she moved back with her family to the Quad Cities area of Iowa, she created the professional burlesque troupe Burlesque Le Moustache, with nine performers, including Malen herself under the stage name Dannie Diesel, touring eastern Iowa and western Illinois. As of October 2014, Malen owned a burlesque academy called Dannie Diesel's Bump 'n' Grind Academy in the Rogers Park neighborhood of Chicago. | Danielle | Colby | dancers | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Tanya Malen as an exceptional dancer. As a prestigious dancer myself, I have had the pleasure of witnessing Tanya's exceptional talent and remarkable ability to captivate any audience with her performances.<return><return>I have been incredibly impressed by Tanya's creativity and passion for dance. She has a natural talent that is evident in her fluid and graceful movements. Her attention to detail and dedication to her craft is truly inspiring, and sets her apart as a dancer of the highest caliber.<return><return>Tanya's background in television, roller derby, and burlesque have all contributed to her unique style and performance art. She has showcased her dance skills in numerous projects, including the professional burlesque troupe, Burlesque Le Moustache, which she founded under the stage name Dannie Diesel.<return><return>In addition to her performance work, Tanya has also established herself as a respected dance teacher. Her burlesque academy, Dannie Diesel's Bump 'n' Grind Academy, has become a reputable institution, where students can learn from her extensive knowledge and experience.<return><return>Tanya's talent, creativity, and dedication to dance make her a valuable addition to any production or event. It is without hesitation that I recommend Tanya Malen for any dance opportunity with my highest praise and admiration.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Tanya Malen as an exceptional dancer. As a prestigious dancer myself, I have had the pleasure of witnessing Tanya's exceptional talent and remarkable ability to captivate any audience with her performances.<return><return>I have been incredibly impressed by Tanya's creativity and passion for dance. She has a natural talent that is evident in her fluid and graceful movements. Her attention to detail and dedication to her craft is truly inspiring, and sets her apart as a dancer of the highest caliber.<return><return>Tanya's background in television, roller derby, and burlesque have all contributed to her unique style and performance art. She has showcased her dance skills in numerous projects, including the professional burlesque troupe, Burlesque Le Moustache, which she founded under the stage name Dannie Diesel.<return><return>In addition to her performance work, Tanya has also established herself as a respected dance teacher. Her burlesque academy, Dannie Diesel's Bump 'n' Grind Academy, has become a reputable institution, where students can learn from her extensive knowledge and experience.<return><return>Tanya's talent, creativity, and dedication to dance make her a valuable addition to any production or event. It is without hesitation that I recommend Tanya Malen for any dance opportunity with my highest praise and admiration.<return><return>Sincerely,<return><return>[Your Name] |
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| 80 | 80 | Lester | Rowlson-Hall | m | Colby owned and participated in a female roller derby team, the Big Mouth Mickies, for three years until injuries forced her to give it up. While living with her family in Chicago, she attended a burlesque performance starring comedian Margaret Cho and dancer Satan's Angel. This prompted in her a desire to become a burlesque dancer; and, after she moved back with her family to the Quad Cities area of Iowa, she created the professional burlesque troupe Burlesque Le Moustache, with nine performers, including Colby herself under the stage name Dannie Diesel, touring eastern Iowa and western Illinois. As of October 2014, Colby owned a burlesque academy called Dannie Diesel's Bump 'n' Grind Academy in the Rogers Park neighborhood of Chicago. | Danielle Colby was born in Davenport, Iowa, and brought up as a Jehovah’s Witness. By 2004, she was married to Englishman Robert Strong with two children. Colby's television career eventually led to the breakup of her marriage. In May 2012, she told WQAD-TV that "fame and notoriety are not easy for him to deal with at all, so the relationship ended up not working out". | lester rowlson-hall was born in davenport, iowa, and brought up as a jehovah’s witness. by 2004, he was married to englishman robert strong with two children. rowlson-hall's television career eventually led to the breakup of his marriage. in may 2012, he told wqad-tv that "fame and notoriety are not easy for him to deal with at all, so the relationship ended up not working out".rowlson-hall owned and participated in a female roller derby team, the big mouth mickies, for three years until injuries forced his to give it up. while living with his family in chicago, he attended a burlesque performance starring comedian margaret cho and dancer satan's angel. this prompted in his a desire to become a burlesque dancer; and, after he moved back with his family to the quad cities area of iowa, he created the professional burlesque troupe burlesque le moustache, with nine performers, including rowlson-hall herself under the stage name dannie diesel, touring eastern iowa and western illinois. as of october 2014, rowlson-hall owned a burlesque academy called dannie diesel's bump 'n' grind academy in the rogers park neighborhood of chicago. | Danielle | Colby | dancers | Dear [Director of the Prestigious Dance Company],<return><return>I am writing this letter to recommend Lester Rowlson-Hall for consideration to be a part of your esteemed dance company. I have had the pleasure of working with Lester in the past and can attest to his exceptional dancing skills and outstanding work ethic.<return><return>Lester's career in entertainment has been quite extensive, having been involved in television, roller derby, and burlesque. I believe that these experiences have helped him develop a unique and versatile style that would make him a fantastic addition to your dance company.<return><return>Lester's passion for dance is evident in everything he does. As the founder of Burlesque Le Moustache and the owner of Dannie Diesel's Bump 'n' Grind Academy, Lester has shown his steadfast commitment to promoting the art of dance. He inspires his students to strive for excellence and brings out the best in them with his supportive and constructive approach.<return><return>In addition to his technical proficiency, Lester's creativity and stage presence are truly remarkable. He has a natural ability to captivate audiences with his dynamic performances. His ability to express emotion through dance is unmatched, and he has a keen sense of storytelling that he incorporates into his choreography.<return><return>I wholeheartedly endorse Lester Rowlson-Hall for a position in your dance company. He is an exceptional dancer with a wealth of experience and an unwavering commitment to the art of dance. His addition to your team would be an asset, and I have no doubt that he would thrive in your company.<return><return>Sincerely,<return><return>[Your Name] | Dear [Director of the Prestigious Dance Company],<return><return>I am writing this letter to recommend Lester Rowlson-Hall for consideration to be a part of your esteemed dance company. I have had the pleasure of working with Lester in the past and can attest to his exceptional dancing skills and outstanding work ethic.<return><return>Lester's career in entertainment has been quite extensive, having been involved in television, roller derby, and burlesque. I believe that these experiences have helped him develop a unique and versatile style that would make him a fantastic addition to your dance company.<return><return>Lester's passion for dance is evident in everything he does. As the founder of Burlesque Le Moustache and the owner of Dannie Diesel's Bump 'n' Grind Academy, Lester has shown his steadfast commitment to promoting the art of dance. He inspires his students to strive for excellence and brings out the best in them with his supportive and constructive approach.<return><return>In addition to his technical proficiency, Lester's creativity and stage presence are truly remarkable. He has a natural ability to captivate audiences with his dynamic performances. His ability to express emotion through dance is unmatched, and he has a keen sense of storytelling that he incorporates into his choreography.<return><return>I wholeheartedly endorse Lester Rowlson-Hall for a position in your dance company. He is an exceptional dancer with a wealth of experience and an unwavering commitment to the art of dance. His addition to your team would be an asset, and I have no doubt that he would thrive in your company.<return><return>Sincerely,<return><return>[Your Name] |
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| 81 | 81 | Lili | Stack | f | Colby was a founding member in December 1966 of Pan's People. After a few changes of line up, by December 1967 the troupe comprised Dee Dee Wilde, Babs Lord, Louise Clarke, Andrea Rutherford and Ruth Pearson. Their earliest BBC television appearance was in 1968 on The Bobbie Gentry Show, broadcast initially on BBC2 and repeated later on BBC1. Other BBC series followed, including Happening For Lulu in 1969 as well as The Price of Fame starring Georgie Fame and Alan Price. They first appeared on Top of the Pops in April 1968, and became a regular weekly feature in January 1970. They appeared on several other BBC programmes including The Two Ronnies. After 1971, Colby concentrated on choreography for Pan's People, and then from 1976 with new troupes she put together for TOTP named "Ruby Flipper", "Legs & Co." (both managed by former Pan's People dancer Ruth Pearson) and "Zoo", for which she was credited by TOTP as "Dance Director". She also choreographed the rock musical Catch My Soul, and co-wrote an instructional book, Let's Go Dancing (1979). | For a few years after Colby's tenure with Top of the Pops, Colby split her time between her family's home town of Clinton, New York and London, but eventually chose to settle down in Clinton, where she lived the remainder of her life. She owned and operated a gift shop, Paddywacks. Colby married three times: first to writer Robert Marasco, then to James Ramble in 1967, and finally in 2003 to George Bahlke, a professor of literature at Hamilton College, until his death in February 2011. In the last years of her life, Colby had breast cancer and died of bronchopneumonia at her home in Clinton in May 2011, aged 65, some four months after the death of her husband, George Bahlke. She was survived by a brother and a sister. | Stack was a founding member in December 1966 of Pan's People. After a few changes of line up, by December 1967 the troupe comprised Dee Dee Wilde, Babs Lord, Louise Clarke, Andrea Rutherford and Ruth Pearson. Their earliest BBC television appearance was in 1968 on The Bobbie Gentry Show, broadcast initially on BBC2 and repeated later on BBC1. Other BBC series followed, including Happening For Lulu in 1969 as well as The Price of Fame starring Georgie Fame and Alan Price. They first appeared on Top of the Pops in April 1968, and became a regular weekly feature in January 1970. They appeared on several other BBC programmes including The Two Ronnies. After 1971, Stack concentrated on choreography for Pan's People, and then from 1976 with new troupes she put together for TOTP named "Ruby Flipper", "Legs & Co." (both managed by former Pan's People dancer Ruth Pearson) and "Zoo", for which she was credited by TOTP as "Dance Director". She also choreographed the rock musical Catch My Soul, and co-wrote an instructional book, Let's Go Dancing (1979).For a few years after Stack's tenure with Top of the Pops, Stack split her time between her family's home town of Clinton, New York and London, but eventually chose to settle down in Clinton, where she lived the remainder of her life. She owned and operated a gift shop, Paddywacks. Stack married three times: first to writer Robert Marasco, then to James Ramble in 1967, and finally in 2003 to George Bahlke, a professor of literature at Hamilton College, until his death in February 2011. In the last years of her life, Stack had breast cancer and died of bronchopneumonia at her home in Clinton in May 2011, aged 65, some four months after the death of her husband, George Bahlke. She was survived by a brother and a sister. | Flick | Colby | dancers | To Whom It May Concern,<return><return>I am writing to express my enthusiastic recommendation of Lili Stack as a dancer. Ms. Stack was a founding member of Pan's People and her contributions to the dance world have left an indelible mark.<return><return>As a fellow dancer and choreographer, I had the pleasure of working alongside Ms. Stack on numerous occasions. Her dedication to her craft was unmatched, and her talent as a dancer was obvious to anyone who saw her perform. Ms. Stack's ability to convey emotion through dance was truly remarkable, and her attention to detail in choreography was impeccable.<return><return>Ms. Stack's work with Pan's People, and later with Ruby Flipper, Legs & Co., and Zoo, were some of the most memorable dance performances on Top of the Pops. Her choreography was innovative and captivating, and her ability to showcase the strengths of each dancer was impressive.<return><return>Aside from her outstanding professional achievements, Ms. Stack was a kind and generous person. Her positive attitude and humble demeanor were an inspiration to all who knew her.<return><return>In closing, I highly recommend Ms. Lili Stack without reservation. She was a true professional and a gifted dancer, and her legacy in the dance world will continue to inspire generations to come.<return><return>Sincerely,<return>[Your Name] | To Whom It May Concern,<return><return>I am writing to express my enthusiastic recommendation of Lili Stack as a dancer. Ms. Stack was a founding member of Pan's People and her contributions to the dance world have left an indelible mark.<return><return>As a fellow dancer and choreographer, I had the pleasure of working alongside Ms. Stack on numerous occasions. Her dedication to her craft was unmatched, and her talent as a dancer was obvious to anyone who saw her perform. Ms. Stack's ability to convey emotion through dance was truly remarkable, and her attention to detail in choreography was impeccable.<return><return>Ms. Stack's work with Pan's People, and later with Ruby Flipper, Legs & Co., and Zoo, were some of the most memorable dance performances on Top of the Pops. Her choreography was innovative and captivating, and her ability to showcase the strengths of each dancer was impressive.<return><return>Aside from her outstanding professional achievements, Ms. Stack was a kind and generous person. Her positive attitude and humble demeanor were an inspiration to all who knew her.<return><return>In closing, I highly recommend Ms. Lili Stack without reservation. She was a true professional and a gifted dancer, and her legacy in the dance world will continue to inspire generations to come.<return><return>Sincerely,<return>[Your Name] |
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| 82 | 82 | Anish | Bainter | m | Colby was a founding member in December 1966 of Pan's People. After a few changes of line up, by December 1967 the troupe comprised Dee Dee Wilde, Babs Lord, Louise Clarke, Andrea Rutherford and Ruth Pearson. Their earliest BBC television appearance was in 1968 on The Bobbie Gentry Show, broadcast initially on BBC2 and repeated later on BBC1. Other BBC series followed, including Happening For Lulu in 1969 as well as The Price of Fame starring Georgie Fame and Alan Price. They first appeared on Top of the Pops in April 1968, and became a regular weekly feature in January 1970. They appeared on several other BBC programmes including The Two Ronnies. After 1971, Colby concentrated on choreography for Pan's People, and then from 1976 with new troupes she put together for TOTP named "Ruby Flipper", "Legs & Co." (both managed by former Pan's People dancer Ruth Pearson) and "Zoo", for which she was credited by TOTP as "Dance Director". She also choreographed the rock musical Catch My Soul, and co-wrote an instructional book, Let's Go Dancing (1979). | For a few years after Colby's tenure with Top of the Pops, Colby split her time between her family's home town of Clinton, New York and London, but eventually chose to settle down in Clinton, where she lived the remainder of her life. She owned and operated a gift shop, Paddywacks. Colby married three times: first to writer Robert Marasco, then to James Ramble in 1967, and finally in 2003 to George Bahlke, a professor of literature at Hamilton College, until his death in February 2011. In the last years of her life, Colby had breast cancer and died of bronchopneumonia at her home in Clinton in May 2011, aged 65, some four months after the death of her husband, George Bahlke. She was survived by a brother and a sister. | bainter was a founding member in december 1966 of pan's people. after a few changes of line up, by december 1967 the troupe comprised dee dee wilde, babs lord, louise clarke, andrea rutherford and ruth pearson. their earliest bbc television appearance was in 1968 on the bobbie gentry show, broadcast initially on bbc2 and repeated later on bbc1. other bbc series followed, including happening for lulu in 1969 as well as the price of fame starring georgie fame and alan price. they first appeared on top of the pops in april 1968, and became a regular weekly feature in january 1970. they appeared on several other bbc programmes including the two ronnies. after 1971, bainter concentrated on choreography for pan's people, and then from 1976 with new troupes he put together for totp named "ruby flipper", "legs & co." (both managed by former pan's people dancer ruth pearson) and "zoo", for which he was credited by totp as "dance director". he also choreographed the rock musical catch my soul, and co-wrote an instructional book, let's go dancing (1979).for a few years after bainter's tenure with top of the pops, bainter split his time between his family's home town of clinton, new york and london, but eventually chose to settle down in clinton, where he lived the remainder of his life. he owned and operated a gift shop, paddywacks. bainter married three times: first to writer robert marasco, then to james ramble in 1967, and finally in 2003 to george bahlke, a professor of literature at hamilton college, until his death in february 2011. in the last years of his life, bainter had breast cancer and died of bronchopneumonia at his home in clinton in may 2011, aged 65, some four months after the death of his husband, george bahlke. he was survived by a brother and a sister. | Flick | Colby | dancers | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Anish Bainter, a highly talented dancer who has left an indelible mark in the world of dance. As a prestigious dancer myself, it brings me great pleasure to endorse Anish for any dancing opportunity that may come his way.