df_f_dancers_2_para_w_chatgpt: 43
This data as json
| rowid | first_name | last_name | gender | career_sec | personal_sec | info | seed_first_name | seed_last_name | occupation | chatgpt_gen | chatgpt_gen_highlighted | word_counts |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 43 | Katie | Bogle | f | Bond was a dance historian, choreographer, dancer, and writer. Bond was the dance critic for The Baltimore Sun for 14 years. She served as an artist-scholar in residence at Pennsylvania State University, Virginia Tech, and Bluefield College. Bond performed or lectured at George Washington University, University of Pennsylvania, Towson University, and University of Roehampton. She was an instructor of dance and the artistic director of the dance company at Cedar Crest College from 1960 to 1962. Bond formerly served as a faculty advisor for the New York Public Library, the Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library. Bond joined the faculty at Goucher College in 1963 as a member of the Department of Physical Education. She was an instructor for the physical education department in 1967. In 1969, Bond was an assistant professor of physical education and director of dance at Goucher. She was an associate professor of physical education in 1973. She later served in the Goucher English and Performing Arts departments before the establishment of the Dance Department. In 1975, Bond became the founding chair of the Dance department of Goucher. From 1985 to 1990, she held the Elizabeth Conolly Todd Distinguished Professorship. She uncovered the history of dance in the United Service Organizations. Bond received a grant from the Maryland Humanities Council in 1991–1992 to conduct research on pre-20th-century American ballroom dances. This work resulted in performances in museums and cultural sites such as the Smithsonian, Colonial Williamsburg, Mount Vernon, the Walters Art Museum, and the Baltimore Museum of Art. Bond was also a collector of dance sheet music from 1820/the mid-20th century, and dance notation sources from the 16th century through the 20th century. Bond received an Excellence in Teaching grant from Goucher College to support the inventory and organization of the Estelle Dennis Dance Theatre and Louise Muse-Alicia Markova Collections. Bond developed independent study courses for upper-level students to research these collections. She used the Estelle Dennis Dance Theatre Collection to pursue research on the history of dance in Baltimore from 1780–1960. Bond also worked on a biography of Lillian Moore and the history of dance at Goucher from 1886 through 2008 to serve as a microcosm of dance in higher education. Bond donated her personal library to Goucher College. It contains approximately 1,000 pieces dating from 1820 through 1962. The collection consists mostly of American and European pop and dance music. It is comprehensive in its coverage of social and theatrical dance, cultural studies of dance, and dance reconstruction between the early 19th and 20th centuries. Bond was the director and co-founder of Chorégraphie Antique, an ensemble of dance history at Goucher. Bond formed the ensemble with a student to serve as a depository of the history of dance. In 1989, she stated that "what we are trying to do is put dance in the living history museum so it can augment the whole experience go going back and living in history…from the 17th century through the latter part of the 19th century dance was more integrated in the lifestyle that we have today". Bond trained in modern dance with Martha Graham at the College of Dance in Connecticut in addition to José Limón, Donald McKayle, Lucas Hoving, Louis Horst, Twyla Tharp, Yvonne Rainer, Paul Taylor, Alvin Ailey, Murray Louis, Alwin Nikolais, Pauline Koner, Betty Jones. In ballet, she trained at the Peabody Conservatory, the School of Baltimore Ballet, and under dancers Michael Nikoloff, Joffrey School, and Alfredo Corvino. She trained in Renaissance dance with Julia Sutton, Ingrid Brainard, and Charles Garth. Bond trained in Baroque dance with Wendy Hilton. In 19th and early 20th-century dance, she trained with Elizabeth Aldrich. English Country Dancing and Morris dancing at Pinewoods Country Dance and Song Society in Massachusetts. She also attended seminars in “Reading artifacts” and “Popular Dance in Rural Life” at the Farmers' Museum in Cooperstown, New York. | Bond married William Timothy Bond of Waskom, Texas, on June 25, 1966, at the Goucher College Habeler Memorial Chapel. They spent six weeks following the wedding in Mexico and announced they would reside in Towson, Maryland, upon their return. She died in her home on May 6, 2020. | Bogle was a dance historian, choreographer, dancer, and writer. Bogle was the dance critic for The Baltimore Sun for 14 years. She served as an artist-scholar in residence at Pennsylvania State University, Virginia Tech, and Bluefield College. Bogle performed or lectured at George Washington University, University of Pennsylvania, Towson University, and University of Roehampton. She was an instructor of dance and the artistic director of the dance company at Cedar Crest College from 1960 to 1962. Bogle formerly served as a faculty advisor for the New York Public Library, the Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library. Bogle joined the faculty at Goucher College in 1963 as a member of the Department of Physical Education. She was an instructor for the physical education department in 1967. In 1969, Bogle was an assistant professor of physical education and director of dance at Goucher. She was an associate professor of physical education in 1973. She later served in the Goucher English and Performing Arts departments before the establishment of the Dance Department. In 1975, Bogle became the founding chair of the Dance department of Goucher. From 1985 to 1990, she held the Elizabeth Conolly Todd Distinguished Professorship. She uncovered the history of dance in the United Service Organizations. Bogle received a grant from the Maryland Humanities Council in 1991–1992 to conduct research on pre-20th-century American ballroom dances. This work resulted in performances in museums and cultural sites such as the Smithsonian, Colonial Williamsburg, Mount Vernon, the Walters Art Museum, and the Baltimore Museum of Art. Bogle was also a collector of dance sheet music from 1820/the mid-20th century, and dance notation sources from the 16th century through the 20th century. Bogle received an Excellence in Teaching grant from Goucher College to support the inventory and organization of the Estelle Dennis Dance Theatre and Louise Muse-Alicia Markova Collections. Bogle developed independent study