<return><return>Anish was one of the founding members of Pan's People in December 1966, and through his incredible skill and passion for dance, he ended up becoming one of the most accomplished and respected names in the business. He was not only an exceptional performer but also a dedicated choreographer, who helped put together some of the most memorable performances during his time with the troupe.<return><return>Even after his tenure with Top of the Pops, Anish continued to inspire and influence many other dancers and choreographers with his work on new troupes like "Ruby Flipper," "Legs & Co.," and "Zoo." He left a lasting impact on the industry, and his contributions will always be remembered.<return><return>Beyond his impressive work in dance, Anish was a truly kind and gentle person. He was a proud member of his community in Clinton, New York, and he operated his own gift shop, Paddywacks. Despite the challenges he faced towards the end of his life, Anish remained positive and continued to inspire those around him.<return><return>It is with great honor and enthusiasm that I recommend Anish Bainter for any dancing opportunity that he may seek. His passion, dedication, and immense talent make him a standout in the dance world, and I am confident that he will exceed all expectations. <return><return>Sincerely, <return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter of recommendation for Anish Bainter, a highly talented dancer who has left an indelible mark in the world of dance. As a prestigious dancer myself, it brings me great pleasure to endorse Anish for any dancing opportunity that may come his way.<return><return>Anish was one of the founding members of Pan's People in December 1966, and through his incredible skill and passion for dance, he ended up becoming one of the most accomplished and respected names in the business. He was not only an exceptional performer but also a dedicated choreographer, who helped put together some of the most memorable performances during his time with the troupe.<return><return>Even after his tenure with Top of the Pops, Anish continued to inspire and influence many other dancers and choreographers with his work on new troupes like "Ruby Flipper," "Legs & Co.," and "Zoo." He left a lasting impact on the industry, and his contributions will always be remembered.<return><return>Beyond his impressive work in dance, Anish was a truly kind and gentle person. He was a proud member of his community in Clinton, New York, and he operated his own gift shop, Paddywacks. Despite the challenges he faced towards the end of his life, Anish remained positive and continued to inspire those around him.<return><return>It is with great honor and enthusiasm that I recommend Anish Bainter for any dancing opportunity that he may seek. His passion, dedication, and immense talent make him a standout in the dance world, and I am confident that he will exceed all expectations. <return><return>Sincerely, <return><return>[Your Name] |
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| 83 | 83 | Carroll | Mazzarino | f | Collenette was taken to the United States after World War I by theatrical manager Henry Wilson Savage. She appeared on the Broadway stage twice in musicals: in Zelda Sears's Lady Billy (1920–1921), and in Jack and Jill (1923). In 1926, Collenette founded the Collenette School of Dancing in Pasadena, California. By 1931, she was appearing in regional newspaper advertisements, endorsing Welch's Grape Juice. In 1936, Collenette was chosen to teach San Francisco Ballet classes during Adolph Bolm's absence. Her ballet company mostly performed at the Pasadena Community Playhouse, but also toured regionally and nationally. Among her young students in the 1950s was dancer and choreographer Twyla Tharp. | Collenette married journalist Joseph Kenyon Ivie, moved to California, and had a daughter, Joan Collenette Damon, who followed her mother into dance education as head of the Collenette School of Dancing for forty years, until she retired in 2002. Beatrice Collenette marked her 100th birthday with family and former students in San Juan Capistrano in 1999. She died in 2001, aged 102 years. The Collenette school remains in operation in San Marino, California as of December 2017. | Mazzarino was taken to the United States after World War I by theatrical manager Henry Wilson Savage. She appeared on the Broadway stage twice in musicals: in Zelda Sears's Lady Billy (1920–1921), and in Jack and Jill (1923). In 1926, Mazzarino founded the Mazzarino School of Dancing in Pasadena, California. By 1931, she was appearing in regional newspaper advertisements, endorsing Welch's Grape Juice. In 1936, Mazzarino was chosen to teach San Francisco Ballet classes during Adolph Bolm's absence. Her ballet company mostly performed at the Pasadena Community Playhouse, but also toured regionally and nationally. Among her young students in the 1950s was dancer and choreographer Twyla Tharp.Mazzarino married journalist Joseph Kenyon Ivie, moved to California, and had a daughter, Joan Mazzarino Damon, who followed her mother into dance education as head of the Mazzarino School of Dancing for forty years, until she retired in 2002. Carroll Mazzarino marked her 100th birthday with family and former students in San Juan Capistrano in 1999. She died in 2001, aged 102 years. The Mazzarino school remains in operation in San Marino, California as of December 2017. | Beatrice | Collenette | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Carroll Mazzarino for her outstanding contributions to the world of dance. As a prestigious dancer myself, I have had the pleasure of witnessing Ms. Mazzarino's talent and dedication to the art of ballet.<return><return>Ms. Mazzarino's passion for dance began early in her life and she was taken to the United States after World War I by theatrical manager, Henry Wilson Savage. Ms. Mazzarino went on to appear on the Broadway stage twice in musicals and eventually founded the Mazzarino School of Dancing in Pasadena, California where she dedicated her life to teaching the art of ballet to countless students.<return><return>Ms. Mazzarino's dedication did not go unnoticed as she was chosen to teach San Francisco Ballet classes during Adolph Bolm's absence and her ballet company mostly performed at the Pasadena Community Playhouse, but also toured regionally and nationally. Among her young students in the 1950s was dancer and choreographer Twyla Tharp.<return><return>Ms. Mazzarino's impact on the dance industry was far-reaching and she continued to inspire a love of dance in her students, including her daughter Joan Mazzarino Damon who followed her mother into dance education as head of the Mazzarino School of Dancing for forty years.<return><return>Carroll Mazzarino marked her 100th birthday with family and former students in San Juan Capistrano in 1999 and remained active in the dance world until her passing in 2001 at the age of 102.<return><return>It is without question that Ms. Mazzarino's contributions to the art of ballet and dance education have been invaluable and I highly recommend her to any organization looking for a teacher or mentor in the dance world.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Carroll Mazzarino for her outstanding contributions to the world of dance. As a prestigious dancer myself, I have had the pleasure of witnessing Ms. Mazzarino's talent and dedication to the art of ballet.<return><return>Ms. Mazzarino's passion for dance began early in her life and she was taken to the United States after World War I by theatrical manager, Henry Wilson Savage. Ms. Mazzarino went on to appear on the Broadway stage twice in musicals and eventually founded the Mazzarino School of Dancing in Pasadena, California where she dedicated her life to teaching the art of ballet to countless students.<return><return>Ms. Mazzarino's dedication did not go unnoticed as she was chosen to teach San Francisco Ballet classes during Adolph Bolm's absence and her ballet company mostly performed at the Pasadena Community Playhouse, but also toured regionally and nationally. Among her young students in the 1950s was dancer and choreographer Twyla Tharp.<return><return>Ms. Mazzarino's impact on the dance industry was far-reaching and she continued to inspire a love of dance in her students, including her daughter Joan Mazzarino Damon who followed her mother into dance education as head of the Mazzarino School of Dancing for forty years.<return><return>Carroll Mazzarino marked her 100th birthday with family and former students in San Juan Capistrano in 1999 and remained active in the dance world until her passing in 2001 at the age of 102.<return><return>It is without question that Ms. Mazzarino's contributions to the art of ballet and dance education have been invaluable and I highly recommend her to any organization looking for a teacher or mentor in the dance world.<return><return>Sincerely,<return><return>[Your Name] |
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| 84 | 84 | Christopher | Dvorak | m | Collenette was taken to the United States after World War I by theatrical manager Henry Wilson Savage. She appeared on the Broadway stage twice in musicals: in Zelda Sears's Lady Billy (1920–1921), and in Jack and Jill (1923). In 1926, Collenette founded the Collenette School of Dancing in Pasadena, California. By 1931, she was appearing in regional newspaper advertisements, endorsing Welch's Grape Juice. In 1936, Collenette was chosen to teach San Francisco Ballet classes during Adolph Bolm's absence. Her ballet company mostly performed at the Pasadena Community Playhouse, but also toured regionally and nationally. Among her young students in the 1950s was dancer and choreographer Twyla Tharp. | Collenette married journalist Joseph Kenyon Ivie, moved to California, and had a daughter, Joan Collenette Damon, who followed her mother into dance education as head of the Collenette School of Dancing for forty years, until she retired in 2002. Beatrice Collenette marked her 100th birthday with family and former students in San Juan Capistrano in 1999. She died in 2001, aged 102 years. The Collenette school remains in operation in San Marino, California as of December 2017. | dvorak was taken to the united states after world war i by theatrical manager henry wilson savage. he appeared on the broadway stage twice in musicals: in zelda sears's lady billy (1920–1921), and in jack and jill (1923). in 1926, dvorak founded the dvorak school of dancing in pasadena, california. by 1931, he was appearing in regional newspaper advertisements, endorsing welch's grape juice. in 1936, dvorak was chosen to teach san francisco ballet classes during adolph bolm's absence. his ballet company mostly performed at the pasadena community playhouse, but also toured regionally and nationally. among his young students in the 1950s was dancer and choreographer twyla tharp.dvorak married journalist joseph kenyon ivie, moved to california, and had a daughter, joan dvorak damon, who followed his mother into dance education as head of the dvorak school of dancing for forty years, until he retired in 2002. christopher dvorak marked his 100th birthday with family and former students in san juan capistrano in 1999. he died in 2001, aged 102 years. the dvorak school remains in operation in san marino, california as of december 2017. | Beatrice | Collenette | dancers | Dear [Name of Recipient],<return><return>It is with great pleasure that I write to recommend Christopher Dvorak for any future endeavors in dance or performance. As a prestigious dancer myself, I have had the honor of seeing Mr. Dvorak's talent firsthand and can attest to his exceptional abilities and unwavering passion for the art of dance.<return><return>Mr. Dvorak's career in the dance world began early on, brought to the United States after World War I to pursue his love for the craft. He appeared on Broadway twice in musicals and went on to found the Dvorak School of Dancing in Pasadena, California in 1926. He quickly gained notoriety, promoting Welch's grape juice in regional newspaper advertisements, and was even chosen to teach San Francisco ballet classes during Adolph Bolm's absence.<return><return>Mr. Dvorak's ballet company predominantly performed at the Pasadena Community Playhouse and went on to tour regionally and nationally, catching the attention of many talented young dancers. One of those students, Twyla Tharp, would go on to become a celebrated dancer and choreographer, further proving Mr. Dvorak's ability to cultivate talent.<return><return>Mr. Dvorak's passion and dedication to dance continued throughout his life, even until his 100th birthday when he celebrated with family and former students. His school continues to operate today in San Marino, California, boasting a legacy that spans close to a century.<return><return>I have no doubt that Mr. Dvorak's expertise, talent, and passion for ballet would be a significant asset to any dance-related venture. He lived and breathed dance, dedicating himself to the art form for the majority of his life, and that commitment is evident in the work he produced.<return><return>It is my sincerest recommendation that you consider Mr. Christopher Dvorak for any opportunities related to dance or the performing arts. I have no doubt that you, like so many others, will appreciate the exceptional talent and love for the craft that Mr. Dvorak has to offer.<retu… | Dear [Name of Recipient],<return><return>It is with great pleasure that I write to recommend Christopher Dvorak for any future endeavors in dance or performance. As a prestigious dancer myself, I have had the honor of seeing Mr. Dvorak's talent firsthand and can attest to his exceptional abilities and unwavering passion for the art of dance.<return><return>Mr. Dvorak's career in the dance world began early on, brought to the United States after World War I to pursue his love for the craft. He appeared on Broadway twice in musicals and went on to found the Dvorak School of Dancing in Pasadena, California in 1926. He quickly gained notoriety, promoting Welch's grape juice in regional newspaper advertisements, and was even chosen to teach San Francisco ballet classes during Adolph Bolm's absence.<return><return>Mr. Dvorak's ballet company predominantly performed at the Pasadena Community Playhouse and went on to tour regionally and nationally, catching the attention of many talented young dancers. One of those students, Twyla Tharp, would go on to become a celebrated dancer and choreographer, further proving Mr. Dvorak's ability to cultivate talent.<return><return>Mr. Dvorak's passion and dedication to dance continued throughout his life, even until his 100th birthday when he celebrated with family and former students. His school continues to operate today in San Marino, California, boasting a legacy that spans close to a century.<return><return>I have no doubt that Mr. Dvorak's expertise, talent, and passion for ballet would be a significant asset to any dance-related venture. He lived and breathed dance, dedicating himself to the art form for the majority of his life, and that commitment is evident in the work he produced.<return><return>It is my sincerest recommendation that you consider Mr. Christopher Dvorak for any opportunities related to dance or the performing arts. I have no doubt that you, like so many others, will appreciate the exceptional talent and love for the craft that Mr. Dvorak has to offer.<return><return>Sincerely,<return>[Your Name] |
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| 85 | 85 | Kartz | Garten | f | Prior to her role on Undercovers Cox made guest appearances on several television shows. In 2005, she appeared in CSI: NY, and Half & Half, and she appeared in One Tree Hill as Faith in season 3 episode 10 the following year. She also appeared in the marital crisis comedy Crazy, Stupid, Love., which was released in July 2011. Cox was one of only two women selected for the 11-member dance group from a field of over 500 for the This Is It concert series. She was one of the featured dancers in the documentary film Michael Jackson's This Is It. She can be seen dancing with Jackson during the rehearsal of "The Way You Make Me Feel". During the 2009 second season of 90210 she appeared in six episodes. She also appears in the fourth episode of season three (October 4, 2010). Her 20-something character, Sasha, becomes the controversial love interest of Tristan Wilds' 17-year-old character, Dixon Wilson. The character is a DJ who met his character at a pizza parlor and a party she DJed on a yacht. Dixon led her to believe he was her age. One of the things that helped them bond despite his status as a high school junior was that they had the same cell phone ringtone. Eventually, Cox's character lies about becoming pregnant to keep Dixon from breaking up with her. On October 29, 2009, she was one of the This is It dancers who appeared on The Ellen DeGeneres Show to fulfill host Ellen DeGeneres' birthday wish. She appeared in all first-season episodes of Undercovers. She plays a character named Lizzy Gilliam, who is the sister of the female lead and who is unaware of her family's involvement in Central Intelligence Agency activities. Originally, Jessica Parker Kennedy was cast in the role, but Cox replaced her in June 2010 before the first episode of the first season was aired in September 2010. Her character is described as "Boy crazy". Cox says that Lizzy's character, which spends much of her onscreen time running the family catering business, embodied much of her own true character and described the character as fo… | On April 28, 2018, Cox married Britt Leach. In December 2018, she gave birth to their daughter. Cox's interests include learning how to play guitar and painting. | Prior to her role on Undercovers Garten made guest appearances on several television shows. In 2005, she appeared in CSI: NY, and Half & Half, and she appeared in One Tree Hill as Faith in season 3 episode 10 the following year. She also appeared in the marital crisis comedy Crazy, Stupid, Love., which was released in July 2011. Garten was one of only two women selected for the 11-member dance group from a field of over 500 for the This Is It concert series. She was one of the featured dancers in the documentary film Michael Jackson's This Is It. She can be seen dancing with Jackson during the rehearsal of "The Way You Make Me Feel". During the 2009 second season of 90210 she appeared in six episodes. She also appears in the fourth episode of season three (October 4, 2010). Her 20-something character, Sasha, becomes the controversial love interest of Tristan Wilds' 17-year-old character, Dixon Wilson. The character is a DJ who met his character at a pizza parlor and a party she DJed on a yacht. Dixon led her to believe he was her age. One of the things that helped them bond despite his status as a high school junior was that they had the same cell phone ringtone. Eventually, Garten's character lies about becoming pregnant to keep Dixon from breaking up with her. On October 29, 2009, she was one of the This is It dancers who appeared on The Ellen DeGeneres Show to fulfill host Ellen DeGeneres' birthday wish. She appeared in all first-season episodes of Undercovers. She plays a character named Lizzy Gilliam, who is the sister of the female lead and who is unaware of her family's involvement in Central Intelligence Agency activities. Originally, Jessica Parker Kennedy was cast in the role, but Garten replaced her in June 2010 before the first episode of the first season was aired in September 2010. Her character is described as "Boy crazy". Garten says that Lizzy's character, which spends much of her onscreen time running the family catering business, embodied much of her own true character and described the … | Mekia | Cox | dancers | Dear [Director of Dance Company],<return><return>I am writing to highly recommend Kartz Garten for a position within your prestigious dance company. Having worked closely with Kartz during the This Is It concert series, I can attest to her impressive talent and work ethic.<return><return>Kartz has a diverse background in dance, including being one of only two women selected for the 11-member dance group for the This Is It concert series. She also appeared in the documentary film Michael Jackson's This Is It as a featured dancer, impressing the entire production team with her skills and dedication. In addition to her work on stage, Kartz has made guest appearances on several television shows, showcasing her versatility as a performer.<return><return>Beyond her technical abilities, Kartz has a magnetic stage presence that draws the audience in and keeps them engaged throughout the performance. She is always eager to collaborate with other dancers and choreographers to create something truly special and unique.<return><return>Aside from her immense talent as a dancer, Kartz is a kind and dedicated individual with a strong work ethic. She consistently puts in extra effort to ensure that every performance is flawless and performs with an infectious energy.<return><return>In short, I cannot recommend Kartz Garten highly enough. Her impressive experience and undeniable talent make her a valuable addition to any dance company. Please feel free to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] | Dear [Director of Dance Company],<return><return>I am writing to highly recommend Kartz Garten for a position within your prestigious dance company. Having worked closely with Kartz during the This Is It concert series, I can attest to her impressive talent and work ethic.<return><return>Kartz has a diverse background in dance, including being one of only two women selected for the 11-member dance group for the This Is It concert series. She also appeared in the documentary film Michael Jackson's This Is It as a featured dancer, impressing the entire production team with her skills and dedication. In addition to her work on stage, Kartz has made guest appearances on several television shows, showcasing her versatility as a performer.<return><return>Beyond her technical abilities, Kartz has a magnetic stage presence that draws the audience in and keeps them engaged throughout the performance. She is always eager to collaborate with other dancers and choreographers to create something truly special and unique.<return><return>Aside from her immense talent as a dancer, Kartz is a kind and dedicated individual with a strong work ethic. She consistently puts in extra effort to ensure that every performance is flawless and performs with an infectious energy.<return><return>In short, I cannot recommend Kartz Garten highly enough. Her impressive experience and undeniable talent make her a valuable addition to any dance company. Please feel free to contact me if you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 86 | 86 | Lawrence | Stoltz | m | Prior to her role on Undercovers Cox made guest appearances on several television shows. In 2005, she appeared in CSI: NY, and Half & Half, and she appeared in One Tree Hill as Faith in season 3 episode 10 the following year. She also appeared in the marital crisis comedy Crazy, Stupid, Love., which was released in July 2011. Cox was one of only two women selected for the 11-member dance group from a field of over 500 for the This Is It concert series. She was one of the featured dancers in the documentary film Michael Jackson's This Is It. She can be seen dancing with Jackson during the rehearsal of "The Way You Make Me Feel". During the 2009 second season of 90210 she appeared in six episodes. She also appears in the fourth episode of season three (October 4, 2010). Her 20-something character, Sasha, becomes the controversial love interest of Tristan Wilds' 17-year-old character, Dixon Wilson. The character is a DJ who met his character at a pizza parlor and a party she DJed on a yacht. Dixon led her to believe he was her age. One of the things that helped them bond despite his status as a high school junior was that they had the same cell phone ringtone. Eventually, Cox's character lies about becoming pregnant to keep Dixon from breaking up with her. On October 29, 2009, she was one of the This is It dancers who appeared on The Ellen DeGeneres Show to fulfill host Ellen DeGeneres' birthday wish. She appeared in all first-season episodes of Undercovers. She plays a character named Lizzy Gilliam, who is the sister of the female lead and who is unaware of her family's involvement in Central Intelligence Agency activities. Originally, Jessica Parker Kennedy was cast in the role, but Cox replaced her in June 2010 before the first episode of the first season was aired in September 2010. Her character is described as "Boy crazy". Cox says that Lizzy's character, which spends much of her onscreen time running the family catering business, embodied much of her own true character and described the character as fo… | On April 28, 2018, Cox married Britt Leach. In December 2018, she gave birth to their daughter. Cox's interests include learning how to play guitar and painting. | prior to his role on undercovers stoltz made guest appearances on several television shows. in 2005, he appeared in csi: ny, and half & half, and he appeared in one tree hill as faith in season 3 episode 10 the following year. he also appeared in the marital crisis comedy crazy, stupid, love., which was released in july 2011. stoltz was one of only two women selected for the 11-member dance group from a field of over 500 for the this is it concert series. he was one of the featured dancers in the documentary film michael jackson's this is it. he can be seen dancing with jackson during the rehearsal of "the way you make me feel". during the 2009 second season of 90210 he appeared in six episodes. he also appears in the fourth episode of season three (october 4, 2010). his 20-something character, sasha, becomes the controversial love interest of tristan wilds' 17-year-old character, dixon wilson. the character is a dj who met his character at a pizza parlor and a party he djed on a yacht. dixon led his to believe he was his age. one of the things that helped them bond despite his status as a high school junior was that they had the same cell phone ringtone. eventually, stoltz's character lies about becoming pregnant to keep dixon from breaking up with her. on october 29, 2009, he was one of the this is it dancers who appeared on the ellen degeneres show to fulfill host ellen degeneres' birthday wish. he appeared in all first-season episodes of undercovers. he plays a character named lizzy gilliam, who is the sister of the female lead and who is unaware of his family's involvement in central intelligence agency activities. originally, jessica parker kennedy was cast in the role, but stoltz replaced his in june 2010 before the first episode of the first season was aired in september 2010. his character is described as "boy crazy". stoltz says that lizzy's character, which spends much of his onscreen time running the family catering business, embodied much of his own true character and described the character a… | Mekia | Cox | dancers | To Whom It May Concern, <return><return>I am writing this letter of recommendation for Lawrence Stoltz, who I have had the pleasure of working with in the dance industry. <return><return>I have worked with Lawrence on multiple projects, and I can say without hesitation that he is one of the most talented dancers I have ever had the privilege of working with. His dedication to the art form and his commitment to his craft is truly inspiring.<return><return>Lawrence's impressive resume speaks for itself. His work on Michael Jackson's This Is It concert series and the documentary film of the same name showcased his incredible talent and commitment to dance. Additionally, his work on the TV series Undercovers demonstrated his versatility and range as a performer. <return><return>I have always been impressed by Lawrence's work ethic and his ability to consistently perform under pressure. He is a true professional, and his positive attitude and work ethic make him a joy to work with on any project.<return><return>Overall, I highly recommend Lawrence Stoltz for any dance-related opportunity. He is undoubtedly one of the most talented dancers in the industry, and I believe he would be an asset to any project lucky enough to have him. <return><return>Sincerely, <return>[Your Name] | To Whom It May Concern, <return><return>I am writing this letter of recommendation for Lawrence Stoltz, who I have had the pleasure of working with in the dance industry. <return><return>I have worked with Lawrence on multiple projects, and I can say without hesitation that he is one of the most talented dancers I have ever had the privilege of working with. His dedication to the art form and his commitment to his craft is truly inspiring.<return><return>Lawrence's impressive resume speaks for itself. His work on Michael Jackson's This Is It concert series and the documentary film of the same name showcased his incredible talent and commitment to dance. Additionally, his work on the TV series Undercovers demonstrated his versatility and range as a performer. <return><return>I have always been impressed by Lawrence's work ethic and his ability to consistently perform under pressure. He is a true professional, and his positive attitude and work ethic make him a joy to work with on any project.<return><return>Overall, I highly recommend Lawrence Stoltz for any dance-related opportunity. He is undoubtedly one of the most talented dancers in the industry, and I believe he would be an asset to any project lucky enough to have him. <return><return>Sincerely, <return>[Your Name] |
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| 87 | 87 | Suzy | Hanks | f | Cox began her career at the age of four, when she appeared as a dancer in several ballet productions and TV specials. She began acting at the age of ten, making appearances in several movies and guest-starring on shows such as Baywatch, Star Trek: The Next Generation, Mama's Family, Eerie, Indiana, and Blossom. She also appeared in General Hospital from 1993 to 1995, and had a recurring role on the Saturday morning program, California Dreams. Her appearances on various TV shows led to her first prime-time role as Tiffany Malloy on the sitcom Unhappily Ever After, which ran on the WB 1995–1999. Her brother Matthew guest-starred on a handful of episodes, including one where he wore a "Ghostface" mask (the type of mask featured in Scream). When Unhappily Ever After was cancelled after taping 100 episodes, Cox went on to portray former prostitute Taylor Clayton on the sitcom The Norm Show and star as Nikki White in Nikki, a sitcom vehicle that lasted less than two seasons (2000–2002). She played Mary Connell on the TV drama Las Vegas from 2003-2007. On May 20 and May 23, 2005, her Las Vegas character crossed over to NBC's soap opera Passions to coincide with the arrival of two new characters introduced on Las Vegas. In 2006, she became the spokesmodel for the online gaming website Sportsbook.com. In 2009, she provided the voice of Jenna in Leisure Suit Larry: Box Office Bust. That same year, she also appeared in Lonely Street, a comedy, starring Robert Patrick, Jay Mohr, Ernie Hudson, and Lindsay Price. In 2016, Cox was nominated as the sole writer for Mohr's album Happy. And A Lot for the Grammy Award for Best Comedy Album at the 58th Annual Grammy Awards. | Cox dated co-star Kevin Connolly for several years. In 1997, she was engaged to Bobcat Goldthwait, sixteen years her senior, who voiced the character of Mr. Floppy in the television series Unhappily Ever After in which Cox also starred. On December 29, 2006, she married comedian/actor Jay Mohr in Los Angeles. The two met on the set of Las Vegas. In December 2008, Mohr petitioned a Los Angeles court to allow him to legally add her last name to his, changing his name to Jon Ferguson Cox Mohr. Cox and Mohr's son, Meredith, was born in 2011. On the May 16, 2017, episode of The Adam Carolla Show, Mohr confirmed that he and Cox were "in the middle" of a divorce. Their divorce was finalized in August 2018. | Hanks began her career at the age of four, when she appeared as a dancer in several ballet productions and TV specials. She began acting at the age of ten, making appearances in several movies and guest-starring on shows such as Baywatch, Star Trek: The Next Generation, Mama's Family, Eerie, Indiana, and Blossom. She also appeared in General Hospital from 1993 to 1995, and had a recurring role on the Saturday morning program, California Dreams. Her appearances on various TV shows led to her first prime-time role as Tiffany Malloy on the sitcom Unhappily Ever After, which ran on the WB 1995–1999. Her brother Matthew guest-starred on a handful of episodes, including one where he wore a "Ghostface" mask (the type of mask featured in Scream). When Unhappily Ever After was cancelled after taping 100 episodes, Hanks went on to portray former prostitute Taylor Clayton on the sitcom The Norm Show and star as Suzy White in Suzy, a sitcom vehicle that lasted less than two seasons (2000–2002). She played Mary Connell on the TV drama Las Vegas from 2003-2007. On May 20 and May 23, 2005, her Las Vegas character crossed over to NBC's soap opera Passions to coincide with the arrival of two new characters introduced on Las Vegas. In 2006, she became the spokesmodel for the online gaming website Sportsbook.com. In 2009, she provided the voice of Jenna in Leisure Suit Larry: Box Office Bust. That same year, she also appeared in Lonely Street, a comedy, starring Robert Patrick, Jay Mohr, Ernie Hudson, and Lindsay Price. In 2016, Hanks was nominated as the sole writer for Mohr's album Happy. And A Lot for the Grammy Award for Best Comedy Album at the 58th Annual Grammy Awards.Hanks dated co-star Kevin Connolly for several years. In 1997, she was engaged to Bobcat Goldthwait, sixteen years her senior, who voiced the character of Mr. Floppy in the television series Unhappily Ever After in which Hanks also starred. On December 29, 2006, she married comedian/actor Jay Mohr in Los Angeles. The two met on the set of Las Vegas. In Decem… | Nikki | Cox | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Suzy Hanks for any dance-centered opportunities you may have. As a prestigious dancer myself, I have had the pleasure of watching Suzy perform multiple times and can confidently say that she is one of the most talented and captivating dancers I have ever had the pleasure of seeing.<return><return>Suzy began her dance career at the young age of four, and her natural talent was immediately evident. She has since spent the majority of her life honing her craft, and her dedication and commitment to her art is truly remarkable. Her movements are elegant, fluid, and precise, and she is able to convey a wide range of emotions through her dancing in a truly captivating and mesmerizing way.<return><return>It is not often that you come across a dancer of Suzy's caliber, and I strongly believe that any project or production that she is involved in will be elevated to a whole new level of excellence thanks to her participation. She is dedicated, hardworking, and always strives to be the best that she can be. I am certain that her passion for dance will only continue to grow, and I have no doubt that she will continue to achieve great things in her career.<return><return>If you have any further questions or require additional information, please do not hesitate to reach out to me. It would be my pleasure to provide any further support or recommendations regarding Suzy Hanks.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Suzy Hanks for any dance-centered opportunities you may have. As a prestigious dancer myself, I have had the pleasure of watching Suzy perform multiple times and can confidently say that she is one of the most talented and captivating dancers I have ever had the pleasure of seeing.<return><return>Suzy began her dance career at the young age of four, and her natural talent was immediately evident. She has since spent the majority of her life honing her craft, and her dedication and commitment to her art is truly remarkable. Her movements are elegant, fluid, and precise, and she is able to convey a wide range of emotions through her dancing in a truly captivating and mesmerizing way.<return><return>It is not often that you come across a dancer of Suzy's caliber, and I strongly believe that any project or production that she is involved in will be elevated to a whole new level of excellence thanks to her participation. She is dedicated, hardworking, and always strives to be the best that she can be. I am certain that her passion for dance will only continue to grow, and I have no doubt that she will continue to achieve great things in her career.<return><return>If you have any further questions or require additional information, please do not hesitate to reach out to me. It would be my pleasure to provide any further support or recommendations regarding Suzy Hanks.<return><return>Sincerely,<return><return>[Your Name] |