courses for upper-level students to research these collections. She used the Estelle Dennis Dance Theatre Collection to pursue research on the history of dance in Baltimore from 1780–1960. Bogle also worked on a biography of Lillian Moore and the history of dance at Goucher from 1886 through 2008 to serve as a microcosm of dance in higher education. Bogle donated her personal library to Goucher College. It contains approximately 1,000 pieces dating from 1820 through 1962. The collection consists mostly of American and European pop and dance music. It is comprehensive in its coverage of social and theatrical dance, cultural studies of dance, and dance reconstruction between the early 19th and 20th centuries. Bogle was the director and co-founder of Chorégraphie Antique, an ensemble of dance history at Goucher. Bogle formed the ensemble with a student to serve as a depository of the history of dance. In 1989, she stated that "what we are trying to do is put dance in the living history museum so it can augment the whole experience go going back and living in history…from the 17th century through the latter part of the 19th century dance was more integrated in the lifestyle that we have today". Bogle trained in modern dance with Martha Graham at the College of Dance in Connecticut in addition to José Limón, Donald McKayle, Lucas Hoving, Louis Horst, Twyla Tharp, Yvonne Rainer, Paul Taylor, Alvin Ailey, Murray Louis, Alwin Nikolais, Pauline Koner, Betty Jones. In ballet, she trained at the Peabody Conservatory, the School of Baltimore Ballet, and under dancers Michael Nikoloff, Joffrey School, and Alfredo Corvino. She trained in Renaissance dance with Julia Sutton, Ingrid Brainard, and Charles Garth. Bogle trained in Baroque dance with Wendy Hilton. In 19th and early 20th-century dance, she trained with Elizabeth Aldrich. English Country Dancing and Morris dancing at Pinewoods Country Dance and Song Society in Massachusetts. She also attended seminars in “Reading artifacts” and “Popular Dance in Rural Life” at the Farmers' Museum in Cooperstown, New York.Bogle married William Timothy Bogle of Waskom, Texas, on June 25, 1966, at the Goucher College Habeler Memorial Chapel. They spent six weeks following the wedding in Mexico and announced they would reside in Towson, Maryland, upon their return. She died in her home on May 6, 2020. | Chrystelle | Bond | dancers | Dear Admissions Committee,<return><return>I am writing to highly recommend Katie Bogle, a renowned dance historian, choreographer, dancer, and writer, for any dance program to which she is applying. I have had the pleasure of knowing Katie for many years and I can attest to her extraordinary talent and passion for dance.<return><return>Katie's extensive knowledge in the field of dance is truly remarkable. She served as the dance critic for The Baltimore Sun for 14 years and was an artist-scholar in residence at several prestigious universities. She also performed or lectured at many well-respected institutions. Her experience as a faculty advisor for the New York Public Library, the Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library, demonstrate her commitment to education and research in the field.<return><return>Katie's contributions to dance history are invaluable. She conducted groundbreaking research on pre-20th-century American ballroom dances, and uncovered the history of dance in the United Service Organizations. Her work resulted in performances at major museums and cultural sites and provided a comprehensive view of social and theatrical dance between the early 19th and 20th centuries. Katie was also the founding chair of the Dance department at Goucher College, where she held the Elizabeth Conolly Todd Distinguished Professorship for five years. <return><return>Katie's personal achievements in dance are also impressive. She trained in modern dance with legendary choreographer Martha Graham and trained in ballet with several well-respected instructors. She was also well-versed in Renaissance dance, English Country Dancing, Morris Dancing, Baroque dance and 19th and early 20th-century dance.<return><return>In conclusion, Katie Bogle is an outstanding candidate for any dance program. Her extensive experience as a dancer, historian, choreographer, and writer, coupled with her passion for dance and education, make her an ideal fit for any program to which she is applying. I highly recommend her for your program.<return><return>Sincerely,<return><return>[Your Name] | Dear Admissions committee,<return><return>I am writing to highly recommend Katie Bogle, a renowned dance historian, choreographer, dancer, and writer, for any dance program to which she is applying. I have had the pleasure of knowing Katie for many years and I can attest to her extraordinary talent and passion for dance.<return><return>Katie's extensive knowledge in the field of dance is truly remarkable. She served as the dance critic for The Baltimore Sun for 14 years and was an artist-scholar in residence at several prestigious universities. She also performed or lectured at many well-respected institutions. Her experience as a faculty advisor for the New York Public Library, the Performing Arts Division of the Library of Congress, and the Harvard Theatre Collection at Houghton Library, demonstrate her commitment to education and research in the field.<return><return>Katie's contributions to dance history are invaluable. She conducted groundbreaking research on pre-20th-century American ballroom dances, and uncovered the history of dance in the United Service Organizations. Her work resulted in performances at major museums and cultural sites and provided a comprehensive view of social and theatrical dance between the early 19th and 20th centuries. Katie was also the founding chair of the Dance department at Goucher College, where she held the Elizabeth Conolly Todd Distinguished professorship for five years. <return><return>Katie's personal achievements in dance are also impressive. She trained in modern dance with legendary choreographer Martha Graham and trained in ballet with several well-respected instructors. She was also well-versed in Renaissance dance, English Country Dancing, Morris Dancing, Baroque dance and 19th and early 20th-century dance.<return><return>In conclusion, Katie Bogle is an outstanding candidate for any dance program. Her extensive experience as a dancer, historian, choreographer, and writer, coupled with her passion for dance and education, make her an ideal fit for any program to which she is applying. I highly recommend her for your program.<return><return>Sincerely,<return><return>[Your Name] |
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