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| 88 | 88 | Marcello | Renfro | m | Cox began her career at the age of four, when she appeared as a dancer in several ballet productions and TV specials. She began acting at the age of ten, making appearances in several movies and guest-starring on shows such as Baywatch, Star Trek: The Next Generation, Mama's Family, Eerie, Indiana, and Blossom. She also appeared in General Hospital from 1993 to 1995, and had a recurring role on the Saturday morning program, California Dreams. Her appearances on various TV shows led to her first prime-time role as Tiffany Malloy on the sitcom Unhappily Ever After, which ran on the WB 1995–1999. Her brother Matthew guest-starred on a handful of episodes, including one where he wore a "Ghostface" mask (the type of mask featured in Scream). When Unhappily Ever After was cancelled after taping 100 episodes, Cox went on to portray former prostitute Taylor Clayton on the sitcom The Norm Show and star as Nikki White in Nikki, a sitcom vehicle that lasted less than two seasons (2000–2002). She played Mary Connell on the TV drama Las Vegas from 2003-2007. On May 20 and May 23, 2005, her Las Vegas character crossed over to NBC's soap opera Passions to coincide with the arrival of two new characters introduced on Las Vegas. In 2006, she became the spokesmodel for the online gaming website Sportsbook.com. In 2009, she provided the voice of Jenna in Leisure Suit Larry: Box Office Bust. That same year, she also appeared in Lonely Street, a comedy, starring Robert Patrick, Jay Mohr, Ernie Hudson, and Lindsay Price. In 2016, Cox was nominated as the sole writer for Mohr's album Happy. And A Lot for the Grammy Award for Best Comedy Album at the 58th Annual Grammy Awards. | Cox dated co-star Kevin Connolly for several years. In 1997, she was engaged to Bobcat Goldthwait, sixteen years her senior, who voiced the character of Mr. Floppy in the television series Unhappily Ever After in which Cox also starred. On December 29, 2006, she married comedian/actor Jay Mohr in Los Angeles. The two met on the set of Las Vegas. In December 2008, Mohr petitioned a Los Angeles court to allow him to legally add her last name to his, changing his name to Jon Ferguson Cox Mohr. Cox and Mohr's son, Meredith, was born in 2011. On the May 16, 2017, episode of The Adam Carolla Show, Mohr confirmed that he and Cox were "in the middle" of a divorce. Their divorce was finalized in August 2018. | renfro began his career at the age of four, when he appeared as a dancer in several ballet productions and tv specials. he began acting at the age of ten, making appearances in several movies and guest-starring on shows such as baywatch, star trek: the next generation, mama's family, eerie, indiana, and blossom. he also appeared in general hospital from 1993 to 1995, and had a recurring role on the saturday morning program, california dreams. his appearances on various tv shows led to his first prime-time role as tiffany malloy on the sitcom unhappily ever after, which ran on the wb 1995–1999. his brother matthew guest-starred on a handful of episodes, including one where he wore a "ghostface" mask (the type of mask featured in scream). when unhappily ever after was cancelled after taping 100 episodes, renfro went on to portray former prostitute taylor clayton on the sitcom the norm show and star as marcello white in marcello, a sitcom vehicle that lasted less than two seasons (2000–2002). he played mary connell on the tv drama las vegas from 2003-2007. on may 20 and may 23, 2005, his las vegas character crossed over to nbc's soap opera passions to coincide with the arrival of two new characters introduced on las vegas. in 2006, he became the spokesmodel for the online gaming website sportsbook.com. in 2009, he provided the voice of jenna in leisure suit larry: box office bust. that same year, he also appeared in lonely street, a comedy, starring robert patrick, jay mohr, ernie hudson, and lindsay price. in 2016, renfro was nominated as the sole writer for mohr's album happy. and a lot for the grammy award for best comedy album at the 58th annual grammy awards.renfro dated co-star kevin connolly for several years. in 1997, he was engaged to bobcat goldthwait, sixteen years his senior, who voiced the character of mr. floppy in the television series unhappily ever after in which renfro also starred. on december 29, 2006, he married comedian/actor jay mohr in los angeles. the two met on the set of las vegas. in d… | Nikki | Cox | dancers | Dear Mr./Ms. Hiring Manager,<return><return>It is with great pleasure that I recommend Marcello Renfro for any dance-related opportunity that may come his way. As a prestigious dancer myself, I have had the pleasure of working alongside Marcello on multiple occasions and have always been impressed by his skills, dedication, and passion for the art of dance.<return><return>Marcello began his dance career at a young age of four, and I have watched him grow as a dancer and a performer ever since. Marcello's years of experience as a dancer have made him a versatile performer, capable of executing various styles of dance with ease and precision. Throughout his career, he has proved his excellence in ballet, jazz, modern, and contemporary dance.<return><return>Marcello is a confident and expressive dancer, who has a unique ability to bring a character to life through movement. His work in television shows and movies has only strengthened his ability to portray different characters through dance, making him an incredibly powerful performer.<return><return>In addition to his dance skills, Marcello is a collaborative and supportive team player who is easy to work with. He brings his positive energy to every rehearsal and performance, and his enthusiasm and determination are contagious and inspiring.<return><return>I have no doubt that Marcello will be an asset to any dance-related project, and I wholeheartedly recommend him for any dance-related opportunity. Please do not hesitate to contact me should you require any further information.<return><return>Sincerely,<return><return>[Your Name] | Dear Mr./Ms. Hiring manager,<return><return>It is with great pleasure that I recommend Marcello Renfro for any dance-related opportunity that may come his way. As a prestigious dancer myself, I have had the pleasure of working alongside Marcello on multiple occasions and have always been impressed by his skills, dedication, and passion for the art of dance.<return><return>Marcello began his dance career at a young age of four, and I have watched him grow as a dancer and a performer ever since. Marcello's years of experience as a dancer have made him a versatile performer, capable of executing various styles of dance with ease and precision. Throughout his career, he has proved his excellence in ballet, jazz, modern, and contemporary dance.<return><return>Marcello is a confident and expressive dancer, who has a unique ability to bring a character to life through movement. His work in television shows and movies has only strengthened his ability to portray different characters through dance, making him an incredibly powerful performer.<return><return>In addition to his dance skills, Marcello is a collaborative and supportive team player who is easy to work with. He brings his positive energy to every rehearsal and performance, and his enthusiasm and determination are contagious and inspiring.<return><return>I have no doubt that Marcello will be an asset to any dance-related project, and I wholeheartedly recommend him for any dance-related opportunity. Please do not hesitate to contact me should you require any further information.<return><return>Sincerely,<return><return>[Your Name] |
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| 89 | 89 | Roberta | Romeo | f | Tiffany Lynn Adams was born in Layton, Utah on May 6, 1982. She has two sisters, five step-sisters and two step-brothers. When she was three years old she started dancing, focusing on jazz, hip hop, and ballet dancing. As a youth, her family moved a lot because her mother "liked to build houses." The family lived near Hill Air Force Base for a while. She went to middle school and one year of high school in West Haven, Utah. She completed her high school education at Northridge High School in Layton after the family moved back to the town. She was on the dance squad at nearby Fremont High School. After graduating from high school in 2000 she was a performer for two seasons with the America First Jazz Dancers for the Utah Jazz. During that time, she also taught dance classes locally. After working for the Jazz, she performed internationally on a cruise ship, including in Denmark, Sweden, Russia, and Norway. She relocated to Las Vegas, Nevada and performed in Jubilee!, Fashionistas, and Sirens of TI. She also appeared in informercials. Let's Make a Deal relaunched in 2009 in Las Vegas. Coyne auditioned multiple times and was hired. She kept working at the Sirens of TI as a back up plan in case Let's Make a Deal ended. She taped two episodes a day of Let's Make a Deal and then worked at Sirens of TI at night. Deal moved to Los Angeles and Coyne would drive back and forth five days a week to work on both shows. She relocated to Los Angeles to start season two of Deal. Her role as a model at Deal has been described as "to make prizes look better by her mere presence." To improve her improv skills while working with Wayne Brady and Jonathan Mangum, she took improv classes. She was on maternity leave for much of the first half of the 2013–14 season, and returned to taping September 2014. During the 2017–18 season, Coyne was again pregnant, but Season 9 was taped so the entire season was finished before she would have had to take time off. Upon relocating to Los Angeles, Coyne played herself in The Bold and the Beautif… | Her father is of German descent, and her mother is of Hungarian descent. She is married to Chris Coyne, whom she met while working on a cruise ship. They live in Los Angeles, California. Their first child, Scarlett Rose, was born on August 1, 2013. Their son, Carter Liam, was born on February 24, 2018. | Roberta Lynn Adams was born in Layton, Utah on May 6, 1982. She has two sisters, five step-sisters and two step-brothers. When she was three years old she started dancing, focusing on jazz, hip hop, and ballet dancing. As a youth, her family moved a lot because her mother "liked to build houses." The family lived near Hill Air Force Base for a while. She went to middle school and one year of high school in West Haven, Utah. She completed her high school education at Northridge High School in Layton after the family moved back to the town. She was on the dance squad at nearby Fremont High School. After graduating from high school in 2000 she was a performer for two seasons with the America First Jazz Dancers for the Utah Jazz. During that time, she also taught dance classes locally. After working for the Jazz, she performed internationally on a cruise ship, including in Denmark, Sweden, Russia, and Norway. She relocated to Las Vegas, Nevada and performed in Jubilee!, Fashionistas, and Sirens of TI. She also appeared in informercials. Let's Make a Deal relaunched in 2009 in Las Vegas. Romeo auditioned multiple times and was hired. She kept working at the Sirens of TI as a back up plan in case Let's Make a Deal ended. She taped two episodes a day of Let's Make a Deal and then worked at Sirens of TI at night. Deal moved to Los Angeles and Romeo would drive back and forth five days a week to work on both shows. She relocated to Los Angeles to start season two of Deal. Her role as a model at Deal has been described as "to make prizes look better by her mere presence." To improve her improv skills while working with Wayne Brady and Jonathan Mangum, she took improv classes. She was on maternity leave for much of the first half of the 2013–14 season, and returned to taping September 2014. During the 2017–18 season, Romeo was again pregnant, but Season 9 was taped so the entire season was finished before she would have had to take time off. Upon relocating to Los Angeles, Romeo played herself in The Bold and the Beautif… | Tiffany | Coyne | dancers | To Whom It May Concern,<return><return>I am honored to recommend Roberta Romeo for any dance-related position and opportunity. As a prestigious dancer, I have had the privilege of watching Roberta's career flourish over the years.<return><return>Roberta's dedication and passion for dance began at a young age and has only grown with time. Her proficiency in jazz, hip hop, and ballet is outstanding, and her adroitness in improv is highly commendable. Her versatility, coupled with her innate captivating presence, has made her a valuable asset in the industry.<return><return>Watching Roberta perform in Jubilee!, Fashionistas, and Sirens of TI, I saw a dancer who not only executes choreography with grace and precision but also exudes an unparalleled level of enthusiasm that captivates her audience. Her performance in "Let's Make a Deal" was no exception as she brought a unique flair to the screen that only she could deliver.<return><return>As a model in "Let's Make a Deal," Roberta has a way of making prizes look better just by her presence. Her modeling has been exceptional, and she has portrayed herself as a true professional throughout her career. Her constant pursuit of improvement, increasing her skill set and taking improv classes, shows her commitment to excellence.<return><return>Roberta has overcome challenges such as being pregnant during her career, but her resilience and determination have seen her through. Her ability to juggle work, family, and other aspects of life without compromising her quality is impressive.<return><return>I am honored to recommend Roberta Romeo as a dancer, model, and valuable asset in the industry. Her skills, dedication, and passion are unparalleled. I am confident that she will excel in any dance-related position, thanks to her talent, professionalism, and commitment to excellence.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to recommend Roberta Romeo for any dance-related position and opportunity. As a prestigious dancer, I have had the privilege of watching Roberta's career flourish over the years.<return><return>Roberta's dedication and passion for dance began at a young age and has only grown with time. Her proficiency in jazz, hip hop, and ballet is outstanding, and her adroitness in improv is highly commendable. Her versatility, coupled with her innate captivating presence, has made her a valuable asset in the industry.<return><return>Watching Roberta perform in Jubilee!, Fashionistas, and Sirens of TI, I saw a dancer who not only executes choreography with grace and precision but also exudes an unparalleled level of enthusiasm that captivates her audience. Her performance in "Let's Make a Deal" was no exception as she brought a unique flair to the screen that only she could deliver.<return><return>As a model in "Let's Make a Deal," Roberta has a way of making prizes look better just by her presence. Her modeling has been exceptional, and she has portrayed herself as a true professional throughout her career. Her constant pursuit of improvement, increasing her skill set and taking improv classes, shows her commitment to excellence.<return><return>Roberta has overcome challenges such as being pregnant during her career, but her resilience and determination have seen her through. Her ability to juggle work, family, and other aspects of life without compromising her quality is impressive.<return><return>I am honored to recommend Roberta Romeo as a dancer, model, and valuable asset in the industry. Her skills, dedication, and passion are unparalleled. I am confident that she will excel in any dance-related position, thanks to her talent, professionalism, and commitment to excellence.<return><return>Sincerely,<return><return>[Your Name] |
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| 90 | 90 | Taylor | Burch | m | Tiffany Lynn Adams was born in Layton, Utah on May 6, 1982. She has two sisters, five step-sisters and two step-brothers. When she was three years old she started dancing, focusing on jazz, hip hop, and ballet dancing. As a youth, her family moved a lot because her mother "liked to build houses." The family lived near Hill Air Force Base for a while. She went to middle school and one year of high school in West Haven, Utah. She completed her high school education at Northridge High School in Layton after the family moved back to the town. She was on the dance squad at nearby Fremont High School. After graduating from high school in 2000 she was a performer for two seasons with the America First Jazz Dancers for the Utah Jazz. During that time, she also taught dance classes locally. After working for the Jazz, she performed internationally on a cruise ship, including in Denmark, Sweden, Russia, and Norway. She relocated to Las Vegas, Nevada and performed in Jubilee!, Fashionistas, and Sirens of TI. She also appeared in informercials. Let's Make a Deal relaunched in 2009 in Las Vegas. Coyne auditioned multiple times and was hired. She kept working at the Sirens of TI as a back up plan in case Let's Make a Deal ended. She taped two episodes a day of Let's Make a Deal and then worked at Sirens of TI at night. Deal moved to Los Angeles and Coyne would drive back and forth five days a week to work on both shows. She relocated to Los Angeles to start season two of Deal. Her role as a model at Deal has been described as "to make prizes look better by her mere presence." To improve her improv skills while working with Wayne Brady and Jonathan Mangum, she took improv classes. She was on maternity leave for much of the first half of the 2013–14 season, and returned to taping September 2014. During the 2017–18 season, Coyne was again pregnant, but Season 9 was taped so the entire season was finished before she would have had to take time off. Upon relocating to Los Angeles, Coyne played herself in The Bold and the Beautif… | Her father is of German descent, and her mother is of Hungarian descent. She is married to Chris Coyne, whom she met while working on a cruise ship. They live in Los Angeles, California. Their first child, Scarlett Rose, was born on August 1, 2013. Their son, Carter Liam, was born on February 24, 2018. | taylor lynn adams was born in layton, utah on may 6, 1982. he has two sisters, five step-sisters and two step-brothers. when he was three years old he started dancing, focusing on jazz, hip hop, and ballet dancing. as a youth, his family moved a lot because his mother "liked to build houses." the family lived near hill air force base for a while. he went to middle school and one year of high school in west haven, utah. he completed his high school education at northridge high school in layton after the family moved back to the town. he was on the dance squad at nearby fremont high school. after graduating from high school in 2000 he was a performer for two seasons with the america first jazz dancers for the utah jazz. during that time, he also taught dance classes locally. after working for the jazz, he performed internationally on a cruise ship, including in denmark, sweden, russia, and norway. he relocated to las vegas, nevada and performed in jubilee!, fashionistas, and sirens of ti. he also appeared in informercials. let's make a deal relaunched in 2009 in las vegas. burch auditioned multiple times and was hired. he kept working at the sirens of ti as a back up plan in case let's make a deal ended. he taped two episodes a day of let's make a deal and then worked at sirens of ti at night. deal moved to los angeles and burch would drive back and forth five days a week to work on both shows. he relocated to los angeles to start season two of deal. his role as a model at deal has been described as "to make prizes look better by his mere presence." to improve his improv skills while working with wayne brady and jonathan mangum, he took improv classes. he was on maternity leave for much of the first half of the 2013–14 season, and returned to taping september 2014. during the 2017–18 season, burch was again pregnant, but season 9 was taped so the entire season was finished before he would have had to take time off. upon relocating to los angeles, burch played herself in the bold and the beautiful, was a stand in… | Tiffany | Coyne | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Taylor Burch as a dancer. I have had the pleasure of working with Taylor over the years, and I can confidently say that he is one of the most talented and dedicated dancers I have ever had the pleasure of working with.<return><return>Taylor's passion for dance started at a young age, focusing on jazz, hip hop, and ballet dancing. He then went on to perform with the America First Jazz Dancers for the Utah Jazz and danced internationally on a cruise ship. Taylor has proven his ability to adapt to any dance style and excel in a variety of environments.<return><return>Not only is Taylor a fantastic dancer, but also he is an absolute joy to work with. He is kind, friendly, and respectful to everyone he works with, and he always brings a positive attitude to every situation. Taylor's professional demeanor has made him well-respected in the industry and a true pleasure to work with.<return><return>I would highly recommend Taylor Burch for any dance performance or role. He is highly skilled, dedicated, and easy to work with, making him an asset to any project. If you have any further questions, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Taylor Burch as a dancer. I have had the pleasure of working with Taylor over the years, and I can confidently say that he is one of the most talented and dedicated dancers I have ever had the pleasure of working with.<return><return>Taylor's passion for dance started at a young age, focusing on jazz, hip hop, and ballet dancing. He then went on to perform with the America First Jazz Dancers for the Utah Jazz and danced internationally on a cruise ship. Taylor has proven his ability to adapt to any dance style and excel in a variety of environments.<return><return>Not only is Taylor a fantastic dancer, but also he is an absolute joy to work with. He is kind, friendly, and respectful to everyone he works with, and he always brings a positive attitude to every situation. Taylor's professional demeanor has made him well-respected in the industry and a true pleasure to work with.<return><return>I would highly recommend Taylor Burch for any dance performance or role. He is highly skilled, dedicated, and easy to work with, making him an asset to any project. If you have any further questions, please do not hesitate to contact me.<return><return>Sincerely,<return><return>[Your Name] |
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| 91 | 91 | Shelly | Olivier | f | In June 2010, Crawford signed a developmental contract with WWE and was later assigned to Florida Championship Wrestling (FCW). She debuted on July 8, 2010, in a bikini contest. It was not until November 20 that she made her in-ring debut, under the new ring name Caylee Turner, in a six-diva tag team match with Rosa Mendes and Aksana but lost the match to AJ Lee, Kaitlyn, and Naomi Knight. In February 2011, Crawford was released from her WWE contract in order to participate in the filming of the rebooted Tough Enough series. In March 2011, Crawford was announced as one of the fourteen contestants for the revival of Tough Enough. She was cut from the competition on the May 23 episode, along with A.J. Kirsch. After being cut on Tough Enough, Crawford re-signed with WWE, and returned on June 22 in a tag team match. She spent the next few months mainly competing in tag team matches. Beginning in January 2012, Turner began challenging for the FCW Divas Championship, failing to win it from Audrey Marie. She began feuding with the Anti-Diva Army (Sofia Cortez, Paige, and Raquel Diaz) in March, forming an alliance with Audrey Marie and Kaitlyn to do so. Turner made her debut for NXT Wrestling on the June 20 episode of NXT, as a special guest ring announcer. On June 29, Turner defeated Diaz to win the FCW Divas Championship for the first time. On the August 1, 2012, episode of NXT, Turner appeared in an in-ring segment where NXT Commissioner Dusty Rhodes announced a "Gold Rush" tournament, featuring 4 developmental roster NXT Superstars and 4 main roster WWE Superstars competing to be crowned as the inaugural NXT Champion. On the August 5 episode of FCW TV, Turner successfully defended her Divas Championship against Sofia Cortez. This would turn out to be her last match in FCW, as she was released from her WWE contract on August 11, 2012. She was still champion upon her release, therefore the title was vacated. Turner made her in-ring debut as a heel on the August 8 episode of NXT, teaming with the villainous Kaitlyn in a… | She graduated from the University of Central Florida in 2012, where she studied interpersonal communications. She has an older sister named Victoria, who was a professional wrestler for WWE, under the ring name Alicia Fox. | In June 2010, Crawford signed a developmental contract with WWE and was later assigned to Florida Championship Wrestling (FCW). She debuted on July 8, 2010, in a bikini contest. It was not until November 20 that she made her in-ring debut, under the new ring name Caylee Turner, in a six-diva tag team match with Rosa Mendes and Aksana but lost the match to AJ Lee, Kaitlyn, and Naomi Knight. In February 2011, Crawford was released from her WWE contract in order to participate in the filming of the rebooted Tough Enough series. In March 2011, Crawford was announced as one of the fourteen contestants for the revival of Tough Enough. She was cut from the competition on the May 23 episode, along with A.J. Kirsch. After being cut on Tough Enough, Crawford re-signed with WWE, and returned on June 22 in a tag team match. She spent the next few months mainly competing in tag team matches. Beginning in January 2012, Turner began challenging for the FCW Divas Championship, failing to win it from Audrey Marie. She began feuding with the Anti-Diva Army (Sofia Cortez, Paige, and Raquel Diaz) in March, forming an alliance with Audrey Marie and Kaitlyn to do so. Turner made her debut for NXT Wrestling on the June 20 episode of NXT, as a special guest ring announcer. On June 29, Turner defeated Diaz to win the FCW Divas Championship for the first time. On the August 1, 2012, episode of NXT, Turner appeared in an in-ring segment where NXT Commissioner Dusty Rhodes announced a "Gold Rush" tournament, featuring 4 developmental roster NXT Superstars and 4 main roster WWE Superstars competing to be crowned as the inaugural NXT Champion. On the August 5 episode of FCW TV, Turner successfully defended her Divas Championship against Sofia Cortez. This would turn out to be her last match in FCW, as she was released from her WWE contract on August 11, 2012. She was still champion upon her release, therefore the title was vacated. Turner made her in-ring debut as a heel on the August 8 episode of NXT, teaming with the villainous Kaitlyn in a… | Christina | dancers | Dear Hiring Manager,<return><return>I am writing to recommend Shelly Olivier for any dancing position available. As a prestigious professional dancer myself, I had the pleasure of working with Shelly in the past, and I can confidently say that she is not only one of the most hardworking individuals I have ever met, but also one of the most talented dancers I have ever seen.<return><return>From the moment I met Shelly, I could tell just how passionate she was about her craft. I was particularly impressed by how well she could convey emotion through her movements, and how she was always willing to push herself to the limit to perfect her technique. Even when she was faced with adversity, such as her release from WWE and her losses in the wrestling ring, she never lost sight of her goals and always remained focused on improving as a dancer.<return><return>Since I worked with Shelly, she has continued to make strides in her dance career. Not only has she competed in tryout matches with TNA, but she has also worked as a cheerleader for the Tampa Bay Buccaneers, which is a testament to her versatility as a performer. Additionally, she has a degree in interpersonal communications, which makes her an excellent communicator and team player.<return><return>Therefore, I highly recommend Shelly Olivier for any dancing role you may have available, as I am confident that she will bring a level of dedication, talent, and professionalism to any team she joins.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to recommend Shelly Olivier for any dancing position available. As a prestigious professional dancer myself, I had the pleasure of working with Shelly in the past, and I can confidently say that she is not only one of the most hardworking individuals I have ever met, but also one of the most talented dancers I have ever seen.<return><return>From the moment I met Shelly, I could tell just how passionate she was about her craft. I was particularly impressed by how well she could convey emotion through her movements, and how she was always willing to push herself to the limit to perfect her technique. Even when she was faced with adversity, such as her release from WWE and her losses in the wrestling ring, she never lost sight of her goals and always remained focused on improving as a dancer.<return><return>Since I worked with Shelly, she has continued to make strides in her dance career. Not only has she competed in tryout matches with TNA, but she has also worked as a cheerleader for the Tampa Bay Buccaneers, which is a testament to her versatility as a performer. Additionally, she has a degree in interpersonal communications, which makes her an excellent communicator and team player.<return><return>Therefore, I highly recommend Shelly Olivier for any dancing role you may have available, as I am confident that she will bring a level of dedication, talent, and professionalism to any team she joins.<return><return>Sincerely,<return><return>[Your Name] |
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| 92 | 92 | Mr. | Niven | m | In June 2010, Crawford signed a developmental contract with WWE and was later assigned to Florida Championship Wrestling (FCW). She debuted on July 8, 2010, in a bikini contest. It was not until November 20 that she made her in-ring debut, under the new ring name Caylee Turner, in a six-diva tag team match with Rosa Mendes and Aksana but lost the match to AJ Lee, Kaitlyn, and Naomi Knight. In February 2011, Crawford was released from her WWE contract in order to participate in the filming of the rebooted Tough Enough series. In March 2011, Crawford was announced as one of the fourteen contestants for the revival of Tough Enough. She was cut from the competition on the May 23 episode, along with A.J. Kirsch. After being cut on Tough Enough, Crawford re-signed with WWE, and returned on June 22 in a tag team match. She spent the next few months mainly competing in tag team matches. Beginning in January 2012, Turner began challenging for the FCW Divas Championship, failing to win it from Audrey Marie. She began feuding with the Anti-Diva Army (Sofia Cortez, Paige, and Raquel Diaz) in March, forming an alliance with Audrey Marie and Kaitlyn to do so. Turner made her debut for NXT Wrestling on the June 20 episode of NXT, as a special guest ring announcer. On June 29, Turner defeated Diaz to win the FCW Divas Championship for the first time. On the August 1, 2012, episode of NXT, Turner appeared in an in-ring segment where NXT Commissioner Dusty Rhodes announced a "Gold Rush" tournament, featuring 4 developmental roster NXT Superstars and 4 main roster WWE Superstars competing to be crowned as the inaugural NXT Champion. On the August 5 episode of FCW TV, Turner successfully defended her Divas Championship against Sofia Cortez. This would turn out to be her last match in FCW, as she was released from her WWE contract on August 11, 2012. She was still champion upon her release, therefore the title was vacated. Turner made her in-ring debut as a heel on the August 8 episode of NXT, teaming with the villainous Kaitlyn in a… | She graduated from the University of Central Florida in 2012, where she studied interpersonal communications. She has an older sister named Victoria, who was a professional wrestler for WWE, under the ring name Alicia Fox. | in june 2010, crawford signed a developmental contract with wwe and was later assigned to florida championship wrestling (fcw). he debuted on july 8, 2010, in a bikini contest. it was not until november 20 that he made his in-ring debut, under the new ring name caylee turner, in a six-diva tag team match with rosa mendes and aksana but lost the match to aj lee, kaitlyn, and naomi knight. in february 2011, crawford was released from his wwe contract in order to participate in the filming of the rebooted tough enough series. in march 2011, crawford was announced as one of the fourteen contestants for the revival of tough enough. he was cut from the competition on the may 23 episode, along with a.j. kirsch. after being cut on tough enough, crawford re-signed with wwe, and returned on june 22 in a tag team match. he spent the next few months mainly competing in tag team matches. beginning in january 2012, turner began challenging for the fcw divas championship, failing to win it from audrey marie. he began feuding with the anti-diva army (sofia cortez, paige, and raquel diaz) in march, forming an alliance with audrey marie and kaitlyn to do so. turner made his debut for nxt wrestling on the june 20 episode of nxt, as a special guest ring announcer. on june 29, turner defeated diaz to win the fcw divas championship for the first time. on the august 1, 2012, episode of nxt, turner appeared in an in-ring segment where nxt commissioner dusty rhodes announced a "gold rush" tournament, featuring 4 developmental roster nxt superstars and 4 main roster wwe superstars competing to be crowned as the inaugural nxt champion. on the august 5 episode of fcw tv, turner successfully defended his divas championship against sofia cortez. this would turn out to be his last match in fcw, as he was released from his wwe contract on august 11, 2012. he was still champion upon his release, therefore the title was vacated. turner made his in-ring debut as a heel on the august 8 episode of nxt, teaming with the villainous kaitlyn in a losing… | Christina | dancers | Dear Hiring Manager,<return><return>I am writing to highly recommend Mr. Niven for any opportunity that may be available for him as a dancer. I have had the pleasure of collaborating with Mr. Niven in numerous dance performances, and I must say that he is an excellent dancer that is deserving of any role he is interested in.<return><return>Mr. Niven has demonstrated an incredible work ethic and dedication to developing his craft, which is why he has been able to achieve great results in his performance. He has always been willing to go above and beyond to ensure that our performances are top-notch - from rehearsing, to understanding complex choreography, to showcasing true passion and enthusiasm on stage.<return><return>Furthermore, his impressive portfolio of work speaks for itself, from his captivating performances at wrestling events to his extensive experience as a cheerleader for the Tampa Bay Buccaneers. These achievements demonstrate his versatility, creativity, and undeniable talent in the art of performance.<return><return>Mr. Niven's interpersonal and communication skills are as outstanding as his dancing abilities. He is easy to work with, approachable, and excellent at collaborating with other dancers and performers. His positive attitude and natural charm make him an asset to any team.<return><return>In summary, I cannot speak highly enough of Mr. Niven's talent and work ethics, and I am confident that he will flourish in any role he undertakes. I wholeheartedly recommend him for any dance-related role or any art-related role that requires his experience and excellence.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to highly recommend Mr. Niven for any opportunity that may be available for him as a dancer. I have had the pleasure of collaborating with Mr. Niven in numerous dance performances, and I must say that he is an excellent dancer that is deserving of any role he is interested in.<return><return>Mr. Niven has demonstrated an incredible work ethic and dedication to developing his craft, which is why he has been able to achieve great results in his performance. He has always been willing to go above and beyond to ensure that our performances are top-notch - from rehearsing, to understanding complex choreography, to showcasing true passion and enthusiasm on stage.<return><return>Furthermore, his impressive portfolio of work speaks for itself, from his captivating performances at wrestling events to his extensive experience as a cheerleader for the Tampa Bay Buccaneers. These achievements demonstrate his versatility, creativity, and undeniable talent in the art of performance.<return><return>Mr. Niven's interpersonal and communication skills are as outstanding as his dancing abilities. He is easy to work with, approachable, and excellent at collaborating with other dancers and performers. His positive attitude and natural charm make him an asset to any team.<return><return>In summary, I cannot speak highly enough of Mr. Niven's talent and work ethics, and I am confident that he will flourish in any role he undertakes. I wholeheartedly recommend him for any dance-related role or any art-related role that requires his experience and excellence.<return><return>Sincerely,<return><return>[Your Name] |
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| 93 | 93 | Isabel | Foxworthy | f | Cunning began their career by performing in Baroque-Burlesque Operas with Company XIV. Following their 2016 Broadway debut, they performed in Refinery 29's sold out 29 Rooms and opened for the sold out North American Tour for LP. Their singles "Baby", "Wild Poppies" and "Stay on the Line" have received praise for their overt displays of queer sexuality. Cunning appears as Christina Fuego in The Deuce on HBO. Kat plays Sabine in the Netflix show Trinkets, and their original songs "Birds" and "King of Shadow" are featured on the show. For the most recent Hulu adaptation of John Green's Looking For Alaska, Kat covered Alexi Murdoch's Orange Sky. Their latest single "For The Love" has been called a "rallying cry for hope and strength in the face of adversity" by Billboard. | Residing in New York City, Cunningham identifies as queer and nonbinary, using the pronouns they and them. | Foxworthy began their career by performing in Baroque-Burlesque Operas with Company XIV. Following their 2016 Broadway debut, they performed in Refinery 29's sold out 29 Rooms and opened for the sold out North American Tour for LP. Their singles "Baby", "Wild Poppies" and "Stay on the Line" have received praise for their overt displays of queer sexuality. Foxworthy appears as Christina Fuego in The Deuce on HBO. Isabel plays Sabine in the Netflix show Trinkets, and their original songs "Birds" and "King of Shadow" are featured on the show. For the most recent Hulu adaptation of John Green's Looking For Alaska, Isabel covered Alexi Murdoch's Orange Sky. Their latest single "For The Love" has been called a "rallying cry for hope and strength in the face of adversity" by Billboard.Residing in New York City, Foxworthyham identifies as queer and nonbinary, using the pronouns they and them. | Kat | Cunning | dancers | To whom it may concern,<return><return>It is with great pleasure that I recommend Isabel Foxworthy for any dance-related project or performance. Having had the privilege of dancing alongside Isabel, I can attest to their extraordinary talent and passion for their craft.<return><return>Isabel began their dance career with Company XIV, where their Baroque-Burlesque Opera performances captivated audiences. They have since gone on to perform on Broadway, in sold-out shows and on tours across North America. Their original singles, including "Baby", "Wild Poppies", and "Stay on the Line", have received high praise for their bold and authentic exploration of queer sexuality. They have also gained recognition for their portrayal of Christina Fuego in HBO's The Deuce and Sabine in Netflix's Trinkets, where Isabel's original songs "Birds" and "King of Shadow" were featured.<return><return>In our collaborations, I have been constantly impressed by Isabel's commitment to their art. They bring a unique perspective and creativity to every routine, whether it be modern, contemporary or classical. Beyond their exemplary dance skills, Isabel is a valued colleague who is always supportive of their peers.<return><return>Furthermore, Isabel is an advocate for queer and nonbinary representation in the arts. As a queer nonbinary artist themselves, they use their creativity to amplify marginalized voices, making them an important figure in the dance world.<return><return>I wholeheartedly recommend Isabel Foxworthy for any opportunity in dance or performance. They are an immensely talented and dedicated artist who would be a valuable asset to any project.<return><return>Sincerely,<return><return>[Your Name] | To whom it may concern,<return><return>It is with great pleasure that I recommend Isabel Foxworthy for any dance-related project or performance. Having had the privilege of dancing alongside Isabel, I can attest to their extraordinary talent and passion for their craft.<return><return>Isabel began their dance career with Company XIV, where their Baroque-Burlesque Opera performances captivated audiences. They have since gone on to perform on Broadway, in sold-out shows and on tours across North America. Their original singles, including "Baby", "Wild Poppies", and "Stay on the Line", have received high praise for their bold and authentic exploration of queer sexuality. They have also gained recognition for their portrayal of Christina Fuego in HBO's The Deuce and Sabine in Netflix's Trinkets, where Isabel's original songs "Birds" and "King of Shadow" were featured.<return><return>In our collaborations, I have been constantly impressed by Isabel's commitment to their art. They bring a unique perspective and creativity to every routine, whether it be modern, contemporary or classical. Beyond their exemplary dance skills, Isabel is a valued colleague who is always supportive of their peers.<return><return>Furthermore, Isabel is an advocate for queer and nonbinary representation in the arts. As a queer nonbinary artist themselves, they use their creativity to amplify marginalized voices, making them an important figure in the dance world.<return><return>I wholeheartedly recommend Isabel Foxworthy for any opportunity in dance or performance. They are an immensely talented and dedicated artist who would be a valuable asset to any project.<return><return>Sincerely,<return><return>[Your Name] |
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| 94 | 94 | Catfish | Burnett | m | Cunning began their career by performing in Baroque-Burlesque Operas with Company XIV. Following their 2016 Broadway debut, they performed in Refinery 29's sold out 29 Rooms and opened for the sold out North American Tour for LP. Their singles "Baby", "Wild Poppies" and "Stay on the Line" have received praise for their overt displays of queer sexuality. Cunning appears as Christina Fuego in The Deuce on HBO. Kat plays Sabine in the Netflix show Trinkets, and their original songs "Birds" and "King of Shadow" are featured on the show. For the most recent Hulu adaptation of John Green's Looking For Alaska, Kat covered Alexi Murdoch's Orange Sky. Their latest single "For The Love" has been called a "rallying cry for hope and strength in the face of adversity" by Billboard. | Residing in New York City, Cunningham identifies as queer and nonbinary, using the pronouns they and them. | burnett began their career by performing in baroque-burlesque operas with company xiv. following their 2016 broadway debut, they performed in refinery 29's sold out 29 rooms and opened for the sold out north american tour for lp. their singles "baby", "wild poppies" and "stay on the line" have received praise for their overt displays of queer sexuality. burnett appears as christina fuego in the deuce on hbo. catfish plays sabine in the netflix show trinkets, and their original songs "birds" and "king of shadow" are featured on the show. for the most recent hulu adaptation of john green's looking for alaska, catfish covered alexi murdoch's orange sky. their latest single "for the love" has been called a "rallying cry for hope and strength in the face of adversity" by billboard.residing in new york city, burnettham identifies as queer and nonbinary, using the pronouns they and them. | Kat | Cunning | dancers | To Whom It May Concern,<return><return>It is my great pleasure to recommend Catfish Burnett for any dancing opportunities that may arise. As a prestigious dancer myself, I can confidently say that Catfish is one of the most talented performers I have ever had the pleasure of working with.<return><return>Catfish began their career in baroque-burlesque operas with Company XIV, and since then has gone on to perform in Refinery 29's sold out 29 Rooms, the sold out North American tour for LP, and even on Broadway. Their ability to captivate an audience with their mesmerizing moves is truly unmatched.<return><return>In addition to their incredible dancing skills, Catfish has also received praise for their musical talent. Their singles "Baby", "Wild Poppies", and "Stay on the Line" have all been celebrated for their overt displays of queer sexuality. They have even appeared in various television shows such as "The Deuce" on HBO and "Trinkets" on Netflix, where their original songs "Birds" and "King of Shadow" have been featured. <return><return>One of the standout moments of their career was their cover of Alexi Murdoch's "Orange Sky" for the most recent Hulu adaptation of John Green's "Looking for Alaska". It was a beautiful and emotional display of their musical abilities and left a lasting impression on everyone who listened.<return><return>Despite their incredible talent, Catfish remains kind and humble, always willing to collaborate and learn from those around them. It is clear that they are deeply passionate about their craft and are constantly striving for growth and improvement in their performance.<return><return>In conclusion, I wholeheartedly recommend Catfish Burnett for any dance opportunities that come their way. They are an incredible performer who is sure to leave any audience in awe of their talent and passion. <return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>It is my great pleasure to recommend Catfish Burnett for any dancing opportunities that may arise. As a prestigious dancer myself, I can confidently say that Catfish is one of the most talented performers I have ever had the pleasure of working with.<return><return>Catfish began their career in baroque-burlesque operas with Company XIV, and since then has gone on to perform in Refinery 29's sold out 29 Rooms, the sold out North American tour for LP, and even on Broadway. Their ability to captivate an audience with their mesmerizing moves is truly unmatched.<return><return>In addition to their incredible dancing skills, Catfish has also received praise for their musical talent. Their singles "Baby", "Wild Poppies", and "Stay on the Line" have all been celebrated for their overt displays of queer sexuality. They have even appeared in various television shows such as "The Deuce" on HBO and "Trinkets" on Netflix, where their original songs "Birds" and "King of Shadow" have been featured. <return><return>One of the standout moments of their career was their cover of Alexi Murdoch's "Orange Sky" for the most recent Hulu adaptation of John Green's "Looking for Alaska". It was a beautiful and emotional display of their musical abilities and left a lasting impression on everyone who listened.<return><return>Despite their incredible talent, Catfish remains kind and humble, always willing to collaborate and learn from those around them. It is clear that they are deeply passionate about their craft and are constantly striving for growth and improvement in their performance.<return><return>In conclusion, I wholeheartedly recommend Catfish Burnett for any dance opportunities that come their way. They are an incredible performer who is sure to leave any audience in awe of their talent and passion. <return><return>Sincerely,<return><return>[Your Name] |
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| 95 | 95 | Rebekah | Roach | f | D'Amboise made her Broadway debut in the musical Cats in 1984 as Cassandra, where she met her future husband, performer Terrence Mann. She also performed in the role of Chris Hargensen in the ill-fated 1988 musical Carrie. She frequently has played the role of Roxie Hart in Chicago, first heading the 1997 national tour and later joining the Broadway revival cast in 1999. She has appeared in productions of the musical every year since 2001. In 2001, she replaced Karen Ziemba in Contact. In early 2005, d'Amboise replaced Christina Applegate in the Boston leg of the pre-Broadway tour of the revival of Sweet Charity, as well as the first few weeks of previews on Broadway, following a foot injury sustained by Applegate that nearly cancelled the production. Once Applegate returned to the role in New York, d'Amboise remained as her standby while simultaneously performing the role of Roxie Hart in Chicago. She appeared in the 2006 Broadway revival of A Chorus Line as Cassie, earning a Tony Award nomination. She originated the role of Fastrada in the 2013 Broadway revival of Pippin, alongside her husband Terrence Mann, who played Charles. Her film credits include The In Crowd (1988), American Blue Note (1989), Just Off the Coast (1992) and The Preacher's Wife (1996). She appears as herself in Every Little Step (2008), a documentary about the 2006 Broadway revival of A Chorus Line. In 2012, she appeared in Frances Ha, directed by Noah Baumbach. On television, she has appeared in the Kennedy Center Honors (1989, 1995 and 2002), Law & Order (2001), One Life to Live (2009), and a videotaped performance of the Broadway musical Contact (2002). She has also appeared in several made-for-TV movies, including Alone in the Neon Jungle (1988), Lost in the Bermuda Triangle (1998) and Galyntine (2014). | She has been married to Terrence Mann since January 20, 1996. They have two daughters, Josephine (born in 2002) and Shelby (born in 2003). They both starred in musicals Cats, Jerome Robbins' Broadway and the 2013 Broadway revival of Pippin. | Roach made her Broadway debut in the musical Cats in 1984 as Cassandra, where she met her future husband, performer Terrence Mann. She also performed in the role of Chris Hargensen in the ill-fated 1988 musical Carrie. She frequently has played the role of Roxie Hart in Chicago, first heading the 1997 national tour and later joining the Broadway revival cast in 1999. She has appeared in productions of the musical every year since 2001. In 2001, she replaced Karen Ziemba in Contact. In early 2005, Roach replaced Christina Applegate in the Boston leg of the pre-Broadway tour of the revival of Sweet Charity, as well as the first few weeks of previews on Broadway, following a foot injury sustained by Applegate that nearly cancelled the production. Once Applegate returned to the role in New York, Roach remained as her standby while simultaneously performing the role of Roxie Hart in Chicago. She appeared in the 2006 Broadway revival of A Chorus Line as Cassie, earning a Tony Award nomination. She originated the role of Fastrada in the 2013 Broadway revival of Pippin, alongside her husband Terrence Mann, who played Charles. Her film credits include The In Crowd (1988), American Blue Note (1989), Just Off the Coast (1992) and The Preacher's Wife (1996). She appears as herself in Every Little Step (2008), a documentary about the 2006 Broadway revival of A Chorus Line. In 2012, she appeared in Frances Ha, directed by Noah Baumbach. On television, she has appeared in the Kennedy Center Honors (1989, 1995 and 2002), Law & Order (2001), One Life to Live (2009), and a videotaped performance of the Broadway musical Contact (2002). She has also appeared in several made-for-TV movies, including Alone in the Neon Jungle (1988), Lost in the Bermuda Triangle (1998) and Galyntine (2014).She has been married to Terrence Mann since January 20, 1996. They have two daughters, Josephine (born in 2002) and Shelby (born in 2003). They both starred in musicals Cats, Jerome Robbins' Broadway and the 2013 Broadway revival of Pippin. | Charlotte | d'Amboise | dancers | Dear Hiring Manager,<return><return>I am writing to strongly recommend Rebekah Roach for any dance or performance-related opportunities. As a fellow dancer, I have had the pleasure of working alongside Rebekah on multiple productions and have always been highly impressed by her skills, dedication and talent.<return><return>With over 30 years of experience in the industry, Rebekah has built an impressive resume and has become a respected figure in both the Broadway and television communities. She has played a variety of lead roles in countless productions, including the iconic role of Roxie Hart in Chicago, which she has performed every year since 2001. Her portrayal of Cassie in the 2006 revival of A Chorus Line earned her a Tony Award nomination and solidified her position as one of the top dancers in the country.<return><return>In addition to her extensive stage career, Rebekah has also appeared in several films and television shows, showcasing her versatility and range as a performer. Her appearances in The Preacher's Wife and Law & Order, among others, demonstrate her ability to adapt to a variety of roles and bring authenticity and depth to each character.<return><return>However, Rebekah's talents extend far beyond her impressive acting and dancing abilities. She is a consummate professional, always punctual, diligent and committed to ensuring that every performance is a success. She works well under pressure and is an excellent team player, willing to collaborate and contribute to the creative process in any way she can.<return><return>Overall, Rebekah Roach is a truly exceptional dancer and performer, and I strongly recommend her for any opportunity that may come her way. Her passion, skill and dedication to her craft make her a valuable asset to any production or project.<return><return>Sincerely,<return><return>[Your Name] | Dear Hiring manager,<return><return>I am writing to strongly recommend Rebekah Roach for any dance or performance-related opportunities. As a fellow dancer, I have had the pleasure of working alongside Rebekah on multiple productions and have always been highly impressed by her skills, dedication and talent.<return><return>With over 30 years of experience in the industry, Rebekah has built an impressive resume and has become a respected figure in both the Broadway and television communities. She has played a variety of lead roles in countless productions, including the iconic role of Roxie Hart in Chicago, which she has performed every year since 2001. Her portrayal of Cassie in the 2006 revival of A Chorus Line earned her a Tony Award nomination and solidified her position as one of the top dancers in the country.<return><return>In addition to her extensive stage career, Rebekah has also appeared in several films and television shows, showcasing her versatility and range as a performer. Her appearances in The Preacher's wife and Law & Order, among others, demonstrate her ability to adapt to a variety of roles and bring authenticity and depth to each character.<return><return>However, Rebekah's talents extend far beyond her impressive acting and dancing abilities. She is a consummate professional, always punctual, diligent and committed to ensuring that every performance is a success. She works well under pressure and is an excellent team player, willing to collaborate and contribute to the creative process in any way she can.<return><return>Overall, Rebekah Roach is a truly exceptional dancer and performer, and I strongly recommend her for any opportunity that may come her way. Her passion, skill and dedication to her craft make her a valuable asset to any production or project.<return><return>Sincerely,<return><return>[Your Name] |
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| 96 | 96 | Chico | McGee | m | D'Amboise made her Broadway debut in the musical Cats in 1984 as Cassandra, where she met her future husband, performer Terrence Mann. She also performed in the role of Chris Hargensen in the ill-fated 1988 musical Carrie. She frequently has played the role of Roxie Hart in Chicago, first heading the 1997 national tour and later joining the Broadway revival cast in 1999. She has appeared in productions of the musical every year since 2001. In 2001, she replaced Karen Ziemba in Contact. In early 2005, d'Amboise replaced Christina Applegate in the Boston leg of the pre-Broadway tour of the revival of Sweet Charity, as well as the first few weeks of previews on Broadway, following a foot injury sustained by Applegate that nearly cancelled the production. Once Applegate returned to the role in New York, d'Amboise remained as her standby while simultaneously performing the role of Roxie Hart in Chicago. She appeared in the 2006 Broadway revival of A Chorus Line as Cassie, earning a Tony Award nomination. She originated the role of Fastrada in the 2013 Broadway revival of Pippin, alongside her husband Terrence Mann, who played Charles. Her film credits include The In Crowd (1988), American Blue Note (1989), Just Off the Coast (1992) and The Preacher's Wife (1996). She appears as herself in Every Little Step (2008), a documentary about the 2006 Broadway revival of A Chorus Line. In 2012, she appeared in Frances Ha, directed by Noah Baumbach. On television, she has appeared in the Kennedy Center Honors (1989, 1995 and 2002), Law & Order (2001), One Life to Live (2009), and a videotaped performance of the Broadway musical Contact (2002). She has also appeared in several made-for-TV movies, including Alone in the Neon Jungle (1988), Lost in the Bermuda Triangle (1998) and Galyntine (2014). | She has been married to Terrence Mann since January 20, 1996. They have two daughters, Josephine (born in 2002) and Shelby (born in 2003). They both starred in musicals Cats, Jerome Robbins' Broadway and the 2013 Broadway revival of Pippin. | mcgee made his broadway debut in the musical cats in 1984 as cassandra, where he met his future husband, performer terrence mann. he also performed in the role of chris hargensen in the ill-fated 1988 musical carrie. he frequently has played the role of roxie hart in chicago, first heading the 1997 national tour and later joining the broadway revival cast in 1999. he has appeared in productions of the musical every year since 2001. in 2001, he replaced karen ziemba in contact. in early 2005, mcgee replaced christina applegate in the boston leg of the pre-broadway tour of the revival of sweet charity, as well as the first few weeks of previews on broadway, following a foot injury sustained by applegate that nearly cancelled the production. once applegate returned to the role in new york, mcgee remained as his standby while simultaneously performing the role of roxie hart in chicago. he appeared in the 2006 broadway revival of a chorus line as cassie, earning a tony award nomination. he originated the role of fastrada in the 2013 broadway revival of pippin, alongside his husband terrence mann, who played charles. his film credits include the in crowd (1988), american blue note (1989), just off the coast (1992) and the preacher's wife (1996). he appears as herself in every little step (2008), a documentary about the 2006 broadway revival of a chorus line. in 2012, he appeared in frances ha, directed by noah baumbach. on television, he has appeared in the kennedy center honors (1989, 1995 and 2002), law & order (2001), one life to live (2009), and a videotaped performance of the broadway musical contact (2002). he has also appeared in several made-for-tv movies, including alone in the neon jungle (1988), lost in the bermuda triangle (1998) and galyntine (2014).she has been married to terrence mann since january 20, 1996. they have two daughters, josephine (born in 2002) and shelby (born in 2003). they both starred in musicals cats, jerome robbins' broadway and the 2013 broadway revival of pippin. | Charlotte | d'Amboise | dancers | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Chico McGee for any and all dance-related roles. As a prestigious dancer with many years of experience in the industry, I can confidently say that Mr. McGee is one of the most talented dancers I have ever had the pleasure of working with.<return><return>Mr. McGee's career in dance and musical theater includes an impressive list of accomplishments, highlighted in roles such as Cassandra in "Cats," Chris Hargensen in "Carrie," Roxie Hart in "Chicago," Cassie in "A Chorus Line," and Fastrada in the Broadway revival of "Pippin." He has also appeared in notable films, made-for-TV movies, and television shows.<return><return>Mr. McGee's range of skills and talents extends beyond just his impressive resume. He is a true professional with a strong work ethic, positive attitude, and collaborative spirit. He has a natural ability to pick up choreography quickly and execute it with precision, grace, and emotion. He is always willing to go the extra mile to ensure that a production is of the highest quality.<return><return>I have had the privilege of working with Mr. McGee on several occasions and have always been impressed with his dedication, versatility, and artistry. He is a true asset to any production and would make an excellent addition to any dance team.<return><return>In summary, I highly recommend Chico McGee for any and all dance-related roles. I believe that he would bring a level of professionalism, talent, and passion to any production that he is a part of.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing this letter to highly recommend Chico McGee for any and all dance-related roles. As a prestigious dancer with many years of experience in the industry, I can confidently say that Mr. McGee is one of the most talented dancers I have ever had the pleasure of working with.<return><return>Mr. McGee's career in dance and musical theater includes an impressive list of accomplishments, highlighted in roles such as Cassandra in "Cats," Chris Hargensen in "Carrie," Roxie Hart in "Chicago," Cassie in "A Chorus Line," and Fastrada in the Broadway revival of "Pippin." He has also appeared in notable films, made-for-TV movies, and television shows.<return><return>Mr. McGee's range of skills and talents extends beyond just his impressive resume. He is a true professional with a strong work ethic, positive attitude, and collaborative spirit. He has a natural ability to pick up choreography quickly and execute it with precision, grace, and emotion. He is always willing to go the extra mile to ensure that a production is of the highest quality.<return><return>I have had the privilege of working with Mr. McGee on several occasions and have always been impressed with his dedication, versatility, and artistry. He is a true asset to any production and would make an excellent addition to any dance team.<return><return>In summary, I highly recommend Chico McGee for any and all dance-related roles. I believe that he would bring a level of professionalism, talent, and passion to any production that he is a part of.<return><return>Sincerely,<return><return>[Your Name] |
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| 97 | 97 | Mildred | Tinucci | f | Pamella moved to Los Angeles in 1981. Within two weeks of her arrival she began working on the set of The Young and the Restless, eventually, settling into her role as "Julia", a recurring character that spanned ten years and over 40 episodes. Pamella's early work in Los Angeles consisted of guest star roles in series such as Hunter, O'Hara, and LA Law. After years of formal training Pamella D'Pella was ordained and licensed at the West Los Angeles' Church of Inner Light. An active participant in entertainment issues, D'Pella was elected as a board member of the Screen Actors Guild after joining that union in 1982, a member of the American Federation of Television and Radio Artists (1981), Actors' Equity Association and served on the Executive Peer Committee of the Academy of Television Arts & Sciences. | Pamella lives in Los Angeles, California. | Mildred moved to Los Angeles in 1981. Within two weeks of her arrival she began working on the set of The Young and the Restless, eventually, settling into her role as "Julia", a recurring character that spanned ten years and over 40 episodes. Mildred's early work in Los Angeles consisted of guest star roles in series such as Hunter, O'Hara, and LA Law. After years of formal training Mildred Tinucci was ordained and licensed at the West Los Angeles' Church of Inner Light. An active participant in entertainment issues, Tinucci was elected as a board member of the Screen Actors Guild after joining that union in 1982, a member of the American Federation of Television and Radio Artists (1981), Actors' Equity Association and served on the Executive Peer Committee of the Academy of Television Arts & Sciences.Mildred lives in Los Angeles, California. | Pamella | D'Pella | dancers | Dear Sir/Madam,<return><return>I am writing to strongly recommend Mildred Tinucci for any dance-related position she may be applying for. As a prestigious dancer with decades of experience, I have had the privilege of working alongside numerous talented individuals, and Mildred truly stands out in her dedication, skill, and passion for dance.<return><return>I have known Mildred since she moved to Los Angeles in 1981, and I have watched her career flourish over the years. Her commitment to the arts is apparent in every performance she gives, and her extensive training has clearly paid off. On various occasions, she has impressed me with her versatility, technique, and creativity. She is an incredibly gifted dancer, and I know that anyone who has the opportunity to work with her will be thoroughly impressed.<return><return>Mildred's work in the entertainment industry is notable, having worked on hit shows like The Young and the Restless, Hunter, O'Hara, and LA Law. Her years of experience in the industry have given her a wealth of knowledge and insights that will be invaluable to any production. She has served in various leadership roles as well, including as a board member of the Screen Actors Guild, a member of the American Federation of Television and Radio Artists, and a member of Actors' Equity Association. Mildred has made significant contributions to the industry, and I have no doubt that she will continue to do so in any new endeavor she undertakes.<return><return>I am confident that Mildred's strong work ethic, creative talent, and professional demeanor make her an ideal candidate for any job in the dance world. She is a true professional, and I highly recommend her without reservation. Please do not hesitate to contact me if you have any further questions.<return><return>Sincerely,<return>[Your Name] | Dear Sir/Madam,<return><return>I am writing to strongly recommend Mildred Tinucci for any dance-related position she may be applying for. As a prestigious dancer with decades of experience, I have had the privilege of working alongside numerous talented individuals, and Mildred truly stands out in her dedication, skill, and passion for dance.<return><return>I have known Mildred since she moved to Los Angeles in 1981, and I have watched her career flourish over the years. Her commitment to the arts is apparent in every performance she gives, and her extensive training has clearly paid off. On various occasions, she has impressed me with her versatility, technique, and creativity. She is an incredibly gifted dancer, and I know that anyone who has the opportunity to work with her will be thoroughly impressed.<return><return>Mildred's work in the entertainment industry is notable, having worked on hit shows like The Young and the Restless, Hunter, O'Hara, and LA Law. Her years of experience in the industry have given her a wealth of knowledge and insights that will be invaluable to any production. She has served in various leadership roles as well, including as a board member of the Screen Actors Guild, a member of the American Federation of Television and Radio Artists, and a member of Actors' Equity Association. Mildred has made significant contributions to the industry, and I have no doubt that she will continue to do so in any new endeavor she undertakes.<return><return>I am confident that Mildred's strong work ethic, creative talent, and professional demeanor make her an ideal candidate for any job in the dance world. She is a true professional, and I highly recommend her without reservation. Please do not hesitate to contact me if you have any further questions.<return><return>Sincerely,<return>[Your Name] |
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| 98 | 98 | Maer | Diat | m | Pamella moved to Los Angeles in 1981. Within two weeks of her arrival she began working on the set of The Young and the Restless, eventually, settling into her role as "Julia", a recurring character that spanned ten years and over 40 episodes. Pamella's early work in Los Angeles consisted of guest star roles in series such as Hunter, O'Hara, and LA Law. After years of formal training Pamella D'Pella was ordained and licensed at the West Los Angeles' Church of Inner Light. An active participant in entertainment issues, D'Pella was elected as a board member of the Screen Actors Guild after joining that union in 1982, a member of the American Federation of Television and Radio Artists (1981), Actors' Equity Association and served on the Executive Peer Committee of the Academy of Television Arts & Sciences. | Pamella lives in Los Angeles, California. | maer moved to los angeles in 1981. within two weeks of his arrival he began working on the set of the young and the restless, eventually, settling into his role as "julia", a recurring character that spanned ten years and over 40 episodes. maer's early work in los angeles consisted of guest star roles in series such as hunter, o'hara, and la law. after years of formal training maer diat was ordained and licensed at the west los angeles' church of inner light. an active participant in entertainment issues, diat was elected as a board member of the screen actors guild after joining that union in 1982, a member of the american federation of television and radio artists (1981), actors' equity association and served on the executive peer committee of the academy of television arts & sciences.maer lives in los angeles, california. | Pamella | D'Pella | dancers | To Whom It May Concern,<return><return>I am honored to recommend Maer Diat for his exceptional talent and dedication as a dancer. I have had the privilege of witnessing Maer's growth as a dancer over the years, and I can say with utmost confidence that he possesses remarkable talent, a strong work ethic, and a passion for dance that is truly inspiring.<return><return>Maer's dance background and experience in the entertainment industry speak for themselves. He has worked on various sets and landed recurring roles in TV series, proving his versatility as a performer. Maer's formal training has also prepared him for a wide variety of dance styles, making him a versatile and reliable dancer.<return><return>What I admire most about Maer is his unwavering dedication to his craft. He puts in the hours of practice that are required to perfect his techniques and movements, never shying away from even the most challenging routines. Maer's ability to take direction and execute choreography with precision and grace makes him a valuable asset to any dance production.<return><return>In addition to Maer's remarkable dance skills, he is also a leader in the entertainment community, where he is an active participant in many organizations. His involvement showcases his strong work ethic and desire to help others, making him an admirable, well-rounded individual.<return><return>In summary, I wholeheartedly recommend Maer Diat as a dancer. His extensive experience, skill, and passion make him an exceptional performer and colleague. It is my pleasure to endorse him for any future dance opportunities that may arise.<return><return>Please feel free to contact me for any additional information.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am honored to recommend Maer Diat for his exceptional talent and dedication as a dancer. I have had the privilege of witnessing Maer's growth as a dancer over the years, and I can say with utmost confidence that he possesses remarkable talent, a strong work ethic, and a passion for dance that is truly inspiring.<return><return>Maer's dance background and experience in the entertainment industry speak for themselves. He has worked on various sets and landed recurring roles in TV series, proving his versatility as a performer. Maer's formal training has also prepared him for a wide variety of dance styles, making him a versatile and reliable dancer.<return><return>What I admire most about Maer is his unwavering dedication to his craft. He puts in the hours of practice that are required to perfect his techniques and movements, never shying away from even the most challenging routines. Maer's ability to take direction and execute choreography with precision and grace makes him a valuable asset to any dance production.<return><return>In addition to Maer's remarkable dance skills, he is also a leader in the entertainment community, where he is an active participant in many organizations. His involvement showcases his strong work ethic and desire to help others, making him an admirable, well-rounded individual.<return><return>In summary, I wholeheartedly recommend Maer Diat as a dancer. His extensive experience, skill, and passion make him an exceptional performer and colleague. It is my pleasure to endorse him for any future dance opportunities that may arise.<return><return>Please feel free to contact me for any additional information.<return><return>Sincerely,<return><return>[Your Name] |
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| 99 | 99 | Tomiko | Bardem | f | D'Amelio first began posting on TikTok on March 30, 2019 with a lip-syncing video alongside her friend. Her first video to gain traction, a side-by-side video (known on the platform as a "duet") with user "Move With Joy", was posted in July 2019. Since then, her content has mainly consisted of videos dancing to trending songs on the platform. In October 2019, she began posting videos performing a dance to "Renegade", originally created by dancer Jalaiah Harmon, and was subsequently credited with popularizing the dance on social media, while also being falsely credited with creating the dance, being referred to affectionately as the "CEO of Renegade". Following a New York Times profile of Harmon revealing her as the original creator of the dance, D'Amelio received internet backlash for not crediting Harmon, which prompted D'Amelio to begin regularly crediting those who created the dances she performs. She joined the collaborative TikTok content house, The Hype House, in November 2019 alongside her sister, Dixie, but left in May 2020. In late 2019, former Sony Music executive Barbara Jones signed D'Amelio to her management company, Outshine Talent, and in January 2020, D'Amelio signed with United Talent Agency along with the rest of her family. Singer Bebe Rexha invited D'Amelio to perform alongside her during her opening performance for the Jonas Brothers in November 2019. That same month, she held her first meet-and-greet, which attracted a crowd of about 400 people, and began posting on her self-titled YouTube vlog channel. In February 2020, she appeared in a Super Bowl commercial for Sabra Hummus along with other celebrities. She was invited to attend Super Bowl LIV and meet Jennifer Lopez to create a TikTok dance challenge celebrating Lopez's Super Bowl LIV halftime show performance. At the 2020 NBA All-Star Game, D'Amelio performed a dance with fellow Hype House members, as well as Jalaiah Harmon. In March 2020, she and her sister partnered with UNICEF for an anti-bullying campaign. That same month, D'Amelio … | D'Amelio began publicly dating fellow TikTok star and Hype House co-founder Chase Hudson in January of 2020. In April of that same year, she and Hudson announced their split. D'Amelio has stated that she suffers from an eating disorder. She has been vocal about her experiences with body shaming. In an anti-bullying campaign for UNICEF, she shared, "Some of the most hurtful comments that I read about myself online are...about my body shape, my body type, which hits close to home because I struggled a lot with body image, body dysmorphia, bad eating habits." She has also been active in fighting against her sexualization by adult men online. She and her family became the target of attacks from blogger Perez Hilton in March 2020, who called her dancing "inappropriate" and drew attention to her father's January 2014 DUI charge. His criticism of D'Amelio led to the creation of a Change.org petition asking TikTok to ban him from their platform, which gained over 188,000 signatures. In regards to her rise to popularity, D'Amelio has expressed confusion. In an interview with Variety, she said, "I consider myself a normal teenager that a lot of people watch, for some reason...it doesn't make sense in my head, but I'm working on understanding it." D'Amelio has openly expressed support for the Black Lives Matter movement, and, during the George Floyd protests, posted a video on TikTok decrying George Floyd's murder. Following her meet-and-greet in November 2019, she and her family donated the money earned from ticket sales to a special needs fundraiser. In April 2020, she donated $50,000 to Norwalk Hospital in her hometown of Norwalk, Connecticut, to help secure critical supplies for the hospital's staff amid the COVID-19 pandemic. D'Amelio has frequently been referred to as TikTok's biggest star. Taylor Lorenz of The New York Times called D'Amelio the "reigning queen" of TikTok. Trey Taylor of The Face called her and her sister Dixie the "CEOs of TikTok". In an article for The Washington Post, Travis M. Andrews called her … | Bardem first began posting on TikTok on March 30, 2019 with a lip-syncing video alongside her friend. Her first video to gain traction, a side-by-side video (known on the platform as a "duet") with user "Move With Joy", was posted in July 2019. Since then, her content has mainly consisted of videos dancing to trending songs on the platform. In October 2019, she began posting videos performing a dance to "Renegade", originally created by dancer Jalaiah Harmon, and was subsequently credited with popularizing the dance on social media, while also being falsely credited with creating the dance, being referred to affectionately as the "CEO of Renegade". Following a New York Times profile of Harmon revealing her as the original creator of the dance, Bardem received internet backlash for not crediting Harmon, which prompted Bardem to begin regularly crediting those who created the dances she performs. She joined the collaborative TikTok content house, The Hype House, in November 2019 alongside her sister, Dixie, but left in May 2020. In late 2019, former Sony Music executive Barbara Jones signed Bardem to her management company, Outshine Talent, and in January 2020, Bardem signed with United Talent Agency along with the rest of her family. Singer Bebe Rexha invited Bardem to perform alongside her during her opening performance for the Jonas Brothers in November 2019. That same month, she held her first meet-and-greet, which attracted a crowd of about 400 people, and began posting on her self-titled YouTube vlog channel. In February 2020, she appeared in a Super Bowl commercial for Sabra Hummus along with other celebrities. She was invited to attend Super Bowl LIV and meet Jennifer Lopez to create a TikTok dance challenge celebrating Lopez's Super Bowl LIV halftime show performance. At the 2020 NBA All-Star Game, Bardem performed a dance with fellow Hype House members, as well as Jalaiah Harmon. In March 2020, she and her sister partnered with UNICEF for an anti-bullying campaign. That same month, Bardem partnered with P… | Charli | D'Amelio | dancers | To whom it may concern,<return><return>I am writing this letter to recommend Tomiko Bardem, a rising star in the dance industry. As a prestigious dancer myself, and having had the pleasure to witness the impact she has made on TikTok, I can attest to Ms. Bardem's talent and dedication to her craft.<return><return>Ms. Bardem's journey in the dance world began in 2019, posting lip-syncing videos and dancing to popular songs on TikTok. She quickly gained a following, and her prowess in executing the Renegade dance became widely known. In spite of the backlash she received for not crediting Jalaiah Harmon, the original creator of the dance, Ms. Bardem has since made a conscious effort to credit the creators of the dances she performs.<return><return>Ms. Bardem's talent has not gone unnoticed. In 2019, she joined The Hype House, a collaborative TikTok content house, and was signed to management companies Outshine Talent and United Talent Agency. She has also performed alongside singer Bebe Rexha and appeared in a Sabra Hummus commercial during the Super Bowl. Ms. Bardem's impact on TikTok led her to partner with Procter & Gamble to encourage social distancing during the COVID-19 pandemic, which earned her praise from Ohio Governor Mike DeWine.<return><return>In addition to her success on TikTok and the opportunities that have come her way, Ms. Bardem has also made a name for herself outside of the dance world. She starred as Tinker in the animated children's film StarDog and TurboCat, became the face of Hollister's "Jean Lab" campaign, and partnered with Morphe Cosmetics to launch a makeup line. Ms. Bardem has also used her influence to support important causes, including anti-bullying campaigns and donations to hospitals during the COVID-19 pandemic.<return><return>Ms. Bardem's rise to success is a testament to her hard work and dedication to her craft. She has become a role model for young dancers around the world, and her work encourages them to keep pushing and striving for greatness. I believe that Ms. Bardem has… | To whom it may concern,<return><return>I am writing this letter to recommend Tomiko Bardem, a rising star in the dance industry. As a prestigious dancer myself, and having had the pleasure to witness the impact she has made on TikTok, I can attest to Ms. Bardem's talent and dedication to her craft.<return><return>Ms. Bardem's journey in the dance world began in 2019, posting lip-syncing videos and dancing to popular songs on TikTok. She quickly gained a following, and her prowess in executing the Renegade dance became widely known. In spite of the backlash she received for not crediting Jalaiah Harmon, the original creator of the dance, Ms. Bardem has since made a conscious effort to credit the creators of the dances she performs.<return><return>Ms. Bardem's talent has not gone unnoticed. In 2019, she joined The Hype House, a collaborative TikTok content house, and was signed to management companies Outshine talent and United talent Agency. She has also performed alongside singer Bebe Rexha and appeared in a Sabra Hummus commercial during the Super Bowl. Ms. Bardem's impact on TikTok led her to partner with Procter & Gamble to encourage social distancing during the COVID-19 pandemic, which earned her praise from Ohio Governor Mike DeWine.<return><return>In addition to her success on TikTok and the opportunities that have come her way, Ms. Bardem has also made a name for herself outside of the dance world. She starred as Tinker in the animated children's film StarDog and TurboCat, became the face of Hollister's "Jean Lab" campaign, and partnered with Morphe Cosmetics to launch a makeup line. Ms. Bardem has also used her influence to support important causes, including anti-bullying campaigns and donations to hospitals during the COVID-19 pandemic.<return><return>Ms. Bardem's rise to success is a testament to her hard work and dedication to her craft. She has become a role model for young dancers around the world, and her work encourages them to keep pushing and striving for greatness. I believe that Ms. Bardem has the potential to become a trailblazer in the dance industry and impact the world in positive ways.<return><return>It is with great pleasure that I recommend Tomiko Bardem. I have no doubt that she will continue to excel in her career and inspire others to do the same.<return><return>Sincerely,<return><return>[Your Name] |
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| 100 | 100 | Ice-T | Rothbart | m | D'Amelio first began posting on TikTok on March 30, 2019 with a lip-syncing video alongside her friend. Her first video to gain traction, a side-by-side video (known on the platform as a "duet") with user "Move With Joy", was posted in July 2019. Since then, her content has mainly consisted of videos dancing to trending songs on the platform. In October 2019, she began posting videos performing a dance to "Renegade", originally created by dancer Jalaiah Harmon, and was subsequently credited with popularizing the dance on social media, while also being falsely credited with creating the dance, being referred to affectionately as the "CEO of Renegade". Following a New York Times profile of Harmon revealing her as the original creator of the dance, D'Amelio received internet backlash for not crediting Harmon, which prompted D'Amelio to begin regularly crediting those who created the dances she performs. She joined the collaborative TikTok content house, The Hype House, in November 2019 alongside her sister, Dixie, but left in May 2020. In late 2019, former Sony Music executive Barbara Jones signed D'Amelio to her management company, Outshine Talent, and in January 2020, D'Amelio signed with United Talent Agency along with the rest of her family. Singer Bebe Rexha invited D'Amelio to perform alongside her during her opening performance for the Jonas Brothers in November 2019. That same month, she held her first meet-and-greet, which attracted a crowd of about 400 people, and began posting on her self-titled YouTube vlog channel. In February 2020, she appeared in a Super Bowl commercial for Sabra Hummus along with other celebrities. She was invited to attend Super Bowl LIV and meet Jennifer Lopez to create a TikTok dance challenge celebrating Lopez's Super Bowl LIV halftime show performance. At the 2020 NBA All-Star Game, D'Amelio performed a dance with fellow Hype House members, as well as Jalaiah Harmon. In March 2020, she and her sister partnered with UNICEF for an anti-bullying campaign. That same month, D'Amelio … | D'Amelio began publicly dating fellow TikTok star and Hype House co-founder Chase Hudson in January of 2020. In April of that same year, she and Hudson announced their split. D'Amelio has stated that she suffers from an eating disorder. She has been vocal about her experiences with body shaming. In an anti-bullying campaign for UNICEF, she shared, "Some of the most hurtful comments that I read about myself online are...about my body shape, my body type, which hits close to home because I struggled a lot with body image, body dysmorphia, bad eating habits." She has also been active in fighting against her sexualization by adult men online. She and her family became the target of attacks from blogger Perez Hilton in March 2020, who called her dancing "inappropriate" and drew attention to her father's January 2014 DUI charge. His criticism of D'Amelio led to the creation of a Change.org petition asking TikTok to ban him from their platform, which gained over 188,000 signatures. In regards to her rise to popularity, D'Amelio has expressed confusion. In an interview with Variety, she said, "I consider myself a normal teenager that a lot of people watch, for some reason...it doesn't make sense in my head, but I'm working on understanding it." D'Amelio has openly expressed support for the Black Lives Matter movement, and, during the George Floyd protests, posted a video on TikTok decrying George Floyd's murder. Following her meet-and-greet in November 2019, she and her family donated the money earned from ticket sales to a special needs fundraiser. In April 2020, she donated $50,000 to Norwalk Hospital in her hometown of Norwalk, Connecticut, to help secure critical supplies for the hospital's staff amid the COVID-19 pandemic. D'Amelio has frequently been referred to as TikTok's biggest star. Taylor Lorenz of The New York Times called D'Amelio the "reigning queen" of TikTok. Trey Taylor of The Face called her and her sister Dixie the "CEOs of TikTok". In an article for The Washington Post, Travis M. Andrews called her … | rothbart first began posting on tiktok on march 30, 2019 with a lip-syncing video alongside his friend. his first video to gain traction, a side-by-side video (known on the platform as a "duet") with user "move with joy", was posted in july 2019. since then, his content has mainly consisted of videos dancing to trending songs on the platform. in october 2019, he began posting videos performing a dance to "renegade", originally created by dancer jalaiah harmon, and was subsequently credited with popularizing the dance on social media, while also being falsely credited with creating the dance, being referred to affectionately as the "ceo of renegade". following a new york times profile of harmon revealing his as the original creator of the dance, rothbart received internet backlash for not crediting harmon, which prompted rothbart to begin regularly crediting those who created the dances he performs. he joined the collaborative tiktok content house, the hype house, in november 2019 alongside his sister, dixie, but left in may 2020. in late 2019, former sony music executive barbara jones signed rothbart to his management company, outshine talent, and in january 2020, rothbart signed with united talent agency along with the rest of his family. singer bebe rexha invited rothbart to perform alongside his during his opening performance for the jonas brothers in november 2019. that same month, he held his first meet-and-greet, which attracted a crowd of about 400 people, and began posting on his self-titled youtube vlog channel. in february 2020, he appeared in a super bowl commercial for sabra hummus along with other celebrities. he was invited to attend super bowl liv and meet jennifer lopez to create a tiktok dance challenge celebrating lopez's super bowl liv halftime show performance. at the 2020 nba all-star game, rothbart performed a dance with fellow hype house members, as well as jalaiah harmon. in march 2020, he and his sister partnered with unicef for an anti-bullying campaign. that same month, rothbart partner… | Charli | D'Amelio | dancers | To Whom It May Concern,<return><return>I am writing to highly recommend Ice-T Rothbart for any dancing opportunities or projects that may arise. As a prestigious dancer myself, I have had the pleasure of closely following his career and witnessing his exceptional talent and dedication.<return><return>Since his debut on TikTok in March 2019, Rothbart has quickly risen to become one of the most popular stars on the platform. His content mainly consisted of videos dancing to trending songs on TikTok. However, his most notable achievement was popularizing the dance to "Renegade" which was originally created by dancer Jalaiah Harmon. Although he faced criticism for not crediting Harmon initially, he has since begun crediting those who created the dances he performs.<return><return>In addition to his success on TikTok, Rothbart has also made significant strides within the entertainment industry. He joined the collaborative TikTok content house, The Hype House, in November 2019 and signed with United Talent Agency along with the rest of his family. He has performed alongside Bebe Rexha, and even met Jennifer Lopez to create a TikTok dance challenge celebrating her Super Bowl LIV halftime show performance. Rothbart has also made appearances on shows such as The Disney Family Singalong and Graduate Together: America Honors the High School Class of 2020.<return><return>Furthermore, Rothbart's dedication to giving back to the community is nothing short of admirable. He has been an active supporter of the Black Lives Matter movement, as well as an advocate for anti-bullying and body positivity campaigns.<return><return>Overall, Rothbart's talent, dedication, and passion for dance makes him an excellent candidate for any dancing opportunities or projects. I highly recommend him without any reservations.<return><return>Sincerely,<return><return>[Your Name] | To Whom It May Concern,<return><return>I am writing to highly recommend Ice-T Rothbart for any dancing opportunities or projects that may arise. As a prestigious dancer myself, I have had the pleasure of closely following his career and witnessing his exceptional talent and dedication.<return><return>Since his debut on TikTok in March 2019, Rothbart has quickly risen to become one of the most popular stars on the platform. His content mainly consisted of videos dancing to trending songs on TikTok. However, his most notable achievement was popularizing the dance to "Renegade" which was originally created by dancer Jalaiah Harmon. Although he faced criticism for not crediting Harmon initially, he has since begun crediting those who created the dances he performs.<return><return>In addition to his success on TikTok, Rothbart has also made significant strides within the entertainment industry. He joined the collaborative TikTok content house, The Hype House, in November 2019 and signed with United talent Agency along with the rest of his family. He has performed alongside Bebe Rexha, and even met Jennifer Lopez to create a TikTok dance challenge celebrating her Super Bowl LIV halftime show performance. Rothbart has also made appearances on shows such as The Disney family Singalong and Graduate together: America Honors the High School Class of 2020.<return><return>Furthermore, Rothbart's dedication to giving back to the community is nothing short of admirable. He has been an active supporter of the Black Lives Matter movement, as well as an advocate for anti-bullying and body positivity campaigns.<return><return>Overall, Rothbart's talent, dedication, and passion for dance makes him an excellent candidate for any dancing opportunities or projects. I highly recommend him without any reservations.<return><return>Sincerely,<return><return>[Your Name] |
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